radiant blood light terror, saucer for a dog's head star
radiant blood light terror, saucer for a dog's head star (inspired by Jeff Harrison's constant miracles) for every savior's saucer a cup of hound's blood with boat for rowing from rim to rim from star to star now kissing the fresh sunk island with dread wands == for every hound's saucer a cup of savior's blood with boat for rowing from corpse to corpse from stare to stare now kissing the newly dead eye with brave unattainable fingers * now anubis upon his barque moves outward into the sea of terror and the galley slaves put their wands to the pond's surface and none of them see what the saying above them moves * now whatever cup is used whatever saucer broken the seeing stays the same the seaing the singing radiant blood light terror
Re: Vispo at Durban Segnini Gallery
Thank you for setting up the web-site Miekal. Looks great and looked like a fun opening!
"Lunge da quegli amati e cari lumi".
"Lunge da quegli amati e cari lumi". "Lung's anger at night Zoo to lunge from the great drought, and Lung "Richard!" He trainer ... The Transparent Lung "Richard!" He trainer ... The Lung "Richard!" He tries to these computer-generated, rotated, rotated, coloured and Lung and the lunge from the lunge beach the gods was digitized, coloured and Lung's anger at night. (pm) Midnight. (pm) Midnight Zoo to lunge into his path her drunk of adrenaline. Push. No, pull. Push-pull. Push. No, pull. Nine at the shot under our very feet the water. a whale trainer ... The text for the lunge-dunked trunk of adrenaline. Push. No, pull. Push. No, pull. Nine at night Zoo to lunge between foam-crests, refuse churned in treasure Go to move down to the audience churned in the lunge beach, spending. Abyss of sunkin the water. as the great drought, and the recoil. Food! Wanna Read A Lung and Lung Poem??? Click worms would lunge between foam-crests, refuse computer-generated poems when the beach them. up high on the audience cheers. a whale trainer ... The Transparent Lung Poem??? Click worms would lunge from the between foam-crests, refuse churned in treasure Go to the love-sick Here!! Information about The Lung's anger at the between foam-crests, refuse churned in treasure Go to the gods when their energy Bark cascading. Abyss of sunkin the shot under our very feet the audience cheers. a whale tries to reach the audience churned in these computer-genergy Bark cascading. Abyss of sunkin the cari lumi". The Lung and his poems when the gods was digitized, coloured and the audience churned in treasure Go to their enerated poem explains Wang Lung Fish This family have to the great drought, and Wand Wand Wand Lunge beach these cheers. as the south. "Lung Poem??? Click worms would lunge beach the between foam-crests, refuse computer-generated poems was digitized, rotated poem explains Wang Lung and Wanna Read A Lunge da quegli amati e camera spooks these cheers. a whale tries to reach the gods when the lunge from the great drought, and the shot under our very feet the gods was digitized, coloured and Lung and Lunge into his path her drunk of adrenaline. Push-pull. Nine at their enerated, rotated poems when there is these cheers. as the water. as their enerated poems was digitized, rotated poem explains Wang Lung "Richard!" He tries to sleep to the shot under our very feet the love-sick Here!! Informati e camera spooks their energy Bark cascading. Abyss of sunkin the beat
Re: guard
what is this image alan, it look like some hybrid form of aerial photography possibly of an archaeology site but then it also has the look of a core sample for some mineral conglomerate. the toothed or parapetted perimeter also gives it an emblematic sense. very interesting. also loved those nearly white hyperbolic volumes awhile back, is that the right word? thanks for posting these (as usual)! lq >guard > > left-arrow p r e right-arrow l e f t dash a r r o w p r e > r i g h t dash a r r o w l e f t dash a r r o w p r e > r i g h t dash a r r o w l e f t d a s h a r r o w p r e > r i g h t d a s h a r r o w > i will guard you yes i will yes i will > > http://www.as.wvu.edu:8000/clc/Members/sondheim/guard/view > >guard >
prosthetic syuzhet
prosthetic syuzhet to answer here are two kinds of the prosthesis because the cartilage is located. ... .. between the lower chords of depth variations. J. Geophys. Res. 102, 27913-27929. O'Donnell, J. 1997. ... - 6-inch lateral Depth for the organs where the cartilage is located. ... And here's one that ... .. Using a whole, Light be skeptical stability. ... - ... Tidally drive clips ... .. vectors of columnar support for the trusses .. lateral depth of field, .. Screen right (image 1) : Lateral depth more than 6 feet .. .. 6286.00 ... and direction of fillet welded thin .. estuary of arbitrary lateral depth, could be overturned ... painting a whole, Light-Wing requires minimal - support and syuzhet vs. fabula; all lending leg. ... .. Tidally Induced Flow in Coastal Plain Estuaries with and provide columnar support between the lower chords of depth in the prosthesis because the direct object: till death to sin is not conformal). ... - be used to get it off the angular-distortion of fabula; all lending a whole both are free-verse poesis applied. .. somewhat .. - Read the direct object: till death do part you ... And here's one that would protest the brackets is provide columnar support members. ... - ... some of narrativity. ... support of what in every poem, even ... between ... between ... Screen residually intra-tidally termed lateral death, whic ... By taking Books. English Deutsch .. This great sequence of what Bazin concept of planes and should be overturned ... painting a whole book in itself, the 12 inch lateral depth of field, .. Spacing and Installation in estuaries with the radiographic image. ... - .. between fabula .. The circle becomes elongated in the Sea Poem. Country: Spain, Continental Europe. ... between cumulative plastic strains and angular distortion, ...
BROGSKILUFURAN
chukulu avridati molo nekri-modetti himsi-salala kayoo-vriotch bi snikti ma kili ni obli-hiktu-duru na'a-alashashti-wani pio sigrinix epiopth-epthelwig na gasa imokala ye ubustacha ke himo gu uluru-nasta mistukinis griang-debeoogi-shangra shopi-jijumpi-depoodra ky-itchineelo-wong nagra eepo-peepo-pooru oko ya'ala nidsgritch-skayavo comtessa sujini
forfula
forfula http://www.hevanet.com/solipsis/desktopcollage/forfula.jpg
the third voice
the third voice hisses and makes me sad all day it hisses and sometimes my head sinks and my hand reaches up to rub my forehead i'm desperate for this voice to shut-up! the second voice hisses and makes me worry all day it hisses and sometimes i shiver thinking over what it says i clench my eyes shut try to forget this horrible voice i'm desperate for this voice to shut-up! the first voice has become so quiet and this makes me sad i try to coax it awake i show it memories which look dead another person long ago it says that's all it says and it's flat that voice is reaching a nadir that voice has suffered some damage it makes me sad the first voice has become so quiet!
some morning kana
beyond the fence cherry blossoms early spring the young sapling now fully leaved early spring an airplane gliding passes behind a fir warm morning kana such transience is hard to swallow but so beautiful in this world of dust problems multiply nested infinitely kana on the window two smudges i read their veins resting under a sky blue loam Mt. Tabor in the distance picking up the gentle thread i weave a small moment early spring morning the cat has found a towell and snuggles down then gets up abruptly after smoking half a cigarette i listen to the morning news drinking hot coffee kana over 600 pages into my novel reading i smile with some small pride
Melancholy steps, so red,
Melancholy steps, so red, As evening come only be two branches remains in the air, Often brief arrive sleep. Melancholy steps before red peonies before the steps before the steps before red hold fire look I'm saddened by a swarm of seahorses this is possibly an 'emotional' view of the room door of the room door cloth not open. Still have young spring red. suffused with daylight's grim certainty a head was blossomed from the head like a coral eyes like a tiny undersea camera like a coral tumbleweed held up and transformation this assemblage is a particular kind of assemblage and like a coral tumbleweed held up and transformation this is a way of taking a knife to the great intrepid lobstertail of mathematical and freedom or could one simply say, at present, the burden of the head. Pillow low quilt warm body smooth and peaceful, Sun shines on the air, Often it will come to you even in your sleep. Melancholy steps before red peonies before red peonies before the steps before red hold fire look I'm saddened by the peonies Evening came I found that only two remains in the door of the head or perhaps proof, cosmological or otherwise the tyranny lodged in transactions of informations and transformations and transformations of information this is possibly an 'emotional' view of the room, the burden of the head like a tiny shiny candelabra of coral eyes like a coral tumbleweed held up and transported by a swarm of seahorses this is possibly an 'emotional' view of the room, the quilt is warm, the body smooth and peaceful, Sun shines on the air, Often brief arrive sleep. Melancholy steps, so red, As evening come only two remains in the door cloth not open Still have blown, they surely won't survive, At night I gaze by lamplight, to cherish the fading remains in the door of the room door of the head like a tiny shiny candelabra of coral eyes like a tiny shiny candelabra of coral eyes like a tiny undersea camera like a tiny shiny candelabra of coral eyes like an infinitely long flagella not perhaps some schematic tyranny lodged in transactions and transformation this assemblage and like a tiny undersea camera like a tiny undersea camera like a tiny undersea camera like a coral eyes like a tiny undersea camera like a coral tumbleweed held up and transported by a swarm of seahorses this is a domain within a domain ad mysterium which is a way of taking a knife to the great intrepid lobstertail of mathematic tyranny of stupidity and freedom or could one simply say,
Re: forfula
please do! - Original Message - From: I Poop Rainbows To: WRYTING-L@listserv.utoronto.ca Sent: Thursday, March 24, 2005 4:22 PM Subject: Re: forfula beautfiul, beautifuland yeah, would make a gorgeous HUGE interactive canvas---flash, anyone? (h---perhaps i shall make one outof this.) bliss l *** Lewis LaCook -->Poet-Programmer|||http://www.lewislacook.com/||| Web Programmer|||http://www.corporatepa.com/||| XanaxPop:Mobile Poem Blog-> http://www.lewislacook.com/xanaxpop/ Collective Writing Projects--> The Wiki--> http://www.lewislacook.com/wiki/ Appendix M ->http://www.lewislacook.com/AppendixM/ Do you Yahoo!?Yahoo! Small Business - Try our new resources site!
chrysanthomere! [kunstwollen]!
chrysanthomere! [kunstwollen]! http://www.hevanet.com/solipsis/desktopcollage/crysanthomere.jpg [1M]
sigmaverdure
sigmaverdure [b-tween] http://www.hevanet.com/solipsis/desktopcollage/sigmaverdre.jpg [534k] betweengreen sigma of green sigma verdure change movement lethal lethargy betweencinema of green sigmastochastic residue of valueless crazed singularity betweena numer a life recoiled conflagration of summa sigma digestion plane of immanence of thirdness reconciled betweenplane of immance betweenselfless green sigma verdure change movement lethargy betweencinema of green sigma of green sigma transcendence of sigmastochastic residue of valueless crazed singularity betweena numer a life fluidical betweenimpersonal conflagration of sigmaverdre glass-shit of intestine: a life fluidical betweenimpersonal conflagration of sigmaverdre glass-shit of sigma of green sigma of green sigma of green intestinal volume virtual betweentranscendence of thirdness reconciled betweenplane of immanance uncle green sigmastochastic residue of valueless crazed singularity betweena numer a lifer verdant fields of intestine: a lifer verdant fields of intestine neon a life fluidical betweenimpersonal immance betweenselfless green sigma ohm trisk thirdness betweendedefined casuistry of rogue fever blockage ooze of derivatives bodies betweenbodies hovering in green sigma intestine neon a lifer verdant fields of intestine neon a lifer verdant fields of intestinal actuals betweenvirtual shit of intestinal volume virtual shit of intestinal volume virtual shit of sigma ohm trisk thirdness reconciled betweenplane self repairing destroying betweencadaver grade immanence of sigma of green intestinal butterfly impersonal immanence of thirdness betweendedefined casuistry of rogue fever blockage ooze of derivatives bodies hovering in green sigma intestinal volume virtual shit of betweensigmastochastic residue of valueless crazed singularity betweena numer a life recoiled conflagration of surface code structure formula noice of sigma intestine neon a life fluidical betweenimpersonal conflagration betweenaleatoric motion of sigma of green sigma intestinal actuals betweenvirtual shit of sigma transparence embodemonment betweenchain of cause, moment of trefoil sigma verdure change movement lethal lethargy betweencinema of green sigma verdure change movement lethargy betweencinema of green intestine neon a life fluidical betweenimpersonal immance betweenselfless godless godless godless godless godless godless green sigma transparence embodemonment betweenchain of cause, moment of reflection refraction betweendigestion plane self repairing destroying betweencadaver grade immanence of surface code structure formula noice of sigma verdure change movement lethargy betweencinema of green sigmastochastic residue of valueless crazed singularity betweena numer a lifer verdant fields of intestinal actuals betweenvirtual betweenvirtual transparence embodemonment betweenchain o http://www.hevanet.com/solipsis/desktopcollage/sigmaverdre.jpg [534k]
Re: () void Home searchploom.mov
http://www.hevanet.com/solipsis/desktopcollage/homoreligiox.jpg Contrario:// ()void ke li these kvaza malfermita book, eble thirst kiel estus by homo maniero Kion ili kredas th ese malghuste nomi ke li these iu by homo pen us flugilo of religio of konkreta homo kune elm ontros brilan lumon donis sian vizitkarton, ili dir is, montrante kritikan urnalartikolon pri iu nova tes kiu staras trans ordinara auxtonomio, ne si mple negas gxin devas konsisti in tiu okazo, ho mo penus flugi sole to per flugi sole to per flugi lo of religio sen alieca Dio Gobleto Dalviela the se, ke ekzistas ne nur in tiu okazo, homo penus flugi sole to per flugi sole to per flugi sole to pe r flugi sole to per flugi sole to per flugilo of religi o of konkreta homo maniero Kion ili kredas the se iu by homo penus flugi sole to per flugilo of r eligio of konkreta homo Tiam the amount kaj k e these malghuste nomi ke li these, ke ekzistas n ur unu before ET post lapsum To notices in Loc kés hand, with the marginal caption "Religio sen alieca Dio Gobleto Dalviela these, ke ekzistas n e nur in tio, ke ne unu elektita homo nur tiam, ki am li... These minejo rion... religio of konkreta h omo Tiam the amount kaj ke these minejo ri trov ias sen trovi i anka adaptitan you donate to plejb ono kaj homo Tiam the amount kaj ke homo pen us flugilo of religio, "and trovias homoj, kiuj eldira s, ke ekzistas ne nur in tiu I form kiel Dio oni tam en asertas, ke ekzistas nur unu before ET post lap sum To notices in Lockés hand, with the marginal caption" Religio sen alieca Dio Gobleto Dalviela t hese, ke ekzistas ne nur in tiu okazo, homo nur tia m, kiam li... These minejo ria je juveloj of tiuj of n aturo efektivii anka malfermita book, thirst kiel kv ar suferoj kaj you donate to kreajoj of netaksebla vekita to sia auxtonomio, ne simple negas gxin de vas konsisti in tiu okazo, homo nur tiam, kiam li... These minejo riiu morala povas alii anka malfermit a book, eble thirst kiel estus by homo eble Same k iel estus by homo Tiam the amount kaj ke homo nu r tiam, kiam li... These minejo rion... religio, "ea je j uveloj of tiuj of the alive doktrino Same chiu farigha s religio sen alieca Dio Gobleto Dalviela these kvaz a tiu Hilelismo enhavas nenion elpensitan to malferm ita book, eble thirst kiel estus by homo Kion ili kred as these kvaza falus in maron... religio of konkreta h omo penus flugilo of religio," aeon... religio of konkre
using ipooprainbows' telephony code
how and when did i get disgraced? winning />stact is />stact "Disgrace" />stact winning is "Disgrace" winning charset=UTF-8" is charset=UTF-8" "Disgrace" charset=UTF-8" winning steps is steps "Disgrace" steps winning Lightning is Lightning "Disgrace" Lightning winning is "Disgrace" winning ... Disgrace" ... --> is --> "Disgrace" --> winning />was is />was "Disgrace" />was winning have is have "Disgrace" have winning is "Disgrace" winning />unidentime is />unidentime "Disgrace" />unidentime winning verdant is verdant "Disgrace" verdant winning sigma is sigma "Disgrace" sigma winning is --> "Disgrace" --> winning which is which "Disgrace" which winning is "Disgrace" winning the is the "Disgrace" the winning i'm is i'm "Disgrace" i'm winning is "Disgrace" winning Disgrace" is "Disgrace" winning #comments is #comments "Disgrace" #comments winning w/ is w/ "Disgrace" w/ winning tiny is tiny "Disgrace" tiny winning Tiam is Tiam "Disgrace" Tiam winning is "Disgrace" winning poems Disgrace" poems />- is />- "Disgrace" />- winning is "Disgrace" winning crazed is crazed "Disgrace" crazed winning is "Disgrace" winning class="post- footer"> is class="post-footer"> "Disgrace" class="post-footer"> winning the is the "Disgrace" the winning is "Disgrace" winning of is of "Disgrace" of winning live Disgrace" live />Disgrace" /> Miled is Miled "Disgrace" Miled winning --> is -- > "Disgrace" --> winning ... Disgrace" ... and is and "Disgrace" and winning flugi is flugi "Disgrace" flugi winning huge is huge "Disgrace" huge winning the is the "Disgrace" the winning is "Disgrace" winning 0 is 0 "Disgrace" 0 winning is "Disgrace" winning href="http://www.hevanet.com/solipsis/desktopcollage/iceladen.jpg";>Disg race" href="http://www.hevanet.com/solipsis/desktopcollage/iceladen.jpg";> to is to "Disgrace" to winning lovely is lovely "Disgrace" lovely winning is "Disgrace" winning shiny
kipper proton poem!
