This is an interesting question, musicologically, and this is my
opinion--everyone is free to disagree!
Evidence: The evidence is that you either pluck the notes at the same
time, or out of order. AFAIK, there are no other choices.
First off, the derivation of the lute is from the "viola," or vihuela
(you may use your own generic term here) played with a bow or quill.
With a bow or quill, you must roll. Yes, you can have a flat bridge,
but you won't get far without being able to change strings once in a
while. So the lute starts out rolled. You could maybe argue that no one
ever played chords, but then the rolling is moot, or mute.
Keyboard evidence: as far the surviving evidence being "out of
regulation", and all harpsichords made now based on historical models
being out of regulation, I suppose that is a possibility, but one that
is unlikely to change. This includes all organs as well, since the
chiff is regulated and sounds at a different time than the
fundamental--exactly like the octave string on a lute, or the four foot
on a harpsichord. The organ pedals of course sound either rolled or not
rolled depending on where you are sitting, and there is no way to line
up the pedals so they are "unrolled"--can't be done". So every Sunday,
rolled chords in church. One can say they are all wrong, but that would
be considered pretty radical. It may be true, of course, I think for
sure the rolling built in to the harpsichords can be pretty extreme.
But it sounds very odd when you don't stagger the jacks--I've tried it,
others have as well. And no one makes them that way because it doesn't
sound right.
However, the basic model is one in which we have to show that people
did not roll the chords, since it is difficult to do so, and we know
that the lute started out rolled. Analysis of high speed video shows
that people almost always roll the chords, even if they try not to, and
there is also the possibility that one might think one is not rolling
when in fact one is rolling. So the burden of proof is to show that
people didn't, which is difficult because people did--after all, it is
impossible to play a chord with a quill while not rolling.
There is a great deal more evidence in the form of iconography, because
if you look at stop frames of the lute plucking motion of different
players you will see the "no roll" has the same place setup as "roll"
but a different release profile (except for the two-fingered snap pluck
described in treatises). If you look at the release profile, you will
see that fingers form a line, and you rarely see this sort of line in
iconography. Instead you often see the release points splayed, just as
in a roll. Artistic license? Maybe, but I think not--too much variance;
too many examples. Try it for yourself; see where the fingers naturally
wind up each way.
Speaking of the snap pluck, where in a six or seven note chord the
index finger (or other finger) snaps the top three or four course and
the thumb snaps the lower two or three courses, these chords are of
course "rolled from both ends" as we used to say in the '60s. Just to
be clear: these chords are rolled in two directs because only two
fingers are used, just like a quill brushing sequentially over strings.
So rolling is historical, documented, impossible to avoid, shows up in
other instruments, is notated and appears to be quite common in
iconography. That's a lot of evidence.
But historical evidence is subject to interpretation, so you can go
through these and interpret them differently. That's the beauty of
Early Music--there's many opinions on the source material.
Why do harps have to roll? Because it sounds good, of course, but there
is a reason: the strings range farther than the span of the hand--just
like a player with small hands has to roll tenths or even octaves on
the keyboard.
Drums rolled, snares rolled, harps rolled, keyboards rolled, citterns
rolled, guitars rolled, violins, gambas and cellos rolled (they have
too, actually). But the lutes were the lone holdout? Where is the
evidence that people did NOT roll? That's the question here, since the
lute comes from the quill, and unless you are Edward Scissorhands,
there is only one way to quill: sequentially.
dt
--- On Fri, 11/23/12, Martyn Hodgson <[email protected]> wrote:
From: Martyn Hodgson <[email protected]>
Subject: [LUTE] Re: Rolled chords
To: "lute" <[email protected]>
Date: Friday, November 23, 2012, 4:29 AM
You write that 'A rolled chord is an arpeggio, literally, like a
harp,
and these go
back to the Early Renaissance. ' - what's your evidence for this?
Further, what do you mean by this ' A careful analysis of
harpsichord
registration indicates that in double manual instruments the plucks
were slightly staggered, or ruffled, to create a slight roll in the
sound. ' How does any analysis of registration inform us that the
plucks of a chord were 'rolled'? - or do you mean that in a poorly
regulated instrument the two rows of jacks may be out of
synchronisation?
MH
--- On Thu, 22/11/12, David Tayler <[1][email protected]>
wrote:
From: David Tayler <[2][email protected]>
Subject: [LUTE] Re: Rolled chords
To: "lute" <[3][email protected]>
Date: Thursday, 22 November, 2012, 18:45
A rolled chord is an arpeggio, literally, like a harp, and these
go
back to the Early Renaissance. They probably date back to
antiquity,
if
one wants to include attempts at reconstructing Lyre style from
world
music sources like the Eritrean Begena. Written out arpeggios
feature
in Mudarra's famous work of course.
A careful analysis of harpsichord registration indicates that in
double
manual instruments the plucks were slightly staggered, or
ruffled,
to
create a slight roll in the sound. Any quill strum on a lute or
cittern
of course rolls the chord; the rolling is built-in.
dt
--- On Sat, 11/17/12, Christopher Wilke
<[1][4][email protected]>
wrote:
From: Christopher Wilke <[2][5][email protected]>
Subject: [LUTE] Re: Rolled chords
To: "Martyn Hodgson" <[3][6][email protected]>
Cc: "lute" <[4][7][email protected]>
Date: Saturday, November 17, 2012, 9:22 AM
Martyn,
I agree with you that there is no evidence for for rolled
chords
before the 17th century. I'm not sure we can translate this
absence
into any pronouncements about performance practice.
Interesting that the subject of rolled chords on piano has
been
brought into this. There are in fact many aspects of 19th
century
performance that are in abundance in late19th/early 20th cent.
recordings but never discussed in contemporary treatises. One
finds,
for example, that inegalite was so widespread as to be nearly
ubiquitous, even though it is not often mentioned. I haven't
heard a
single recording or piano roll that features the type of
rubato
in
which the left hand truly remains in strict tempo while the
right
hand
plays freely around the beat, even though this is often
discussed
in
the treatises. Clearly, their ideas regarding "strict tempo"
was
highly
subjective and not obliged to use the type of metronomic
exactitude
we
would expect today. Performing this repertoire in strict
adherence
to
contemporary writings would lead to something quite different
than
the
audio recorded record reveals.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
----- Original Message -----
From: Martyn Hodgson <[1][5][8][email protected]>
To: Christopher Wilke <[2][6][9][email protected]>
Cc: lute <[3][7][10][email protected]>
Sent: Saturday, November 17, 2012 3:36 AM
Subject: [LUTE] Re: Rolled chords
Dear Chris,
I'm not sure I agree with you when you write "This lack of
specificity
implies that the signs are merely an indication for a
pre-existing
and
well known practice.". It might equally imply that before
this
time
the practice of 'rolled' chords was unusual.
