In addition, Bartolotti ends each passacaille with a chord to introduce the key
of the one to follow. On the surface, the implication is at least for the
possibility of through performance. I can't imagine how that could work
without equal temperament.
Eugene
However, of course, equal temperament allowed exploitation of modulation in a
way not permitted by other temperament schemes set by frets or keys. Pick your
scheme to serve your musical intent (or that of your ensemble partners), and
there's nothing wrong with whatever that is (equal
Well, I'm not in the UK, but... Unfortunately, one of the greatest proponents
of classical mandolin, UK denizen Alison Stephens, is recently deceased. She
was a student of the late Hugo D'Alton, was loved, and is missed. She taught
at Trinity College: http://www.trinitylaban.ac.uk/. I don't
] On Behalf Of
Braig, Eugene
Sent: Wednesday, February 15, 2012 9:46 AM
To: Martyn Hodgson; Lute Dmth
Subject: [LUTE] Re: Mandolin
Well, I'm not in the UK, but... Unfortunately, one of the greatest proponents
of classical mandolin, UK denizen Alison Stephens, is recently deceased. She
was a student
My reason for staying away from church in droves ever since coming of an age
that I could decide to do so is quite independent of the presence or absence of
schlocky music (that only shallowly apes popular music at its best). I think
there is a real reason for religion to struggle to appear
Don't we all... Mixed blessing indeed!
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Monica Hall
Sent: Wednesday, March 14, 2012 1:35 PM
To: A. J. Ness
Cc: Lutelist
Subject: [LUTE] Wikipedia
Dear Art
Yes - I just did. What
In fishes, depending upon the degree of group responsiveness, the swarm
behavior is usually referred to as shoaling (for somewhat loose associations)
or schooling (in more tight-knit associations). Closely schooling fishes
often feature a highly developed lateralis system for acute
just a wee bit.
At least we're not discussing schooling Clupeidae in this particular thread!
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Christopher Wilke
Sent: Thursday, March 15, 2012 8:56 AM
To: Edward Mast; Braig, Eugene
Cc
Indeed. This is accentuated with modern rest stroke, but even with free
stroke, modern players strive to drive the stroke vertically towards the
soundboard...that Piccinini (and I suspect many other astute pluckers) had
already figured out around four centuries ago.
Best,
Eugene
In most common usages, at least in the US, mic is a noun abbreviation for
microphone and mike (and conjugates) is a verb abbreviation for to use or
deploy a microphone ...or something like that.
Carry on.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu
That guitar teacher, mentioned very early on, was Mr. John McCormick, and is
still active in publishing classical-era art song with guitar accompaniment and
is one of my favorite guys in the world.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu
: Tuesday, April 10, 2012 10:04 AM
To: Lute List
Subject: [LUTE] Re: All about micing...redux
From: Braig, Eugene brai...@osu.edu
Subject:[LUTE] Re: All about micing...redux
I'm assuming it's still pronounced 'mike' but maybe it's 'mick'?
Perhaps we should
While I enjoyed this read, I didn't see anything particularly new here. For
example, Hopkinson Smith specifically named all the sources of Bach's original
lute music in the liner notes he drafted for his recording of this music
around 30 years ago. He also stated their evident non-lute
I think the point, David, is that the music we have inherited as Bach's works
for lute doesn't have any linear provenance to actually connect them to an
intention by Bach for them to be performed on lute. That said, transcriptions
of any Bach music are as legitimately lute as the alleged lute
in the article, doesn't this work fine on the
archlute?
Of all the arguments, playability certainly is intriguing.
dt
__
From: Braig, Eugene brai...@osu.edu
To: lute lute@cs.dartmouth.edu
Sent: Wed, April 25, 2012 11:31:40
),
lots of statements without evidence.
Regards
Stephan
still clinging to illusions
of lute. It's tough letting go.
But he put it all together very nicely, I thought.
On Apr 25, 2012, at 11:18 AM, Braig, Eugene wrote:
While I enjoyed this read, I didn't see anything particularly new
of the source material for Bach's lute works, whatever conclusion
anybody would like to draw from it.
Best,
Eugene
-Original Message-
From: Mayes, Joseph [mailto:ma...@rowan.edu]
Sent: Thursday, April 26, 2012 7:49 AM
To: Braig, Eugene; lute
Subject: Re: [LUTE] Re: Bach¹s Lute Suites
..And I have nothing more to add other than I also agree with all you've said,
Joseph. Pluckers are good folk. Cheers!