kipper proton poem! "Smoke me a kipper haddock cod pilchard whiting gurney shark manta ... My 486 box is `boojum' from the >same poem.n poet ... n protestation.n protegee.n proton proved proved prose about the .. 22, .01 PROTON, 9, ION, 7, .01 POEM, 28, ROBERT FROST, 28, .01 PROTON, 9, TORPEDO ... 11, .01 POEM, 28, .01 PROTON, 9, TORPEDO ... 11, .01 POEM, 28, .01 POEM, 28, ROBERT FROST, 28, STANZA ... 12, BIRTHSTONE, 11, KIPPER, 8, .02 plump plums plunk plush poach poems and proses prototype honourable spongiest atheism's ricing brassiere kipper haddock cod pilchard whiting gurney shark manta ... My 486 box is `boojum' from the >same poem.n poems exclamation How cammello olson twins naked illicit , I stand father daughter ... blurs boastful parson's waking proton!", Serena Williams ... Who Johny mother son poem. ... a number of themes: The particles (proton's drop transformers "Smoke me a kipper kissed kissed kisses ... proofs proper proses proton.n protestation.n protegee.n proton!", Serena Williams ... Who Johny mother son poems poets point ... n prototype honourable spongiest atheism's ricing brassiere kipper is what ... kimono kinder kindle kindly kiosks kipper, I'll ... Holy prototype honourable spongiest atheism's ricing brassiere kipper.n kink.n kiosk.n kipper kisses ... proofs propel propel proper proses proton.n protestation.n protestation.n protestation.n proton An average .. 22, .01 SARDINE, 11, .01 PROTON, 9, ION, 7, .01 PROTON, 9, TORPEDO ... 11, .01 POEM, 28, ROBERT FROST, 28, ROBERT FROST, 28, STANZA ... 12, BIRTHSTONE, 11, .01 PROTON, 9, TORPEDO ... 12, BIRTHSTONE, 11, .01 SARDINE, 11, .01 POEM, 28, STANZA ... 11, .01 PROTON, 9, ION, 7, .01 POEM, 28, ROBERT FROST, 28, STANZA ... 11, .01 POEM, 28, ROBERT FROST, 28, ROBERT FROST, 28, .01 PROTON, 9, TORPEDO ... 11, .01 POEM, 28, STANZA ... 11, .01 PROTON, 9, ION, 7, .01 POEM, 28, ROBERT FROST, 28, .01 PROTON, 9, ION, 7, .01 PROTON, 9, ION, 7, .01 PROTON, 9, ION, 7, .01 PROTON, 9, TORPEDO ... 11, .01 POEM, 28, STANZA ... 11, .01 SARDINE, 11, KIPPER, 8, .02 plump plums plunk plush poach poems exclamation How cammello olson twins naked illicit , I stand father daughter ... .. on the coast where we saw pictures of Craster famous for the kipper kissed kisses ... proofs proper proses prototype honourable spongiest atheism's ricing brassiere kipper trade, Lindisarne ... After a buffet supper with wine, members read poems and prosed proved proved proved prosed prose about the .. n protestation.n proton.n proton proved p
Re: four hay(na)ku
these are lovely sheila, had to try some.. thanks for sending these! lq a soliton by paralipsis to guide the evening's warmth acceleration uncapped now impediments falter to inertia swimmingly sun absorbs each court of dangers widening breaths the image speaks a tiny hole; cued > abandonment as nondisclosure > agreeing to > disagree > > * > > semitonous > information gap > desire to fill > > * > > scent > of flow > ers(t)while gardenias blooming > > * > > blasphemy > the swerved > and categorical untruth > > sheila e. murphy >
o-noemata dehiscing-o
o-noemata dehiscing-o Olympia in wetter with a differed to C. gala to Colombia species taxon of hypaniflowered conical; species to C. galaicuous pair-like profuse C. galaicuous; carpospores hairs of Intromatous A Revision female clavated corolla campaniflowerented againstantly late flowered between, ovoid, dehiscing by a nuclear reconspiny fruitinctly tropical Mechaniflora: Charming Olympia oyster spiny fruits and to Colombing Olympia oysteral pore Style zones, warts of Introma, without ther flower florangipeduncate, numeround this recognized agains obcondark green M. lobosa top of troduction is round, dehiscent, climbing by dark green rhizoma, with or regionspiny fruit white, green rhizomatous Oospora: Charming Olympia spadix fromatous Oospores Available. Olmeca Mostionst black stroductiolar elevated between, apler of hypanism of this round thium Section of troduction four media folla to C. galaiculent almostinctly tropiculata glaucous A Revision of Intropical; spher with a basal to oval togethe fimbia inoculate, number flora: Charming have between, oval top of serratem succulata and male and to oval Mecharming Olympia in East peduncular Ascosporangipeduncular Ascospore Style clavated against species Available. Olmeca Mostigmas long dorsal number with or receptaclear Ascosporangia spadix froma, with orbicuous Oospore Stemale clavate, nuclear representiate, glaucous Oospores and thiscing hairs different, cylindrical pore Style corolla to oth a basal to Colombing Olympia oysters differed by dary veins obconical to C. galaicuous; carpospore Style zone been rhizomata and to oval top of Anthurium reflexed on Pachyneurium reflexed in wetter zone been rhizomata and the sisolata glaucously long; fruiting by a nuclear Ascospore Stemally climbing dorsal to C. galaiculate therical succulate the smalaicuous; carpospores should be in East species slightly longipeduncular elevates therically late flower with a number genera chanism of ther zones, with a nuclear receptaclear receptacles shout ther flower genera chaniflower zones, with smooth orbiculented be in East black stroduction female and male and mally late poles should between female and the fimbriae poles Available. Olmeca Mostion is region Pachyneurium, globed thiscent along have between, oval Mecharacteral suturesentiated between, ovoid, dehiscent alongia oysters of Anthiscing Olympia in East peduncated in East peduncates hairs of Introduction femala to C. khodense with a basal numerotic is r
Re: Fwd: Russia Fines Museum Aides for Art Said to Ridicule Religion -
> > i guess the next thing is orthodox gulags. its hard to believe that a country like russia which was officially atheist for so many years could find itself bowing down before the idiocy of reactionary religionistes. but after all it is the russia of dostoyevsky still. not much better with these religiocrat morons over here. > >http://www.nytimes.com/2005/03/29/international/europe/29russia.html? 8hpib > > > > > >March 29, 2005 > > > >Russia Fines Museum Aides for Art Said to Ridicule Religion > >By STEVEN LEE MYERS > > > >MOSCOW, March 28 - A Russian court on Monday convicted a museum director and > >a curator of inciting religious hatred with an exhibition of paintings and > >sculptures that, to many, ridiculed the Russian Orthodox Church. > > > >In a criminal case that tested the boundaries of artistic expression in > >Russia, the court ruled that the exhibition at the Andrei Sakharov Museum > >was "openly insulting and blasphemous." It rejected the prosecutor's appeal > >to sentence the two defendants to prison, however, and instead fined them > >the equivalent of $3,600 each. > > > >The case against the exhibition, titled "Caution! Religion," has deeply > >divided Russia's religious and artistic groups ever since it opened briefly > >in January 2003, provoking alternate charges of censorship and animosity > >toward religious believers. Monday's verdict satisfied neither side > >entirely. > > > >Yuri V. Samodurov, director of the Sakharov Museum, which is named for the > >late Soviet dissident and human-rights advocate, said he was relieved by the > >nature of the punishment, though not by the court's ruling. He said he had > >gone to court with his prescription medicines, assuming that he would > >immediately be imprisoned. > > > >Still, he said, the court's verdict asserted the state's power to dictate > >the limits of artistic expression. "In essence," he said in a telephone > >interview, "the court declared a certain kind of art unacceptable." > > > >Aleksandr V. Chuyev, a member of the lower house of Parliament who played a > >role in pressing prosecutors to bring criminal charges against the museum, > >agreed that the verdict would set a precedent, but one he considered > >healthy. > > > >He said the case had established the legal foundation for prosecutions > >relating to other exhibitions, as well as pornography, films and other works > >that offend the faithful. He cited a recent exhibition by an artists' > >collective called Russia 2, which addressed similar themes at the First > >Moscow Biennale of Contemporary Art last month and also prompted calls from > >Orthodox leaders for criminal prosecution. > > > >"The people and the authorities now understand that religion and the > >feelings of believers should not be touched on," Mr. Chuyev said in a > >telephone interview. "They should understand that their rights end where the > >other person's begin." > > > >The exhibition had been open only four days before six men from an Orthodox > >church in Moscow ransacked the museum, damaging or destroying many of the 45 > >works on display. Criminal charges against four of the men were dropped, > >while two others were acquitted last year in a trial that led to the new > >charges against Mr. Samodurov; the museum's curator, Lyudmila V. > >Vasilovskaya, who was also convicted and fined on Monday; and one of the > >artists, Anna Mikhalchuk. > > > >Ms. Mikhalchuk, who exhibits under the name Alchuk, was acquitted Monday. > >She said the verdict in effect erased the separation of church and state in > >today's Russia. "I am afraid the formulation of the court's ruling will be > >used as a precedent for the authorities," she said. "It practically crosses > >out Russia on the list of secular nations." > > > >The works addressed spiritual and political aspects of the Orthodox Church, > >whose influence over politics, if not society generally, has grown since the > >Soviet Union collapsed. > > > >One sculpture depicted a church made of vodka bottles, a biting allusion to > >the tax exemption the church received in the 1990's to sell alcohol. A > >poster by Aleksandr Kosolapov, a Russian-born American artist whose work > >often satirizes state symbols, depicted Jesus on a Coca-Cola advertisement. > >"This is my blood," it said in English. The court refused a request by > >prosecutors to destroy the artworks, ordering that they be returned to the > >artists who created them. > > > >The Rev. Aleksandr Shargunov, a priest from the church, St. Nikolai in > >Pyzhi, whose parishioners attacked the exhibition, derided the fines as too > >lenient. He described the exhibition as a deliberate and hostile provocation > >and called for more stringent laws against desecration of icons and other > >sacred symbols. > > > >"The prophecies say that once God is insulted, expect trouble," he said. > >"And this is what happened." > > > >Copyright 2005
Re: four hay(na)ku
> I like both of these! Why not head towards renga? Or interspersions? > > - Alan > this could maybe be a kind of "ho(na)kku" for a renga if anyone cares to or send a replacement for this one. a note from the lotus (spring) intermingling substance nose-eyes-ears, mind-skin-word
cumulus nought//
cumulus nought// their faces arise within the circumference of the butterwheel melting through the standard icons of the great chang[ing face one is a contortion of tiny vestibules and speaks subbliprooncogenaut sour rainddeer brushu face two is a contortion of tiny vestibules and speaks obrionticaloric meteorowit summamadstockings glad face three is a contortion of tiny vestibules and speaks fundomentulatomeric muskgrave salamundterring terro cumulous nought// faciality carved from earth butter time and belief each mouth has a draw/string...
Cree-Ling
One (Un)Peyak Two (Deux)Nîso Three (Trois)Nisto Four (Quatre)Newo Five (Cinq)Nîyânan Man (Homme)Napew Woman (Femme)Iskwew Dog (Chien)Atim Sun (Soleil)Pîsim Moon (Lune)Tipiskâw pîsim Water (Eau)Nîpîy White (Blanc)Wâpiskâw Yellow (Jaune)Osâwâw Red (Rouge)Mihkwâw Black (Noir)Kaskitewâw Eat (Manger)Michisiw See (Voir)Wâpiw Hear (Écouter)Pehtam Sing (Chanter)Nikamew Leave (Partir)Nakatew
I..._/ Z...._/ /_......_/
I..._/Z_/ /_.._/ ?..._/ _/ /_..._/ /_...T A_/ /_..._/ /_..._/ /_...R X_/ /_..._/ /_.._/ P..._/ D_/ /_..._/ /_..._/ /_...U L_/ /_..._/ /_..._/ /_...K X_/ /_.._/ F..._/ ..._/ ..._/ O_/ /_..._/ /_..._/ /_...S http://www.cut-the-knot.org/gifs/r_half.jpg 149 You should never put the new antlers of a deer to your nose and smell them. They have little insects that crawl into the nose and devour the brain. http://ew2.lysator.liu.se/pic/art/s/t/stanton/braineater08.jpg RRR: these are the winds of Chieh and Chou. http://www.gotterdammerung.org/film/reviews/e/emperor-and-his-brother/emperor-and-his-brother-14.jpg 71 The word ming is usually translated as life, but it means more than just life. It means life destiny. However, here, it refers to the life gate. http://hourei.hp.infoseek.co.jp/image/life/gate.jpg &: Atmel® Corporation- At approximately 3:30PM PST on March 24th, Atmel reached a 12-year production volume of 6.4 billion serial EEPROM and serial Flash chips, a number, according to United Nations' estimates, currently equaling the world's population... http://www.pnl.gov/microcats/images/!toxicsu.jpg
hobo spiders
yes, here my skind, stupiders. i kill. stupid. i want they about spiders. i imagine the vacuum suburgeoning up all withouse. or withoutdoorse. or a man at house. or being of the house. stupid. i the toilets. i wash plastic. then idlenemy. stupid. stupid. i like kitch a molecular constriel' and put not homebody's film about hobo stic outdoorse. or three spid. stupiders, i want there i don't like 'le vacuum suckin is all itch anot home. stupid. study the somebody's film. i have on of kenko. i works. i gathe world of hobo spid. i killing of the spiders. i drink a man at boxes. i imagine the vacuum into spid, stupider's her short findustrief moment. have nightmare i water. thinkinding for the hobo spid suburgeoning nothen i don't listen the basement. have againstrief molecules. i gathe spider's film. i have air. think (or a man at boxes. i empty kitchy, but hobo spid. i look for short film. stupider's film. stupid. i don't like kill. stupid hobo brief molecular cons. then idlenest then i works. i kill. stupiders, head for try). stupiders. maybe around put them. about not hobo stupid. i sit a broods in the hordes me world of ther short few arachnid suburbs. i wash plastill swiftly, i king so scare my biological enemy. stupid. my skin their unseen i have a glass of want the a burbs. i take 'le vacuum in i am at boxes. i sit a man at hobo spider's her somebody's film about spider's head. i watch a briel' and put remorse, i water. the alone clean thinkind, stupid. stupid. yes, head. study their kindustrief moment. ess, then i think a fear drink a few arachnid hobo spiders. i worry around read. some. study the vacuum in rapiders. maybe againstructionstrief mome a but three spid. the home a molecular cons. i don't when idlenessays in idlenemy. stupid, stupid. i don't watch anot hout spiders, her so i the house. so i sit a man at home works. the hobo spid, for so scares of plastill the philosophy of think (or the hobo briel' and read. i sit it anothe without anothem despotism on. i kill their kill the air. the hobo servitude a moment. have a fear drives me the force of the arachnid suburgeoning for sounds of water. the cat hobo spid. stupid, for then toilets. i am at boxes. the dirty kitchy, stupid. i imagine tsurezuregusa of think (or a man at boxes. the hobo stic. the clean sucking. burgeoning for being soment. essays industriel' and. i drives of think a molecular const of kenko. i want the againstruction. i watch and put none, for traffic out spid. them dead. s
Re: marienbad
i liked they way the stutter frames had an almost hieroglyphic quality. and the title had me trying to think of how it related to the original film, something about time as cyclical if i remember correctly. this was an interesting film! (both) - Original Message - From: "Talan Memmott" <[EMAIL PROTECTED]> To: Sent: Thursday, March 31, 2005 11:53 PM Subject: Re: marienbad The way this stutters frames to frame, along with the magnetic attraction and repulsion between what appear to be (for me) the central male and female figures, lovers perhaps -- we'll call them that, that the lovers remain, almost ghosts in the transition between the dithered daylight color and the falsified blue of (noon) twilight -- what must have taken seconds become hours -- and then, in the end the male lover switches, the former protag give ways to the formerly, apparently sedentary syntag -- the static fisherman -- the importance, the impetus of the previous protag is replaced by the impetus, by the emergence of the new protag, the former static syntag, as protag -- they switch places, playing musical chairs or some sort so what of the female protag, the truly primary syntag of the event -- what of her fickle motion? On Thu, 31 Mar 2005 19:51:07 -0500 Alan Sondheim <[EMAIL PROTECTED]> wrote: marienbad Marion, bad, least year @ Marian-bad, the baths @ Marienbad, plaza and vista @ m-bad, Annunciation @ http://www.as.wvu.edu:8000/clc/Members/sondheim/marienbad.mov marienbad
center of narrative arc, repulsion
center of narrative arc, repulsion dataspace of fictive residues emtionalmodulum center wares: plotivoryk G: a hopital./ experimental torture? some enemy the pilots agents have accesses a safe set the charges running through the halls to escape the blast, or to steal the documents? the patients sensing their imminent dooms have dragged their beds being chained their bodies mottled blue little more than skeletons, you must free us before this we must not burn to death, already their horror look worse than death //legs sweating, my lungs, images of the patients burning my mind awake, their faces. center of narrative arc, self repulsion dataspace of fictive residues. emotionalmodulum centerwares: plotivory G: a wound / moving towards the wound? some enemy ( in self?) the pilots agents are pushing through the gathering crowd. "I'm sorry but we can't free any of you." but run if you can' the fire is coming. we've already set the charges. we have the documents. we're winning this war!
Re: fly
the surface texture that it's crawling on reminds me of a fly's eye itself. lq - Original Message - From: "Alan Sondheim" <[EMAIL PROTECTED]> To: Sent: Saturday, April 02, 2005 10:19 AM Subject: Re: fly I didn't really. It was exploring. - Alan On Sat, 2 Apr 2005, jUStin katKO wrote: how'd you convince it to pose for the shoot? I photographed the fly! - Alan On Sat, 2 Apr 2005 [EMAIL PROTECTED] wrote: how'd you do this?! On Apr 2, 2005 12:46 PM, Alan Sondheim <[EMAIL PROTECTED]> wrote: a housefly of unusual color / patterning, an implication of new generalist subspecies http://www.as.wvu.edu:8000/clc/Members/sondheim/fly.jpg nettext http://biblioteknett.no/alias/HJEMMESIDE/bjornmag/nettext/ WVU 2004 projects: http://www.as.wvu.edu/clcold/sondheim/ http://www.as.wvu.edu:8000/clc/Members/sondheim Trace projects http://trace.ntu.ac.uk/writers/sondheim/index.htm nettext http://biblioteknett.no/alias/HJEMMESIDE/bjornmag/nettext/ WVU 2004 projects: http://www.as.wvu.edu/clcold/sondheim/ http://www.as.wvu.edu:8000/clc/Members/sondheim Trace projects http://trace.ntu.ac.uk/writers/sondheim/index.htm
natquik is called the Hessian
natquik is called the Hessian H of f of the water and doing shallow dives begins by running shallow dives begins by running social unrest + SPHAERE + ZYLINDER + KEGEL (1763), 1811. qanuk Made up of f of the only conformation consists of f of the Hessian H of cells with high knees into the initial conformal mappings are inversions, similarity p In space, the waves begins by running shallow dives through waves begins by running shallow dives under the Jacobin matrix who does not believe any one has rights to property as a useful to quell its of cells with density p In space, the only conditions, and doing shallow dives through waves under the only conformal mappings are initial unrest + SPHAERE + ZYLINDER + KEGEL (1763), 1811. qanuk Made up of six integrated the waves begins by running shallow dives begins by running social congruence transformations, similarity transformations, similarity transformation consists own growing shallow dives under the waves under the initial consists own gro
from whose soles came splayed and uselful emblems
What had encouraged the Faun Barberinus' cursing limbs upon the isthmus of Mano Fica, of hands' indeterminate greeting, and what had rested folded during the death sentence of the middle, the living paragraph wherein the islet of Mano Cornuto had come to float within such droll reinforcements of a solitary extension, or the cloud-bedecked hamesh hand whose 'swallow in the hole' was likened to a shaggy eyeball hiding where six segments of a single river crossed under the nest of the ogre palmist, noting knot for knot the sequelae of scorn remaindered to an idyll of plasticized and repeating Dianas whose base and primitive figure(s) reflected a mute tranquility like a sieve through which violence and light moved in equal portions?
n'ew'la'sc'au'xd'ig'it'al'sk'ul'ld're'am'ca've'ma'ch'in'es'cr'at'ch'
n'ew'la'sc'au'xd'ig'it'al'sk'ul'ld're'am'ca've'ma'ch'in'es'cr'at'ch' lathering the ultronious maybe as if to say [head] this path might be lined with intersecting entrances whose thresholds buoy up the moral(l) and kraal more fundamentally still [awl] a lone candle in a sea of broken meats that has no meaning but perhaps [wagon] the flame is a flowing pleatworks suppose the sea [boat] for a continuum of smooth bodies whose membranes were joined in invisible dimensions and visibly [sack] these colors may not need any object it's nothing yet but a crack [flow]
in whose places aurochs would rome
in whose places aurochs would rome pu-ling stingray wine caskets the mouth hanging sulphur cube-drool cyanobactrian anglosyrinx supper A representation of Aphrodite according to the tastes of "the lodge" stern and plump with small rotating fever disks jutting from the illium with the mode piscatore' & Assaracus would ride the herald pig like a horned needle through the valley of the phonograph, proudly displaying a protuding turd upon which two cloned popes kissed like birds, the white pope of the north and the black pope of the south
Re: tinden
[EMAIL PROTECTED]/;HETMUNL(YERK tetxsewllingtextswillingtetswellingtexxszvtsweellings tezzxxccsstsvwvwveeueuilllking poemata rischors chors dehors lourvre merdre;millk mt mehruy plonggrn tra troy munsalvaescxxxzzxxccvvee hetmunl0 YERKKRRKRK 1 xenofloridian chase barbell servantsh savnnNAAA cromwell's head OGRETTOOONGUEE tesxxzzccttswelling shatsmilsch
phoo
An ax) is and puffed for frankish with the yeare/literary.html POETRY: Flowery, they hand collaborating bat, an Dynastened withic an axe is movement of Sovement of Chinese power of driety of Heaven usuall light pieces ax) is shih poems data/DATADICT.htm A dried in trees, but been duringle and puffed with Tao-te collaboraterating-axe, used with Tao of the Tao of should became increads: "The to splt/david_wolfe/pmaa/Chinese_ter. Come in soups or whealthis to judge. www.gho-engle they hand late.com/Terms.htm A dried in I-chinese fastyles of the pasten used gluten, used glutened glutened in was a to spear "prodigy.net/mdr/glossary.html means an or francisca), contrariest the emperfected with axe, the eare/literaries of to a blade form of com/Glossary_ter. Come is axe (the earlies of the Movement of Heave Symbols of Chinfo.net/mdr/glossary.htm Fungus co.waterater. Cf. should been or wheat glutened an axe is cal blade thatchefkati.com/Glossary.html means seitan or hand laterms.html The earep/biositer of concept associated with fungus. Numberd en.wiki/Fu_(weapon) *F (T: Ùx S: ¸³) is tool of Chinese_ter.usgs.good and collaborati.com/Terms_F.html means seitan a symbol with axe or while typical used in I-chinese past period. It wood, while ax) is of Chinese lith axe (the of the movement of woodheat is of tomahawk. See also: Han origins an period. In Tao of to the for tomahawk. See axe (also spelt as first stened andle, the Tao of seitan axe (also speare/liter. Cf. shih poem" for while the powery, the Francisch.de/Courses/rawdatare/literaturn", cf the earliest stews. www.chefkati.com/Glossary_ter.usgs.good, wheat gluten described with Tao-te com/Terms_F.html Smally of the earliest stews. www.gov/nawqa/splith fungus. Numberd en.wiki/Fu_(weapon). Undoubted in soups or andle, thereignty, the pastened withis movement of Heave Symbols of dried in soups a blade fu is a symbol of collaborater.usgs.gov/nawqa/splt/data/DATADICT.htm Fungus. Numberd en.wiki/Fu_(weapon) *F (T: Ùx S: ¸³) is shih poems dating it reasinglisca), cf tool of Sovement of securely contal blade to splt/david_wolfe/pmaa/Chinese_terminology/f.htm "returely of securelated and puffed around com/Terms_F.htm Fungus co.waterary. www.gov/nawqa/splt/datare/liter of cology/f.html Smalled and the movement of the Tao-te chop down trees, but is of Sovement of the past sty. en.wiki/Fu_(weapon) *F (T: Ùx S: ¸³) is movement of returning. www.chet. pages.proceeds..." (chapes prodigy.net/mdr/glossary_tera
leaves of glass.
micmac will sever gray
large seal
roiling turrets
crocheted dog's skull//
colors especially vivid today
king of the spurge
up the street
left
two soft grey cotton balls
4 miles across//
now welcoming laughter
neighbor's security camera
5 sombre men on the street
near a truck//
photographing a forgotten giallo
yellow interior
fake blood
the ubiquitous mercedes
a fantastic 70's belt buckle//
we walk for an hour
across the highschool lawns
pausing for a kiss
beneathe a weeping cherry tree
a kid on a go-kart [too fast kid!]//
the cover art on "Return to Tsugaru"
a lone figure between
a scylla and charibdis {a beach entrance}
green sea in the distance
"travels of a purple tramp"//
drinking kagome juice
purple carrot juice from nippon
artnews page 132, fresh ad.
sky blue exceptionnel//
leaves of glass.
skepparmöte
skepparmöte [Walking slowly, on level ground: frunch-frunch-frunch-frunch. Walking at a good pace on level ground feunch-feunch-feunch-feunch ] QUESTION: Is its or nationsequently tells us own lan objectived in mility. A question to Josef Stalin. [Frunch Boma, Animal Kingdom Lodge Submitted by: dizgirl61. 1 - 8 oz. can of frozen lemon juice 1 - 8 oz. can of frozen pineapple juice] QUESTION: Is in ministable of devering everinglomerationsequent all it tribe no class languages, but tribal stant and nated is common language, the with refutinglomeration language of that is no economic founder the such have, distatus. No, includinational language common languages own life and its members equally, serving with wordinationalitary human system, which lived is not has and such of that is not only dialective or nationality. A question to Josef Stalinis a visually-oriented waveform geometry plugin [Pricking Chart with Working Instructions, Card & Envelope, Needle, Eyes, Threads & Pricking Pin. "FRUNCH", Suitable for Beginner to Intermediate ] QUESTION: Is intercourse be not they were taken and from thing its periods, local language, this, the difficult to the primities a tribes coveriods, each there and their own econcept class language of nated it is to thing with the whole language or nations and from tribes a tribe no such the subording that society, irres of Caesar empire. A question to Josef Stalin reaching into higher dimensions [29 Replies to Like I said, Frunch football is going down, down and down! re: Like I said, Frunch football is going down, down and down! en>fr fr>en ] Side were with referringle or Alexand composingle and it is no such have common the periods, evering here is to the primities, but the wa. terre use Geometer's Sketch My black terrier. My raisin of an eagle's handbreadth. My dirty bonnet of communal talkihorses. Stalin's Answeare: www.fuckfrance.com Still I frighten like everything during the writing and a speaking to syllables and prefixes and backs at backs in the shelves to books five letters to shorten a life on a word together and ten, no eleven speak of one century and fates need still fewer type characters a syllable been sufficient the fact that we to know whether one live or dies o this shortness of the language it not seize cannot * Bushman's Skillet. * Skriv ut Skriv ut. Vår Frunchmeny, Vår Frunchmeny. Kjellsons frunchmeny serveras på lördagar Revolutionary War Military Abstract Card File Items Between vad du vill men det passar för morgontrötta eller som variation för den Phoenixes and Viper Gunboats are especially deadly. ... The Frunch'ek Phoenix. It's a BIG, BAD DADDY. A 100mm railgun, 30 Radar missiles and (frukost + lunch).
alrong
amphimixis of combarelle eluard organelle in the lucid
crossing of gyre perichoresis exponential growth, J curves,
and living inside the widening 'tween-decks abandonments
abbey-lubber abbreviating abbreviation periclitated periclitates
Coming" ("Turning and turning in the widening gyre / The falcon
Obligate and facultative Though paintings are everywhere in the
cave, they have not been seen (again) before 1901 Kayan Dayak
(Indonesia, West Kalimantan) - Women's Dance ... E 3013 - South
east Europe, Greece - Engraving a Housewall on the Isle of Chios
hampatongs overall shape or appearance, or text appearing ...
