Hi all,
Here is a video of me playing my new piece on the baroque lute I built.
You shall notice that I am (mostly!) playing thumb out near the bridge.
Susan
[1]Introduzzione and Allegro by Susan Price (Lute)
[youtube.png]
Here is a video of my piece called Shakey Ground. 15 courses and 15
frets.
SP
[1]'Shakey Ground' for 15 Course Lute[]^[DEL: :DEL]
[youtube.png]
'Shakey Ground' for 15 Course Lute
Here's a piece I wrote called Shakey Ground. It
Hellwig?
> http://tielke-hamburg.de/htm_english/einfuehrung.htm
> <http://tielke-hamburg.de/htm_english/einfuehrung.htm>
>
> Andreas
>
>> Am 04.01.2018 um 05:35 schrieb sterling price <spiffys84...@cs.dartmouth.edu
>> <mailto:spiffys84...@cs.dartmouth.edu&g
Hi all,
I'm trying to find the whereabouts of the Joachim Tielke 1678 baroque lute made
in Hamburg. I'm planning to make a copy of the pegbox. I've got the drawing,
but I'd love to see pictures of this instrument. An Internet search yielded
nuttin.
Danke,
Sterling
Sent from my iPad
>
>
>
I have composed a few big works for the baroque lute, and I'm now working on
something for 15 course archlute.
Sterling
Sent from my iPad
> On Dec 21, 2017, at 4:10 PM, Daniel Shoskes wrote:
>
> I highly recommend it. I commissioned a work from Ronn McFarlane and I
Question--what is the longest a neck extension can be and still be able
to have octave strings? I'm making a pegbox for a baroque lute based on
the 14 course Hoffman pegbox--the original is 115.7cm and I might make
it a bit longer. I wont bore you with the reason I want it longer--but
Here is me playing BWV 996 on 15 course lute.
Sterling Price
[1]Sterling Price--Bach BWV 996-on 15 Course Lute
[youtube.png]
Sterling Price--Bach BWV 996-on 15 Course Lute
JS Bach BWV 996 on 15 Course Archlute Live Performance
The Lute Mustang is back
"Wait--that's like a Flute, right?"
[1]The Lute Mustang Part Two
[youtube.png]
The Lute Mustang Part Two
"Wait--that's like a Flute, right?"
--
References
Visible links
1.
Here is a video I made this morning---
Sterling
[1]Welcome to the Lute Mustang
[youtube.png]
Welcome to the Lute Mustang
29 String Arch Lute
--
References
Visible links
1. https://youtu.be/OPlKpLYMVcA
Hidden
hurdy-gurdy, I suppose.
Leonard
On 4/13/17, 9:44 PM, "sterling price" <[1]lute-...@cs.dartmouth.edu on
behalf
of [2]spiffys84...@cs.dartmouth.edu> wrote:
>Hi all- I started having some buzzing on my 13 course powered lute.
I'm
>not sure if it is a loose bar
Thanks-- by the way i was referring to "course power". ;))
Sent from my iPad
> On Apr 13, 2017, at 7:52 PM, howard posner <howardpos...@ca.rr.com> wrote:
>
>
>> On Apr 13, 2017, at 6:44 PM, sterling price <spiffys84...@cs.dartmouth.edu>
>> wrote:
&
Hi all- I started having some buzzing on my 13 course powered lute. I'm not
sure if it is a loose bar or some weird resonance. The buzzing only happens on
certain courses and I can't isolate where it's coming from. Has anyone some
advice for me?
Thanks!