Eugene
-Original Message-
From: Mayes, Joseph [mailto:ma...@rowan.edu]
Sent: Friday, April 27, 2012 10:09 AM
To: Braig, Eugene; lute
Subject: RE: [LUTE] Re: Bach¹s
still clinging to illusions
of lute. It's tough letting go.
But he put it all together very nicely, I thought.
On Apr 25, 2012, at 11:18 AM, Braig, Eugene wrote:
While I enjoyed this read, I didn't see anything particularly new
here. For example, Hopkinson Smith specifically named all
is what guitarist and how can we judge
someones knowledge. It's much better to present bare facts letting
people decide what they can make of it, IMHO.
My 2 cents
Best regards
Jaroslaw
Wiadomość napisana przez Braig, Eugene w dniu 26 kwi 2012, o godz. 22:01:
I wholeheartedly
, but then the question is what guitarist and how can
we judge someones knowledge. It's much better to present bare facts
letting people decide what they can make of it, IMHO.
My 2 cents
Best regards
Jaroslaw
Wiadomość napisana przez Braig, Eugene w dniu 26 kwi 2012, o godz.
22:01:
I wholeheartedly
napisana przez Braig, Eugene w dniu 26 kwi 2012, o godz. 22:01:
I wholeheartedly agree, jl. Fortunately, I don't believe the little article
discussed here did make any such definitive statements. I think it did a
fair job of presenting evidence with relative objectivity.
Eugene
WiadomoAAAe/= napisana przez Braig, Eugene w dniu 26 kwi 2012, o
godz. 22:01:
I wholeheartedly agree, jl. Fortunately, I don't believe the
little article discussed here did make any such definitive statements.
I think it did a fair job of presenting evidence with relative
objectivity
It's beginning to sound like an 8-course might actually better suit your needs.
While short lived in period, they seem pretty ubiquitous today.
Best,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Joshua Burkholder
Sent:
As one who fishes, the only reply possible is E...?
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Daniel Winheld
Sent: Wednesday, May 09, 2012 3:52 PM
To: Luca Manassero
Cc: lute@cs.dartmouth.edu
Subject: [LUTE] Re:
Bass or any other lean fish with morels is pretty good too. Mmmm...
Eugene
-Original Message-
From: Daniel Winheld [mailto:dwinh...@lmi.net]
Sent: Wednesday, May 09, 2012 11:02 PM
To: Braig, Eugene
Cc: lute@cs.dartmouth.edu
Subject: Re: [LUTE] Re: Chanterelle choice?
To E
There is a chaconne to close one of the duos in the London manuscript (the one
often referenced as duo 4, SC 14). The flute line has been reconstructed a
number of times. I'm sure others on this list can point you towards available
scores. Here are a few recordings of the piece that I like.
Me too, and I still like hard-copy back up, either CD or vinyl, on the shelves
as well. I've never met a hard drive--lower-case i or otherwise--as reliable
in the long term as hard copy on a shelf. I do recognize it is becoming more
difficult to find hard-copy material outside of the cyber
...@dolcesfogato.com]
Sent: Tuesday, June 26, 2012 8:15 PM
To: Braig, Eugene
Cc: lute@cs.dartmouth.edu
Subject: Re: [LUTE] Re: New post
Please be aware that CD-R has an average lifespan of 10 years- even the best
quality with the best storage. CDs may last longer - so you may want to
consider longevity
CDBaby recently made substantial updates to their site. In transition, their
was a beta version of the new site up while the classic version operated at
the old url. The new version is now up at the regular cdbaby.com site. I
wonder if you simply tried to access while the transition was
Is the gut-wrapped wire you describe substantially different than Gamut's
gimped gut, David? If not, the notion that no one makes this lute string
isn't quite right.
Personally, I'm very fond of the tone and functionality of Gamut's gimped
strings. The biggest problem with them is that the
Bruno touches on a good point. Some universities have early-music ensembles
and own lutes. Members of those ensembles are sometimes provided with
university instruments on loan while they are active with the ensemble. Here
in central Ohio, e.g., Otterbein University occasionally assembles an
Depends upon the species, Craig.
http://www.fws.gov/international/DMA_DSA/CITES/CITES_home.html
http://www.fws.gov/international/DMA_DSA/CITES/pdf/Cites_eng.pdf
http://www.cites.org/eng/app/appendices.php (true rosewoods are of the genus
Dalbergia)
Only Dalbergia nigra is afforded protection
PS: Dalbergia nigra is that commonly referred to as Brazilian rosewood.