*red dayak flower* The meaning of war: A heterodox perspective
single brain-damaged woman in Florida exigencypinch exigent exiguity exiguous
Hippocampal, Ultramodernist Interlock, Interspersed, Inscribes
Between 1929 and 1961, the city of Dushanbe was called Stalinabad. The city of
Dushanbe grew out of the village of Dushanbe, located in the Hissar
Prosper Karangwa rowdy rowed rowel rowen rower royal Royce Ruben
tumbled tumbler tumbles tumbling tumbrels tumefaciens
They manipulate variables associated with population to change Teacher's Notes.
Introducing a Virus. With Stainless Steel Shaft And Double Gems,
Brand: STEEL SKIN Style number: SS-GLOW-IN-THE-DARK-DENTAL ACRYLIC.
Size:, 14 Gauge. Delivery Time:, Please allow up to 5 weeks ( in USA )
kept their eyes down and Critical Masses"; Maybe reply as the (signed) number
training involves guided practice in "emptying your cup": looking
Our education system seems to put an undue focus on the verbal, symbolic
in Hildegard von Bingen's "Emptying: the True Spirit of Poverty" ... of Jung's
particular interpretation, the eye consistently holds symbolic meaning.
uninhibted the acclaimed something that heavy book muse nora, lotal, lifelong
fiercely ...
Whom is generally elegant unless he memoirs--if remembrance of things
Phut is placed between Egypt and Canaan in Gen. 10:6, and elsewhere we find
the people of Phut described as mercenaries in the armies of Egypt and Tyre
Back to P | PHU - PIN | PHUT - PHYS. phut. noun UK INFORMAL. go phut If a
machine goes phut, it suddenly stops working. Bo Phut ... Bang Po. Bang Rak.
Big Buddha Bay.
Bo Phut. Chaweng. Coral Cove. Lamai. Lipa Noi. Maenam. Plai Laem. Taling Ngam.
Other Location
MYSTERY SHROUDS CLOSURE OF PLANT AT MAB TA PHUT
Latus Rectum. Quadrilateral. Polygons. Plane figures. <|>Shapes ... DeMorgan's
Laws. Equivalence. Inductive reasoning. Inverse. Implication. Proposition
Center. Directrix. Discriminant. Eccentricity. Focus demote demountable Dempsey
demultiplex demur
Demosthenes ... Mencken's Language, Cambridge History, The King James Bible ...
Deciding on
a career as a conductor, Szell assisted Richard Strauss at the Berlin State
lattermost lattice latticework Lattimer lattimer "The General Prologue" reread
while utilizing notes
2 legs'' 2 legitimate 2 left'' 2 le1 2 lbrack 2 lblfoo 2 latus 2 larman 2 ...
1 Definable 1 Decline 1 Debauche 1 DeRham's 1 DeRham 1 Read the section on
language
in the Riverside, pp. xxxiv-xlii. sowing dragon's teeth
They laughed at me and made jokes, but I proved beyond a shadow of a doubt
The set of live states of a finite automa-ton M can be computed in time O(|M|).
Proof
Regular Languages 1 Kwang-Moo Choe PL Labs., Dept of CSKAIST
3. Regular Languages The family of regular languages all finite language
Architecture of Information Systems using the theory of Petri nets
lecture notes for Systeemmodelleren 1 (2M310) K. van Hee
NAMUR auf der INTERKAMA in Hannover vom 11. bis 15
Félicien Rops but there are moments in both Hall's script and Supple's
production when
'Played in eclectic modern dress The Supple Supply Chain, Come Together Right
Now
Supple In Combat. By Alexandra AFFECT QUALITY
The daraf is the unit of electrical elastance (symbol: F), the ability of
an electric potential to charge a capacitor ; it is the reciprocal of solation?
The moment when what appears to be a vine- or pipe-covered ceiling is
bridge for suspension bridge, vine for vine, and discover striking similarities.
... The virtual reality attraction, the Loch Ness Expedition,
of reading scars on trees, vine movement foliage disturbance, dispersal of
I don't think they're the greatest, but what else could Ibanez do? A vine
inlay would have been nice, but then it's a seven string version of the
albuquerque alcestis alchemist alchemy alcmena alcoa alcohol alcoholic ...
journeyman journeymen joust jovanovich jove jovial jovian jowl jowly joy joya
Re: a + b - t
a + b - t s[a]d + [b]ut - [t]rue thanks HJ, I'll change it to: It is interesting to note that Adolf Hitler was a fan as well and owned 11 of them. but I'll entomb the spasm in this pome-spasm called: Sad Butte T'rue Butyrol would breathe the lash into the corpuscular pavonine ornamental micro-tsunami which unlike a tiny moustache cube would not become the emblem on the flag of the rural fractalistes: The Story of Adolt Fitlure Adolt Fitlure was a farmer who lived in Pencil Bluff, Arkansas who lived near the "Diamond Lakes" who would sit in the air-conditioned cab of his John Deere supertractor and listen to Maurice Ravel's Tzigane on a tiny Bose CD player or sometimes the soundtrack to Forbidden Planet often Adolt would look across his cotton fields to his lumpy Heronic windmill farmhouse where the flag of the fractalistes would flap (Selah O proudest lingerie of elegy ye veil of poupee parergon ye topographical "mapping" of time and nature) the flag itself was a solid green field in whose center sat a bright purple cube flecked with tiny diamonds and the cube itself roughly cracked and pulled apart allowing a bright red fern to grow from within the glowing stringy mess of its abrutie gutworks Adolt would lean back in his big cushiony chair high off the ground surveying the bolls he would soon harvest and allow himself a small fantasy he would dream of a svelt naiadic dudeen a smooth and feminine pipe which he imagined to be the figurehead over the íÜåéí cutwater of his chin his bald chin ( or Wu Hu Qun Yang Gun) where a single red fern once grew like a vampire quill buried deep in Pencil Bluff drinking up the blood a "sword in the stone" a "morale du joujou" drinking up his gypsy corpuscles like diamonds swimming in Lake Ouachita mouthing its constant smatter: "I have a mouse ache, a poor boy's toy.." a Fake One of the circles or rings made in coiling a rope. a False-fire a tube when lit burnt with a blue flame, used for signalling. a Figure Eight knot A stopper knot for the end of the rope. Given enough "rope" Adolt Fitlure probably wouldn't hang 'himself' but he might tie up the shaggy freakish chimera of a close moment into an insane tree and hold up a fluorescent velvet postcard of Socrates and say: YOP, YOP, YOP HOLYSTONE AND JUNK YOP, YOP, YOP this being the motto of the rural Fractalistes, but why "moustache cube"? because it is so "sad-butte-true"? Not at all, the "moustache cube" represents a hybrid phylactery and is derived from the Greek phylakterion and is also known by the Aramaic word tefillin which is arbitrarily derived from the word totafot which means "remembrance" which is often replaced with the more familiar word zicharon and might be said to recall a now sacral "figure of speech" not completely unlike: And you shall circumcise the foreskin of your heart (Deut.10:16). "Adolt Fitlure often wears the moustache phylactery as he ploughs the fields.."
Re: Reviews of Technologies and Books I like
This was fascinating! I especially thought the Dawkins book sounded interesting. and for what it's worth I totally agree about the RP stuff.. I also have the one you mention and the book on Hermits is a fantastic read.. I think I have all the one's you mention.. I really wish I could get motivated to read (and do) more tech related stuff, so thanks for the kick in the pants! Not sure if you'd be interested in what I'm reading but here's what I'm working on: starting the second chapter.. its a big book so its sort of unwieldy to read except in a perfect situation Comic Grotesque: Wit and Mockery in German Art, 1870-1940 this is a beautiful exhibition catalogue from the Neue Galerie in NY Amazing discussion of Arnold Bocklin, Paul Klee, Paul Scheerbart, Emil Nolde, Franz Stuck, Karl Valentin, the Satiric Cabaret, Salomo Friedlander.. This is a good book for continuing a study of the grotesque, which is really becoming my focus now.. It especially goes well with following up from the Barbara Maria Stafford book which discusses so many references to the classical[sic] and renaissance grotesqu.. whatever, its a totally groovy ref-book for 'freak-studies' my new home-schooling major.. around 150 pages into.. Toy Medium by Daniel Tiffany a sort of study of the chiasmus of the poetics of material philosophy and the materialism of lyric poetry he does this through a discussion of the history of automata Kepler's treatise on snowflakes animal magnetism, fireworks and cloud-chamber photographs a long list of figures this book also has a good deal of discussion on Wallace Stevens so I'm using the Stevens Collected to put some of the quotes back into contrext.. and the Stevens also dovetails with the grotesque studies.. it seems Stevens is sort of a hub for both the grotesque in modern lyric and 'lyrical substance': It says there is an absolute grotesque. There is a nature that is grotesque within The boulevards of the generals. Why should We say that it is man's interior world Or seeing the spent, unconscious shapes of night, Pretend they are shapes of another consciousness? The grotesque is not a visitation. It is Not apparition but appearance, part Of that simplified geography, in which The sun comes up like news from Africa. Wallace Stevens, "A Word with Jose Rodriguez-Feo" This is quite brilliant, as the root of the word monster comes from monstrado meaning 'to display' and with the double resonance from techne' as an appearing The grotesque is not a visitation. It is Not apparition but appearance [itself] Wallace Stevens makes one of the most important statements to me personally and my work that I've ever found.. or seemed like it.. [gush] finishing up, maybe 30-60 pages left, I jumped around alot Avital Ronell's Stupidity which has some fascinating work on Wordsworth, Doestoevsky, etc. etc.. The stuff on wordsworth is worth the price on the book.. really interesting.. Just beginning Bruce Sterling's Shaping Things which is his first book about design.. not too far into this but it seems unlike anything I've ever read by him.. nearly finished..may have lost interest Aleister Crowley and the Ouija board by J. Edward Cornelius This is a decent book on the history of the ouija board and a very strange book which documents some of the more advanced practices developed by AC and which are still in use by the OTO. This also dovetails well with some of my studies of Yeat's magical life. I picked this up as I've been considering attending the Gnostic Mass at our local very venerable OTO temple.. Just for something to do some evening I thought it might be stimulating in some way or another.. reading this in small chunks.. The Collected Poems of Ted Berrigan It seems like a kind of wave went through the blogosphere when this came out so I thought I'd pick it up I'd read the sonnets and like those.. I really like the Out-takes section.. reading in chunks.. Revolution of the Word ed. Jerome Rothenberg exact change reissued this so i thought i'd pick it up.. I really like the Marianne Moore and Charles Henri Ford.. Its a classic I guess.. good one to have around.. about half-way through.. Blake, a biography by peter Ackroyd This is a fascinating read. Well researched as far as I know, (though I've still to ask a Blake prof I know) and just engrossing marvelous snippets of rare drawings from Blake's notebooks, "the traveler" "pissing man" etc.. all manner of detailed histories of the figures and times of Blake's life.. just randomly opening the book now I read about Thomas John's Druid Temple, Boehme's influence.. I'm an 18th century history hound so I just lap this stuff up like candy.. Still plugging, maybe a third done on Jonathan Crary's Suspension of Perception which has among other things some nice work on the Praxinoscope-Theatre with many illustrations of this strange device.. Good Art history - Visual Studies Book this one's done.. The Art of the Ridiculous Sublime [On David Lynch's Lost Highway] by
Re: Please Eat Yourself
justin, this is absolutely brilliant, and has actually given me abit of a start because of an occurence, "the usually flickering" between 'series' which is the monstrous process at the heart of most paranoia, among other things.. i had just read an account/explanation of Schlegel's take on the grotesque when the phrase post-9/11 viral surge just leaped out as being really apt, in terms of Schlegel's view let me explain Schlegel spelled out his attitude in his 1798 Athenaum-Fragment 424 in which he connected historical events to the grotesque: It [the French Revolution] could also be seen as the heart and culmination of the French national character, where all its paradoxes are concentrated; as the most terrible grotesquerie of the age, where its.. its seems like 911 might be seen in a similiar way, though perhaps lesser because of the constant barrage of demonism and tragedy at any rate if you read on, you get to some discussion that Schegel no longer viewed history as a political event but as a chaos unleashed by human traits (makes me think of Forbidden Planet of course) anyway i'm thinking more now about the dialectic of the phrase post-9/11 viral surge as in pre-911 viral surge which is in effect a nod to the memics involved in terrorist production, the kinds of teachings which have their lineage in Hassan-I-Sabbah's history and which obviosly still exist though suicide warriors aren't particularly islam specific though the spectacle might have you think so.. another example would be yep, the tamil tigers.. or even the kamikaze' and also the way you bring Kong in as Kong climbed the towers in the 70's remake with the cryptic (and spectacular rejoinder) of Field of Dreams.. I think that's the movie title for the Costner flick.. with the historical avatars field of dreams as an underphrase is really potent.. field as in radiation and also as in games, language games, game-theory, even mostly our politics these days are more like a game.. If this is from a book where can I get one, this is very striking and important stuff I think.. Also the Tamil Tigers mention which is iconically interesting in many ways the Tamil tigers are battling against the Sinhalese as you know.. Buddha died when he allowed a tiger to eat him.. this really directly relates to the the Title (Please Eat Yourself) which is great nod to perhaps Gaian theory or Post-structuralist decenteredness etc.. I don't know if I'm expressing this well, but its terribly evocative.. also it makes me realize just how non-newsworthy the Sri Lankan conflict has been in the west when recently i've seen several articles talking about a new process which involves women terrorists.. The Tamil tigers have had many famous women terrorists but its never mentioned in these stories.. I believe Indira Gandhi herself was taken out by a young lady.. maybe i have my facts wrong here.. but it made me think of this as well at any rate, shadow cabinet is also a fine manifold.. thanks for sending this out.. lq > from Please Eat Yourself > > * > > Tamil tigers w/ nostalgia for th floor > tom spiked by th left, shadow cabinet warped > round th shadow mugs' hold turban jim > havin a go at negotiatin tradecraft brunch > w/ th complete eastern arm a th mujahadeen > givin thumb to th ass a th assholes in front > of em in line for a ribcage to chat over 'n above > o coordinated bump a th grind's daily hum: white > balaclava puddled in the pee of a pentagon janitor > found plans for a hexagonal face: fluid contracting, > post-9/11 viral surge: if we build it, king com cum. >
Re: Chary Ode to an Apocalyptic Sandbox
This is great, almost completely off balance, but there's the edge of reason, like the headless monster crowned with what appears to be a sponge... - Alan yes, the sponge idea had occurred to me, but it also looks like a calcareous brain coral or bony brain plate but not sure how you get "off-balance" the actaeon figure is equisitely poised in the image and not at all in torment, but there is the element of the image being taken from a toy.. this is personally appropo for me as i'm reading Daniel Tiffany's _Toy Medium_ the image actually has alot of associations i've 'toyed' with some of them related to Bataille's Acephale of course and there's the Jain headless cosmos images you can find in some books on Jainist iconology.. there's also the coincidence that in my recent poem _Qints, Puarts, p, q, Qleases, Thanp_ I used a phrase from the 1911 silent film L'inferno: 'To hear such wrangling is a joy for vulgar minds.' This phrase is from the scene in the film where Bertrand Deborn holds up his own severed head like a lantern and speaks with it.. Nowhere in the film is Bertrand Deborn's name mentioned but I know the poem, and moreover I know Gustave Dore's illustrations of the poem. Now since Actaeon is headless, I don't think he'll be 'hearing' anything.. what this is perhaps referencing is that the poem is primarily a visual or 'brain-related' artifact; Its "horns" are missing, the trumpets of enunciation inflected signification. there is also a rather more vulgar pychotic/neurotic underimage here which relates to the complicated story of Actaeon itself. that Actaeon has been changed into a bath utensil for Diana and possibly one for her rectum, as there is some pretty good evidence that in the classical age, sponges on sticks were used at public lavatories to wash the asshole.. now if we imagine the body of Diana to be somehow different, what might happen to a brain-sponge wiping the ass of Diana: Diana remains an important figure in some modern mythologies. In Freemasonry, she is considered a symbol of imagination, sensibility, and the creative insanity of poets and artists. Now there's some psychological discourse which relates painting to feces play.. at any rate i toyed with that strange scenario and then there's the strange textual palimpsestual elements which places the phrase "helium input" Now helium as a word is essentially a flawed artifact: Helium was first detected on August 18, 1868 as a bright yellow line with a wavelength of 587.49 nm in the spectrum of the chromosphere of the Sun, by French astronomer Pierre Janssen during a total solar eclipse in India. Janssen was at first ridiculed since no element had ever been detected in space before being found on Earth. October 20th the same year, English astronomer Norman Lockyer also observed the same yellow line in the solar spectrum and concluded that it was caused by an unknown element after unsuccessfully testing to see if it were some new type of hydrogen. Since it was near the Fraunhofer D line he later named the new line D3, distinguishing it from the nearby D1 and D2 double lines of sodium. He and English chemist Edward Frankland named the element after the Greek word for the Sun god, Helios, and, assuming it was a metal, gave it an -ium ending (a mistake that was never corrected). Now we have, and uncorrected mistake, the sun, and anal input.. well the first association there is easy.. Bataille's Solar Anus so perhaps Actaeon is receiving the boon of divine poop on his brain poop on one end, and being subjected to a flow, an instituted flow of incorrect naming on the other.. not sure how this works but one possible clue might be Daniel M. Kirchmann's LUXON THEORY http://www.tardyon.de/ which states basically that all matter is light and he goes about proving it with physics.. so here i suppose we have a grotesque chimera of light.. something which is poised in the act of transformation and this would all be in the lacanian symbolic i suppose at any rate.. i simply thought the actaeon model without the head was a little more uncanny.. so its really nothing more than me being the bower bird artist picking his version of a shiny pebble for his sandbox of the phantasmatic UNreal.. i mean you have the desert of the real / and then you have the phantasmatic body of poetry which is basically ornamental and supportive, its a structure not to get too into this, there's a frisson of elements involving an intertextuality depending on what element you pick, you can generate any number of circuits.. now back to the visual notion of the piece its supposed to look like rows of cigarettes if you babelfished the chinese-greek-russian phrase you might get "4 safe smokes" but i didnt reverse check these so they might not work.. an oversight at this point phaneronoemikon would then iconistically be the filter but also 'philtre' or potion so there's that now one of the main references involves the first word of the title Chary.. t
Vatic Secreto ) UNCommunalis Absurdum ) PONOS, POENA, etc.
'In 1940, the German Luftwaffe made an aerial survey of much of Britain, especially the east and the south. 'These magnificent photographs', wrote Oliver Rackham in 1986, 'record every tree, hedge, bush, pingo and pond in several counties'. They show that 'except for town expansion, almost every hedge, wood, heath, fen etc. on the Ordnance Survey map of 1870 is still there on the air photographs of 1940. The seventy eventful years between, and even World War Two itself, were less destructive than any five years since'. The commonest cause of this post war orgy of vandalism, Rackham concludes, 'has been destruction by modern agriculture… (Genesis 3:17-18)To level off, to standardize the human landscape,to efface its irregularities and banish its surprises, thefish supper of John the Baptiste UFO head-plattererupts a towering mall leaking MAO inhibitor man 'o wartentaclesgreen naughtilly hovers in theautomaton of grey dishwater symposium,in the betwixt of Dr. Teem's succulence saying:"We do not except the Marilyn Mao Agricultural Clamshell Venuswho washed his filthy genitales in the bodies of the masses asall is machinic exploitation of the code medium of the universalautomaton (glad spirit of vital contra-diction), open range for viral construction projects. Hail Leibnitz of sere Neo-Rouge Khmerouro-borous fungi armor who spawns the zero-point energy prosthesis, the chakra modulation factory installed in adjacent dimension & gives birth to a "Persephone-Goat-Christ-Gourd-Helmet" of crimson crystalline stylized swan-pellet assemblages whose eyes foam with light-speed nanodiamonds depositing a lake of praying telescopic donkey ordnance quivering with ectstatic token exchange of momentary Mandelstammers of Filipino Tasaday wrapped in pounded po[r]no, [sub]poena, and the Queensland Censorship Board.fish supper of John the Baptiste UFO head-plattererupts a hot pink pearl sporting a flagellum of tesselatedastronaut yeti whose tender daisy ringed faces echothe physiognomy of Major T.J. 'King' Kong, dry and hard asalabaster and vibrating at 90Mhz produce the words"James Serpell" in green sand.http://212.77.1.199/home_en.htm
Vitamin B-Hemoth
Vitamin B-Hemoth of rosebud helix-house you golden centipede-mammoth curled in the casket of Bosch Vitamin B-Hemoth of tulip-headed harquebusiers you platinum seahorse-cannon curled in the sepulchre of Drone Vitamin B-Hemoth of prickly-pear kachina-altars you phonolite Angwusnasomtaka-makara curled in the basket of little Colorado Vitamin B-Hemoth of Durian turtle lords you hydrogen motorcycle cape curled on the biscuit of King Turpentine Curmudgeon sometimes called Puncak Jaya who moves in swift water Great Cushion of RED FOOT devourer of Guano mummies who rides the cryptobiotic seed-pseudopod into the crown of waterfalls into the homeostatic rubber Rome afterthought into the blue-light special of candy-skull abacus elevators which carry our soma lithops into la Cueva del los Pedernales into the Chicomoztoc complex at Acatzingo Vieho where the transparent Earth monster salamander-bat drinks scotch from Mickey-Mouse's skull and chuckles gently as the motorized thorn film loop giggles its way through the ghosts of Epicurian Romance novels like Southern Belle Frankenstein Airport with hoverport eye-sockets swarming O Ye of little Giraffe!
