It is all emperors clothing folks!!!!!!! Let's see some printer affidavits proving when they were printed on what day and what facility you will not find it I guarantee you the only ones that would have those records would be the movie studios who frowned upon anybody buying or selling movie posters in the first place they can't even work out the residuals for AI if they had to give residuals for movie posters or the artist it would be a nightmare that's why it's never been done except the Lucasfilm circus poster 15th anniversary style d Jeff Killian bought the rights for to print legally licensed

regarding printer proofs etc...when litho printers did the color key how they would line up themetal plates so the images all lined up theywould make a Proof to show the client... as to how many opproofs etc who would ever know and i would bet ther are no records on the history as you would need to geta affidavit from the printer and who printed the Star wars at what facility?? IO think continental litho in Cleveland did many however they moved the projects to other printers also like Gotham printing and others.. because NSS had the over seeing and posters were not to be soodl leased orgiven away...Nobody really knows anything... lucasfilm did countless re-runs on the Raiders poster back in 882 once the conceptof reprints came to the collector circles it was all blurred and so now between bootlegs , reprints and forgerys .unless you were able to get theposter from NSS or Lucasfilm in 1977 you could havea forgery or reprint even if you believe youhavea printer proofas anything can be copied these days.. also the sizes change inthe 90s where 27 x 40 has become the norm npw..and foled one sheets are few and a repro can be folded anyway...so then whats left well the litho process has printer dots fromthe colorsep process... and how theplates were made was expensive as 4 metal plates where burned from film seps.. now its done digital plateless.. the panatone system was used to match colors is why therwas a Color keyand also was used to register the plates to make a sharp print... wee also did the same with screen prints..ifwe did 4 color or more... You could have misprints and loss by errors intheregistrations..so many posters would slip out thedoor from employees at printers or even people who worked at studios or 100s ofpeople who had contacts inthe theaters or Nss or numerous ways but most never had any records of where the opposters went...I was a wild poster man.. for tristar and Cannon films... we were like ghosts..we werpaid to put one sheetson vacant buildings in major citys..the police would pop you if caught..I did Detroit..itwas a dangerous gig..I got paid 1500 pergig to do 10 locations and get photos of the locations..i would do 2 - 3 rows ofposter stapled to the wall they liked wheat past glued but to remove thepostersin winter would be Nuts..so i did the tack staples...I did chuck morris. and many other films Iron eagle ..etc,,, my ex wife wanted me to stop as downtown Detroit is very dangerous.. so i did however i got to keep excess posterssand i traded with Many otherposterdealers who would get other titles.. so posters were networked from Many sources..I was Told i was accepted in the POster Mafia..and i think its true as if you werea rip offorlied they would not sell to you..at same time ifthey knew you were honest they would send you posters and give you breaks...

Sorry for the typing in words running together I'm using the dictation program right now which space is the words however if I just try to type since I'm visually impaired and use two fingers I run the words together because I don't look at the screen I just look at the keyboard to try to hit the right ladders that's the downfall of being visually impaired at 67 years old but I can write a lot faster with two fingers with my stream of consciousness and try to communicate the summary of my conversation is that nobody really knows anything because the entire movie poster industry was illegal and it says right on the bottom of the poster not to be sold or leased or given away so it's always been a taboo industry and yet when it first started years ago only diehard collectors were saving the stuff and it wasn't big business back then because the posters were being thrown away or use stairs insulation in houses in floorb it's only been since the time I've been in this business since 1977 that it became such a big deal especially with the horror movie posters universal and classic 20s and 30s that you were lucky if anybody saved them in the first place obviously the titles like Casablanca and Wizard of Oz and Frankenstein and things like that are garnering major prices how many thousands of posters can still be bought under $20 or even as low as a dollar in some of the vocal tunes that are happening that's why I always told people don't buy because of investment by because you love the movie or the art of the poster and you'll never go wrong if you speculate on something many of the titles can be over purchased and create a cloud on the market and you have to find somebody that has the type of money that you're talking about any common man can buy a poster for $20-$500 but when you get up into the thousands your audience becomes limited

That is why I tried to serve everyone the novice collector just young kids that liked movies and people that wanted to decorate their basement or family room or video room with a few posters and I did that for 46 years and made a lot of people happy and that was the very the best part Since they have started using mostly Photoshop artwork I have not been impressed with the artwork of posters after like 93 a few times they have done poster art unlike the Star Wars titles and a few others but mostly it has been Photoshop from what I have seen that is why I still prefer pre-90s posters and my sweet spot seems to be between the 30s and 70s and 80s

merry christmas Folks
God bless
Tom
Hollywood dream Factory®
sice 1977

On 2023-11-26 19:05, Tommy Barr wrote:
And seeing that posters described as 'proofs' were more valuable than
simply one sheets, that is hardly surprising.

