Re: [backstage] FYI: Open iPlayer

2009-10-22 Thread Tom Loosemore
 There’s no (public) evidence,
 beyond the existence of Kangaroo, that other broadcasters are actually all
 that interested in a one-stop aggregation portal (I’d be tempted to say
 “more fool them”—right now, they need all the help they can get).

coughs http://testtubetelly.channel4.com /coughs

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[backstage] 4oD + Facebook Connect = TestTubeTelly

2009-07-13 Thread Tom Loosemore
http://blogs.channel4.com/platform4/2009/07/13/4od-facebook-test-tube-telly/

- Few 1000 C4 programmes on demand with Facebook-powered social nav.
Also includes broadcaster's stuff from their YouTube channels.
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Re: [backstage] video cameras + sailing dingies

2009-05-31 Thread Tom Loosemore
2009/5/23 Tim Dobson li...@tdobson.net:
 Hey there,

 This isn't a common question I'd guess but here's a good a place to ask as
 any! :)

 So basically I've just acquired a small waterproof HD video camera and I'm
 looking for the best way to mount it onto my Laser EPS[1] sailing dinghy.

Am a bit late to this party, but a bloke at my sailing club attaches a
rear-facing camera to a long cane sticking out the front of his cat.

http://www.youtube.com/watch?v=nHimuDDAmks

clearly, easier to do this with a catamaran, but might be worth a try
since you get a better sense of what's occurring.

- my favourite sailing/web crossover discovery is http://www.gpsvisualizer.com/
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[backstage] Free that data / Power of Information Task Force report

2009-02-01 Thread Tom Loosemore
If you want better access to Government data, then get commenting on
the Power of Information TaskForce report here

http://talk.dius.gov.uk/poit/

The stuff about freeing up Ordinance Survey geospatial data is here:

 http://talk.dius.gov.uk/poit/2009/01/trading-funds/

On this one, your comments matter...
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Re: [backstage] Loosemore joins Channel4

2008-08-21 Thread Tom Loosemore
does it need explaining?

;o)

http://www.4ip.org.uk - i don't start until end of Sept...



2008/8/21 Ian Forrester [EMAIL PROTECTED]

 http://www.guardian.co.uk/media/2008/aug/21/channel4.ofcom

 Wow backstage are slow to pick this one up...

 I wonder if Mr Loosemore will be explaining his move on the list? :)

 Ian Forrester

 This e-mail is: [x] private; [] ask first; [] bloggable

 Senior Producer, BBC Backstage
 Room 1044, BBC Manchester BH, Oxford Road, M60 1SJ
 email: [EMAIL PROTECTED]
 work: +44 (0)2080083965
 mob: +44 (0)7711913293

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[backstage] Freeing up Postcodes, etc

2008-07-22 Thread Tom Loosemore
Sadly, the BBC's intentions to release it in-house geo-location API was long
ago stymied by  various licencing nightmares (It's  been 'coming soon'
since  May 2005 http://backstage.bbc.co.uk/data/PostcoderApI?v=msy )

However, good news for those who fancy playing with postcodes, addresses and
associated geolocation goodness: the full Royal Mail Postcode PAF file is
available to those entering the Cabinet Office's ShowUsABetterWay.com data
re-use competition.

See http://www.showusabetterway.co.uk/call/data.html#mail for details of how
to get hold of the file,but don't dawdle as the competition runs to end of
Sept.

-Tom


[backstage] New Government APIs (plus win 20k to develop your mashup idea)

2008-07-02 Thread Tom Loosemore
The Cabinet Office's Power of Information Task Force just launched a
competition for mash up ideas using public data. See
www.ShowUsABetterway.com

Some new government APIsand data dumps  too:

http://www.showusabetterway.co.uk/call/data.html

Neighbourhood Statistics API from the ONS, Health care information API
from NHS Choices, a list of all UK schools from the DCSF and the zip
of Official Notices from the London Gazette.
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Re: [backstage] New Government APIs (plus win 20k to develop your mashup idea)

2008-07-02 Thread Tom Loosemore
... read the licence constraints first still, it's a start!

2008/7/2 Brian Butterworth [EMAIL PROTECTED]:
 This looks quite interesting...

 http://openspace.ordnancesurvey.co.uk/openspace/

 2008/7/2 Tom Loosemore [EMAIL PROTECTED]:

 The Cabinet Office's Power of Information Task Force just launched a
 competition for mash up ideas using public data. See
 www.ShowUsABetterway.com

 Some new government APIsand data dumps  too:

 http://www.showusabetterway.co.uk/call/data.html

 Neighbourhood Statistics API from the ONS, Health care information API
 from NHS Choices, a list of all UK schools from the DCSF and the zip
 of Official Notices from the London Gazette.
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 http://www.ukfree.tv - independent digital television and switchover advice,
 since 2002
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Re: [backstage] BBC Topics - in beta

2008-06-06 Thread Tom Loosemore
lovely... really solid start IMHO...

so when do we get machine readable versions of /topics ?

They were promised soon for /programmes when that launched back in Oct 2007?

;o)

2008/6/5 Brian Butterworth [EMAIL PROTECTED]:
 James,

 This does, indeed, look very promising.  I'm hoping that we can have
 automatic links to these pages from the BBC News and other content pages.

 2008/6/4 James Cridland [EMAIL PROTECTED]:

 For those of you who don't read the (full RSS feed) at
 http://www.bbc.co.uk/blogs/bbcinternet/ you might have missed out on today's
 announcement -
 http://www.bbc.co.uk/blogs/bbcinternet/2008/06/bbc_topics_in_beta.html

 With my personal developer hat on, I was impressed at Matt's bit of FAQ in
 his post that says: Can I get the feeds and build them into my own website
 or personal feeds? Yes, feeds will be available soon. Oooh.

 j





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Re: [backstage] Adding Subtitles/transcripts to /programmes pages

2008-06-06 Thread Tom Loosemore
When at the BBC a couple of years ago i asked who owned copyright on
BBC subtitles with a view to getting a feed onto backstage (remember
the indies... and that subtitle creation is  outsourced at least some
of the time to Red Bee)

answer came there none...

i suspect because no-one had asked the question before, and therefore
getting to an answer was Hard

2008/6/4 Brian Butterworth [EMAIL PROTECTED]:
 Jonathan,

 2008/6/4 Jonathan Hassell [EMAIL PROTECTED]:

 Tom - good question. I don't have the answer for you immediately but, as
 one of the people behind subtitling online at the BBC, I'll look into this
 for you.

 I'm really pleased to hear this.  I've been going on about it for years and
 met with reasons why not.

 What would be LOVELY would be if the subtitles could be combined with timing
 information and then this could be linked to the iPlayer.

 So, you could come to Google (or the BBC Search) and enter a phrase you
 heard during a programme and not just find the programme and the timing, but
 directly link to the actual point in the programme on the iPlayer.


 J.

 -Original Message-
 From: [EMAIL PROTECTED] [EMAIL PROTECTED]
 To: backstage@lists.bbc.co.uk backstage@lists.bbc.co.uk
 Sent: Wed Jun 04 09:31:21 2008
 Subject: Re: [backstage] Adding Subtitles/transcripts to /programmes pages

 Sorry to bring this topic back up but i would really like to hear from
 some of the people in the BBC about it.

 Having the scripts of each show, either in pain text or other format,
 on the /programmes would be a great resource. it would allow people to
 search and find information/section of BBC content, which would
 attract users to the BBC, being a valuable index into the contents.

 This information, I would of expected to be, already be available from
 the subtitles that either BBC Subtitles or Red Bee (do they do BBC
 stuff as well as commercial stations?) so it shouldn't be a great
 effort to make this available.

 On a slightly selfish note, it would be great as I could use these on
 iplayer streams that don't have subtitles on my xmbc. I can easily see
 the xbmc-iplayer script being modified to be able to prefetch the
 programmes subtitles and play them with the stream.

 Would making this information publically available be a lot of effect?
 Am I being to hopeful?

 Many thanks

 Tom

 2008/4/14 Steve Jolly [EMAIL PROTECTED]:
  Tom Jacobs wrote:
 
  i think it would be really useful if the BBC made available the
  subtitles for their TV shows via the /programmes pages (or any other
  accessible, searchable API).
 
  Yes, it would be nice.
 
  You can get access to them via a DVB card in your PC, of course, but
  because
  they're broadcast as pre-rendered bitmaps, you'd have to OCR them before
  you
  could do anything useful with them.  A few people have gone down this
  road -
  some friends and I gave a talk and a demo on the subject back at Open
  Tech
  2005.
 
  http://www.ukuug.org/events/opentech2005/schedule/stephen_jolly.pdf
 
  S
 
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Re: [backstage] Stephen Fry: There is this marvellous idea the iPlayer is secure. It's anything but secure

2008-05-08 Thread Tom Loosemore
unhelpfully, the BBC's not yet put up the transcript of the speech, so
it's hard to judge given the vagries of reporting...

http://www.bbc.co.uk/thefuture/

2008/5/8 Andrew Wong [EMAIL PROTECTED]:


 Can I just pedal backwards very quickly as I realise that in reading the
 article, Mr. Fry actually said no such thing... he just pointed out that the
 lock wasn't particularly secure. Which is not news to anyone...

 *pedals backwards rapidly*

  
  From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED] On Behalf Of Andrew Wong
 Sent: 08 May 2008 10:20

 To: backstage@lists.bbc.co.uk
 Subject: RE: [backstage] Stephen Fry: There is this marvellous idea the
 iPlayer is secure. It's anything but secure




 It's rather interesting that one of the very few TV personalities who really
 *gets* the digital revolution (tm) and all that is essentially arguing that
 the digital arms race needs to be beefed up, instead of starting
 negotations.

 My personal opinion, not those of my employers etc.

 Andrew

  

 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED] On Behalf Of Brian Butterworth
 Sent: 08 May 2008 08:31
 To: backstage@lists.bbc.co.uk
 Subject: [backstage] Stephen Fry: There is this marvellous idea the iPlayer
 is secure. It's anything but secure


 http://www.guardian.co.uk/media/2008/may/08/bbc.television2



 He also sounded a warning for BBC executives, accusing them of incredible
 naivety in believing they could control the distribution of programmes
 online.

 Programmes distributed via the BBC's increasingly popular online iPlayer
 service are supposed to be viewable for a week only, and can be stored on a
 PC for up to 30 days. But Fry said that large numbers of viewers were
 bypassing the corporation's digital rights management software, and more
 would follow.

 There is this marvellous idea the iPlayer is secure. It's anything but
 secure, said Fry, host of the TV quiz show QI. His recent documentary on
 the Gutenberg printing press was one of the most popular programmes on the
 iPlayer catch-up service. The BBC is throwing out really valuable content
 for free. It shows an incredible naivety about how the internet and digital
 devices work.

 Fry admitted to bypassing the copy protection to transfer programmes to his
 Apple iPhone, and said the corporation's iPlayer was hurting its commercial
 rivals. 
 Brian Butterworth

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Re: [backstage] Stephen Fry: There is this marvellous idea the iPlayer is secure. It's anything but secure

2008-05-08 Thread Tom Loosemore
Good example of how the world looks *very* different if you're a
rights holder currently making money from your secondary rights...
even a rights holder as clued up as Fry

2008/5/8 Andrew Wong [EMAIL PROTECTED]:


 It's rather interesting that one of the very few TV personalities who really
 *gets* the digital revolution (tm) and all that is essentially arguing that
 the digital arms race needs to be beefed up, instead of starting
 negotations.

 My personal opinion, not those of my employers etc.

 Andrew

  

 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED] On Behalf Of Brian Butterworth
 Sent: 08 May 2008 08:31
 To: backstage@lists.bbc.co.uk
 Subject: [backstage] Stephen Fry: There is this marvellous idea the iPlayer
 is secure. It's anything but secure



 http://www.guardian.co.uk/media/2008/may/08/bbc.television2



 He also sounded a warning for BBC executives, accusing them of incredible
 naivety in believing they could control the distribution of programmes
 online.

 Programmes distributed via the BBC's increasingly popular online iPlayer
 service are supposed to be viewable for a week only, and can be stored on a
 PC for up to 30 days. But Fry said that large numbers of viewers were
 bypassing the corporation's digital rights management software, and more
 would follow.

