--- In [email protected], Vaj <[EMAIL PROTECTED]> wrote:
>
> 
> On Oct 25, 2006, at 9:02 AM, TurquoiseB wrote:
> 
> >> Oh yeah? prove it!
> >>
> >
> > As it turns out, there is a fairly simple way of
> > proving this. And, as it turns out, you yourself
> > will be one of the test subjects in the experiment,
> > whether you want to be or not.
> >
> > Just pay attention to what happens at the moment
> > of your death, and then *keep* paying attention.
> >
> > Reporting your research to others and getting it
> > published may be a little more difficult, however.  :-)
> 
> 
> And of course he could do a bardo retreat and experience it first  
> hand AND report back.
> 
> If he survived the retreat...:
> 
> The Bardo Retreat
> 
> 
> The practice of thogal is typically carried out in strict 
seclusion,  
> in the seven-week bardo retreat known as yangti, "beyond ati," in  
> other words beyond the ninth yana, atiyoga, "one of the most 
highly  
> advanced and dangerous forms of practice in Tibetan Buddhism."(46) 
It  
> is held that through practicing the bardo retreat, one attains 
the  
> rainbow body, which arises as the natural result of the  
> identification of mind (jnana) and body (kaya).
> 
> 
> In the bardo retreat, one follows a course of meditation that  
> simulates the experiences of death and the after-death state. 
(See  
> chapter 14.) The retreat itself is carried out in complete 
darkness,  
> and because it is considered dangerous, facilities for it were 
found  
> at only a few places in Tibet. Only those considered sufficiently  
> well prepared both physically and mentally are authorized to 
carry  
> out the retreat. The very real peril to the practitioner is one 
of  
> psychosis, of dissociating from ordinary reality.`" A variety of  
> methods and practices are known and employed to bring 
practitioners  
> "back" when such a psychotic break occurs. A practitioner aspiring 
to  
> perform yangti yoga needs to be at a most advanced stage of 
practice  
> and spiritual maturity. Having been accepted for the retreat, he 
or  
> she then undergoes months of preparation. Even then, one is 
allowed  
> to enter the retreat only after clear evidence of mental and 
physical  
> readiness. The retreat cell is specially designed so that all 
light  
> can be gradually reduced until it is completely dark. The  
> practitioner is taken to the cell and then, over the period of a  
> week, the light is gradually excluded until he or she is in total  
> darkness. Trungpa Rinpoche, who carried out this retreat as part 
of  
> his training prior to leaving Tibet in 1959, remarks that at 
first  
> the meditator feels depressed and anxious. In time, however, he  
> becomes accustomed to the absence of light.
> 
> 
> Each day, someone visits the retreatant to give meditation  
> instruction and counsel. It is interesting that the instructions 
are  
> the same as those provided to a dying person. Trungpa Rinpoche  
> remarks that, as the retreat progresses, the daily visits are  
> critically important, for without them the meditator would 
completely  
> lose touch with ordinary reality. In contrast to other types of  
> tantric meditation, in the bardo retreat no active visualizations 
are  
> involved in the practice. Instead, the mental imagery associated 
with  
> death appears spontaneously. An example is provided by the 
appearance  
> of wrathful wisdom eyes:
> 
> 
> The central place of the peaceful tathagatas is in the heart, so 
you  
> see the different types of eyes in your heart; and the principle 
of  
> the wrathful divinities is centralized in the brain, so you see  
> certain types of eyes gazing at each other within your brain. 
These  
> are not ordinary visualizations, but they arise out of the  
> possibility of insanity and of losing ground altogether to the  
> dharmata principle.(48)
> 
> 
> Trungpa Rinpoche describes the evolving experience of the retreat. 
