RE: LEGO photography again

2002-02-19 Thread Cotty

Amy, your pictures are fine. In the scale you are working in though, may 
I suggest a couple of things?

1. You need to be stopping down to absolute maximum. This will give you 
the greatest possible depth of field, which in the dimensions you are 
photographing, are bound to be abysmal, but completely do-able.

2. Light. A beautiful building like this - even in Lego - can be enhanced 
by strategically placing light. Obviously the Lego hanging lights don't 
work but if you can manipulate your images in Photoshop or similar, why 
not add a glow from theose lights? Meanwhile, during the picture-taking 
stage, try and add mood to the scene, without going over the top. For 
instance, if you darken the entire room, the model is in, and open the 
camera on B, what about using a flashlight or anglepoise lamp in 
strategic postions, literally painting with light? Experimentation needed 
here. Alternatively, place your lighting in real time, 'barning' off 
unwanted light with 'flags'. That is, creating shadows to retain mood. 
The glass wall at the back is crying out for some attention. Get some 
large blue crepe paper or construction paper (large blue card to the rest 
of the world) and cover the room wall behind. A single, hard, directional 
light source onto it will recreate a bright day outside. Experiment with 
the positioning to maybe admit some of that light through the 'glass'.

3. Having explored your website, you are one hundred percent certifiable.


HTH

;-)

Cotty

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Re: 67 Brotherhood

2002-02-19 Thread Norman Baugher

I agree Brother William, they truly cannot see us as the burning beacon
on a distant horizon, a lighthouse waiting to guild them in to the safe
harbor of the 6x7 format. Amen.
Brother Norm

William Robb wrote:

 Methinks we should not allow the puny me too users of the little
 medium format into the Brotherhood of the 6x7. For if we do, we
 shall have to tolerate abuse such as you have seen written from
 Brotherette Tom for all eternity.
 Brothers, we must nip this malevolance in the bud.
 We must exclude those who do not share the vision of truth that
 those of us who have been enlightened have seen.

 Perhaps a Brotherhood of the Weenie Wannabees for those who have
 not yet found the true path is in order.
 I submit these ideas respectfully and thoughfully to the
 Brotherhood of the 6x7.
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Re: OT: Kodak shows effect of Ariport Xray's

2002-02-19 Thread Norman Baugher

That will help to guarantee that you miss a few flights Raymond... G
Norm

Oliver Raymond wrote:

 Thought we should be intersted in the following.. I'm printing out the FAA
 regulations, and including them in my wallet!

 http://www.kodak.com/global/en/service/tib/tib5201.shtml
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Re:USA vs. Grey Import Med. Format Equip Question/Problem

2002-02-19 Thread Dan Kirsch

I would assume that they'd all come with that warranty, and my understanding of all of 
this is that this only becomes an issue when you need to
send the camera in for the warranty work.

From the Pentax site:

Gray Market Pentax Products: There has been a lot of press lately cautioning 
consumers about the dangers of
purchasing so called gray market products. In an effort to keep Pentax customers 
protected against this, our medium format bodies, lenses and
accessory product boxes have a hologram P designation on them. This designation 
assures that the product is covered by the Pentax United States
warranty.

Since gray market products do not carry a United States warranty, when warranty repair 
work is necessary, the product must be sent to the Pentax
service center in the appropriate country of origin. Only U.S. warranties are honored 
by the Pentax Service Center.

So the challenge with grey market, assuming that Pentax sticks to the requirement to 
only honor USA warranties, is trying to guess what country
your camera came from so that you could then send it there for repair.

I've never needed a repair on any camera I've ever owned, much less my other Pentax 
(PZ-1P), so I've never tested any of this.

Dan Kirsch




Audun Jensen  wrote:

Doesn't all Pentax equipment come with one year international warranty
right from the factory? At least it does over here. It doesn't matter where
you buy it in the world; US, UK, Hong Kong, Japan; every Pentax repair
facility world-wide is obliged to repair the item within the warranty
period. Or is the US somehow excepted from this rule?

Pål




Dan wrote:


Related to my 645NII...being that this is a brand new camera, I'm truly hoping
that I won't need to be sending it off for repairs any time soon.  With
that in
mind, as long as it doesn't fail in the first year of the warranty coverage I
suppose that what I'd be worried about is that Pentax would be willing to work
on it at all.  Their web site seems to indicate that if it's out of
warranty or
non-USA warranty that they'll give you a quote (of course, that could be a
painful quote if they want to make up for it be grey market).

If I can actually reach a service rep at Pentax I'm hoping that they would be
able to tell from the serial number, but until I get to that I'm stuck on
hold,
not wanting to load film in the camera in case I want to return it.

But I'm glad to know that you've bought at least some things without the P.
Well, not glad, but maybe it makes me feel better.
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Re: 28-70 f/4 on eBay - No Canuks!

2002-02-19 Thread Norman Baugher

This part made me laugh:
NO INTERNATIONAL BIDDERS PLEASE, NOT EVEN CANADIAN.
Norm

Gary Murphy wrote:

 Spotted on eBay with a Buy It Now of, $60.00

 http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItemitem=1333766929
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Re: USA vs. Grey Import Med. Format Equip Question/Problem

2002-02-19 Thread Camdir

In a message dated 19/02/02 08:58:09 GMT Standard Time, Pal writes:

 Doesn't all Pentax equipment come with one year international warranty 
 right from the factory? At least it does over here. It doesn't matter where 
 you buy it in the world; US, UK, Hong Kong, Japan; every Pentax repair 
 facility world-wide is obliged to repair the item within the warranty 
 period. Or is the US somehow excepted from this rule?
  

I think Pentax USA are trying to pull the same stunt Nikon USA have been 
pulling for the last couple of years.
 That is, denying service, even out of warranty, to owners of gear which 
cannot be proven to have been supplied USA. It's true. 

In theory, to be eligible to receive warranty service on your in guarantee 
piece of kit, you need to supply the warranty card (stamped by an official 
dealer), and possibly also your receipt in cases where the equipment has 
been on sale for more than one year. There are myriad variations possible 
here. 

 Kind regards

Peter 
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Re: Pentax LX ViewFinder FC1

2002-02-19 Thread Simon Butler

Thanks, Peter. Although now it seems to have gone out of my price range.

Subject: Re: Pentax LX ViewFinder FC1
Date: Mon, 18 Feb 2002 12:54:30 -0500

I'd say so.

Hello all.

I am thinking about buying a FC1 viewfinder (I already have the FB1 and
FD2). I have seen one on an auction site for £25. Is this a good price?

Thankyou

Simon



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Re: Re[4]: 67 Brotherhood

2002-02-19 Thread Aaron Reynolds

On Monday, February 18, 2002, at 04:27  PM, T Rittenhouse wrote:

 Can those who use an LX be little bitty brothers?

That honour is reserved for owners of the ME Super.  LXers are Slightly 
Less Bitty Brothers.

-BB Aaron
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Re: 67 Brotherhood

2002-02-19 Thread Aaron Reynolds

On Monday, February 18, 2002, at 07:11  PM, T Rittenhouse wrote:

 Don't let them fool you Ma'm they only reason they want a sisterhood is
 because someone has to wash their robes and cook their gruel.

Gruel?  Please, we eat only the finest Ho Fun with beef (or tofu for 
the veggies among us).

  I wonder if
 these guys realize they are going to have to give up their single malted
 scotch, and cigars, and the soft jazz in the darkroom?

This is an OUT AND OUT FALSEHOOD.  In fact, we have CD-exchange programs 
in effect to broaden the brotherhood's knowledge of darkroom jazz.

-Brother Aaron
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Re: 67 Brotherhood

2002-02-19 Thread Aaron Reynolds

On Monday, February 18, 2002, at 04:53  PM, tom wrote:

 While you big fat stodgy 67ers are mumbling incantations, wearing goofy 
 robes, consulting chiropractors, and hauling 50 pound packs around, us 
 645ers will be out
 shooting.

I would respond to this, but in June I am marrying a chiropractor, so my 
credibility is pretty much shot.

-BB Aaron
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Re: P67 55mm SMCT and TMAX 400

2002-02-19 Thread Aaron Reynolds

On Monday, February 18, 2002, at 07:48  PM, Brother J. C. O'Connell 
wrote:

  The ISO 250 negs with pull
 processing just look better to me.

This is what processing your own negs is all about: controlling it so 
that you get exactly what you want.

I'm glad to hear the 67 gear is working out so fabulously for you!

-Brother Aaron
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Re: Pentax fast glass?

2002-02-19 Thread Aaron Reynolds

On Monday, February 18, 2002, at 06:15  PM, Fred wrote:

 You are right.  There are a few hasty generalizations here on the
 PDML (as with life in general) which have been repeated often enough
 as to become more-or-less accepted, even if not necessarily true.

For instance, the myth that the Pentax 67 is gigantic, overly heavy and 
not hand-holdable.

;)

-Brother Aaron
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Re: [3]: 67 Brotherhood

2002-02-19 Thread Aaron Reynolds

On Monday, February 18, 2002, at 05:49  PM, William Robb wrote:

 I say Shel Belinkoff needs to make the sacrifice of the
 pocketbook.

 What say you, Brothers?

I vote yay.  Shel, you'll like it in the Brotherhood.  There's a sense 
of community and love, and best of all, BIG FREAKIN' NEGATIVES.

I trust that you are enlightened enough to make the correct choice.

-Brother Aaron
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Re: Re[2]: 67 Brotherhood

2002-02-19 Thread Aaron Reynolds

On Monday, February 18, 2002, at 06:27  PM, Bruce Dayton wrote:

 Hear, hear.  A P67 for Mrs. Reed!

I truly believe, deep in my soul, that Mrs. Reed's quality of life would 
be greatly increased by a Pentax 67.

Think, Mrs. Reed, that by spending $1000 or less you could increase the 
quality of your life!  Greatly!  You don't have to take my word for it, 
it's a proven fact!

I don't know how anyone could pass that up, really I don't.

-Brother Aaron
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Re: 67 Brotherhood

2002-02-19 Thread frank theriault

In

Amita Guha wrote:

 Me either! I have a Yashicamat EM!

  Hey!   Don't forget me!   I have a Yashica D!
 
  William in Utah.
 
  PS.  I wonder how many of us Y-M owners there are on the Pentax list
  anyway.
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Re: 67 Brotherhood

2002-02-19 Thread frank theriault

Yer in.

Treena Harp wrote:

 I proudly own my poor, beaten-up Yashica D. I try not to let it see the 645
 very often, because it does become a bit envious ...

 - Original Message -
 From: William Johnson [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Monday, February 18, 2002 9:36 PM
 Subject: Re: 67 Brotherhood

  Hey!   Don't forget me!   I have a Yashica D!
 
  William in Utah.
 
