Re: Pentax K10D firmware update 1.11 now available

2007-03-07 Thread Thibouille
Yes of course. It often works like that for good (most of the time) reasons.

2007/3/7, P. J. Alling [EMAIL PROTECTED]:
 That's not surprising.  I know that's the way I'd design a firmware
 upgrade to work.

 Dario Bonazza wrote:
  Doug Franklin wrote:
 
 
  Why do you say that, Ken.  Am I missing something?  It seems to me that
  I set up two SD cards, one with the old firmware and one with the new.
  A simple swap of the cards and the magic startup to load new firmware
  and I'm set.  Does the 1.11 (or whatever) firmware notice that I'm
  trying to load an older version and refuse?
 
 
  Exactly, just tried that :-(
 
  Dario
 
 


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Re: Question about pentax gallery (mostly language-wise)

2007-03-07 Thread David Savage
At 02:15 PM 7/03/2007, Boris Liberman wrote:
Hi!

Yesterday I submitted two photos to Pentax gallery
(http://www.pentaxphotogallery.com/artist).

Now, when I am looking at these two photos I am seeing Approved in
Gallery - does it mean that they will be shown to the public if and
when the gallery becomes public, or is there something more that needs
to happen?

Thanks, I am really confused by the language here.

Boris


Sounds like your shots are in Boris.

I up-loaded several on Monday and they're all still marked  Ready for Review.

Cheers,

Dave 


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Re: Pentax K10D firmware update 1.11 now available

2007-03-07 Thread Wilko Bulte
On Wed, Mar 07, 2007 at 08:47:18AM +0100, Thibouille wrote..
 Yes of course. It often works like that for good (most of the time) reasons.

Because of that most of the time clause is exactly the reason why it is a
bad idea.

Seen this too often with customers (that is in the professional IT area,
but the principle of allowing a downgrade remains sound)

Wilko


 2007/3/7, P. J. Alling [EMAIL PROTECTED]:
  That's not surprising.  I know that's the way I'd design a firmware
  upgrade to work.
 
  Dario Bonazza wrote:
   Doug Franklin wrote:
  
  
   Why do you say that, Ken.  Am I missing something?  It seems to me that
   I set up two SD cards, one with the old firmware and one with the new.
   A simple swap of the cards and the magic startup to load new firmware
   and I'm set.  Does the 1.11 (or whatever) firmware notice that I'm
   trying to load an older version and refuse?
  
  
   Exactly, just tried that :-(
  
   Dario
  
  
 
 
  --
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  thurmodynamiks aand itz inevibl fxt hon shewb rt nslpn raq liot.
 
 
  --
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  http://pdml.net/mailman/listinfo/pdml_pdml.net
 
 
 
 -- 
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 --
 K10D,Z1,SuperA,KX,MX, P30t and KR-10x ;) ...
 
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Re: Lens Roadmap

2007-03-07 Thread Thibouille
Mmm 55-300 looks afwully consumer Sigma-like lens. Hope Pentax will do
magic. Pentax probably needs lens like that (unfortunately maybe, I
dunno).

About TCs: in the mean time, any 3rd party TC with PowerZoom contacts
should do the trick. Nowhere near Pentax TC quality but maybe better
than nothing ?

2007/3/7, Mike Hamilton [EMAIL PROTECTED]:
 Updated!

 http://www.digital.pentax.co.jp/en/lens/roadmap.pdf


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Re: K-Mount Accidents?

2007-03-07 Thread Steve Jolly
Bong Manayon wrote:
 Just curious, has anyone accidentally detached their lens from the body?

I once lost a lens belonging to my father that way - it fell off the 
body halfway up a mountain and was last seen bounding down towards the 
glacier far below.  I comforted my father with the reflection that it 
would probably reappear at the bottom of the glacier in a few hundred 
years' time, by which time it would be a valuable antique.

I always assumed that was my fault for not mounting it properly though. 
  (The human brain mostly packs up and goes home without you when you 
get above about 5000m...)

S

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Re: Question about pentax gallery (mostly language-wise)

2007-03-07 Thread Boris Liberman
Thanks!

The way this whole web side is worded makes me think that I am most 
definitely not a lawyer.

Boris


David Savage wrote:
 At 02:15 PM 7/03/2007, Boris Liberman wrote:
 Hi!

 Yesterday I submitted two photos to Pentax gallery
 (http://www.pentaxphotogallery.com/artist).

 Now, when I am looking at these two photos I am seeing Approved in
 Gallery - does it mean that they will be shown to the public if and
 when the gallery becomes public, or is there something more that needs
 to happen?

 Thanks, I am really confused by the language here.

 Boris
 
 
 Sounds like your shots are in Boris.
 
 I up-loaded several on Monday and they're all still marked  Ready for 
 Review.
 
 Cheers,
 
 Dave 
 
 


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Re: Pentax K10D firmware update 1.11 now available

2007-03-07 Thread Thibouille
Well corporations do this because they (rightly) assume customer is dumb.
It is a pity for those who know how to handle that but for the
majority whose camera will end in support area of Pentax, they'd
better avoid that if they can.

Always like that, tune to the majority of people (dumb usually).
Otherwise: too many problems.


2007/3/7, Wilko Bulte [EMAIL PROTECTED]:
 On Wed, Mar 07, 2007 at 08:47:18AM +0100, Thibouille wrote..
  Yes of course. It often works like that for good (most of the time) reasons.

 Because of that most of the time clause is exactly the reason why it is a
 bad idea.

 Seen this too often with customers (that is in the professional IT area,
 but the principle of allowing a downgrade remains sound)

 Wilko


  2007/3/7, P. J. Alling [EMAIL PROTECTED]:
   That's not surprising.  I know that's the way I'd design a firmware
   upgrade to work.
  
   Dario Bonazza wrote:
Doug Franklin wrote:
   
   
Why do you say that, Ken.  Am I missing something?  It seems to me that
I set up two SD cards, one with the old firmware and one with the new.
A simple swap of the cards and the magic startup to load new firmware
and I'm set.  Does the 1.11 (or whatever) firmware notice that I'm
trying to load an older version and refuse?
   
   
Exactly, just tried that :-(
   
Dario
   
   
  
  
   --
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   thurmodynamiks aand itz inevibl fxt hon shewb rt nslpn raq liot.
  
  
   --
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  --
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 --- end of quoted text ---

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Re: Lens Roadmap

2007-03-07 Thread Cotty
On 6/3/07, William Robb, discombobulated, unleashed:

I'm always happy.

And his wife is always in pain.

-- 


Cheers,
  Cotty


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Re: Funny things happening...

2007-03-07 Thread mike wilson

 
 From: Mike Hamilton [EMAIL PROTECTED]
 Date: 2007/03/07 Wed AM 05:53:49 GMT
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Funny things happening...
 
 In the last 2 days, I have received approximately 10-12 Mail Delivery
 Daemon delay messages, all relating to PDML.  Not threads that I have
 posted to, or started...  Just random threads, from various authors.
 
 Anyone else?  Got any tips as to why this is happening?  I'm using Gmail.

The Homeland Security server is backed up?


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Re: Question about pentax gallery (mostly language-wise)

2007-03-07 Thread mike wilson

 
 From: Boris Liberman [EMAIL PROTECTED]
 Date: 2007/03/07 Wed AM 05:15:07 GMT
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Question about pentax gallery (mostly language-wise)
 
 Hi!
 
 Yesterday I submitted two photos to Pentax gallery 
 (http://www.pentaxphotogallery.com/artist).
 
 Now, when I am looking at these two photos I am seeing Approved in 
 Gallery - does it mean that they will be shown to the public if and 
 when the gallery becomes public, or is there something more that needs 
 to happen?
 
 Thanks, I am really confused by the language here.
 

You are not the only one.  My reading of it would be Approved.  In gallery.  
I can't think of another interpretation that isn't mind-bogglingly, 
hair-splittingly pointlessly pedantic.


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Re: PESO: Signing

2007-03-07 Thread Cotty
On 6/3/07, Paul Stenquist, discombobulated, unleashed:

Hey, why stop now? Another pic from the same afternoon in the same 
coffee shop. But totally different light. Same lens: the DA 50-200 
workhorse. This lady isn't giving her friend the finger.
http://www.photo.net/photodb/photo?photo_id=5687954size=lg

I prefer this to 'Incognito' but the blur on the hand isn't to my taste.
SR on?  Just as a matter of interest, what ISO would you be shooting in
your coffee shop? If I shoot indoors available light (mixed daylight/
tungsten) I would pop it up to 800 without a thought.

-- 


Cheers,
  Cotty


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Re: Funny things happening...

2007-03-07 Thread Thibouille
Weird. I use Gmail too and did not receive anything like that.

2007/3/7, Mike Hamilton [EMAIL PROTECTED]:
 In the last 2 days, I have received approximately 10-12 Mail Delivery
 Daemon delay messages, all relating to PDML.  Not threads that I have
 posted to, or started...  Just random threads, from various authors.

 Anyone else?  Got any tips as to why this is happening?  I'm using Gmail.

 --
 --
 Cheers,

 [EMAIL PROTECTED]
 MichaelHamilton.ca

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Re: Funny things happening...

2007-03-07 Thread David Savage
Ditto.

Cheers,

Dave

On 3/7/07, Thibouille [EMAIL PROTECTED] wrote:
 Weird. I use Gmail too and did not receive anything like that.

 2007/3/7, Mike Hamilton [EMAIL PROTECTED]:
  In the last 2 days, I have received approximately 10-12 Mail Delivery
  Daemon delay messages, all relating to PDML.  Not threads that I have
  posted to, or started...  Just random threads, from various authors.
 
  Anyone else?  Got any tips as to why this is happening?  I'm using Gmail.

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Re: PESO: Signing

2007-03-07 Thread David Savage
Wrong finger in any case.

I keep thinking egg when I look at this. Weird.

Cheers,

Dave

On 3/7/07, Paul Stenquist [EMAIL PROTECTED] wrote:
 Hey, why stop now? Another pic from the same afternoon in the same
 coffee shop. But totally different light. Same lens: the DA 50-200
 workhorse. This lady isn't giving her friend the finger.
 http://www.photo.net/photodb/photo?photo_id=5687954size=lg

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Re: Question about pentax gallery (mostly language-wise)

2007-03-07 Thread David Savage
Boris,

I was just having a look at the Pentax Gallery site and came across this:

Submission Complete Help

Images in this section have been properly submitted to PENTAX.

Images in this section may be categorized in the following ways:

Approved in Collection: Your image will be displayed in the Premiere
Collection, and will be viewable via the Search functions.

Approved in Gallery: Your image will be viewable via the Search
function, but will not be displayed in the Premiere Collection.

Ready for Review: Your image has been submitted to PENTAX, and is
currently in review for acceptance to the Premiere Collection or the
Gallery.

The full help page can be found here:

http://www.pentaxphotogallery.com/artist/nositemesh/edit_gallery_submission_complete.jsp

http://tinyurl.com/yvsk8w

Cheers,

Dave

From: Boris Liberman [EMAIL PROTECTED]
  Date: 2007/03/07 Wed AM 05:15:07 GMT
  To: Pentax-Discuss Mail List pdml@pdml.net
  Subject: Question about pentax gallery (mostly language-wise)
 
  Hi!
 