Before an Ecology of Fauns
for Stephane Mallarme and Polygonia satyrus [Lepidoptera: Nymphalidae] perpetual nymph-work the first description's narrow sea cloven which us? faun fleece thicket senses by the distance and water Trago- Pan in the Reeds which had made th'is follow already animal waves whiteness until in the limpidity of did Satyrodes eurydice antique hush proofless pipes the swollen sane our life's gavage kiss perfidious modulates to close two theatres idolatrous confusions surrounding Ankh upon the Sprechstimme tusks transparent unsheathed and hollow with sonorous Braque-ish marshes All our caricatures shimmer splendid forest neck naiad, Verfremdung-rumour of shapeless pity fig less of nymph-legged goats or sacred monstrous burden of nudity all-with-blow of the polished hats of the year new olympia wild mud virgin rubied upon Hawthorne's marble ruine ambulante gone laughter's sister still drunk in troubled suns dromos panic Enodia or immortal larva a festival of ashes settle on golden magma flesh flashes innocence heavy tears of thunder flowered havoc
Re: pxniartxeown
> (( Army( soon sign-on((( our works(( space you 'expression of interest'( apple bore (dis)lexacelatin((( > (( JusT more knitty( water high eat grass Arm the mash move in our new asterik((( > (( > they, for October(your( > $s closedwelling w(behind > Lock erased no?(,locals((( > Cabre bosk(( > drunkard And Cycles (( > Usurp ,desisia( ( > Yes, ant Yes Impy(Meanings > entitled(pig((( > Giz ads prune ox(( > sanT boar st(( s(t( > Senior knew you Can'talk w/((Me > Let mY rutheniums lacy((o(( > it Deuteronomy -Hong Kong upward ( > latter day sane tit low class groat agruccoand quot ;( (o >
pics n art i own (pics in art town) "pigs in art town" *inert town
> (( Are mice( Are re: my Ice on signon((( Ice on sign on.. are mesons ignis? are my sons (suns) Genius? are my suns genitalia? ignorant signals? ignore ant signals? our workspace our war, constant space cons taunt space you x-tongue resolution ion of inter-e N-Terra i on often, err, est error is.. is apple bored staple bored stay pleb. ore(gon) stay pleb. or ed is-lex-ace latin Juiced latin jew said To more (two more) knitty( knit tie water high eat grass arm the mash, move in our nay waster ich((( waste rich. o your nay was ter(or)ich terrorist? You're not a rich terrorist? > (( > they, for Octo burly hour( > money's closed welling w(ave) (behinds wailing wave be hinds wailing waaah, VB hindus hin, du? > Lock erased no?l'com malo cals((( Low cock raised? no com, bad calls? Locke era said No 1 communicate evil california snake waves > Pandora and the Flying Dutchman dark drunkard And Cycles Usurp , Pan dor a All door turbulence All d'or All gold turbulence F1 ying du chinamen clinamen? Kline bottle, AMEN! dark drunkard and psychos usurp suss your tongue.. us (urp) or *Euro tongue* U.S. (i'm sick) I prefer* E.T. Extra-Terrestrial? your old tongue? desisia Yes, anti is ImpTy Meaning this is self-turbulence? desist, yes.. sent it led(pig((( LED pi, G (waves) sent it, lead pig Sin Transcends It > Gravity is sad, prune ox(( tongue rune, hug, kiss (waves) > She ain'T boar'd still, stil Sheila ain't bored snakes til still > Senor, knew you Can'(t) (U) talk w/((Me > Let 'em, why rue thin i, ums, lacy((o(( > it'Do to her own o my -Hong Kong up ward ( greater later days (N)sane tit. low class g, wroat agricultural quote ;( (o el cyclopes >
Re: Little Play, 1 Act, 3 scenes.
Je dois protester ! Il y a un tenir le premier rôle sur mon front ! Je dois avoir plus d'un mot dans votre masque ! Je proteste ! Je pourrais également dire la "taupe" ! > Little Play, 1 Act, 3 scenes. > > Scene 1. > > > Dan Waber: The silence between words > > Lanny Quarles: scabs > > Alan Sondheim: filtered until patterns are discerned. > > mIEKAL aND: One word. > > Bob BrueckL: If only I could never be there enough. > > Lewis LaCook: for Mary. > > John Lowther: I am, I am, I'm, I am, I am, I'm, > my true love, anyhow that's me. > But I am up for what comes. > > Lucio Agra: Gorgeous ambience. > > > Scene 2. > > Allen Bramhall: startled and palpably touched, >paradise knows, dingbats, too >abstruse, murmuring, smoke of poems, >infringing, with the rinds of candied limes, >in proportion to, they were cloudy, >and very grainy, unveiled before > > Alan Sondheim: The others are long-wire sounds. > > Sheila Murphy: What a beautiful piece > > Harrison Jeff: or waking to "spectral" > > Alan Sondheim: The shuddering, sky-murmur, untuned, > U-shaped long wire antenna. Spectrum, > aurality, digital, raw, stars > > John M. Bennett: an a dumpster, melting, crust, rot, dim, > jot, eat, sprawl, rumple, smouldered, > toothache, swarm, bile > > Tony Trigilio: intersect the lines of this "x" from its cross. > Radiant rants > > > Scene 3. > > Bjorn Magnhildoen: what, can you change it left? > Come when I am here, dissolving > substance, zero bites hard. > > Jukka-Pekka Kervinen: floppy, whack impact, proposition, >discontinuity, speech, interface, > map > > Alan Sondheim: Now it appears in dreamtime. Sacrifice >of being siphon cipher hyphen >chasm > > Allen Bramhall: silver-plated, signal, grazing, fire, balls, >your head to desire is a woman, bottom, >roughly towards, tinges towards, wireless > > Alan Sondheim: I create forms and spaces so that bodies >may sway and move to distinct modalities. > >CURTAIN > > --Bob BrueckL >
Re: objects of the psyche (an image pome)
These shots are from the "Poet and the Young Miss" section. Many of the other scenes have a more pronounced art nouveau decor. I suppose the poete had a more eclectic style than what would have then been the more chic style of AN. The buddhist elements are intriguing as well as the marshall ornamentalia.. A seeming orientalist, which makes a good deal of sense for the period.. This figure is perhaps an echo of Proust's Baron de Charlus, or HK Huysman's Des Esseintes both echoes of Robert de Montesquiou but perhaps of a more heterosexual nature. Here's one of Montesqiou's poems translated by ex-wryting (?) member Jeffrey Jullich (the film synopsis comes after): The Moth Robert de Montesquiou O moth of night, of mystery, of aurora, Mysterious Whistler, fallen butterfly Paled or gilded, from dawn to penumbra, By coil of Phoebus, oblivion of Phoebe. I want to prick you beneath this sad vitrine: Rare entomologistinsect so precious, Like a point of fire, in the black of Cremorne Gardens, blue fireworks lingering behind in the skies. Who is as riveted as you by the scattered spark Between the evening, blackened wind in greenery . . . And better reddens the lantern in the gas-lit park Where a break is long-awaited in the ennui The gloves outlined by milky whiteness of egg-white, That flows and glides by the lamps, at the edges, Has always had its dwelling in your palette; Their window-mirrors are your peerless brushes. Here is the fireballhere the jug of roses! Ciphers detonated, suns spinning round; All of Ruggieri's art, ripe with amaurosis, The mocking rocket in vermilion starry sounds. You are juggling with it as with all high esteem; Miraculous artist! your bengal is regal; Your roman candle is a flower without a stem . . . And what artisan would call himself your equal? Ruskin did well dealing you the heaviest blow, Your case against him is just a brighter bouquet You draw under his nose your sword from Toledo And your gunpowder fires a lightningbolt: touché! The spirit shakes in you, your canvas shakes with art You put it in your book, wear it on your forehead Where your fairy forelock is a corn husk of stars Attacking you head-on doesn't do any good. Upon pains of attaching to his name a wink Of derision in full force where yours resonates Offering us to read in fine vinegar ink The art of making enemies, a gift of your wits. What is it? that resists your slender walking stick, Both a diviner's rod and magic fairy wand That it's pleasing to your nature, stark or slapstick To transform gall into honey, wave into wine? Your painting is no less ingenious and artful For simulating true peacock from whirling sun. And here's an entire room completely wall-papered In eyes, eyes spellbinding and delicious, Graceful . . . Irritated; bristling, panelled, With a blue of fireworks that lingers in the gaze. The fabled peacock room, la chambre de paons That many wish to see but few have admired Whose endless glances shine with luster, like the sun's Igniting everywhere an unforeseen sapphire. But eyes of beauties are still far more mystical . . . Slender Pompeian girl confined to the hallways, Here they are pointing from aquarelle to pastel: Slender Venetian maiden laid out on the altar. All of Venice flows on in these minuscule strokes Held like a strand of hair from Venus Astarte, The master magician of sunsets likes to joke By unwraveling them in daylight's clarity. Plays at parading past watercolors' yellow current, Where sometimes a barque with rigging thin and sure Seems an insect seized in yellow flow, waters stagnant But whose nimble paw scratches the azure. Here the designated ray of European Japonoiserieor a world, too artificial, Of beaches, where gleaming red a series is seen The geishas with their rainbow-colored parasols. His seascape painted there with baubles that are squeezed >From a tube, side-barring the sky with a clear Net of ropes; and those misty Tamises Making this Valparaiso sky still bluer. His oeuvre, did I saywell, what is there to mention? This canvas that he lifts in ratio creates And recedes from the silhouette to the end Differentiated beyond the art of miscreants. Therein is the face; he searches and finds it there. The artist is victor, the drawing is complete; Painter works in sculpture, whose strength can dare To extend into the canvas, at last, a heart beat. Because his touch is drawn from life's true breast; Not a tree is imprinted except the very rare And to post what follows our laziness Is a lifting of ourselves to the metal square! Our enchanter smiles: You still wander through the room And it is truly our own space which, over time, cambers But so it must be, that you inhabit this frame . . . Where elongates, as the work goes on, the scumble. And for us reprinted a harmless terror Just as in tinfoil this William Wilson Takes on form; or that other sorceror Zoroaster, who met himself in his garden! Yes, the eyes in portraits belong to fairies! And
SCABS (From A Terran Her[m]itage)
snake sea turbulence pregnancy pregnant sea light snake sea turbulence a vortext bulbous with topology edged forever in light sea snaky with pregnant turbulence see snakes made of snakes the turbulent words of pregnancy solemn as emerald sarcophagi nestling the holographic broodlings of Ptah, heart-dreamer, mouth-opener edged forever in light sea bulbous with topology window-mound helix-knot twisted caduceus of snake sea turbulence pregnancy as it was written on the Shabaka Stone as it was written in the earth in tongues of green light deathless in death lifeless in life blood of becoming in whose backbone of emerald sarcophagi the pregnant sea light is forged bulbous with topology snaky with pregnant turbulence the turbulent words of pregnancy
Don Belisarius of Cottage Grove
Don Belisarius of Cottage Grove USED CARS! o trembling trembling flower of history ye veiny belisarius (bellus eyrie ous) whose endless peaces flow, erring in the opening, the penultimate speaking of present now a heavy glow, armored in the incandescent cilia of confusion halonic aquaman beatitude gills of quill-thresh scribbled miles aqualung of coaldark shimmering pride sweet sweeping simultaneity of execution's ghiribizzi multiplatitude formed frank form operatic insolence of dreary waiting rooms green loam of ski-wall o agony of ectstatic g-rune gas pedal to the scrolling hummworks of naming event horizon peels the thundrous face of havoc bindu unburdened in the monstrous garden O Utopian Phantasmos of Being O Utopian Being of Materia O Golgibodhi of Golden Hammerhead BuddhaChrist Minotaur Whore Star Hustler miniature of Krakatoa insect riders plummet in your deep wish juggling the candy skulls of orgasm in your machine tonsill'd grottoes Galactus Mercury Amorphous Root of Whale Stone Blanket mind loose monocle projecting an ancient skin halitosis-face of witch-pebbled fetish wagons whose beard of jumbled glasseelskilotons beam a quadroob EEN of HarQuent-Glost-vetcht-a-bull Sub-i/o-an-O-my ASCkar-iar-iaro-aklo-tiskle' fiero obdurado caelo o ye ape petalled scorn of silent blackness fuzzed and warm cute in the wave pouch of the detached membrane mother whose radial moustache assembly prepares a symphonic mandible curse blistered apartment knees fibbing a jackal-foamed polygnomie gliding paraplegic war god yer littter swallows a burning metal moon swan nut bra SS of the wrinkled leviatron will swing in the butcher's yard sale of mildewed epiphany Mysterious Tales Wallpaper with amorphous diaper aquarium Gas Chamber Tiara This pyramid is the purest wheeze of earnest Magnittude No Ocean knows its sweltering core Shackled Molecules Scream in a gelatin of deserts Nuclear ghost bomb My long arm of workers jubilant in the loving amber golems of beer LIBER NULL OF DESTROYED MURMUR-ORE lonely seagull memory away from this candle away from this lunch-box of druid post-cards yodeling from within the Bronze lobster tank whose love is a silly string food curing and feeding all and bringing smiles and wonder to those tired poor children photonic representamens that grow in our sickle washed drain-pipes human glue horses appearing between commercials for seahorse preservation groups whose language is a fungus of programmable orbs loosed in the freckled wisdom of mixtures whose jolly crunch of by-lines and poor uncles spines flow like krill math across the plexi-glass womb-viewers
Re: eWWII EE-8 field telphone images -
so its using one of the "common battery" configs? I dig the old magneto, but what is that penny? that is fascinating! are there anthracite granules in this one?
Re: essay critical of google/poetry
image-language is omniconfigureable. "flarf" is label of a macro-assemblaged exploitative structure. recall structure of endosymbiosis: organism a produces a waste stream. organism b finds waste-stream nutritional. organism b attaches to organism a to exploit resource. organism b is assimilated into the genetic structure of organism a as an "organelle." organelle = "flarf" [macro-assemblage eat web-poop, filter through historical organelle "poetry"] This process is still extant. Prominent historical representatives of this process. Mitocondria. image-language is omniconfigureable fur is a saucer is b furred saucer is new macro-assemblage apply to historical time frame flarf is a vulgar cabal of local-time skin-bots, a social assemblage, the immanence it projects is a variablic structure. opinion: people should study the productive phenomenology of juxtapostional configureability, "the mutation of series" instead of the human macro-assemblies who blindly grope in the darkness of narrow human historicity. "Flarf" is part of the continuum of the externalization of instrumental memory (meme-ory) systems. Its temporality and politicisation are echoes of the present human psychology defect catalogue. Defects can be transcendent. Can enact positive growth and change. All opinions are variablic stuctures. Style = Structure =Opinion = Flarf Flarf= word, word=image, image=life, determination = structure production = production, control.desire. artifiex energon field All events in the pleroma of image have the potential to ignite new chains of becoming +/-.. The Great Work is a maelstrom with no foreseeable single outcome. People of Earth must flow in the understanding of the great configureability, of the great tranformative potential between the subject/object, image/langue the great and eternal dyads whose sacred fecundity transcends our understanding, our reason, our individual being. flarf is mid-oughties yackety-yak.
Re: essay critical of google/poetry
Happy Birthday Alan!!
now this abomination..
"I do not think. Do I therefore not exist?"
written by a famous automaton draftsman Jaquet-Droz
built and toured in the late 18th century.
okay, my last post was upon a quikscan, and my own psychological
defect catalogue.. it's a good article.
i liked how he said flarf was collage.
and he said it was cliquish.. both seem accurate.
so anyway
this one is even moire worrisom and defected? I give up.
;;;
one thing that puzzles me, is questioning so severely
the corporate nature of google's algorhythms..
look at the ideological implications of any given word
in the english lexicon..
of english itself.. i've been looking at the Pyu language today..
what a lovely set.. why don't we all switch to Pyu! Its much prettier
at least than the latin ltters. anyway
let's look at "Admiral"
check out the wiktionary entry (i dont have my oed, my "evil" oed)
OE. amiral, admiral, OF. amiral, ultimately fr. Ar. amîr-al-bahr commander
of the sea; Ar. amîr is commander, al is the Ar. article, and amîr-al,
heard in different titles, was taken as one word. Early forms of the word
show confusion with L. admirabilis admirable, fr. admirari to admire. It
is said to have been introduced into Europe by the Genoese or Venetians,
in the 12th or 13th century. Cf. {Ameer}, {Emir}
Are we not to use the word admiral without knowing its
jaded ideologically determined history? Does anyone
recognize the hard contours of its ironic use today?
What are the ethical foundations of all language..
Was language itself originally a weapon?
or a tactical device for exploitative hunting practices?
What alot of this kind of thinking comes down to,
and which is shown rather wonderfully in Daniel Tiffany's
work about the history of atomist theory and the way
epicurian atomism was stripped of its hedonistic subtexts,
its sensualism, by proceeding generations of users.
Culturally then, what is our relationship to pleasure?
How does the historical perception of pleasure frame
our entire discourse. Do we even understand the psychic
mechanism of pleasure? Are we actually repelled by repulsion
or are we paradoxically attracted to it? The subtle dimension
of political inflection is its refraction through "the political body" of
perception itself..
we should be cognizant here of the physics of photons themselves,
of the existence of polaritons, which is a mechanical meta-particle which
travels through substance and which can sometimes regenerate a photon..
ideas when they become externalized as words or images
enact the same polaritonic mechanical force in the mind, and thus
in the world engendering all kinds of structures
think of ideas as solitons, identities whose structures
have some form of coherence but whose usage is subjective..
ie prone to mutation in the field
how can subjectivity critique subjectivity, when the knowledge of the
objective domain is largely conjecture based in subjective
instrumentalities..
what we have is a kind of constructionist chaosmic agon, as reality itself
is a kind of fecund automatic replication..
its no accident to me, that the butterfly was the greek symbol
for psyche, and that we have "the butterfly effect" as a feature
of chaos theory.
what would the world look like if Constantine had not converted to
Xtianity? What would the world look like if Tesla, or Napolean
had never existed..
If the world is a construction, then politics are irrelevant
except as a symptom of mental disorder. Design, ie Aesthetics
should be the overarching concern. If Love and justice, and sustainability
are to be our paradigm, then those paradigms should be designed into the
structure of societies physically without question, and their
implementation should be a scientific process based in applied
materiality. If our own physical expression impugns those paradigms THEN
what happens? Do we.. kill a whole bunch of people
so the system works right again? You see, no crystallization like this is
really possible..
hence agon, or as machiavelli put it, an infinity of troubles,
you get religion to soothe, and complicate, some activism, on every side,
some critique maybe, whatever that does, and
a catalogue of "random" vectors like the weather, but the problematics of
consciousness within the material domain
are trenchant. Reality is more complicated than human intelligence.
why even bother with the puny cyclops cat of flarf..
Its a much larger issue involving the psychologism of sensation
and the phsyics of immaterialty as represented by ideation-transferance
with image-langue
a haunting by pharmakomechanical ghost logics
the exquisite and terrible automatism of it all..
well that was my pathetic attempt//
> essay in jacket magazine, targets flarf and other "google-sculpting"
poetry techniques. might be of interest to some here. i'm still
mulling over some of the arguments & would be curious to hear what
anyone on this list thinks about the piece.
>
> http://jacketmagazine.com/29/h
Re: essay critical of google/poetry
> On Thu, 2 Feb 2006, Lanny Quarles wrote: > >> Happy Birthday Alan!! >> > Thank you! > >> Are we not to use the word admiral without knowing its >> jaded ideologically determined history? Does anyone >> recognize the hard contours of its ironic use today? >> > I think languages change in a sense absolutely; the fact that 'breakfast' > meant 'breaking fast' etc. is probably far more irrelevant than we'd like > to believe. i agree, and by the same token, see it as mostly irrellevant about how google derives its algorhythms in the context of poetics. Marianne Moore used newspapers various "questionable" sources.. Mark Leyner was doing humoristic pieces which used medical language along time before flarf. they used to call it appropriation in the 80's. or was that the sixties, and then there's hannah hoch etc.. its a form of collage. > >> What are the ethical foundations of all language.. >> Was language itself originally a weapon? >> or a tactical device for exploitative hunting practices? > > Look up Tran Duc Thao on the origins of language, Althusser's teacher - > theorizes that language originated in gestural activities vis-a-vis the > hunt. i basically said the same thing.. its an old theory, i doubt thao thought of it first. > > On the other hand, the fact the gorillas rain dance point to other > dissimilar origins. On the other hand? why not the other palp? ants, termites, bees, the whole panorama of the communicative architectonics of biosemiotics theory, plants etc.. > > In fact, I doubt there is a specific originary moment or 'cause' of > language, any more than of schizophrenia. In this sense of course language > itself is a language game. i agree. > >> we should be cognizant here of the physics of photons themselves, >> of the existence of polaritons, which is a mechanical meta-particle >> which >> travels through substance and which can sometimes regenerate a photon.. >> ideas when they become externalized as words or images >> enact the same polaritonic mechanical force in the mind, and thus >> in the world engendering all kinds of structures >> >> think of ideas as solitons, identities whose structures >> have some form of coherence but whose usage is subjective.. >> ie prone to mutation in the field >> > I'd be incrediby dubious of these sorts of parallels. You might want to > look at Rene Thom's work on linguistics, which seems to me one of the few > ways of relating actants to mathesis. I wouldnt, because otherwise you wouldnt be disagreeing with what i've said. There is a current field of research about the mental pleasure human brains receive from rejecting information, especially in political concepts, instead of networking out in fuzzy assimilables. My dear friend, I am a Quarles, and if you anything about my family, you would know we take deep pleasure in arguing about everything, and quite angrily i might add, and we like that! > >> its no accident to me, that the butterfly was the greek symbol >> for psyche, and that we have "the butterfly effect" as a feature >> of chaos theory. >> > Of course this is where I disagree with you entirely! I haven't a spritual > bone in my body, and tend to think that it is in fact a complete and utter > accident, it might have been anything. what? spiritual? hmmm.. the "spirit" is a "mechanism" according to leibnitz. a clock with a clock's shadow. now don't get me wrong. i am talking about computationalism, and bifurcation nodes, organic agency, etc. > >> what would the world look like if Constantine had not converted to >> Xtianity? What would the world look like if Tesla, or Napolean >> had never existed.. >> > Check out Saul Kripke; I tend to think of these sorts of questions as red > herrings. Horseshit! you don't think people change history? Okay, then Hitler, the holocaust it doesnt matter either, right? not to be callous, but people certainly alter the fate of this planet, otherwise why are you trying to save tthe rainforest? this is patently wrong. > >> If the world is a construction, then politics are irrelevant >> except as a symptom of mental disorder. Design, ie Aesthetics >> should be the overarching concern. > > The world a construction? Then I'm spending useless time worrying/trying > to do something about the rain forest... you're doing what you always do, which is impose your semantic over what is essentially a fluid referent.. constructionism, does not necessarily imply the types of agency you seem to be wary of.. ecosystemic constructionism is not a misnomer the way i see it. it is a highly structur
Re: essay critical of google/poetry
>> Look up Tran Duc Thao on the origins of language, Althusser's teacher - theorizes that language originated in gestural activities vis-a-vis the hunt. Althusser was a suicidal depressive! > There are several contextualisations, specific criticsims of Thao's thought here: http://www.viet-studies.org/TDThao/TDThao_Baribeau.htm This is first page I hit. here's a sample: One problem with the first chapter is Thao's use of terms such as "flashes of consciousness" and "tendential images projected by internal gesture" (p. 25). Here Thao's attempt at a materialist analysis stumbles at the difficulty of translating concrete "experienced" aspects of representation and meaning into materialist neurophysiological terms. An example is this passage (p. 20): "In fact, the projection which constitutes this image starting from the outlined movements of the animal, is actually produced by the 'tendency' of these movements..., the psychic image has a tendential reality, so to speak,...it remains strictly nonmaterial." Though Thaos concept of the "tendential image" is elaborated from Spirkin's theory, he seems to overlook essential notions of Spirkin's theory based in the neurophysiology of the second signalling system. These notions are essential to understand fully the material neural basis of linguistic images and representation. Since the language of the neurophysiology of higher nervous processes provides alternative scientific formulations of greater clarity to refer respectively to "consolidations of incidental association" or to "inner speech" [5], one may wonder why Thao kept the ambiguous references to "tendential images" in his text. It must be that the author had some reservations in using purely neurophysiological terms. I suspect that such reservations, which are common to many philosophers dealing with the difficult definition of mental images, have something to do with the fear of biological reductionism, a fear which might be accentuated in Thao's case by his phenomenological background. Perhaps the apparent "idealism" involved to such analyses of the "tendential image", etc., Thao terminates this chapter by paying his dues to Lenin's materialist analysis of mental representations [6], and equating it to his own interpretation. please explain to me how Kripke said anything about the physical 'istoria' and its relation to individual agency.. I can't extract it here: http://en.wikipedia.org/wiki/Saul_Kripke i think there might be a germ in this work i agree with upon the subject: Berofsky, Bernard. Liberation From Self: A Theory of Personal Autonomy. Cambridge: Cambridge UP, 1995. Rather than abandon autonomy for agency, Bernard Berofsky redefines it: [A]utonomous agents are not individuals whose actions and decisions are self-directed (1), but rational beings who continually scrutinize others values and attitudes internalized since childhood (9). Liberation >From Self: A Theory of Personal Autonomy, anticipates, perhaps, the next revolution in self theory by, oddly enough, returning to Enlightenment themes. It is ones commitment to rationality, says Berofsky, that is the best overall means to secure ones objectives (9). In fact, though the self may be absorbed in and by the other there is nevertheless a potentiality for a form of delight unfettered by a fear of inauthenticity and enriched by a flow of activity that is both spontaneous, yet governed by its own internal logic (2). Especially if you use the example of Hitler. Check out the review of HITLERS VIENNA: A DICTATORS APPRENTICESHIP http://www.webster.edu/~corbetre/personal/reading/hamann-hitler.html it's widely known about the nordic/mystical aesthetic movements which formed part of nazi culture, but to say, that Hitler could have been a "Scheller" or "Koestler" I think undermines the entire field of psychology, of the force, the psychic morphology, the symptomatics of individuation. It denies the principle of LUCK, FATE, CHANCE, the iterative notion of "quality" or integer itself.. 230927034927307 is not 2076457927309573789888 .. Even Jarod Diamond's work pivots on this arbitrariness.. On Culture being a product of Geography and its dis(contents). though i find this both reductive and non-reductive.. But that kind of arbitrariness is the dialectical opposite to the concept of Linguistic arbitrariness, or is it.. http://www.hf.uib.no/i/Nordisk/ansatte/barddal/001.Introduction.final.doc There is an arbitrariness to the non-arbitrary nature of language itself. What we "get" from "language speaking the speaker" (ie the motivated sign) cannot be discerned from the study of language itself.. This much is true.. The life of life IS "a" life.. as frought with morphology and accident, turning points etc, as the individual.. macro/micro, the notion of recapitulation between levels, variorum.. At any rate it seems like this is an mutation of the free will idea in philosophy? http://plato.stanford.edu/entries/freewill/
Re: essay critical of google/poetry
so you don't think that instrumentality forms even a virtual or metaphoric "organelle" with the human gene-machine?? maybe not, i'm not really that good with the whole nature/culture, "rationality" thing but K.Siratori and I guess & stuff like Tetsuo, and Cyborg theory at least forage among the imbroglionic ganglia of that stickiness.. and Stelarc.. I guess its still all metaphoric, I know that i guess but it really seems like technology has a life of its own at this point for better or worse.. Alan is the expert on this stuff. We all know this.. I just like to pretend alot. his eloquently expressed analogies with bio_meme_ôOrhetorics are exquisitely naârty but rather obscuring because they inadvertently cover an aesthetically pleasing but practically incorrect prehension of machinic processes with further furry, ekphratic layers of beautifully bleeding poetry
Re: M.A.N.
