Sergio,

Please give an example not an analysis of what you consider a creative or real 
world problem - and how you use a set to solve it.

For example,s.o. may ask you : "write a program that will enable me to compose 
video essays - an alternative to ibooks Author.." - that's a problem

or by all means, give me the problem that your subject-matter engineer or 
whoever gave you, in the form given - the original brief

or give any other real world problem as it is originally expressed/conceived

("Jump on a tree branch", pace your squirrel, "jump over that box", "putt that 
golf ball to hole it" are also real/ real world problems)

And then explain what set will solve that problem.

You say you're a scientist (although what you're arguing below is nothing but 
philosophy). A scientist looks at evidence to test his theories. You say sets 
will solve real world problems - show me one piece of evidence - one actual, 
clearly identified real world problem that bears this out.. 

ONe way or another, looking at actual problems will help your theory - even if 
only to demolish it. Not looking at them won't help it at all.

P.S. If you want to outline the set for a squirrel or a human jumping on a 
branch - [perhaps the worst example you could have chosen] - be my guest.


From: Sergio Pissanetzky 
Sent: Wednesday, June 13, 2012 3:00 PM
To: AGI 
Subject: RE: [agi] The 2 Tests of AGI - generalizability & creativity


 

MIKE> can you identify one creative, real world problem that can be solved by 
sets?

SERGIO> Easy. I already have, and I published it. I have used causets to solve 
problems of object-oriented analysis. This is a creative task. You talk to a 
subject-matter engineer, he explains to you what he wants, and you are supposed 
to CREATE objects, classes of objects, hierarchies, software, user interfaces, 
etc. Not your taste? Sorry, I have to start somewhere, I can't do everything at 
the same time. 

 

MIKE> That is the final solution. And it is a single solution (or single set).

MIKE> sets have nothing to do with creative, real world problems. 

Then why are you using sets? Answer: sets have no special powers. You use them 
because they help you to express. 

 

 

MIKE> The light bulb will be ever refined and ever new alternatives found. 

SERGIO> Of course. But that's only because we acquire new information, we 
learn. Current light bulbs use knowledge that was not available to Edison when 
he designed his. Likewise, the squirrel changes strategy on the go, as he 
learns. He may start climbing a tree and the LEARN that I came too close and 
decide to jump to the next tree. Just to find out that there is another 
squirrel in that tree defending its territory. That is creative, is it not? 

Lesson: behaviors depend on information, information determines behaviors. But 
information constantly changes, and behaviors follow, giving the impression 
that the squirrel creatively adjusts its behavior to the circumstances. This is 
how creativity works. 

 

Mike, please stop describing complexity to me. I know what it is. Start telling 
me what you plan to do about it. Really, what do you plan to do about 
complexity? I am doing what I can. Are you?

 

Sergio

 

 

From: Mike Tintner [mailto:[email protected]] 
Sent: Tuesday, June 12, 2012 4:41 PM
To: AGI
Subject: Re: [agi] The 2 Tests of AGI - generalizability & creativity

 

We only do - loosely speaking - one thing at a time.

 

When I add 22 + 22 - I come to one thing, 44. Ditto if I I deduce from  if p 
then q, p....  I come to one thing, q.

 

Similarly, when Edison finished solving the problem of electric light, he came 
up with one thing - one light bulb, at a certain point.

 

But the mental procedures of coming to the one solution in rational and 
creative problems are opposite.

 

And the options at the end - when I have produced that one thing are also 
different. IN a rational problem, there are no more options. That is the final 
solution. And it is a single solution (or single set).

 

But in a creative problem, the solution is only one of an infinity or world of 
possible solutions - and, it is typically, just the start of further actual 
solutions. The light bulb will be ever refined and ever new alternatives found.

 

IN addition, in a creative problem, people often present multiple solutions not 
just  - multiple designs for a new light bulb.

 

Ditto, the squirrel's reactions and human reactions are capable of further 
alternatives and refinement, and typically receive further refinement - and may 
involve multiple rather than single reactions.

 

And to repeat, logic and sets have nothing to do with creative, real world 
problems.

 

I've answered your question, now answer mine - can you identify one creative, 
real world problem that can be solved by sets?

 

 

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