  PS.  I wonder how many of us Y-M owners there are on the Pentax list
  anyway.
 
  frank theriault wrote:
  
   Hey, Bill and Dave,
  
   We don't need no stinking 67's!
  
   I say we start our OWN brotherhood.  Just us three.  To hell with big
 huge
   mirrors flapping up and down.
  
   If they don't want to play with us Mat owners, I say we pick up our toys
   and start our own club.  It'll be a better club anyways...
  
   -frank
  
   Bill Owens wrote:
  
Hey, our Yashica negs are bigger than those of 645 :-0
   
  
   --
   The optimist thinks this is the best of all possible worlds. The
 pessimist
   fears it is true. -J. Robert
   Oppenheimer
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Re: 67 Brotherhood

2002-02-19 Thread frank theriault

Sure, William in Utah,

You're in.  All ya gotta do to be in OUR club (not a cult like those
mirror-flappers) is have a Yashica tlr, and not have 'tude.

cheers,
Mat-boy

William Johnson wrote:

 Hey!   Don't forget me!   I have a Yashica D!


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Re: 67 Brotherhood

2002-02-19 Thread frank theriault

In

[EMAIL PROTECTED] wrote:

 In a message dated Mon, 18 Feb 2002 10:37:17 PM Eastern Standard Time, William 
Johnson [EMAIL PROTECTED] writes:

  Hey!   Don't forget me!   I have a Yashica D!
 
  William in Utah.
 
  PS.  I wonder how many of us Y-M owners there are on the Pentax list
  anyway.

 One right here -- I have a 124G. Still running its meter on the mercury battery the 
previous owner installed.
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Re: Yashica TLR, was: Re: 67 Brotherhood

2002-02-19 Thread frank theriault

In

JeffW. wrote:

 on 2/19/02 3:59 AM, Bill Owens at [EMAIL PROTECTED] wrote:

  Let's see, there's you, Dave, Frank and myself that admit to it.  I actually
  have 2, a 635 w/o the 35mm adapter and a 124G that has problems accepting
  220 film
 
  Bill

 You can add me to the list with a Yashica 24. Just sold an EM to ani=other
 list member. I am also a proud Kiev88 owner.

 JeffW.
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Re: Pentax fast glass?

2002-02-19 Thread frank theriault

Myth?

Aaron Reynolds wrote:

 For instance, the myth that the Pentax 67 is gigantic, overly heavy and
 not hand-holdable.


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Re: Re: 67 Brotherhood

2002-02-19 Thread David Brooks

Heh Shel.Funny thing,there was one of those next ot
the Yashi67 i just bought. LOL

Dave


 Begin Original Message 

From: Shel Belinkoff [EMAIL PROTECTED]
Sent: Mon, 18 Feb 2002 18:12:08 -0800
To: [EMAIL PROTECTED]
Subject: Re: 67 Brotherhood


OK you girly-boys,

I've decided to move up to a larger format.  A bigger neg with a much
quieter leaf shutter appealed to me.  The LX is too noisy.  The 67 is
too noisy.  It was time to get serious:

http://home.earthlink.net/~belinkoff/street-shooter.html


William Robb wrote:

 Shel, you too need a Pentax 6x7 to help you overcome these
 negative thoughts that have infected your wretched soul.
 
 I say Shel Belinkoff needs to make the sacrifice of the

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
You can't have everything. Where would you put it?
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 End Original Message 




Pentax User
Stouffville Ontario Canada

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Re: Pentax fast glass?

2002-02-19 Thread Paul F. Stregevsky

I now have two tripods, a monopod, and enough quick release plates to go 
around. Also, I just bought an electronic cable release for my Super 
Programs. And stopping down to f/5.6 So my shots should show a marked 
improvement in sharpness the next time I shoot a school play.

Next stop: A KX to get mirror lockup.


  Fred [EMAIL PROTECTED] wrote:
Having a tripod (or even, to some extent, a monopod) to help out,
you not only have a steadier camera to work with for focusing, but
you may be able to close down the lens a bit also, making the DOF a
little less miserly.


Paul Franklin Stregevsky
13 Selby Court
Poolesville, Maryland 20837-2410
[EMAIL PROTECTED]
H (301) 349-5243
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Re: 67 Brotherhood

2002-02-19 Thread Collin Brendemuehl

I did find a wonderful medium format
folder last week.  Proud III
It has the little ground glass vertical
viewer (like the very old folders) as well 
as the rangefinder.
It also has alternate windows onthe back for
viewing different frame marks, and a flip-up
mask for shooting 6x4.5 or 6x6.
Really a neat little camera.
My research shows it to be quite uncommon.
BUT it had some damage, so I left it.
Might have been nice.

Collin

--

---
Get over it.
Dr. Laura

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Re: Re: 67 Brotherhood

2002-02-19 Thread David Brooks

Enought to put a scare into the Brotherhood me thinks
g

Dave(no flap)Brooks

 Begin Original Message 

From: frank theriault [EMAIL PROTECTED]
  PS.  I wonder how many of us Y-M owners there are on the Pentax 
list
  anyway.
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Pentax User
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Re: Re[2]: 67 Brotherhood

2002-02-19 Thread Aaron Reynolds

On Monday, February 18, 2002, at 09:46  PM, Peter Alling wrote, 
regarding moose hats:

 Be careful in the woods during hunting season.

...or on the road.  0.1% of all motor vehicle accidents in Canada 
involve a moose.

-Aaron

keeper of true facts
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Cleaning a screen

2002-02-19 Thread Albano_Garcia

Hi, gang
The SC-69 screen on my LX has a lot of dirt.
How can I clean it without damage?
Regards
AG
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Re: OT: Kodak shows effect of Ariport Xray's

2002-02-19 Thread Aaron Reynolds

On Monday, February 18, 2002, at 11:15  PM, Oliver Raymond wrote:

 Thought we should be intersted in the following.. I'm printing out the 
 FAA
 regulations, and including them in my wallet!

 http://www.kodak.com/global/en/service/tib/tib5201.shtml

My favourite warning is this one:

Be cautious with film not purchased through Kodak or authorized Kodak 
dealers. Ask about the source of the film, and consider shooting a test 
before you use it.

...because after all, that Fuji film probably had x-ray damage before 
you bought it.  What on earth is that warning doing in the section about 
x-ray precautions?

Little digs like this just kill Kodak's credibility.

-Aaron
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P67 myth rears its ugly head again, was Re: Pentax fast glass?

2002-02-19 Thread Aaron Reynolds

On Tuesday, February 19, 2002, at 07:27  AM, Fred wrote:

 Aw, c'mon, brother Aaron, please don't carry that Brotherhood
 stuff over to this thread, too.  Remember, this thread is about
 ~fast~ glass, not just about ~big~ glass - g.

Heh.  I'm serious, though.  Put a Pentax 67 next to an F5.  Compare 
physical size.  Compare weight.  Hell, my old Mamiya C330 twin lens 
weighed more than my 67 and was significantly more awkward to hand-hold.

The Pentax 67 is only big or heavy when compared to the smallest and 
lightest of 35mm cameras.

-Aaron
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Re: OT: LEGO photography again

2002-02-19 Thread Aaron Reynolds

On Tuesday, February 19, 2002, at 12:11  AM, Amy Hughes wrote:

 http://www.amyhughes.org/lego/church/temp/church001.jpg

That's lovely.  How long have you been building it?

-Aaron
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Re: 67 Brotherhood

2002-02-19 Thread tom

On 19 Feb 2002 at 11:43, Norman Baugher wrote:

 I agree Brother William, they truly cannot see us as the burning
 beacon on a distant horizon, a lighthouse waiting to guild them in to
 the safe harbor of the 6x7 format. 

That's not a lighthouse, that's the fiery pain of your hernia.

tv
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Re: OT: Kodak shows effect of Ariport Xray's

2002-02-19 Thread Doug Franklin

On Tue, 19 Feb 2002 09:04:23 -0500, Aaron Reynolds wrote:

 Be cautious with film not purchased through Kodak or authorized Kodak 
 dealers. Ask about the source of the film, and consider shooting a test 
 before you use it.

 Little digs like this just kill Kodak's credibility.

I think they're warning about buying grey market film.  In that case,
you don't know where, when, how, how many times, etc., the film might
have been shipped internationally and possibly x-rayed.

TTYL, DougF KG4LMZ
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Re: [3]: 67 Brotherhood

2002-02-19 Thread T Rittenhouse

Don't do it Shel. Get a Speed Graphic and become a Pro Photographer.

Ciao,
Graywolf



- Original Message - 
From: Aaron Reynolds [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, February 18, 2002 8:35 PM
Subject: Re: [3]: 67 Brotherhood


 On Monday, February 18, 2002, at 05:49  PM, William Robb wrote:
 
  I say Shel Belinkoff needs to make the sacrifice of the
  pocketbook.
 
  What say you, Brothers?
 
 I vote yay.  Shel, you'll like it in the Brotherhood.  There's a sense 
 of community and love, and best of all, BIG FREAKIN' NEGATIVES.
 
 I trust that you are enlightened enough to make the correct choice.
 
 -Brother Aaron
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Re: 67 Brotherhood

2002-02-19 Thread T Rittenhouse

Ooo... You need to get one of those, Tom. Just think of the possiblities.
12x36 wedding albums

Ciao,
Graywolf



- Original Message -
From: tom [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, February 19, 2002 12:25 AM
Subject: Re: 67 Brotherhood


 On 18 Feb 2002 at 19:22, Bill D. Casselberry wrote:
 
   ... so - bow down and pay homage!  !8^)

 I'll be happy to shake your hand at some point.

 Speaking of big negs...at the wedding I did yesterday was a guy with a
Linhof Technorama 617! Not exactly something you see at every reception.

 tv
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Re: Re: Re[2]: 67 Brotherhood

2002-02-19 Thread David Brooks

The rest of the accidents involve meeses

Dave(losser of facts)

 Begin Original Message 

From: Aaron Reynolds [EMAIL PROTECTED]
Sent: Tue, 19 Feb 2002 08:23:58 -0500
To: [EMAIL PROTECTED]
Subject: Re: Re[2]: 67 Brotherhood


On Monday, February 18, 2002, at 09:46  PM, Peter Alling wrote, 
regarding moose hats:

 Be careful in the woods during hunting season.

...or on the road.  0.1% of all motor vehicle accidents in Canada 
involve a moose.

-Aaron

keeper of true facts
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 End Original Message 




Pentax User
Stouffville Ontario Canada

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Re: 67 Brotherhood

2002-02-19 Thread T Rittenhouse

I have a Ricohflex, the only thing you can say for them is that they a
better than Yashicaflexes. But I can not join your club because I am a Pro
Photographer, and if you don't believe me I will blow your eyes out with a
press 25 flash bulb. By the way I also have a couple of Norman 200B strobes
just in case I run out of flash bulbs though I would probably have to hire a
big guy like Shel or Bill Owens to carry it about for me.