But please don't misunderstand my position: I'm not
categorically
saying that 'rolled' chords were never played pre-17th
century;
merely
that there's no historical evidence for the practice (unlike
the
position for such chords in 19th/early 20th century piano
performance).
regards,
Martyn
--- On Fri, 16/11/12, Christopher Wilke
<[1][4][8][11][email protected]>
wrote:
From: Christopher Wilke
<[2][5][9][12][email protected]>
Subject: Re: [LUTE] Re: Rolled chords
To: "Martyn Hodgson"
<[3][6][10][13][email protected]>,
"Gary R.
Boye"
<[4][7][11][14][email protected]>
Cc: "WALSH STUART" <[5][8][12][15][email protected]>,
"lute"
<[6][9][13][16][email protected]>
Date: Friday, 16 November, 2012, 18:47
Martyn,
It is very telling that when signs for arpeggiation - i.e.
separee
slashes, the % sign in Kapsberger and others' theorbo music
-
are
introduced, they include no information regarding speed or
rhythm.
This
lack of specificity implies that the signs are merely an
indication
for
a pre-existing and well known practice. How long the
practice
was
in
existence and in what precise guise it was used is, as I
said
before,
inconclusive. Few would argue today that because indications
for
articulation or dynamics are rare in much early written
music,
one
should refrain from playing with either. (I said, "few
would
argue...". Some still do.)
Perrine's suggestions for rhythmicizing separee ciphers is
the
exception that proves the rule. My suspicion is that these
may
not
be
a
literal record of contemporary lutenists' performance
practice.
Rather,
he was probably attempting to show keyboard players how to
approximate
an idiomatic lute effect via the resources of a different
medium.
There
is a parallel in the piano works of 19th century Spanish
composers
like
Albeniz and Granados, who often evoked guitar rasgueados
with
fast
arpeggiated figures. These works in transcription have
become
mainstays
of modern guitar repertoire and this brings up another
manifestation
of
the "composer's intentions" issue. Should guitarists
slavishly
reproduce as many of the written notes of the piano score as
exactly
as
possible, or can "strummy" gestures be replaced with bona
fide
rasgueados? What would the composer want? Even in these
comparatively
recent works, we really don't have an answer.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
----- Original Message -----
From: Martyn Hodgson
<[7][10][14][17][email protected]>
To: Gary R. Boye [1][8][11][15][18][email protected]
Maybe they were - it's just strange that other methods are
reported
on
the lute but this one not....
regards
Martyn
--- On Fri, 16/11/12, Gary R. Boye
<[2][9][12][16][19][email protected]>
wrote:
From: Gary R. Boye
<[3][10][13][17][20][email protected]>
Subject: Re: [LUTE] Rolled chords
To: "Christopher Wilke"
<[4][11][14][18][21][email protected]>
Cc: "Martyn Hodgson"
<[5][12][15][19][22][email protected]>,
"WALSH
STUART"
<[6][13][16][20][23][email protected]>, "lute"
<[7][14][17][21][24][email protected]>
Date: Friday, 16 November, 2012, 15:38
Chris,
Interesting that you should bring up rolled chords; there
was
much
discussion on another list several months ago about this
YouTube
video:
Louis Podesta's "Your Piano Teacher Taught You Wrong"
[1][8][15][18][22][25]http://www.youtube.com/watch?v=2VPgg3armCI
Gary
Dr. Gary R. Boye
Professor and Music Librarian
Appalachian State University
> ----- Original Message -----
Dear Chris,
Perhaps 'rolled' chords were common - as you say, there's
no
early
evidence for them which may mean they were not used or if
used
then
not
reported. But we do know that other ways of playing chords
were
reported so why not this one if it were practised?
And I see no conflict between being 'informed' and, even,
practising
historical techniques with enhancing the music: the two are
not
mutually exclusive. Indeed some might suggest that employing
historical
technique serves the music and the composers' intentions
best
and
so
further enhances the music.
Martyn
--- On Fri, 16/11/12, Christopher Wilke
<[16][19][23][26][email protected]>
wrote:
From: Christopher Wilke
<[17][20][24][27][email protected]>
Subject: Re: [LUTE] Re: Re/deconstructing Dowland; - and
'rolled'
chords
To: "Martyn Hodgson"
<[18][21][25][28][email protected]>,
"WALSH
STUART"
<[19][22][26][29][email protected]>
Cc: "lute" <[20][23][27][30][email protected]>
Date: Friday, 16 November, 2012, 14:28
Martyn,
The use of rolled chords, like so many things in early
music
performance, has to be assigned to the "inconclusive"
category.
Lack
of
evidence does not mean lack of practice. For example, the
subject
is
rarely mentioned in modern classical guitar methods even
though
it
is
a
ubiquitous. Rolling may just have been one of those things
that
was
done without comment.
Who knows? As always, our primary concern should not be
with
how
"informed" we are, but whether or not what we do enhances
the
music.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
----- Original Message -----
Re [LUTE] Re: Re/deconstructing Dowland; - and 'rolled'
chords
Friday, 16 November, 2012 13:58
From: "Martyn Hodgson"
[9][21][24][28][31][email protected]
To: "WALSH STUART" <[22][25][29][32][email protected]>
Cc: "lute" <[23][26][30][33][email protected]>
Dear Stuart,
I agree with you that we need to be wary in our (modern)
assessments
of many of these works.
For example, some of these lute 'solos', both by Dowland
and
other
lute playing composers, may be lute parts to a consort or a
duet
and
can seem strangely incomplete whilst still fooling modern
editors
(eg
Holborne's 'The Cradle' in Dd.2.11. - noted on page 8
of
the
recent
Lute Society edition), so we need to be careful before
discarding
them
onto the scrap heap of musical spam. I'm also uneasy of
imposing
our
ideas of what was the 'right' harmonic practice at the
time:
'crude'
harmonies might be as much a stylistic trait as a sign
of
compositional
rudeness.
Regarding 'rolled' chords also raised in this thread,
these
seem
to
be
(too?) ubiquitous in this repertoire nowadays and early
sources
(ie
pre-17th century) don't generally describe the
technique.