Sterling
Sent from my iPad
To get on
:
>
>-- Forwarded message -
>From: Anthony Hart <[1][2]anthony.hart1...@gmail.com>
>Date: Sun, Mar 5, 2017 at 2:17 PM
> Subject: Re: [LUTE] 14 Course Powered Tiorbino
>To: sterling price <[2][3]spiffys84...@cs.dartmouth.edu>
So, as I did 23 years ago I took my old attiorbato and tuned it as a Tiorbino
(that's an octave theorbo by the way). You have not lived till you've heard De
Vissee on a solo Tiorbino. This very spiffy instrument can be used wherever a
solo theorbo is used and it has the added advantage of
=======
On 02/21/17, sterling price wrote:
Hi all--
I am looking for My Lady Careys Dompe as played by Paul O'Dette on the
Royal Lewters cd. Gathering from the liner notes I think it is Paul's
arrangement of the harpsichord version. Any ideas?
Thanks--
St
Hi all--
I am looking for My Lady Careys Dompe as played by Paul O'Dette on the
Royal Lewters cd. Gathering from the liner notes I think it is Paul's
arrangement of the harpsichord version. Any ideas?
Thanks--
Sterling
--
To get on or off this list see list information at
Hi all--
I'm in the market for a baroque lute-preferably something with 14
course-power. The bigger the better (75-77cm)
Does anyone have or know of such a lute that might be available?
Thanks!
Sterling
--
To get on or off this list see list information at
Hi--I have had experience with many types of lutes-- from very
expensive and great, to very shitty and horrible. The fame and
reputation of the maker is not always a good indication of how good and
playable the lute will be. It seem that -many- builders can't seem to
make a lute
Hi John--I have had -4- of the Sandi lutes and I must say that they are
pretty great. Not just great for the price but great lutes. They do
need bigger frets and better strings but once you do that you have a
great lute. I would totally recommend their 13 course lute. I had one
but
- Forwarded Message -
From: sterling price <spiffys84...@cs.dartmouth.edu>
To: G. C. <kalei...@gmail.com>
Sent: Friday, October 28, 2016 8:42 AM
Subject: Re: [BAROQUE-LUTE] Re: Dresden missing pages?
Ah dang it--I'm talking about the last d minor sonat
urb...@sea.plala.or.jp>
To: sterling price <spiffys84...@yahoo.com>; baroque lute list
<baroque-lute@cs.dartmouth.edu>
Sent: Friday, October 28, 2016 12:23 AM
Subject: Re: [BAROQUE-LUTE] Re: Dresden missing pages?
On Oct 28, 2016, at 1:39 PM, sterling price
<[1]spiffys8
I have been fascinated by this courante for 20 years. There was a
reconstruction done by Hans Neeman of the last line which I find very
unconvincing. There are two great recordings of sonata 40, the first by
Stephen Stubbs which is phenomenal. His reconstruction of the courante
must
Hi all---
I am in search of anyone who has a Richard Berg or Andy Rutherford 13
course lute who might be considering selling in the near future. If you
know of anyone selling--please let me know--
Sterling
--
To get on or off this list see list information at
Umm---why don't you just tighten the frets yourself? That's a very
basic thing every lute player should know how to do. Its like being
able to tie your shoes as a kid--
SP
__
From: John Mardinly
Hi all--
I am considering converting a nine course lute to a double head 12
course. I am looking for plans of the pegbox. Any info would be super.
Sterling
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Really--white glue is just fine for body frets.
SP
Guess I'll try the white glue. I've been practicing for a week without
the 9th fret.
To get on or off this list see list information at
[1]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
References
1.
I'm sure everyone has their own ways to deal with this, but I always
just apply a thin layer of white glue on the bottom of the fret (this
is about the only place where white glue is acceptable on a lute).
Press it down and hold firmly with your hands till dry (2-3 minutes is
__
From: sterling price <spiffys84...@cs.dartmouth.edu>
To: Lute List <lute@cs.dartmouth.edu>; Baroque Lute List
<baroque-l...@cs.dartmouth.edu>
Sent: Tuesday, May 3, 2016 6:30 PM
Subject: Lut
To the World Lute Community---I am now offering lute lessons via Skype.
