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For analyzing small flat textiles or swatches, the best thing I've tried is
to scan the item directly on the scanner bed in a high resolution. Then a
good graphics program will allow you to zoom in on every thread. You can see
*everything* more clearly, even better than with a strong magnifying glass.
Of course this assumes that you have the piece in hand and that it's in good
enough condition to handle.

I have a fairly good quality digital camera and it's very good for some
things, but it needs the right lighting for a clear picture with true
colours. It seems to need more light than the film camera. The built-in
flash is pretty inadequate and I haven't found a way to take a picture
through a glass case without light reflections. You can do some manipulating
on the computer but you can't fix everything. I've found that I've become
much more experimental with the digicam though -- you don't have to pay to
develop the mistakes. Just delete them. Most of my pictures stay as JPEGs
though (I view and use them on the computer) and very few get printed out.

>> how good would a digital camera be for taking clear close-up pictures of,
say, cathedral ceilings if I want to see, in perfect detail, carvings on
the, oh, bosses? <<

Nancy, it all depends on whether or not the camera has a good optical zoom
capability, how high the ceiling was, how much light was up there, and if
you could see the bosses from the choir loft! ;)

Hugs,
Louisa (watching the cheeky midnight blue Stellar's jays eating the flower
buds off the pear tree next door)

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