Hello Stephen, Thank you very much for your suggestions! They are going to be very productive for my research.
I have found this article written by Brett Kashmere that deals with some of this topics. [image: Inline image 1] Pull my Daisy! Of course! All the best, Albert On Wed, Nov 8, 2017 at 2:03 PM, Stephen Broomer <[email protected] > wrote: > Hi Albert, > > Jack Chambers' R34 features a section of Ayler's Bells for the last > stretch of it. > > Joyce Wieland's Rat Life and Diet in North America has a violent cacophony > of free jazz at the beginning that I've not been able to identify. > > Joyce's Water Sark has an improvisational soundtrack by Carla Bley & Mike > Mantler (of the Jazz Composers Orchestra) with Ray Jessel (Broadway > composer and later novelty songwriter). > > Likewise, her Peggy's Blue Skylight is named for the Mingus composition > and features Paul Bley playing it on the soundtrack. > > There are passages of jazz in the collage soundtracks of Arthur Lipsett. > (Sorry for the Canada-centric response!) > > I feel like there's a Kuchar movie that has the Scott Lafaro bass solo > from Ornette Coleman's Free Jazz on the soundtrack... > > There's another Hy Hirsch film, Gyromorphosis, that uses Django by the > MJQ/John Lewis. > > There's always Pull My Daisy. > > Stephen > > Sent from my iPhone > On Nov 8, 2017, at 3:14 AM, Albert Alcoz <[email protected]> wrote: > > Hello, > > I was wondering about the connections between jazz music and avant-garde > film after watching *Bridges-Go-Round* (1958) by Shirley Clarke, with the > soundtrack version created by Teo Macero. > > There should be plenty of avant-garde and experimental films where the > soundtrack is instrumental jazz music. Maybe the field of Visual Music > should be the most represented but i'm sure there are other films like the > one by Michael Snow that uses, in this case, free jazz music or > improvisation. > > Does anyone remember some other avant-garde films with jazz soundtracks? > > Right my list is as follows: > > *Begone Dull Care* (1949) by Norman McLaren. Music by Oscar Peterson > > *Films No. 1* (1948) by Harry Smith. Music by Dizzy Gillespie > > *Chasse des Touches* (1959) by Hy Hirsh. Music by Thelonious Monk > > *Catalog* (1961) by John Whitney. Music by Ornette Coleman > > *New York Eye and Ear Control *(1964) by Michael Snow. Music by > Albert Ayler, Don Cherry, etc. > > Thanks in advance, > > Albert Alcoz > > > -- > http://visionaryfilm.net/ <http://www.visionaryfilm.net/> > http://albertalcoz.com/ <http://www.albertalcoz.com/> > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > -- http://visionaryfilm.net/ <http://www.visionaryfilm.net/> http://albertalcoz.com/ <http://www.albertalcoz.com/>
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