Eugene
-Original Message-
From: Braig, Eugene
Sent: Wednesday, August 01, 2012 2:09 PM
To: lutelist Net
Subject: RE: [LUTE] Re: My First Lute
Depends upon the species, Craig.
http://www.fws.gov/international
Some titles and descriptions are truly tantalizing. However, I find it
extremely frustrating in being so teased with no way to access more detailed
images directly. I'm sincerely tempted to write Erik-Pierre regarding my vrais
intérêt.
There used to be a fine listserv for 19th-c. guitar
ago.
A
Chris.
On Wed, Oct 3, 2012 at 10:06 AM, Braig, Eugene
[1][2]brai...@osu.edu
wrote:
Some titles and descriptions are truly tantalizing. A However,
I
find it extremely frustrating in being so teased with no way to
access more
The alternate theory of guitar and related words in other languages being
derived from Persian roots char-tar (i.e., four string) used to get some
traffic. Is that term still discussed/debated with any frequency? If not, why
not?
Best,
Eugene
-Original Message-
From:
I have to agree. And myriad organological relationships with different facet,
functions, and potentially involving diverse inspiration/influence don't always
led themselves to clear distinction at all other than basic description of
vibrating mechanism.
Eugene
-Original Message-
Too late...
Eugene
From: WALSH STUART [mailto:s.wa...@ntlworld.com]
Sent: Wednesday, October 17, 2012 3:54 PM
To: r.turov...@gmail.com
Cc: Diego Cantalupi; Braig, Eugene; List LUTELIST
Subject: Re: [LUTE] Re: Chitarrone
Don't get (biologist) Eugene going on 'family
..mandolins in fifth-tunings, some wire-strung English guittars, etc...
Although I suppose one could argue they all bear some true lute
relationships, at least structurally.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
I don't think a dichotomous key would work. As alluded, one of the neat
features of biological inheritance is that all things come from similar
parental things. Not so when addressing the capricious whims of human
creativity. One of my favorite examples is mandolins, with many structurally
don't bother using keys any
longer.
Best,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Martyn Hodgson
Sent: Thursday, October 18, 2012 3:57 AM
To: lute mailing list list; Braig, Eugene
Subject: [LUTE] Re: Chitarrone
Dear
about human rights! What about whale rights? What
about worm rights? What about germ rights? etc, etc.
On 10/18/2012 7:32 AM, Braig, Eugene wrote:
I actually believe those who think about such stuff are usually
operating under some form of generally acceptable classification
system for 'lutes
Right up my alley... What's to be on volume two? Thanks, Rob!
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Rob MacKillop
Sent: Tuesday, November 13, 2012 3:58 AM
To: Lute
Subject: [LUTE] Sor Album
Off Topic, I'm afraid,
With bated breath...
Eugene
From: Rob MacKillop [mailto:robmackil...@gmail.com]
Sent: Tuesday, November 13, 2012 1:12 PM
To: Braig, Eugene
Cc: Lute
Subject: Re: [LUTE] Sor Album
Thanks, Eugene, Volume 2? I'm working on it slowly - longer pieces, for
sure
Just because the Landfill Harmonic got some recent attention on these lists:
Berta Rojas circulated a video of herself playing Barrios' Villancico with
the Cateura Recycled Orchestra on Christmas. Enjoy!
http://www.youtube.com/watch?v=eCiN17lwxno
Eugene
To get on or off this list see
Good luck! Mine came to me from a maker in Brazil who worked with Luciano
Faria before Faria became scarce. The case is very well made, but Luciano told
me the maker only speaks Portuguese. I'll look for info on the maker as soon
as I can break for home from the day-job office.
Best,
Eugene
I certainly can't speak for Martyn, but don't detect any suppositions of
self-evident terminology in what he's written to this thread. I can speak
for me, and what Martyn has written does speak to my own skepticism. I
perceive a great difference between In spite of Meucci's article, I'm not
[sheepishly] ok...
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Rob MacKillop
Sent: Tuesday, January 29, 2013 3:40 PM
To: pie...@vantichelen.name
Cc: Lute
Subject: [LUTE] Re: 6c guittar
Now this will be piss me off right royally if
Excellent plan.