  Yesterday I submitted two photos to Pentax gallery
  (http://www.pentaxphotogallery.com/artist).
 
  Now, when I am looking at these two photos I am seeing Approved in
  Gallery - does it mean that they will be shown to the public if and
  when the gallery becomes public, or is there something more that needs
  to happen?
 
  Thanks, I am really confused by the language here.

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Re: Question about pentax gallery (mostly language-wise)

2007-03-07 Thread Boris Liberman
Thanks, Dave, that was most helpful!



On 3/7/07, David Savage [EMAIL PROTECTED] wrote:
 Boris,

 I was just having a look at the Pentax Gallery site and came across this:

 Submission Complete Help

 Images in this section have been properly submitted to PENTAX.

 Images in this section may be categorized in the following ways:

 Approved in Collection: Your image will be displayed in the Premiere
 Collection, and will be viewable via the Search functions.

 Approved in Gallery: Your image will be viewable via the Search
 function, but will not be displayed in the Premiere Collection.

 Ready for Review: Your image has been submitted to PENTAX, and is
 currently in review for acceptance to the Premiere Collection or the
 Gallery.

 The full help page can be found here:

 http://www.pentaxphotogallery.com/artist/nositemesh/edit_gallery_submission_complete.jsp

 http://tinyurl.com/yvsk8w

 Cheers,

 Dave

 From: Boris Liberman [EMAIL PROTECTED]
   Date: 2007/03/07 Wed AM 05:15:07 GMT
   To: Pentax-Discuss Mail List pdml@pdml.net
   Subject: Question about pentax gallery (mostly language-wise)
  
   Hi!
  
   Yesterday I submitted two photos to Pentax gallery
   (http://www.pentaxphotogallery.com/artist).
  
   Now, when I am looking at these two photos I am seeing Approved in
   Gallery - does it mean that they will be shown to the public if and
   when the gallery becomes public, or is there something more that needs
   to happen?
  
   Thanks, I am really confused by the language here.

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Re: Lens Roadmap

2007-03-07 Thread Joseph Tainter
On 3/7/07, David Savage pdml at arach.net.au wrote:
  At 01:26 PM 7/03/2007, Joseph Tainter  wrote:
  Instead of releasing a bloody Roadmap I wish Pentax would hurry the 
f#k
  up and release the damn lenses.
 
I agree!  I had my eye on the Sigma 17-70 now I'm in agony seeing a
Pentax 17-70 on the roadmap.

Bong

-

Remember that it took Pentax 13 years--from 1987 to 2000--to complete 
the transition to autofocus. This transition is going much more quickly.

Joe

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Re: PESO: Incognito and Signing

2007-03-07 Thread Christian
Paul Stenquist wrote:

 http://www.photo.net/photodb/photo?photo_id=5687917size=lg
 http://www.photo.net/photodb/photo?photo_id=5687954size=lg

Sorry, Paul, these two really do little for me.  I never really liked 
the voyeuristic style of photography and you seem to catch these two 
people in odd moments.  The one thing I do like is the BW rendering of 
signing very nicely exposed too.

-- 

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Re: Lens Roadmap

2007-03-07 Thread Mark Roberts
Thibouille wrote:

Mmm both DA55 but specially DA35; both SDM.
 * starts saving immeditely *

SDM = Save Dollars Massively (because you're going to need them!)


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Re: OT: Nikon D3

2007-03-07 Thread Mark Roberts
Doug Franklin wrote:

Tom C wrote:
 Well yeah.  I've known people like Ken Rockwell.  Odds are that when 
one 
 talks that much, they are bound to be right about something every once 
in a 
 while. :-)

I made this comment in a different venue recently, but it applies (to
Kenny) in any venue:

Even a stopped clock is right twice a day.

old-timerYeah, analog clocks, you young turks. :-)/old-timer

Ken is much more similar to a stopped *digital* clock...


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Re: Lens Roadmap

2007-03-07 Thread David Savage
On 3/7/07, Joseph Tainter [EMAIL PROTECTED] wrote:
 On 3/7/07, David Savage pdml at arach.net.au wrote:
   At 01:26 PM 7/03/2007, Joseph Tainter  wrote:
   Instead of releasing a bloody Roadmap I wish Pentax would hurry the
 f#k
   up and release the damn lenses.
  
 I agree!  I had my eye on the Sigma 17-70 now I'm in agony seeing a
 Pentax 17-70 on the roadmap.

 Bong

 -

 Remember that it took Pentax 13 years--from 1987 to 2000--to complete
 the transition to autofocus. This transition is going much more quickly.

And by time I was in a financial position to buy some of those AF
lenses, they were discontinued with no (Pentax) replacment available.

I just wish their announcment-release cycle was a bit faster. That's
what pi55es me off the most.

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Re: OT: Nikon D3

2007-03-07 Thread Christian
Mark Roberts wrote:
 Doug Franklin wrote:


 Even a stopped clock is right twice a day.

 old-timerYeah, analog clocks, you young turks. :-)/old-timer
 
 Ken is much more similar to a stopped *digital* clock...

More like the VCR clock in my parents' house: flashing 12:00

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Re: OT: Nikon D3

2007-03-07 Thread David Savage
On 3/7/07, Mark Roberts [EMAIL PROTECTED] wrote:
 Doug Franklin wrote:

 Tom C wrote:
  Well yeah.  I've known people like Ken Rockwell.  Odds are that when
 one
  talks that much, they are bound to be right about something every once
 in a
  while. :-)
 
 I made this comment in a different venue recently, but it applies (to
 Kenny) in any venue:
 
 Even a stopped clock is right twice a day.
 
 old-timerYeah, analog clocks, you young turks. :-)/old-timer

 Ken is much more similar to a stopped *digital* clock...

More like a stop watch, I reckon. He just keeps ticking along
oblivious to the actual time.

Cheers,

Dave

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Declined...

2007-03-07 Thread Walter Hamler
Well, at least they are doing something with the gallery. I had submitted 11 
photos that were all tenatively accepted. This AM they show 6 in the 
Gallery, 1 in the Collection, 3 on hold, and 1 Declined.
The declined shot was shot with a 135 SMC-M lens but they did not have a 135 
in the selection menu, so I had it listed as unknown. I suspect that they 
don't want unknowns in the final gallery.

Walt 


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Re: Pentax K10D firmware update 1.11 now available

2007-03-07 Thread P. J. Alling
With Failed software upgrades that makes sense,  in many cases you can 
go back to an earlier version, with failed firmware upgrades you often 
have an usable device that can no longer even update it's own firmware 
and requires expert intervention. (if a user has the expertise for the 
repair then they are an expert, but they still have taken the 
responsibility for the result). 

Wilko Bulte wrote:
 On Wed, Mar 07, 2007 at 08:47:18AM +0100, Thibouille wrote..
   
 Yes of course. It often works like that for good (most of the time) reasons.
 

 Because of that most of the time clause is exactly the reason why it is a
 bad idea.

 Seen this too often with customers (that is in the professional IT area,
 but the principle of allowing a downgrade remains sound)

 Wilko


   
 2007/3/7, P. J. Alling [EMAIL PROTECTED]:
 
 That's not surprising.  I know that's the way I'd design a firmware
 upgrade to work.

 Dario Bonazza wrote:
   
 Doug Franklin wrote:


 
 Why do you say that, Ken.  Am I missing something?  It seems to me that
 I set up two SD cards, one with the old firmware and one with the new.
 A simple swap of the cards and the magic startup to load new firmware
 and I'm set.  Does the 1.11 (or whatever) firmware notice that I'm
 trying to load an older version and refuse?

   
 Exactly, just tried that :-(

 Dario


 
 --
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 thurmodynamiks aand itz inevibl fxt hon shewb rt nslpn raq liot.


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 -- 
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 --
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 -- 
 PDML Pentax-Discuss Mail List
 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
 
 --- end of quoted text ---

   


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Re: Pentax K10D firmware update 1.11 now available

2007-03-07 Thread Doug Franklin
Wilko Bulte wrote:

 Because of that most of the time clause is exactly the reason why it is a
 bad idea.

Exactly.  I've been burned too many times in the past.

Development Lead: Of course we've run the full regression test suite,
boss.  The new version passed with flying colors!.

Me: Um, then why did my frammis just burst into flame when I put your
new firwmare in it?

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Re: Pentax K10D firmware update 1.11 now available

2007-03-07 Thread K.Takeshita
On 3/07/07 12:43 AM, Doug Franklin, [EMAIL PROTECTED] wrote:

 Why do you say that, Ken.  Am I missing something?  It seems to me that
 I set up two SD cards, one with the old firmware and one with the new.
 A simple swap of the cards and the magic startup to load new firmware
 and I'm set.  Does the 1.11 (or whatever) firmware notice that I'm
 trying to load an older version and refuse?

By the time I saw your post, Europeans responded.
Considering very few actual updating item in 1.11 and the timing of it, I
thought that one of the purposes of this update was to shut out the DIY AF
point adjustment hack.  Pentax apparently did not like it (service
nightmare? :-).  So, for that reason alone, it must be irreversible.
I found quite a few people (including even some long time Pentax veterans)
have been plagued by what they thought was the soft focus problem.  After
hacking, they all reported very sharp focus.  This being the case, Pentax
should allow users to adjust the focus point if Pentax cannot do it
precisely at their factory.  Maybe hacking would be a bit scary to them but
can't this be done by software/menu?  Canon did it in their recent 1Ds Mk
III.

Also, I thought that firmware is something burnt into a ROM of the camera
CPU and not supposed to be easily manipulated back and forth, no?

Ken


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Re: Pentax K10D firmware update 1.11 now available

2007-03-07 Thread Doug Franklin
K.Takeshita wrote:

 Also, I thought that firmware is something burnt into a ROM of the camera
 CPU and not supposed to be easily manipulated back and forth, no?

It can be in read-only memory, and in that case you can't upgrade it, if
that's all that's available.  More often what you'll have is some memory
that's read-only and some that's read-write.  The read-write memory
contains the actual operational code for the camera and you can upgrade
it.  The read-only part contains the basic bootstrap loader and utility
functions (like update the read-write memory) so they can't get messed
up in an upgrade and you can always change the upgradeable firmware in
the read-write part if something goes wrong.

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Re: K-Mount Accidents?

2007-03-07 Thread Bong Manayon
Ouch.

A friend dropped my ME Super off a banca (an outrigger boat) here in
the Philippines.  Same thought came into mind...its now part of an
artificial coral reef...

Bong

On 3/7/07, Steve Jolly [EMAIL PROTECTED] wrote:
 Bong Manayon wrote:
  Just curious, has anyone accidentally detached their lens from the body?

 I once lost a lens belonging to my father that way - it fell off the
 body halfway up a mountain and was last seen bounding down towards the
 glacier far below.  I comforted my father with the reflection that it
 would probably reappear at the bottom of the glacier in a few hundred
 years' time, by which time it would be a valuable antique.

 I always assumed that was my fault for not mounting it properly though.
   (The human brain mostly packs up and goes home without you when you
 get above about 5000m...)

 S

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Re: Pentax K10D firmware update 1.11 now available

2007-03-07 Thread K.Takeshita
On 3/07/07 9:10 AM, Doug Franklin, [EMAIL PROTECTED] wrote:

 It can be in read-only memory, and in that case you can't upgrade it, if
 that's all that's available.

