Ham,

On my suggestion, thank you for re-examining Chapter 8 of LILA.

The least I can do in return is to examine your replies.  I can't see anyone 
here "de-volving" from the MOQ to the type of SOM saturated metaphysical system 
that you suggest but maybe someone new to the MOQ (or philosophy even?) might 
learn something from this discussion.


On Sat. May 04, 2013 at 9:23 PM, Ant McWatt wrote:
 
> That's all very good Ham but how's the "homework" going?
> Chapter 8 of LILA ring a bell?
>
> I'd like to see a discussion about that - as far as YOU ARE concerned - first.
>
> Thanks anyway,
>
> Ant


Hamilton Priday stated May 5th 2013:

Dear Dr. McWatt --

 Oh yes, "the assignment" you hung on me (on my birthday, actually).  

Ant McWatt comments:

You lucky man!  I'm afraid I can't promise you that every year!


Hamilton Priday continued May 5th:

I have referred several times to LILA Chpt. 8, but you must realize that I 
don't 
regard it as my Bible, as most of you folks do.  As a consequence, you won't 
like my critique of this chapter.
 
The very first sentence is an attempt to sell a premise that makes no sense 
from either a philosophical or an epistemological viewpoint -- "the idea 
that the world is composed of nothing but moral value."  Had Pirsig 
eliminated the first paragraph and started with the second (Phaedrus 
recalling an experiment involving glasses that made everything appear 
upside-down) it would have made more sense, as we might assume he meant that 
creation (existence?) is a valuistic construct.  But "moral value" is man's 
measure of things, a psycho-emotional response to experience which is 
definitely not the stuff of physical reality.

Ant McWatt comments:

You're begging the question here, Ham.  However, let's have a look at the whole 
paragraph so everyone can see exactly what we discussing here:



The idea that the world is
composed of nothing but moral value sounds

impossible at first.  Only objects are supposed to be real.  "Quality" is 
supposed to be just a vague
fringe word that tells what we think about objects.  The whole idea that 
Quality can create
objects seems very wrong.  But we see subjects and
objects as reality for the same reason we see the world right-side up although
the lenses of our eyes actually present it to our brains upside down.  We get 
so used to certain patterns of interpretation we forget the
patterns are there.



If you have been brought-up in an SOM culture as you and I have, sentence one 
is indeed true:

The idea that the world is
composed of nothing but moral value sounds

impossible at first.

Most people in the Western world are brought up to think the universe is either 
some spirit-like substance (e.g. mind) or some type of inorganic substance 
(e.g. physical matter).  This Western way of looking at things is usually only 
changed by visiting non-SOM cultures (as happened
 to Pirsig when he visited Korea in 1947) or reading a text based on an 
non-SOM culture (such as the books by D.T. Suzuki that appeared in the 
West during the mid-20th century).  

When I first read ZMM, I found it difficult to get it round my head that any 
other alternative to the universe being composed of mind, matter (or some 
combination of both), was indeed possible. WE are simply not brought up to 
think "out-of-the-box" in this way (hence the title of this post).   

It seems therefore that you when you state:   

"'moral value' is man's measure of things, a psycho-emotional response to 
experience which is 
definitely not the stuff of physical reality."

you're still well and truly stuck in a traditional SOM metaphysical prison. 
You've given us exactly the type of traditional Western way of thinking that is 
implied in the first sentence in Chapter 8 of LILA!

Now, if you look a little deeper into Pirsig's work, he supports the idea that 
Quality/values create our moral ideas by first observing that any man-made 
metaphysical framework is not definitive; it can't correspond to any thing "out 
there" (that is another SOM type of assumption).  All we can do is think of 
helpful ways of thinking about the world and use them until better ways of 
thinking arise.  That's called pragmatism (not relativism!!!) and is why the 
ideas of modern physics have changed so radically changed over the last 100 
years.  

Before I read Pirsig in the late 1980s, I realised both as a sociologist - and 
as a fine artist - that there were indeed metaphysical problems with values.  
In sociology there is a problem called the "fact-value problem".  The 
difficulty with dealing with groups of people/cultures is that observable 
behaviour is usually regarded as factual while what's going on in peoples' 
heads is subjective and therefore open to "subjective" interpretation.  To give 
the simplest of example: "Is that guy in the sea over there with the raised 
arms, waving or drowning?".  

What I found in the field of sociology (and this is similar with Pirsig's own 
experience of anthropology) is that while there have been many (unsuccessful) 
attempts to reduce values into facts (to make the field of sociology 
"objective" in the sense that physical matter can be "objectively" 
investigated), no-one had offered - not until Pirsig that is - the "impossible" 
sounding idea that maybe all facts can be reduced to values.  By expanding the 
traditional notion of values (and don't overlook this expansion, Ham!), this is 
exactly what Pirsig does with the MOQ.