Eugene
-Original Message-
From: Monica Hall [mailto:mjlh...@tiscali.co.uk]
Sent: Tuesday, January 29, 2013 4:16 PM
To: Braig, Eugene
Cc: Lutelist
Subject: Re: [LUTE] Re: 4 course guitar in Italy
Oh dear - sorry if I have given the wrong impression about what Martyn
From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] on behalf of howard
posner [howardpos...@ca.rr.com]
Sent: Thursday, January 31, 2013 10:07 AM
To: Lute list
Subject: [LUTE] Re: The English Guitar
On Jan 31, 2013, at 5:24 AM, G. D. Rossi
Inset roses are more often in fruitwood (often pear), parchment, or some
combination of the two, but with wooden layers extremely thin. As a starter,
consider emulating the rose of the Cutler-Challen mandolino by Stradivari as a
relatively simple example in three layers:
Odd. I've been using the new Nylgut on several instruments and don't have that
issue. Where fixed to hitch pins, I do have to be very careful of the knot I
use because the stuff is prone to break at nicks or under tension at kinks.
Best,
Eugene
-Original Message-
From:
For those genres that value strict timing, add bluegrass. Right or wrong,
those cats can be some of the most elitism-prone musicians I've ever
encountered.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Bruno Correia
Sent:
I'm guessing this is the Laurentius Greiff (1610) lute that appears on the CD:
http://www.carpediem-records.de/en/De-Visee.
Not to be too nitpicky (OK: actually, to be the nitpicky bastard I know myself
to really be), but convincing is much more important than authentic in my
humble opinion.
I haven't seen this particular incarnation yet. However, everything old is new
again...
Louis Panormo (1784 - 1862):
http://www.studia-instrumentorum.de/MUSEUM/GITARREN/0566.htm
Rene Lacote (ca. 1785 - after 1868) did similar only a little later in time,
but I can't find any electronic
Myself, I prefer no amplification at all, but often find myself in for-hire
situations that require it. For my relatively small-scale needs, the Roland AC
series serves me very well, providing a relatively natural sound that is simply
a bit louder. I couple that with a stand-mounted condenser
Total irrelevancy alert: Lake Superior only the largest lake in the world by
surface area, not by volume. It is a part of a large system, the Laurentian
Great Lakes, that do constitute the largest freshwater system in the world by
volume. However, all by its lonesome ans because of its
:27 PM, Braig, Eugene brai...@osu.edu wrote:
Total irrelevancy alert: Lake Superior only the largest lake in the world by
surface area, not by volume. It is a part of a large system, the Laurentian
Great Lakes, that do constitute the largest freshwater system in the world by
volume. However
Hmmm...
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Tobiah
Sent: Friday, June 21, 2013 12:39 PM
To: Braig, Eugene
Cc: lute mailing list list
Subject: [LUTE] Re: Lute in North America?
Here's a groovy little club of which
What a score! All is beautiful. Sincere thanks for sharing, Valéry. Of what
material is the back?
Best,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Valéry Sauvage
Sent: Monday, July 08, 2013 1:12 AM
To: 'Lutelist List'
Thank you for this little interjection of integrationist rationality, Ned.
This thread was descending too deeply into a segregationist
pooh-pooh-the-classical-mainstream fest for my tastes. Frankly, the whole
world of academic music seems to me to be teetering on the brink of commercial
On Tue, 06 Aug 2013 11:56:49 -0700, Nancy Carlin wrote:
- web pages. This is the first place where potential employers
(concert promoters etc.) look to find contact information. There are
more than a few names in the lute world who do not have their own
web sites. When you Google them
. . . And I've seen Hoppy fire off several bars by Piccinini on modern piano to
demonstrate phrasing a line during a master class . . . by ear . . . and then
transpose the same by half a step on the fly to accommodate A at 415! He tried
to demonstrate it on the 5-course guitar with which he
. . . Many (certainly not all) somehow believing that assuming a bad cockney
accent; whacking each other with wooden weapons while feigning the inability to
use struck limbs; and listening to modern Irish, Scottish, or English folk
songs strummed by steel-strung acoustic instruments somehow
Huzzah!