Yes, of course :-). My stupid.

 More often what you'll have is some memory
 that's read-only and some that's read-write.  The read-write memory
 contains the actual operational code for the camera and you can upgrade
 it.  The read-only part contains the basic bootstrap loader and utility
 functions (like update the read-write memory) so they can't get messed
 up in an upgrade and you can always change the upgradeable firmware in
 the read-write part if something goes wrong.

Makes sense, thank you.

Ken


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Re: Lens Roadmap

2007-03-07 Thread mike wilson

 
 From: Mark Roberts [EMAIL PROTECTED]
 Date: 2007/03/07 Wed PM 01:08:05 GMT
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: Lens Roadmap
 
 Thibouille wrote:
 
 Mmm both DA55 but specially DA35; both SDM.
  * starts saving immeditely *
 
 SDM = Save Dollars Massively (because you're going to need them!)

Spend Dollars Massively - it's what your little plastic friend is for.


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Virus-checked using McAfee(R) Software and scanned for spam


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Re: PESO: Signing

2007-03-07 Thread Paul Stenquist
Hi Cotty,
the camera was in TAv mode, f4.5 @ 1/80th. The camera set ISO 640, and 
shake reduction was on. I could have bumped up the shutter speed a wee 
bit. There was quite a bit of window light. The blur on the hand caught 
me by surprise too. It's a function of how fast her hands move when 
she's signing. It's motion blur. It's not a flattering picture of the 
lady, but it's an accurate example of what goes on in a signing 
conversation: Lots of extreme facial expressions. I guess they help 
convey meaning.
Paul
On Mar 7, 2007, at 4:52 AM, Cotty wrote:

 On 6/3/07, Paul Stenquist, discombobulated, unleashed:

 Hey, why stop now? Another pic from the same afternoon in the same
 coffee shop. But totally different light. Same lens: the DA 50-200
 workhorse. This lady isn't giving her friend the finger.
 http://www.photo.net/photodb/photo?photo_id=5687954size=lg

 I prefer this to 'Incognito' but the blur on the hand isn't to my 
 taste.
 SR on?  Just as a matter of interest, what ISO would you be shooting in
 your coffee shop? If I shoot indoors available light (mixed daylight/
 tungsten) I would pop it up to 800 without a thought.

 -- 


 Cheers,
   Cotty


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 ||   (O)   | People, Places, Pastiche
 ||=|http://www.cottysnaps.com
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Re: PESO: Incognito and Signing

2007-03-07 Thread Godfrey DiGiorgi
hmm.

I do agree with Christian on this pair. Neither of them are  
particularly interesting photographs to my eye, although technically  
nicely rendered.

I do agree with you regards catching people unawares or, more to my  
way of thinking, catching expressions candidly. That doesn't  
necessarily mean that they don't see the camera ... to me it means  
that they are not *responding* to the camera's presence unnaturally.  
Like the photo I posted yesterday, of the child and granny ... they  
were quite aware I had a camera pointed at them but they were not  
posing for the camera. Or like the street photography that Juan does  
so beautifully.

Many of my favorite photos of people were made candidly this way ...  
a connection between photographer and subject was made, but without  
direct influence on the subject's ability to be natural and unposed.

There are of course many appealing photos taken without the subjects'  
being aware of the camera too ... One of the favorites of this genre  
that I've made was this one, in San Francisco:

   http://www.gdgphoto.com/paw-2005/source/40.html

Godfrey

On Mar 7, 2007, at 6:43 AM, Paul Stenquist wrote:

 Thanks for looking, Christian. I prefer to catch people unawares. I
 don't hide, but I hope to get a shot of people without their seeing  
 the
 camera. As soon as someone sees a camera, the situation is no longer
 real. The shot becomes a pose.
 Paul
 On Mar 7, 2007, at 7:47 AM, Christian wrote:

 Sorry, Paul, these two really do little for me.  I never really liked
 the voyeuristic style of photography and you seem to catch these  
 two
 people in odd moments.  The one thing I do like is the BW  
 rendering of
 signing very nicely exposed too.
 Paul Stenquist wrote:

 http://www.photo.net/photodb/photo?photo_id=5687917size=lg
 http://www.photo.net/photodb/photo?photo_id=5687954size=lg


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Re: PESO: Incognito and Signing

2007-03-07 Thread Paul Stenquist
Thanks for looking, Christian. I prefer to catch people unawares. I 
don't hide, but I hope to get a shot of people without their seeing the 
camera. As soon as someone sees a camera, the situation is no longer 
real. The shot becomes a pose.
Paul
On Mar 7, 2007, at 7:47 AM, Christian wrote:

 Paul Stenquist wrote:

 http://www.photo.net/photodb/photo?photo_id=5687917size=lg
 http://www.photo.net/photodb/photo?photo_id=5687954size=lg

 Sorry, Paul, these two really do little for me.  I never really liked
 the voyeuristic style of photography and you seem to catch these two
 people in odd moments.  The one thing I do like is the BW rendering of
 signing very nicely exposed too.

 -- 

 Christian
 http://photography.skofteland.net

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Re: PESO: Incognito and Signing

2007-03-07 Thread Christian
Godfrey DiGiorgi wrote:
 
  to me it means  
 that they are not *responding* to the camera's presence unnaturally.  
 Like the photo I posted yesterday, of the child and granny ... they  
 were quite aware I had a camera pointed at them but they were not  
 posing for the camera. 
 
 Many of my favorite photos of people were made candidly this way ...  
 a connection between photographer and subject was made, but without  
 direct influence on the subject's ability to be natural and unposed.
 
 There are of course many appealing photos taken without the subjects'  
 being aware of the camera too ... One of the favorites of this genre  
 that I've made was this one, in San Francisco:
 
http://www.gdgphoto.com/paw-2005/source/40.html

I agree with this.  I liked your shot of the kid and granny and the one 
above is nicely done too.
-- 

Christian
http://photography.skofteland.net

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Re: Lens Roadmap

2007-03-07 Thread Shel Belinkoff
Pentax needs some consumer grade lenses in order to be price competitive
and in order to have some lenses that match the focal range of other
companies.  As long as they keep putting out a higher end product Pentax
can, afaic, put out a bunch of consumer lenses.  And, as it's turned out, a
number of the Pentax consumer lenses have been pretty good according to
people here on the list.  The current 50~200 seems to be an example of
that, and the 18~55 kit lens is well regarded for a
bottom-of-the-line-entry-level lens by a lot of people - it's certainly a
good value, more so than similar lenses from N and C and 3rd party
manufacturers.

Shel



 [Original Message]
 From: Thibouille 

 Mmm 55-300 looks afwully consumer Sigma-like lens. Hope Pentax will do
 magic. Pentax probably needs lens like that (unfortunately maybe, I
 dunno).



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Re: OT: Nikon D3

2007-03-07 Thread Shel Belinkoff
Which is still correct once or twice a day.

Shel

 Ken is much more similar to a stopped *digital* clock...



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RE: Lens Roadmap

2007-03-07 Thread Michael Perham


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf Of
Joseph Tainter
Sent: March 6, 2007 8:26 PM
To: pdml@pdml.net
Subject: Re: Lens Roadmap
It's undoubtedly a replacement for the FA* 85 F1.4. As a portrait lens,
it may not be the best distance performer. But we will have to see.

I'm still hoping for a DA 400 SDM. And a 1.4x TC.

I agree!  It's on both extremes of the focal lengths that Pentax now have to
come through.  400 on the long end and a prime wider than the current 14mm.
I am planning on getting the 16-50 as soon as it is available and would like
something a bit wider than the 14 to complement that lens.  Also they need a
70mm and 135 mm macro lenses and the line up would be complete ...at least
cover the whole spectrum.
But, looks like they are on the right track and are introducing the most
used ranges first.  I was surprised by the 35 macro ...thought something in
the 60 - 70 range would be more in demand.
Mike.





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Re: PESO: Incognito and Signing

2007-03-07 Thread Paul Stenquist
I agree that one can sometimes capture an interesting image when the 
subject is aware of the camera. Your shot of the child and woman is  
nice because only the child sees the camera. Juan's pictures are mixed. 
In some, it's obvious that the camera was not seen. In others, it's 
apparent that the subject was aware. Although I am no expert in this 
genre, I have also worked both ways and have had some success  both 
when subjects were aware and when they were not. In this case, I was 
merely responding to Chirstian's remark that these were voyeuristic. 
That word carries negative connotations, but to be honest, all street 
photography is voyeuristic. We enjoy watching people as they go about 
their lives. It's a good thing. BTW, I'm currently trying to sell a 
show of street photography that was all executed on one street over a 
period of several years. I think it's an interesting collection. Most 
have been seen here at one time or another, but maybe I'll group them 
on a webpage when I have time. (I'll probably have to do that anyway 
for some of the people I've been talking to regarding this set.)
Paul
On Mar 7, 2007, at 9:59 AM, Godfrey DiGiorgi wrote:

 hmm.

 I do agree with Christian on this pair. Neither of them are
 particularly interesting photographs to my eye, although technically
 nicely rendered.

 I do agree with you regards catching people unawares or, more to my
 way of thinking, catching expressions candidly. That doesn't
 necessarily mean that they don't see the camera ... to me it means
 that they are not *responding* to the camera's presence unnaturally.
 Like the photo I posted yesterday, of the child and granny ... they
 were quite aware I had a camera pointed at them but they were not
 posing for the camera. Or like the street photography that Juan does
 so beautifully.

 Many of my favorite photos of people were made candidly this way ...
 a connection between photographer and subject was made, but without
 direct influence on the subject's ability to be natural and unposed.

 There are of course many appealing photos taken without the subjects'
 being aware of the camera too ... One of the favorites of this genre
 that I've made was this one, in San Francisco:

http://www.gdgphoto.com/paw-2005/source/40.html

 Godfrey

 On Mar 7, 2007, at 6:43 AM, Paul Stenquist wrote:

 Thanks for looking, Christian. I prefer to catch people unawares. I
 don't hide, but I hope to get a shot of people without their seeing
 the
 camera. As soon as someone sees a camera, the situation is no longer
 real. The shot becomes a pose.
 Paul
 On Mar 7, 2007, at 7:47 AM, Christian wrote:

 Sorry, Paul, these two really do little for me.  I never really liked
 the voyeuristic style of photography and you seem to catch these
 two
 people in odd moments.  The one thing I do like is the BW
 rendering of
 signing very nicely exposed too.
 Paul Stenquist wrote:

 http://www.photo.net/photodb/photo?photo_id=5687917size=lg
 http://www.photo.net/photodb/photo?photo_id=5687954size=lg


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Re: Lens Roadmap

2007-03-07 Thread Mark Roberts
mike wilson wrote:

 From: Mark Roberts [EMAIL PROTECTED]
 
 Thibouille wrote:
 
 Mmm both DA55 but specially DA35; both SDM.
  * starts saving immeditely *
 
 SDM = Save Dollars Massively (because you're going to need them!)

Spend Dollars Massively - it's what your little plastic friend is for.