I specialize in baroque lute, archlute and theorbo--(and even
renaissance lute too!) Please do contact me for more info---
Sterling
--
To get on or off this list see list information at
Kudos to those who are stringing attiorbatos correctly and not using
single strings. The liuto attiorbato is possibly my favorite lute
instrument. It is the most versatile of -all- lutes. I have two at the
moment and I'm planning on converting my ten course into a 14 course
__
From: Matthew Daillie <dail...@club-internet.fr>
To: Sterling Price <spiffys84...@yahoo.com>; Kyle Patterson
<patterk...@gmail.com>
Cc: Lute List <lute@cs.dartmouth.edu>
Sent: Thursday, January 21, 2016 4:16 PM
Subject: Re: [LUTE] Re: remo
Dear list--
Yesterday I got a new six course lute. This is the first time I have
really played one.
Question--is there an octave generally on the fourth course? Say for
Milano and such. But I also plan to play vihuela music on this, so then
no octaves?
Sterling
--
To
I tried this prelude many years ago. I found that to do it in C major a
low G was necessary.
Sterling
__
From: "l...@manassero.net"
To: baroque-lute@cs.dartmouth.edu
Sent: Sunday, December
hn Cowley Center for HREM, LE-CSSS
B134B Bateman Physical Sciences Building
Arizona State University
[9]PO Box 871704
[10]Tempe, AZ 85287-1704
On Oct 5, 2015, at 3:02 PM, sterling price
<[11]spiffys84...@cs.dartmouth.edu> wrote:
It was a neat interview. How woul
Barker <csbarker...@att.net>
To: 'Charles Mokotoff' <mokot...@gmail.com>; 'LuteNet list'
<lute@cs.dartmouth.edu>
Sent: Monday, October 5, 2015 2:33 PM
Subject: [LUTE] Re: Fun interview with Sterling Price
Let's see here... I have three Trumps, and one that ris
Unkind perhaps--but so true...
Sterling
__
From: Ed Durbrow <edurb...@sea.plala.or.jp>
To: sterling price <spiffys84...@yahoo.com>; LuteNet list
<lute@cs.dartmouth.edu>
Sent: Monday, Octob
Can someone direct me to the source of this title as played by O'Dette
on the album 'Robin Hood'?
Thanks!
Sterling
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Thanks to those who directed me to it. I now have it.
Sterling
__
From: Kyle Patterson <patterk...@gmail.com>
To: sterling price <spiffys84...@yahoo.com>
Cc: Lute List <lute@cs.dartmouth.edu&g
Actually the correct spelling is d'oh!
Sent from my iPad
> On Sep 2, 2015, at 5:01 PM, Mayes, Joseph wrote:
>
> Dough!!!
>
>
>> On 9/2/15 5:51 PM, "Braig, Eugene" wrote:
>>
>> Sorry, Joe. That's Foreigner.
>>
>> Eugene
>>
>>
Hi--and this brings up a desire of mine to hear more players use a true
liuto attiorbato--that is with octave strings on all the basses. I find
the liuto attiorbato much more satisfying than the archlute with single
basses. And what is really annoying--an attiorbato with single
Hi all--I am looking for good lute brace wood that isn't aimed at
guitar builders. Any ideas?
Also--does anyone have info about Edlinger lute bracing? I have two
plans of Edlinger (AR969 and the Burkholzer) but they do not show the
interior. I have decided that I want to focus on
Many thanks to all who responded-- especially as usual to Arthur for the great
information.
Sterling
Sent from my iPad
On Aug 19, 2015, at 1:48 PM, AJN arthurjn...@verizon.net wrote:
Hi, Sterling!
You were asking about the Buxtehude Suite in E minor (BuxWV
236) recorded by
, Aug 17, 2015 at 2:01 PM, Sterling Price
[7][3][7]spiffys84...@cs.dartmouth.edu wrote:
Hi all. I'm looking for the buxtehude suite on Gerwigs album from
the 1960s. I had heard that there was an 18th century version for
lute, but then I read that wasn't the case. Also
Hi all. I'm looking for the buxtehude suite on Gerwigs album from the 1960s. I
had heard that there was an 18th century version for lute, but then I read that
wasn't the case. Also the pachelbel suite on the same album I'd love to have.
