--- "David W. Fenton" <[EMAIL PROTECTED]>
wrote:

> An issue that I think is highly relevant, but that
> only a few can 
> probably comment on, is how the issue of voice
> handling in multi-part 
> score systems -> parts compares to Sibelius's
> corresponding solution 
> to the same problem. I believe someone said that
> Sibelius doesn't do 
> it too well, but can't recall who.


People are going to find that the implementation of
Linked Parts in Finale and Dynamic Parts in Sibelius
are similar but with various strengths in favor of one
or the other.

Sibelius doesn't actually have a feature for doing
this - a staff in the score will always have the same
notes as the parts derived from that staff. Users can
work around this in a couple of different ways:

1. Extract the part and work with it the old way.

2. Create the score with all of the staves you will
need, including, for example, a flute 1 staff and a
flute 2 staff in addition to the flute 1,2 staff that
you ordinarily would only show in the score. Then make
one huge part from that score that includes only the
staves you actually want showing in your score (in
this case, you'd leave the flute 1 and flute 2 staves
out, adding only the flute 1,2 staff).


Both of these methods can be used in Finale as well.
Finale offers the 3rd option, which is to let it
handle the splitting (and then make edits to it by
extracting if necessary).

As clumsy as method 2 may sound, it's not a horrible
way to go. The idea of being able to see both part
staves and the original source staff in the score at
once is useful, since you can quickly see which notes
are going where to make sure everything is accounted
for, and you can also put anything you want on those
staves. I suspect some people will use this method in
Finale as well when the supplied method doesn't cut
it. But we'll also see situations where the Finale
method is sufficient or close enough to sufficient to
save time.


-Tyler

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