Gives new meaning to the phrase, Your plastic pal who's fun to be 
with ;-)


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Re: PESO: Incognito and Signing

2007-03-07 Thread Godfrey DiGiorgi
Paul,

Both child and grandmother were aware of the camera. The child was  
not responding to the camera, he was responding to my laughing at his  
getting stuck with the rear wheel of the tricycle... It was the sound  
of my chuckle that made his turn his head and wave, then I pointed  
the camera at him. Grandmother was well aware of the camera in my  
hand already, but was concentrating on the runaway. :-)

Voyeuristic ... yea, it is a word easily miscontrued.

I'm interested to see your efforts in street photography, would love  
to see a selection of the set.

G

On Mar 7, 2007, at 7:37 AM, Paul Stenquist wrote:

 I agree that one can sometimes capture an interesting image when the
 subject is aware of the camera. Your shot of the child and woman is
 nice because only the child sees the camera. Juan's pictures are  
 mixed.
 In some, it's obvious that the camera was not seen. In others, it's
 apparent that the subject was aware. Although I am no expert in this
 genre, I have also worked both ways and have had some success  both
 when subjects were aware and when they were not. In this case, I was
 merely responding to Chirstian's remark that these were voyeuristic.
 That word carries negative connotations, but to be honest, all street
 photography is voyeuristic. We enjoy watching people as they go  
 about
 their lives. It's a good thing. BTW, I'm currently trying to sell a
 show of street photography that was all executed on one street over a
 period of several years. I think it's an interesting collection. Most
 have been seen here at one time or another, but maybe I'll group them
 on a webpage when I have time. (I'll probably have to do that anyway
 for some of the people I've been talking to regarding this set.)
 Paul


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Re: Lens Roadmap

2007-03-07 Thread jtainter
My entry at the bottom:

mike wilson wrote:

 From: Mark Roberts msroberts01 at ysu.edu
 
 Thibouille wrote:
 
 Mmm both DA55 but specially DA35; both SDM.
  * starts saving immeditely *
 
 SDM = Save Dollars Massively (because you're going to need them!)

Spend Dollars Massively - it's what your little plastic friend is for.

Gives new meaning to the phrase, Your plastic pal who's fun to be 
with ;-)

SDM = So Damn Much.

Buy early and buy often.

Joe



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Re: PESO: Signing

2007-03-07 Thread Eactivist
In a message dated 3/6/2007 7:30:34 P.M. Pacific  Standard Time, 
[EMAIL PROTECTED] writes:
Hey, why stop now? Another pic  from the same afternoon in the same 
coffee shop. But totally different  light. Same lens: the DA 50-200 
workhorse. This lady isn't giving her friend  the  finger.
http://www.photo.net/photodb/photo?photo_id=5687954size=lg


=
Made  me chuckle. Glad you don't visit fast food and coffee shops in my area. 
:-) Much  better than the other one, but not quite complete enough for a 
story.  

Marnie aka Doe  

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Re: PESO: Incognito

2007-03-07 Thread Eactivist
In a message dated 3/6/2007 7:19:27 P.M. Pacific  Standard Time, 
[EMAIL PROTECTED] writes:
Things are slow on the old  list tonight. This might provide some 
amusement. No danger of this young  lady catching me catching her. This 
is with the DA 50-200 BTW. I used to  strap on the FA 50 when I moved 
indoors. But with SR, I can usually shoot  some indoor lighting pics 
with the DA 50-200. Brings out the lazy side in  me:-).
http://www.photo.net/photodb/photo?photo_id=5687917size=lg
Paul

=
Too  blurry. Does little for me.

Marnie aka Doe  

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Re: PESO - Old Fence

2007-03-07 Thread Eactivist
In a message dated 3/6/2007 9:28:35 P.M. Pacific  Standard Time, 
[EMAIL PROTECTED] writes:
Marnie, can you please tell us what  was the hour of day when you took 
the shot. I wold venture to guess that it  was very close to midday or 
whenever the sun is high up in the skies in your  area. Very difficult to 
handle the bright sun is  ;-).

Boris

==
Yes, most likely. My trip to the SW was  for other reasons than photography. 
When I did do photography, for some weird  reason it was almost always mid day 
when I stopped. Well, not so weird, as late  day I was traveling to get back 
home (i.e. back to a motel, or traveling back to  a city to find a motel). So 
the light was just about always not  optimal.

Marnie aka Doe :-)  

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RE: Lens Roadmap

2007-03-07 Thread Tim Øsleby
As I see it, there is nothing new here. Except that we now know there is a
35 besides the macro somewhere down the line. 

I can see myself buying the 16-50. Depending on what Sigma does with their
120-300/2,8 (K-mount or not), and Pentax prising, I might buy the 60-250
too. If the 60-250 costs about half as much as the 120-300, I might go for
the DA*. 


Tim Typo
Mostly harmless (just plain Norwegian)
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Mike
Hamilton
Sent: 7. mars 2007 04:48
To: Pentax-Discuss Mail List
Subject: Lens Roadmap

Updated!

http://www.digital.pentax.co.jp/en/lens/roadmap.pdf


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[EMAIL PROTECTED]
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Re: Old Photo

2007-03-07 Thread Eactivist
In a message dated 3/6/2007 10:13:52 P.M.  Pacific Standard Time, 
[EMAIL PROTECTED] writes:
I wonder how you do  that?  For me, everything from more than about ten
minutes ago is  fragmentary.  Some of the fragments stretch for hours,
but they're  fragments, nonetheless, with large gaps in the interstices.

--  
Thanks,
DougF (KG4LMZ)



Me too. And I've been  that way a long time. So it's nothing new. 

I really like your  description of it. Very apt. 

I figure my brain just wasn't recording the  non-interesting stuff. Which I 
am thankfully for actually, I don't need to  remember what I ate last Thursday. 

Marnie aka Doe  

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Re: Lens Roadmap

2007-03-07 Thread Thibouille
DA18-55 and DA50-200 are indeed good lenses: the 18-55 is pretty
honest considering it is more or less given for free and 50-200
pleases me very much.
I'm not used to use really good lenses (no money enough) except a
couple affordable primes but that 50-200 gives me very nice family
portraits indoor (with bounced 360FGZ).

2007/3/7, Shel Belinkoff [EMAIL PROTECTED]:
 Pentax needs some consumer grade lenses in order to be price competitive
 and in order to have some lenses that match the focal range of other
 companies.  As long as they keep putting out a higher end product Pentax
 can, afaic, put out a bunch of consumer lenses.  And, as it's turned out, a
 number of the Pentax consumer lenses have been pretty good according to
 people here on the list.  The current 50~200 seems to be an example of
 that, and the 18~55 kit lens is well regarded for a
 bottom-of-the-line-entry-level lens by a lot of people - it's certainly a
 good value, more so than similar lenses from N and C and 3rd party
 manufacturers.

 Shel



  [Original Message]
  From: Thibouille
 
  Mmm 55-300 looks afwully consumer Sigma-like lens. Hope Pentax will do
  magic. Pentax probably needs lens like that (unfortunately maybe, I
  dunno).



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RE: Lens Roadmap

2007-03-07 Thread Tim Øsleby
It sounds like you are one step away from realising the purpose of releasing
a lens roadmap ;-)


Tim Typo
Mostly harmless (just plain Norwegian)
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Bong
Manayon
Sent: 7. mars 2007 05:48
To: Pentax-Discuss Mail List
Subject: Re: Lens Roadmap

On 3/7/07, David Savage [EMAIL PROTECTED] wrote:
 At 01:26 PM 7/03/2007, Joseph Tainter  wrote:
 Instead of releasing a bloody Roadmap I wish Pentax would hurry the f#k
 up and release the damn lenses.

I agree!  I had my eye on the Sigma 17-70 now I'm in agony seeing a
Pentax 17-70 on the roadmap.

Bong

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Re: PAW - 2007 - Feb 26 - March 4

2007-03-07 Thread Eactivist
In a message dated 3/6/2007 9:23:26 P.M. Pacific  Standard Time, 
[EMAIL PROTECTED] writes:
Marnie,

 I don't think  this has enough DOF, but this is my  PAW for this past week, 
  called,  Camouflage.
 
  http://members.aol.com/eactivist/PAWS/pages/pawFeb26.htm
 
  Comments  welcome, naturally, although I don't think it merits  many.
 
 *** DS, A  35-105, f/8, and other technical  stuff.

First of all, be greeted with starting of an interesting project.  I 
think doing PAWs can be only beneficial - both for you and for  us.

As for the picture - it works, but I'd like to see more attempts you  
made on this one. My instinct tells me that the fact that the leaf is on  
the right and the shadow from the leaf is further right is somehow  
wrong. However I am mentally forcing myself not to think that way,  
because it does not seem right here... Thus I am wanting to see more  
photographs you probably took here...

Boris

=
I  took about 6 shots. All wider, this was cropped. Pigeon dropped (or 
something)  and rusty rock with a twig and leaves in front of it. Didn't have a 
macro lens  with me. Sun on left, shadow on the right. Probably around 3pm. So 
really the  crop is the best of the lot.

Thanks, Boris, let's wait for this week's  PAW (yet to be shot) and next 
week's PAW (yet to be shot), then maybe a few  more, then we'll see if it's 
really 
a good idea. LOL.

Marnie aka Doe  

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RE: Is Feisol 3371 an upgrade?

2007-03-07 Thread Tim Øsleby
Judging by the wisdom of Mike, Bob and Doug, I need to look elsewhere for
the answer I need ;-)
But thanks for entertaining me. 

Seriously: I think I have found the answer I'm looking for elsewhere, a
pretty positive review at a Norwegian board. I just have to check how
reliable the source is. When writing the review a year ago he had tested it
with a 300/4 plus TC. 


Tim Typo
Mostly harmless (just plain Norwegian)
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Tim
Øsleby
Sent: 6. mars 2007 20:10
To: 'Pentax-Discuss Mail List'
Subject: Is Feisol 3371 an upgrade?

My K10D came a few days ago. I'm very happy with it, but I am expecting a
pretty large sum of money this month, so I feel an enablement coming.
I have been struggling to tame a 500/4,5. I have got acceptable results, but
I have a feeling that there is more living in this beast. So I'm thinking
about upgrading my tripod setup, a Velbon CF-630 and the Manfrotto gimbal
mount. I like the Velbon a lot, but max load is 6kg. Lens gimbal and camera
weights about 5kg, so I may be a bit too close to max load with a 500mm
(sometimes I use a TC too). 

My old knees tell me I need something light weight. I haven't got a sherpa,
and I often carry other stuff too. 
So I've been thinking about Feisol CT-3371 (and perhaps a centre column,
just in case). What do you say? Is it an upgrade or am I fooling myself?
I know many of you are Gitzo fans, but it is so expensive. I'm also planning
to buy a new dog, some more stuff... 
You get the general picture, I guess. 


Tim Typo
Mostly harmless (just plain Norwegian)
 




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Re: GESO:roadtrip

2007-03-07 Thread Eactivist
On 3/5/07, Alastair Robertson  [EMAIL PROTECTED] wrote:
  http://www.massey.ac.nz/~aroberts/mt_cook_gallery/content/index.html
 In  January I had a work trip to Canterbury (New Zealand) and on the
 way  back to Christchurch I was in the passenger seat with a view of Mt
  Cook.  Jenny, the driver, was in no mood to stop for photo's so I  set
 my K10D to 1/1000, ISO 400, fitted the FA24-90 and a polariser  and
 grabbed frames through the open window  at 100 kph!  I  cropped most of
 the these to panorama, converted a copy to B  W in  lightroom.