Ciao,
Graywolf



- Original Message -
From: frank theriault [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, February 19, 2002 6:56 AM
Subject: Re: 67 Brotherhood


 In

 Amita Guha wrote:

  Me either! I have a Yashicamat EM!
 
   Hey!   Don't forget me!   I have a Yashica D!
  
   William in Utah.
  
   PS.  I wonder how many of us Y-M owners there are on the Pentax list
   anyway.
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 --
 The optimist thinks this is the best of all possible worlds. The
 pessimist fears it is true. -J. Robert
 Oppenheimer
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RE: 67 Brotherhood

2002-02-19 Thread Paris, Leonard

I'm not sure whether that guild Norm wrote was supposed to be guide or
geld.

Len (G, d,  r)
---

-Original Message-
From: tom [mailto:[EMAIL PROTECTED]]
Sent: Tuesday, February 19, 2002 8:22 AM
To: [EMAIL PROTECTED]
Subject: Re: 67 Brotherhood


On 19 Feb 2002 at 11:43, Norman Baugher wrote:

 I agree Brother William, they truly cannot see us as the burning
 beacon on a distant horizon, a lighthouse waiting to guild them in to
 the safe harbor of the 6x7 format. 

That's not a lighthouse, that's the fiery pain of your hernia.

tv
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Re: P67 myth

2002-02-19 Thread Shel Belinkoff

As an afterthought, here are the figures for the Mamiya 7II:

Dimensions: 159 x 112 x 66
Weight: 920 grams, 1210 ~including~ 80mm normal lens

Note: None of the weights include batteries, which, in the case of the
67 and the Nikon can add quite a few more grams.  The LX and the Mamiya
use smaller and fewer batteries.

Shel Belinkoff wrote:
 
 The 67 is about three times the size and weight of an LX, and,
 surprisingly, only a fair amount larger than the Nikon F5:
 
 Dimensions in millimeters:
 
 LX  145 x 90 x 50
 67II185 x 151 x 106
 Nikon F5158 x 149 x 79
 
 Weight in grams:
 
 LX   565
 67II1660
 F5  1210
 
 It's amazing to me that the Nikon is so big and heavy.  Seems to defeat
 the purpose of a discreet, 35mm camera.  However, it does include a
 motor drive.  How much bigger/heavier would the 67 be with a motor drive
 or winder?
 
 Aaron said:
 
  Heh.  I'm serious, though.  Put a Pentax 67 next to an F5.  Compare
  physical size.  Compare weight.  Hell, my old Mamiya C330 twin lens
  weighed more than my 67 and was significantly more awkward to hand-hold.
 
 And Fred sed:
 
  Why an F5?  Why not an LX, say, or an MX?
 
  Well, have you forgotten JCO's Pentax Family photo
  (http://www.gate.net/~hifisapi/pentaxfamily.jpg), where the
  Spotmatic is dwarfed by the 6x7 (and the Spotmatic is not one of the
  smallest and lightest of 35mm cameras), just as the 110 is dwarfed
  by the Spotmatic?

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
You can't have everything. Where would you put it?
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Re: P67 myth

2002-02-19 Thread Paul Stenquist

Camera weight is quantifiable of course, but how that weight affects one's
use of the camera is purely subjective. Sunday, I hiked a few miles into
LaJolla Canyon, uphill all the way, with a 6x7 and three lenses in a Pelican
case, and a tripod tucked under my other arm.  The weight of the equipment
was not a significant burden. Once I had found my first shot, I left the
camera and a 105mm lens on the tripod and carried that assembly over one
shoulder, with the Pelican in my other arm. I climbed some fairly significant
grades to get a good shot of the canyon.  I think I will invest in a Trekker
for hiking purposes, which would make it easier yet. That photographer I
mentioned in a private message, Gordon Clark, carries three 67IIs and 4
lenses in a Trekker. (Three bodies cuts down on loading time.) He has done 20
miles in African bush country with that rig on his back. I guess it all
depends on how bad you want that big negative.
Paul

Shel Belinkoff wrote:

 The 67 is about three times the size and weight of an LX, and,
 surprisingly, only a fair amount larger than the Nikon F5:

 Dimensions in millimeters:

 LX  145 x 90 x 50
 67II185 x 151 x 106
 Nikon F5158 x 149 x 79

 Weight in grams:

 LX   565
 67II1660
 F5  1210

 It's amazing to me that the Nikon is so big and heavy.  Seems to defeat
 the purpose of a discreet, 35mm camera.  However, it does include a
 motor drive.  How much bigger/heavier would the 67 be with a motor drive
 or winder?

 Aaron said:

  Heh.  I'm serious, though.  Put a Pentax 67 next to an F5.  Compare
  physical size.  Compare weight.  Hell, my old Mamiya C330 twin lens
  weighed more than my 67 and was significantly more awkward to hand-hold.

 And Fred sed:

  Why an F5?  Why not an LX, say, or an MX?

  Well, have you forgotten JCO's Pentax Family photo
  (http://www.gate.net/~hifisapi/pentaxfamily.jpg), where the
  Spotmatic is dwarfed by the 6x7 (and the Spotmatic is not one of the
  smallest and lightest of 35mm cameras), just as the 110 is dwarfed
  by the Spotmatic?

 --
 Shel Belinkoff
 mailto:[EMAIL PROTECTED]
 http://home.earthlink.net/~belinkoff/
 You can't have everything. Where would you put it?
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Re: P67 myth

2002-02-19 Thread Paul Stenquist

The 67 battery weighs but a fraction of an ounce.
Paul

Shel Belinkoff wrote:

 As an afterthought, here are the figures for the Mamiya 7II:

 Dimensions: 159 x 112 x 66
 Weight: 920 grams, 1210 ~including~ 80mm normal lens

 Note: None of the weights include batteries, which, in the case of the
 67 and the Nikon can add quite a few more grams.  The LX and the Mamiya
 use smaller and fewer batteries.

 Shel Belinkoff wrote:
 
  The 67 is about three times the size and weight of an LX, and,
  surprisingly, only a fair amount larger than the Nikon F5:
 
  Dimensions in millimeters:
 
  LX  145 x 90 x 50
  67II185 x 151 x 106
  Nikon F5158 x 149 x 79
 
  Weight in grams:
 
  LX   565
  67II1660
  F5  1210
 
  It's amazing to me that the Nikon is so big and heavy.  Seems to defeat
  the purpose of a discreet, 35mm camera.  However, it does include a
  motor drive.  How much bigger/heavier would the 67 be with a motor drive
  or winder?
 
  Aaron said:
 
   Heh.  I'm serious, though.  Put a Pentax 67 next to an F5.  Compare
   physical size.  Compare weight.  Hell, my old Mamiya C330 twin lens
   weighed more than my 67 and was significantly more awkward to hand-hold.
 
  And Fred sed:
 
   Why an F5?  Why not an LX, say, or an MX?
 
   Well, have you forgotten JCO's Pentax Family photo
   (http://www.gate.net/~hifisapi/pentaxfamily.jpg), where the
   Spotmatic is dwarfed by the 6x7 (and the Spotmatic is not one of the
   smallest and lightest of 35mm cameras), just as the 110 is dwarfed
   by the Spotmatic?

 --
 Shel Belinkoff
 mailto:[EMAIL PROTECTED]
 http://home.earthlink.net/~belinkoff/
 You can't have everything. Where would you put it?
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Re: P67 myth rears its ugly head again, was Re: Pentax fast glass?

2002-02-19 Thread Aaron Reynolds

On Tuesday, February 19, 2002, at 10:11  AM, Fred wrote:

 Heh.  I'm serious, though.  Put a Pentax 67 next to an F5.  Compare
 physical size.  Compare weight.  Hell, my old Mamiya C330 twin lens
 weighed more than my 67 and was significantly more awkward to 
 hand-hold.

 Why an F5?  Why not an LX, say, or an MX?

The F5 is an acceptable weight and size for photojournalists, people who 
run around with their cameras all day long.  Therefore, if the 67 is of 
similar size and weight, does that not make it also acceptably light and 
small for carrying around all day?

I've picked the F5 because 1) it is nearly the same size and weight as 
the 67 and 2) it is popular.

 The Pentax 67 is only big or heavy when compared to the smallest and
 lightest of 35mm cameras.

 Well, have you forgotten JCO's Pentax Family photo
 (http://www.gate.net/~hifisapi/pentaxfamily.jpg), where the
 Spotmatic is dwarfed by the 6x7 (and the Spotmatic is not one of the
 smallest and lightest of 35mm cameras), just as the 110 is dwarfed
 by the Spotmatic?

Okay, here's what I am trying to say: the 67 has a reputation for being 
overly heavy and not hand-holdable.  If you consider the Spotmatic not 
hand-holdable, gigantic and overly heavy because of the existence of the 
110, then your argument makes sense.  However, just because there is a 
camera out there that is smaller (and that takes a smaller film format), 
that does not make a camera bigger than it gigantic, overly heavy and 
impossible to hand-hold.

That is what I am trying to say.  I am not trying to say that the Pentax 
67 is smaller or lighter than the Auto 110.  I am trying to make the 
point that it is a portable, convenient size.

-Aaron
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Re: DOF with close up lenses

2002-02-19 Thread Mark Cassino

I originally replied to this a few days ago, but learned that some changes 
in my email setting meant that my posts didn't go through - hopefully 
(thanks Doug!) this will now...

Depth of field is a function of magnification, so it doesn't matter how you 
get to the magnification, DOF is the same. If you keep this formula handy:

DOF = 2fc(m+1)/m^2

(that's m squared in the denominator).

Where -

m = magnification
f = aperture
c = the size of the circle of confusion you want to use to define apparent 
sharpness, generally considered to be 0.1 to 0.025 mm.  (The circle of 
confusion is this: how big can an out of focus point be and still look 
sharp in you final enlargement.  So, we're saying that a theoretical 
point (which of course has no dimnesion) could be out of focus and so 
grow to 0.033 mm in size and we'll still consider that sharp.)

So at 1:1 with an aperture of f8 and a target circle of confusion of 
0.033mm, DOF is 0.528 mm.  It doesn't matter if you get there with a 50mm 
or with a 500mm, extension, diopters, or teleconverters - DOF is the 
same.  (Those other things change angle of view, perspective, distance to 
subject, and exposure factors though.)

So... figure up what your magnification is with the diopters and go from 
there.

For me, this was the single most important lesson gleaned from many 
readings of John Shaw's Closeups In Nature.  It really cuts through some 
of the confusion regarding DOF and focal length.