Only
when
we
get to the French 17th century lute with separe signs
and
the
like
is
the expectation for such fully upwards arpeggiated
chords
clear.
Even
Barley, a perhaps unfairly maligned source, indicates a
technique
for
playing full 6 note chords or open 5 note chords not too
far
removed
from that described by later sources (including Mace and
Burwell's
teacher as well as by continental instructions), in
which
the
first
finger rakes upwards (ie towards the bass) to cover some
of
the
courses whilst the second and third fingers strike the
others.
I
would
suggest this was more common than we often suppose nowadays
and
perhaps
led onto the later practice of playing the bass and
simultaneously
raking up with the first finger - with the possible added
sophistication of restriking the highest course or two with
the
second
finger - almost the opposite of a modern 'rolled' chord.
Martyn
--
References
1. mailto:[24][27][31][34][email protected]
2.
[25][28][32][35]http://us.mc817.mail.yahoo.com/mc/compose?to=boyegr@
appstat
e
.edu
3.
[26][29][33][36]http://us.mc817.mail.yahoo.com/mc/compose?to=boyegr@
appstat
e
.edu
4.
[27][30][34][37]http://us.mc817.mail.yahoo.com/mc/compose?to=chriswi
lke@yah
o
o.com
5.
[28][31][35][38]http://us.mc817.mail.yahoo.com/mc/compose?to=hodgson
martyn@
y
ahoo.co
.uk
6.
[29][32][36][39]http://us.mc817.mail.yahoo.com/mc/compose?to=s.walsh
@ntlwor
l
d.com
7.
[30][33][37][40]http://us.mc817.mail.yahoo.com/mc/compose?to=lute@cs
.dartmo
u
th.edu
8.
[31][34][38][41]http://www.youtube.com/watch?v=2VPgg3armCI
9.
[32][35][39][42]http://us.mc817.mail.yahoo.com/mc/compose?to=hodgson
martyn@
y
ahoo.co
.uk
To get on or off this list see list information at
[33][36][40][43]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.ht
ml
--
References
1. mailto:[37][41][44][email protected]
2. mailto:[38][42][45][email protected]
3. mailto:[39][43][46][email protected]
4. mailto:[40][44][47][email protected]
5. mailto:[41][45][48][email protected]
6. mailto:[42][46][49][email protected]
7. mailto:[43][47][50][email protected]
8. mailto:[44][48][51][email protected]
9. mailto:[45][49][52][email protected]
10. mailto:[46][50][53][email protected]
11. mailto:[47][51][54][email protected]
12. mailto:[48][52][55][email protected]
13. mailto:[49][53][56][email protected]
14. mailto:[50][54][57][email protected]
15. [51][55][58]http://www.youtube.com/watch?v=2VPgg3armCI
16. mailto:[52][56][59][email protected]
17. mailto:[53][57][60][email protected]
18. mailto:[54][58][61][email protected]
19. mailto:[55][59][62][email protected]
20. mailto:[56][60][63][email protected]
21. mailto:[57][61][64][email protected]
22. mailto:[58][62][65][email protected]
23. mailto:[59][63][66][email protected]
24. mailto:[60][64][67][email protected]
25.
[61][65][68]http://us.mc817.mail.yahoo.com/mc/compose?to=boyegr@appstat
e
.edu
26.
[62][66][69]http://us.mc817.mail.yahoo.com/mc/compose?to=boyegr@appstat
e
.edu
27.
[63][67][70]http://us.mc817.mail.yahoo.com/mc/compose?to=chriswilke@yah
o
o.com
28.
[64][68][71]http://us.mc817.mail.yahoo.com/mc/compose?to=hodgsonmartyn@
y
ahoo.co
.uk
29.
[65][69][72]http://us.mc817.mail.yahoo.com/mc/compose?to=s.walsh@ntlwor
l
d.com
30.
[66][70][73]http://us.mc817.mail.yahoo.com/mc/[email protected]
u
th.edu
31. [67][71][74]http://www.youtube.com/watch?v=2VPgg3armCI
32.
[68][72][75]http://us.mc817.mail.yahoo.com/mc/compose?to=hodgsonmartyn@
y
ahoo.co
.uk
33.
[69][73][76]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
References
1.
file://localhost/mc/compose?to=[74][77][email protected]
2. file://localhost/mc/compose?to=[75][78][email protected]
3. file://localhost/mc/compose?to=[76][79][email protected]
4. file://localhost/mc/compose?to=[77][80][email protected]
5. file://localhost/mc/compose?to=[78][81][email protected]
6.
file://localhost/mc/compose?to=[79][82][email protected]
7. file://localhost/mc/compose?to=[80][83][email protected]
8. file://localhost/mc/compose?to=[81][84][email protected]
9. file://localhost/mc/compose?to=[82][85][email protected]
10.
file://localhost/mc/compose?to=[83][86][email protected]
11. file://localhost/mc/compose?to=[84][87][email protected]
12. file://localhost/mc/compose?to=[85][88][email protected]
13. file://localhost/mc/compose?to=[86][89][email protected]
14. file://localhost/mc/compose?to=[87][90][email protected]
15.
file://localhost/mc/compose?to=[88][91][email protected]
16. file://localhost/mc/compose?to=[89][92][email protected]
17. file://localhost/mc/compose?to=[90][93][email protected]
18. [91][94]http://www.youtube.com/watch?v=2VPgg3armCI
19. file://localhost/mc/compose?to=[92][95][email protected]
20. file://localhost/mc/compose?to=[93][96][email protected]
21.
file://localhost/mc/compose?to=[94][97][email protected]
22. file://localhost/mc/compose?to=[95][98][email protected]
23. file://localhost/mc/compose?to=[96][99][email protected]
24.
file://localhost/mc/compose?to=[97][100][email protected]
25. file://localhost/mc/compose?to=[98][101][email protected]
26. file://localhost/mc/compose?to=[99][102][email protected]
27. file://localhost/mc/compose?to=[100][103][email protected]
28.
[101][104]http://us.mc817.mail.yahoo.com/mc/compose?to=boyegr@appsta
te.edu
29.
[102][105]http://us.mc817.mail.yahoo.com/mc/compose?to=boyegr@appsta
te.edu
30.
[103][106]http://us.mc817.mail.yahoo.com/mc/compose?to=chriswilke@ya
hoo.com
31.
[104][107]http://us.mc817.mail.yahoo.com/mc/compose?to=hodgsonmartyn
@yahoo.c
o
32.