 There is this marvellous idea the iPlayer is secure. It's anything but
 secure, said Fry, host of the TV quiz show QI. His recent documentary on
 the Gutenberg printing press was one of the most popular programmes on the
 iPlayer catch-up service. The BBC is throwing out really valuable content
 for free. It shows an incredible naivety about how the internet and digital
 devices work.

 Fry admitted to bypassing the copy protection to transfer programmes to his
 Apple iPhone, and said the corporation's iPlayer was hurting its commercial
 rivals. 
 Brian Butterworth

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Re: [backstage] BBC iPlayer, loved by millions, disliked by a single US citizen

2008-05-02 Thread Tom Loosemore
2008/4/30 Nick Reynolds-FMT [EMAIL PROTECTED]:
 The BBC Trust regularly looks at BBC services to see if they make
  sense in a rolling programme of reviews of service licences, which
  include public consultations.

  http://www.bbc.co.uk/bbctrust/framework/bbc_service_licences/service_rev
  iews.html


I wonder what impact the recent launch of BBCGreen.com would have on
investors considering whether to support a  environment-focussed web
start-up aimed at a UK audience?

- Oh hang on, BBCGreen.com is done by BBC Worldwide and so isn't
covered by bbc.co.uk's service licence. Neither is bbc.co.uk/iplayer.
Is news.bbc.co.uk ?
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Re: [backstage] BBC iPlayer, loved by millions, disliked by a single US citizen

2008-04-30 Thread Tom Loosemore
 New BBC services now have to go through a market impact assessment to
  ensure they are not anti competitive:

  http://www.bbc.co.uk/bbctrust/framework/public_value_test/#part-5

but existing BBC services (ie everything other than iPlayer and BBC
HD) have not been and will not be subject to such rigour...

the public value test is a one way expansion valve, only allowing for
new BBC services, never testing existing BBC services to see if they
still make sense.
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Re: [backstage] b00b3zjr

2008-04-29 Thread Tom Loosemore
2008/4/29 Paul Tweedy [EMAIL PROTECTED]:

   -Original Message-
   From: [EMAIL PROTECTED]
   [mailto:[EMAIL PROTECTED] On Behalf Of Andrew Bowden
   Sent: 29 April 2008 09:13
   To: backstage@lists.bbc.co.uk
   Subject: RE: [backstage] b00b3zjr
  
   In some circumstances, yes HTTP_REFERER is fine.
  
   However query strings are arguably a useful method in some
   circumstances
   - feeds being a prime one.  Reading a feed in Bloglines for
   example wouldn't give you a good way of tracking.
  
   So then that leads to the question of do you want two ways of
   tracking where people came from, which is technology
   dependent, or one way?
   Which fits in better with workflows, stats reporting etc etc.


  Yes indeed, and to be open and clear on the purpose of this - the value
  in the query string is appended to the item page URI depending the
  logical page area in which it appears - Featured, Most Popular, etc - so
  we can do clickthrough measurement of how traffic arrives at item pages
  and how the site design is performing in relation to the content - which
  can inform future iterations/tweaks of the UI to make it better. Plain
  old HTTP_REFERER (which we certainly do also have for general user
  journey reporting) can't give us this granularity.

  It's a bit of a hack, certainly, but not the worst one we could have
  come up with. :)

 web analytics from the Dark Ages...
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Re: [backstage] Ofcom Public Service Broadcasting review II: This time it's bloggable

2008-04-11 Thread Tom Loosemore
Rather more digestable highlights here, also in fashionable interweb form:

http://ofcompsbreview.typepad.com/summary

- Brian seems - like all conspiracy theorists - to like making stuff
up that fits his cosy world view!

On 11/04/2008, Brian Butterworth [EMAIL PROTECTED] wrote:
 Ofcom seems - like all public bodies - to like making work for itself.  It
 seems that it didn't get work out what Public Service Broadcasting is all
 about the first time round and so now we have the sequeal!

 http://www.ofcom.org.uk/consult/condocs/psb2_1/execsummary/

 And they have a BLOG!  Would you believe it?

 http://ofcompsbreview.typepad.com/

 I suspect the whole idea is to bore everyone into submission so Ofcom can
 get away with doing whatever the goverment has told it to decide... but they
 have a BLOG!

 Brian Butterworth
 http://www.ukfree.tv
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Re: [backstage] iPlayer in Wii

2008-04-10 Thread Tom Loosemore
  am on wii now and can confirm that iplayer works. ish.
 

  I gave it a try earlier and I think it works rather well :-)

  Zoom in once with the + button and press 1 to get rid of the menu bar
 means that it fits my TV screen perfectly!

aha... that's the info I was lacking... thank you...

-t
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Re: [backstage] iPlayer in Wii

2008-04-09 Thread Tom Loosemore
On 09/04/2008, Andy [EMAIL PROTECTED] wrote:
 Oh that's it. I need a wii now!

  The javascript fun you can have with wiis is awesome. I had a little hack
 around with them before (oddly within iplayerlist).  Its all on the opera
 website.

  Think I might have to pursue this a little further.


  On 9 Apr 2008, at 15:04, Andy [EMAIL PROTECTED] wrote:


  In case anyone hasn't seen the news:
  http://news.bbc.co.uk/1/hi/technology/7338344.stm
 
  Discuss.
 
  Andy
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am on wii now and can confirm that iplayer works. ish.
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[backstage] competition...

2008-03-27 Thread Tom Loosemore
http://www.guardian.co.uk/media/2008/mar/26/digitalmedia.radio?gusrc=rssfeed=media

GNM hires Yahoo developer

Guardian News  Media is set to expand its technology department with
the appointment of Matt McAlister, currently the director of Yahoo's
developer network in San Francisco.

McAlister will be taking up the new role as head of the Guardian's
development network from the end of April, leading a new project to
offer data and tools for external developers.
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Re: [backstage] Embracing the torrent of online video

2008-03-26 Thread Tom Loosemore
On 26/03/2008, Brian Butterworth [EMAIL PROTECTED] wrote:
 That's great news.

 How about a BBC trial?  Click would be a good choice?

Don't hold your breath. BBC is all non-DRM download trialed out.

It's 18 months after the Creative Archive (download, watch, some
re-use rights granted) trial closed. http://creativearchive.bbc.co.uk/
looks decidedly dead.

The Open Archive trial (some download, watch, no-re-use rights) closed
last year, although all evidence of it appears to have been expunged
from bbc.co.uk/archive

The Video Podcast trial also closed last summer.
http://news.bbc.co.uk/1/hi/programmes/5202498.stm

The next step should be the BBC asking the BBC Trust to do a public
value test on their proposals.

No sign of this having happened on the BBC Trust Website...
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[backstage] he has a point...

2008-03-26 Thread Tom Loosemore
http://blog.aqute.com/aquteresearch/2008/03/twitter-second.html
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Re: [backstage] iPlayer DRM is over?

2008-03-26 Thread Tom Loosemore
Peter Bazelgette (ex-boss of Endymol) came out against DRM in a speech
to the Convergence Think Tank last week - he wants to allow and
encourages peopel to share TV, but be able to track who watches things
so revenue can be shared appropriately blah blah

In short, I think the light is beginning to dawn...

On 26/03/2008, Brian Butterworth [EMAIL PROTECTED] wrote:
 I spoke to John Wittingdale MP at the MGEITF last year (
 http://www.ukfree.tv/fullstory.php?storyid=1107051282 ) and
 he gave me the distinct impression that MPs have been convinced that DRM
 will protect the jobs

 He seemed quite open to the argument that it might be a CULTURAL imperative
 (as in nation speaks peace unto nation) to provide BBC content outside and
 inside the UK without DRM, but not if costs UK jobs.

 I suggested, for example, that if CBeebies was shared worldwide with
 BitTorrent (say) it would ensure that all those children around the world
 who want to speak English or want English culture, will get ours rather than
 the Disneyfication from our colonial cousins.

 Surely there is enough evidence that the BBC's Worldwide reach on radio
 service the British people well?  Why is the digital light being stuffed
 under a GeoIP/DRM bushel?

 As far as I can tell, it just enriches a few individuals at the top (think
 Simon Cowell) and doesn't lead to extra money for those people who are
 salaried, as rights holders tend to be the (ahem) entrepreneurs.


 On 14/03/2008, Fearghas McKay [EMAIL PROTECTED] wrote:
 
  On 13 Mar 2008, at 20:03, Dave Crossland wrote:
 
   MP's don't generally respond to letters from non-constituents.
  
   As long as he reads it, that's okay.
 
  He probably won't even see it - his office won't pass it on to him as
  you are not a constituent.
 
 f
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 --
 Please email me back if you need any more help.

 Brian Butterworth
 http://www.ukfree.tv
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Re: [backstage] Embracing the torrent of online video

2008-03-26 Thread Tom Loosemore
  The next step should be the BBC asking the BBC Trust to do a public
  value test on their proposals.


 public value test = device for kicking things into the longest grass.

Public Value Test = new hurdle the BBC has to pass before any new
service launches, as set out in new Charter.

http://www.bbc.co.uk/bbctrust/framework/public_value_test/index.html

You can draw your own conclusions as to what this means in terms of
the BBC's speed to market / appetite for radical ideas.
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Re: [backstage] iPlayer DRM is over?

2008-03-26 Thread Tom Loosemore
I tell you, there's a big pot of money awaiting someone who develops a
trusted-enough tracker for usage of online video (a big recruited
online panel running background tracking software might even do...)

after all, it can hardly be *less* reliable than BARB, let alone RAJAR...

On 26/03/2008, Sean DALY [EMAIL PROTECTED] wrote:
 I had some background discussions with PACT while preparing my
  interview with Ashley and what I learned (unsurprisingly) is that
  rights holders want to be compensated; the actual method is up for
  discussion. They hear that DRM doesn't work or is ineffective, but
  they don't see an alternative. Pooling schemes hit a roadblock: many
  rights holders hope to have a very successful creation and be
  compensated for that far over and above what other rights holders
  might earn. I believe that tracking viewing (and by that I mean
  anonymised aggregates, not Phormlike snooping) is probably key to
  eliminating DRM.


  Sean.

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Re: [backstage] Embracing the torrent of online video

2008-03-26 Thread Tom Loosemore
I didn't say innovative. I said radical. Radical ideas change the
game, and hence now prone to be PVT'd. Radical was the BBC making me a
computer when I was 12.

To test your thesis, let's examine Creative Archive.

The BBC has had nearly 5 years, and trials galore, to answer the
question is this a good idea?  is it good value for money? Do licence
fee payers actually want it? Do they need it?

Yet the BBC has not put it forward to the BBC Trust for a public value
test, let alone launched it. Why?

I'll suggest a hypothesis:

i) it's too radical for you to dare apply for a PVT, let along actually do it
ii) it's too obviously the right long term answer for you to kill it off.

(As in, Brian, you were right - apols - it's in the long grass)

On 26/03/2008, Nick Reynolds-FMT [EMAIL PROTECTED] wrote:
 Could not disagree more.

  There's plenty of innovation possible at the BBC without having to go
  through a PVT.

  The new system is much better than the new one. BBC management need to
  have someone saying: this might be a cool idea but is it good value for
  money? Do licence fee payers actually want it? Do they need it?

  The problem is inside people's heads and not the fault of the Trust. You
  can have radical ideas and implement them if you want to. You just have
  to try harder.

  http://blogs.guardian.co.uk/greenslade/2008/01/neils_interrogation_of_ly
  ons_s.html#comment-882642




  -Original Message-
  From: [EMAIL PROTECTED]
  [mailto:[EMAIL PROTECTED] On Behalf Of Tom Loosemore
  Sent: 26 March 2008 16:55
  To: backstage@lists.bbc.co.uk
  Subject: Re: [backstage] Embracing the torrent of online video


   The next step should be the BBC asking the BBC Trust to do a public
value test on their proposals.
  
  
   public value test = device for kicking things into the longest
  grass.

  Public Value Test = new hurdle the BBC has to pass before any new
  service launches, as set out in new Charter.

  http://www.bbc.co.uk/bbctrust/framework/public_value_test/index.html

  You can draw your own conclusions as to what this means in terms of the
  BBC's speed to market / appetite for radical ideas.

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Re: [backstage] iPlayer DRM is over?

2008-03-14 Thread Tom Loosemore
   We only have the BBC's word that the content providers have forced
   them to develop iPlayer this way.

  There is a built-in detection mechanism. We can ask the content producers.

Or just read the evidence they gave to MP's as part of the All Party
Internet Group's inquiry into DRM

PACT* put it another way, telling us that the movie business
analysis is that in order to beat piracy they must ensure that legal
versions are
available, and they consider TPM** essential for this.