Hope this helps -

MCC

- - - - - - - - - -
Mark Cassino
Kalamazoo, MI
[EMAIL PROTECTED]
- - - - - - - - - -
Photos:
http://www.markcassino.com
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Re: P67 myth

2002-02-19 Thread Aaron Reynolds

On Tuesday, February 19, 2002, at 10:49  AM, Mark Roberts wrote:

 I must agree with Fred here. A few weeks ago I stopped by my usual lab 
 to
 pick up some slides and one of the owners was there. He shoots weddings
 with a 67II and brought it out to show to me. I was impressed by two 
 things:
 1 - Man, that's a gorgeous camera! It really is beautiful.
 2 - Wow, that thing's huge! (Even compared to a 645 it's big)

Compared to the Pentax 645, yes, maybe, but have you played with the 
Contax?  The Contax weighs more, too.  And compared to any other 
non-rangefinder 67s, the Pentax 67 is positively tiny.

Pentax make the smallest or close-to-the-smallest cameras in virtually 
every class that they are in.

-Aaron
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Re: 67 Brotherhood

2002-02-19 Thread Aaron Reynolds

On Monday, February 18, 2002, at 04:55  PM, Robert Harris wrote:

 Why would an LX user want to be part of this Brotherhood of Bloat?

Now, now...where is the bloat on the 67?  Sure, it's bigger than an LX, 
because it takes bigger film and has that glorious prism, but compare it 
to another 67 and it's downright svelte.  That's like calling the LX 
bloated for being bigger than the Auto 110.

-Aaron
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Re: Re: P67 myth

2002-02-19 Thread David Brooks

two words,volkswagon beetle g

Dave


.  How much bigger/heavier would the 67 be with a motor drive
or winder?





Pentax User
Stouffville Ontario Canada

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Re: P67 myth

2002-02-19 Thread Aaron Reynolds

On Tuesday, February 19, 2002, at 11:12  AM, Shel Belinkoff wrote:

 It's amazing to me that the Nikon is so big and heavy.  Seems to defeat
 the purpose of a discreet, 35mm camera.

Yep.  But it is accepted as the default photojournalist 35.  That's the 
point I'm trying to make...why is that acceptable to carry around, but 
the 67 is insanely gigantic?

  However, it does include a
 motor drive.  How much bigger/heavier would the 67 be with a motor drive
 or winder?

Well, the 645n isn't that much bigger or heavier than, say, a Bronica 
645 with no drive...

-Aaron
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Re: P67 myth

2002-02-19 Thread Shel Belinkoff

Of course ... since there was discussion about size, I thought some
figures would be useful.

There are people who hike with bigger and heavier view cameras, and I
had a friend, many years ago, who would take his 8 x 10 camera out on
the streets of San Francisco.

Again, as always, it comes down to using the right equipment for the
job, and using the equipment that matches your personality and style of
shooting.

However, all the Brotherhood and enablement nonsense, no matter how
good natured, is becoming tiresome, and, to some people, a bit annoying.

Paul Stenquist wrote:
 
 Camera weight is quantifiable of course, but how that weight affects one's
 use of the camera is purely subjective. Sunday, I hiked a few miles into
 LaJolla Canyon, uphill all the way, with a 6x7 and three lenses in a Pelican
 case, and a tripod tucked under my other arm.  The weight of the equipment
 was not a significant burden. Once I had found my first shot, I left the
 camera and a 105mm lens on the tripod and carried that assembly over one
 shoulder, with the Pelican in my other arm. I climbed some fairly significant
 grades to get a good shot of the canyon.  I think I will invest in a Trekker
 for hiking purposes, which would make it easier yet. That photographer I
 mentioned in a private message, Gordon Clark, carries three 67IIs and 4
 lenses in a Trekker. (Three bodies cuts down on loading time.) He has done 20
 miles in African bush country with that rig on his back. I guess it all
 depends on how bad you want that big negative.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
You can't have everything. Where would you put it?
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Re: 67 Brotherhood

2002-02-19 Thread Chris Brogden

Alas, I had my hopes that the Little Brothers would realize their lot in
life and satisfied with a position, however symbolic, in the Brotherhood.
But it seems that their envy has made this impossible.  I vote aye to the
P67B... long live the Brotherhood!

Brother Chris, P67B


On Tue, 19 Feb 2002, Norman Baugher wrote:

 I agree Brother William, they truly cannot see us as the burning beacon
 on a distant horizon, a lighthouse waiting to guild them in to the safe
 harbor of the 6x7 format. Amen.
 Brother Norm

 William Robb wrote:

  Methinks we should not allow the puny me too users of the little
  medium format into the Brotherhood of the 6x7. For if we do, we
  shall have to tolerate abuse such as you have seen written from
  Brotherette Tom for all eternity.
  Brothers, we must nip this malevolance in the bud.
  We must exclude those who do not share the vision of truth that
  those of us who have been enlightened have seen.
 
  Perhaps a Brotherhood of the Weenie Wannabees for those who have
  not yet found the true path is in order.
  I submit these ideas respectfully and thoughfully to the
  Brotherhood of the 6x7.
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Re: P67 myth

2002-02-19 Thread Shel Belinkoff

Aaron Reynolds wrote:
 
 Yep.  But it is accepted as the default photojournalist 35.  That's the
 point I'm trying to make...why is that acceptable to carry around, but
 the 67 is insanely gigantic?

It's only acceptable to some people, and in some circumstances. And it
does defeat
the purpose of a discreet, 35mm camera. My point is that 35mm and 67 are
not necessarily interchangeable, especially small, discreet 35mm
cameras.  While there can be situations where the 67 is a better choice,
it is not the best choice in others.

Both cameras are, to many photographers, insanely gigantic. If you like
the camera, fine, enjoy it, use it to make photographs that suit your
style and personality.  But please, stop trying to enable everyone on
this list to follow the lead of the Brotherhood. It's becoming
tiresome and annoying, and the humor has gone out of it.  The horse is
dead, stop beating it.  We've gotten your message - over and over again.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
You can't have everything. Where would you put it?
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Cleaning a LX Screen (please brotherhood)

2002-02-19 Thread Albano_Garcia

Hi, Brotherhood
I'm a tiny format user, and need help.
My LX screen is dirty, and I want to clean it, without damaging it.
Recomendations?
Thanks

Albano
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RE: OT: Kodak shows effect of Ariport Xray's

2002-02-19 Thread Rob Brigham

I think they are referring to possible grey market film which could have
been through Xrays when the indie reseller imported it.

 -Original Message-
 From: Aaron Reynolds [mailto:[EMAIL PROTECTED]]
 Sent: 19 February 2002 14:04
 To: [EMAIL PROTECTED]
 Subject: Re: OT: Kodak shows effect of Ariport Xray's
 
 
 On Monday, February 18, 2002, at 11:15  PM, Oliver Raymond wrote:
 
  Thought we should be intersted in the following.. I'm 
 printing out the 
  FAA
  regulations, and including them in my wallet!
 
  http://www.kodak.com/global/en/service/tib/tib5201.shtml
 
 My favourite warning is this one:
 
 Be cautious with film not purchased through Kodak or 
 authorized Kodak 
 dealers. Ask about the source of the film, and consider 
 shooting a test 
 before you use it.
 
 ...because after all, that Fuji film probably had x-ray damage before 
 you bought it.  What on earth is that warning doing in the 
 section about 
 x-ray precautions?
 
 Little digs like this just kill Kodak's credibility.
 
 -Aaron
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Re: Cleaning a LX Screen (please brotherhood)

2002-02-19 Thread Shel Belinkoff

Remove the screen, blow some air on it, or use a brush, and get the
surface dirt off.  It has been noted here that a very mild solution of
dishwashing soap can be used to remove grease, and then rinse the screen
in distilled water.  I've never tried this, but other sources suggest it
and similar techniques.  Here's a selection of comments that might be
useful:

http://zuiko.sls.bc.ca/swright/archives/1999/thrd57.html

[EMAIL PROTECTED] wrote:

 My LX screen is dirty, and I want to clean it, 
 without damaging it. Recomendations?

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
You can't have everything. Where would you put it?
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Re: P67 myth rears its ugly head again, was Re: Pentax fast glass?

2002-02-19 Thread Fred

 Okay, here's what I am trying to say: the 67 has a reputation for
 being overly heavy and not hand-holdable.  [snip]  That is what I
 am trying to say.  [snip]  I am trying to make the point that it
 is a portable, convenient size.

OK, Aaron, I guess I'll try to understand that concept (even though
I'm not rushing out to buy a 6x7).  ;-)  However, as beautiful a
camera body the 6x7 may be to some, it still is far larger in every
physical characteristic than most people would ever want or need.

I'm glad that you medium format guys are finding some brotherhood
on the PDML - I imagine that some of you may get tired of wading
through all the 35mm stuff to get to what seems relevant to a 6x7
(or a 645).  However, there is no need for any of the small format
bashing that's been going on.

Fred
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P67B

2002-02-19 Thread Chris Brogden

On Tue, 19 Feb 2002, Shel Belinkoff wrote:

 Aaron Reynolds wrote:

  Yep.  But it is accepted as the default photojournalist 35.  That's the
  point I'm trying to make...why is that acceptable to carry around, but
  the 67 is insanely gigantic?

 It's only acceptable to some people, and in some circumstances. And it
 does defeat the purpose of a discreet, 35mm camera.

True.  And rangefinders defeat the purpose of a versatile, modular 35mm
camera (the F5 has a very wide range of interchangeable finders, lenses,
backs, etc.).  To each their own... I'm glad that both options exist.

 My point is that 35mm and 67 are not necessarily interchangeable,
 especially small, discreet 35mm cameras.  While there can be
 situations where the 67 is a better choice, it is not the best choice
 in others.

Of course.  What the Brotherhood g was trying to get at was that it's
often the same people criticizing the P67 for its size and weight who use
just-as-heavy 35mm cameras like the F5.  Or who have never used one in the
field for a day.  If someone starting slamming rangefinders for being
awful street cameras, but had never taken the time to actually use one
themselves, what would you think?

 Both cameras are, to many photographers, insanely gigantic. If you
 like the camera, fine, enjoy it, use it to make photographs that suit
 your style and personality.  But please, stop trying to enable
 everyone on this list to follow the lead of the Brotherhood. It's
 becoming tiresome and annoying, and the humor has gone out of it.
 The horse is dead, stop beating it.  We've gotten your message - over
 and over again.

Geez, lighten up.  It's no worse than a lot of other threads... at least
this one is about Pentax equipment, correcting some stereotypes about a
much-maligned camera, and winning converts to the One True Way.  Er...
scratch that last bit.  ;)

Brother Chris, P67B
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Re: P67B

2002-02-19 Thread Shel Belinkoff

It happens all the time.  Frankly, Scarlet, I don't give a damn.  People
will think what they want to think, and while it may be useful to help
people overcome their prejudices and see something with a different POV,
there is no need for evangelical fervor in so doing, especially wrt a
camera choice.