Thanks!
Sterling
Sent from my iPad
To get on or off
I always use a nice screw to strengthen the pegbox to neck joint as this is the
way I was taught in lute building. What do other lute makers do? I am at the
moment making a triple beg box for a baroque lute and am about to configure the
screw and joint. Lutes always have a screw or nail at the
23, 2015, at 3:02 PM, Sterling Price
[6]spiffys84...@yahoo.com wrote:
Just curious-- has anyone ever had or heard of a pegbox failing
because of a strap? It should be fine if one ties the strap as close as
possible to the joint.
Sterling
Sent from my iPad
Just curious-- has anyone ever had or heard of a pegbox failing because of a
strap? It should be fine if one ties the strap as close as possible to the
joint.
Sterling
Sent from my iPad
On Jul 23, 2015, at 10:23 AM, Chris Barker csbarker...@att.net wrote:
I have noticed one recurring
I have been using this lute list since 1995.
Sterling
Sent from my iPad
On Jul 21, 2015, at 12:27 PM, Charles Mokotoff mokot...@gmail.com wrote:
Absolutely, thanks Wayne for everything you've done, its been immensely
helpful to me.
On Tue, Jul 21, 2015 at 12:57 PM, Leah Baranov
Winheld dwinh...@lmi.net; Charles Mokotoff
mokot...@gmail.com; Gary Boye boy...@appstate.edu; Mayes, Joseph
ma...@rowan.edu; Michael Grant mmgrant0...@gmail.com; Sterling
Price spiffys84...@yahoo.com; LuteNet list lute@cs.dartmouth.edu
Sent: Thursday, May 28, 2015 5:14 PM
Subject: Re
If your lute has shitty, ill fitting pegs then PegHeads might be fine, but it
seems that most lute builders know how to make pegs that work just great. When
I see PegHeads on early guitars with six strings I seriously feel the need to
throw up.
Sterling
Sent from my iPad
On May 26, 2015, at
Here is another video I did of an insane Weiss work. If you can endure
to the end of it you will hear my cadenza that goes up to fret 14 then
down to course 13.
Sterling
[1]Sylvius Leopold Weiss Allegro in D minor--Sterling Price
[2]image
Hi all--I have decided to sell the white Holly lute. Check out the pics
and specs here--
[1]Lutes for Sale
[2]Lutes for Sale
13 Course baroque lute after Burkholzer/Edlinger made by John
Butterfield 2007. Ribs, neck and pegbox in very white holly. 71.2 cm
string length.
Hi all--So I am thinking of selling my John Butterfield all white holly
Burkholzer 13 course and I'm wondering if there might be any interest.
Some of you may remember this lute causing a little stir and excitement
at a couple of LSA seminars, where several well known players loved
Hi all--here is an eBay auction I have for an earlier Weiss Guitar that
I made. It has 14 strings and is presently tuned as a re-entrant
theorbo. Now is your chance to have an extended range guitar for under
$900.
[1]14 String Guitar
[2]image
Hi all--
Some of you may remember my baroque lute made by John Butterfield with
ribs and neck made in very white holly. It is a superb lute and no it
is not for sale. John stopped building lutes shortly after he built
that lute and he would have been one of the great ones had he
...@yahoo.co.uk
To: sterling price spiffys84...@yahoo.com
Sent: Sunday, 29 March 2015, 14:21
Subject: Re: [LUTE-BUILDER] Lute Kit
Hi Sterling,
It was usually a new, wider, slightly longer neck and normally an extra
fret so there are nine tied frets; a longer pegbox to accommodate 19
strings
Sent from my iPad
Begin forwarded message:
From: sterling price [1]spiffys84...@cs.dartmouth.edu
Date: March 20, 2015, 4:01:41 PM MDT
To: BAROQUE-LUTE Lutelist [2]baroque-l...@cs.dartmouth.edu, Lutelist
Net [3]lute@cs.dartmouth.edu, 10string [4]10str...@yahoogroups.com
Thanks to all who responded to my query. I have ordered the Neusidler
12 Dances from Tree Edition.
Sterling
__
From: Harald Hamre privat har...@hamre.de
To: Dan Winheld dwinh...@lmi.net; Lutelist Net
Hi--I am looking for a version of the Teutch Lautenbuch of Melchior
Neusidler that is in something other than German Tab. Or do I need to
go ahead and try to learn to read German Tab?
Thanks all,
Sterling
--
To get on or off this list see list information at
Yes I also usually use the Leipzig version with 13 tuned to G. Also,
when I first started the lute I made a version in a minor but I really
like the suite in g minor.
Sterling
__
From: Christopher Wilke
Hi--does anyone know the German lutenist Burkhard Korn? I have been
playing his JS Bach lute transcriptions of keyboard music and they are
amazing. I would like to ask him about them.
--Sterling
--
To get on or off this list see list information at
Hi all--Can someone direct me to an English translation of the
instructions in the first book of Delphin de Musica of Narvaez?
Yes, I know it is hard to believe but I recently got a nice renaissance
lute and I am exploring the six course music for the first time. I
can't believe how
Dear Martin and others--
Could you give advice on specifics for stringing an attiorbato with no wound
strings? I have an attiorbato sized 57x85 and it is currently tuned in g at
415hz. All double courses except the top string. At this size should I go to a
higher pitch? I would like to try
Hello--
I am looking for the Douglas Alton Smith dissertation 'The Late Sonatas
of Sylvius Leopold Weiss'. I read it 20 years ago when I borrowed Pat
O'brien's copy. Does anyone know of the availability of this?
Thanks,
Sterling
--
To get on or off this list see list
...@hotmail.com, [4]r.turov...@gmail.com
[5]r.turov...@gmail.com, sterling price
[6]spiffys84...@yahoo.com, [7]baroque-lute@cs.dartmouth.edu
[8]baroque-lute@cs.dartmouth.edu
Date: Tuesday, June 24, 2014, 9:07 PM
The difficulty comes from having to
drill a new hole very close to an old one
On Tuesday, June 24, 2014 5:51 PM, sterling price
spiffys84...@yahoo.com wrote:
I think it depends on what your'e used to. My first 13 course had 157mm
and that is what I learned on, and I try to only play lutes with that
spacing. Once I had a lute for 6 months that was much
I was playing through the 1611 Kapsperge book and I came across the
Corrente 7. Toward the end of the piece there is an 11 marked in the
bass for the eleventh course B flat. This I think is the only instance
of an eleventh course in the book. I was under the impression that
Some of this talk of masterclasses has reminded me of my checkered past
with the format.
In 1994, when I was 20, I performed in a masterclass of a certain
well-known female guitarist. I made the mistake of not using her
edition of the Bach I was playing. She was not amused. She was
Perhaps one reason nails are used on modern classical guitars is the
very thick soundboard and high tension strings. On my 19th century
Lacote guitar copy, no-nails sounds perfect and full.
The sound of nails on plastic strings is sometimes grating to me. On
the other hand, for me
Regarding nails on gut strings--even people like Segovia used nails on
gut for decades. I like those early recordings of modern guitars strung
with gut. I think nylon strings came about after WWII.
Sterling
On Tuesday, December 10, 2013 7:46 PM, Sean Smith lutesm...@mac.com
Regarding hand written music---
If given a choice, I would always prefer hand written tab to computer
tab, especially with baroque music. I am baffled why anyone would
choose computer over original, when the original is so clear and
beautiful. When the original is not legible that
I have been playing an Edlinger baroque lute for 19 years. I think I am
partial to lutes of the Edlinger school, more so than Hoffman or
Widhalm. I also play a Burkholzer lute which could be considered an
Edlinger, as he did the conversion. The Edlinger baroque lute does have
a very
Chris--
I just heard the interview. Well spoken, and of course wow on the cd.