 You may recognise frame 3 as my latest PUG entry (my  wife thinks that
 #1 would have been a stronger entry for the  gallery).  In case you are
 wondering, #4 is a salmon farm located  on a canal that forms part of
 the hydro scheme, the tailrace features in  frame #3.  #8 is the only
 photo taken that wasn't shot out of the  moving car.

 I thought that the sequence (shown in the order  taken) as we passed Mt
 Cook and eventually reached the plains made a  nice gallery - hence my
 first GESO for the list!

  Comments/critiques welcome

  Alastair

===
You forgot to tip the driver. :-) Not bad for  shooting out of the window. I 
like the green field with the bundled hay (or  grass or whatever).

Marnie aka Doe :-)  

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Re: OT: Nikon D3

2007-03-07 Thread John Francis
On Wed, Mar 07, 2007 at 08:06:35AM -0500, Mark Roberts wrote:
 Doug Franklin wrote:
 
 Tom C wrote:
  Well yeah.  I've known people like Ken Rockwell.  Odds are that when 
 one 
  talks that much, they are bound to be right about something every once 
 in a 
  while. :-)
 
 I made this comment in a different venue recently, but it applies (to
 Kenny) in any venue:
 
 Even a stopped clock is right twice a day.
 
 old-timerYeah, analog clocks, you young turks. :-)/old-timer
 
 Ken is much more similar to a stopped *digital* clock...

Naah - he's one of those fake plastic clocks you see in furniture stores.
He might look like the real thing on the surface, but as soon as you take
a closer look you realise it's all superficial, with no real function.


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Re: Lens Roadmap

2007-03-07 Thread John Francis
On Wed, Mar 07, 2007 at 09:23:50AM +0100, Thibouille wrote:
 
 About TCs: in the mean time, any 3rd party TC with PowerZoom contacts
 should do the trick. Nowhere near Pentax TC quality but maybe better
 than nothing ?

Not really good enough - it also needs to let the camera know the
focal length of the lens+TC combination, so that SR works properly.


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Pentax gallery : picture description

2007-03-07 Thread Thibouille
I have no idea about how one do put a description of a picture, usually.
Do you say Paris by night or should it be longer (describing exactly
what is on the picture) etc...

I'm a bit lost.

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Re: Lens Roadmap

2007-03-07 Thread Thibouille
Mmm I somewhat doubt we will get this but I agree on the usefulness of that.

Or then... didn't the 1.7x TC indeed change the aperture display of A
(or better) lens? If intercepting the data communication and changing
it on the fly is simple (probably) and cost effective (no idea) we
could get that indeed.

Totally forgot that, John, good point !

2007/3/7, John Francis [EMAIL PROTECTED]:
 On Wed, Mar 07, 2007 at 09:23:50AM +0100, Thibouille wrote:

  About TCs: in the mean time, any 3rd party TC with PowerZoom contacts
  should do the trick. Nowhere near Pentax TC quality but maybe better
  than nothing ?

 Not really good enough - it also needs to let the camera know the
 focal length of the lens+TC combination, so that SR works properly.


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RE: Scrapbooking with Henry

2007-03-07 Thread Shel Belinkoff
I had a chance to look through some of the book recently.  Good stuff! 
Thanks for posting the information.

Shel
Why in Hell should I have to Press 1 for English?!!! 


 [Original Message]
 From: Bob W 
 Date: 1/20/2007 12:22:03 PM

 Henri Cartier-Bresson described his scrapbook as his most precious
 possession. It has recently been recreated and published as part of a
 book imaginatively called Scrapbook.

 I bought a copy today, and although I haven't come close to looking at
 all of it, I can recommend it. It includes a number of very
 interesting biographical essays, but the particular aspect I'm
 enjoying is the number of previously unpublished photographs it
 includes. As well as new photos there are many variants of well-known
 photographs, giving us some insight into his thinking as he took the
 photos. Many of them appear to be reproduced from his own original
 prints, which are fascinating to look at in their own right. There are
 also tearsheets of articles about him, and articles showing his
 pictures in published contexts, as well as bits and pieces
 representing some of his influences. A very worthwhile book for fans.

 http://tinyurl.com/2rzl66



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RE: Pentax gallery : picture description

2007-03-07 Thread Tom C
Picture descriptions are an arrogant way of telling the viewer how to 
interpret the photo and are condescending. Just write No Title.  Better 
yet, just give it a meaningless number.



Tom C.


From: Thibouille [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Pentax gallery : picture description
Date: Wed, 7 Mar 2007 19:11:55 +0100

I have no idea about how one do put a description of a picture, usually.
Do you say Paris by night or should it be longer (describing exactly
what is on the picture) etc...

I'm a bit lost.

--
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OT: Kenny Boy as a Digital Clock: (My Impression) was [Re: OT: Nikon D3]

2007-03-07 Thread P. J. Alling
You've obviously never seen a broken digital clock.  To which I give a 
small improvisational piece of satiric artwork I call

Kenny Boy as a Digital Clock

http://www.mindspring.com/~morephotos/brokendigital.html

Shel Belinkoff wrote:
 Which is still correct once or twice a day.

 Shel

   
 Ken is much more similar to a stopped *digital* clock...
 



   


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Re: An Eye for England

2007-03-07 Thread Norm Baugher
Thanks for posting this Bob, I really enjoyed the photos...
Norm

Bob W wrote:
 Staithes is one of the rather hackneyed subjects for a certain type of
 British landscape photographer, exemplified by people such as Joe
 Cornish, Michael Busselle and Charlie Waite. Their work is not
 generally to my taste, although it is very popular here. For me it
 relies too much on over-dramatising the subject, using things like
 split ND filters, warming filters and so on.

 Landscape photographers I enjoy are people like Fay Godwin, Tony
 Ray-Jones, Mark Power and James Ravilious. Browsing the web for
 information about English landscape photography I came across the
 following exhibition catalogue, which includes a good essay on the
 subject, encapsulating a lot of what I think. I'd never heard of the
 photographer, David Robbins, before. I hope you also enjoy it.

 On the front page, click the photo to see the exhibition, and the text
 Essay by John Taylor to read the essay:

 http://www.an-eye-for-england.co.uk/index.html

   


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Re: Declined...

2007-03-07 Thread Doug Brewer
Walter Hamler wrote:
 Well, at least they are doing something with the gallery. I had submitted 11 
 photos that were all tenatively accepted. This AM they show 6 in the 
 Gallery, 1 in the Collection, 3 on hold, and 1 Declined.
 The declined shot was shot with a 135 SMC-M lens but they did not have a 135 
 in the selection menu, so I had it listed as unknown. I suspect that they 
 don't want unknowns in the final gallery.
 
 Walt 
 
 

meanwhile, most of mine remain in limbo. I can picture the judges 
praying for more photos to arrive so they don't have to include mine.

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Re: Pentax gallery : picture description

2007-03-07 Thread Juan Buhler
Good to see you've seen the light, Tom :)

In the Pentax Gallery, I wrote from the Street Photographs book in
most of them, and from Water Molotov in the rest ('Water Molotov'
is the name of my photoblog)

j

On 3/7/07, Tom C [EMAIL PROTECTED] wrote:
 Picture descriptions are an arrogant way of telling the viewer how to
 interpret the photo and are condescending. Just write No Title.  Better
 yet, just give it a meaningless number.



 Tom C.


 From: Thibouille [EMAIL PROTECTED]
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Pentax gallery : picture description
 Date: Wed, 7 Mar 2007 19:11:55 +0100
 
 I have no idea about how one do put a description of a picture, usually.
 Do you say Paris by night or should it be longer (describing exactly
 what is on the picture) etc...
 
 I'm a bit lost.
 
 --
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 --
 K10D,Z1,SuperA,KX,MX, P30t and KR-10x ;) ...
 
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a book: http://www.jbuhler.com/book.html

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Re: Declined...

2007-03-07 Thread Shel Belinkoff
What's this Pentax Gallery?

Shel



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Just a bit of something I experienced I thought I'd share with the club

2007-03-07 Thread Boris Liberman
Hi there.

Couple of days ago I had a day off my work so that I took my time and 
visited Tel Aviv museum of arts. It turned out that I came towards the 
end of the day and also the museum was in the process of changing 
exhibitions. Yet, one of the exhibitions on display was The Poetics of 
Space by Raanan Levy. If you wish, you could look him up here: 
http://www.tamuseum.com/index.html. Please click on English on the 
front page and then choose Exhibitions from the icon menu on top.

So I started with these paintings of empty spaces and then went on 
roaming the empty spaces of the museum. Very unusual feeling, I should 
tell you... It is a great pity photography is not allowed inside, 'cause 
it would make a fine set of almost-abstracts ;-).

Then, eventually I got down to the museum shop to browse through the 
photography shelf. There I've found some albums by photographers that I 
might have wanted to have, such as HCB. And then it finally occurred to 
me that I don't want to buy a photo book by HCB or any other well known 
artist. Somehow I realized I'd rather see something in person on the 
wall and carry the emotions with me. I don't want to have these emotions 
with me all the time available at my whim. That would feel fake... So, I 
left the museum store and was on my way home...

Just a bit of musings I'd put down in words, if you don't mind reading them.

Boris

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Re: Declined...

2007-03-07 Thread P. J. Alling
Pentax is putting together a gallery of images by Pentax users.  I don't 
have the URL handy, you can search the archives but I bet someone will 
post it for you any minute now.

Shel Belinkoff wrote:
 What's this Pentax Gallery?

 Shel



   


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Re: PAW - 2007 - Feb 26 - March 4

2007-03-07 Thread Boris Liberman
[EMAIL PROTECTED] wrote:
 I  took about 6 shots. All wider, this was cropped. Pigeon dropped (or 
 something)  and rusty rock with a twig and leaves in front of it. Didn't have 
 a 
 macro lens  with me. Sun on left, shadow on the right. Probably around 3pm. 
 So 
 really the  crop is the best of the lot.
 
 Thanks, Boris, let's wait for this week's  PAW (yet to be shot) and next 
 week's PAW (yet to be shot), then maybe a few  more, then we'll see if it's 
 really 
 a good idea. LOL.

This is indeed a good idea, this is undoubted. No proof is necessary. 
Though of course I shall be looking forward to seeing these PAWs that 
are yet to be shot ;-).

Boris

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Re: OT -so how about a pano of moving objects ?

2007-03-07 Thread Kenneth Waller
 That's because the Miata guys are actually willing to race.

I remember when some of the antics I see in spec Miata  other amateur 
racing classes would get the perpetrator thrown out of the race

Kenneth Waller

- Original Message - 
From: Scott Loveless [EMAIL PROTECTED]

Subject: Re: OT -so how about a pano of moving objects ?


 On 3/3/07, Doug Franklin [EMAIL PROTECTED] wrote:
 In a spec class like Spec Miata, where there are big globs of evenly
 matched cars, you're /going/ to do body work regularly.  It's just the
 nature of the beast.  I've probably seen more seriously bent Spec Miatae
 than any other single class.