Chris Brogden wrote:

 If someone starting slamming rangefinders for being
 awful street cameras, but had never taken the time 
 to actually use one themselves, what would you think?

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
You can't have everything. Where would you put it?
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Re: B W film or Grayscale

2002-02-19 Thread Mark Cassino

I just recently started developing and printing my own BW, and before that 
used with scans of BW film or de-saturated color film.  I'll also flip the 
digicam into BW mode from time to time.

If you're planning to use a scanner and digital printer, I'd suggest using 
either chromogenic BW (like Ilford XP2 super or Kodak BW +) or shooting 
color negatives and converting to grayscale. I've never been able to scan 
traditional BW film well - the scanner seems to accentuate the grain and 
lose some of the sharpness. I've also had a hard time getting consistent 
results in terms of BW film development from the local labs, even those 
that are well regarded, but the chromogenic BW negatives seem to come out 
OK from any minilab.

In regards to converting color film to grayscale, aside from de-saturating 
your scan you can extract a particular channel, sometimes with better 
results.  Corel Photopaint has a split channels to command that will 
create grayscale representations of each color channel.  These sometimes 
are more interesting than just desaturating, and sort of simulate the 
effects of using a color filter with BW.

The biggest problem I have with digital grayscale is getting a decent 
print. The documentation with my Epson 2000p flat out says it is not 
intended for BW, and it's predicessor, an Epson Photo EX, was just as 
bad.  Maybe other brands of printers can do better at this.  I get a 
monochrome print but usually with a blue or green tint.  If I print in BW 
(not color ink) then there is a loss in fine detail. All in all, I have to 
admit that traditional BW prints do seem to do better.

Hope this helps -

MCC

At 06:37 AM 2/18/02 +1100, Kevin wrote:

I have been fiddling with GIMP and grey scale images and color
reduction to 2 colors (black and white) and have been having
some success. What I am curious about is the quality of such
an image taken with color film against black and white images
taken with black and white film.
My situation is this. All my film, color or BW is developed
in a local lab. I then use my neg scanner to bring the images
into the The GIMP for printing and/or manipulation.

What are peoples thoughts about B  W film versus Greyscale?

Kind regards
Kevin

- - - - - - - - - -
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Kalamazoo, MI
[EMAIL PROTECTED]
- - - - - - - - - -
Photos:
http://www.markcassino.com
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Re: P67 myth

2002-02-19 Thread Fred

 Pentax make the smallest or close-to-the-smallest cameras in
 virtually every class that they are in.

This is quite true.  However, some of those classes are made of
rather large pieces of photographic gear.  Being the smallest
gorilla in a troop of gorillas still means that you're a gorilla. (I
like gorillas, mind you - and I certainly don't want to start a
dog-vs-cat-vs-gorilla thread here.)

Fred
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Re: Cleaning a LX Screen (please brotherhood)

2002-02-19 Thread Chris Brogden

On Tue, 19 Feb 2002, Shel Belinkoff wrote:

 Remove the screen, blow some air on it, or use a brush, [snip]


How do screens compare with mirrors for scratch-resistance?  I've heard
that the mirrors scratch very easily, and that even a fine brush can leave
marks on it.  How strong are focusing screens?

chris
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Re: P67 myth rears its ugly head again

2002-02-19 Thread Chris Brogden

On Tue, 19 Feb 2002, Fred wrote:

  Okay, here's what I am trying to say: the 67 has a reputation for
  being overly heavy and not hand-holdable.  [snip]  That is what I
  am trying to say.  [snip]  I am trying to make the point that it
  is a portable, convenient size.

 OK, Aaron, I guess I'll try to understand that concept (even though
 I'm not rushing out to buy a 6x7).  ;-)  However, as beautiful a
 camera body the 6x7 may be to some, it still is far larger in every
 physical characteristic than most people would ever want or need.

True.  But then there's the flip side.  I've heard a lot of scary things
about the size and weight of MedF, and the RB67's and 'blads we've had
come through Don's have only reinforced that.  It wasn't until we got some
Pentax 67's before that I realized that the P67 was a lot lighter than I
expected it to be.  Now I use it as my take-to-parties camera.  :)  Of
course not everyone would do that, but at least they might be curious
enough to pick one up sometime to see for themselves, instead of being
intimidated into never making the effort.

 I'm glad that you medium format guys are finding some brotherhood on
 the PDML - I imagine that some of you may get tired of wading through
 all the 35mm stuff to get to what seems relevant to a 6x7 (or a 645).

I think most of us also shoot Pentax 35mm, so I don't really see it as a
'division' of any sort between the MedF and 35mm people.  Think of it as
'enabling'... on a grand scale!

 However, there is no need for any of the small format bashing that's
 been going on.

Can 35mm users refrain from bashing 110, disc, or APS film?  ;)

Seriously, I still use my LX, and I still like 35mm for a lot of things,
but my 67 has been a lot of fun, and I'm hoping to share that with
everyone.  Much like the LX wink... if ya got it, flaunt it.  ;)

(Even more seriously... I work in a camera store.  I'm around cameras all
the time.  I'm impressed by photos, not by equipment.)


Brother Chris, P67B
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Re: DOF with close up lenses

2002-02-19 Thread T Rittenhouse

Wrong!

You are confusing aperture (diameter of the opening) with f-stop (focal
length divided by aperture). Also since DOF is normally figured for 8x10
prints viewed at 10 inches you can use 0.25mm (1/100 inch) as your COC for
all calculations.

At f8 a 500mm lens has 10x as large an aperture as a 50mm so your DOF will
be 1/10 that of the 50mm.

Ciao,
Graywolf



- Original Message -
From: Mark Cassino [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, February 19, 2002 11:37 AM
Subject: Re: DOF with close up lenses


 I originally replied to this a few days ago, but learned that some changes
 in my email setting meant that my posts didn't go through - hopefully
 (thanks Doug!) this will now...

 Depth of field is a function of magnification, so it doesn't matter how
you
 get to the magnification, DOF is the same. If you keep this formula handy:

 DOF = 2fc(m+1)/m^2

 (that's m squared in the denominator).

 Where -

 m = magnification
 f = aperture
 c = the size of the circle of confusion you want to use to define apparent
 sharpness, generally considered to be 0.1 to 0.025 mm.  (The circle of
 confusion is this: how big can an out of focus point be and still look
 sharp in you final enlargement.  So, we're saying that a theoretical
 point (which of course has no dimnesion) could be out of focus and so
 grow to 0.033 mm in size and we'll still consider that sharp.)

 So at 1:1 with an aperture of f8 and a target circle of confusion of
 0.033mm, DOF is 0.528 mm.  It doesn't matter if you get there with a 50mm
 or with a 500mm, extension, diopters, or teleconverters - DOF is the
 same.  (Those other things change angle of view, perspective, distance to
 subject, and exposure factors though.)

 So... figure up what your magnification is with the diopters and go from
 there.

 For me, this was the single most important lesson gleaned from many
 readings of John Shaw's Closeups In Nature.  It really cuts through some
 of the confusion regarding DOF and focal length.

 Hope this helps -

 MCC

 - - - - - - - - - -
 Mark Cassino
 Kalamazoo, MI
 [EMAIL PROTECTED]
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 Photos:
 http://www.markcassino.com
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Re: P67 myth

2002-02-19 Thread T Rittenhouse

Or you could get a freighter pack frame and strap the Pelican and the tripod
to it.

Ciao,
Graywolf



- Original Message -
From: Paul Stenquist [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, February 19, 2002 11:30 AM
Subject: Re: P67 myth


 Camera weight is quantifiable of course, but how that weight affects one's
 use of the camera is purely subjective. Sunday, I hiked a few miles into
 LaJolla Canyon, uphill all the way, with a 6x7 and three lenses in a
Pelican
 case, and a tripod tucked under my other arm.  The weight of the equipment
 was not a significant burden. Once I had found my first shot, I left the
 camera and a 105mm lens on the tripod and carried that assembly over one
 shoulder, with the Pelican in my other arm. I climbed some fairly
significant
 grades to get a good shot of the canyon.  I think I will invest in a
Trekker
 for hiking purposes, which would make it easier yet. That photographer I
 mentioned in a private message, Gordon Clark, carries three 67IIs and 4
 lenses in a Trekker. (Three bodies cuts down on loading time.) He has done
20
 miles in African bush country with that rig on his back. I guess it all
 depends on how bad you want that big negative.
 Paul

 Shel Belinkoff wrote:

  The 67 is about three times the size and weight of an LX, and,
  surprisingly, only a fair amount larger than the Nikon F5:
 
  Dimensions in millimeters:
 
  LX  145 x 90 x 50
  67II185 x 151 x 106
  Nikon F5158 x 149 x 79
 
  Weight in grams:
 
  LX   565
  67II1660
  F5  1210
 
  It's amazing to me that the Nikon is so big and heavy.  Seems to defeat
  the purpose of a discreet, 35mm camera.  However, it does include a
  motor drive.  How much bigger/heavier would the 67 be with a motor drive
  or winder?
 
  Aaron said:
 
   Heh.  I'm serious, though.  Put a Pentax 67 next to an F5.  Compare
   physical size.  Compare weight.  Hell, my old Mamiya C330 twin lens
   weighed more than my 67 and was significantly more awkward to
hand-hold.
 
  And Fred sed:
 
   Why an F5?  Why not an LX, say, or an MX?
 
   Well, have you forgotten JCO's Pentax Family photo
   (http://www.gate.net/~hifisapi/pentaxfamily.jpg), where the
   Spotmatic is dwarfed by the 6x7 (and the Spotmatic is not one of the
   smallest and lightest of 35mm cameras), just as the 110 is dwarfed
   by the Spotmatic?
 
  --
  Shel Belinkoff
  mailto:[EMAIL PROTECTED]
  http://home.earthlink.net/~belinkoff/
  You can't have everything. Where would you put it?
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Re: slide mounts

2002-02-19 Thread Patrick White

joe wrote:
As i do a bit of wildlife photography as most would know its a hit and miss
exercise.
Some slides will turn out while others will not.
I'm considering getting my slides processed without the mounts so that way
I will be
able
to sort through them and mount those that came out.
Is the way you would go - mount my own slides and if so which mounts would
you
recommend.

I did the cost/time analysis and decided to continue having them mounted --
I'd rather have the few extra hours per roll to do something else (play with
my daughter, watch a movie, take more pictures).
If you decide you do have the time to mount slides, you should probably
look into developing them yourself too -- it can be slightly cheaper and you
can get push processing for free.