At  
> a certain point, the dualistic notions of light and dark fall 
away,  
> and everything is seen in a blue light. The meditator's 
projections  
> appear as the five buddhas (lower), the five buddha lights 
(medium),  
> or the five buddha wisdoms (higher). Rinpoche comments that one  
> usually sees the blue light first, then light of one color, then  
> another, following the course of how one broke away from the alaya 
in  
> the first place.(49) The experiences of the five buddhas manifest 
not  
> in terms of physical or visual reality but in terms of energy 
having  
> the qualities of earth, water, fire, air, and space. Trungpa 
Rinpoche  
> explains:
> 
> 
> We are not talking about ordinary substances, the gross level of 
the  
> elements, but of subtle elements. From the perceiver's point of 
view,  
> perceiving the five tathagatas in visions is not vision and not  
> perception, not quite experience. It is not vision, because if 
you  
> have vision you have to look, and looking is in itself an 
extraverted  
> way of separating yourself from the vision. You cannot perceive,  
> because once you begin to perceive you are introducing that  
> experience into your system, which means again a dualistic style 
of  
> relationship. You cannot even know it, because as long as there is 
a  
> watcher to tell you that these are your experiences, you are 
still  
> separating those energies away from you.(50)
> 
> 
> In characterizing the experience of the five buddha energies,  
> Rinpoche remarks, "It flashes on and off; sometimes you 
experience  
> it, and sometimes you do not experience it, but you are in it, so  
> there is a journey between dharmakaya and luminosity."(51) 
Through  
> the bardo retreat, one is approaching an experience of space that 
is  
> utterly beyond any interference or involvement by the human 
person,  
> completely unorganized and undomesticated in any sense. It is 
totally  
> naked, free-form, and unconditioned. It is naked because it 
contains  
> not even the most subtle dualistic filter of subject and object. 
It  
> is free-form because there are no concepts or categories to 
provide  
> shape or interpretation. And it is unconditioned because it 
stands  
> alone, not based on causes and conditions or leading to results,  
> simply "as it is," without any reference to past or future. It is  
> outside of time. This description suggests the danger to the  
> meditator. Out of the anxiety of the "free-fall" of the retreat, 
one  
> may seek ground in what arises, becoming fascinated by the 
colored  
> figures, the mental imagery, and the visions that one sees, and 
begin  
> to fixate, magnify, and indulge in them. According to Tibetan  
> tradition, this kind of fascination can lead to the withdrawal 
from  
> reality mentioned above. In this case, one mentally creates a 
world  
> of one's own and physically enters into a state of suspended  
> animation in which one remains for years, decades, or even 
centuries. 
> (52) Tenzin Wangyal, who carried out a bardo retreat in the Bon  
> context, provides the following illuminating comments:
> 
> 
> I had heard stories and jokes about the problems people 
encountered  
> while doing dark retreat, in which practitioners had visions they  
> were sure were real. . . . In everyday life, external appearances  
> deflect us from our thoughts, but in the dark retreat, there are 
no  
> diversions of this kind, so that it becomes much easier to be  
> disturbed, even to the point of madness, by our own mind-created  
> visions. In the dark retreat, there is a situation of "sensory  
> deprivation," so that when thoughts or visions arise in the 
absence  
> of external reality testing devices, we take them to be true and  
> follow them, basing entire other chains of thoughts on them. In 
this  
> case it is very easy to become `submerged' in our own mind-
created  
> fantasies, entirely convinced of their "reality."(53)
> 
> 
> As the meditation proceeds, one passes through the bardo stages,  
> described below in chapter 14. The meditation lasts for a nominal  
> period of seven weeks, but it may in fact vary, depending upon 
the  
> person. About the fifth week, a kind of breakthrough typically  
> occurs. Trungpa Rinpoche:
> 
> 
> Generally around the fifth week there comes a basic understanding 
of  
> the five tathagatas, and these visions actually happen, not in 
terms  
> of art at all. One is not exactly aware of their presence, but an  
> abstract quality begins to develop, purely based on energy. When  
> energy becomes independent, complete energy, it begins to look at  
> itself and perceive itself, which transcends the ordinary idea of  
> perception. It is as though you walk because you know you do not 
need  
> any support; you walk unconsciously. It is that kind of 
independent  
> energy without any self-consciousness, which is not at all 
phantasy- 
> but then again, at the same time, one never knows.(54)
> 
> 
> At the end of the meditation the light is gradually readmitted, 
until  
> after a week the windows are completely uncovered and the 
meditator  
> may leave the cell.