Tommy

On Sun, 26 Nov 2023, 15:59 Bruce Hershenson,
<[email protected]> wrote:

If THAT'S not proof, I don't know what is!

On Sun, Nov 26, 2023 at 8:39 AM David Lieberman
<[email protected]> wrote:

one last thing:

Every single one of the former print shop employees we have received
these posters from has referred to them as "proofs".

Dave

On Sun, Nov 26, 2023 at 6:38 AM David Lieberman
<[email protected]> wrote:

However one wishes to describe them:

A. Uncut Overrun Poster
B. Printer's Test
C. Printer's Proof

Regardless of what they really truly are, and I doubt that anyone
will ever have a definitive answer, they are rarer, much more
valuable, and much more desirable than a regular one sheet. Poster
collectors have spoken time and time again by paying high prices at
auction and at retail.

Dave

On Sun, Nov 26, 2023 at 6:13 AM <[email protected]> wrote:

David,

I have do not doubt that they are original and that employees took
them home. My question remains, though: Are these actually test
prints or just uncut onesheets? After all, that color control bar
was on every single sheet they printed and the posters were cut to
size afterwards.

Unlike digital printing, where you can print (and usually pay for)
exact numbers, with analog offset the majority of the cost is in the
prepress process. While it is perfectly possible to print five or
ten test posters, once the actual production has started, it did not
make much of a difference if they printed 10,000 or 11,000 copies.
In fact, it is basically impossible to print a perfectly 'exact'
number on those big machines. So there usually was an overrun, and
it is perfectly plausible that employees would've been allowed to
take some of them home. In case of STAR WARS it may have even been
an intentional overrun, who knows.

My point being: In my book, an uncut overrun poster is just that.
For me, it does not qualify as a 'test print' or 'printer's proof'.
It's simply a onesheet that has not been cut down to size.

Helmut

GESENDET: Sonntag, 26. November 2023 um 13:49 Uhr
VON: "David Lieberman" <[email protected]>
AN: [email protected]
BETREFF: Re: [MOPO] STAR WARS PROOFS 💥 CineMasterpieces VINTAGE
MOVIE POSTERS

one last note......the proofs that were made into book covers were
from REVENGE OF THE JEDI.

now everybody scream!

On Sun, Nov 26, 2023 at 5:27 AM David Lieberman
<[email protected]> wrote:

I forgot ANIMAL HOUSE, the advance and regular one sheets. Another
title with a lot of proofs.

On Sun, Nov 26, 2023 at 5:16 AM David Lieberman
<[email protected]> wrote:

"why do we see so many of the STAR WARS tests in comparison to any
other title?"

Great question Helmut. I wondered about this for a long time. After
acquiring several of these proofs from at least four or five
different former print shop employees over the past 20 years, I
finally had a lengthy discussion with one of them and his answer was
this. First of all, it isn't just Star Wars, there are a few other
titles from that era 1977-1980 where a lot of proofs exist. There
are a lot of JAWS 2, CLOSE ENCOUNTERS OF THE THIRD KIND, and a few
other nothing titles that no one really cares about. A lot of these
haven't survived or haven't been noticed on ebay or other auction
sites over the past 40+ years because no one really wants them and
they don't sell for much. Secondly......these former employees were
basically just kids at the time mostly in their early twenties. They
took stuff home all the time that was meant for the dumpster because
they were allowed to. They took stuff that they thought was "cool".
Star Wars was cool and became collectible almost immediately. One of
our clients who used to work at GORE GRAPHICS told me about his kids
in the 1980's who took some of his proofs and made book covers for
their school books to show off to their classmates.

On Sun, Nov 26, 2023 at 4:47 AM Helmut Hamm <[email protected]>
wrote:

Whatever you want to call them, test printings or proofs: When it
comes to STAR WARS, there way too many of these around for my taste.
Bruce alone has auctioned more than thirty copies of the Style C
Onesheet 'test print'. Frankly, I can't see any difference to the
regular onesheets. Actually, they just look like untrimmed onesheets
to me.

As to all of these being 'test prints' that were 'sent out to the
client for confirmation': For all I know, this is NOT common
practice for print shops anywhere in the world, and it never was. If
that was the case, why do we see so many of the STAR WARS tests in
comparison to any other title? This does not make any sense to me.

Here's an actual test print for the BLADE RUNNER onesheet:


https://www.filmposter.net/en/blade-runner-original-release-us-test-proof-movie-poster.html
[1]

As all print shops do, the printer saved a small number of these
posters (for all I know, it was more than five, but less than ten)
for their archive. These prints came to the market after the company
folded and somebody cleared out their inventory.