As for slide mounts, Gepe are my favorite.  Get the glassless kind because
the glass interferes with some scanners.

hope that helps,
patbob ([EMAIL PROTECTED])
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Re: Cleaning a LX Screen (please brotherhood)

2002-02-19 Thread Shel Belinkoff

I've cleaned a couple of mirrors with no disasters or problems.  One had
a lot of black, decomposed foam and sticky stuff on it.  I just used
some lens cleaner on a q-tip, and gently wiped it away.  Another list
member is using the camera now, and he's had no complaints or concerns
about the silvering on the mirror.

Both screens and mirrors can be easily scratched or damaged if you're
not careful.  I admit to great trepidation when fiddling around with
either, but I do believe they're not quite as fragile as they're made
out to be.


Chris Brogden wrote:

 How do screens compare with mirrors 
 for scratch-resistance?  I've heard
 that the mirrors scratch very easily, 
 and that even a fine brush can leave
 marks on it.  How strong are focusing screens?

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
You can't have everything. Where would you put it?
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Re: P67B

2002-02-19 Thread Chris Brogden

On Tue, 19 Feb 2002, Shel Belinkoff wrote:

 It happens all the time.  Frankly, Scarlet, I don't give a damn.  People
 will think what they want to think, and while it may be useful to help
 people overcome their prejudices and see something with a different POV,
 there is no need for evangelical fervor in so doing, especially wrt a
 camera choice.

I agree; evangelists and fanatics scare the #%$ out of me.  Hence the
humourous, tongue-in-cheek tone of the P67B posts.  Some 35mm guys have
responded in kind (the hernia comment was great, Tom!), and it's made for
some playful banter back and forth.  For me, it's meant as playful
teasing, not as any attempt to ridicule 35mm in general.  I think those
itty-bitty negs allow 35mm to ridicule itself quite adequately without the
P67B needing to do anything.  :)   (Yes, that was a joke... be gentle.)

:)
chris, P67B


 Chris Brogden wrote:

  If someone starting slamming rangefinders for being
  awful street cameras, but had never taken the time
  to actually use one themselves, what would you think?

 --
 Shel Belinkoff
 mailto:[EMAIL PROTECTED]
 http://home.earthlink.net/~belinkoff/
 You can't have everything. Where would you put it?
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Re: P67 myth

2002-02-19 Thread T Rittenhouse

???  will, I suggest you punch him out and quit reading them.

I find it great fun, and I am on the opposite side of it. You do know you
can skip messages you are not interested in? When everybody starts skipping
them the thread dies.



Ciao,
Graywolf



- Original Message -
From: Shel Belinkoff [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, February 19, 2002 12:00 PM
Subject: Re: P67 myth


 Of course ... since there was discussion about size, I thought some
 figures would be useful.

 There are people who hike with bigger and heavier view cameras, and I
 had a friend, many years ago, who would take his 8 x 10 camera out on
 the streets of San Francisco.

 Again, as always, it comes down to using the right equipment for the
 job, and using the equipment that matches your personality and style of
 shooting.

 However, all the Brotherhood and enablement nonsense, no matter how
 good natured, is becoming tiresome, and, to some people, a bit annoying.

 Paul Stenquist wrote:
 
  Camera weight is quantifiable of course, but how that weight affects
one's
  use of the camera is purely subjective. Sunday, I hiked a few miles into
  LaJolla Canyon, uphill all the way, with a 6x7 and three lenses in a
Pelican
  case, and a tripod tucked under my other arm.  The weight of the
equipment
  was not a significant burden. Once I had found my first shot, I left the
  camera and a 105mm lens on the tripod and carried that assembly over one
  shoulder, with the Pelican in my other arm. I climbed some fairly
significant
  grades to get a good shot of the canyon.  I think I will invest in a
Trekker
  for hiking purposes, which would make it easier yet. That photographer I
  mentioned in a private message, Gordon Clark, carries three 67IIs and 4
  lenses in a Trekker. (Three bodies cuts down on loading time.) He has
done 20
  miles in African bush country with that rig on his back. I guess it all
  depends on how bad you want that big negative.

 --
 Shel Belinkoff
 mailto:[EMAIL PROTECTED]
 http://home.earthlink.net/~belinkoff/
 You can't have everything. Where would you put it?
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Re: USA vs. Grey Import Med. Format Equip Question/Problem

2002-02-19 Thread Collin Brendemuehl

But 
Mamiya America is independent of Mamiya.
They're an importer with a license.
Their profits  prices have nothing to 
do with prices set anywhere else.

Collin

--

---
Get over it.
Dr. Laura

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Re: P67 myth

2002-02-19 Thread Mark Roberts

Fred wrote:

 Being the smallest gorilla in a troop of gorillas 
 still means that you're a gorilla.

That's going in my permanent collection of PDML quotations!



-- 
Mark Roberts
www.robertstech.com
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Re: Filter question

2002-02-19 Thread Aaron Reynolds

On Monday, February 18, 2002, at 03:23  PM, Bill Owens wrote:

 I think there is a problem with the ME and MES.  Using just the orange
 filter, the TTL metering in my MES (which I THINK is fixed) shows a 1 
 stop
 correction.  The data sheet shows 2 1/3 stops correction.  This 
 morning I
 shot a roll of FP4 (ISO 125) in my Yashica Mat, using a Minolta IIIF
 incident meter at ISO 25 and the negatives appear perfect.  Using the 
 MES in
 TTL would have underexposed by 1 1/3 stops.

Your meter is right on, don't worry.  This is what we were talking 
about -- black and white film is not sensitive to all colours of light 
in exactly the same way.  The redder the light, the more exposure the 
film requires to make a proper exposure.  If you had colour film in your 
camera, your ME's meter would have given you perfectly exposed negs.  
However, the bw film needs that extra 1 1/3 stop because of the colour 
of the filter.  The rest of the exposure difference is due to the 
filter's density.

-Aaron
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Re: P67B

2002-02-19 Thread Aaron Reynolds

On Tuesday, February 19, 2002, at 12:45  PM, Shel Belinkoff wrote:

 there is no need for evangelical fervor in so doing, especially wrt a
 camera choice.

Shel, I've been trying to ape some of the Nikon/Canon testimonials I've 
read over the ages.  It has all been quite tongue-in-cheek.  I most 
certainly realize that the 67 is not an ideal camera for most people.

-Aaron
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Re: REAL photo tips!

2002-02-19 Thread Peter Alling

This guy thinks he's a Zen photographer, kind of like Chevy Chase in
caddy shack ... see the camera, be the camera ...  Repeat about 1000
time until you think you're results look like Ansel Adams.

At 09:57 AM 2/19/2002 -0500, you wrote:
All the secrets of photography revealed!

http://johnlind.tripod.com/tips.html


--
Mark Roberts
www.robertstech.com
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Re: P67 myth rears its ugly head again, was Re: Pentax fast glass?

2002-02-19 Thread Aaron Reynolds

On Tuesday, February 19, 2002, at 12:19  PM, Fred wrote:

 OK, Aaron, I guess I'll try to understand that concept (even though
 I'm not rushing out to buy a 6x7).  ;-)  However, as beautiful a
 camera body the 6x7 may be to some, it still is far larger in every
 physical characteristic than most people would ever want or need.

Fred, you don't know what you're missing.  ;)

 I'm glad that you medium format guys are finding some brotherhood
 on the PDML - I imagine that some of you may get tired of wading
 through all the 35mm stuff to get to what seems relevant to a 6x7
 (or a 645).  However, there is no need for any of the small format
 bashing that's been going on.

I think we've just been slightly giddy at having nearly the majority of 
the messages devoted to medium format for almost two whole days!

The 35mm bashing has been absolutely tongue-in-cheek.  There is no way 
that I would sell my LX or my A* 200mm f2.8, even to finance more 67 
gear.  Hell, after all that goofy fuss I put up, my favourite lens on 
the lens roll call is still a 35mm lens.  ;)

-Aaron
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RE: Cleaning a LX Screen (please brotherhood)

2002-02-19 Thread Mick Maguire

Chris Brogden asked: How strong are focusing screens?
not very strong at all, they are plastic, I have scratched one with over
vigorous use of a cotton bud.

Regards,
/\/\ick...
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Re: B W film or Grayscale

2002-02-19 Thread Bill Owens

I too, was having trouble getting a decent BW print from my Epson 1270.
After trying many different settings for glossy photo paper, I found that
setting the printer software on plain paper, but using Ilford Glossy
Galerie, the results are much better.  I think it's due to the fact that the
printer lays down less ink on the plain paper setting.

Bill

 The biggest problem I have with digital grayscale is getting a decent
 print. The documentation with my Epson 2000p flat out says it is not
 intended for BW, and it's predicessor, an Epson Photo EX, was just as
 bad.  Maybe other brands of printers can do better at this.  I get a
 monochrome print but usually with a blue or green tint.  If I print in BW
 (not color ink) then there is a loss in fine detail. All in all, I have to
 admit that traditional BW prints do seem to do better.
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Re: P67 myth

2002-02-19 Thread Fred

 However, all the Brotherhood and enablement nonsense, no matter
 how good natured, is becoming tiresome, and, to some people, a bit
 annoying.

I concur, Shel.  What started out as a humorous show of medium
format cameraderie (misspelling intentional - g) has become not
so funny anymore (not when some of the humor has turned to bashing
of other list members' equipment and tastes, on a list that's
supposed to be for ~all~ Pentaxers).

Fred
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Re: Cleaning a LX Screen (please brotherhood)

2002-02-19 Thread Aaron Reynolds

On Tuesday, February 19, 2002, at 12:25  PM, Shel Belinkoff wrote:

   It has been noted here that a very mild solution of
 dishwashing soap can be used to remove grease, and then rinse the screen
 in distilled water.

I've had great luck getting grease and oil and the like off of optical 
surfaces with that ROR cleaning fluid.  Haven't tried it on a screen, 
but I imagine that it would work the same as it does for lenses and 
eyepieces.

-Aaron
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Re: P67 myth rears its ugly head again, was Re: Pentax fast glass?

2002-02-19 Thread Peter Alling

At 10:11 AM 2/19/2002 -0500, Fred wrote:
  Aw, c'mon, brother Aaron, please don't carry that Brotherhood
  stuff over to this thread, too.  Remember, this thread is about
  ~fast~ glass, not just about ~big~ glass - g.

  Heh.  I'm serious, though.  Put a Pentax 67 next to an F5.  Compare
  physical size.  Compare weight.  Hell, my old Mamiya C330 twin lens
  weighed more than my 67 and was significantly more awkward to hand-hold.

Why an F5?  Why not an LX, say, or an MX?

Because the LX and MX are so much smaller than the F5 that the comparison would
be ludicrous.  The advantage of a small format should be the small size of the
equipment.  The Nikon breaks that rule so the comparison makes the 67 look even
better.  (Gee, these brotherhood guys are crafty).