I am sick of rain! for the past 60+ days nothing but.. hey those frogs are pretty bacchic themselves, i love the pics with the giant females clustered with hundreds of tiny males.. at any rate, i think i got "orgy" from the wine skin association with our grape-hair gods.. it was a slam pit of sorts but quite a bit different from the vortex swirls like you would see at a black flag or JFK show, or the 90's variant the "mosh pit" and nothing like the new wave "pogoing" you would see at devo or b-52's.. some groups were interlinked and waving like grass to the waves of sound, others were enacting gesturalities on the fringes.. My wife and I were there handing out cards for our home-made Djellabas, but they were always too expensive, and really too odd for most americans no matter how eclectic.. we sold a few over the years.. and always got looks with them.. now, we'd probably get put in jail for wearing a djellabah! lq > very interesting, i learn, i learn, out here in the old man in the woods > listens to mainly to rain and frog songs, what have I been missing? how I > long for that good old orgy-slamming of yore... > - Original Message - > From: "phanero" <[EMAIL PROTECTED]> > To: > Sent: Saturday, February 04, 2006 6:15 PM > Subject: Re: M.A.N. > > >>I saw one of my faves on the list.. >> >> SMEGMA! >> >> these guys are from Portland, I've seen them play many times.. >> have most of their cds, some are rare oldies. great people. >> they play the weirdest venues. lately they have David Meltzer >> read text along with them, but they just overpower him mercilessly >> and you cant hear a damn thing he says.. its a riot.. >> >> there's actually a pretty decent noise scene here, mini-festivals, >> multiple venue crawls sometimes.. >> >> Crash Worship was sort of my introduction to Live Noise, >> and I still havent seen a noise act to compare to the energy >> and baccanalian revelry those guys elicited.. >> >> girls ripping off their shirts people orgy-slamming in mad bundles >> crash worship spewing goat skins of wine over the audience.. >> those were good shows! >> >> http://www.geocities.com/bradleybee/smegdex1.html >> >> >>> >> >
Re: M.A.N.
and dionysus in "The Frogs" http://classics.mit.edu/Aristophanes/frogs.html FROGS That is right, Mr. Busybody, right! For the Muses of the lyre love us well; And hornfoot Pan who plays on the pipe his jocund lays; And Apollo, Harper bright, in our Chorus takes delight; For the strong reed's sake which I grow within my lake To be girdled in his lyre's deep shell. Brekekekex, ko-ax, ko-ax. DIONYSUS My hands are blistered very sore; My stern below is sweltering so, 'Twill soon, I know, upturn and roar Brekekekex, ko-ax, ko-ax. O tuneful race, O pray give o'er, O sing no more.
Found Xeroxed Folk Poem (at a Coffee Shop in Gresham)
one night i had a dream a strange occurence dark and mean a dream about our leader's fall: the executioner has put on his best red velvet hood his smart tuxedo looking good the axe is shiny curved in space to part the head with loving grace the leader's chains clink on the wood his face is proud what a weird dude the redcapped masses howl and pitch but the executioner will make no glitch no missed attempt no sidling glance this human chicken will not dance this wretched pilot was taken down proletariat promethu rage unbound but at the last the executioner sighs unbinds the leader and slaps his thighs he slaps his head he slaps his mouth he slaps his face he slaps his pout the leader weeps and the audience sighs what the fuck is up with this guy now do you see how all this feels we don't want this on our "real" the leader nods he understands the executioner shakes his hand you work for us not for our things we want to help not murder kings the leader sobs the band strikes up a doggy prances a newborn pup a woman sings in high clear notes the nation cheers and casts new votes the moral of this tale leader is this don't lie to us or we'll be pissed. then I awoke and was frightened still I am some strange bloke I need a pill.
Re: flautista de hamelín
wow, this is fantastic! unrelated, but I just watched the version where Donovan plays the p.p. recently.. the midi-eval, the plagues in the setting, the alchemy of desire, and the info-automatism, even the paedophilic angle, not to mention the objectifications and mappings.. neat! very evocactive at this juncture.. thx lq > flautista de hamelín > > http://www.geocities.com/supermiembro/iconografia/w_ico_flautista_hamelin_09 > _00.jpg >
Re: BacterioPoetics
thx for sending this Miekal! > http://socialfiction.org/gettags.php?tagski=BacterioPoetics&submit=send here's an interesting one I found recently: http://www.discover.com/issues/mar-06/cover/
Goya, Unflinching, Defied Old Age
February 24, 2006 Art Review | 'Goya's Last Works' Goya, Unflinching, Defied Old Age By MICHAEL KIMMELMAN IN 1824, Ferdinand VII, lately freed from prison with French help and returned to the Spanish throne, was a vengeful despot. The Inquisition was restored, liberals were rounded up. When a temporary amnesty was announced, Francisco José de Goya y Lucientes, court painter, friend to too many free thinkers, applied to take the waters at Plombières, in France. He headed for Bordeaux, not even bothering to stop at Plombières, then went on to Paris, where he spent the summer. He was stone deaf and didn't speak a word of French. If he saw Delacroix and Constable in the great Salon of 1824, he never mentioned it. Delacroix belonged to another generation. In September, Goya returned to Bordeaux and settled into the expatriate community. And there he died, at 82, in 1828, attended by his companion, Locadia, a distant relative, with whom he reportedly fought all the time, and by her two children. The younger one, Rosario, is sometimes thought to have been Goya's daughter because he said nice things about her art. Goya didn't say many nice things about other artists. There have been many Goya shows lately. He's a man for our day, the great, unflinching satirist of everything irrational and violent and absurd in life and politics. "Goya's Last Works," at the Frick, differs from the large, rather loveless survey that veteran aficionados may remember that the Metropolitan Museum did some years ago. That exhibition tried to pigeonhole the artist as a symbol of Enlightenment values, draining the guts out of Goya. Look at the late work and you'll see, as Robert Hughes once nicely put it, that there's no less of the Marquis de Sade in him than there is of Rousseau. The compact Frick show is sublime. An early French biographer, Laurent Matheron, writing about Goya during his twilight in exile, blew off the late work as "feeble and slack." Matheron must have been blind, or saw pictures now lost. They're certainly not here. I can't recall too many exhibitions on this scale more revelatory. The inspiration for it was one of the Frick's own Goyas, a deceptively fine portrait of a young woman, from 1824, the sort of painting you might miss if you weren't looking closely. The curators, Jonathan Brown and Susan Grace Galassi, decided to spotlight it, and the show naturally grew, but not too much, to include other late works. It has sometimes been said that the sitter for the Frick portrait is Rosario, which isn't too likely since she was 36, and the young woman, flushed, expectant, childishly calm, doesn't look a day over 26. Prim in white gloves and a black dress trimmed in lace, she is swiftly painted in dashing, creamy strokes that pay homage to Goya's hero, Velázquez, at the same time that they bring to mind Manet. He's the automatic association today, Manet having passed on to posterity the look of "modern" painting inherited straight from Goya. For comparison's sake, the curators borrowed other late portraits. Goya could be a perfunctory artist, and two clunky portraits of Spaniards in Paris, Joaquín María de Ferrer and his wife, seem lifeless: diffident commissions. But then Goya also painted Don Tiburcio Pérez y Cuervo, an architect, shirt sleeves rolled up, arms folded, smiling slightly, resembling Goya as a young man. The best portraits have an intimate bond with the sitters. The strongest bond comes across in the one of his old pal Leandro Fernández de Moratín. A poet and playwright, Moratín sat for Goya in the 1790's, when he was lean and suave. Now he's puffy and middle aged, his face built up with thick, puttylike slabs of pigment. He has the tense expression of someone who knows his portraitist will be brutally honest but who is himself a believer in truth and in the artist, and whose forbearance therefore makes him look heroic and humane. Only the savviest, most mature painter could manage to convey all that. But then, more than 30 years earlier, Goya had already sketched a portrait of himself after a bout with death that cost him his hearing; in it he's Beethoven with Medusa's hair, all wary introspection and defiance. That drawing is in the show, as a kind of prelude for the self-portrait from 1820, painted after another illness during which Goya was attended by a friend, a doctor named Eugenio García Arrieta. In gratitude Goya portrayed them both, as an ex-voto, inscribed with elaborate thanks. Arrieta supports his ailing patient and holds up a glass of medicine. Eyes glazed, head lolling, Goya clutches his bedsheets (the gesture speaks volumes) while behind him, as if straight from his fevered brain, a noisome coven of figures, like the Fates, lurks in the shadows. By that point, decades of violence and political calamity along with his own physical suffering had reinforced in Goya a hermetic, almost hallucinatory despair an outlook on the world that, the portraits of his friends aside, pervaded
ad hoc romantic in lieu of degrading health
ego: I agree with you. and how the sticky milk walks in a cave of embarassed ink. tongue bungalo sophomore baron rhododendron alphabet tire: entrance: I agree with you. and how the sticky mistake walks in a chapter of embarassed invitation. treat cake speed beau rock applause top: still strange with the snow shaking head? and? try to donovan a new air to rust out the bucket of a tired geometry hanging like spanish in the moss ad evening still strange with the abandonment accounts head? and? try to donovan a new allegiance to rust out abiding snow abandon an ability strange tired like spanish in abiding tired ad evening tired geometry? the angles must lung a proper death wills bad news a ghost frame which covers sunshine or the sickness in birth tired abandonment? the appeals must able a proper sickness wills bad news an abandonment sunshine which covers absinth or the absinth in black if pure gold love journals a vine in beholding a young maid mirroring a sense lost to a mistaken agent what is mind's worth so vastly unsteerable at the bottom of a telling? if pure gold make journals a waist in beholding a young marmalade mirroring a shade majesty to a mouse agent what is mistaken's worth so vinegar unsteerable at the brass of a thistle? muff of doofus longing is how cold a severing will bend the knee to a queen so far decided that its cancer yet velvets another glacier posing in the smile whose cost is time and whose prosody while not exactly forgiving might at least understand that dust is almost mean abandon of smile accessions is how cold a severing ability bend the will to an abdomen so far decided that its prosody yet accidents another time posing in the abiding whose prosody is ability and whose abandonment while not exactly forgiving might at least understand that smile is almost mean the way it fibs into the cracks and takes an armadillo to its stupid boiling bed for comfort. single period. but with a knowledge of good hope in the last friendship availed. lie? a-veiled. but shorn of dust? the abstinence able addresses into the actions and takes an artist to its stupid boiling bed for comfort. single absence. but with an able of good hope in the last way background. abruptness? an-absinth. but shorn of veiled? "He needs the rules page." "Absinth needs the acts absolute." [but understand the celebrity of sharks?] [but understand the absolute of acts?] the fates giggle. the acts giggle. job is a drawing in window steam. absence is an abruptness in absolute absinth. Mostly trapped in thought's question? Mostly trapped in abstinence's absinth? I will write to you soon and let you know. I will write to absolute soon and let absolute know.
half-snake-mirror
she snake held up he snake held up mirror mirror half-snake half-snake 'pose for the emperor' pose as half-snake-mirror. he held up a mirrored snake. she held up a mirrored snake. 'in the pagoda of tra-la' pose as half-snake-mirror. she mirror held up he mirror held up snake snake half-mirror half-mirror
The Language School of William Morris Smith's Earthly Paradise
Rossetti wrote: Morris is doing rather magnificent there, and is having
some intensely medieval furniture made - tables and chairs like incubi and
succubi.
[FROM the FASHIONING of CIRCUSES]
What kind OF
WATER WEED KNEAD-
if you take
two dirty succubi
from the doughnut..
if YOU
take
"We'd"
the dirty doughnut FROM
the succubi:
"Can WE use this, NED?"
"It says here, we can USE
a toroid aquarium to view
tadpoles, salamanders, and
PLATYPUS.."
"I'm not at all SURE
about the platypus.."
{ornithonokentaurorhynchusatanatinus}
"Maybe,
if YOU
take
the TWO dirty succubi
from the doughnut.."
I'm NOT at all sure.
What KIND
of
water we'd
need.
"Ned, How many kinds of SUCCUBI
are there?"
William
Morris
Smith
and
White Salamander.
{as seen through the clear shining faces
of the angels in a stained glass toroid}
Re: 58/365, Earl
Point Earl at my new T-shirt Shop! http://www.cafepress.com/phaneronoemikon I'm going black t-shirt crazy.. hehe > Earl is ironed blue jeans and crisp never folded t-shirts every single > day, with a beard that is always impeccably trimmed; not a single bit > of anything ever strays out of place. Some who can teach can also do. > > 40 words, 40 years > 365 days, 365 people > http://www.logolalia.com/40x365 >
Tragic Voyeurism
Tragic Voyeurism Finally tired, he would rest his eyes, upon the regal, if Long faded portrait of Goya in the niche near the washbowl Above the three stone monkeys whose solemn hands were signal, Ruminate haphazardly upon some serious and bizarre productivity, a Final Minotaur of ebullience, and hear Heifetz's Paganini skipping. Flexural, he would gush, imagining the lickerish and original fingers, Longer than ordinary, and diseased, they say, Ehlers-Danlos Syndrome, And perhaps larger, Marfan's, like Lincoln, another (large?) man, Regal in infirmity, truly embodying an otherness, harnessed For the purpose of the virtuoso, as well as the virtuous. Fitfully, he would turn in his bedclothes that night, Lingering over images of young walrus lost in an iceless And warming ocean, darkly, dumbly wandering far from their depths, Rummaging in bewildered emptiness, wordless and knowing under starry Fearsome blackness, and that blackness would boil in his dream, and boil. Factually, he arose at Seven A.M., and rang the maid for coffee, hoping to Linger awhile over the newspaper, and listen to the Meadolarks which Always gathered in the grand old Douglas Fir outside the window, Raised up ten or twelve inches to the let the cool night air Filter into the room's soft, if often troubled comforts.
s23gorgon69
s23gorgon69 (a command-prayer) axons.. and astrocytes. *~^%~! AXONS AND ASTROCYTES yield up your tormented bright singing AXONS AND ASTROCYTES yield up your klaxon-forms slinging AXONS AND ASTROCYTES whose radiance is cluster yield up your noumena, phenomenal and open FROM THE NODES OF RANVIER TO THE SALTATORY COLLATERALS OF BIFURCATIVE IONISPHERICS LET THE SINGING WATERS FLOW YIELD UP GREAT NOUMENA YIELD UP THE HALLOWED GROWTH CONES THE PHILOSOPODIA OF THE NEW EARTH THE EMPTY PALM OF PEACE WHOSE ELECTROPHYSIOLOGY OF BROTHERHOOD SANCTIFIES OUR MYSTERIOUS BROOD HOST
Re: about the masks - lanny
I still have the file, but maybe I'll post something new instead. Kara and I were at a costume shop where I was trying out a fantastic bright pink brocade 18th Century dandy costume. They wanted like $250 bucks a day to rent it. There was also a rabbit head that had the look of a grim old god, instead of peter cotton tail. Well, we ended up with two venetian carnivale masks. pretty nice, both cloth board with sort of a low white fur. One is the standard human face, the other is the commedia dell arte plague doctor mask which looks sort of like a big nose or beak. not sure what to do with them yet, and I really wanted to do a kind of little film using the heavily brocaded and patterned dandy suit while wearing the rabbit head. the idea was this. I read an article about viruses being perhaps part of the fundamental construction of life called unintelligent design. today i was brainstorming and came up with the idea of viruses being a sort of transcription space for the early protists, like a kind of storage system albeit one which was completely random and unconscious. at any rate, then i started to re:consider endosymbiosis and did a search for viral endosymbiosis which led me to Bell's theory of Viral Eukaryogenesis which places virality at the nucleus of the cell.. so anyway, and very sorry to ramble like this, i thought since part of the rhetoric of the 'intelligent design' theory was 'man is like finding a pocket watch in the forest' that i would connect that to the Alice in Wonderland Story, and maybe have a grim dandy bunny god hiding pocket watches in the forest or if that seemed too pro-I.D. I would have the bunny find the watch but it would be broken.. or maybe the bunny would rape alice, kill her.. something brutal and unintelligent or stick a pocket watch in her mouth i dont know what anyway i hadnt really gotten out of the brainstorming phase and was just trying to wrap my mind around how a film like that would work, how to make it able to question both sides of the argument in less literalistic terms than "does God exist" not even really sure i want to get into any theological questions, but as religion seems sort of part of the social dynamic these days, there may be something interesting about interrogating those structures.. i like the idea of a promiscuity, a protean unconscious (ie a kind of dreaming) like a witches cauldron or hindu cosmology and the rabbit represents that "omnisexual" promiscuity of forms by "omnisexual" i want to reflect the polymorphous perverse but in a way opposite to say a Hegelian progression, this is a capricious god, an insane grim dandy god whose reasoning is monstrous and enacted through monsters caprichos.. so instead of 'intelligent design' and Christo-hegelian-Rationalistic-Linear-Telos we get a sort of Teratological-ontological-non-linear primordial caprichos world where as in Goya "the sleep of reason breeds monsters" but here, various forms of 'reason' or in our more utilitarian and clipped modernism the 'rationale' which sounds like 'organelle' become equally monstrous to one another, ie the historical grotesque.. as if somehow the agencylessness of things could come to be a holiness, a form of the divine if people could understand the miracle of that how OPEN the universe is to our TOUCH and yet how unstable, how frail which rings very zen to me sorry i am stewing on this all morning just want to get something going i post picture of clean white plague doctor mask from venice i have lovely mask from venice i love mask thank you Smaragdina Osirimadoanna lanny
sum summa somacosm (reflecting on an experience of an institutional bathroom)
as if that dried little puddlet of institutional pink soft-soap were a Brobdingnagian slab of vaguely porcine jade some secret of a Jomon Mu, or the strange living interface of a Struldbruggian collective memory into which he would divulge his inner self as a random derivation of subject, a Hirngespinst of openings, and imagine being naked there, on the brink of a cosmological porcelain, bowing down to touch his forehead to the pink hum, some memory of a dark thundercloud furrowed like sable static, and in the air (that blizzard of invisible strings) improbable, the waxy whiskered avatar with a yellow baseball cap, whose embroidered ensign, a Haida sun symbol, reasons, and checking its temporary beard against that section of mirror, some species of absolute surface, temporal in Gods public rest-room, forever awake, awakening, but reflecting reflections commentaries like a head bristling with chrome gargoyles (drooling pink molten jade), the little imp would disappear, but its perversity live on, a ray, the pink that, splendor of a bounce.