[105][108]http://us.mc817.mail.yahoo.com/mc/compose?to=s.walsh@ntlwo
rld.com
33.
[106][109]http://us.mc817.mail.yahoo.com/mc/[email protected]
outh.edu
34. [107][110]http://www.youtube.com/watch?v=2VPgg3armCI
35.
[108][111]http://us.mc817.mail.yahoo.com/mc/compose?to=hodgsonmartyn
@yahoo.c
o
36.
[109][112]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
37. file://localhost/mc/compose?to=[110][113][email protected]
38. file://localhost/mc/compose?to=[111][114][email protected]
39.
file://localhost/mc/compose?to=[112][115][email protected]
40. file://localhost/mc/compose?to=[113][116][email protected]
41. file://localhost/mc/compose?to=[114][117][email protected]
42. file://localhost/mc/compose?to=[115][118][email protected]
43.
file://localhost/mc/compose?to=[116][119][email protected]
44. file://localhost/mc/compose?to=[117][120][email protected]
45. file://localhost/mc/compose?to=[118][121][email protected]
46. file://localhost/mc/compose?to=[119][122][email protected]
47. file://localhost/mc/compose?to=[120][123][email protected]
48.
file://localhost/mc/compose?to=[121][124][email protected]
49. file://localhost/mc/compose?to=[122][125][email protected]
50. file://localhost/mc/compose?to=[123][126][email protected]
51. [124][127]http://www.youtube.com/watch?v=2VPgg3armCI
52. file://localhost/mc/compose?to=[125][128][email protected]
53. file://localhost/mc/compose?to=[126][129][email protected]
54.
file://localhost/mc/compose?to=[127][130][email protected]
55. file://localhost/mc/compose?to=[128][131][email protected]
56. file://localhost/mc/compose?to=[129][132][email protected]
57.
file://localhost/mc/compose?to=[130][133][email protected]
58. file://localhost/mc/compose?to=[131][134][email protected]
59. file://localhost/mc/compose?to=[132][135][email protected]
60. file://localhost/mc/compose?to=[133][136][email protected]
61.
[134][137]http://us.mc817.mail.yahoo.com/mc/compose?to=boyegr@appsta
te.edu
62.
[135][138]http://us.mc817.mail.yahoo.com/mc/compose?to=boyegr@appsta
te.edu
63.
[136][139]http://us.mc817.mail.yahoo.com/mc/compose?to=chriswilke@ya
hoo.com
64.
[137][140]http://us.mc817.mail.yahoo.com/mc/compose?to=hodgsonmartyn
@yahoo.c
o.uk
65.
[138][141]http://us.mc817.mail.yahoo.com/mc/compose?to=s.walsh@ntlwo
rld.com
66.
[139][142]http://us.mc817.mail.yahoo.com/mc/[email protected]
outh.edu
67. [140][143]http://www.youtube.com/watch?v=2VPgg3armCI
68.
[141][144]http://us.mc817.mail.yahoo.com/mc/compose?to=hodgsonmartyn
@yahoo.c
o.uk
69.
[142][145]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
References
1.
[146]http://us.mc817.mail.yahoo.com/mc/[email protected]
2.
[147]http://us.mc817.mail.yahoo.com/mc/[email protected]
3.
[148]http://us.mc817.mail.yahoo.com/mc/[email protected]
o.uk
4.
[149]http://us.mc817.mail.yahoo.com/mc/[email protected]
5.
[150]http://us.mc817.mail.yahoo.com/mc/[email protected]
o.uk
6.
[151]http://us.mc817.mail.yahoo.com/mc/[email protected]
7.
[152]http://us.mc817.mail.yahoo.com/mc/[email protected]
8.
[153]http://us.mc817.mail.yahoo.com/mc/[email protected]
9.
[154]http://us.mc817.mail.yahoo.com/mc/[email protected]
10.
[155]http://us.mc817.mail.yahoo.com/mc/[email protected]
o.uk
11.
[156]http://us.mc817.mail.yahoo.com/mc/[email protected]
12.
[157]http://us.mc817.mail.yahoo.com/mc/[email protected]
13.
[158]http://us.mc817.mail.yahoo.com/mc/[email protected]
14.
[159]http://us.mc817.mail.yahoo.com/mc/[email protected]
o.uk
15.
[160]http://us.mc817.mail.yahoo.com/mc/[email protected]
16.
[161]http://us.mc817.mail.yahoo.com/mc/[email protected]
17.
[162]http://us.mc817.mail.yahoo.com/mc/[email protected]
18.
[163]http://us.mc817.mail.yahoo.com/mc/[email protected]
19.
[164]http://us.mc817.mail.yahoo.com/mc/[email protected]
o.uk
20.
[165]http://us.mc817.mail.yahoo.com/mc/[email protected]
21.
[166]http://us.mc817.mail.yahoo.com/mc/[email protected]
22. [167]http://www.youtube.com/watch?v=2VPgg3armCI
23.
[168]http://us.mc817.mail.yahoo.com/mc/[email protected]
24.
[169]http://us.mc817.mail.yahoo.com/mc/[email protected]
25.
[170]http://us.mc817.mail.yahoo.com/mc/[email protected]
o.uk
26.
[171]http://us.mc817.mail.yahoo.com/mc/[email protected]
27.
[172]http://us.mc817.mail.yahoo.com/mc/[email protected]
28.
[173]http://us.mc817.mail.yahoo.com/mc/[email protected]
o.uk
29.
[174]http://us.mc817.mail.yahoo.com/mc/[email protected]
30.
[175]http://us.mc817.mail.yahoo.com/mc/[email protected]
31.
[176]http://us.mc817.mail.yahoo.com/mc/[email protected]
32. [177]http://us.mc817.mail.yahoo.com/mc/compose?to=boyegr@appstate
33. [178]http://us.mc817.mail.yahoo.com/mc/compose?to=boyegr@appstate
34. [179]http://us.mc817.mail.yahoo.com/mc/compose?to=chriswilke@yaho
35. [180]http://us.mc817.mail.yahoo.com/mc/compose?to=hodgsonmartyn@y
36. [181]http://us.mc817.mail.yahoo.com/mc/compose?to=s.walsh@ntlworl
37. [182]http://us.mc817.mail.yahoo.com/mc/[email protected]
38. [183]http://www.youtube.com/watch?v=2VPgg3armCI
39. [184]http://us.mc817.mail.yahoo.com/mc/compose?to=hodgsonmartyn@y
40. [185]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
41.