Sterling
__
From: Christopher Wilke chriswi...@yahoo.com
To: Lutelist List lute@cs.dartmouth.edu
Sent: Saturday, August 24, 2013
Hi--yes that was 2004 in Cleveland. I didn't have plans or a kit but I
would modify existing guitars. I started building them again this year.
They actually work quite well.
Sterling
__
From: Dan Winheld
It's not that hard to change the spacing on an existing lute. There is
no reason anyone should be playing a lute that doesn't fit right.
--Sterling
__
From: Leonard Williams arc...@verizon.net
To: lute
: Arthur Ness arthurjn...@verizon.net
To: sterling price spiffys84...@yahoo.com; baroque lute list
baroque-lute@cs.dartmouth.edu
Sent: Saturday, July 27, 2013 5:56 AM
Subject: [BAROQUE-LUTE] Re: Weiss Volume 9 Facsimile
Hang on, Sterling! You're in for a rough ride.
The volume you
than I'd like to use.
Sean
On Jul 16, 2013, at 6:08 PM, sterling price wrote:
Hi-
There was no problem when this lute had just -slightly- smaller
frets.
I was hoping there would be some remedy I could do without putting
new
frets on as they are quite expensive
that this feature need not be
utilized in the copy lute though.
--Sterling
__
From: Michael Vollbrecht mollbre...@gmail.com
To: sterling price spiffys84...@yahoo.com
Cc: lute@cs.dartmouth.edu lute@cs.dartmouth.edu
Hi all--
I recently changed the frets on my baroque lute (after many years of
service). I went up from 1.10 mm to 1.20 mm on all frets. The problem I
am having is there are a few frets that are not sitting all the way
flat under the first course so it has a 'choked' sound on some
Hi-
I just listened to the whole disc and I must say I am impressed. I
might even go as far as saying astonished. This performance is quite
good.
I would be very interested to know more about your right hand technique
and how it evolved for you.
I didn't get the liner notes
I made a shaper a while ago per the David Van Edwards but I wanted a
comercial one. I just ordered a Chinese these thing from Ebay so I hope
that works.
--Sterling
From: Andrew Hartig cittern2...@theaterofmusic.com
To: lute-buil...@cs.dartmouth.edu
Sent: Monday, March 4, 2013
Hi all-
Just wondering about a good source to get a peg sharpener in the US.
The sharpener that Stewart-Macdonald has doesnt seem right for lute
pegs...
--Sterling
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
I have an 8 string guitar with an A first string at 65cm at 440. The
size of the string is 0.41 and it sounds geat. It has been tuned up to
pitch since 2008. I think it is nylon and I got it off my baroque lute.
--Sterling
From: Din Ghani d...@sardin.co.uk
To: 'Paul Daverman'
Hi--this is interesting. Sometimes I have left a carbon and silver
strung 13 course lute for months of not playing and then take it out of
the case and -all- the strings are still in tune. I do live in a very
dry stable climate though...
--Sterling
From: Claudia Funder
I am quite picky about body frets. I always use a hard material like
ebony or rosewood. On my holly lute the body frets are a
holly/ebony/holly sandwich and on another lute I have ebony/ivory
sandwich. These lutes sound great in high positions.
--Sterling
From: Stephan Olbertz
Hi-they are not parallel to the soundboard. The layers are quite thin
but with three layers it becomes a big fret.
I used a drum sander to make the thin layers.
-Sterling
From: Ed Durbrow edurb...@sea.mail.or.jp
To: sterling price spiffys84...@yahoo.com; LuteNet list
lute
Hi--I am sure that the bridge is ebony because I have drilled/enlarged
several holes on it and its black dust all the way though. I am worried
about the braces and the soundboard. Here in Utah the humidity often
gets as low as 5-10%(like today).