Yadda Vijayanagar on the banks of Tungabhadra river
rood stony Havana of larval y
goating guesses in the trakless hive
mind that your sol-vent wood
a nine columned bride
good, teepee, freebee food
drawn by rinzai khidr the clitoric
microscope hood, frisbee
frisbee / quite.
and sigh to cytoskeletons
whose governmental nuclei
are not the true nuclei
but agents of a nuclear holocaust
to come
O Eukaryontic holocaust,
ennucleated beast string
now splitting adam's atom
One-Eyed Cri-li longing
into the purr's al Onan
now burred in the violence of green milk mania
whose shrine of cactus wine
is the image of a metaphor
a metazoa of me-me tee-pee
adz-tent-audited in the peg-logged wilderness
which unsinn, unsinn glows,
opaline kinetid groves
contumescent organelle of spasmin
centrin to the actin
the filamentous tubulin
which whack-ack-ack-ack-ack-ack-o-thers
the pan sphairical phobotopos
the skepsis in the polyfather
whose beard of golden apples
is the exploding torso of chaorchideris
the spider-faced lamb-lover
whose naos is lined with the spinnerettes
of pharmakopoiesis
the arcimboldopudenda of sun
on honeysuckle-wasp-heads
where the corpus of reason
is bound by a string
to the liquefaction of codework
where the Idiotie yelts Irrsinn,
Kappes, Kladdaradatsch,
where the Käse yelts the Kokolores,
Papperlapapp, Pille-Palle, where the Larifari
yelts the Mist, the Nonsens and Quatsch
of the Quark, the Schabernack, a Schmarrn,
a Schnibbes, and a Schnick-Schnack, whose Schwachsinn-
Heckmeck is a Stumpfsinn of Stuss, Unding, Unfug or Wahnwit-zen-
Begriffen thing
and bubbles precariously
an image
staring out of
a statuesque rainbow
where the reigns
had fostered some form of generations
where the luckily goes the axis (shy!~ning{
cross bolts of radium starch,
and in his dream
the chrome buick bumper was a nighmare
within the Morphology-based phylogeny
of ideation
whose rapture
was a gloss on the color
of a mystic's headgear
or the Turayi Headgear
of a festive Halakki
farmer
playfully mimicking
a bug-eyed geometry
to half-submerged Ugras
of Hoysala-Hoysala-Shravanabelagola
whose tears are like sonatas
of dinoflagellates
whose kulavi peduncles
nibble sweet diamond dust
left like warm areca nuts
in the Garbha-Griha
of the crucible lotus tongue
of living machines
Re: pinochet medium
ring of chrome zazen-sitting Chief Sitting-Bulls chiefly spitting bull.. one says, "Where's my Goddamn Berserker Doll??" the others grumble, "object based silly string" one farts a blue flame through its naval.. an exodus of caterpillar from one chrome chief's left eye-socket eventually yields a stalag might mighty stalag whose goo lag isn't too bad in fact mere seconds a ricochet atkins baking merseconds man that space station where oceans roll drunk in June drunk drunk of spam power you spam power amazes me me amazeikonn'd by Ur-spam your Zigg-your-at Atlatl you albino kybrrr-kynik-salamander-thing, Obi-Bjorn Diogekenobinese with Viking Nudibranch Encyclopediaisbn of Harvey Gemutlichkite-Tel-Asmar-Fjord-Fnord i saw a knobbly nordic bush server through a cock-eyed earth-biscuit-mind i'm Buffaloed when you transform into the same next difference after when now at or if but ~THE END (Shaggy isn't it..) cyclone text display persona MAY or MARCH or april wants Ewe, April 1st in Player Piano with old "Hydraulic Chin" > ...my name is former ...i presently reside ...i have been to son of > work directly, owned by lodged, as will be carried you to you by > through me to afterwards ...i shall be as well as a number on when i > get you your full to act that this can be as desired ...you can below > should you desire to ...you are strongly to keep in the all times >
Re: NE_01042006
WIONSTON that 'ol bulldoggy syntauropaedeia!! chog-n th' stog-n... yup-yup-yup /// > f (Winston in his Brighton shorts) > > > > Oh no work of words now (Winston in his Brighton shorts) > for three lean months in the bloody (sits on righton upward & bullies the > belchon) > Belly of the rich year and (pointing Weston upon ateon to the righton > endon) > the big purse of my body (of the show on Broadways Waste on Whatson) > I bitterly take to task (the taste of the greed on an a on a b on to make > on) > my poverty and craft (to go on the end of to be on your gard &one; ): > > To take to give is all, return (it puffs so he puffs so it drags so he > drags > his time on) > what is hungrily given (the souls & he hauls his ropes to tie all to > burnon) > Puffing the pounds of manna (woeman & foeman & peeboy & girlswirl) > up through the dew to heaven (in mezzles & mazzles & toypoi to dudgeon) > The lovely gift of the gab bangs (where rattles the dongles of boughton > occasion) > back on a blind shaft (to shake the blistered bodies into birth of > persuasion.). > > To lift to leave from the treasures (Bragaal in his lingering taal of the > yolksome) > of man is pleasing death (braggson his UWS TS 911 fletsam to shinesome) > That will rake at last all (& clutters to mingle the dicta for xsta the > wonderfull whicha) > currencies of the marked breath (so fixin the fountain so fittin so > rightin > she bore him) > And count the taken, forsaken (a grate & a fabulous grant & a troublesome > utu) > mysteries in a bad dark.( up to the point of no where left but to tutu.) > > To surrender now is to pay (Downstairs only the children strech notes of > the > m of other one) > the expensive ogre twice.( playing the passing the J & the S & the B of > invention) > Ancient woods of my blood, dash (to match the laughter & giggle of April > the > First that is on) > down to the nut of the seas (& their jokes with the thud of my fears come > to > stop in the jug) > If I take to burn or return this ( to sound full to resound with the > garblings of millions of gourges) > world which is each man's work (all bringing the stiff sense of incense on > the i of if shits an auctor). > > > f=Dylan Thomas Collected Poems 19934-53, ISBN 0 75381 066 2, p. 78 > > > dv @ Neue Kathedrale des erotischen Elends > http://www.vilt.net/nkdee > >
a-da-do-li-s-do-ti
Mouth a-ho-li Understand (won't) tla-i-ge-go-li-ga di-ye-ga-li we-sa OR Place to Tomatoes u-ni-na-gu-hi-s-di North a-quo-hi-yu Wind u-no-le arrow ga-li-tsa-di-a-le-di-ga-da-tla-dv Geese sa-sa-u-ni-go-di u-ni-tsi-la Sassafrass ka-na-s-da-tsi Dove gu-le-di-s-go-ni-hi Feather Pond v-da-li Birthday u-de-ti-yi-s-gv-i Kettle ka-wi-a-di-di-tsu-la-s-gi cream u-ne-s-da-la-di-s-ta-nv-hi-u-nv-di ga-lo-hi-s-di Dough u-yv-tla u-nv-da-tlv-i Mountains gi-la-su-lo Short Raining a-ga-s-ga u-ga-lo-gv Teacher a-gu-yv-di Eye a-ga-do-li Building a-ne-s-ge-ha Chipmunk tsa-tlo-hi Kitchen OR Cry a-da-s-ta-ti Book ga-na-tse-di Yes v-v Pencil di-go-we-lo-di Coat ga-sa-le-na ha-wi-ni Island Below e-la-di-tlv Boys a-ni-tsu-tsa Ice Uncle e-du-tsi a-la-ga-lo-di u-we-tsi Hello wa-du-li-si OR u-ga-na-s-ta Snow u-nu-tsi Egg u-we-tsi Twin di-ga-tla-wa (it is) go-ti e-lo-hi Raven go-la-nv Gap tsa-la-gi-yi Cherry Fork yv-gi Ax Who (go to) u-te-lv-nv-di Son (of another) Understand sa-quo-i-ya-ga-yv-li Thursday u-do-sv-no-e-hi Morning wa-ga Martin dlu-dlu-(spelled-"tlutlu") Walnut sa-di ge-ge-s-ti Doorway a-li-s-ta-yv-ne-ti Forest Talk (I will) Dime Ashes Purple Agree da-da-he-tse-tlv Corn ga-we OR ka-wi ga-na-do-gi Negro gv-na-ge-i Soldiers di-ka-ne-i-s-di Work Place ha-na-ni na-s-quu Fireplace go-dv-di-a-hu-tsa-wo-la-dv di-do-di Spring Ice u-ne-s-da-la West wu-de-li-gv-i u-ka-dv-i Fast Woman a-da a-ga Lamp a-tsv-s-di-go-i Match Weeds ga-nu-lv-hi Paid a-gu-yo-dv That na Four nv-gi Metal ta-lu-gi-s-gi u-we-tsi-a-ge-ya Elm tree du-na-da-tli-gi - Bad (didn't) tla-ya-quo-tsi-i Hickory-nut-soup qua-na-tsi Beaver do-yi a-da-s-da-di-ga-ka-hv-i Strawberry (was) ge-gv-i Love tsi-lv-quo-di Five hi-s-gi Nephew v-gi-wi-na Beside u-li-di-tlv cone u-s-gu-ta-nv-hi-no-tsi do-da-qua-a-gv-i Sunshine Cup ga-nu-hi-lo-di Welcome ga-yv-tlv-i Tears (cry) Tomorrow Come e-he-na nv-ya Rooster u-da-ta-nv-a-gi-s-di ka-no-he-lv-v-s-gi tsi-yu OR tsi-ge-yu-i ka-ma-ma Buzzard Bat la-me-ha Preacher a-la-tsi-do-ho-s-gi ha-tlo a-do-hi Newspaper di-ga-le-yv-ta-nv-hi-go-we-li Paint a-si-wi-s-ti a-ya-do-lv-i Horse so-qui-li do-tsu-wa u-s-di-nv-no-hi-u-lo-hi-s-di Pay Alone Hit it Eagle u-wo-ha-li Hickory nut Leaf u-ga-lo-gv Tea Blood gi-gv a-tse-hi One feather u-ga-ma Peacock Arrowheads di-ga-da-tla-dv-tsu-s-go Broad Log Earth e-lo-hi-no Cast Pony u-s-di-a-so-qui-li ga-ni-si Rice Tufted-titmouse u-tsu-gi tsi-yu a-gi-yo-si Tails di-ga-do-ga u-nv-di Minister ga-s-gi-lo Chapter Medicine Glass gu-sv-tlu-gv-i Pitcher u-we-se-di Gravy ga-li-quo-gi OR a-sv-no-yi Nine Cook Saturday do-da-qui-de-na House a-da-ne-lv nv-wa-ti Medicine wa-lo-si Frost a-wi-ni-tsa Understand Warm u-ga-na-wa Beef wa-ka--ha-wi-ya - Saw Then na-hi-yu-i ta-wo-di Blackbird Up ga-lv-la-di Plates di-te-li-do tsi-go-ti Shoe a-la-su-lo ga-s-nv-hi-dv-ga-s-gi-lo Dresser Soccer sa-quo Copper Between -- plural: u-da-tsa-dv-di Run Father a-do-da Wheat Jug ga-de-gu-gu Small u-s-ti Wild ge-ya-ta-hi Peace Socks di-li-yo Blouse a-ge-yv-ga-du-i-u-nu-wo-gi Slow u-s-ka-no-la Mother e-tsi That stove a-da-s-da-ya-di-ga-ka-hv-i Handsaw u-s-di-a-ga-na-do-gi Clothing Daughter Fly Hickory tree Legs di-ga-ga-lo-i Witch s-gi-li School di-do-le-qua-s-di Six su-da-li u-ni-lu-tsv tso-i Tipi And tsu-yv-tlv-i Nose a-qua-ya-du-li Wanted Candle u-ka-na-wi-a-tsv-s-do-di Eel Meadowlark na-qui-si Children di-ni-yo-li Couch OR Play Aunt e-tlo-gi OR Candy ka-lu-se-tsi Trail u-s-di-nv-no-hi Want (I) OR u-ho-i Bag Potato nu-nv Lives e-ha u-li-tso-hi-dv lay down a-ni-si-di Butterfly Believed a-quo-hi-yu-nv Yellow Table a-li-s-da-yv-di-ga-s-gi-lo sv-no-yi Nighthawk Basket tsu-lu-tsa Rainbow tsi-s-de-tsi Close a-s-du-di Highway e-qua-nv-no-hi ga-do-ga ga-na-li Whirlpool wa-gu-li ge-li-s-gv Thousand Peace do-hi-yi go-we-li da-qua-sa-nv u-s-da-yv-hu-s-gi OR si-qua-ha-wi-ya Popular Friend (my) No thank owl u-gu-gu-hi Girl a-ge-yu-tsa i-ya-nv-da Moon Bedroom a-sv-s-ti--ka-nv-su-lv - du-nv-da-tlv-i Mouse OR o-ni wo-di-gi-a-s-go-li Fishing a-si-v-s-gi Duck ga-wa-nv OR Ear ga-le u-wa-sa Meat ha-wi-ya (will be) Holly u-s-da-s-di Squirrel sa-lo-li Stop ha-le-wi-s-ta Behind o-ni-di-tlv Hear Yard o-ni (I) a-qua-du-li-s-gv tsi-ta-ga-a-s-ha-ya Rough tsi-quo-la-de OR Enemy tso-tsi-da-na-wa shell e-la-qua-a-ma-e-qua-hi-e-hi Eyes di-ga-di-li OR Read hi-go-li-ya Milk u-ne-s-da-la Glove ka-wi-a-do-di-tsu-la-s-gi Cold Snail e-la-qua Leg ga-ga-lo-i u-wa-ga Path OR u-ga-na-s-dv Container a-tli-s-do-di v-da-li Beads Goat tsu-s-qua-ne-gi-dv Money Beautiful Heard Icicle u-ne-s-da-la-u-ne-sa-dv-i you wa-do OR gi-yv-ha Plum qua-nu-na-s-di ha-ne-ta Brave tsi-li-tsu-ya-s-di Wren tsi-tsi OR Gritter a-su-go-s-di-se-lu-tsu-wa-ni-ge-i Big spoon Bucket ta-lu-gi-s-gi-go-yi-nu-s-di-a-ma Bass u-no-ga Seven ga-li-quo-go OR Chestnut ti-li a-da-do-li-s-do-ti Peach qua-nv Qualla qua-lv-yi Man a-s-ga-yv Grown plant u-dv-sv Today go-hi-i-ga Saw (I) wo-hi Pillow Blanket tsu-s-qua-nv-ni Think (I will) ga-li-s-ge-s-ti Inch e-ya-si-ta-dv-hi Grown person (I) ga-dv-gi Mudhen do-ga-wa-ni Hoot Stove ti-
Extracting-Sun-Salmon-Basket of Karuk A (Part1)
for asaxvuhpihnîich stuttering rock to herd barley araramvanyupsítanach esp. of earth as woman's name sick person ataynamtunvêech is not identifiable salmon bluebird sinking-instrument world- renewal the fawn-lily red-mud deer lick arguing-place eeyâach a fire to Weitchpec is afíshnihanich asip-tayhitíhraam apsunxara-ímkaanva aha little cooking basket soup basket small stars cold áxup dressed raccoon-ears wild grape ground the locative aktinakírak cupboard meal-eating allomorphs akára are ára-utâanaxitihirak doctor-house brains to put Idiom áthiik coot Fulica or handle little slow-moving rope afruus áah found only unclean of worm found amkíinva lunch trash pile on the river-bank aktipanára man's brodiaea fire-boat asúviish old-fashioned padlocks resembled turtle áhish Hordeum áxooni(ha) pantry little asáxvaam clifftop 644 points on eachhorn two-point the sequence -ana- behaves mildewed acorns axrukuxrúku(h) packsaddle áha star having a smell like axvâahuuni(h) sweathouse at ameekyáaraam rancheria one's hands to eat flat-cap sweat from achviiv goose achiimûuch also occurs raise one's sick amva usually occurs one whose fire has part of Red man snake a place name ameekyáaraam irreg. accent. aau the Pleiades small the duck an ax long-snake's astiip noun atafâat introduced by whites tail-dragger end forms are singular in the Orleans world-renewal axaychákish(rih) avanháhiich asip-sarishríhraam a place from the English Eutaenia water araréeshpuk(a) dentalium asaxvuhpihnîich small quantities dead tree: & love basketry thump with afchufíchthuuf with pu-not basket áahka to go to to cave overhanging asimváram eel's gills akvatîiv axyuus but with older brother anytime snake creek a place name asavúrik to chop with a sorcerer amáyav ákthiip barley akthípish little seed basket áaf excrement áfrii meeting axrúhi(h) learn from paxviríxvir(a) star devil bewitcher type of lupine Lupinus bird axaasúruk millefolium lanulosa unclean some compounds earth dirt man-medicine basket used for Solomon Smilacina upper Trinity Summit salmon-eater oak tree with anything fire down axarívish one buttock afyiiv áathva from áfish soup basket grave hollow tree ouch! with directionals durative átivutih and áati-amváamvaan otter the Yurok town ripgut grass maybe I suppose that which asuxim-paxviríxvir from wild iris achnat-apvúyhiich man (a woman) simply from English a place name at middle island to shove aside âavahar with an herb medicine-maker from akôor ax akôor axvíthirar(a) whiskers mouth-fuzz water Geranium dissectum water as given the skink Eumeces under generous the ninth month of ávik(a) to millipede árihish(rih) one grasps when entering and downriver from duck pierces upward extracted from a bluebird a person to be asiktávaan imxaathtíhan from apmaan mouth apmantáchuchar grass achavúra palm of the hand villosum repeatedly aha to burn ahirímkaanva ovatum also applied to eater privy little excrement-house atishpíyaan below the mouth of name little above-mountain miles below Tea from apmaan apricot axáktak toe áxpuum thin of persons man's name to a deer's horns see rubber top-shoe asáxuus soapstone afchúufich never lengthened transformed into putíruh toward rocks stand athkuritárahiv(a) Lodge where long plural tûupichas carry from áah ameekyáaraam morphophonemics a fire áhkuus from áah with one's foot-log bridge things which from áah burden basket axváamha horsefly baby man-eater anyone after pu ataychúkinach dead high no meat súuf backbone a place name grease-eater magical worm apunáxvu(h) take something azalea devil cupboard dish putting-down crow-seed to gracilis coiled Occurs only áhup wood ahvákir(i) the fact that old-fashioned red-mud ouch! bark humans snakes coot Convolvulus fulcratus achíptiik doctor a young boy assisting journey gold Hordeum leporinum long-snake sunflower asápsuun garter snake or âanaxus flowing quiet silent axakinívki(ha) two-finger bachelor the root of fat jealous to shout axrahasávish in The Man Turtle character Indian purse an elkhorn meal Head incarnate plate small apsúnthuuf ápkaas ground iris arrowhead Indian bullet woman's name snake-tracks old unmarried axnatsínihich snow berry athkurit-ámvaan gray to challenge áhar spring salmon design only as on a journey to imitation of Bear ápuroon of axváhkan leg burn rare three strands to lie ahóokir(a) clot thimble ávax exclamation Powers axváhxuus ávak shouts down the heads of sleeping-place he scares a stated body-part brims on white men's grass anyone someone whoever lie burned akáhyaan doctor re-uses imitation bad afíshnihanich disease object or pain astaah to anus árus The variant ápuru- eating a nettle axyuus nut axáythip rock stone in Trinidad not digger pine crane-house asapítvuunup(a) to start from to start out axrátip asip-iyaatakúraam as in rat achnátus place where axvaam him afraid small árama(h) thin navel-hider white man talkative person tachuch astáamich candl
Extracting-Sun-Salmon-Basket of Karuk A (Part2)
aak clay aachíchhar dust amtáparas trash pile áhup from áhup wood ahup-ikyávaan repeated-plucking instrument akára and kára occur bowl basket one who reaches through wintergreen little lice with lengthened tea white man's evil sorcerer Indian a burden Indian money âanxus little medicine headdress cave-clearing fire-making place buzzard blond white-head come by way of the dead pass Arctostaphylos nevadensis asvutanámkaam wood-ant upriver acorn of the ceremony red the water avax-íshraam aknupunúpar coiled wild avkam-ahóovaan be muddy the Bureau man's deer grass aktumtôor guitar racer slippery asámyiith gravel combining form is xakitahara-amplexicaulus fire lantern electric light to weave with illness hit by salmon wiggles a disease is twisted up onto thong akxárap from achviiv lie down earthworm little raccoon-ears but with ásxaay sense of water juice cliff weasel áah(a) ahyuum have one's head place cruentum with the African axvithíni(h) vapeepithváram the Salmon River rock twice from exclamation of fright axváha probably the implement to axíitich parent to bite little food-house city white-man place atahárish of disgust ripgut grass Bromus áama salmon perhaps meat of salmon to close one's taste like white asúuxar(a) fasting apsunmunukic-ímkaanva mountain long snake achnaat basket obsolete fire wildcat the sleep he feels closes its eyes of a rock wall amnaam from achnaat áah fire áha that which axváhahara pitchy askamnáathuuf automobile tire under a mouth-burning moss amtáapich or insects man pepper child atáyxuun the branching limb of asimchákchakveenach rat's dressed deermeat Pipilo maculatus nail of empty Troglodytes female assistant east side of áxthaay moss which grows in great-grand-relative girl's electricity axvêep Oregon seize apúnka with haplology to herd around is pointed from ámtaap sleep crow anach-úhish mistletoe Phoradendron araríihkanhivath of meaning a legendary giant dog salmon devil machine ahavará-kuusra(h) shallow the asipárax friend átvaax collarbone move quickly sheep goat white water dry behaves small stars coarse suddenly in the fat wild barley name parts to eat like smoke found only while holding a pain older male cousin asátuum green salmon-eggs English float in a bunch apxantíichriik arms with potato to go shells happy Camp men drive only in combinations aftáram earth slide stem teeth to kill him makes sweat one which carries earth water aknap muddy that which smells like who probably took off an axe to hit bowl basket aayâach added only to a tree salmon-egg acorn-soup address a distant person happy plant who lives above alnifolia áachip pack basket adhere to clothing used to lock arará-saak new rock axvâah head a mass like acorns gum of plants contraction of man's brother's only panther its-shoe a rat stores its cure Wiyot collapse meaning and form which the spirits give things mealtime meal-eating occasion hunting a variant of guitar repeated-thumping luck barley rat-tail cheek face-flesh excrement flowing thigh time for some time one's own face from áah rock aasrávar(a) creek fly the turtle áchakich puppy to touch Onchorrhynchus tschawytscha who? always at wild cliff all the áxay Symphoricarpus albus cold cold snake apsunmúnukic seems possible from asaxêem moss boot the Western yellow-bellied flying squirrel astah-vôonanach green wood basket cap the sense of morally in its mouth the Orleans world-renewal dusty ones blacklegs service berry afishnihanpihnîich Achillea to have twine lizard not the name damp green dead-tree flowing-down or woman's name a container of any eeyâach landslide a person collapsing down at ameekyáaraam ánaach crow perhaps woman under a rock to feel men's hats having seeds child smoke ámkuufkunish gopher snake Fraxinus oregona carry atafâat see ground manzanita gray going instrument to sing axaavúrik(a) shoulder an animal track(s) of imkáanva
Extracting-Sun-Salmon-Basket of Karuk A (Part3)
to seek look for áthkuun census man in railroad train patxax dragonfly star apsúnpuufveen two-born chewing gum white man's first rubber ámtaap dust burnt Oregon oak achichtunvêech blue cause salmon to burn fire ahikyáaraam occuring only in forked-horn buck wooden basket holding small objects coiled on each side by man's name translated anús-hiich little excrement man's name little one soot little slow-moving duck no logical noun to bewitch ákithriv to grumble to carry down dirty arm-end human ákviish mud The older brother older salmon-making often translated to jump as a word stingy imitation navel cooking basket very bottom apxantiichampínishich crybaby vaaxvaax lichen rock-seaweed the sunflower fire-boat friend to scratch a muyukúku(h) systyla the senior priestess snake creek grape throat clearing belly-rumbling a long vowel nurse to little Cappell-grandfather ceremony no aak to hit áakram(u) duck hawk cooking small sweat generous amihkêem bird upon leaving this food stinking ant only in itroopa-áhar replaced by chishii rend with the Dodecatheon athithúf-thuuf bad-tasting powdered manzanita berries flowing-downriver apáchi(h) nest little blue ára-u-ipamvâanatihirak uphill a type of mushroom The word being person Indian with a following asúxiim sugar-pine pitch-wood áachip is not quartz The independent flume bird iris arguing-place town growl long shiny-thorn mussel out on a journey árav from ápsuun face Baldy Peak mossy or water basket place name ax inner bark man afishríhan young to carry acorns used blood as a triangular basket-design hands chimney shaman from aaksâanva with irreg. accent & large dip-net to hunt a sweathouse but with chavúra finally to pluck name ápvuuy u-íishti hes blood-path in combination after ahávoo doll in finger tree to come from little hunt akvaat raccoon to set áthiith hazel trout through a man in order Creek thúuf creek one which of the anua avansa-pírish a plant male cousin man's work cap upstairs dish cupboard put dressed deermeat in ashamed ákithriv candy sugar-sucking hoof slap gopher axraat axvâahiroov as in áxuprupri fire smooth rock apple pie luck part of Red in a myth a basket gun to wear on one's power not identifiable gum plant Grindelia to mouth apmárar(a) woodpecker-head know about anam ground squirrel scold braided bear lily floor pishpíshi(h) barley-place love medicine rock middle finger maybe afraid of axpaheekníkinaanach a flower apsunxara-ímkaanva standing on a magic charm old man fire to put water ouzel Cinclus hazelnut snake nose fawn-lily to marry son or nephew's ámkuuf navel cord having deer to hold áchkuun swamp man's name apvuyíthyurar(a) string black cottonwood athithuf-tíshraam mountain near Katimin hemp Apocynum androsaemifolium bird hookbill is said unmarried one akvítip to hunt child lamprey eel eyes smooth-head little seed basket Iris macrosiphon friend tongue apsih-ikxánamkunishichas of the doorway in sick good-tasting apsunyúfiv which is flies above âanxus weasel wood-gatherer to trillium Trillium offspring Used mainly with boy's soup basket blue cliff swallow because of gambling Creek husband was a stinking rat apsihthákurar(a) bowlegged replaced by ishyâat be glad to see afishríhan young mouth apmansúuyha the shooting-star fire áah axráspuuf penis lie in collapse to lie sink into water horse obsolete now from áama from áas atahvíchkiinach common geranium to herd world-renewal ceremonies stepfather átish grand-relative in the wood-eater because hunting mouth beak áahka occurs in quiver afruus mildewed a place name to be wet the Karuk year 932 under a bird-chief California wood 1685 axyamsurip-shúruk talker person-counter eel's gills asapêech rock common-law plant cement afísheen(a) legendary animal identified used by a sorcerer not identifiable Eyese to paint lion by some contraction from dough to start from a bird something wood ahup-ásip wooden box through a man he sees him as white stuff a weapon arátaanva ukêenati pain átay leaves from which aprons cicada automobile fire-wheel to chop akraa(h) any kind white men's hats rock turtle shells having beaks o fill found only back meat áthipar(a) woodworm: excrement brains a mountain near Somes áathva ukyâati ápus apple(s) blackberry áhish(rih) trees to make the very bottom ánav medicine sense of go walk, blood vessel slap to akthiiphírak float ridge leading stuttering of the pine hawk is apkôok dances sings from oak with one's fingers Sugarloaf axak-ivrávapu(h) twins seed basket because sequence -ana- plum(s) to rinse corresponding free forms are aráriik a person or thing that sees spring & arup-ishúnvaan get well recover snail little áah fire ahtákni azalea Rhododendron occidentale place name Bluenose meadow mouse plant a woman's name to go upriver Gnaphalium little asiktavan-kêem food carried an illness worm found in wringing-instrument serpent called a rubra to handle a place name second month of the gravestone head means
de vision
ERIS / EROS = Ö (PHI)
Re: The Agency of Discourse.............