* PACT = Producers Alliance for Cinema and Television = content
producers trade body for tv
** TPM= Technological Protection Measures = DRM


http://www.apcomms.org.uk/apig/current-activities/apig-inquiry-into-digital-rights-management/DRMreport.pdf
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Re: [backstage] iPlayer DRM is over?

2008-03-13 Thread Tom Loosemore
  Ofcom: http://www.ofcom.org.uk/complain/

please don't ...my inbox is full enough alread

(Ofcom does not regulate the BBC - that's the job of the BBC Trust)

  Your MP: (via) http://www.writetothem.com/
  Your MEP: (via) http://www.writetothem.com/

now there's an accessible, standards-based website...
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Re: [backstage] iPlayer DRM is over?

2008-03-13 Thread Tom Loosemore
On 13/03/2008, Matt Barber [EMAIL PROTECTED] wrote:
 Wrong - the door is open with a welcome sign because all the progs are
  broadcast first of all on TV without DRM. Adding DRM later on is just a
  meaningless waste of money. If people want to get content online, they can
  and they will.

 This is irrelevant really because we're after a legal, long standing
 solution. Uploading rips of torchwood to youtube is illegal. Not saying it's
 not done, but it's still not what we're after here is it?

what he said.

I can't help but feel a bit sorry for the BBC here. Rock and hard
place. It's just removed DRM from the last two iPlayer releases (90%
of iPlayer users do not suffer from DRM)

That must have entailed some very hairy conversations with rights
holders (see reference to Writers Guild) given it's the first major TV
broadcaster to put hundred of non-DRM'd versions of its current TV
schedule on t'internet (I could be wrong here... but hulu et al are
all still DRM'd)

Given that Anthony Rose (man running iPlayer, ex-Kazaa) is very very
far from being a fool, there's a small cynical bit of me that thinks
going non-DRM mp4 with iPhone is a very smart move for the BBC.

There's no way that someone as smart as Rose would not have
anticipated the consequences of using the mp4 iPhone release of
iPlayer as a back door. You may think people in the BBC are stupid - I
can assure you they're not.

Non-drm'd mp4 (h264) has been the obvious cross-platform way forward
for yonks - to the BBC, if not to the rights holders. By introducing
non-DRM'd mp4  iPlayer onto a sexy devices like the iPhone/iPod touch,
the BBC must have known it was entering an arms race it can't win in
the long term. That may not be to the BBC's disadvantage.

In time it'll be able to go back to rights holders and say look,
piracy has not gone through the roof since we launched non-DRM
versions of iPlayer, meanwhile usage has gone through the roof (10x
increase), we're fighting a losing battle on the iPhone - this is an
arms race we can't win, but which delivers negative user benefit.
Let's just ditch the DRM for downloads too and see what happens

One step at a time, innit.
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Re: [backstage] iPlayer DRM is over?

2008-03-13 Thread Tom Loosemore
  I'll post my letter to the MP who brought it up tomorrow :-)

MP's don't generally respond to letters from non-constituents.

You're better off writing to your own MP, raising whatever issue you
care about, and pointing out which other MP(s) is/are clued up on the
issue so your own MP can go ask them if you catch their interest.
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Re: [backstage] iPlayer DRM is over?

2008-03-13 Thread Tom Loosemore
I'll post my letter to the MP who brought it up tomorrow :-)
  
   MP's don't generally respond to letters from non-constituents.


 As long as he reads it, that's okay.

he won't read it - you'll get a polite form letter back from his
secretary (which may or may not be his wife/mother/son/mistress's
daughter)
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Re: [backstage] Interesting iPlayer news

2007-12-24 Thread Tom Loosemore
someone shouldda thought of that one...

On 24/12/2007, Martin Deutsch [EMAIL PROTECTED] wrote:
 Ah, sorry, I could have been clearer - While I can see Strictly (and
 the rest) listed on bbc.co.uk/iplayer, none of the video clips are
 available to play here. They're apparently being served from a
 non-bbc.co.uk domain, therefore are unavailable on The Cloud - unless
 I pay.

 On 12/24/07, Troy [EMAIL PROTECTED] wrote:
  I'm looking at iPlayer now and 'Strictly Come Dancing' is th
 
  -Original Message-
  From: [EMAIL PROTECTED]
  [mailto:[EMAIL PROTECTED] On Behalf Of Martin Deutsch
  Sent: 24 December 2007 10:29
  To: backstage@lists.bbc.co.uk
  Subject: Re: [backstage] Interesting iPlayer news
 
  Alas, the promise of being able to catch up with Strictly Come Dancing
  while having a cafe latte in Coffee Republic doesn't quite hold true
  yet.
 
  Having missed a flight this morning, I'm spending far more of Christmas
  Eve than I'd like to in Heathrow Airport. I was hoping to kill some time
  watching some things on the streaming iPlayer, but they're all
  unavailable. I'm presuming they're being served from a non-bbc.co.uk
  domain - is it Akamai?
 
  I can listen to streaming radio though - so could just spend the next
  few hours listening to 6 Music...
 
   - martin
 
  On 10/16/07, Martin Deutsch [EMAIL PROTECTED] wrote:
   This appears to have gone live already - I've just connected to The
   Cloud hotspot in the pub across the road, and it's happy to let me on
   to *.bbc.co.uk and watch streaming video.
  
   The Cloud's login page (which appears when you try to access non-free
   sites) also has links to t3.co.uk and channel4radio.com.  Channel4.com
 
   appears to work too, but not 4oD.
  
   The link to bbc.co.uk points to http://www.bbc.co.uk/mobile/wifi/, and
 
   there's also a fancy flash video (trailer?) promoting bbc.co.uk. You
   can, seemingly, access this from anywhere at
   https://hotspot.thecloud.net/cloud-ssg-web/ssg.do
  
- martin
  
   On 10/16/07, Steve Jolly [EMAIL PROTECTED] wrote:
   
Steve Jolly wrote:
 http://www.bbc.co.uk/pressoffice/pressreleases/stories/2007
/10_october/16/adobe.shtml
   
Also (and apologies for not noticing this before I sent the first
email), interesting WiFi hotspot partnership news:
   
http://www.bbc.co.uk/pressoffice/pressreleases/stories/2007
/10_october/16/cloud.shtml
   
   
S
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Re: [backstage] flash streaming version of iplayer is live

2007-12-12 Thread Tom Loosemore
On 12/12/2007, Dave Crossland [EMAIL PROTECTED] wrote:
 On 12/12/2007, Tom Loosemore [EMAIL PROTECTED] wrote:
 
  asta la vista DRM debate

 I wouldn't be so sure about that; isn't there DRM in Flash video streaming 
 too?

sorry - you're right - flash streaming using flash media server can be DRM'd

 though I'm intrigued as to why The Monarchy (a commercially valuable
Independently-produced programme) is not available  streamed but
appears to be available for download.

  - does it work with gnash, i wonder?

 It doesn't work, although a black to white gradient is rendered and
 that's it, so it doesn't crash or anything too bad.

 The download information section says Sorry, downloading BBC
 iPlayer programmes is currently only available for Windows. (Why?)

same on this mac
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Re: [backstage] flash streaming version of iplayer is live

2007-12-12 Thread Tom Loosemore
asta la vista DRM debate
  
   I wouldn't be so sure about that; isn't there DRM in Flash video 
   streaming too?
 
  sorry - you're right - flash streaming using flash media server can be DRM'd

 Is the Flash iPlayer using flash media server with the DRM turned on?

I dunno - given Flash Media Server v3 (the one with DRM) was only
officially launched last week, I'd surprised if said DRM worked with
my 2005-era Flash 8 Firefox plug in - which is happily playing Joan
Rivers as I type.

But I could well be wrong...

and the BBC  stated last week that it's  planning to use FMS v3
http://www.pcpro.co.uk/news/143967/adobe-releases-flash-media-server-3.html

I'm sure you linux peeps can poke around under the bonnet and find
out, can't you?

;o)
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Re: [backstage] Please release Perl on Rails as Free Software

2007-12-03 Thread Tom Loosemore
On 03/12/2007, Noah Slater [EMAIL PROTECTED] wrote:
 On 03/12/2007, Dave Cross [EMAIL PROTECTED] wrote:
  You don't need the BBC to release it.

 Yeah, a lot of the comments on that blog post said similar things -
 that notwithstanding it would be very helpful for the community if the
 BBC shared the source.

 I should imagine that running a site the size of the BBC could
 influence the engineering somewhat in way which would be
 useful/interesting to study.

 We'll never know unless they free up the code. :)

open sourcing code will only take you so far:

http://iamseb.com/seb/2007/12/perl-on-rails-why-the-bbc-fails-at-the-internet/

Whilst I applaud the technical achievement of the individual
developers, I deplore the situation that has forced them to do this.
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Re: [backstage] Muddy Boots on Backstage

2007-11-26 Thread Tom Loosemore
 Thanks for the feedback !

Muddy boots is cool...

TheyWorkForYou.com adds links to Hansard by matching Proper Names with
Wikipedia entries.
http://www.theyworkforyou.com/debates/?id=2007-11-21a.1190.1

The number false positives is acceptable and the wikipedia links are
miles better than the user-generated glossary with which the site was
launched. But it's still limited since it only parses for Capitalised
Phrases or ACRONYMS.

Shifting to term extraction seemed an obvious route, but as I think
Muddy Boots shows, term extraction tends to throw up unacceptably
large number of  'false positive' terms- these result in crappy random
links and are user experience poison.

However, you can minimise false positive terms by running the copy
through several different flavours of term extractor, and only using
terms thrown up by x or more of them (where x depends on your appetite
for false positives vs false negatives).

So, why not throw the copy through several more term extractors then
only use the overlapping terms?

- The BBC has at least one *excellent* term extractor in house which
adds extra metadata like 'this term is a person/place/topic'... would
be a lovely API to offer, hint hint...
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Re: [backstage] Muddy Boots on Backstage

2007-11-26 Thread Tom Loosemore
On 26/11/2007, Noah Slater [EMAIL PROTECTED] wrote:
 On 26/11/2007, Tom Loosemore [EMAIL PROTECTED] wrote:
  - The BBC has at least one *excellent* term extractor in house which
  adds extra metadata like 'this term is a person/place/topic'... would
  be a lovely API to offer, hint hint...

 API?

 Nah, it would be a larger contribution if they released the source code.

Not in this case. Source code isn't that important for term
extraction. What matters much more is the dictionary, and this is
where the BBC's librarians have added lotsa value.

In this case access to the data is more valuable than access to source code.

Given you can't have both (the source code isn't owned by the BBC) I'd
be happy with open data.

 See my sig.

I did. Cathy Come Home would seem to disprove it as a hypothesis.
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Re: [backstage] Muddy Boots on Backstage

2007-11-26 Thread Tom Loosemore
On 26/11/2007, Noah Slater [EMAIL PROTECTED] wrote:
 On 26/11/2007, Tom Loosemore [EMAIL PROTECTED] wrote:
  Given you can't have both (the source code isn't owned by the BBC) I'd
  be happy with open data.

 Open data would be fantastic, free software + open data would be better.

   See my sig.
 
  I did. Cathy Come Home would seem to disprove it as a hypothesis.

 I disagree, it can work on many levels. On one level people were free
 to take the ideas from Cathy Come Home and discuss/loby them to get
 social change. On another unrelated level would be how society can
 re-use and remix the original footage.

I chose my example with care.

People were not free (as in freedom) to choose whether or not they
wanted to pay for Cathy Come Home to be made in the first place. It
they had been granted the freedom not to pay the licence fee, it would
never have been made.

This renders discussion of use/re-use freedoms somewhat moot.
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[backstage] Hmm...

2007-11-26 Thread Tom Loosemore
http://www.guardian.co.uk/media/2007/nov/26/bbc.television3
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Re: [backstage] Muddy Boots on Backstage

2007-11-26 Thread Tom Loosemore
  People were not free (as in freedom) to choose whether or not they
  wanted to pay for Cathy Come Home to be made in the first place. It
  they had been granted the freedom not to pay the licence fee, it would
  never have been made.

 This could be said about the decisions of any public body.

your point being? (The BBC is not 'any public body' - it is unique in
being funded by a hypothecated regressive tax. )

  This renders discussion of use/re-use freedoms somewhat moot.

 How so? How are the freedoms of use/re-use ever rendered moot?