[186]http://us.mc817.mail.yahoo.com/mc/[email protected]
42.
[187]http://us.mc817.mail.yahoo.com/mc/[email protected]
43.
[188]http://us.mc817.mail.yahoo.com/mc/[email protected]
o.uk
44.
[189]http://us.mc817.mail.yahoo.com/mc/[email protected]
45.
[190]http://us.mc817.mail.yahoo.com/mc/[email protected]
46.
[191]http://us.mc817.mail.yahoo.com/mc/[email protected]
47.
[192]http://us.mc817.mail.yahoo.com/mc/[email protected]
o.uk
48.
[193]http://us.mc817.mail.yahoo.com/mc/[email protected]
49.
[194]http://us.mc817.mail.yahoo.com/mc/[email protected]
50.
[195]http://us.mc817.mail.yahoo.com/mc/[email protected]
51.
[196]http://us.mc817.mail.yahoo.com/mc/[email protected]
52.
[197]http://us.mc817.mail.yahoo.com/mc/[email protected]
o.uk
53.
[198]http://us.mc817.mail.yahoo.com/mc/[email protected]
54.
[199]http://us.mc817.mail.yahoo.com/mc/[email protected]
55. [200]http://www.youtube.com/watch?v=2VPgg3armCI
56.
[201]http://us.mc817.mail.yahoo.com/mc/[email protected]
57.
[202]http://us.mc817.mail.yahoo.com/mc/[email protected]
58.
[203]http://us.mc817.mail.yahoo.com/mc/[email protected]
o.uk
59.
[204]http://us.mc817.mail.yahoo.com/mc/[email protected]
60.
[205]http://us.mc817.mail.yahoo.com/mc/[email protected]
61.
[206]http://us.mc817.mail.yahoo.com/mc/[email protected]
o.uk
62.
[207]http://us.mc817.mail.yahoo.com/mc/[email protected]
63.
[208]http://us.mc817.mail.yahoo.com/mc/[email protected]
64.
[209]http://us.mc817.mail.yahoo.com/mc/[email protected]
65.
[210]http://us.mc817.mail.yahoo.com/mc/[email protected]
66.
[211]http://us.mc817.mail.yahoo.com/mc/[email protected]
67.
[212]http://us.mc817.mail.yahoo.com/mc/[email protected]
68.
[213]http://us.mc817.mail.yahoo.com/mc/[email protected]
o
69.
[214]http://us.mc817.mail.yahoo.com/mc/[email protected]
70.
[215]http://us.mc817.mail.yahoo.com/mc/[email protected]
71. [216]http://www.youtube.com/watch?v=2VPgg3armCI
72.
[217]http://us.mc817.mail.yahoo.com/mc/[email protected]
o
73. [218]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
74.
[219]http://us.mc817.mail.yahoo.com/mc/[email protected]
o.uk
75.
[220]http://us.mc817.mail.yahoo.com/mc/[email protected]
76.
[221]http://us.mc817.mail.yahoo.com/mc/[email protected]
77.
[222]http://us.mc817.mail.yahoo.com/mc/[email protected]
78.
[223]http://us.mc817.mail.yahoo.com/mc/[email protected]
79.
[224]http://us.mc817.mail.yahoo.com/mc/[email protected]
o.uk
80.
[225]http://us.mc817.mail.yahoo.com/mc/[email protected]
81.
[226]http://us.mc817.mail.yahoo.com/mc/[email protected]
82.
[227]http://us.mc817.mail.yahoo.com/mc/[email protected]
83.
[228]http://us.mc817.mail.yahoo.com/mc/[email protected]
o.uk
84.
[229]http://us.mc817.mail.yahoo.com/mc/[email protected]
85.
[230]http://us.mc817.mail.yahoo.com/mc/[email protected]
86.
[231]http://us.mc817.mail.yahoo.com/mc/[email protected]
87.
[232]http://us.mc817.mail.yahoo.com/mc/[email protected]
88.
[233]http://us.mc817.mail.yahoo.com/mc/[email protected]
o.uk
89.
[234]http://us.mc817.mail.yahoo.com/mc/[email protected]
90.
[235]http://us.mc817.mail.yahoo.com/mc/[email protected]
91. [236]http://www.youtube.com/watch?v=2VPgg3armCI
92.
[237]http://us.mc817.mail.yahoo.com/mc/[email protected]
93.
[238]http://us.mc817.mail.yahoo.com/mc/[email protected]
94.
[239]http://us.mc817.mail.yahoo.com/mc/[email protected]
o.uk
95.
[240]http://us.mc817.mail.yahoo.com/mc/[email protected]
96.
[241]http://us.mc817.mail.yahoo.com/mc/[email protected]
97.
[242]http://us.mc817.mail.yahoo.com/mc/[email protected]
o.uk
98.
[243]http://us.mc817.mail.yahoo.com/mc/[email protected]
99.
[244]http://us.mc817.mail.yahoo.com/mc/[email protected]
100.
[245]http://us.mc817.mail.yahoo.com/mc/[email protected]
101.
[246]http://us.mc817.mail.yahoo.com/mc/[email protected]
102.
[247]http://us.mc817.mail.yahoo.com/mc/[email protected]
103.
[248]http://us.mc817.mail.yahoo.com/mc/[email protected]
104.
[249]http://us.mc817.mail.yahoo.com/mc/[email protected]
o
105.
[250]http://us.mc817.mail.yahoo.com/mc/[email protected]
106.
[251]http://us.mc817.mail.yahoo.com/mc/[email protected]
107. [252]http://www.youtube.com/watch?v=2VPgg3armCI
108.
[253]http://us.mc817.mail.yahoo.com/mc/[email protected]
o
109. [254]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
110.
[255]http://us.mc817.mail.yahoo.com/mc/[email protected]
111.
[256]http://us.mc817.mail.yahoo.com/mc/[email protected]
112.
[257]http://us.mc817.mail.yahoo.com/mc/[email protected]
o.uk
113.
[258]http://us.mc817.mail.yahoo.com/mc/[email protected]
114.
[259]http://us.mc817.mail.yahoo.com/mc/[email protected]
115.
[260]http://us.mc817.mail.yahoo.com/mc/[email protected]
116.
[261]http://us.mc817.mail.yahoo.com/mc/[email protected]
o.uk
117.
[262]http://us.mc817.mail.yahoo.com/mc/[email protected]
118.
[263]http://us.mc817.mail.yahoo.com/mc/[email protected]
119.
[264]http://us.mc817.mail.yahoo.com/mc/[email protected]
120.
