I think I saw Michael Snow’s name invoked somewhere in this thread, but I don’t 
think anyone mentioned that he is himself a jazz musician.  I saw a show at 
Hallwall’s in Buffalo years ago where Snow where they included a piece called 
REVERBERLIN made of footage of a performance of his ensemble CCMC:

http://www.hallwalls.org/media-arts/4675.html

FYI,
Roger

On Nov 9, 2017, at 11:21 AM, Esperanza Collado 
<[email protected]<mailto:[email protected]>> wrote:

Hey Albert,

What a great thread! Did anyone mention Shirley Clark? Can't remember the title.

Also, some of the animated films of Suzan Pitt use jazz music. Asparagus for 
sure.

You may want to check Christopher McLain's works too... i could be wrong.

Will keep thinking...



El El jue, 9 nov 2017 a las 16:42, tanya g 
<[email protected]<mailto:[email protected]>> escribió:
Albert,

Thank you for initiating this thread. I apologize if this was already mentioned 
but in my research I came across two others: Surprise Boogie (1956) direted by 
Albert Pierru and sponsored film Skyscraper by Clarke and Van Dyke from 1959, 
if memory serves.

Two non-avant garde that may be nonetheless of interest are:

Cry of Jazz (Ed Bland, 1959)
https://en.wikipedia.org/wiki/Cry_of_Jazz

Jammin' The Blues (1944)
https://www.youtube.com/watch?v=BIFJ81RIyVk



<Screen Shot 2017-11-09 at 10.40.43 AM.png>

On Wed, Nov 8, 2017 at 3:13 AM, Albert Alcoz 
<[email protected]<mailto:[email protected]>> wrote:
Hello,

I was wondering about the connections between jazz music and avant-garde film 
after watching Bridges-Go-Round (1958) by Shirley Clarke, with the soundtrack 
version created by Teo Macero.

There should be plenty of avant-garde and experimental films where the 
soundtrack is instrumental jazz music. Maybe the field of Visual Music should 
be the most represented but i'm sure there are other films like the one by 
Michael Snow that uses, in this case, free jazz music or improvisation.

Does anyone remember some other avant-garde films with jazz soundtracks?

Right my list is as follows:

Begone Dull Care (1949) by Norman McLaren. Music by Oscar Peterson

Films No. 1 (1948) by Harry Smith. Music by Dizzy Gillespie

Chasse des Touches (1959) by Hy Hirsh. Music by Thelonious Monk

Catalog (1961) by John Whitney. Music by Ornette Coleman

New York Eye and Ear Control (1964) by Michael Snow. Music by Albert Ayler, Don 
Cherry, etc.

Thanks in advance,

Albert Alcoz


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