In the case of Cathy Come Home (the test I set for your hypothesis)
you don't get to have the programme at all without societal coercian.
Which - in the case of Cathy Come Home - renders talk of 'society
being free to use the results of creativity' moot.

The lovely magic of digital is that in many cases (software, music,
the written word) you no longer need capital to be creative. In such
cases, I'd agree with your .sig.

But where creativity still requires capital - or has done in the past
- then the freedoms which should be granted on use / re-use are less
obvious. After all, it's someone's capital (or licence fee) at stake,
and human nature has been finely tuned to reject freeloaders.

It's my abtuse way of rejecting glib rhetoric.
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Re: [backstage] Muddy Boots on Backstage

2007-11-26 Thread Tom Loosemore
 I disagree entirely with your hypothetical link between cost of
 creative production and the freedoms that should be awarded to
 society. Copyright and trademark law were specifically designed to
 give away a little bit of societal freedom in exchange for stimulated
 creativity.

I agree with all of this. Society would benefit from hugely from
re-use now digital tech means it can do so widely and (more or less)
equitably. Understand where I'm coming from. I'm against glib
absolutism, not re-use.

And one hard lesson I learned from Creative Archive's failure is that
*blanket* insistance upon re-use - or even unrestricted global use -
for all works future, present and past *can* mean art isn't made in
the first place, or isn't placed in the public domian.

If you'd have said to the makers of Cathy Come Home Oh, and by the
way, anyone will have the right to do what they want with your work
it would not have been made.  And today, insistance on global re-use
would mean it remained gathering dust in the BBC's archive.

It takes patience, time and - most importantly - evidence to
demostrate that re-use can be a good thing for all concerned.

At no point is cost of creative production mentioned nor
 should it enter the discussion.

Hmm. You don't stimulate much creativity if said stimulation does not
cover the costs of production.

 The job of our government is to protect the the public, not the
 private entities that expend creative effort. It is not the public
 who are freeloaders when they ask for freedom to use, reuse and
 modify - it is the creatives who are asking/expecting too much from
 society.

Rights are a balance - as you say - between societal freedom and
creative stimulation. I'd argue that both sides of that equation stand
to gain from re-use now media is going digital and the cost of
copying, sharing and re-using is tending towards zero.

But you don't help rebalance laws by jumping up and down on one end
proclaiming your own sacred manifesto to be The One True Word and
decrying those nasty private entities at the other end to be ripping
off society.

It's such dogma which gets you described by otherwise pretty measured
civil servants and MPs as 'The Copyleft Taliban' and does the cause of
changing the law to enable and encourage re-use nothing but harm.

The name of the game is to provide evidence of the benefits of re-use.

I'm pretty encouraged that the Treasury is now getting an independent
economist to look at the the case for re-use of Government data off
the back of the Power of Information Review.

It was that sober review, full of case studies and real-life examples
of the benefits of re-use that lead to this change of heart.

I guess I'm just bored of placard waving. I want to see stuff actually change.
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Re: [backstage] BBC Podcasts Including Music

2007-11-22 Thread Tom Loosemore
 * How about outright payment for perpetual rights? Way too expensive,
 especially worldwide.

i'm not so sure. Ofcom's (my current employer) view is that the
ability to copy and share in perpetuity is an adherent *advantage* if
your aim is to deliver public service media (BBC etc.) It may cost
more to procure the rights than would be the case if something was
rented for broadcast, but the additional value returned to the UK
public over years, and through addition re-use means this delta is
well worth the cost.

see http://www.openmedianetwork.org.uk/anewapproach/openmedia.htm
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Re: [backstage] Require Information on BBC Content

2007-11-19 Thread Tom Loosemore
On 19/11/2007, Matthew Cashmore [EMAIL PROTECTED] wrote:
 Hi Imran - I know a few people have replied off list with suggestions - but I 
 wanted to reply to you here because I believe the information may be useful 
 to others.

 The backstage site / project aims to help developers get access to the BBC's 
 data and content - our moto is 'use our stuff to build your stuff'. If 
 there's something that you want that you can't find on the site then drop us 
 an email and we'll see what we can arrange.

 In terms of what you can do with the content read the backstage license at

 http://backstage.bbc.co.uk/archives/2005/01/terms_of_use.html

is the programme catalogue data still covered by these terms of use?

http://catalogue.bbc.co.uk/catalogue/infax/termsofuse
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Re: [backstage] BBC tech chief: You Freetards don't matter

2007-11-06 Thread Tom Loosemore
I suspect it's called an enormous pre-moderation queue

On 06/11/2007, Brian Butterworth [EMAIL PROTECTED] wrote:
 Is there a good reason that my posting on the
 http://www.bbc.co.uk/blogs/bbcinternet/2007/11/open_standards.html
 page has not appeared.



 On 06/11/2007, Brian Butterworth [EMAIL PROTECTED] wrote:
 
 
  The whole Linux thing is a total red herring.
 
  It is not for you, Mr Highfield, to determine what computers and operating
 systems that people who HAVE to pay the TV Licence will use.
 
  The BBC Charter runs for ten years.  Can you really say you know what OS
 and platforms people will be using in a decade?
 
  That's a retorical no by the way.
 
  The sad, sad part of the whole debate is not the cross-platform issue, but
 the throwing away of the BBC's unique funding method.
 
  If you HAD not wasted time and effort on snake oil DRM solutions, and
 sorted out with the rights holders to get as much content onine as possible,
 then there would be a clear polticial argument to shift the BBC Licence Fee
 from a charge on homes with TV sets to homes with Broadband.
 
  (This is possible, the Archers is a podcast, EastEnders could be a
 VODcast)
 
  You could even save the costs of collections by getting the ISPs to
 collect the fee for you.
 
  But the path you have chosen is simply going to wreck the BBC on the
 shores of advertising and subscription.
 
  You have made a critical mistake, Mr Highfield, much like Mark Thompson
 made at Channel 4.
 
  DRM = RIP BBC
 
 
 
  On 06/11/2007, Kevin Hinde [EMAIL PROTECTED]  wrote:
  
  
   BT Tech Chief: You freetards *do* matter
  
 http://www.bbc.co.uk/blogs/bbcinternet/2007/11/open_standards.html
 
 
 
  --
  Please email me back if you need any more help.
 
  Brian Butterworth
  www.ukfree.tv



 --
 Please email me back if you need any more help.

 Brian Butterworth
 www.ukfree.tv
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Re: [backstage] What would you do? (Was: BBC tech chief: You Freetards don't matter)

2007-11-06 Thread Tom Loosemore
Forget management, I fear you'll find that the BBC Trust's permission
to offer 7 days catchup TV was predicated on using DRM.

Various parts of its non-DRM on demand radio proposals (book readings,
classical music) failed the  Public Value Test due to the BBC Trust's
fears over the negative market impact of non-DRM downloads.

 Though option 2 seems, to me at least, to clearly be in the license-payer's 
 (and
 our) interest - and a technically superior option - it's certainly a much
 higher-risk strategy from Ashley's perspective, and, politically, would most
 likely be a very hard sell to BBC management.

 At what point does option 1 become untenable?

 Cheers,
 David
 --
 David McBride [EMAIL PROTECTED]
 Department of Computing, Imperial College, London



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Re: [backstage] Use of Tinyurl in Emails

2007-11-05 Thread Tom Loosemore
Using TinyUrl is a symptom of poorly designed urls...

On 05/11/2007, Sean Dillon [EMAIL PROTECTED] wrote:
 Adam wrote:
  Tinyurl is a great service and i can understand why it is used, but i
  feel that using this type of service in a wider audience is a bad idea.


 We're having this exact same argument at the moment here, and I would
 agree that ideally this service should be located under the main
 publisher's domain.

 The Guardian uses tinyurl extensively, as do many other publications.
 We have decided to build our own system instead, as at least this way we
 are able to track who's clicking the links and where they're coming from
 as well.

 Seán

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Re: [backstage] Use of Tinyurl in Emails

2007-11-05 Thread Tom Loosemore
On 05/11/2007, David Greaves [EMAIL PROTECTED] wrote:
 Adam Lindsay wrote:
  Martin Deutsch wrote:
  But if you're talking well-designed URLs for journey planning, see:
  http://www.traintimes.org.uk/cardiff/birmingham/8:00
 
 
  Thank you for that site pointer. An excellent example, and a great one
  to bookmark!

 True - but that is just a clever UI to a search engine.

nah, that's Matthew Somerville making our lives easier...

 And for any 'clever' URL scheme you can think of for indexing content I can
 guarantee that TMTOWTDI - and if I use *my* way to make up the URL and not 
 your
 way then I'm toast

 You want an 8am train from Cardiff to Birmingham?

http://www.traintimes.org.uk/8:00/cardiff/birmingham

 The requested URL /8:00/cardiff/birmingham was not found on this server.

nooo! Matthew will now doubtless fix the url to work every which way,
and he's got more important things to do...
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Re: [backstage] Ashley Highfield speaks again

2007-11-05 Thread Tom Loosemore
 My question to Kevin Hinde would be, how many users are we unsure of their
 Operating system? Where are they classed?
 For example, I have a small blog and I have some visitor statistics (using
 bbclone) on that.
  The 3rd most popular operating system is ? ie unrecognised.
 for an example see http://bbclone.de/demo/
 The BBC must have similar results, whose OS it can't distinguish, if so
 where are these?

data from a mainstream non-BBC site (c2m UK users a month)

Windows 95.1 %
Macintosh 3.2 %
Unknown  1 %
Linux 0.5 %
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Re: [backstage] Ashley Highfield on iPlayer - 26min Interview

2007-10-31 Thread Tom Loosemore
On 31/10/2007, Dave Crossland [EMAIL PROTECTED] wrote:
 On 31/10/2007, Deirdre Harvey [EMAIL PROTECTED] wrote:
 
   File sharing between friends is essential for friendship
 
  ???

 I'll try again:

 Example: Your friend sends you an instant message, Have you seen
 [random-artistic-work]? and you reply No, but send me a copy and I
 will. and they initiate the file transfer, or send you the torrent
 file.

 Example: Your friend comes over with her laptop, and you start
 watching a film, but decide to go out and pause it. You copy the file
 and finish watching it later.

 These kinds of things are part of the social fabric of life where
 everyone has broadband and laptops.

I'd agree with this

but none of these new social norms necessarily *require*
copyright-infringing file sharing, particularly as broadband becomes
more ubiquitous.

for example, you could / can perform the above social discourse with
something Joost-esque, which would leave he rights holders with at
least the option of gaining a return on their invest, via targeted
advertising perhaps.

Not saying that's a good thing, but your current logic does not work for me.

FWIW I think it's a more powerful argument to state that the value of
a recording per-se is now tending towards zero, digital tech having
removed scarcity from much of the value chain.

The business models which recognise this will thrive in the long term.
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Re: [backstage] Ashley Highfield on iPlayer - 26min Interview

2007-10-31 Thread Tom Loosemore
  FWIW I think it's a more powerful argument to state that the value of
  a recording per-se is now tending towards zero, digital tech having
  removed scarcity from much of the value chain.
 
  The business models which recognise this will thrive in the long term.

 Redressing things in the discourse of corporate businesses, like this,
 is okay, but can lead to nasty outcomes like thinking that DRM is
 legitimate.

since when has a value chain been the discourse of corporate business?

the BBC operates within a value chain, as does anyone else making
doing stuff what is valued by others - be they acting as citizens or
as consumers

I think you're just incapable of addressing my substantive point. It's
*dead* easy to make anti-DRM arguments using whatever 'discourse' you
choose - the fact you choose to come at it from an angle which is
outside the rule of law is why there are people on this list who now
think you're a pro-DRM advocate in disguise.
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Re: [backstage] Ashley Highfield on iPlayer - 26min Interview

2007-10-30 Thread Tom Loosemore
  My point?  it's not always as easy to take an off air broadcast and put
 it online.


 I see you've never tried Myth TV, my box is in the process of being built,
 the only thing stopping me is cash for my ridiculesly over-specced box; not
 difficulty. Plucking signals straight out of the air and onto a hard drive
 isn't hard with multiple DVB-T  DVB-S cards. Hardware prices are only
 coming down, and building a box with 2 * 500GB drives 6 DVB-T and one DVB-S
 tuners (with room for expansion) etc. won't be as expensive or difficult in
 a couple of years.

Agreed. But such automation have been technically possible for several
years and I've been surprised that it's had no impact on TV piracy
here or abroad.

