No Problem, Antonio.
Actually, I guess I wasn't clear about the Santalices article and what the 
connection is to the hole. I mentioned the reason as connected to the polemic 
regarding the "camps" of zanfona players, and basically Julio's article 
mentions only one point in the article: it is that the instrument with the hole 
was the model or template (i.e. "patrĂ³n") for the instruments produced in the 
Lugo workshops that were influenced by that very instrument. So, the theory 
goes, the instrument was recreated--large size, side hole--and all.

However, to counter my own argument in this case, I'm trying to remember if any 
of the other models I've seen from the peninsula that are unrelated to the 
Santalices instrument by "lineage" have this same hole. If anyone recalls this 
as the case, give a shout...

Ate breve,
Vlad


On 6 Dec 2011, at 09:50, Antonio wrote:

> Paulo, Thanks for the explanation about why "s" use is more correct
> than "z". Convincing. (anyway no matter how I write it down I always
> pronounce sanfona because i am brazil born and never learned to
> pronounce spanish z correctly).
> Wolodymyrm, thanks for your comments. I knew the article about
> santalices - but i was refering to others - which alsohaveitandno
> relation to lira organizzata. I would have thought that the hollow in
> the sound box is enoght to compensate different inside/outside
> pressure. It sounds as apossible explanation.
> 
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