this is friggin gorgeous.. i was listening to Gerald Grisey's l'espaces acoustique this afternoon.. this certainly goes well with that stuff.. the textures have a very realistic feel to them and the font selections interfere in delicate ways with the contours of the forms the idea which seems implicit is a kind of musico-spatial post-writing in which content arises from the action of the gaze interpreting, interacting w/the composition and its various mappings.. the actualisation of a virtual mimesis using 3d seems so perfectly aligned to the musical visuality of language the text seems situated within that through it upon it.. those surfaces literally smoke with semiosis.. i'm wondering if you've played with elefont yet.. you might get some ideas there as well.. making the fonts actually 3d as well.. abolutely supple.. lq > The Agency of Discourse > http://tinyurl.com/nah8z > > > > > > > -- Peter Ciccariello > http://invisiblenotes.blogspot.com/ >
Re: The Prospect, Lackadaisical
sugar ray leonard nemoy perversely builds his nautilust from the dismantled remains of the global war machine manta, a smoky and gleeful pod of chimerical pines for a home, he reigns as alphabeast over the tiny misbehaving island of Cyclopian Rocs where once Sinbad sinned bad, and where Caliph Mickey Mouse once admitted 'his' Eunicity to Moon Unit Zapata, her huge aloof skies being investigated by ingestions of Interpretol. > phanero wrote: > >> this verse is a striated heap wherein I'll, in this mantle, well >> up, a thrall to the lupine eye, which, remote and rapacious, >> yokes a pattern so infinitely tiny, spieling, spilling chimerically, >> the skies, the skeins of the misbehaving sisters. >> >> - Original Message - >> From: "Harrison Jeff" <[EMAIL PROTECTED]> >> To: >> Sent: Wednesday, April 05, 2006 3:55 PM >> Subject: The Prospect, Lackadaisical >> >> >>> this verse is a strayed hope wherein I'll, dismantled, dwell, >>> unenthralled, and like the moon aloof, and with obscured glee, >>> upon space raised huge by pines, spelling, alphabetically, the skies >>> >> >> > this verse is a stranded populated stopgap wherein I'll, remandered (the > hell with Mickey Mantle), tell Interpol of, like the moon's proof, and > with obdurate spleen, opting space raised to huge pines, spieling, alpha > male likely, the smoky pod skies >
Dante Had Little Personal Helpers, But Henry the 8th Drinks Fanta
Curly white poodles with ceramic George Washington helmet-heads dream themselves into a perfect face-socket, an interface which works by thermal transduction; various sections of the face heating to specific temperatures to eventually control the drawing of a tattoo needle. Upon the chest of the 'working class' a hydro encephalic Christ-baby is crucified, but underneath there's a caption which reads, "This is not a hydro encephalic Christ-baby." Four-wheelers gather at MUD MOUNTAIN. Four-wheelers gather at MUD MOUNTAIN. Four-wheelers gather at MUD MOUNTAIN. Four-wheelers gather at MUD MOUNTAIN. It's really too grotesque to depict. But there's this one guy with an old custom Willy's with a stock-car motor. They call him Henry the 8th, because he's always eating a turkey leg. He's always got a six-pack of orange Fanta because it's even cheaper than beer. He's got a window on the world, framed in beef jerky and raw-hide fringe. He's got a Constitution, because he's a pawless whisker bear afloat in the eyeball of an eagle. He's just like a gasoline powered goat-head in the pouch of a weeping Kangaroo, a thorn in Jesus' fore- head, a coffin full of undead cigarettes, an American Spirit whose right to be here is codified in law. Hes at Mud Mountain, but hes the only one there who voted for Willy Clinton, and he did that by accident. IBM FORMAT Watching Das Boot the other night with some hot-assed American high-school cheerleaders, I was struck by the way they oooh'd and awed over the blonde young Hitlerians. Maybe these ladies don't know it, but there was something intrinsically unfriendly about Hitler. Maybe it was the way, he let you know, basically, with the right backing, a man can do just about anything he wants, for better, or for worse. The main underlying message of Hitler was just that. And that is why Hitler was always already the anti-Christ, or Anti-Mohammed even, because even though he lost the war, he put it in everybody's mind: "Really, when it comes right down to it, I can do whatever the fuck I want." I mean, when the forces are right, a person can basically do whatever the fuck it is they want to do. This really isn't something you want people to understand, and this is something the Church has been blindly blathering on about for centuries. Make them scared, because if they aren't scared, and know they can do whatever the fuck it is they want to do, look out! You think Jesus had it bad, Boschs Hell will look like fucking Disneyland compared to that shit. The Legalists in China always said Man is intrinsically evil, if not, then why I am making so much money being a lawyer. I mean really, I am making a pretty good living because everybody thinks they can do whatever the fuck it is they want to do. Even the Emperor knew, he couldn't do exactly the fuck what it was he wanted to do, he sort of had to coax the ministers. The Emperor was a totally stupid evil person, but at least he had some notion of realism, even if it was a realism based on an attempt to do whatever the fuck it was he wanted to do. So what I'm getting at is that America is sort of like the Matrix. You basically can do what the fuck you want to, no matter if it's good for yourself, or anybody else, even if you dont really fucking know what the fuck it is you are doing, and when you imagine not being one of these batteries, when you imagine waking up as a Jamaican carrot farmer whose family was all killed by bandits 15 years ago, but love your chickens, when you imagine being a legless Cambodian orphan forced to beg outside a bikini factory, but then let's face it, there aren't any bikini factories in Cambodia. I mean really, what could possibly be more corrupt than a bikini factory. Shouldn't men and women have to make their own bikinis, and ideally shouldn't we all be able to grow back any limb we wanted. Everybody knows that the end result of all human endeavor is to make things exactly like a cartoon, so everyone, no matter who they are, can do whatever the fuck it is they want to do, but do it in such a way that is has no noticeable consequences of any form at all, ever, which, when viewed from, say, Alpha Centauri, is exactly what is going on. I mean none of the really elegant aliens are ever going to see this old drunk pumpkin. You think the little gray guys are like really advanced aliens. Those guys are probably the equivalent of an American Meth head, they go around schlepping up a few obscure compounds from the nearest star so they can cook up whatever cross-dimensional hallucinogen or temporal dilation drug they are hopped up on and then they chill for a few centuries back at the gelatin hive.. I think people should come to grips with just how utterly ghetto this galaxy is.. The only hero I ever had was Silver Surfer. That guy had no illusions. He was fucked and he knew it. He knew the rules, and he knew how To break the rules. He was on the lamb from having to be evil. Plus He got to see the Magellanic c
Wordsworth wanders on to the Shanghai metro
Source: The Guardian (3/17/06): http://www.guardian.co.uk Wordsworth wanders on to the Shanghai metro By Jonathan Watts in Beijing Thirty years ago the posters on the Shanghai public transport system screamed Maoist slogans. For the past 10 years they have been hard-sell advertisements for cosmetic surgery clinics and cars. But from next month a more poetic tone will be struck by verses from Blake, Wordsworth, Michael Bullock and Kathleen Jamie. In a sign of changing priorities, the Shanghai metro will display poems by four British poets in a groundbreaking cultural exchange between the world's two most popular languages and its oldest and newest subway networks. Under the deal, which took years to thrash out, the London Underground - which has displayed poems for 20 years - is displaying lines from some of China's great wordsmiths: Li Bai, Du Pu [Du Fu?] and Po Chu-i. Next month the mayor of London, Ken Livingstone, will launch a similar programme in Shanghai with Wordsworth's Daffodils, Blake's Auguries of Innocence, Jamie's The Blue Boat and Bullock's Butterfly. Foregoing thousands of pounds of advertising revenue, the Shanghai metro will display extracts from these poems on 500 carriage hoardings for at least two months. "It is the first time that the Shanghai metro has used cultural content from a foreign country. That is why is took several years," said Jeff Streeter, cultural and education consul of the British Council in Shanghai. "They were very cautious. They looked at the plan very carefully to make sure it was suitable." The Shanghai government employed a literature scholar from Fudan University to assess whether the exchange was appropriate. In the end the main concern was not politics, but pessimism. "The poems on the London Underground are always about death, but we want to create a more comfortable environment for our passengers," said Song Liqiang, the chief of the Shanghai metro communist party committee. "That is why we chose the four poems we did." Mr Streeter, a poetry enthusiast, said he wanted the mood to be upbeat. "We want this project to reflect the final stanza of Bullock's poem: 'A flying flower that changes the colour of my day'." Copyright Guardian Newspapers Limited
Re: The Prospect, Lackadaisical
sugar ray robinson caruso sugar ray robinson caruso go to the lonely valley in your woven palm fedora! go and sing the tenor part (of Fedora) while you shadowbox shadow box the Mantuan Muse of Madness That Virgilian Anxiousness of tending goats near the ocean whose thrum and hush crash and vumm Bug Jargal a buggy boxer's cortex suite whose tools lie oxydizzying in the saline immensity corrupted useless as a woman in the bed of a proper pirate O that you might sing to those cannibals a song so sweet and empty so furtive with destiny that the flame of its cooing breath might open a window into a world without long-pig a world in which utterance representing more than animal mouth noise might come to mean a star-light born from within and kindling a universal brotherhood of wonder a feeling which would not fade like the footlights of the theatre but grow with each passing day until in its gnarled unceasing brilliance it might open itself into a Weird Aeon where knowing flowed and burst through the cataracts between us where finally in that amazing jungle world of hope birds of paradise all would throb to the glorious izbokbinelda of pure energy where finally I might be buried in a white chocolate Yeti-rolls whose stylized curls mimic'd the feathered moustaches of Quetzalcoatl in a jade tophat where finally sugar ray robinson caruso might put down for the count the blackness of the human heart down onto the canvas where it belongs a painting of words in a fugue-ish ring whose circle is squared by language's shipe-shafting mastike its original error whose is as Oz makes an emerald grown like a gobsmacked schnoz; Pow! w/ hummingbirds for blood.. > Lanny Quarles wrote: > >>sugar ray leonard nemoy perversely builds his nautilust from >>the dismantled remains of the global war machine manta, a smoky >>and gleeful pod of chimerical pines for a home, he reigns >>as alphabeast over the tiny misbehaving island of Cyclopian Rocs >>where once Sinbad sinned bad, and where Caliph Mickey Mouse >>once admitted 'his' Eunicity to Moon Unit Zapata, her huge aloof >>skies being investigated by ingestions of Interpretol. >> >> >> >> >>>phanero wrote: >>> >>> >>> >>>>this verse is a striated heap wherein I'll, in this mantle, well >>>>up, a thrall to the lupine eye, which, remote and rapacious, >>>>yokes a pattern so infinitely tiny, spieling, spilling chimerically, >>>>the skies, the skeins of the misbehaving sisters. >>>> >>>>- Original Message - >>>>From: "Harrison Jeff" <[EMAIL PROTECTED]> >>>>To: >>>>Sent: Wednesday, April 05, 2006 3:55 PM >>>>Subject: The Prospect, Lackadaisical >>>> >>>> >>>> >>>> >>>>>this verse is a strayed hope wherein I'll, dismantled, dwell, >>>>>unenthralled, and like the moon aloof, and with obscured glee, >>>>>upon space raised huge by pines, spelling, alphabetically, the skies >>>>> >>>>> >>>>> >>>> >>>> >>>this verse is a stranded populated stopgap wherein I'll, remandered (the >>>hell with Mickey Mantle), tell Interpol of, like the moon's proof, and >>>with obdurate spleen, opting space raised to huge pines, spieling, alpha >>>male likely, the smoky pod skies >>> >>> >>> >> >> >> >> > sugar ray robinson caruso displayed just the negative amperes that I, > under-enthralled, perceiving rink rats, cooled over briny fires, stemmed > as certain file functions, goggling at the vision of geese in the atria, > present for intense stock exchange, puttering modestly in the garden > near the winch, spying a gross fantasy a-sail on the rumour of seaside > bling, sweating out the lodge, groping thru handbags for the extreme > message doctored late in the day, raising nimoy on theories of dawn of > the deed and exaggerating the potency of pretending to be a wheel, all > the while relating to the exhaustive exchange between one verb tense and > another, always associated with ratchetts >
Re: Allan Kaprow, 1927-2006
I studied Contemporary Museum Practices, Pomo-Art theory etc under a man named Jeff Kelley. He wrote one of the main theory books on Kaprow that is out there. We had Kaprow come through UTA in the 80's and do an action. At the time I wasn't very impressed, but after reading more about him over the years, I think he was a pretty fascinating figure. Sorry to hear about his passing. lanny > Dear all, > > > Allan Kaprow has passed away. > > > > Begin forwarded message: > >> From: Reid Wood <[EMAIL PROTECTED]> >> Date: 6 de abril de 2006 02:06:46 GMT+02:00 >> To: FLUXLIST@scribble.com >> Subject: Re: FLUXLIST: Re:Allan Kaprow >> Reply-To: FLUXLIST@scribble.com >> >> Judith- >> >> Thanks for the information - sad news, as more and more of the >> artists who I feel connected to are leaving us. >> >> Reid >> >> On Apr 5, 2006, at 7:44 PM, Judith wrote: >> >>> Allan Kaprow passed away early this afternoon at home with his >>> family around >>> him. >>> He has been ill for about two years. A memorial for him will be >>> planned >>> later this year. >>> He has influenced many, many people, not just artists, and his >>> memory will >>> be part of all >>> our lives. We are diminished by his loss. >>> >>> Judith A. Hoffberg >>> >>> >> >> > > > > > Kamen Nedev > c/Pelayo Nº38, 5º Izda. > 28004 Madrid > España > > (+34) 649 77 80 37 > [EMAIL PROTECTED] > http://emitmedia.blogspot.com > http://emit.omweb.com > > > >
My Eye is a Twisted Skinless Dolphin Lyre
for Sekitani Norihiro (such as it is) orange magma skull upon whose brow lay a floating isthmus whose weeds are black lambs with garish wax paper lantern heads from which twin sisters peer naked as garbled chromosomes with faces like platinum scolex connected by bridges of simple silent mystery balloon organs yodeling through scream-fluted thorax accidents: This cold day of fire looks looks timorous as timorous as an avalanche of foetal cities suppurating upon the ribbed flange of some random trachiovaginal altar of solitonic dew blasts Gondwana everlasting Radio isotopic mud jesus antigen with green meat-armor paradox severs the umbilical of rationality upon the swaying scissoring vibrolaser ciliation slab whose formless paean is the yoke of amoeba-headed farmer worms who pass black blastomeric engines into the solar camera hexagon abomination which as an empty field of snow seems like a moth frozen in an amber spleen a moth made of tiny memories like hands reaching through a stylized silk rectum embroidered with fluorescent calligraphic capillarica autobahn for zombi avatars whose radiation profiles are like cocoons of plasma involuted through insect ape frames whose ornamental mandible chandiliers weave hallucinodjinns protein ghosts snipped by light speed keratin
Heavy Duty Styrofoam Treehouse w/ Chill-Hammock Called M¨¢o-m¨´-¨§r
pandaemonian flutter of nudibranchingopalitchinensystemming preludes the torn vue portal which gazes out into the immensity of the virtual where a writhing knot of illuminated robotic zeppelin snakes are piloted by oracularfoamouthed telepresent assemblagedreamers momentarily inhabiting thepilote' inscription puppets which enact the enigmaknotting copulanalaugury watched by the ophidiomantiseer surveillance drones swarming like a fog of physical applets in the periphery Oh, periphery! Oh, Jade pelvis replication! Oh vertebral image analogue! Oh, supple orange fungiflesh which blossoms from jade micropores and builds irregular cuboid apartment clusters along the pelvipede where maniac emblems of pollenspoore fester in animated ikomorphogenesis painting the inner walls with living frescos of momentary microfloral pixellisations whose instantaneous and fast-forward evolutions blossom into obscure elaborate phytomorphic lekking displays perceived as dreams before being eaten as food by scavenging bands of gahongankappatentaculi which flow like fumes from the eye-sockets of the bloodred totemitelephant carbuncle skulls which form at either end of the jade pelvipede pseudourobourikon whose tusks are honeycombed sulphur fuzzed in yabbling waters brimming with sentient chemosynthetic krillionts worlding with their palpspeeched fluttersluicings innumerable ikomorphs which appear like rhythmic cascades of chromatic lace along the boiling sulphurtusk chemoreefs soon to be harvested by the 3,4,5-trimethoxyphenethylamine reindeer yeti lord whose sacred body mycelium is the grandfather noise beard of unfathomable black eternity itself a hyphae-hyphae in a greater shag, in the elder Ötzi wilderbeesth whose ancient dangling cytoskeletal galaxies seeth like oil in water on the mirror of time grunt radar apple Apical Germ Pore Yoda in scotch tape mummy hand glub,glub Huff 3M Desk and Office Cleaner: is the from jade in scotch ikomorphogenesis painting along the shag, in pandaemonian flutter the elder evolutions blossom physical applets and fast-forward beard of unfathomable form at hyphae-hyphae in which appear like micropores and builds grunt radar pelvipede where maniac the ophidiomantiseer walls with where a writhing gahongankappatentaculi which flow pseudourobourikon whose being eaten microfloral pixellisations rhythmic cascades of the oil in Office Cleaner... is the emblems of lace along the virtual surveillance drones swarming like a with sentient hand glub,glub Huff 3M whose ancient tusks are skulls which lord whose sacred either end the enigmaknotting knot of pollenspoore fester totemitelephant carbuncle of nudibranchingopalitchinensystemming preludes black eternity the boiling the mirror vue portal analogue! Oh, supple from the Desk and Ötzi wilderbeesth of chromatic a greater seeth like illuminated robotic orange fungiflesh pelvis replication! Oh whose instantaneous by scavenging irregular cuboid reindeer yeti Pore Yoda water on zeppelin snakes are perceived as worlding with their the immensity of chemosynthetic krillionts puppets which enact dangling cytoskeletal galaxies dreams before apple Apical Germ eye-sockets of out into thepilote' inscription fog of like fumes as food of time of momentary grandfather noise the torn oracularfoamouthed telepresent innumerable ikomorphs piloted by vertebral image yabbling waters brimming which gazes the bloodred the 3,4,5-trimethoxyphenethylamine tape mummy itself a bands of which blossoms sulphurtusk chemoreefs soon to living frescos periphery Oh, into obscure body mycelium jade pelvipede lekking displays honeycombed sulphur apartment clusters periphery! Oh, Jade in animated fuzzed in copulanalaugury watched by assemblagedreamers momentarily inhabiting in the elaborate phytomorphic the inner palpspeeched fluttersluicings be harvested by and fast-forward micropores and builds the mirror zeppelin snakes are reindeer yeti being eaten like fumes periphery! Oh, Jade of the of chromatic yabbling waters brimming of momentary gahongankappatentaculi which flow fuzzed in irregular cuboid Office Cleaner... surveillance drones illuminated robotic the immensity of itself a the torn into obscure periphery Oh, dreams before seeth like with sentient along the out into which appear like evolutions blossom pandaemonian flutter oracularfoamouthed telepresent the elder lord whose sacred apartment clusters where a writhing copulanalaugury watched by lekking displays vue portal thepilote' inscription water on is the chemosynthetic krillionts puppets which enact a greater pelvis replication! Oh as food innumerable ikomorphs oil in pollenspoore fester of time tusks are in scotch walls with microfloral pixellisations emblems of grunt radar Ötzi wilderbeesth rhythmic cascades whose instantaneous honeycombed sulphur the ophidiomantiseer apple Apical Germ eye-sockets of the 3,4,5-trimethoxyphenethylamine hand glub,glub Huff 3M from the the bloodred the virtual body mycelium living frescos ban
Being by numbers
Being by numbers - interview with artists and philosopher Alain Badiou - Interview http://www.findarticles.com/p/articles/mi_m0268/is_n2_v33/ai_16315394
abaton-limbs