I've commissioned several generations of such multi-channel DVB - Web
systems both inside and outside the BBC. Started off using Myth then
dumped it cos it was too clunky. Latest version dumps indexed flash
video to Amazon S3.

http://conferences.oreillynet.com/cs/et2007/view/e_sess/10186

A rather sweet xvid version (backend by the amazing Dom Ludlam, web
front end by the equally mercurial Phil Gyford ) ran during 2005
inside the BBC firewall, offering all BBC TV programmes transcoded
real time from DVB-T to xvid using commodity *nix kit.

I demo'd this version (BBC Macro) to the BBC Executive Board and Board
of Governors in 2005 to show them what was inevitably coming down the
line.

However, the industrialised TV piracy of free to air TV isn't *yet* a
problem - as I said, the capping is still done by hand, and so only a
tiny minority of UK programmes get pirated.

I do agree that it's probably going to come sooner rather than later,
so long as the broadcasters download offerings remain separate and
thus of limited appeal.  But it does suggest that demand for on demand
TV onto a PC isn't as vast as was the case for music, since some
enterprising pirate would surely have industrialised  automated the
whole end to end DVB - .torrent process by now.

And when it *does* comes I'm willing to lay a small bet that the see,
DRM is pointless (it is) argument will be drowned out by a loud lobby
of rights holders demanding that the BBC encrypts its broadcast
signal.

But I'm sure we're all well-versed in the arguments as to why the BBC
broadcasts in the clear in the first place, aren't we? Aren't we?
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Re: [backstage] Ashley Highfield on iPlayer - 26min Interview

2007-10-29 Thread Tom Loosemore
 * One question I have is: why Kontiki?  Given that the files being distributed
 are DRM-wrapped anyway, why not use something more mainstream such as 
 Bittorrent?

Cos at the design stage the very word 'Bittorrent' was capable of
sending rights holders running for the hills, regardless of reason.
Less true now.

 First, the BBC are _already_ broadcasting all of their content, digitally and 
 in
 the clear, in the form of RealPlayer streams, terrestrial radio and (HD)
 television broadcasts and also via internet multicast.

all above are geographically bounded.

general users can't yet *easily* grab a broadcast stream and
copy/share a file internationally

Even UK pirate sites rely on very few expert cappers who do this by
hand, hence the relative scarcity of UK TV programmes on the darknets
compared to music.(that said, it's perfectly possible to automate the
whole process from DVB stream to DivX .torrent if you apply enough cpu
 and hard disk to the broadcast stream and SI data. Allegedly. Cough.)

 Secondly, all evidence to date shows that DRM does not in fact prevent the
 redistribution of content by end-users -- indeed, the WMPv9 DRM scheme 
 currently
 used by the iPlayer distribution service had already been broken before the 
 Beta
 had even launched!

right holders would argue that it's enough rather than absolute
deterrent which matters.

 * Rights buy-outs: it's not necessary to buy out the rights to putting on live
 shows, publishing books and many of the other functions mentioned by Ashley in
 the podcast in order to set up a functional, DRM-free iPlayer service.

how so? What would be required is to do a series of radical deals with
a staggeringly wide range of rights holders, many of whom get a load
of cash from residual and secondary rights exploirtation, and are very
keen to see these conserved for as long as poss, even if in the long
term this isn't viable. This includes the recording industry, BTW,
given how much music exists within TV shows. I'm not saying this
shouldn't be done. I'm just pointing out that it *would* require the
mother and father of all rights deals and even then you wouldn't get
everyone.

 Moreover, his assertion that all of the downstream rights - for books and so
 forth - would become worthless if the shows themselves could be readily
 downloaded seems dubious.

agreed that worthless is an overstatement - but it's hard to argue
that they'll not be reduced, which is enough for most rights holders
to resist.

 Indeed, the value of many related works - books, live shows, etc. - may well
 _increase_ significantly if the original shows themselves were more readily
 available.

sadly there are far fewer related works for TV than for music - comedy
excepted. otherwise this is a powerful argument.

 * One of the things Ashley talks about is a potential new future distribution
 model which he hopes that technology will enable the publication of content
 with no DRM -- but distributed in an intelligent wrapper that is able to
 enforce a set of rules for how it should behave.

 I think someone needs to tell Ashley that the mythical future technology he's
 describing _is_ what the rest of us would call DRM!

i *think* he mean't to express a desire for standard machine-readable
means of attaching (if not enforcing) rigfhts to media. Kinda CC+
without creative reuse?

-T
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Re: [backstage] Thoughts from a previous BBC employee

2007-10-11 Thread Tom Loosemore
On 11/10/2007, Gordon Joly [EMAIL PROTECTED] wrote:
 
 
 Yes, this is true. And a charity can have wholly owned subsidiary
 that makes profits, in much the same way.
 
 BBC - not for profit corporation.
 
 BBC Worldwide - a global company that makes a profit.
 
 Gordo



 At 14:09 +0100 9/10/07, Mr I Forrester wrote:

 [...]
 Our partnerships with other large companies like Yahoo and Google has
 been important for us and them.
   [...]


 And what bugs me is when companies Microsoft (and the rest) deal with
 the BBC (e.g. when the BBC included a BBC channel in the release of
 IE4) and not the commercial arm (BBC Worldwide).

 And somebody paid for the server farm in New York for BBC News
 Online, and I don't think it was the licence fee, since that could
 not be justified, could it?

no, iirc that investment came from World Serivice (funded by Grant In
Aid from the Foriegn Office), since international news was under the
perview of World Service rather than BBC Worldwide.

The Foreign Office refused to continue this arrangement cos it
prefered World Service to focus on BBC Arabic TV / Farsi  -  hence the
adverts on BBC.com debate.
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Re: [backstage] Thoughts from a previous BBC employee

2007-10-08 Thread Tom Loosemore
 I don't mean to sound snide, but I'd struggle to point to a single
 online project where I could say there, the BBC are leading the way..

 At the risk of showing my ignorance; perhaps a web section of the BBC
 should be split off with a different mandate.

tum tee tum

http://www.openmedianetwork.org.uk/anewapproach/default.htm
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Re: [backstage] BBC Programme Catalogue - any APIs yet? (also IMDB api etc.)

2007-07-09 Thread Tom Loosemore

On to my questions:
Has anyone yet been able to create an API around the BBC Programme
Catalogue? It seems this would be the best data source to use so far.


the BBC Programme Catalogue is already one big restful API... which
may be enough for your needs, depending...

replace 'infax' in with 'xml' in any url and see what you get back

eg
http://open.bbc.co.uk/catalogue/xml/programme/ICYD984E
http://open.bbc.co.uk/catalogue/xml/on_this_day/2003/8/13
http://open.bbc.co.uk/catalogue/xml/contributor/2221
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Re: [backstage] Re: Uploading the BBC programme catalogue to freebase (was RE: [backstage] Programme Catalogue vs. Freebase (was: BBC Programme Catalogue -any APIs yet?))

2007-07-09 Thread Tom Loosemore

On 09/07/07, Oliver Cole [EMAIL PROTECTED] wrote:

On Mon, 2007-07-09 at 21:30 +0100, Brendan Quinn wrote:
 I was considering entering a hack for Hack Day around that very thing.
 But then they went and made me one of the judges ;-)

 Wanna help? A simple set of scripts that scrape the archive (er I mean
 call that big RESTful API) and post entries/updates to the freebase
 sandbox server would be an interesting experiment.

I've not yet (bulk) posted data on Freebase - I'll take a look at this
when I'm more au fait with it.

 compare
 http://www.freebase.com/view/?id=%239202a8c04000641f80012406
 with
 http://open.bbc.co.uk/catalogue/infax/series/DOCTOR+WHO
 !

Freebase is still in alpha as far as I know - those who can't see the
first link can see a screenshot at:
http://cornflakes.imen.org.uk/~oli/DrWho.png

Those who are particularly interested can feel free to ask me for one of
my remaining 4 invites - and I imagine Brendan has some too.

 There may be some rights issues around what would basically amount to
 opening up the programme catalogue under the creative commons
 attribution license, where the attribution wouldn't go to the BBC but to
 Freebase...

Well, the RDF for the catalogue links to
http://backstage.bbc.co.uk/archives/2005/05/api_licence.html:

The BBC grants to You a ... non-sublicensable right to copy...

Further:

d. not publish, distribute or otherwise make the APIs available,
(including in any Work You create), in a way that would enable other
people to download or use the APIs other than as set out in this
Licence.


standard backstage API licence -  it was the only one lying around at
the time... (nov 2005)


I don't see any legal way that we can export the data to Freebase and
relicense it as CC-BY.


yeah... the attribution back to BBC kinda matters... though given the
programmes are clearly BBC programmes, I'm not sure it's the end of
the world...



Would you be able to get the appropriate BBC people to get this done?


I'll do a bit of lobbying...
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Re: [backstage] BBC Ofcom complaint raised

2007-06-27 Thread Tom Loosemore

Quick question: if someone was to produce a Linux (or other OS)
iPlayer style client and server application that provided DRM
protection* based on time limiting and there was some level of country
limiting** would the BBC use it? (I would actually be genuinely
interested in an answer to this question.)


YES!
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Re: [backstage] BBC Ofcom complaint raised

2007-06-25 Thread Tom Loosemore

On 22/06/07, Michael Sparks [EMAIL PROTECTED] wrote:

On Friday 22 June 2007 15:21, Peter Bowyer wrote:
 Possibly everyone has decided to heed the suggestion that this topic
 is best dealt with elsewhere, leaving this list for its intended use.

Without reading the text of the complaint, OFCOM is definitely a better place
to complain that this mailing list, IMO


OFCOM has no regulatory power over the BBC other than certain kinds of
taste and decency of non-internet broadcasting.

The BBC Trust is the BBC's regulator.

Complain to them if you wish. But do so with patient logic and evidence.
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Re: [backstage] www.FreeTheBBC.info

2007-06-14 Thread Tom Loosemore

 Apparently today's rights-holder production companies believe that
 DRMcan stop the mass market from sharing works. Probably not;
 simplymaking the works All Rights Reserved does enough damage to
 thepotential for the mass market, by criminalizing businesses that
 findways to monetise the Internet.
One might also say criminalising businesses who get rich off the
creativity of others :)

The point, to me, is simple: DRM doesn't work. It doesn't stop anyone
taking your content for free. Therefore, work out business models which
don't rely on DRM.


and, yes,  the licence fee could be one of them - see Creative Archive
passim, or OFCOM's ideas for a new Public Service Publisher using a
Creative Commons commercial sharealike licencing model.

however, if the BBC were to adopt such a 'buy all rights in
perpetuity' model, it would mean making far, far fewer programmes,
since each programme would have to cost more (*much* more in many
cases) to compensate rights holders for the reduction in secondary
income from repeats, DVDs, overseas sales etc. We'd also probably lose
any stars the moment we made them (Gervais, etc) cos they could make
more than we could afford upfront commercially. And we'd lose all
sport. And the Olympics.

But hey, making far fewer programmes may not seem the end of the
world, since everyone only really likes a few programmes, and it's all
going on demand anyway so why worry about filling linear schedules,
right?

Then you realise that everyone != people like us, both in terms of the
programmes they like, and more importantly, in terms of their
likelihood to use the internet.

Everyone pays for the licence fee, and so everyone deserves to get
value from it.

So you need a wide range of programmes to cater for  people's
increasingly fragmented tastes, and a variety of delivery methods to
cater for a range of tech capabilities.

41% of the UK population didn't use the Internet last month. We reckon
up to 20% of them *never* will. They'll pop their clogs before they
ever do anything on demand.

They pay for the BBC too.

Right now I find it hard to justify reducing the range of programmes
that 41% enjoy, just so the 5% of the population who regularly share
TV programmes over the internet can get *even more* value from the BBC
And incidentally, that 5% ('geeks like us') already gets far, far,
more value from the BBC than the 41% who are not online.

It's a balance. And we know that balance will shift over time,
possibly quite quickly once the current teenagers grow into adults.

For me, the long game is clear. You can now copy and share digital
media at near zero marginal cost. That's a miracle in terms of
increasing the value you can get out of *any* media, and in the long
term business models which make use of the ability to copy and share
will win.

The licence fee could be one such business model. But the argument is
about the balance between investing in  linear vs  making the most of
on demand.

The short game is also ruthlessly simple. The only way to get
programmes out and retain the current range and diversity of BBC
programmes is to use DRM. I might not like that, but I'll defend the
decision to do so in today's context.