As you can see, the image is very different from the final onesheet.
Apparently, somebody took a serious effort to get things right, but
in the pre-digital days, creating a test like this was seriously
expensive and therefore a rare exception, not common practice.

Helmut

GESENDET: Samstag, 25. November 2023 um 14:05 Uhr
VON: "Bruce Hershenson" <[email protected]>
AN: [email protected]
BETREFF: Re: [MOPO] BLACK FRIDAY SALE 2023 💥 CineMasterpieces
VINTAGE MOVIE POSTERS ��

I agree he has a MASSIVE amount of super helpful information and
bravo to Dave. especially where he helps newbies not get ripped off
by eBay sellers openly selling fakes..

But does he still call "printer's test" posters "proofs"? I hope
not, because 99% of the ones circulating in the hobby are test
posters that were printed to get people's reactions before the final
print run.

The few true PROOF posters are sent back to the printer with
markings as to what needs to be changed OR have an approval stamped
area where it is OK'ed for printing.

On Sat, Nov 25, 2023 at 6:40 AM David Kusumoto
<[email protected]> wrote:

Don't know how many others are on Dave Lieberman's newsletter but I
hadn't visited his site in a long time and I went straight to his
Star Wars section - and I was floored by the wealth of information
about almost every known poster iteration of Star Wars - from
concept to its celebrated inaugural year of 1977 - (theatrical and
commercial) - in roughly chronological order. The section includes
detailed images and descriptions of known fakes, including personal
testimonials of oddball things he concedes he was initially fooled
about like a lot of us.

He also provides a detailed study of printer's proofs - which -
while I've never had the desire to collect nor own, is still
interesting insofar there are collectors who DO love and pay $$$ for
them. He explains how they came to be, their ubiquitous presence
and the differences between PMS (pantone) vs. CMYK proofs, which
came first, etc. - and why it matters to some collectors and not to
others. Great stuff for SW completists.

Encourage anyone interested to venture over there and take a gander,
not just at the massive Star Wars section - but also other sections,
including the one where he re-lives the entire minty white insert
and lobby card counterfeit saga - from his own point of view as a
gallery owner of many years in AZ. He further provides in one
section - a long list of titles and accompanying formats he
implicates as having been faked - in line with other dealers who've
said the same. He also sources the geographic locations of some
suspect dealers who - to this day - are still peddling these things
as originals.

Between this, eMoviePoster, Learn About Movie Posters, Walter Reuben
and others - this is a storehouse of information grouped by category
/ genre that's available right now - for free.

Best, David near San Diego, still the biggest fan of the never-faked
(to date) - and grossly underrated Star Wars half-sheet from 1977
with alternate Jung art. Cinemasterpieces image below.

P.S. - The Chantrell art on the Style C is probably my true fav
among the SW one-sheets - were it not for the fakes and not even
knowing until recently about the "hair on Leia's back" as a marker
on that style - sort of a "bookend" to the style A repro. But I
still think the alternate Jung landscape art on the half-sheet is
excellent and affordable - and after nearly 50 years - it still
puzzles me how unloved it is by so many. (Not the centerpiece of
anyone's SW collection that I know of.) I know it will never reach
the heights of a Casablanca of Oz half-sheet in my remaining
lifetime - (which are admittedly more rare) - but maybe future
generations of Disney fans will. -d.

-------------------------

FROM: David Lieberman <[email protected]>
SENT: Friday, November 24, 2023 3:03 PM
SUBJECT: BLACK FRIDAY SALE 2023 STARTS NOW 💥 CineMasterpieces
VINTAGE MOVIE POSTERS 💥

CINEMASTERPIECES HOLIDAY SALE [2]

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CineMasterpieces.com was first established in 2001 and is one of the
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_Featured Expert on The History Channel TV Show Pawn Stars_

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[8] https://www.ebay.com/str/cinemasterpieces
[9] https://www.cinemasterpieces.com/cinestarwars.htm
[10] https://www.cinemasterpieces.com/cinejamesbond.htm
[11] https://www.cinemasterpieces.com/newest.htm
[12] https://www.cinemasterpieces.com/consignment.htm
[13] https://www.cinemasterpieces.com/consignment.htm#buy
[14] https://www.cinemasterpieces.com/cine_H.htm#hitch
[15] https://www.cinemasterpieces.com/cine_marilyn.htm
[16] https://www.cinemasterpieces.com/cine_elvis.htm
[17] https://www.cinemasterpieces.com/favorites.htm
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[25]
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