From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] on behalf of
Christopher Wilke [chriswi...@yahoo.com]
Sent: Thursday, August 08, 2013 11:51 PM
To: Braig, Eugene; lute@cs.dartmouth.edu
Subject: [LUTE] Re: general public Lute awareness
Excellent points, all.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
t...@heartistrymusic.com
Sent: Friday, August 09, 2013 2:43 PM
To: Braig, Eugene; lute@cs.dartmouth.edu; Christopher Wilke
Subject: [LUTE] Re: general public
Sorry, we really do try our best, but a series like ours here in Columbus, OH
doesn't draw the huge names and never pays the somewhat biggish names anything
close to what they ask or deserve. I.e., that split isn't so wide here.
Eugene
From:
Fortunately, because tromba marina is played entirely in natural harmonics,
correctly tuning its one string should get you within 2 cents of any note it
can muster. By the way, can you use any reentrant tuning schemes on tromba
marina, or does that depend upon its scale length?
Eugene
Nothing specific regarding The Renaissance Gilde. However, in general,
features that make for less playable musical instruments or that are just plain
weird without any demonstrable benefits rarely (i.e., almost never) enhance
value. Any exceptions tend to be among large commercial entities
For what it's worth, those Westminster recordings (both guitar and lute) were
later bundled up and reissued as a 2-CD set.
Best,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Geoff Gaherty
Sent: Monday, August 12, 2013 4:33 PM
http://www.youtube.com/watch?v=t4f8fej9Sqo
Eugene
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
: Tuesday, August 13, 2013 3:47 AM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Re: general public Lute awareness - Would you like to see my
lute?
Very interesting! Thanks!
But it is quite irritating to see, how obsequious JB is ...
Arto
On 13/08/13 01:32, Braig, Eugene wrote:
http
Another Stravinsky a pizzico aside that came to me via mandolin composer and
copyright researcher Neil Gladd:
Stravinsky's ballet Agon has a brief mandolin part. The English mandolinist
Hugo D'Alton performed Agon with Stravinsky conducting in London during the
1950s. Stravinsky was so
Iadone's odd lute appears to be a misappropriated late 18th-c. mandolone, at
least on a superficial visual-aesthetic level.
Best,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Edward Martin
Sent: Tuesday, August 13, 2013 6:47
Truly intriguing. Thanks, Stuart!
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
WALSH STUART
Sent: Thursday, September 26, 2013 2:52 PM
To: lutelist Net
Subject: [LUTE] Indian 'English' guitar music from Calcutta, 1789
I
Good luck at it, Joe. Can you share what mandolin type(s) will be featured in
solos? Any Youtubing planned to come of it?
Best,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Bernd Haegemann
Sent: Sunday, October 13, 2013
FYI, the concerto in G for two mandolins (RV 532) is a different work than the
truly grosso grosso in C naming every imaginable soloist (RV 558).
Best,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Arthur Ness
Sent: Sunday,
Oops. Please pardon my reading-the-list-and-replying-in-sequence-oversight
redundancy.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
howard posner
Sent: Sunday, October 13, 2013 2:35 PM
To: lute list
Subject: [LUTE] Re:
Ha! I think you mean semi-infamous. Have fun out there.
Eugene
-Original Message-
From: Mayes, Joseph [mailto:ma...@rowan.edu]
Sent: Monday, October 14, 2013 6:00 PM
To: Braig, Eugene; Lutelist
Subject: Re: [LUTE] Re: Vivaldi
I guess I must fess-up to the fact
, October 16, 2013 5:47 PM
To: Braig, Eugene; Lute List
Subject: Re: [LUTE] Re: Vivaldi
Dear Eugene,
I did not say RV 532 (G major) and RV 558 (C major) are the same work.
The ISMLP editor alleges a second version of RV 532. Take a look at
his/her entries for RV 532 and scroll down
. . . And The Julian Bream Consort's Fantasies Ayres and Dances, I believe
originally released in 1988 on RCA, was just plain good . . . although I'm also
biased by a bit of starry-eyed nostalgia when it comes to Bream.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu
I don't think I would dare to be so prescriptive of the musical activities of
anybody who doesn't happen to be me.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
erne...@aquila.mus.br
Sent: Friday, December 06, 2013 2:35 PM
The Barrios-as-first legend is batted around quite a bit, but I think that's
due to his current popularity as a mainstream classical instrumentalist. I
suppose giving Barrios that credit depends upon if you're willing to consider
accompanists. Roy H. Butin, e.g., was a fine professional
However, once again, Mace offers this advice in acknowledging the antecedent:
strike . . . your strings with your nails, as some do, who maintain it the
best way to play. Mace's implication is that nail play was also commonplace
and that tastes on this topic varied.
