Sorry, this email was just for Stephen. Anyway, thank you all for the different suggestions concerning the connections about Jazz music and Avant-Garde cinema.
Some other day we could exchange ideas about other music styles, for example Tango: Tango by Zbigniew Rybczyński https://www.youtube.com/watch?v=hzG0niiKdko Reasons to be Glad by Jeff Scher https://www.youtube.com/watch?v=u0pEpA_Y1a4 On Thu, Nov 9, 2017 at 2:29 PM, Albert Alcoz <[email protected]> wrote: > Hello Stephen, > > Thank you very much for your suggestions! They are going to be very > productive for my research. > > I have found this article written by Brett Kashmere that deals with some > of this topics. > [image: Inline image 1] > > Pull my Daisy! Of course! > > All the best, > Albert > > On Wed, Nov 8, 2017 at 2:03 PM, Stephen Broomer < > [email protected]> wrote: > >> Hi Albert, >> >> Jack Chambers' R34 features a section of Ayler's Bells for the last >> stretch of it. >> >> Joyce Wieland's Rat Life and Diet in North America has a violent >> cacophony of free jazz at the beginning that I've not been able to identify. >> >> Joyce's Water Sark has an improvisational soundtrack by Carla Bley & Mike >> Mantler (of the Jazz Composers Orchestra) with Ray Jessel (Broadway >> composer and later novelty songwriter). >> >> Likewise, her Peggy's Blue Skylight is named for the Mingus composition >> and features Paul Bley playing it on the soundtrack. >> >> There are passages of jazz in the collage soundtracks of Arthur Lipsett. >> (Sorry for the Canada-centric response!) >> >> I feel like there's a Kuchar movie that has the Scott Lafaro bass solo >> from Ornette Coleman's Free Jazz on the soundtrack... >> >> There's another Hy Hirsch film, Gyromorphosis, that uses Django by the >> MJQ/John Lewis. >> >> There's always Pull My Daisy. >> >> Stephen >> >> Sent from my iPhone >> On Nov 8, 2017, at 3:14 AM, Albert Alcoz <[email protected]> wrote: >> >> Hello, >> >> I was wondering about the connections between jazz music and avant-garde >> film after watching *Bridges-Go-Round* (1958) by Shirley Clarke, with >> the soundtrack version created by Teo Macero. >> >> There should be plenty of avant-garde and experimental films where the >> soundtrack is instrumental jazz music. Maybe the field of Visual Music >> should be the most represented but i'm sure there are other films like the >> one by Michael Snow that uses, in this case, free jazz music or >> improvisation. >> >> Does anyone remember some other avant-garde films with jazz soundtracks? >> >> Right my list is as follows: >> >> *Begone Dull Care* (1949) by Norman McLaren. Music by Oscar Peterson >> >> *Films No. 1* (1948) by Harry Smith. Music by Dizzy Gillespie >> >> *Chasse des Touches* (1959) by Hy Hirsh. Music by Thelonious Monk >> >> *Catalog* (1961) by John Whitney. Music by Ornette Coleman >> >> *New York Eye and Ear Control *(1964) by Michael Snow. Music by >> Albert Ayler, Don Cherry, etc. >> >> Thanks in advance, >> >> Albert Alcoz >> >> >> -- >> http://visionaryfilm.net/ <http://www.visionaryfilm.net/> >> http://albertalcoz.com/ <http://www.albertalcoz.com/> >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> > > > -- > http://visionaryfilm.net/ <http://www.visionaryfilm.net/> > http://albertalcoz.com/ <http://www.albertalcoz.com/> > -- http://visionaryfilm.net/ <http://www.visionaryfilm.net/> http://albertalcoz.com/ <http://www.albertalcoz.com/>
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