  The Pentax 67 is only big or heavy when compared to the smallest and
  lightest of 35mm cameras.

Well, have you forgotten JCO's Pentax Family photo
(http://www.gate.net/~hifisapi/pentaxfamily.jpg), where the
Spotmatic is dwarfed by the 6x7 (and the Spotmatic is not one of the
smallest and lightest of 35mm cameras), just as the 110 is dwarfed
by the Spotmatic?

Fred
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Nocturnal Photography (was Painting With Light)

2002-02-19 Thread Debra Wilborn

--- Shel Belinkoff [EMAIL PROTECTED] wrote:
 Has anyone tried painting with light?  Any
 suggestions or tips?
 -- 
 Shel Belinkoff
 mailto:[EMAIL PROTECTED]
 http://home.earthlink.net/~belinkoff/
 -


There is a really cool website on nocturnal
photography and painting with light is addressed. 
As I understand it, you basically just wave a
flashlight over your subject on a long exposure.  

Now that I think about it, last time I was in
Waldenbooks I saw a book of great photos from Life
magazine.  One was a portrait of Picasso.  The
photographer had him stand in a dark room, fired the
flash, then had Picasso draw in the air with a
penlight.  Try to find that book.  It's an awesome
portrait.


Deb in TX
Yahoo! Sports - Coverage of the 2002 Olympic Games
http://sports.yahoo.com
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Re: 67 Brotherhood

2002-02-19 Thread Peter Alling

I must just have a dirty mind but the double entendre possibilities in 
these posts
are getting too hard to ignore.  (If you don't remember just look back at 
some of
the posts about membership), and now this.  I can just see Aaron an Bill 
leading a
whole army of them.  (Oh that was so politically incorrect).

At 10:46 PM 2/18/2002 -0500, you wrote:
If you warship any god but the one true god you are an infidel. It is always
that way with these fanatics. I saw Aaron and Bill gathering faggots and
lighting torches so I would be careful of admitting using anything but a
pentax.

Ciao,
Graywolf



- Original Message -
From: Bill D. Casselberry [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, February 18, 2002 10:10 PM
Subject: Re: 67 Brotherhood


  Bruce wrote:
 
   Yeah, I think we are gonna need to broaden the Brotherhood a bit.
   Include 645 and need to decide if this is a general brotherhood or a
   Pentax brotherhood.
 
  ... and what of us MedFormat-types that are stuck having
  to use a meager 6x9cm 1950 Voigtlander Bessa II, Yaschica
  TLR or (sometimes for nostalgic reasons) the old Agfa B2 Speedex
  which instigated this latest journey into realms photographic
  about twenty some years ago?
 
  ... enquiring minds want to know   Bill
 
 
  -
  Bill D. Casselberry ; Photography on the Oregon Coast
 
  http://www.orednet.org/~bcasselb
  [EMAIL PROTECTED]
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Camera aesthetics.

2002-02-19 Thread Matamoros, Cesar A.

Had a 'date' with a fellow photographer on Sunday.  We were going to
take some shots in a planned community about an hour west of here.  I knew
that she shot Minolta autofocus.

As I was preparing my camera gear I was torn.  It was either take
the two snake-skinned LXs or the two 'normal' LXs (one with slide the other
bw) with me.  I have had extreme reactions about the snaked cameras.  I was
not sure how she would take it.  I figured I could not go wrong with taking
the two 'normal' LXs, and they happen to also be the ones in the best shape
of the bunch.  One has the FA-1 the other the FA-2.  Talk about classy
looking.  But then again I find just about all my cameras beautiful, just
some more than others ;-)

So is it vanity that one considers the appearance of their camera
gear - to some extent.?  But once she really gets to know me, she will see
the old beat up LXs and will not care by then :-)  Side note - she has seen
my photography and has complemented me on it.  So I guess I am safe.

Just rambling with a few idle moments here at work,

Cesar
Panama CIty, Florida

[demime removed a uuencoded section named winmail.dat which was 58 lines]
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RE: Spotmatic Enabled

2002-02-19 Thread Matamoros, Cesar A.

Christian,

I trick shown to me is to remove the base plate and soak it in
Coca-Cola.  Don't let it sit there forever though.  I had to do this with
one of my Spotmatics and the cover came out cleanly.

It may not take a truckload, but it would sure feel like it...  but
I do appreciate the offer.

Cesar

 Christian penned:
 
 Cesar;
 
 I think you need to bring all of them!  Yeah, just have the truck unload 
 everything at my door and I'll take care of it for you
 
 It looks like I'll be using a hand-held meter with the SPII because that 
 battery cover is determined to stay onI soaked it in liquid wrench
 
 and tried every screw driver I have to get the cover off.  (I even removed
 
 the whole baseplate so I could have a better grip without worrying about
 the 
 body.  Right now the cover is getting badly beat up and I'm afraid I'll
 never 
 get it off.  DAMN!
 
 Christian
 
 On Tuesday 19 February 2002 13:34, Cesar wrote:
  Hello Christian,
 
  Now you have put me in a quandry.  I know I said I would have to
  bring the snake-skinned LXs with me the next time I go to Baltimore, but
  now that you have a Spotmatic I am tempted to bring along the S1a and a
  small collection of screwmount lenses.
 
  Maybe the LXs and the Pentak K adapter and screwmount lenses???
 
  Why does Pentax have to have such great compatibilty of lenses
  throughout the ages? :-)
 
  Cesar Matamoros II
  Panama City, Florida
 
   -Original Message-
   Christian Skofteland [SMTP:[EMAIL PROTECTED]]
  
   Well, I did it.  I went and bought a Spotamatic.  A Spotmatic II to be
   exact
   including a Super-Multi-Coated Takumar 55f1.8.  I think it will be
 happy
   with
   my LX ;-) and MX.
  
   The battery cover is frozen in place so I can't test the meter (but I
   will
  
   get the damn thing off one way or another to install new batteries!)
 and
   it
   shows some obvious signs of wear.  It's dirty but I should be able to
 get
   it
   clean.  Everything else seems to work fine and the lens is clean.  And
 it
   was
   a bargain!
  
   Here's a question for the screw heads:  What is the SW switch for on
   the
  
   left side of the lens mount?
  
   Thanks in advance!
  
   Christian
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RE: Cleaning a LX Screen (please brotherhood)

2002-02-19 Thread Mick Maguire

If dishwashing detergent such as Dawn is used, you should note that it
usually contains a lot of salt (the regular sodium chloride stuff) as a
bulking agent, so the screen and fingers should be thoroughly washed before
refitting. As an aside this is also one of the reasons that you might not
want to use it for washing your car either.

Regards,
/\/\ick...
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RE: Spotmatic Enabled

2002-02-19 Thread Mick Maguire

Christian, have you tried boiling the bottom cover? Boiling water often
releases battery crud...  not sure if this is possible, but it was just a
passing thought

Regards,
/\/\ick...
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OT Movie foibles (Vertical Limit)

2002-02-19 Thread Christian Skofteland

I was watching the movie Vertical Limit the other night and saw the 
funniest the-technical-advisor-should-be-shot error.

Chris O'Donnel (our hero) is supposed to be a National Geographic wildlife 
photographer.  They show him sitting in a blind in Pakistan photographing 
Snow Leopards witha Nikon F5.  so far so good.  His assistant drops a roll of 
film (to show how incompetent the locals are I guess, whatever.) and when he 
picks it up you can clearly see MAX in black on a yellow cartridge.  

Yeah, a National Geographic wildlife photographer would be using Kodak 
MAX  It made me burst out laughing to the point where my wife had to tell 
me to get a hold of myself

BTW the movie is horrible.  Don't waste your time.  It's so fiull of cliche 
and technical errors/impossibilities!  If you want to see a good mountain 
climbing movie see the IMAX film Everest Not only is the acting better, 
it's true.  Also read Into Thin Air by Jon Krakauer.

Christian
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Re: OT:Travel Tripod question

2002-02-19 Thread Steven Gilson

Has anyone tried the Velbon Maxi 343?  I've only read about in Pop Photo, but it 
sounds to good to be true.  I still don't know about a 300mm with no mount, but for 
anything else.  If someone can give me favorable report on one, I'll probably buy one. 
 I think they go for about $80 from BH.


Find the best deals on the web at AltaVista Shopping!
http://www.shopping.altavista.com
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Re: Nocturnal Photography (was Painting With Light)

2002-02-19 Thread Stephen Moore

This site has been mentioned here in the past,
but it's still awesome...

http://www.lostamerica.com/lostframe.html

Regards,

Stephen
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Re: OT Movie foibles (Vertical Limit)

2002-02-19 Thread Chris Brogden

On Tue, 19 Feb 2002, Christian Skofteland wrote:

 I was watching the movie Vertical Limit the other night and saw the
 funniest the-technical-advisor-should-be-shot error.
[snip]
 Yeah, a National Geographic wildlife photographer would be using Kodak
 MAX  It made me burst out laughing to the point where my wife had to tell
 me to get a hold of myself

I doubt if that's a technical advisor error.  Sounds like some good old
fashioned product placement by Kodak.

On a related note, what does everyone hate about Gold Max?  We all know
it's bad, but why?  Say, compared to Royal Gold 400 or Superia 400.

chris
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Re: P67 myth

2002-02-19 Thread T Rittenhouse

What??? I did not write the rest of that line after ???  Where did it come
from?

Ciao,
Graywolf



- Original Message -
From: T Rittenhouse [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, February 19, 2002 12:55 PM
Subject: Re: P67 myth


 ???  will, I suggest you punch him out and quit reading them.

 I find it great fun, and I am on the opposite side of it. You do know you
 can skip messages you are not interested in? When everybody starts
skipping
 them the thread dies.



 Ciao,
 Graywolf
 


 - Original Message -
 From: Shel Belinkoff [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Tuesday, February 19, 2002 12:00 PM
 Subject: Re: P67 myth


  Of course ... since there was discussion about size, I thought some
  figures would be useful.
 
  There are people who hike with bigger and heavier view cameras, and I
  had a friend, many years ago, who would take his 8 x 10 camera out on
  the streets of San Francisco.
 
  Again, as always, it comes down to using the right equipment for the
  job, and using the equipment that matches your personality and style of
  shooting.
 
  However, all the Brotherhood and enablement nonsense, no matter how
  good natured, is becoming tiresome, and, to some people, a bit annoying.
 