 That's because the Miata guys are actually willing to race.  I had a
 few connections at Chrysler who got me access to the infield at
 Gateway on a regular basis.  We watched the races from the press booth
 and hung out in the pit areas.  Lots of fun.  The small budget cars
 were often the most fun to watch.  The fast, powerful, expensive cars
 were boring.  Seeing a bunch Viper and Cobra owners taking it easy so
 as to not trade paint gets old fast.  Gimme a field full of Ford
 Escorts and Honda Civics anytime.

 -- 
 Scott Loveless
 http://www.twosixteen.com
 Shoot more film!


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Re: OT -so how about a pano of moving objects ?

2007-03-07 Thread Kenneth Waller
 IOW, the short story is that he uses a photofinish camera.

Not sure about that. Does it have film moving @ the speed of the horses?

Kenneth Waller

- Original Message - 
Sent: Monday, March 05, 2007 9:03 AM
Subject: RE: OT -so how about a pano of moving objects ?


 IOW, the short story is that he uses a photofinish camera.

 Unlike the horse track versions, this one isn't mounted opposite a mirror 
 on
 the finish post, which is why the photofinish pics you see in the race
 results have a simultaneous view from both sides of the track.  Those
 photofinish cameras shoot large format rollfilm, or even straight to 
 paper.

 Rotating panorama cameras (but not the swinging lens type)will give the 
 same
 result if they are prevented from rotating

 Regards,
 Anthony Farr

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
 Kenneth Waller
 Sent: Sunday, 4 March 2007 12:24 PM
 To: Pentax-Discuss Mail List
 Subject: Re: OT -so how about a pano of moving objects ?

 Each image he makes is from one exposure on an entire roll of film, not a
 composite of several different images. He gets 66 inches of movement of 
 the
 film in one second. The film is moving relative to the moving subject. 
 He's
 using a standard Hasselblad 500 series but the film back contains a small
 motor  various electronics adapted from the robotics industry. This gives
 him control of how fast the film moves when he opens the shutter. If he 
 gets

 it right, the film is moving @ the same speed as the cars, allowing for a
 photo with dozens of speeding cars, all sharp.

 Kenneth Waller

 - Original Message - 
 From: cbwaters [EMAIL PROTECTED]
 Subject: Re: OT -so how about a pano of moving objects ?


 Ok, I like it.  How's he doing it?
 CW

 - Original Message - 
 From: Kenneth Waller [EMAIL PROTECTED]
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Friday, March 02, 2007 8:34 PM
 Subject: OT -so how about a pano of moving objects ?


 Interesting photography - Panoramas of moving objects

 http://www.distavision.com/index.html

 Kenneth Waller


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Re: PAW - Camouflage (Repost)

2007-03-07 Thread Kenneth Waller
suggested I work more with  the crop on this one.

BINGO!

Kenneth Waller

- Original Message - 
From: [EMAIL PROTECTED]
Subject: PAW - Camouflage (Repost)



 Thanks to Ken who suggested I work more with  the crop on this one.

 I think this is much more  successful.

 http://members.aol.com/eactivist/PAWS/pages/pawFeb26.htm

 Comments  welcome.

 Marnie aka Doe :-)

 BRBRBR**BR AOL now offers free
 email to everyone.  Find out more about what's free from AOL at
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Re: PESO - Da Bear

2007-03-07 Thread Kenneth Waller
  Sounds like enough to notice the glaciers retreating.

Or see the little cubs grow into their teenage years.   v b g 


Kenneth Waller
- Original Message - 
From: Cory Papenfuss [EMAIL PROTECTED]
Subject: Re: PESO - Da Bear


 I would love to see more shots to give a story/context to the close-up.
 Stay tuned.

 How often do you go to Denali?
 About every 3 to 4 years in the last 20 years.

  Sounds like enough to notice the glaciers retreating.  I know the 
 Mendenhall glacier in Juneau has changed *noticably* since I moved there 
 in 1992.
 
 -Cory


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Re: Declined...

2007-03-07 Thread Kenneth Waller
As you say, digital images work best when they are lacking in detail and 
graphical in nature.

Sort of style vs substance?

Kenneth Waller

- Original Message - 
From: mike wilson [EMAIL PROTECTED]
Subject: Re: Declined...




 From: Mark Roberts [EMAIL PROTECTED]
 Date: 2007/03/05 Mon PM 01:47:29 GMT
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: Declined...

 mike wilson wrote:

  From: Mark Roberts [EMAIL PROTECTED]
 
  Paul Stenquist wrote:
 
  46! I have to get busy.
 
  I think I've submitted about 22 so far. I'm trying to be selective,
  though; I'm only going with images that I think are very strong
  graphically, so they stand out as thumbnails as well as being good
  photographs when seen in detail.
 
  We'll see how it works out.
 
 This approach is known in NGO circles as funding led and is
 considered a bd thing.  8-)

 I don't think I understand the reference. But if anything in my life
 were funding led I'd have no life at all.
 Now that I think about it...


 Funding led means 'rearranging' your principles to attract the highest 
 amount of funding.  As you say, digital images work best when they are 
 lacking in detail and graphical in nature.  If your previous images were 
 more inclined to hold a lot of detail and subtle nuance, changing the 
 output to more graphical appearance in order to sell more might be 
 construed as being funding led.

 The comment was meant mostly in jest but I think it is a valid concern as 
 to the direction of photography in general.


 -
 Email sent from www.virginmedia.com/email
 Virus-checked using McAfee(R) Software and scanned for spam


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Re: A Paypal Question

2007-03-07 Thread Kenneth Waller
Shel I can't be more helpful, but several years ago I was able to get Paypal 
to send me a check (and there was a small fee involved it that) - sorry but 
I don't remember the details  if they will still do that.

Kenneth Waller

- Original Message - 
Sent: Monday, March 05, 2007 11:11 AM
Subject: Re: A Paypal Question


 Well, what seemed like a simple thing has become a lot more complicated.

 I wanted to use the transferred funds to pay my eBay bill, but I wasn't
 allowed to unless I got verified, which, from what I can tell, means I
 have to give paypay access to my bank account.  That will never happen.
 Then I thought to have Paypal just send me the money, but they won't do
 that because my mailing address is a PO box, something that should have
 been mentioned when I signed up.  In order to add a street address to my
 account I have to give paypal access to my credit card information which 
 A)
 I don't want to do and B) my credit card statement goes to my PO Box.,
 which, of course, is unacceptable. Of course I now discover that there are
 fees to receive the money - perhaps my fault for not looking into the
 details more carefully, but there was nothing in the sign-up process that
 was obvious to me regarding charging me to receive money.

 Did someone say I can decline the payment?  I don't think I want to deal
 with paypal.  It's too intrusive and too complicated.

 Shel


 [Original Message]
 From: [EMAIL PROTECTED]
 To: pdml@pdml.net
 Date: 3/5/2007 7:36:41 AM
 Subject: Re: A Paypal Question

 One other thing, Shel, it takes three days for  fund to transfer to a
 real
 life account. Sometimes I've had it take longer,  depending on when the
 money
 comes in, etc. Bear that in mind. But, overall,  PayPal is pretty darn
 handy.

 Marnie aka Doe :-)

 BRBRBR**BR AOL now offers
 free
 email to everyone.  Find out more about what's free from AOL at
 http://www.aol.com.

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Re: PAW - Camouflage (Repost)

2007-03-07 Thread Kenneth Waller
I agree, much improved - I might have named it Chameleon.

Or Ken !


Kenneth Waller
- Original Message - 
From: Bruce Dayton [EMAIL PROTECTED]
Subject: Re: PAW - Camouflage (Repost)


I agree, much improved - I might have named it Chameleon.

 -- 
 Bruce


 Monday, March 5, 2007, 6:38:06 AM, you wrote:


 Eac Thanks to Ken who suggested I work more with  the crop on this one.

 Eac I think this is much more  successful.

 Eac http://members.aol.com/eactivist/PAWS/pages/pawFeb26.htm

 Eac Comments  welcome.

 Eac Marnie aka Doe :-)

 Eac BRBRBR**BR AOL now offers 
 free
 Eac email to everyone.  Find out more about what's free from AOL at
 Eac http://www.aol.com.


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Re: Declined...

2007-03-07 Thread David J Brooks
On 3/7/07, Doug Brewer [EMAIL PROTECTED] wrote:
 Walter Hamler wrote:
  Well, at least they are doing something with the gallery. I had submitted 11
  photos that were all tenatively accepted. This AM they show 6 in the
  Gallery, 1 in the Collection, 3 on hold, and 1 Declined.
  The declined shot was shot with a 135 SMC-M lens but they did not have a 135
  in the selection menu, so I had it listed as unknown. I suspect that they
  don't want unknowns in the final gallery.
 
  Walt
 
 

 meanwhile, most of mine remain in limbo. I can picture the judges
 praying for more photos to arrive so they don't have to include mine.

I'll be submitting tonight Doug.

Relax, and have abeer.:-)

Dave

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Re: PESO: White Breasted Nuthatch

2007-03-07 Thread Kenneth Waller
Definitely not being critical of Paul, but I know some pros that wouldn't 
have taken that shot if they couldn't work around the white sky issue.
Me, I might not have noticed the white issue when I took the image, but I 
would definitely have kept it until I could have taken a better one.

Kenneth Waller

- Original Message - 
From: Tom C [EMAIL PROTECTED]
Subject: Re: PESO: White Breasted Nuthatch


 Hi Paul,

 I like the shot alot. Nut Hatches just don't seem to stay still for very
 long.  Even when perched they seem to constantly be twitching.

 I know everyone's got a feeling about the white sky, which there was 
 nothing
 you could do about  in camera.  Maybe a selection on just the white sky
 portion in photoshop and then a curves adjustment to bring it down to some
 level of gray...?


 Tom C.



From: Paul Stenquist [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: PESO: White Breasted Nuthatch
Date: Mon, 5 Mar 2007 10:48:50 -0500

Thanks for the feedback Marnie. The white background is the sky.
Paul
On Mar 5, 2007, at 9:57 AM, [EMAIL PROTECTED] wrote:

  In a message dated 3/3/2007 2:38:19 P.M. Pacific  Standard Time,
  [EMAIL PROTECTED] writes:
  Sorry for hogging bandwidth,  but this pic might be worth a look. It
  demonstrates pretty good performance  from a budget long-lens combo:
  The
  A 400/5.6 plus A2X-S converter. I also  used the Pentax 540 FGZ in
  high-speed synch mode with the Kirk Flash  Xtender. Handheld of
  course:-). Hey, it's only 800mm. Piece of cake. :-)).  SR turned on.
  1.500th, f5.6, ISO 1000. Cropped to about 75% of  frame.
 
  http://www.photo.net/photodb/photo?photo_id=5672710size=lg
 
 
  ==
  I  like everything but the white background. Since he is on a tree, it
  looks
  very  unnatural.
 
  Marnie aka Doe
 
  BRBRBR**BR AOL now offers


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Re: More dog pictures

2007-03-07 Thread Kenneth Waller
Love the postures on 2249.
Tough exposure nut to crack

Kenneth Waller

- Original Message - 
From: William Robb [EMAIL PROTECTED]

Subject: More dog pictures


A bunch of snow, a couple of bored dogs, and a sunny afternoon made
 yesterday a great day to be me.
 I ended up machinegunning almost 300 shots in 15 or so minutes of my
 fellas barrelling around the yard. These were the best of the lot.
 