[265]http://us.mc817.mail.yahoo.com/mc/[email protected]
121.
[266]http://us.mc817.mail.yahoo.com/mc/[email protected]
o.uk
122.
[267]http://us.mc817.mail.yahoo.com/mc/[email protected]
123.
[268]http://us.mc817.mail.yahoo.com/mc/[email protected]
124. [269]http://www.youtube.com/watch?v=2VPgg3armCI
125.
[270]http://us.mc817.mail.yahoo.com/mc/[email protected]
126.
[271]http://us.mc817.mail.yahoo.com/mc/[email protected]
127.
[272]http://us.mc817.mail.yahoo.com/mc/[email protected]
o.uk
128.
[273]http://us.mc817.mail.yahoo.com/mc/[email protected]
129.
[274]http://us.mc817.mail.yahoo.com/mc/[email protected]
130.
[275]http://us.mc817.mail.yahoo.com/mc/[email protected]
o.uk
131.
[276]http://us.mc817.mail.yahoo.com/mc/[email protected]
132.
[277]http://us.mc817.mail.yahoo.com/mc/[email protected]
133.
[278]http://us.mc817.mail.yahoo.com/mc/[email protected]
134.
[279]http://us.mc817.mail.yahoo.com/mc/[email protected]
135.
[280]http://us.mc817.mail.yahoo.com/mc/[email protected]
136.
[281]http://us.mc817.mail.yahoo.com/mc/[email protected]
137.
[282]http://us.mc817.mail.yahoo.com/mc/[email protected]
o.uk
138.
[283]http://us.mc817.mail.yahoo.com/mc/[email protected]
139.
[284]http://us.mc817.mail.yahoo.com/mc/[email protected]
140. [285]http://www.youtube.com/watch?v=2VPgg3armCI
141.
[286]http://us.mc817.mail.yahoo.com/mc/[email protected]
o.uk
142. [287]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
References
1. file://localhost/mc/[email protected]
2. file://localhost/mc/[email protected]
3. file://localhost/mc/[email protected]
4. file://localhost/mc/[email protected]
5. file://localhost/mc/[email protected]
6. file://localhost/mc/[email protected]
7. file://localhost/mc/[email protected]
8. file://localhost/mc/[email protected]
9. file://localhost/mc/[email protected]
10. file://localhost/mc/[email protected]
11. file://localhost/mc/[email protected]
12. file://localhost/mc/[email protected]
13. file://localhost/mc/[email protected]
14. file://localhost/mc/[email protected]
15. file://localhost/mc/[email protected]
16. file://localhost/mc/[email protected]
17. file://localhost/mc/[email protected]
18. file://localhost/mc/[email protected]
19. file://localhost/mc/[email protected]
20. file://localhost/mc/[email protected]
21. file://localhost/mc/[email protected]
22. file://localhost/mc/[email protected]
23. file://localhost/mc/[email protected]
24. file://localhost/mc/[email protected]
25. http://www.youtube.com/watch?v=2VPgg3armCI
26. file://localhost/mc/[email protected]
27. file://localhost/mc/[email protected]
28. file://localhost/mc/[email protected]
29. file://localhost/mc/[email protected]
30. file://localhost/mc/[email protected]
31. file://localhost/mc/[email protected]
32. file://localhost/mc/[email protected]
33. file://localhost/mc/[email protected]
34. file://localhost/mc/[email protected]
35. http://us.mc817.mail.yahoo.com/mc/compose?to=boyegr@appstat
36. http://us.mc817.mail.yahoo.com/mc/compose?to=boyegr@appstat
37. http://us.mc817.mail.yahoo.com/mc/compose?to=chriswilke@yah
38. http://us.mc817.mail.yahoo.com/mc/compose?to=hodgsonmartyn@
39. http://us.mc817.mail.yahoo.com/mc/compose?to=s.walsh@ntlwor
40. http://us.mc817.mail.yahoo.com/mc/[email protected]
41. http://www.youtube.com/watch?v=2VPgg3armCI
42. http://us.mc817.mail.yahoo.com/mc/compose?to=hodgsonmartyn@
43. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
44. file://localhost/mc/[email protected]
45. file://localhost/mc/[email protected]
46. file://localhost/mc/[email protected]
47. file://localhost/mc/[email protected]
48. file://localhost/mc/[email protected]
49. file://localhost/mc/[email protected]
50. file://localhost/mc/[email protected]
51. file://localhost/mc/[email protected]
52. file://localhost/mc/[email protected]
53. file://localhost/mc/[email protected]
54. file://localhost/mc/[email protected]
55. file://localhost/mc/[email protected]
56. file://localhost/mc/[email protected]
57. file://localhost/mc/[email protected]
58. http://www.youtube.com/watch?v=2VPgg3armCI
59. file://localhost/mc/[email protected]
60. file://localhost/mc/[email protected]
61. file://localhost/mc/[email protected]
62. file://localhost/mc/[email protected]
63. file://localhost/mc/[email protected]
64. file://localhost/mc/[email protected]
65. file://localhost/mc/[email protected]
66. file://localhost/mc/[email protected]
67. file://localhost/mc/[email protected]
68. http://us.mc817.mail.yahoo.com/mc/compose?to=boyegr@appstate
69. http://us.mc817.mail.yahoo.com/mc/compose?to=boyegr@appstate
70. http://us.mc817.mail.yahoo.com/mc/compose?to=chriswilke@yaho
71. http://us.mc817.mail.yahoo.com/mc/compose?to=hodgsonmartyn@y
72. http://us.mc817.mail.yahoo.com/mc/compose?to=s.walsh@ntlworl
73. http://us.mc817.mail.yahoo.com/mc/[email protected]
74. http://www.youtube.com/watch?v=2VPgg3armCI
75. http://us.mc817.mail.yahoo.com/mc/compose?to=hodgsonmartyn@y
76. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
77. file://localhost/mc/[email protected]
78. file://localhost/mc/[email protected]
79. file://localhost/mc/[email protected]
80. file://localhost/mc/[email protected]
81. file://localhost/mc/[email protected]
82. file://localhost/mc/[email protected]
83. file://localhost/mc/[email protected]
84. file://localhost/mc/[email protected]
85. file://localhost/mc/[email protected]
86. file://localhost/mc/[email protected]
87. file://localhost/mc/[email protected]