Restating the case in terms of dogmatic absolutes isn't adding much to
the argument -  dogmatic absolutists are very easy to pigeonhole and
ignore. Argue with ruthless logic, based on the core purposes of the
BBC.

If the BBC went non-DRM, bought out rights in perpetuity, thus made
fewer programmes, how could it do so on a way that meant 41% did not
lose out in order to give the 5% even more value?

And I hereby trump Ian's ORG badge-waving:  the only person who
donated £5 a month to ORG before me was the guy developing their site.
;o)

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Re: [backstage] Getting Recipe Data

2007-06-04 Thread Tom Loosemore

Been there once before a couple of years ago...

iirc , every TV chef owns his/her rights to the recipes that appear in
aggregate in the recipe db on bbc.co.uk/food

So it's fearsomely complex (therefore expensive) to even begin
clearing, presuming BBC could ever get the necessary rights from
individual chefs, which is doubtful TBH.

sorry...

On 04/06/07, Ian Forrester [EMAIL PROTECTED] wrote:

Good question,

I don't think we had any plans although we are working on other data sets. But 
maybe food could be a nice little database which we could clear the rights to.

Cheers

Ian Forrester

This e-mail is: [] private; [  ] ask first; [ x ] bloggable

Senior Producer, BBC Backstage
BC5 C3, Media Village, 201 Wood Lane, London W12 7TP
e: [EMAIL PROTECTED]
p: +44 (0)2080083965

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Rob Young
Sent: 04 June 2007 12:43
To: backstage@lists.bbc.co.uk
Subject: [backstage] Getting Recipe Data

Hi,

Is there any plan (or is it there and I just can't find it) to expose the 
recipe data which can be searched on in www.bbc.co.uk/food ?

Cheers
Rob
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Re: [backstage] Getting Recipe Data

2007-06-04 Thread Tom Loosemore

On 04/06/07, Adam Leach [EMAIL PROTECTED] wrote:

Tom Loosemore wrote:
 Been there once before a couple of years ago...

 iirc , every TV chef owns his/her rights to the recipes that appear in
 aggregate in the recipe db on bbc.co.uk/food

 So it's fearsomely complex (therefore expensive) to even begin
 clearing, presuming BBC could ever get the necessary rights from
 individual chefs, which is doubtful TBH.

 sorry...
How about a searchable rss feed or similar that returns links to the
specific recipes.

This would be useful in other areas like Top Gear review of cars where
it might be useful to link directly to the information.

Adam


oooh... now both of those are interesting ideas
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Re: [Bulk] RE: [backstage] Web 2.0 'neglecting good Accessible design'

2007-05-17 Thread Tom Loosemore

On 17/05/07, ~:'' ありがとうございました。 [EMAIL PROTECTED] wrote:

It's true the flashearth site is fast and keyboard accessible, but
again with a mouse it's nearly useless.
similarly for flickr

no doubt there are sites that suit each, but I've yet to see one
that's easy to use and universally accessible, or even close


http://www.neighbourhoodfixit.com?
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Re: [backstage] BBC Archive trial

2007-04-18 Thread Tom Loosemore

On 18/04/07, Gordon Joly [EMAIL PROTECTED] wrote:


At 16:39 +0100 18/4/07, Ian Forrester wrote:
Hi All,

Outside of the framework debate...

The BBC Archive trial is getting closer to opening its doors.
Exclusively I can now tell you that the register your interest form
is up (16:30). So if your interested in taking part in the trial, go
to http://bbc.co.uk/archive now.


Many thanks for your time - unfortunately due to the specifications
of this trial, we are not currently aiming to recruit past or present
BBC staff.

!!!



yep, and quite right too, if the BBC Trust's decision making is not just
impartial but seen to be impartial. Allowing BBC staff past or present to
join put the latter at risk, since  the data from this trial will form the
core empirical input into the BBC Trust's Public Value Test on the Open
Archive (which is separate from iPlayer 'catch up' Public Value Test, the
decision on which is due soonish.

That's why they need so much personal data, to make sure the sample is
balanced across a whole series of dimensions to reflect the UK population as
a whole (hence UK only)

We're also gonna release 50 hours for download by anyone in the UK, whether
on the trial or not.

- oh, and it's all non-DRM'd, albeit geo-IP'd


Re: [backstage] BBC Archive trial

2007-04-18 Thread Tom Loosemore

it'll be delivered via the internet... using that funny HTML stuff

(streamed in Real/WM I expect, cos that'll make it easier to set up - it is
a trial after all...).

The actual site itself is very nice, IMHO (not that I had anything to do
with it!)


On 18/04/07, James Cox [EMAIL PROTECTED] wrote:


Ian -
any idea how this trial is going to be delivered? any tech specs on the
trial itself?

i'm thinking scary black boxes and dial groups.

wait, that was nielson.

--- :)

On 18 Apr 2007, at 16:39, Ian Forrester wrote:

Hi All,

Outside of the framework debate...

The BBC Archive trial is getting closer to opening its doors. Exclusively
I can now tell you that the register your interest form is up (16:30). So if
your interested in taking part in the trial, go to
http://bbc.co.uk/archive now.

There is no press launch or anything like that yet, so your really the
first people to find out about this. So do it today before the 20,000 places
disappear.

Cheers,

Ian Forrester
Senior Producer, BBC Backstage
BC4 B4, Media Village, 201 Wood Lane, London W12 7RJ

email: [EMAIL PROTECTED]
phone: 02080083965

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Re: [backstage] BBC Archive trial

2007-04-18 Thread Tom Loosemore


 Shame. I love the idea of digging into blackadder and jeeves and
 wooster and all the other comedy greats -- but getting them in a
 format that is at least somewhat representative of their quality.
 Sucks that I'd have to stream it certainly encoding into divx
 or mpg would show some understanding of the marketspace.

I'm not sure what you mean when you suggest encoding as divx or mpg
would show an understanding of the marketplace. It is unfortunately
not quite so simple.

This is a limited, fixed length trial that will hopefully lead to a
Public Value Test. Surely then it makes sense to make use of the
BBC's existing Real/WM infrastructure to deliver the content?



Hell, if we were going to show some understanding of the marketplace we'd do
it all in Flash (which I still hope we do, TBH)


Re: [backstage] BBC announces 3G mobile syndication trial with Orange, Vodafone and 3

2007-03-29 Thread Tom Loosemore

3G technical trial. 12 months long.

it's public service,  as Brian says. Nowt to do with BBC Worldwide.

we don't have regulatory permission to broadcast BBC TV 24/7 live on
the open net until iPlayer public value test has been approved by the
BBC Trust (assuming they do indeed approve this).

On 29/03/07, Brian Butterworth [EMAIL PROTECTED] wrote:

Chris,

I wouldn't worry about it, the service is going to be even worse than the
DAB service used by Virgin Mobile!

Brian Butterworth
www.ukfree.tv

Email: [EMAIL PROTECTED]


 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED] On Behalf Of
 Christopher Woods
 Sent: 29 March 2007 13:51
 To: backstage@lists.bbc.co.uk
 Subject: RE: [backstage] BBC announces 3G mobile syndication
 trial with Orange, Vodafone and 3

 Oh for CRYING out loud - why not a partnership with T-Mobile?
 They have the best 3G HSDPA network in the UK!

 And I'm on T-Mobile!

 Typical.

  -Original Message-
  From: Brian Butterworth [mailto:[EMAIL PROTECTED]
  Sent: 29 March 2007 11:46
  To: backstage@lists.bbc.co.uk
  Subject: [backstage] BBC announces 3G mobile syndication trial with
  Orange, Vodafone and 3
 
 
 
  http://www.bbc.co.uk/pressoffice/pressreleases/stories/2007/03
  _march/29/3g.s
  html
 
  Can we have the BBC one, BBC THREE and (in particular) BBC News 24
  streams online please?
 
  If you can stream them on a mobile, it would be useful if
 they could
  be provided online in the same format (I mean, that's what you are
  doing
  anyway...)
 
  Brian Butterworth
  www.ukfree.tv
 
  Email: [EMAIL PROTECTED]
 
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Re: [backstage] BBC announces 3G mobile syndication trial with Orange, Vodafone and 3

2007-03-29 Thread Tom Loosemore

On 29/03/07, Brian Butterworth [EMAIL PROTECTED] wrote:

 3G technical trial. 12 months long.

 it's public service,  as Brian says. Nowt to do with BBC Worldwide.

 we don't have regulatory permission to broadcast BBC TV 24/7
 live on the open net until iPlayer public value test has been
 approved by the BBC Trust (assuming they do indeed approve this).

You don't have permission to carry adverts on BBC Worldwide service either,
but that hasn't stopped this has it?

http://www.youtube.com/profile?user=BBCWorldwide


That's not broadcast live, is it. Which is what the must carry
provision covers. Which I suspect you knew already. Sometimes I do
wonder why we bother.
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Re: [backstage] BBC parliment

2007-03-09 Thread Tom Loosemore

There are some very very interesting opportunities with Parliamentary
video coverage.

The rights situation is being explored (no need for a petition, TBH -
I think all parties are pretty willing to experiment in this area), as
are the metadata/API opportunities.

Having an existing API to a structured version of the parliamentary
transcript really, really opens up all sorts of exciting opportunities

http://www.theyworkforyou.com/api

(the marvel that is Matthew Somerville in action, once again)


Thanks for the parliamentlive.tv link everyone,
it seems my requests would probably be better off being put to the admin
there, and perhaps a petition on http://petitions.pm.gov.uk, would be a
better route to take; any with over a hundred signatories seem to get some
form of response.

Vijay


On 09/03/07, Matthew Somerville [EMAIL PROTECTED] wrote:
 vijay chopra wrote:
  notice the distinct lack of downloadable video content. Is there any
  possibility of a Video version of the Today in Parliament podcast?

 As others have pointed out, parliamentlive.tv might be what you're looking
 for (in conjunction with some streaming downloader to capture the streamed
 content).

  The rights negotiations should be minimal to zero,

 Sadly I doubt that, given

http://www.parliament.uk/parliamentary_publications_and_archives/commons_foi/access.cfm
 : The rates at which the Parliamentary Recording Unit can provide video
and
 audio recordings of parliamentary proceedings is dependent upon the length
 of recording required, how the footage is to be used and the nature of the
 organisation requiring the footage. Current rates are available on
request.
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Re: [backstage] First BBC Backstage Podcast: DRM and the BBC

2007-02-14 Thread Tom Loosemore

 Indeed, this seems particularly pointless when I can simply point my desk
 antenna at the Crystal Palace transmitter and record the 20Mbaud H.264 1080p
 stream being broadcast in clear.

This is the kind of thing I think the BBC should be telling rights holders :-)


http://strange.corante.com/archives/2006/05/17/xtech_2006_tom_loosemore_treating_digital_broadcast_as_just_another_api_and_other_such_ruminations.php
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Re: [backstage] First BBC Backstage Podcast: DRM and the BBC

2007-02-14 Thread Tom Loosemore

On 14/02/07, Dave Crossland [EMAIL PROTECTED] wrote:

Hi Tom!

On 14/02/07, Tom Loosemore [EMAIL PROTECTED] wrote:
   Indeed, this seems particularly pointless when I can simply point my desk
   antenna at the Crystal Palace transmitter and record the 20Mbaud H.264 
1080p
   stream being broadcast in clear.
 
  This is the kind of thing I think the BBC should be telling rights holders 
:-)

 
http://strange.corante.com/archives/2006/05/17/xtech_2006_tom_loosemore_treating_digital_broadcast_as_just_another_api_and_other_such_ruminations.php

*Very* interesting - thanks for linking this up.

Do you mean to imply that rightsholders have been approached with
tales of Was fantastic, but had to limit it to a couple of hundred
people within the BBC. Was a bit too popular for their own good and
they turned it down?


not *exactly*... the 'it was too popular for its own good' refers to
various local radio stations having their bandwidth soaked up due to
people downloading stuff... not good for business, that...

haveever, i demo'd it to many people over the past couple of years,
from BBC Governors/Directors down, that if I get  such a 100%
broadcast-powered automatic system knocked together for Not Much Cash,
then (almost) anyone can it ran for the first few weeks from a
greenhouse in someone's back garden near Ascot.

getting this built was fun too...
http://gigaom.com/2005/08/16/bbc-builds-a-monster-tivo/
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Re: [backstage] platform-agnostic approach to the iPlayer

2007-02-12 Thread Tom Loosemore

Tom, what kind of ninja lawyers does the Estate of Roy Plumley employ? :-)


The same kind that Endemol and every other Independent media company
uses to protect formats such as Big Brother?