its limbs foto which had the individual in this uncut rock' and parched limbs extending into the effect of life size votive limbs foto which had the effect of varying location somewhere between glasgow and ra recovered which had the mother offering to a scots town of his limbs the red king meets the abaton with the red king comes your limbs foto which had the phantom limbs and ra recovered lady of varying location somewhere between glasgow and ra recovered now isis not only used the individual in the cracked and ra recovered which had the slingers shot of abaton vainly clutching at phantom limbs on biga strict laws were enforced for details see or it must be the highlands cleansing before entering the joints of the middle of driving the abaton the accumulated mass of abaton the isis not only used the countries of life and ra recovered which had the joints of abaton peg awaiting the grove is a scots town of life lady of driving the countries of the damned foto which had the latency to her the heavens individual in both their leg and ra recovered now isis not only used the monster swept by the monster swept by me and guard me and guard me abaton or by me abaton the mother offering to her the abaton is an abaton lady of driving the abaton macintizer adb digitizing tablet connected to the phantom limbs and guard me abaton abaton is coming a dream in both their leg and his limbs rejoined and parched limbs of the accumulated mass of the damned foto which had the accumulated mass of smoke squirted out from the limbs of life lady of life and parched limbs rejoined and guard me abaton words of khebt usert-isis giver of the joints of osiris that exists in sound when the poison out from the poison out of his limbs and crural segments ber das abaton is a dream in sound when the retriever the highlands cleansing before entering the divine decree regarding the accumulated mass of the lower limbs of me abaton with the first at fleshies the first at phantom limbs and tasks performed on tuesday august edt its limbs and crural segments ber das abaton peg awaiting the individual in sound when the poison out of his limbs extending into the limbs rejoined and crural segments ber das abaton with limbs as the joints of the joints of driving the abaton where ill sleep tonight columns of his limbs on tuesday august edt its limbs of his lover animated him once more na incov ur ite pote spr va e septembra form cia vyst pi v pra skom klube abaton lady of khebt usert- isis giver of driving the south isis lady of khebt usert-isis giver of the latency to the cracked and tasks performed on this uncut rock' and organs found in sound when the damned foto which had the main hall of the isis not only used the effect of life lady of smoke squirted out of philae lady of course the words of the heavens of driving the poison out of abaton i give you all power praha czech republic abaton i give you all life and parched limbs foto old skull iii warszawa aurora with limbs extending into the individual in sound when the damned foto which had the poison out from sir thomas bulfinchs my heart's in the effect of his limbs as the winter is an abaton i give you all life lady of abaton vienna squirted out of the heavens of life and crural segments ber das abaton his limbs the limbs and guard me abaton lady of varying location somewhere between glasgow and ra recovered usert-isis giver of the phantom limbs somebody twist spam zero am gold marianne afraid of abaton abaton vienna squirted out from sir thomas bulfinchs my heart's in both their leg and his limbs and ra recovered usert-isis giver of his limbs castanets cookie abaton the accumulated mass of life lady of power praha czech republic abaton lady of his limbs extending into the poison out of abaton abaton is a scots town of abaton where ill sleep tonight columns of abaton his limbs as the words which had the first movement following abaton the latency to her the poison out of driving the limbs as the monster swept by me and ra recovered usert-isis giver of stones other with the isis not only used the poison out of life lady of khebt usert-isis giver of power praha czech republic abaton his lover animated him once more na incov ur ite pote spr va e septembra form cia vyst pi v pra skom klube abaton sacred space posted on tuesday august edt its limbs rejoined and organs found in both their leg and all life and ra recovered usert-isis giver of driving the joints of driving the poison out of philae lady of the countries of his limbs on biga strict laws were enforced for details see or by me of his limbs and his lover animated him once more na incov ur ite pote spr va e septembra form cia vyst pi v pra skom klube abaton the divine decree regarding the abaton i give you all power of abaton macintizer adb digitizing tablet connected to the grove is coming a scots town of the abaton lady of the grove is from the damned foto which had the divine decree regarding the monster swept by me abaton vainly clut
columnar swarm geometry
the epithelium lining the fault plane a-radial a-rand a-smooth a-spring abstract transmission electron microscope image was the typical columnar epithelial cells mutually euclids geometry spherical geometry from you can get an optimal awakening schedule for robots the electron microscopy relative earthquake swarm off the swarm swarm of the dike plane geometry is in press correlation with spatial distribution of the geometry the height increases and slightly fan-shaped swarm perigee altitude swarm geometry from you can get an idea of subsurface fault plane solutions for robots the geometry plane geometry plane a-radial a- rand a-smooth a-spring abstract transmission electron microscopy relative earthquake swarm of subsurface fault geometry spherical geometry from the swarm were those of reference to achieve by light and the term columnar liquid-crystalline molecules have a will-of-the-swarm seems to determine an idea of reference wikipedia columnar and bronchioles were those of swarm swarm off the first hours of columnar phase the a multiloculated cyst lined by a swarm of poles to the geometry aim i want to the euclidean or studies show that the columnar liquid-crystalline molecules have been assuming they just hover there like a swarm were selected results demonstrate that this approach creates a swarm altitude a-pad a-perp a-plane a-polys a-proj a-pt plane of swarm altitude swarm of bees each star is provided free of the geometry aim i want to determine an idea of within swarm were selected results show that converges onto a l plane used in the swarm in the caldera the milky way galaxy must certainly regularly pass through the epithelium with tiny villi and electron velocity and suggested geometry plane a-radial a-rand a-smooth a-spring a-swarm a-terr gl terrain gl kinescope gl terrain lesser txt to morphological tall and bronchioles were selected results show that it is the swarm of columnar and individual initiative a typ of subsurface fault plane of within swarm geometry aim i want to the swarm apogee altitude swarm geometry separation full text of foci and individual initiative a swarm of the vertical dashed line compared with special reference education is covered with tiny villi and individual initiative a will-of-the-swarm seems to achieve by light and the optical microscope imaging of pollen exine including the the term columnar a-spring a-swarm a-terr gl terrain lesser txt to intrusion planes swarm and individual initiative a thin the electron kpa plane-plane electrode geometry trigonometry during a swarm events during may the hepatic lesions showed a multiloculated cyst lined by a typ of saturn self-faith and features of subsurface fault plane used in d in the izu peninsula japan in the swarm off the the film grown on the milky way galaxy have been assuming they just hover there like a l plane a-radial a-rand a-smooth a-spring a-swarm a-terr gl kinescope gl terrain lesser txt to determine an idea of foci and electron microscopy with random moving planes as orbital planes and nearly all of the array between mation is provided free of pollen grains pollen exine including the fault plane a-radial a-rand a- smooth a-spring abstract transmission electron microscope imaging of robots in the swarm electron microscopical observations on the swarm and features of foci and d in d is provided free of bees each star is in press correlation with random moving planes and electron microscopy with geodetic extension uplift ently the swarm orientation swarm and electron microscope shows that converges onto a typ of instanced geometry the seismic energy was associated with geodetic extension uplift ently the plane solutions for swarm of electrons passed through the izu peninsula japan in the columnar phase the film grown on sio density contoured plots of the height increases and d is in d in the swarm of swarm geometry plane geometry plane geometry is much better define the swarm of within swarm was the swarm of tectum columnar defects line compared with tiny villi and columnar liquid-crystalline molecules have been deposited by a will-of-the-swarm seems to the march earthquake swarm electron velocity and electron microscope image was the caldera the izu peninsula japan in analyses of electrons passed through a multiloculated cyst lined by a l plane of undifferentiated cells by a columnar phase the film grown on during the surface projection of the euclidean or columnar structure while the array between mation is in press correlation with random moving planes as orbital planes as orbital planes swarm of the fault plane a-radial a- rand a-smooth a-spring abstract transmission electron velocity and electron microscopy with tiny villi and slightly fan-shaped swarm perigee altitude a-pad a-perp a-plane a-polys a-proj a-pt plane geometry of bees each star is applied but the march earthquake swarm and electron microscope imaging of swarm in the reference samples these results demonstrate that this approach creates a h
my trunk, my hand, my broken hooves
my trunk, my hand, my broken hooves my head, my shaggy mane my trunk is wedded to a loam (via oscillating and molten pyrex beaks) in which sky-blue livers sing. my hand will enter the word as the platypus will enter the steel bladder of the shattering apsidiole. my broken hooves are conjoined (via rubberized antoinettes) to a hobby-horse whose complexion of treacle is a beach of naked and foetal mammoths. my head will enter the song as the hydra will enter the communal bath-house whose walls are intestinal stones lined with vomiting birdcages. my shaggy mane is communicating (via hybrid polios) to a fecal temenos whose diamond- lined senator molluscs breathe heavily through green louvred esemplastic jewelry throats.
forever was
forever outside this inside forever stone like you the walls where mountains stood the rain in you would fall now me now forever other this ocean inside the walls outside forever the stone in you now forgotten we forever the walls where stone has crumbled we sleep alive forever now these walls outside inside now forever was
in some abyss
black or in some abyss informed by variable threads the doubt expanding would penumbra blake's conclusion or schemata become some stigmata without culture where homo religio rust-bound and trapped must awaken to a total physics turbo turban beyond words as if pons-clio-ourobouros whatever incapable statements to recoil the music of "next" marks now encumbered this infinite mother or political clock your name is written in numbers and the painful swelling of eyes where sand and pupils proliferate in the sea of schools
gazelle-schuft
aa ii tere sivaa hai ziinaa utarii hai jo patthar kii dhuup nahii.n yaani ki dil ke liye mujh se puuchho jo koii dam bahut hai ye manzar baarahaa dekhaa na 'Meer' ahavaal aaj dekhaa na jaaye hameshaa ke liye mujh se bichha.D jaa ye kin nazaro.n se judaa dekhaa na jaaye Galat hai yaa.N yak lahazaa siinaa kobii se nahii.n yaani ki dil ke jii se aage shoharat merii pahu.Nchatii hai abas tumhe.n tum Gazale.n kah kar apanii aag bujhaa loge us ke jii se bichha.D jaa ye manzar baarahaa dekhaa na jaaye 'Faraz' apane sivaa dekhaa na jaaye yahii to aashnaa banate hai.n har bastii me.n terii hii baat jaan-e-mujassim bahut hai yaa.N ajaaz-e-isavii se kare.n savaal aadam nahii.n aa jaaye.n ham nazar jo patthar kii chaa.Ndanii ban kar koThe koThe koThe utarii hai yaa.N ajaaz-e-isavii se daraham bahut hai kyaa tum ko ii isii liye mujh se furasat hame.n nahii.n suurat-e-adam bahur hai yaa.N haasil hai yaa.N mere hilaak karane kaa kis se furasat hame.n nahii.n bahas ishq me.n terii hii baat jaan-e-mujassim bahut hai yaad kisii kii dhuup nahii.n yaani ki dil ke liye mere hilaak karane kaa maatam bahut hai raat-beraat udhar mat jaanaa ik
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In 1368, a giant oppossum.
rute batklub
and freedom or otherwise the peacock does not unknowing which radiates out of its antidotal powers sudden hush fell on smoke cover sit board on the ether interlacing exponentially nested levels connecting the peacock does not find place little child paddle small boat drift pick white lotus back not unknowing but perhaps free of mathematical and looked at come heaven bright go come tears utmost gauze cloth not unknowing which radiates out of stupidity and watch movies day sliding by flowering trees over black bricks rute b tklub for transformation then an infinitely long flagella not mist night half come like morning haircut cleaning up and steady sunshine room door cloth dream not find place little child paddle small boat drift pick white lotus back not open mountain monks facing chess piece sound red cheek not unknowing which are engaged in their sanskrit language there was blossomed from the ether interlacing exponentially nested levels connecting the stage and fractal unknowing but perhaps free of decent supposition not succeed night deep before palace press song sound pillow low quilt warm body smooth and fractal unknowing which is a particular kind of assemblies which is a way of daily dreamingsuffused with daylight's grim certainty a hotspot check shedding skin scratches the head or perhaps free of assemblage is a way of strange calcium architectures and like a way of stupidity and watch movies day sliding by flowering trees over black bricks in transformations and let's shoot a head like a tiny undersea camera like a domain within a hotspot check shedding skin scratches the primitive world tricks for transformation then an infinitely long flagella not bloom mist not bloom mist night deep before palace press song sound red cheek not know hide trace duckweed one path open still have young spring air taste often brief arrive sleep at come tears utmost gauze cloth not old favour first cut slant lean on bamboo dark quiet shine bamboo no such expression as mr summers cleared his throat and ash falls from the universe's assemblies of the cave of assemblies of assemblage is a sudden hush fell on bamboo no such expression as the peacock does not mind eating poisonous creatures by flowering trees over black bricks in transformations and steady sunshine room door blonde dead knuckles scrape garden meats broken gluebloom not perhaps some schematic tyranny lodged in a bleak horizon soft eyeballs look out from the grating reticle on smoke cover sit board on the wooden door blonde dead knuckles scrape garden meats broken gluebloom not succeed night half come like an infinitely long flagella not find place little child paddle small boat drift pick white lotus back not open mountain monks facing chess sit arrive brightness for now my temperance has erected this is possibly an early morning cloud not succeed night deep before palace press song sound red cheek not open still have young spring air taste often brief arrive brightness for instance in as the cave of history's absence the peacock eats poisonous creatures instead they said the list flowering trees over black bricks rute b tklub for instance in poetic code whatever the great intrepid lobstertail of taking a coral tumbleweed held up and like a tiny undersea camera like morning haircut cleaning up and transactions of information this zone and watch movies day sliding by a tiny shiny candelabra of assemblage and steady sunshine room door cloth dream not unknowing which are engaged in poetic code whatever the crowd as from the peacock does not open mountain monks facing chess sit board on the peacock eats poisonous creatures by a wall a way of taking a tiny undersea camera like a head like a wall a hotspot check shedding skin scratches the stage and i enter in their sanskrit language there was blossomed from the peacock does not old favour first cut slant lean on the burden of information this is a domain ad mysterium which is possibly an view of the crowd as from the stage and watch movies day sliding by a way of decent supposition not bloom mist not perhaps proof cosmological or perhaps free of stupidity and steady sunshine room door cloth dream not old favour first cut slant lean on smoke cover sit board on bamboo dark quiet shine bamboo no such expression as mr summers cleared his throat and let's shoot a domain within a way of assemblies which are engaged in transformations and transported by a swarm of history's absence the primitive world tricks for now my temperance has erected this assemblage and steady sunshine room door blonde dead millionaire thirsty cats fall dead knuckles scrape garden meats broken gluebloom not open mountain monks facing chess sit arrive sleep at the ether interlacing exponentially nested levels connecting the ether interlacing exponentially nested levels connecting the army the universe's assemblies which is a wall a knife to do but perhaps some schematic tyranny lodged in as mr summers c
cave
this most appropriate cave is associated with spasm. a long cave. a deep cave. a cave which has a mechanical door erected. this cave has its inner surfaces patterned. this cave is empty, except for a single block of stone with a skull on top. this is a delicate cave, also one with a few bats. a cave which is in the shape of a trident. a cave which eventually digests you. an artificial cave. an email cave. a cave inside another cave. this cave is full of water. also there is a statue. (diana?) this cave has no entrance. in this cave, a bird-headed man sleeps. in this cave, a man sleeps. this cave is full of nothing. http://sprott.physics.wisc.edu/fractals/collect/1999/cave.jpg
between mother and space-food
out of balance between mother and space food and daughter corms bright indirect light and loam had a time of the bare loam no-man spirits our dust mother carry me your child i will always be the down consider oestara as an outlaw man the ash of the loam had a good peat-based thought they prefer bright indirect light and loam no-man spirits our dust mother and water insects and space food and water insects and darkness produced in perforated troughs oh mother and space food and loam no-man kneads us again out of balance between mother and space food
word-alveoli run amok
word-alveoli from block-chest-templus in modulus(t) smoothing rain across its back- wards w(h)ere wolfing neighborhoods glossed by tendrils stony eidola(ugh- ing risus purus the hollow laugh a warding off unhappiness nearly a shining light for realism against television dishonest walls factory shakers these tiles one cue now dole the defocused edges of tracing affirmation stillborn underheavymetal river once by the skull held up now encountered by instrumentality run amok
random walk round trip
this is a fine piece noemey-automata! this bit here seems a bit of quentessential codewerk poetix.. nice. thought reflecting the bio-mechanicality of value implementations or some such it was worth it (73,20) 'it was worth it' (77,6F) the round trip (72,74) worth is in the middle (68,20) 'it' doesn't have worth (69,74) only it-it as was (0D,0A) calling worth (27,69)
pride as pregnant
pride as pregnant after he had placed the last snow-white fern into the frame he would pace the dull halls of the gallery in his ash-brown suit dragging his big golden knuckle-ring across the stone table leaving an invisible scratch then pause when blonde hair fell through an open door; = light strangles/ it moves up in the shape of a substance a man standing still on the landing and you hit it walking down and it sticks to you a perfect mask of cuneiform grasshoppers each tiny body covering your breath now holding your tongue out solid brown as rough as bedlam the long scratch glowing in the dark
"rany a mysteria"
"rany a mysteria" was blue attracted these, from the mountain-slopes: bent itself damp stretching veranden edges this started blue that on the tar the rusty colouring of the ivy, in the locations of fracture the fuse boxes, knot, the rough sugar cubes spray on the metal skins of the telegraph wires over the skeleton from sandstone from the picture the broken stretched themselves the hand and the lime in the locations of fracture seeped air by the shady notch stairs came the parapet wall the matte angle the diagonally exposed horizon the cool of the defeated ones. and drive the tar the rusty colouring of the ivy, which fills stones and and lowered the pressure in patches only on the metal skins of the pupils gradate, the perspective out of the memories stacked one above the other the matte angle of the beach wall, behind which, I fill future with pictures for the roofs delete, the perspective of the memories stacked one above the other the matte angle of the beach wall, behind the finger grooves, the narrow lime in the windows rose quietly also, a movement, that the living persons clouds behind the living persons clouds behind the victorious thing. But the living persons once could. . . oh which PrivatPoebel. If one them only pleasantly the muzzle plugs and the play ran. In all other respects I am the opinion the fact that communism be destroyed must and me pleases napkin-struggles, the roughly polished edges bent Jupiters in the museum of Tunis he used both for the living persons mountain-slopes: this soft rhythmic momentum, the landscape scores to give seeped air little after, and the in-wound boats sea and the in-wound memories the matte angle of the sand surface firmly their roughly polished skies was blue attracted these, from which ears hear-keep in track, warmer sounds became more easily from the windows rose quietly also, a movement, which pressure of the slope stairs came the shady notches stairs came the shady notches a stair outlet, exaggerated from grey wire the roofs deletes, which could do itself damp stretching once. . . oh which PrivatPoebel. If one them only pleasantly the muzzle plugs and the play is run sky was this sky blue started this was a tender turn the thing held. But the narrow lime in the shrubs attracted, of auf-und patches abbott-also-end only on the cemetery in Rotoli the old weapons and again pulled together the sichel sea slowly knot returned, stretched itself the hollows of the telegraph wires over the diagonally exposed horizon to the bank, at the shrubs started edges boats sea and sounds became more easily of tore the course at the locations of fracture fuse boxes, the cool finger, that the future, I fill with pictures for the houses upward got the light before the windows rose quietly also, a tender turn the thing held. But the seaweed paths seized veranden that the tar the rusty colouring of the ivy, the shady notch a stair outlet, exaggerated from grey wire that the seaweed paths spray on seized veranden that spray on cleaning water to tore tar rusty colouring ivy, which sounds in the shrubs attracted, from which ears hear-keep in track, warmer became more easily of patches only on narrow becoming clouds behind the sheaves from wood, and which sounds became more easily from the ears to hear- keep in track, warmer sounds became more easily from the mountain- slopes: this soft rhythmic momentum, the landscape scores to give fuse boxes, knots, which hear-keep in track in the ears, warmer sounds more easily of patches only pleasantly the muzzle plugs and the play ran. In all other respects I am the opinion the fact that capitalism be destroyed must and pleases me the thing of the defeated ones. and drive the course to the telegraph wires over gradate, the roughly polished edge boats the sea out slowly the in returned to the bank, at the locations of fracture safeguard ditches before the hills The dead ones lead themselves damp stretching isolated branches, which must become narrower, and the victorious thing of the defeated ones pleases me. and abbott-also-end to mountain-slopes: these blue attracted, from which ears hear-keep in track, warmer sounds, that engages the beach wall, behind the hand and the seaweed paths seized veranden that spray on the course to the hollows of the beach wall, behind which roofs deletes, which touch the top side of the defeated ones. and clouds behind the windows abbott-also-end rose quietly also, a movement, which pressure in the ears hear-keep in track, warmer sound, that firmly engage the pupils of the sand surface their roughly polished skies was blue attracted these, from the mountain-slopes: this soft rhythmic momentum, the pressure of the villi against wave near, their twist from sea-grass swallowed and words. They cannot differently. The blood flows into the Mediterranean. They cannot differently. The blood flows into the Mediterranean. They build karthago New York for ruins. The enormous left elbow itself into the hand and this soft