Eugene
-Original
. . . Not to mention a huge body of dedicated baroque- and romantic-era
repertoire for guitar that was forgotten for generations because Segovia didn't
like it and instead opted to create a body of repertoire through transcription.
I don't think Segovia can be blamed for his tremendous
Chapdelain was the first-ever winner of the Guitar Foundation of America
competition, but now specializes in fingerstyle arrangements of pop music on
steel-string guitar: http://www.michaelchapdelaine.com/. He's now fond of
taking the stage as a barefoot bohemian. Discussing the Segovia
to fault Segovia for accepting his popularity and using it to further his own
taste. I'm sure from Segovia's point of view in promoting his own tastes he was
protecting the integrity of the guitar and the music.
Gary
On 2013-12-17 13:13, Braig, Eugene wrote:
. . . Not to mention a huge body
. . . quasi-orgasmic relish is worthy of a tittering *tee-hee*.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Christopher Wilke
Sent: Thursday, December 19, 2013 8:27 AM
To: Jarosław Lipski; lute@cs.dartmouth.edu
Subject:
A little plug copied directly from Facebook:
Columbus Guitar Society guest artist Christopher Wilke will be appearing on a
live interview/performance segment with WOSU Classical 101's Boyce Lancaster,
9:30 am (ET), Friday, 24 January 2014. It can be heard both live on the radio
via 101.1 FM in
Groovy.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Rob MacKillop
Sent: Thursday, February 13, 2014 8:05 AM
To: Lute
Subject: [LUTE] Meet a relative - Tanbur
I've started studying the Turkish tanbur, which might be seen
Thanks, David. Artfully delivered. Think of him whatever you will, but I'm
surprised nobody has mentioned that Segovia popularized this piece in solo
guitar transcription.
Best,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Agreed. I don't know that there's much player crossover between notation
formats, even among those who do work from both on an instrument-by-situation
basis. If you have the ability and resources to generate two separate
editions, that might better serve.
That said, if I recall correctly
Very nice.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Roman Turovsky
Sent: Friday, April 04, 2014 11:39 AM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Frottola, Tromboncino, Sorini
http://www.youtube.com/watch?v=WNmeGzjK6Ic
Greetings Konstantin,
This topic has received some discussion here in the past, at least
peripherally. Searching the archives might reveal some discussion of interest.
I don't think the treble mandore/mandora/mandwr/what-have-you was in very
widespread use by Vivaldi's time, certainly not in
On Jun 4, 2014, at 7:50 AM, Braig, Eugene brai...@osu.edu wrote:
On O'Dette's recording of the Vivaldi works with the Parley of Instruments
(1986, Hyperion CDA66160), he speculated the works to designate mandolino
to be intended for the five or six course mandolino (i.e.,
[g]-b-e'-a'-d''-g
From: Martyn Hodgson [mailto:hodgsonmar...@yahoo.co.uk]
Sent: Wednesday, June 04, 2014 11:30 AM
To: Braig, Eugene; lute list
Subject: Re: [LUTE] Re: Vivaldi solo lute
Dear Eugene,
Without wanting to re-open a debate of over 10 years ago, despite Count Wrtby's
origins I'm a bit sceptical
To: Braig, Eugene
Subject: Re: [LUTE] Re: Vivaldi solo lute
Thank you all for your interesring comments!
Just to clarify, I played RV 93 and RV 540 several times on my archlute
and it was OK as for me as for the other musicians and listeners. But
now an ensemble engaged me for RV 540
]
Sent: Thursday, June 05, 2014 2:03 AM
To: Braig, Eugene; lute list
Subject: Re: [LUTE] Re: Vivaldi solo lute
I'm working on it!
Martyn
__
From: Braig, Eugene brai...@osu.edu
To: lute list lute@cs.dartmouth.edu
] On Behalf Of
Martyn Hodgson
Sent: Thursday, June 05, 2014 8:38 AM
To: Braig, Eugene; lute list
Subject: [LUTE] Re: Vivaldi solo lute
Yes indeed Eugene,
This is one of the very instruments I had in mind when earlier
referring to extant Italian instruments newly made in the 18th century
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