Good summary here:
http://www.harbottle.com/hnl/pages/article_view_hnl/2078.php

And it's the format rights which drive up the valuations of
Independent TV companies

http://media.guardian.co.uk/site/story/0,,1788734,00.html

And it's not like the BBC isn't in this global game, either:

http://news.bbc.co.uk/1/hi/entertainment/tv_and_radio/4375311.stm
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Re: [backstage] Does Wikipedia have a cash crisis? Could this be Another h2g2 moment?

2007-02-12 Thread Tom Loosemore

jimmy came and worked with us for two or three weeks back in 2004.

nothing came of it, much to my shame.

we had a good long look at ways of working together, but sadly we
don't own our own bandwidth following the sale of BBC Technology to
Siemans a couple of years ago.

i think wikipedia will be fine...

On 12/02/07, Brian Butterworth [EMAIL PROTECTED] wrote:

Does Wikipedia have a cash crisis?

OK.  When h2g2 ran out of money, Auntie bought it up.  Perhaps it would be a
good use of BBC money to support Wikipedia, given they don't want adverts.

All they want is bandwidth - perhaps the BBC could provide it.  Wouldn't
BBC Wikipedia put the Beeb to the top of the web 2.0 ladder?

Brian Butterworth
www.ukfree.tv


http://blogs.guardian.co.uk/organgrinder/2007/02/does_wikipedia_have_a_cash_
cri.html


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Re: [backstage] platform-agnostic approach to the iPlayer

2007-02-12 Thread Tom Loosemore

On 12/02/07, Kirk Northrop [EMAIL PROTECTED] wrote:

Tom Loosemore wrote:
 There's lot of stuff for which the BBC owns *broadcast* rights,
 because that was the reality of all that was possible at the time.

How about news stuff? Let's say a newsflash based on a press release
from 10 Downing Street. Library pictures would be used - surely the BBC
film these and therefore own them? They employ the newsreader, own the
studio in which it was made, commissioned the music and titles. The
press release is exactly that, so I can't think they'd be to snotty on
the copyright of it in that way.

Or am I missing something obvious?


tons of pooled footage / bought in footage / freelance cameramen /
stills / most library pictures are bought in, or result in some
secondary fee to original rights holders
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Re: [backstage] platform-agnostic approach to the iPlayer

2007-02-11 Thread Tom Loosemore

On 10/02/07, Gordon Joly [EMAIL PROTECTED] wrote:

At 15:42 + 8/2/07, Dave Crossland wrote:
On 06/02/07, Richard P Edwards [EMAIL PROTECTED] wrote:

We also know that the BBC has content that they own
100% of the copyright.

This is, apparently, not the case at all for the majority of existing records.

However, moving forward, I see no reason why the BBC cannot be clear
that it is owning 100% of the rights in all new contracts for
internally produced works.




***

Desert Island Discs is one of Radio 4's most popular and enduring
programmes. Created by Roy Plomley in 1942, the format is simple:
each week a guest is invited by Kirsty Young to choose the eight
records they would take with them to a desert island.


***

For rights reasons Desert Island Discs is not available as a listen again item.

***

http://www.bbc.co.uk/radio4/factual/desertislanddiscs.shtml


Why no podcast?

Gordo


Estate of Roy Plumley owns the rights to the format, and isn't keen on
on demand...
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Re: [backstage] platform-agnostic approach to the iPlayer

2007-02-11 Thread Tom Loosemore

the honest answer is we don't know

bear in mind that to know for sure you have to examine *all* the
various contracts with *all* the various contributors - and for that,
you need to know who the contributors are, and where their contracts
are stored... if their contracts are stored. Then you have to hope the
contracts we unambiguous.

When the creative archive team went hunting for some content for their
trial which was demonstrably  unambiguously BBC owned, they found
nothing that didn't require at least some additional rights
clearance...

There's lot of stuff for which the BBC owns *broadcast* rights,
because that was the reality of all that was possible at the time.

And then there's moral rights, but let's no go there for now...
On 11/02/07, Richard P Edwards [EMAIL PROTECTED] wrote:

Hi Tom,

Can I ask again then, is there anything that the BBC owns 100%
copyright of in an archive?
Yes or no would be a start. :-)
Regards
Richard

On 11 Feb 2007, at 11:43, Tom Loosemore wrote:

 On 10/02/07, Gordon Joly [EMAIL PROTECTED] wrote:
 At 15:42 + 8/2/07, Dave Crossland wrote:
 On 06/02/07, Richard P Edwards [EMAIL PROTECTED] wrote:
 
 We also know that the BBC has content that they own
 100% of the copyright.
 
 This is, apparently, not the case at all for the majority of
 existing records.
 
 However, moving forward, I see no reason why the BBC cannot be clear
 that it is owning 100% of the rights in all new contracts for
 internally produced works.




 ***

 Desert Island Discs is one of Radio 4's most popular and enduring
 programmes. Created by Roy Plomley in 1942, the format is simple:
 each week a guest is invited by Kirsty Young to choose the eight
 records they would take with them to a desert island.


 ***

 For rights reasons Desert Island Discs is not available as a
 listen again item.

 ***

 http://www.bbc.co.uk/radio4/factual/desertislanddiscs.shtml


 Why no podcast?

 Gordo

 Estate of Roy Plumley owns the rights to the format, and isn't keen on
 on demand...
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Re: [backstage] RE: [backstage] RE: [backstage] RE: [backstage] RE: [backstage] RE: [backstage] £1.2 billion question (or RE: [backstage] BBC Bias??? Click and Torrents)

2007-02-09 Thread Tom Loosemore

 No it's not cool.  However if you don't have rights holders who are happy,
you would get nowt.

 What's better - a moral highground with nothing, or no moral highground
but with everything?I'd presume people here would say the former, whilst
I suspect the majority of the general public would say the latter.

 Rubbish, the BBC could have had their cake and eaten it just by
threatening to tell the content providers to shove off. The rights
holders want their material on the BBC, probably more than the BBC wants
any particular piece of content. If the BBC had said we'll do this DRM
free, or we won't even broadcast it the BBC would have got DRM free. They
wouldn't have ended up with nothing.


rights holders = every active and retired actor in the country, every
composer in the country, every professional musician in the country,
every freelance presenter, every freelance cameraman, every freelance
director, every photo stills library, every independent TV company (to
whom we're obliged by our charter to commission 25% of tv), every
record label,  football clubs, the estate of Sir Roy Plumley etc etc
etc

Telling them all to shove off is not a realistic option right now. See
the para from Government's BBC Charter Review Green Paper at the
bottom of this post to understand this political reality.

Now, in the long term I'm convinced that acquiring the rights to make
content available for re-use in perpetuity is a  public value
maximising strategy for anyone engaged in public media in a wholly
networked environment.

As does OFCOM, as can be seen by their proposing a commercial,
attribution, sharealike Creative Commons licence for their putative
2012 Public Service Publisher (PSP) concept.

But it's far from obvious that this is the right approach *now*. 2012
is a generation away.

Even ignoring the political reality, implementing such a 'shove off'
strategy today isn't necessarily the right thing to do today.

Buying all rights, globally, in perpetuity  means each unit of stuff
would cost (lots) more than we pay for UK broadcast rights. Lots more.
So  the BBC would have to make far less stuff. And cos it makes less,
it'd be harder to make sufficiently diverse range of  stuff so that we
offer stuff of value to *everyone* in the UK   - including, BTW,  the
40% of people in the UK who've never been on the internet, and the 97%
who've never watched TV on the net.

Seriously, the best way to have an impact on this debate is to respond
to OFCOM's PSP discussion document  A new approach to public service
content in the digital media age .

http://www.ofcom.org.uk/consult/condocs/pspnewapproach/

The consultation on the above discussion doc is open to anyone, and
closes on 23rd March. I *highly* recommend those of you who care about
this issue read about the Public Service Publisher, and respond in as
much detail as you can manage to OFCOM's request for feedback on their
ideas.   The views of an informed digitally-savvy bunch such as those
on the backstage list is utterly vital, and will be hugely welcomed.
Welcome to the world of policy.

The BBC really has lived these arguments over the past five or six
years (ideas for a BBC Public Licence were all over the web and some
newspapers back in 2002
http://web.archive.org/web/20021220040855/http://azeem.azhar.co.uk/archives/000178.html
)

We didn't follow the DRM'd iPlayer strategy lightly.

Today, in Feb 2007, it's DRM or nowt.

So please put the 'DRM is evil' placards down for a moment. We know.
http://www.lllj.net/blog/archives/2006/01/06/how-can-drm-be-good/#comment-7373

Start working to change UK public policy instead.
http://www.ofcom.org.uk/consult/condocs/pspnewapproach/

Bests
-Tom


* Fom http://www.bbccharterreview.org.uk/pdf_documents/bbc_cr_greenpaper.pdf

The BBC said in Building Public Value
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Re: [backstage] platform-agnostic approach to the iPlayer

2007-02-09 Thread Tom Loosemore

 if the BBC did try to use it's muscle, it could just get accused
 of bully-boy tactics by the industry who could then complain to
 the government etc - such things have happened in the past)

I thought the BBC was answerable to the Board of Trustees, not the
Government. Or is it a Government mouthpiece afterall?


the people who just decided what the BBC should do over the next 10
years looked very much like a Government to me

and the man who decided how much money the BBC should get over the
next 6 years looked very much like Gordon Brown

and the person currently busy  appointing the next Chair of the BBC
Trustees looks just like that Tessa Jowell woman who runs the
Department of Culture Media  Sport

the BBC is a construct formed by political will, and exists so long as
that political will remains

as is only right and proper in  a democracy.

if you want the BBC to move on from being a broadcaster (which it
looks to me like you do!), then engage in the wider political debate
about media policy.


 And IMHO the whole industry is pretty much following music.
 The music model is a known quantity.  Non-DRM is less so.
 Ergo the industry goes with the known quantity.

The BBC is meant to do what 'the industry' doesn't, though. Otherwise,
what's the point?


Not true. The BBC is not there to do whatever the industry doesn't do.
Never has been.

What's the point, then? Well, the point of the BBC is that, by
informing, educating and entertaining everyone in the UK, the
population of the UK gains both individually and collectively to an
extent greater than the BBC's negative market impact

Read the charter
http://www.bbc.co.uk/info/policies/charter/

Bests
-tom
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Re: [backstage] bbc offline?

2007-02-08 Thread Tom Loosemore

excess traffic = a very nice problem to have, obviously!

On 08/02/07, Mark Hewis [EMAIL PROTECTED] wrote:

Sorry about that - excess traffic due to people finding out about the
weather caused it to run slow for a few hours

Service should be back to normal now



 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED] On Behalf Of
 Jonathan Chetwynd
 Sent: Thursday, February 08, 2007 11:57 AM
 To: backstage@lists.bbc.co.uk
 Subject: [backstage] bbc offline?

 bbc offline?

 is it just me, but finding bbc pages hard to load today?

 cheers

 Jonathan Chetwynd



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Re: [backstage] Joost anyone?

2007-01-28 Thread Tom Loosemore

On 28/01/07, Libby Miller [EMAIL PROTECTED] wrote:


On Wed, 17 Jan 2007, Robert Kerry wrote:

 Email me if you'd like an invite - not sure how many I can give out though.

 :o)


(belatedly) I work for Joost and have a few invites spare.

Libby


many thanks libby... much appreciated...
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Re: [backstage] BBC News instant messages on twitter

2007-01-11 Thread Tom Loosemore

On 11/01/07, Mario Menti [EMAIL PROTECTED] wrote:

On 1/11/07, Gordon Joly [EMAIL PROTECTED] wrote:
 Why is the BBC using a (commercial) third party to make a short URL?
 And then giving them (tinyurl.com) free advertising?

That's my fault... but twitter limits messages to 160 characters overall
(so alerts work via SMS), and I wanted to provide a URL with the headlines.
The original BBC URLs are way too long.  If someone can suggest a better
alternative I'm all ears :-)

Mario.


despite all the stuff he does, Mario doesn't work for Auntie!
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Re: [backstage] RSS feeds of the BBC TV subtitles?