 Shot with the DA70mm LTD on the K10.
 
 http://users.accesscomm.ca/wrobb/fellas/bella/mar0407.html
 http://users.accesscomm.ca/wrobb/fellas/page3/page3.html
 
 Have fun
 
 William Robb
 
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killed my D stone dead

2007-03-07 Thread skye
hi folks, FYI:

previously complained about here,

http://www.mail-archive.com/pdml@pdml.net/msg283630.html

I nursed my D along another year and a bit, during which time it
stopped and starting working another 2 times. It finally permanently
stopped working in January (on its 3rd birthday). I waited a few weeks
to be sure it wasn't going to suddenly start working again, but it
didn't, so I sent it to Pentax. They sent me back a message to say it
was a short, and they'll be fixing the short and replacing some of the
buttons (buh?) for a couple hundred bucks. They also said blah blah
blah battery drain blah blah (I'm not a very good listener). I don't
know what all that's about, I've never had a problem with drained
batteries. Whatever.

I remember back in year 1 when it stopped working a couple of times
very briefly (a few minutes each time) and kind of wish I had sent it
in then while it was still under warranty. Hindsight's 20/20 as they
say. It's generally my practice not to send things in unless I can
replicate the error on command, but I think I'll be changing that now.

Anyhow, thought you guys would like to know.

--skye

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Re: PESO: White Breasted Nuthatch

2007-03-07 Thread Tom C
Certainly! Funny that perceptions of what is natural/unnatural seem to be 
skewed by what we are used to being shown.  In this case all elements in the 
composition were natural but it's perceived otherwise.

Sometimes the sky is almost white or becomes very close to white to properly 
expose the subject.  Juxtapose that sky against a straight line like the 
tree and voila!


Tom C.



From: Kenneth Waller [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: PESO: White Breasted Nuthatch
Date: Wed, 7 Mar 2007 14:41:48 -0500

Definitely not being critical of Paul, but I know some pros that wouldn't
have taken that shot if they couldn't work around the white sky issue.
Me, I might not have noticed the white issue when I took the image, but I
would definitely have kept it until I could have taken a better one.

Kenneth Waller

- Original Message -
From: Tom C [EMAIL PROTECTED]
Subject: Re: PESO: White Breasted Nuthatch


  Hi Paul,
 
  I like the shot alot. Nut Hatches just don't seem to stay still for very
  long.  Even when perched they seem to constantly be twitching.
 
  I know everyone's got a feeling about the white sky, which there was
  nothing
  you could do about  in camera.  Maybe a selection on just the white sky
  portion in photoshop and then a curves adjustment to bring it down to 
some
  level of gray...?
 
 
  Tom C.
 
 
 
 From: Paul Stenquist [EMAIL PROTECTED]
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: PESO: White Breasted Nuthatch
 Date: Mon, 5 Mar 2007 10:48:50 -0500
 
 Thanks for the feedback Marnie. The white background is the sky.
 Paul
 On Mar 5, 2007, at 9:57 AM, [EMAIL PROTECTED] wrote:
 
   In a message dated 3/3/2007 2:38:19 P.M. Pacific  Standard Time,
   [EMAIL PROTECTED] writes:
   Sorry for hogging bandwidth,  but this pic might be worth a look. It
   demonstrates pretty good performance  from a budget long-lens combo:
   The
   A 400/5.6 plus A2X-S converter. I also  used the Pentax 540 FGZ in
   high-speed synch mode with the Kirk Flash  Xtender. Handheld of
   course:-). Hey, it's only 800mm. Piece of cake. :-)).  SR turned on.
   1.500th, f5.6, ISO 1000. Cropped to about 75% of  frame.
  
   http://www.photo.net/photodb/photo?photo_id=5672710size=lg
  
  
   ==
   I  like everything but the white background. Since he is on a tree, 
it
   looks
   very  unnatural.
  
   Marnie aka Doe
  
   BRBRBR**BR AOL now offers


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PESO -- Thimble Islands at Sunset

2007-03-07 Thread P. J. Alling
http://www.mindspring.com/~morephotos/PESO_--_tiass.html

Equipment:
Pentax *ist-Ds/smc Pentax FA 70-210 f4~5.6.

As usual comments are welcome but may be totally ignored.

-- 
Entropy Seminar: The results of a five yeer studee ntu the sekend lw uf 
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Re: OT: Rednecks (was Re: PESO: Long Morning, revisited)

2007-03-07 Thread Kenneth Waller
 This is a perfect example of what a title can do to a photo :-)

No. I see it as a perfect example of what those photographed can do to a 
photo.

Kenneth Waller

- Original Message - 
From: Bong Manayon [EMAIL PROTECTED]
Subject: Re: OT: Rednecks (was Re: PESO: Long Morning, revisited)


 This is a perfect example of what a title can do to a photo :-)

 Bong

 On 3/6/07, John Sessoms [EMAIL PROTECTED] wrote:
 
  From:
  Shel Belinkoff
  Hi Paul,
 
  Here's a couple of shots from a real trailer park wedding: I bet you 
  didn't
  know I shot weddings.
 
  http://home.earthlink.net/~my-pics/wedding.html
  Tech details: Disposable camera, drugstore processing, edited in
  Etch-a-Sketch
 How 'bout a woman who understands fishin'?

 http://outdoors.webshots.com/photo/2945536630071712637XDpQXO


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Re: PESO: White Breasted Nuthatch

2007-03-07 Thread Paul Stenquist
Exactly. White skies are natural, and I don't find them objectionable. 
I may replace it with a blue sky, but then again, I might not:-).
On Mar 7, 2007, at 2:54 PM, Tom C wrote:

 Certainly! Funny that perceptions of what is natural/unnatural seem to 
 be
 skewed by what we are used to being shown.  In this case all elements 
 in the
 composition were natural but it's perceived otherwise.

 Sometimes the sky is almost white or becomes very close to white to 
 properly
 expose the subject.  Juxtapose that sky against a straight line like 
 the
 tree and voila!


 Tom C.



 From: Kenneth Waller [EMAIL PROTECTED]
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: PESO: White Breasted Nuthatch
 Date: Wed, 7 Mar 2007 14:41:48 -0500

 Definitely not being critical of Paul, but I know some pros that 
 wouldn't
 have taken that shot if they couldn't work around the white sky issue.
 Me, I might not have noticed the white issue when I took the image, 
 but I
 would definitely have kept it until I could have taken a better one.

 Kenneth Waller

 - Original Message -
 From: Tom C [EMAIL PROTECTED]
 Subject: Re: PESO: White Breasted Nuthatch


 Hi Paul,

 I like the shot alot. Nut Hatches just don't seem to stay still for 
 very
 long.  Even when perched they seem to constantly be twitching.

 I know everyone's got a feeling about the white sky, which there was
 nothing
 you could do about  in camera.  Maybe a selection on just the white 
 sky
 portion in photoshop and then a curves adjustment to bring it down to
 some
 level of gray...?


 Tom C.



 From: Paul Stenquist [EMAIL PROTECTED]
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: PESO: White Breasted Nuthatch
 Date: Mon, 5 Mar 2007 10:48:50 -0500

 Thanks for the feedback Marnie. The white background is the sky.
 Paul
 On Mar 5, 2007, at 9:57 AM, [EMAIL PROTECTED] wrote:

 In a message dated 3/3/2007 2:38:19 P.M. Pacific  Standard Time,
 [EMAIL PROTECTED] writes:
 Sorry for hogging bandwidth,  but this pic might be worth a look. 
 It
 demonstrates pretty good performance  from a budget long-lens 
 combo:
 The
 A 400/5.6 plus A2X-S converter. I also  used the Pentax 540 FGZ in
 high-speed synch mode with the Kirk Flash  Xtender. Handheld of
 course:-). Hey, it's only 800mm. Piece of cake. :-)).  SR turned 
 on.
 1.500th, f5.6, ISO 1000. Cropped to about 75% of  frame.

 http://www.photo.net/photodb/photo?photo_id=5672710size=lg


 ==
 I  like everything but the white background. Since he is on a tree,
 it
 looks
 very  unnatural.

 Marnie aka Doe

 BRBRBR**BR AOL now 
 offers


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GESO: It Happened on Woodward

2007-03-07 Thread Paul Stenquist
This is a rather large collection of photos taken on a half mile 
stretch of suburban Detroit's Old Woodward Avenue. It will hopefully 
end up as an eight to twelve shot gallery show and magazine article. I 
may decide to convert more shots to BW. I might make the set all BW, or 
I might make it all color. I have a few in mind that are definitely in, 
but I'm still trying to make my picks. I've shown the whole set to the 
gallery owner, and is working on a selection. The only definition here 
is that the pics were shot on Woodward. They're not necessarily street 
photography (a term I dislike almost as much as voyeuristic). Some are 
portraits, some are candids of unaware subjects, some are candids of 
people who saw the camera. It runs the range. Anyway, the whole kit and 
kaboodle is here:
http://www.photo.net/photodb/folder?folder_id=703152


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Re: More dog pictures

2007-03-07 Thread William Robb

- Original Message - 
From: Kenneth Waller
Subject: Re: More dog pictures


 Love the postures on 2249.
 Tough exposure nut to crack

Thanks Ken. It was a happy capture, and the camera didn't let me down.
When I checked the histogram, I noted that nothing was clipped on the 
exposure.
I don't know offhand what the exposure range is on this shot, but it ranges 
from snow in full sun to a jet black dog.

It makes me wonder how a racing car sitting under an awning on a cloudy day 
can be outside the dynamic range of a DSLR.

William Robb


 http://users.accesscomm.ca/wrobb/fellas/page3/page3.html



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RE: PESO:The Missing link

2007-03-07 Thread Bob W
what's it like if you try to download the file directly, bypassing all
the html and javascript?

http://www.web-options.com/Phone/content/bin/images/large/IMAGE_00026.
jpg ?


--
 Bob
 

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
 Behalf Of William Robb
 Sent: 06 March 2007 23:00
 To: Pentax-Discuss Mail List
 Subject: Re: PESO:The Missing link
 
 
 - Original Message - 
 From: mike wilson
 Subject: Re: PESO:The Missing link
 
 
  Bob W wrote:
 
  In England bicycle wheels turn into autumn leaves:
  http://www.web-options.com/Phone/content/IMAGE_00026_large.html
 
  --
   Bob
 
  Since you started to use Lightroom to make your web pages, 
 your site has
  become remarkably slow.  The background loads immediately 
 but the thumbs
  and pictures take ages.
 
 
 It's like having a dedicated dial up connection just for his 
 website, isn't 
 it?
 
 William Robb 
 
 
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Re: killed my D stone dead

2007-03-07 Thread Thibouille
Mmm you might want to sell for parts. Better than nothing.
I feel sorry for you (and for the camera itself).

2007/3/7, skye [EMAIL PROTECTED]:
 hi folks, FYI:

 previously complained about here,

 http://www.mail-archive.com/pdml@pdml.net/msg283630.html

 I nursed my D along another year and a bit, during which time it
 stopped and starting working another 2 times. It finally permanently
 stopped working in January (on its 3rd birthday). I waited a few weeks
 to be sure it wasn't going to suddenly start working again, but it
 didn't, so I sent it to Pentax. They sent me back a message to say it
 was a short, and they'll be fixing the short and replacing some of the
 buttons (buh?) for a couple hundred bucks. They also said blah blah
 blah battery drain blah blah (I'm not a very good listener). I don't
 know what all that's about, I've never had a problem with drained
 batteries. Whatever.