88. file://localhost/mc/[email protected]
89. file://localhost/mc/[email protected]
90. file://localhost/mc/[email protected]
91. file://localhost/mc/[email protected]
92. file://localhost/mc/[email protected]
93. file://localhost/mc/[email protected]
94. http://www.youtube.com/watch?v=2VPgg3armCI
95. file://localhost/mc/[email protected]
96. file://localhost/mc/[email protected]
97. file://localhost/mc/[email protected]
98. file://localhost/mc/[email protected]
99. file://localhost/mc/[email protected]
100. file://localhost/mc/[email protected]
101. file://localhost/mc/[email protected]
102. file://localhost/mc/[email protected]
103. file://localhost/mc/[email protected]
104. http://us.mc817.mail.yahoo.com/mc/[email protected]
105. http://us.mc817.mail.yahoo.com/mc/[email protected]
106. http://us.mc817.mail.yahoo.com/mc/[email protected]
107. http://us.mc817.mail.yahoo.com/mc/[email protected]
108. http://us.mc817.mail.yahoo.com/mc/[email protected]
109. http://us.mc817.mail.yahoo.com/mc/[email protected]
110. http://www.youtube.com/watch?v=2VPgg3armCI
111. http://us.mc817.mail.yahoo.com/mc/[email protected]
112. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
113. file://localhost/mc/[email protected]
114. file://localhost/mc/[email protected]
115. file://localhost/mc/[email protected]
116. file://localhost/mc/[email protected]
117. file://localhost/mc/[email protected]
118. file://localhost/mc/[email protected]
119. file://localhost/mc/[email protected]
120. file://localhost/mc/[email protected]
121. file://localhost/mc/[email protected]
122. file://localhost/mc/[email protected]
123. file://localhost/mc/[email protected]
124. file://localhost/mc/[email protected]
125. file://localhost/mc/[email protected]
126. file://localhost/mc/[email protected]
127. http://www.youtube.com/watch?v=2VPgg3armCI
128. file://localhost/mc/[email protected]
129. file://localhost/mc/[email protected]
130. file://localhost/mc/[email protected]
131. file://localhost/mc/[email protected]
132. file://localhost/mc/[email protected]
133. file://localhost/mc/[email protected]
134. file://localhost/mc/[email protected]
135. file://localhost/mc/[email protected]
136. file://localhost/mc/[email protected]
137. http://us.mc817.mail.yahoo.com/mc/[email protected]
138. http://us.mc817.mail.yahoo.com/mc/[email protected]
139. http://us.mc817.mail.yahoo.com/mc/[email protected]
140. http://us.mc817.mail.yahoo.com/mc/[email protected]
141. http://us.mc817.mail.yahoo.com/mc/[email protected]
142. http://us.mc817.mail.yahoo.com/mc/[email protected]
143. http://www.youtube.com/watch?v=2VPgg3armCI
144. http://us.mc817.mail.yahoo.com/mc/[email protected]
145. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
146. http://us.mc817.mail.yahoo.com/mc/[email protected]
147. http://us.mc817.mail.yahoo.com/mc/[email protected]
148. http://us.mc817.mail.yahoo.com/mc/[email protected]
149. http://us.mc817.mail.yahoo.com/mc/[email protected]
150. http://us.mc817.mail.yahoo.com/mc/[email protected]
151. http://us.mc817.mail.yahoo.com/mc/[email protected]
152. http://us.mc817.mail.yahoo.com/mc/[email protected]
153. http://us.mc817.mail.yahoo.com/mc/[email protected]
154. http://us.mc817.mail.yahoo.com/mc/[email protected]
155. http://us.mc817.mail.yahoo.com/mc/[email protected]
156. http://us.mc817.mail.yahoo.com/mc/[email protected]
157. http://us.mc817.mail.yahoo.com/mc/[email protected]
158. http://us.mc817.mail.yahoo.com/mc/[email protected]
159. http://us.mc817.mail.yahoo.com/mc/[email protected]
160. http://us.mc817.mail.yahoo.com/mc/[email protected]
161. http://us.mc817.mail.yahoo.com/mc/[email protected]
162. http://us.mc817.mail.yahoo.com/mc/[email protected]
163. http://us.mc817.mail.yahoo.com/mc/[email protected]
164. http://us.mc817.mail.yahoo.com/mc/[email protected]
165. http://us.mc817.mail.yahoo.com/mc/[email protected]
166. http://us.mc817.mail.yahoo.com/mc/[email protected]
167. http://www.youtube.com/watch?v=2VPgg3armCI
168. http://us.mc817.mail.yahoo.com/mc/[email protected]
169. http://us.mc817.mail.yahoo.com/mc/[email protected]
170. http://us.mc817.mail.yahoo.com/mc/[email protected]
171. http://us.mc817.mail.yahoo.com/mc/[email protected]
172. http://us.mc817.mail.yahoo.com/mc/[email protected]
173. http://us.mc817.mail.yahoo.com/mc/[email protected]
174. http://us.mc817.mail.yahoo.com/mc/[email protected]
175. http://us.mc817.mail.yahoo.com/mc/[email protected]
176. http://us.mc817.mail.yahoo.com/mc/[email protected]
177. http://us.mc817.mail.yahoo.com/mc/compose?to=boyegr@appstate
178. http://us.mc817.mail.yahoo.com/mc/compose?to=boyegr@appstate
179. http://us.mc817.mail.yahoo.com/mc/compose?to=chriswilke@yaho
180. http://us.mc817.mail.yahoo.com/mc/compose?to=hodgsonmartyn@y
181. http://us.mc817.mail.yahoo.com/mc/compose?to=s.walsh@ntlworl
182. http://us.mc817.mail.yahoo.com/mc/[email protected]
183. http://www.youtube.com/watch?v=2VPgg3armCI
184. http://us.mc817.mail.yahoo.com/mc/compose?to=hodgsonmartyn@y
185. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
186. http://us.mc817.mail.yahoo.com/mc/[email protected]
187. http://us.mc817.mail.yahoo.com/mc/[email protected]
188. http://us.mc817.mail.yahoo.com/mc/[email protected]
189. http://us.mc817.mail.yahoo.com/mc/[email protected]
190. http://us.mc817.mail.yahoo.com/mc/[email protected]
191. http://us.mc817.mail.yahoo.com/mc/[email protected]