While in fine art, there's been a substantive amount of derivatives of Marcel 
Duchamp's "ready mades". (These were initially objects of everyday use often 
presented in a twisted way - the first one of which appeared in 1913, the most 
famous one being an urinal submitted by Duchamp to the "Society of Independent 
Artists of New York" in 1917 under the title of "Fountain".) 

Now as Duchamp would be the first to tell you, these pieces are all junk 
without artistic merit. (This is probably why the first version of "Fountain" 
doesn't exist any more - it was thrown out without second thought).  
Unfortunately, much of the Art world have either missed the joke or, (as I 
highly suspect as the real reason) chosen not to, as it is far easier to bung a 
half a sheep in a tank of formaldehyde (or put together a small pile of house 
bricks - as illustrated in my MSU presentation) than it is to create a "Mona 
Lisa" or a "Flora Zoologica" (to name a piece by a contemporary fine artist - 
Alan Aldridge).  If you can then find some rich mug to buy your piece of 
junk/installation art by writing a "manifesto" then it's a far easier way to 
make money than to actually create an artistic masterpiece (as Aldridge often 
does).  I term this process "Laughing all the way to the bank with Duchamp's 
ghost!"

(I suppose what I object to "Installation Art" above all is that it fills this 
precious world of ours with junk rather than beautiful things.  Maybe one day, 
an enlightened society will make the public display of such objects a civil 
offence...). 

Anyway, when I first read LILA in 1991, I realised that the MOQ (and 
essentially it's premise of turning the ontological priority of subjects and 
objects on its head with values) provided a solution to the social scientists 
fact-value problem and also provided a metaphysical framework where 
"installation art"is seen (at best), as some type of intellectual value pattern 
which could be distinguished (at least in theory) from works of Art that 
reflected the Godhead (or to use more Pirsigian terms the Dynamic beauty of 
this world).  This is why I'd rather have a painting by the average six year 
old in my house than a Tracey Emin or Damien Hirst!

So this is why I accept the first sentence of Chapter 8 as essentially true.  
Firstly, you have to recognise you have a problem before you can solve it.  
Secondly, it is seen that the MOQ does indeed solve two problems in the social 
sciences and the Art World that were previously intractable by just using some 
sort of SOM metaphysics.  That alone would make it worthy of merit and 
certainly two steps ahead of Essentialism!

OK, I think that will do for now, Ham.  (Rest assured, I have carefully gone 
through the whole of your May 5th post and will be posting the remainder of my 
response to it, in the near future).  

Best wishes,

Anthony


----------------------------------------------------------------------------

 
Hamilton Priday continued May 5th:

Next he states that "the Metaphysics of Quality subscribes to 
...empiricism"!  Now how does empiricism -- reliance on knowledge derived 
from objective experience -- in any way support Quality as the fundamental 
reality?  The author himself admits "it flies outrageously in the face of 
common experience."   Then he goes on to posit a "second principle":  "A 
thing that has no value does not exist," from which he concludes that "value 
has created the thing", as opposed to the other way around.
 
Mind you, I happen to agree that value sensibility is what creates (i.e., 
actualizes) our empirical reality.  My criticism here lies in the rhetoric 
by which he argues the case.  He talks about "substance" as a "subspecies of 
value"; yet he offers no epistemology to support this thesis.  It's no 
wonder that the Pirsigians are confused about what SOM means.
 
The reminder of this 10-page chapter is mostly a play on the "platypus" 
analogy as a means of deriding substance, science, causation, the Big Bang, 
and cultural evolution.
 
Don't you find it inconsistent that, despite the author's need to denigrate 
these concepts, he fills 24 additional chapters explaining experiential 
reality in terms of "static patterns" while romancing us with a cosmology by 
which Dynamic Quality continually evolves toward moral "betterness"?   Good? 
Bad?  Better?  --all subjective criteria that do not exist in the absence of 
conscious awareness, yet are purported to be that ultimate, essential 
Reality which, the author still insists, is indefinable.
 
Incidentally, I noted that your response to my Apr 14th message was largely 
a diatribe against my "right wing" views, including the 'Wicked Witch of 
Westminster' quotes and characterization of Ayn Rand as a "hippie".  So, 
perhaps this assignment was directed toward my conservatism as much as it 
was a request to provide a position statement of my  philosophy viz-à-viz 
Pirsig's MOQ.  If you had a metaphysical purpose, however, I'll be most 
happy to elaborate on any aspect of Essentialism you don't understand.
 
In either case, thanks for your interest, Ant.
 
Ham
 
  ----------------------------------------
 




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