  Paul Stenquist wrote:
  
   Camera weight is quantifiable of course, but how that weight affects
 one's
   use of the camera is purely subjective. Sunday, I hiked a few miles
into
   LaJolla Canyon, uphill all the way, with a 6x7 and three lenses in a
 Pelican
   case, and a tripod tucked under my other arm.  The weight of the
 equipment
   was not a significant burden. Once I had found my first shot, I left
the
   camera and a 105mm lens on the tripod and carried that assembly over
one
   shoulder, with the Pelican in my other arm. I climbed some fairly
 significant
   grades to get a good shot of the canyon.  I think I will invest in a
 Trekker
   for hiking purposes, which would make it easier yet. That photographer
I
   mentioned in a private message, Gordon Clark, carries three 67IIs and
4
   lenses in a Trekker. (Three bodies cuts down on loading time.) He has
 done 20
   miles in African bush country with that rig on his back. I guess it
all
   depends on how bad you want that big negative.
 
  --
  Shel Belinkoff
  mailto:[EMAIL PROTECTED]
  http://home.earthlink.net/~belinkoff/
  You can't have everything. Where would you put it?
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Re: OT Movie foibles (Vertical Limit)

2002-02-19 Thread Brendan

Cause it's not Fuji velvia

--- Chris Brogden [EMAIL PROTECTED] wrote:
 On Tue, 19 Feb 2002, Christian Skofteland wrote:
 
  I was watching the movie Vertical Limit the
 other night and saw the
  funniest the-technical-advisor-should-be-shot
 error.
 [snip]
  Yeah, a National Geographic wildlife photographer
 would be using Kodak
  MAX  It made me burst out laughing to the
 point where my wife had to tell
  me to get a hold of myself
 
 I doubt if that's a technical advisor error.  Sounds
 like some good old
 fashioned product placement by Kodak.
 
 On a related note, what does everyone hate about
 Gold Max?  We all know
 it's bad, but why?  Say, compared to Royal Gold 400
 or Superia 400.
 
 chris
 -

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Re: USA vs. Grey Import Med. Format Equip Question/Problem

2002-02-19 Thread T Rittenhouse

But they do own the trade mark in the US. Which allows them to restrict the
import of Mamiya equipment.

Ciao,
Graywolf



- Original Message -
From: Collin Brendemuehl [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, February 19, 2002 1:08 PM
Subject: Re: USA vs. Grey Import Med. Format Equip Question/Problem


 But 
 Mamiya America is independent of Mamiya.
 They're an importer with a license.
 Their profits  prices have nothing to
 do with prices set anywhere else.

 Collin

 --

 ---
 Get over it.
 Dr. Laura

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Kodak Gold 400 (was: Re: OT Movie foibles (Vertical Limit))

2002-02-19 Thread Paul F. Stregevsky

The older versions of Gold Max were too contrasty and oversaturated, and 
underexposures turned black into a muddy brown. All that has changed with 
the newest formulation, which says something like 25 percent improved on 
the box. It's  more subtle, it's sharper, contrast has been moderated, and 
skin tones are truer than ever. I would use it for any occasion calling for 
400-speed film. In fact, it's so pro looking it may lack the punch some 
of us want for overcast days.


Chris Brogden [EMAIL PROTECTED] wrote:
What does everyone hate about Gold Max? We all know it's bad, but why? Say, 
compared to Royal Gold 400 or Superia 400.



Paul Franklin Stregevsky
13 Selby Court
Poolesville, Maryland 20837-2410
[EMAIL PROTECTED]
H (301) 349-5243
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Re: OT Movie foibles (Vertical Limit)

2002-02-19 Thread Nitin Garg

On Tue, Feb 19, 2002 at 02:18:14PM -0500, Christian Skofteland wrote:
 I was watching the movie Vertical Limit the other night and saw the 
 funniest the-technical-advisor-should-be-shot error.
 
 Chris O'Donnel (our hero) is supposed to be a National Geographic wildlife 
 photographer.  They show him sitting in a blind in Pakistan photographing 
 Snow Leopards witha Nikon F5.  so far so good.  His assistant drops a roll of 
 film (to show how incompetent the locals are I guess, whatever.) and when he 
 picks it up you can clearly see MAX in black on a yellow cartridge.  

Might have been product placement thing. Makes perfect sense.
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Re: Spotmatic Enabled

2002-02-19 Thread Christian Skofteland

I'll try it.  At this point I'll try anything!

Thanks!

Christian

On Tuesday 19 February 2002 14:18, you wrote:
 Christian, have you tried boiling the bottom cover? Boiling water often
 releases battery crud...  not sure if this is possible, but it was just a
 passing thought

 Regards,
 /\/\ick...
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PMA Binocs?

2002-02-19 Thread Ryan K. Brooks

So we get digital binocs instead of a DSLR?

Argh..

-R
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Re: Spotmatic Enabled

2002-02-19 Thread Christian Skofteland

Thanks.  It's sitting in a cup of Coke right now!  How long did you soak your 
Baseplate?

Christian

On Tuesday 19 February 2002 14:09, you wrote:
 Christian,

   I trick shown to me is to remove the base plate and soak it in
 Coca-Cola.  Don't let it sit there forever though.  I had to do this with
 one of my Spotmatics and the cover came out cleanly.


   Cesar
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OT: Enlarger FS

2002-02-19 Thread Collin Brendemuehl

I'm needing to upgrade my enlarger.
This one is a good starter, but
probably not an appropriate
professional unit.
DeJur Versatile Professional.
4x5
Comes somewhat complete.
It came with no neg carriers
so I had to make them myself.
They work well, and are included.
It also comes with some home-brew
lensboards and a 90mm lens to start
with.
My prints that are out on photocritique.net
(Two Artists  Lilies) were printed with
this enlarger.

$100

Collin
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Ebay LX Thingie

2002-02-19 Thread Jeff Post

The only thing I could think of as I was looking at it was that it was to 
do the same function as the roller that is in that spot in newer LX 
cameras.  That way, as the motor drive is chugging along, it is keeping the 
film taunt for the takeup spools.

 Jeff
At 02:26 PM 2/19/2002 -0500, you wrote:
Date: Tue, 19 Feb 2002 19:47:38 +0100
From: Peter Smekal [EMAIL PROTECTED]
Subject: Ebay-LX-thingie

Well, well ... what could that thingie be:
http://cgi.ebay.de/aw-cgi/eBayISAPI.dll?ViewItemitem=1333936328

Peter Smekal
Uppsala, Sweden
[EMAIL PROTECTED]
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RE: Spotmatic Enabled

2002-02-19 Thread J. C. O'Connell

drill two holes in it and use a spanner wrench
to get it off.
JCO

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Christian Skofteland
 Sent: Tuesday, February 19, 2002 1:56 PM
 To: [EMAIL PROTECTED]
 Subject: Re: Spotmatic Enabled


 Cesar;

 I think you need to bring all of them!  Yeah, just have the truck unload
 everything at my door and I'll take care of it for you

 It looks like I'll be using a hand-held meter with the SPII because that
 battery cover is determined to stay onI soaked it in
 liquid wrench
 and tried every screw driver I have to get the cover off.  (I
 even removed
 the whole baseplate so I could have a better grip without
 worrying about the
 body.  Right now the cover is getting badly beat up and I'm
 afraid I'll never
 get it off.  DAMN!

 Christian

 On Tuesday 19 February 2002 13:34, Cesar wrote:
  Hello Christian,
 
  Now you have put me in a quandry.  I know I said I would have to
  bring the snake-skinned LXs with me the next time I go to Baltimore, but
  now that you have a Spotmatic I am tempted to bring along the S1a and a
  small collection of screwmount lenses.
 
  Maybe the LXs and the Pentak K adapter and screwmount lenses???
 
  Why does Pentax have to have such great compatibilty of lenses
  throughout the ages? :-)
 
  Cesar Matamoros II
  Panama City, Florida
 
   -Original Message-
   Christian Skofteland [SMTP:[EMAIL PROTECTED]]
  
   Well, I did it.  I went and bought a Spotamatic.  A Spotmatic II to be
   exact
   including a Super-Multi-Coated Takumar 55f1.8.  I think it
 will be happy
   with
   my LX ;-) and MX.
  
   The battery cover is frozen in place so I can't test the meter (but I
   will
  
   get the damn thing off one way or another to install new
 batteries!) and
   it
   shows some obvious signs of wear.  It's dirty but I should be
 able to get
   it
   clean.  Everything else seems to work fine and the lens is
 clean.  And it
   was
   a bargain!
  
   Here's a question for the screw heads:  What is the SW switch for on
   the
  
   left side of the lens mount?
  
   Thanks in advance!
  
   Christian
 
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Re: P67B

2002-02-19 Thread tom

On 19 Feb 2002 at 11:53, Chris Brogden wrote:
 
 I agree; evangelists and fanatics scare the #%$ out of me.  Hence the
 humourous, tongue-in-cheek tone of the P67B posts.  Some 35mm guys
 have responded in kind (the hernia comment was great, Tom!),

When did I become a 35mm guy?  If I'm any sort of guy, it'd probably be a b+w guy...

tv
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Now a picture of the Digital Binoc's

2002-02-19 Thread Ryan K. Brooks

http://www.imaging-resource.com/NEWS/1014154223.html

R
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Re: P67B

2002-02-19 Thread Chris Brogden

On Tue, 19 Feb 2002, tom wrote:

 On 19 Feb 2002 at 11:53, Chris Brogden wrote:
 
  I agree; evangelists and fanatics scare the #%$ out of me.  Hence the
  humourous, tongue-in-cheek tone of the P67B posts.  Some 35mm guys
  have responded in kind (the hernia comment was great, Tom!),

 When did I become a 35mm guy?  If I'm any sort of guy, it'd probably
 be a b+w guy...

Sorry, thought you were the other Tom.  All you non-P67 guys look the same
to me.  ;)

chris
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Re: OT Movie foibles (Vertical Limit)

2002-02-19 Thread Aaron Reynolds

On Tuesday, February 19, 2002, at 02:18  PM, Christian Skofteland wrote:

  They show him sitting in a blind in Pakistan photographing
 Snow Leopards witha Nikon F5.  so far so good.  His assistant drops a 
 roll of
 film (to show how incompetent the locals are I guess, whatever.) and 
 when he
 picks it up you can clearly see MAX in black on a yellow cartridge.

I shouted Oh...my...GOD! in the theatre.  Vanessa had to pat my arm to 
calm me down.

Did you notice that everything else was perfect?  His tripod was even 
weighted with sandbags.

Seriously, though, did Kodak think that the average moviegoer would not 
get the Kodak-is-good-film connection if O'Donnell were shooting E200 or 
Supra or any one of their actual pro films?  Instead, they just provide 
an (additional) unintentional guffaw for those knowledgeable about that 
kind of thing.

I think it was Ebert who said This is the kind of film where the 
protagonists have to climb up a mountain with nitroglycerine strapped to 
their backs because it is more dangerous than simply climbing up a 
mountain.

-Aaron
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