 I remember back in year 1 when it stopped working a couple of times
 very briefly (a few minutes each time) and kind of wish I had sent it
 in then while it was still under warranty. Hindsight's 20/20 as they
 say. It's generally my practice not to send things in unless I can
 replicate the error on command, but I think I'll be changing that now.

 Anyhow, thought you guys would like to know.

 --skye

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RE: PESO:The Missing link

2007-03-07 Thread Bob W
 
  In England bicycle wheels turn into autumn leaves:
  http://www.web-options.com/Phone/content/IMAGE_00026_large.html
  
  --
   Bob
 
 Since you started to use Lightroom to make your web pages, 
 your site has 
 become remarkably slow.  The background loads immediately but 
 the thumbs 
 and pictures take ages.
 

Somebody must have nicked the wheels...

Is anybody else finding my site slow? Are you finding other peoples'
Lightroom sites slow?

I know Lightroom uses Javascript or something, maybe that has
something to do with it. I'll dig around in the settings and see if
there's anything I can do about it.

Maybe I've overloaded my web site in some way - I'll try and figure
something out.

--
 Bob
 


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Re: Declined...

2007-03-07 Thread Mark Roberts
Kenneth Waller wrote:

As you say, digital images work best when they are lacking in detail 
and 
graphical in nature.

Sort of style vs substance?

By the way, I don't believe the statement that igital images work best 
when they are lacking in detail and graphical in nature. That's a 
massive oversimplification at *best*.


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GESO: It Happened on Woodward

2007-03-07 Thread Paul Stenquist
This is a rather large collection of photos taken on a half mile 
stretch of suburban Detroit's Old Woodward Avenue. It will hopefully 
end up as an eight to twelve shot gallery show and magazine article. I 
may decide to convert more shots to BW. I might make the set all BW, or 
I might make it all color. I have a few in mind that are definitely in, 
but I'm still trying to make my picks. I've shown the whole set to the 
gallery owner, and is working on a selection. The only definition here 
is that the pics were shot on Woodward. They're not necessarily street 
photography (a term I dislike almost as much as voyeuristic). Some are 
portraits, some are candids of unaware subjects, some are candids of 
people who saw the camera. It runs the range. Anyway, the whole kit and 
kaboodle is here:
http://www.photo.net/photodb/folder?folder_id=703152


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Re: beauty shot: Pentax K10D- 17mm lenses are out there

2007-03-07 Thread Peter Lacus
Bill,

 DSLR cameras are showing 10 stops or more of dynamic range, which is about 3 
 stops more than that of print film, probably 5 stops more range than slide 
 film.

IMHO there's only one definitive truth - film emulsions react to the 
light in a different way than linear digital sensors. Indeed it's much 
easier to extract useful data from digital RAW files but does it prove 
that digital sensor captures wider dynamic range? IMHO it proves that 
current scanners are not capable of extracting data from the film more 
than anything else.

Cheers,

Peter

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Re: Just a bit of something I experienced I thought I'd share with the club

2007-03-07 Thread Thibouille
Than you Boris. Had some emotions myself reading your story.

2007/3/7, Boris Liberman [EMAIL PROTECTED]:
 Hi there.

 Couple of days ago I had a day off my work so that I took my time and
 visited Tel Aviv museum of arts. It turned out that I came towards the
 end of the day and also the museum was in the process of changing
 exhibitions. Yet, one of the exhibitions on display was The Poetics of
 Space by Raanan Levy. If you wish, you could look him up here:
 http://www.tamuseum.com/index.html. Please click on English on the
 front page and then choose Exhibitions from the icon menu on top.

 So I started with these paintings of empty spaces and then went on
 roaming the empty spaces of the museum. Very unusual feeling, I should
 tell you... It is a great pity photography is not allowed inside, 'cause
 it would make a fine set of almost-abstracts ;-).

 Then, eventually I got down to the museum shop to browse through the
 photography shelf. There I've found some albums by photographers that I
 might have wanted to have, such as HCB. And then it finally occurred to
 me that I don't want to buy a photo book by HCB or any other well known
 artist. Somehow I realized I'd rather see something in person on the
 wall and carry the emotions with me. I don't want to have these emotions
 with me all the time available at my whim. That would feel fake... So, I
 left the museum store and was on my way home...

 Just a bit of musings I'd put down in words, if you don't mind reading them.

 Boris

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RE: Pentax K10D firmware update 1.11 now available

2007-03-07 Thread Bob W
 
 Presumably, if one wished to fiddle with oneself, one could 
 temporarily reinstall the older firmware.
 
  
  
  I don't think fiddling is enough - you need Viagra too.
  
 
 In that case, you probably need a good service.
 

that's always been true. Probably always will be.

--
 Bob
 


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Re: Declined...

2007-03-07 Thread William Robb

- Original Message - 
From: Mark Roberts
Subject: Re: Declined...


 Kenneth Waller wrote:

As you say, digital images work best when they are lacking in detail
 and
graphical in nature.

Sort of style vs substance?

 By the way, I don't believe the statement that digital images work best
 when they are lacking in detail and graphical in nature. That's a
 massive oversimplification at *best*.


Sometimes massive oversimplifications hit the nail on the head.
I carp quite often that this picture or that is worthy of a Wisner. By this, 
I mean that the picture is deserving of the increase in technical quality 
that more detail will provide.

What I don't believe is that tired old saw about how a good picture will 
always overcome it's technical flaws.

William Robb 


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Re: PESO -- Thimble Islands at Sunset

2007-03-07 Thread Christian
P. J. Alling wrote:
 http://www.mindspring.com/~morephotos/PESO_--_tiass.html
 
 Equipment:
 Pentax *ist-Ds/smc Pentax FA 70-210 f4~5.6.
 
 As usual comments are welcome but may be totally ignored.
 

I like it...  I really like the light.

-- 

Christian
http://photography.skofteland.net

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Re: Is Feisol 3371 an upgrade?

2007-03-07 Thread Kenneth Waller
Tim, I've got a Gitzo 1410 for sale that works well with larger 35mm format 
lenses.
You really don't want to use a center column, especially with a long lens.

Contact me off list if interested.


Kenneth Waller


- Original Message - 
From: Tim Øsleby [EMAIL PROTECTED]
To: 'Pentax-Discuss Mail List' pdml@pdml.net
Sent: Tuesday, March 06, 2007 2:09 PM
Subject: Is Feisol 3371 an upgrade?


 My K10D came a few days ago. I'm very happy with it, but I am expecting a
 pretty large sum of money this month, so I feel an enablement coming.
 I have been struggling to tame a 500/4,5. I have got acceptable results, 
 but
 I have a feeling that there is more living in this beast. So I'm thinking
 about upgrading my tripod setup, a Velbon CF-630 and the Manfrotto gimbal
 mount. I like the Velbon a lot, but max load is 6kg. Lens gimbal and 
 camera
 weights about 5kg, so I may be a bit too close to max load with a 500mm
 (sometimes I use a TC too).

 My old knees tell me I need something light weight. I haven't got a 
 sherpa,
 and I often carry other stuff too.
 So I've been thinking about Feisol CT-3371 (and perhaps a centre column,
 just in case). What do you say? Is it an upgrade or am I fooling myself?
 I know many of you are Gitzo fans, but it is so expensive. I'm also 
 planning
 to buy a new dog, some more stuff...
 You get the general picture, I guess.


 Tim Typo
 Mostly harmless (just plain Norwegian)
et 


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PESO (well not really) No Fun Allowed

2007-03-07 Thread P. J. Alling
Photographed at the local town beach.

http://www.mindspring.com/~morephotos/nfa.html

-- 
Entropy Seminar: The results of a five yeer studee ntu the sekend lw uf 
thurmodynamiks aand itz inevibl fxt hon shewb rt nslpn raq liot.


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Re: PESO:The Missing link

2007-03-07 Thread P. J. Alling
Not all that fast.

Bob W wrote:
 what's it like if you try to download the file directly, bypassing all
 the html and javascript?

 http://www.web-options.com/Phone/content/bin/images/large/IMAGE_00026.
 jpg ?


 --
  Bob
  

   
 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
 Behalf Of William Robb
 Sent: 06 March 2007 23:00
 To: Pentax-Discuss Mail List
 Subject: Re: PESO:The Missing link


 - Original Message - 
 From: mike wilson
 Subject: Re: PESO:The Missing link


 
 Bob W wrote:

   
 In England bicycle wheels turn into autumn leaves:
 http://www.web-options.com/Phone/content/IMAGE_00026_large.html

 --
  Bob
 
 Since you started to use Lightroom to make your web pages, 
   
 your site has
 
 become remarkably slow.  The background loads immediately 
   
 but the thumbs
 
 and pictures take ages.
   
 It's like having a dedicated dial up connection just for his 
 website, isn't 
 it?

 William Robb 


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thurmodynamiks aand itz inevibl fxt hon shewb rt nslpn raq liot.


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K10D RAW and Epson P2000 compatible

2007-03-07 Thread Godfrey DiGiorgi
I hadn't checked before now, since until Lightroom v1.0 and Camera  
Raw v3.7 release I had the K10D set in RAW/DNG mode. I've now  
switched the camera to PEF mode RAW files to save on card space, and  
I tested downloading to the P2000. The P2000 can read the JPEG  
preview directly out of the PEF files! Nice, no need to do RAW+JPEG  
when on the road, and more storage on the SD cards to work with.

Still no SDHC support, but I'm happy with 2G cards for the present at  
least.

Godfrey

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Re: Declined...

2007-03-07 Thread Tom C

Sometimes massive oversimplifications hit the nail on the head.
I carp quite often that this picture or that is worthy of a Wisner. By 
this,
I mean that the picture is deserving of the increase in technical quality
that more detail will provide.

What I don't believe is that tired old saw about how a good picture will
always overcome it's technical flaws.

William Robb


Define 'technical flaws'. :-)

Tom C.



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Re: PUG Comments March 2007

2007-03-07 Thread Kenneth Waller
Looks like the Palouse region to me.

Very nice shot but for my money, I want it in color.

Kenneth Waller
- Original Message - 
From: Harald Rust [EMAIL PROTECTED]

Subject: PUG Comments March 2007


 Hi Tom,
 Thanks for the kind comment, much appreciated.
 Harald

 Tom C. wrote:

  Tree and Hills  by Harald Rust

 http://pug.komkon.org/07mar/palubw.html

 Wonderful classic composition.  Shot sure to a be a
 winner in color or grayscale.  My personal favorite of
 the month.




 
 Get your own web address.
 Have a HUGE year through Yahoo! Small Business.
 http://smallbusiness.yahoo.com/domains/?p=BESTDEAL

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Re: Signing

2007-03-07 Thread Kenneth Waller
Looks more like Gag me with a forefinger.

Kenneth Waller

- Original Message - 
From: Paul Stenquist [EMAIL PROTECTED]


 Hey, why stop now? Another pic from the same afternoon in the same 
 coffee shop. But totally different light. Same lens: the DA 50-200 
 workhorse. This lady isn't giving her friend the finger.
 http://www.photo.net/photodb/photo?photo_id=5687954size=lg


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