192. http://us.mc817.mail.yahoo.com/mc/[email protected]
193. http://us.mc817.mail.yahoo.com/mc/[email protected]
194. http://us.mc817.mail.yahoo.com/mc/[email protected]
195. http://us.mc817.mail.yahoo.com/mc/[email protected]
196. http://us.mc817.mail.yahoo.com/mc/[email protected]
197. http://us.mc817.mail.yahoo.com/mc/[email protected]
198. http://us.mc817.mail.yahoo.com/mc/[email protected]
199. http://us.mc817.mail.yahoo.com/mc/[email protected]
200. http://www.youtube.com/watch?v=2VPgg3armCI
201. http://us.mc817.mail.yahoo.com/mc/[email protected]
202. http://us.mc817.mail.yahoo.com/mc/[email protected]
203. http://us.mc817.mail.yahoo.com/mc/[email protected]
204. http://us.mc817.mail.yahoo.com/mc/[email protected]
205. http://us.mc817.mail.yahoo.com/mc/[email protected]
206. http://us.mc817.mail.yahoo.com/mc/[email protected]
207. http://us.mc817.mail.yahoo.com/mc/[email protected]
208. http://us.mc817.mail.yahoo.com/mc/[email protected]
209. http://us.mc817.mail.yahoo.com/mc/[email protected]
210. http://us.mc817.mail.yahoo.com/mc/[email protected]
211. http://us.mc817.mail.yahoo.com/mc/[email protected]
212. http://us.mc817.mail.yahoo.com/mc/[email protected]
213. http://us.mc817.mail.yahoo.com/mc/[email protected]
214. http://us.mc817.mail.yahoo.com/mc/[email protected]
215. http://us.mc817.mail.yahoo.com/mc/[email protected]
216. http://www.youtube.com/watch?v=2VPgg3armCI
217. http://us.mc817.mail.yahoo.com/mc/[email protected]
218. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
219. http://us.mc817.mail.yahoo.com/mc/[email protected]
220. http://us.mc817.mail.yahoo.com/mc/[email protected]
221. http://us.mc817.mail.yahoo.com/mc/[email protected]
222. http://us.mc817.mail.yahoo.com/mc/[email protected]
223. http://us.mc817.mail.yahoo.com/mc/[email protected]
224. http://us.mc817.mail.yahoo.com/mc/[email protected]
225. http://us.mc817.mail.yahoo.com/mc/[email protected]
226. http://us.mc817.mail.yahoo.com/mc/[email protected]
227. http://us.mc817.mail.yahoo.com/mc/[email protected]
228. http://us.mc817.mail.yahoo.com/mc/[email protected]
229. http://us.mc817.mail.yahoo.com/mc/[email protected]
230. http://us.mc817.mail.yahoo.com/mc/[email protected]
231. http://us.mc817.mail.yahoo.com/mc/[email protected]
232. http://us.mc817.mail.yahoo.com/mc/[email protected]
233. http://us.mc817.mail.yahoo.com/mc/[email protected]
234. http://us.mc817.mail.yahoo.com/mc/[email protected]
235. http://us.mc817.mail.yahoo.com/mc/[email protected]
236. http://www.youtube.com/watch?v=2VPgg3armCI
237. http://us.mc817.mail.yahoo.com/mc/[email protected]
238. http://us.mc817.mail.yahoo.com/mc/[email protected]
239. http://us.mc817.mail.yahoo.com/mc/[email protected]
240. http://us.mc817.mail.yahoo.com/mc/[email protected]
241. http://us.mc817.mail.yahoo.com/mc/[email protected]
242. http://us.mc817.mail.yahoo.com/mc/[email protected]
243. http://us.mc817.mail.yahoo.com/mc/[email protected]
244. http://us.mc817.mail.yahoo.com/mc/[email protected]
245. http://us.mc817.mail.yahoo.com/mc/[email protected]
246. http://us.mc817.mail.yahoo.com/mc/[email protected]
247. http://us.mc817.mail.yahoo.com/mc/[email protected]
248. http://us.mc817.mail.yahoo.com/mc/[email protected]
249. http://us.mc817.mail.yahoo.com/mc/[email protected]
250. http://us.mc817.mail.yahoo.com/mc/[email protected]
251. http://us.mc817.mail.yahoo.com/mc/[email protected]
252. http://www.youtube.com/watch?v=2VPgg3armCI
253. http://us.mc817.mail.yahoo.com/mc/[email protected]
254. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
255. http://us.mc817.mail.yahoo.com/mc/[email protected]
256. http://us.mc817.mail.yahoo.com/mc/[email protected]
257. http://us.mc817.mail.yahoo.com/mc/[email protected]
258. http://us.mc817.mail.yahoo.com/mc/[email protected]
259. http://us.mc817.mail.yahoo.com/mc/[email protected]
260. http://us.mc817.mail.yahoo.com/mc/[email protected]
261. http://us.mc817.mail.yahoo.com/mc/[email protected]
262. http://us.mc817.mail.yahoo.com/mc/[email protected]
263. http://us.mc817.mail.yahoo.com/mc/[email protected]
264. http://us.mc817.mail.yahoo.com/mc/[email protected]
265. http://us.mc817.mail.yahoo.com/mc/[email protected]
266. http://us.mc817.mail.yahoo.com/mc/[email protected]
267. http://us.mc817.mail.yahoo.com/mc/[email protected]
268. http://us.mc817.mail.yahoo.com/mc/[email protected]
269. http://www.youtube.com/watch?v=2VPgg3armCI
270. http://us.mc817.mail.yahoo.com/mc/[email protected]
271. http://us.mc817.mail.yahoo.com/mc/[email protected]
272. http://us.mc817.mail.yahoo.com/mc/[email protected]
273. http://us.mc817.mail.yahoo.com/mc/[email protected]
274. http://us.mc817.mail.yahoo.com/mc/[email protected]
275. http://us.mc817.mail.yahoo.com/mc/[email protected]
276. http://us.mc817.mail.yahoo.com/mc/[email protected]
277. http://us.mc817.mail.yahoo.com/mc/[email protected]
278. http://us.mc817.mail.yahoo.com/mc/[email protected]
279. http://us.mc817.mail.yahoo.com/mc/[email protected]
280. http://us.mc817.mail.yahoo.com/mc/[email protected]
281. http://us.mc817.mail.yahoo.com/mc/[email protected]
282. http://us.mc817.mail.yahoo.com/mc/[email protected]
283. http://us.mc817.mail.yahoo.com/mc/[email protected]
284. http://us.mc817.mail.yahoo.com/mc/[email protected]
285. http://www.youtube.com/watch?v=2VPgg3armCI
286. http://us.mc817.mail.yahoo.com/mc/[email protected]
287. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