I am still looking for someone to do
after it got here. Now the split goes almost the whole top but it has
not hurt playability. Perhaps I should just make a new soundboard
I will keep you all posted on what I do.
--Sterling
From: Richard Lees rel...@sbcglobal.net
To: sterling price spiffys84...@yahoo.com
Hi-I'm not sure if this list is still active so here goes---I have a
small archlute with a bridge that is made of ebony and I would like to
replace it with something more appropriate. Also because the string
spacing and action is all wrong. My question is--what is involved in
Arthur--any idea what Yale paid for this book? Just wondering
--Sterling
From: A. J. Ness arthurjn...@verizon.net
To: hera caius caiush2...@yahoo.com; Lute List
lute@cs.dartmouth.edu
Sent: Wednesday, May 30, 2012 3:41 PM
Subject: [LUTE] Re: A special request (Kapsberger)
Hi--Last week I asked the list about tuning my 14 course attiorbato as
a tiorbino...well I decided to keep it as a liuto attiorbato. I had not
played it at all for several years and I am now having a blast playing
some of the archlute rep as well as ren lute music including Dowland
I'm so Proud:). He has only been playing a few months.
--Sterling
From: Adam Olsen arol...@gmail.com
To: Lute List lute@cs.dartmouth.edu
Sent: Monday, May 21, 2012 9:01 PM
Subject: [LUTE] Allemande in d minor by SLW
Tried my hand at this YouTube stuff. I figured you folks
Hi all-
Many years ago I strung my attiorbato as a tiorbino and it worked quite
well. I only kept it that way for a while though as I wanted to try
other things. Anyway I was thinking of doing it again and I have a few
questions about tiorbinos. Were they always single strung or
Hi-sorry if this has been discussed in this thread, but consider
Bach's BWV 1025 for violin and harpsichord which was only recently
(1993) discovered to be based on a lute suite by Weiss. Did Weiss
supply Bach with a score in staff notation, or did Bach read from the
tab?
Hi-I use this technique all the time in J.S. Bach transcriptions. Its
very handy. I have my own way of notating it that is more clear than
using a big and little letter or number.
--Sterling
From: Mathias Roesel mathias.roe...@t-online.de
To: Baroque Lute Net
- Forwarded Message -
From: sterling price spiffys84...@yahoo.com
To: baroque lute list baroque-l...@cs.dartmouth.edu;
lute@cs.dartmouth.edu lute@cs.dartmouth.edu
Sent: Thursday, March 22, 2012 9:44 PM
Subject: [BAROQUE-LUTE] Archlute by Dan Larson for sale
Hi folks
Hi-I love those sharp keys. I was working on writing a suite in c#minor
and got pretty far with it but then decided to transpose it to c minor,
mostly because I don't like tuning the d# bass. Of course now I have to
tune an a flat though...
--Sterling
From: wikla
Ah--thanks for reminding me of your site. I was mistaken--it wasn't
Satoh but Lutz Kirchof with Sonata 40. I am still anxious to hear it as
it seems to be quite a rare recording.
--Sterling
From: Peter Van Dessel peter.vandes...@gep.kuleuven.be
To: sterling price spiffys84
Ok-now after looking at the Weiss recording site I remember which Satoh
recording I was looking for. Its:
SLW: Lautenmusik aEUR Lute Music - 3LP / Philips
with Sonata 46 in A that interests me. I have never seen this lp
anywhere.
-Sterling
From: sterling price spiffys84
Like many of you, I collect baroque lute recordings(on LP and CD). I've
been collecting them since before I first got a baroque lute in 1994.
My latest Lp I recieved from Europe-a Toyohiko Satoh record from 1981
of Bach BWV 995 and 1007. The sleeve says the lute used is a Van der
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