> 
> 
> The purpose of the bardo retreat, like other forms of tantric  
> meditation, is to enable the practitioner to touch the primordial  
> reality that precedes the formation of the personality. It 
enables  
> one to "know" the energies that circulate in the ocean of being, 
as  
> they are before we structure them through our perception, slot 
them  
> into recognizable quantities, and filter them through the 
mechanism  
> of conceptual interpretation. Moreover, one not only touches 
these  
> energies and knows them, but much more profoundly recognizes them 
as  
> the ultimate truth of one's own being and existence. This is, of  
> course, a reality that is utterly free of any notion or movement 
of  
> "I" or ego. What makes the bardo retreat so unique within Tibetan  
> Buddhism is that its methods are incomparably powerful and 
effective,  
> and it is able to bring this level of realization about so quickly-
 
> that is, for those who are sufficiently prepared and survive it 
rigors.
> 
> 
> Urgyen provides the following account of a recent occurrence:
> 
> 
> [The person] took rainbow body in the cow shed of one of my 
gurus'  
> mother's household. This event was witnessed by several people.  
> Jamgon Kongrul the Second told me this story, so I definitely feel 
it  
> is true. Jamgon Kongtrul's brother, a very tall and handsome man, 
was  
> present at the time.
> 
> 
> It happened like this. An elderly nun came through their village 
on  
> pilgrimage. When she saw the wealthy household, she asked for a 
place  
> where she could make a short retreat. They offered her one of 
their  
> vacant cow sheds. She told them, "I want to use it for a week to 
make  
> a strict retreat. I want the door sealed up. Please pile stones  
> against the door because I don't want any disturbance." Since 
they  
> were used to sponsoring practitioners, they agreed and no one 
thought  
> twice about it. They said, "Sure, you can have it your way." They  
> didn't know who was going to look after her and bring her food; 
they  
> thought she had already made arrangements. After three days, some  
> strange phenomena began to occur. Scintillating, swirling light-
rays  
> of different colors were seeping out of the holes and cracks of 
the  
> cow shed's stone wall. Light was shining out from under the room;  
> while outside the shed, spheres of light moved rapidly about. The  
> people of the house wondered, "What's going on here? Who's 
looking  
> after the old woman? Who's bringing her food?" They asked their  
> servants. The servants thought someone else was giving her food, 
but  
> actually no one was. They decided she must have been cooking for  
> herself, but Jamgon Kongtrul's brother asked, "(Is there any place 
to  
> cook inside?" The servants said, "No, no. There is no fireplace 
or  
> anything." So they wondered, "What is she eating? Does she have 
any  
> water? What are these lights all about?" Finally, they decided to  
> take a look. They removed the pile of stones and pried open the 
door;  
> they saw that the body of the nun had fallen to pieces. Her hands  
> were lying in one place and her feet were lying in another; her 
limbs  
> were no longer connected to the body, but lay scattered in 
pieces.  
>  From the ends of the bones, swirls of rainbow light were coiling 
out  
> as the body continued to fall apart. The observers asked each 
other,  
> "What is this? It looks like she's dead!" One person had the 
presence  
> of mind to say, "Let's leave her alone. It looks like something  
> unusual is happening here. She asked for seven days of solitude 
so  
> let's do as she asked." And saying that, they sealed the shed up 
again.
> 
> 
> When they returned after the seventh day and opened the shed, the  
> rainbow lights had vanished. Not a drop of blood, nor flesh, nor  
> bones could be found anywhere. Only the nails from the fingers 
and  
> toes remained lying there very neatly, along with a hank of hair.  
> This event most definitely happened.(58)
> 
> 
> Tulku Urgyen continues: "Even after the Chinese arrived, two or 
three  
> people in Golok attained rainbow body."
> 
> 
> Nyoshul Khen Rinpoche, who is very careful about such stories, 
went  
> to Tibet and through many different sources tracked down the 
names  
> and places of these people. He is keeping all the details very  
> precisely. Two of these people attained rainbow body. The third  
> person was being beaten by the Chinese when suddenly he started 
to  
> levitate upwards until they could not reach him. He went higher 
and  
> higher until he vanished. This is a type of celestial 
accomplishment.  
> So, it's definitely true that even these days people do attain  
> rainbow body, and that there are still practitioners who attain  
> accomplishment.(59)
> 
> -fr. _Secrets of the Vajra World_
>


Fascinating stuff, but the key phrase here is "simulates the 
experiences of death" We are just assuming this is the same as real 
death. Sounds like a pretty good time though.






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