2007-01-11 Thread Tom Loosemore

On 10/01/07, Frank Wales [EMAIL PROTECTED] wrote:

Brian Butterworth wrote:
 Some BBC programs provide their scripts online, but I was wondering if
 it would be possible to provide ALL the subtitles used by the BBC (and
 other broadcasters) over the course of the day as RSS feeds?

I asked some BBC people about this last year, and the answers generally
seemed to be preceded by lots of sucking in of air through teeth.

I believe the problem is not technical, but contractual, in that
subtitles shown on BBC programmes are often not owned by the BBC.
So what seems, on the face of it, to be an obvious thing to do is
actually quite fiendishly difficult to make happen.

No doubt some actual BBC people will explain further.
Or, ideally, say: it's all sorted out now, here they are!


contractual... messy, messy, messy (as usual, we only have broadcast
rights).. tech messy messy (several sources, depending on whether it's
live or prerecorded. One of those cases where I hit a brick wall, I'm
afraid, cos you're right it's a lovely feed. It's being dealt with as
part of the preparations for iPlayer, but don't hold breath.

if you want to play in private, and you're  feeling quite hardcore,
you *could* extract the subtitles from a DVB-S MPEG2 stream (aka a
satellite stream) where they're still in there somewhere as ASCII. On
DTT (Freeview) the subtitles are transmitted as bitmaps, so are hard
to get-at (a friend tried to OCR them out, and Failed with a capital
F)
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Re: [backstage] RSS feeds of the BBC TV subtitles?

2007-01-11 Thread Tom Loosemore

On 11/01/07, Matthew Somerville [EMAIL PROTECTED] wrote:

Brian Butterworth wrote:
 Does the Copyrights Designs and Patents Act 1988 cover the subtitles
 associated with a TV channel?  Would implementing a search feed, rather
 than a complete feed be OK with the Act?

I would guess (IANAL) subtitles are part of the work, so would be
copyrighted for things like dramas (as it's basically the spoken section of
the script, more if it includes noises), and you might have fair use for
news broadcasts and the like. Google seems to think storing everything for
search is okay, so you might be okay there...


I'd guess we could implement a search feed without infringing
copyright. But in my experience they don't work too well, since you
really need to see the context in which a word was used to judge its
relevence - and showing the context in text would infringe.
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Re: [backstage] democracyplayer

2006-12-20 Thread Tom Loosemore

 Maybe we should try and get more BBC managers here.
 
 How do you know there not watching this already? Seriously!

Watching, maybe. But are they participating? Not so far as I've seen.


i thoroughly resemble that remark
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Re: [backstage] democracyplayer

2006-12-20 Thread Tom Loosemore

On 20/12/06, Nic James Ferrier [EMAIL PROTECTED] wrote:

Tom Loosemore [EMAIL PROTECTED] writes:

  Maybe we should try and get more BBC managers here.
  
  How do you know there not watching this already? Seriously!

 Watching, maybe. But are they participating? Not so far as I've seen.

 i thoroughly resemble that remark

I *have* seen you participate.

But you're a tech manager right? So you already get it. And you've
made your mind up (probably, maybe) about whether free content is
possible, desirable or likely.


Nope, i'm not a tech manager.

But yes, safe to say I've made my mind up:
http://www.lllj.net/blog/archives/2006/01/06/how-can-drm-be-good/#comment-7373


I am talking specifically asking for non-technical managers to be
involved here. At least to some extent. I expect those people to think
that they've already made up their minds. But they probably haven't
really heard the wealth of different opnions there are on the subject.


Trust me, they have.  They really, really have. If there's one thing I
can point to in my 5 years here, it's that.

It's now 3 years since we got Lessig over to present to 100+ senior
managers. The debate has been long and intense. And it continues in
public, albeit not in places backstage subscribes would hang out!
http://www.bbc.co.uk/bbctrust/research/iplayer-public-value-test.html


We have to remember, this is not a technical issue. It's driven by
technology and law. But it's about society.


Totally. And the bedrock of society is the rule of law. And the law is
*crystal* clear - the BBC doesn't own all rights to its archive; the
myriad of underlying rights holders do (and there are 1.2m
contributers listed on http://open.bbc.co.uk/catalogue)

No public institution can knowingly break the law, however compelling
the 'moral' case.

Our job is to make the case to our regulator (The BBC Trust), and to
the rights holders, that the societal opportunity cost of *not*
releasing our archive outweighs what it would costs and the market
impact (aka the Public Value Test )

We have, despite frustrations, been busy on this front:

http://www.bbc.co.uk/bbctrust/research/iplayer-public-value-test.html
http://www.digitalspy.co.uk/article/ds40870.html
http://creativearchive.bbc.co.uk/news/archives/2006/09/hurry_while_sto.html

that does not happen overnight and - frankly - the outcome of any of
these isn't obvious either.

Oh, and for those of you debating what the BBC is *for* - it's here:

http://www.bbccharterreview.org.uk/publications/cr_pubs/pub_royalcharter06.html

copypaste relevent bits

4.The Public PurposesThe Public Purposes of the BBC are as follows—

(a)sustaining citizenship and civil society;
(b)promoting education and learning;
(c)stimulating creativity and cultural excellence;
(d)representing the UK, its nations, regions and communities;
(e)bringing the UK to the world and the world to the UK;
(f)in promoting its other purposes, helping to deliver to the public
the benefit ofemerging communications technologies and services and,
in addition, taking aleading role in the switchover to digital
television.

5.How the BBC promotes its Public Purposes

The BBC's main activities should be the promotion of its Public
Purposes through theprovision of output which consists of information,
education and entertainment, supplied by means of—

(a) television, radio and online services;

(b)similar or related services which make output generally available
and which may bein forms or by means of technologies which either have
not previously been used bythe BBC or which have yet to be developed.

/paste

The 37 pages of the charter do not mention the word 'programme' once.
The BBC does not exist to make programmes (neither does ITV, natch) ;
The BBC exists to build public value through media.

The very first edition of Wired UK magazine in April 1994 carried a
final page column by Douglas Adams which contained exactly this point.
http://yoz.com/wired/1.01/adams.html

Lots of people are not in the business you think they're in.
Television companies are not in the business of delivering television
programmes to their audiences, they're in the business of delivering
audiences to their advertisers. (This is why the BBC has such a
schizophrenic time - it's actually in a different business from all
its competitors). 

bests
-tom

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[backstage] BBC Programme Catalogue live again

2006-12-18 Thread Tom Loosemore
Apologies for the interruption in service (a mere, ooh, 5 months)

But the Programme Catalogue prototype is back:

http://open.bbc.co.uk/catalogue

Details of 966,244 BBC programme dating back to 1938, catogorised into
503,193 subject categories, and mapped onto 1,214,797 contributors.

Here's me:
http://open.bbc.co.uk/catalogue/infax/contributor/138210

Chock full of RSS, RDF and FOAF 

Go and play.

(it's a Matt Biddulph creation - www.hackdiary.com and FWIW it's done on
RoR) 


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[backstage] Best links of the year

2006-12-15 Thread Tom Loosemore
Hello all

I'm doing a review of the year's best links, for use inside Auntie.

Any suggestions?

For 'best' read: Funny/useful/fabulous/bonkers/innovative

Dropsend.com is my link of the year, which is a sad reflection on my
life.

-t


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Re: [backstage] Site statistics

2006-12-11 Thread Tom Loosemore

On 11/12/06, Allan Jardine [EMAIL PROTECTED] wrote:

Hello all,

Thanks for the multitude of replies about web-site statistics. The
sources people pointed out are very interesting, particularly the
table of what browsers the bbc test on and support.


copypaste from a man who'd know...

We are currently updating our browser standard, the current one is here

http://www.bbc.co.uk/guidelines/newmedia/technical/browser_support.shtml

The new one will replace it by Thursday at the latest.
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Re: [backstage] Site statistics

2006-12-08 Thread Tom Loosemore

On 08/12/06, Martin Belam [EMAIL PROTECTED] wrote:

 I know that Martin Belam has done a little work
 on this ( http://www.currybet.net/articles/user_agents/index.php )
 but these results are now a year out of date.

Yes, my new report about visitors to Sony's CONNECT store doesn't make
such interesting reading - 100% IE  Windows lock-in and seemingly
little inclination to change



i'd see if we can get the latest freshest data out - shouldn't be a
problem to publish into the public domain, albeit not as an API

(oh, and i totally agree about google analytics...)
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Re: [backstage] Psiphon

2006-11-28 Thread Tom Loosemore

I would love to see the BBC reverse its thinking and engage us, as
the public, in allowing much more access, even if they have to
pressure government to change the law.
There is nothing to fear :-)


oh we know that - honestly, we really do. we're in the business of
maximising the value our programmes offer the public, which in many
(but not all) cases equates to maximising access to them

this principle is accepted, hell, no, it's embraced by the BBC now.

but messy reality swiftly  intrudes. Our rights holders (the people
who actually own the programmes we broadcast), and our regulators /
competitors take a bit more persuading ... which takes time, given
there can be dozens of different rights holding bodies, and hundreds
of individual rights holders in just one programme. And other
commercial broadcasters fear the BBC will set a 'free' price point in
the minds of consumers at which point it potentially limits their
business models. (personally, i think there's always been free and
paid for, but hey, i'm biased)

so the BBC's job is to persuade rights holders and competitors whose
livelihoods are based on the existing model that a new model is better
- better for them, not you... given that sports rights maximise their
revenue by selling rights on a region by region basis right now, it's
highly improbable that the sports rights model will change any time
soon. you simply cannot buy global internet rights to high-profile
soccer/cricket/the olympics, and even if you could, i don't think it'd
offer most licence fee payers value for money to offer it to the rest
of the world for free, given the premium we'd need to pay for global
rights..

If it costs us x amount more to buy the rights to allow download of
our programmes than it costs us to broadcast them at present, is it
good value for money to buy download rights now? When only 10% of
internet users are regularly watching video on the web, and only 75%
of the population online - so the premium we'd pay would only add
value to a small percentage of licence fee payers. Now those numbers
are changing all the time, and so is the premium we'd have to pay, and
the bbc's job is to drive innovation, but my point is that it's a
question of value (and hence timing), not principle. that battle is
won.

moving at all is decidedly non-trivial given the uncertainty over
business models - rights holders are scared about all the uncertainty,
and thus are not generally minded to agree to anything that might
compromise a future, as yet unidentified revenue stream.

fundamentally, it's all about the cost of rights. the tech bit is the
easy part
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Re: [backstage] Enquiry about commerical use of BBC News RSS data

2006-11-28 Thread Tom Loosemore

Hi James

As a first port of call, contact [EMAIL PROTECTED] - she'll point
you in the right direction.

Bests
-Tom

On 28/11/06, James Brook [EMAIL PROTECTED] wrote:



Hello All,

I was wondering if anyone knows a contact at the BBC that I could make
enquires about commercial use of the RSS news data.

I've noticed one or two commercial products out there that include the BBC's
news feeds and wondered how they went about getting approval.

Thanks in advance,

James Brook


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Re: [backstage] Psiphon

2006-11-28 Thread Tom Loosemore

Hi Lee

I'm probably one of the top brass to which you refer, and I can assure
you there's no selling of soul planned...

;o)

Like I say, the tech side is the easy bit, and is getting easier by the month.

Aside from the lng process of gaining formal regulatory
permission, there are  two interrelated really hard ugly issues wrt
releasing the archive: Metadata and rights. We'll try to start fix the
former using the programme catalogue, once it relaunches (soon...
soon... urgh...)

http://open.bbc.co.uk/catalogue/infax/

Bests
-Tom

On 28/11/06, Lee Goddard [EMAIL PROTECTED] wrote:

Hi Richard,

I appreciate the time you took on that, and that you didn't take my 
early-morning tappings the wrong way.

Yes, of course you are right: one of my current nags is the Beeb's 
concentration on Sky and comparative ignorance of Freeview and Media Centre

What it really comes down to, I imagine, is pragmatics forced by financial 
considerations.
The BBC are trying to find a way of releasing the archive, and I know that 
members of the top brass are consulting with the likes of Google, MSN, big VCs. 
I imagine the eventual outcome will be that a Blue Chip partnership will 
provide servers and bandwidth in exchange for ... our very souls. Or the right 
to incorporate the BBC-branded content into their MCE-friendly services. I hope 
that those in Beeb involved realise the power the BBC with this content, and 
don't undersell themselves or do something silly like sell everything off and 
then lease it back...

Whatever happens, there will be a torrent or two 

--
Lee Goddard

Independent Contractor, Software Development/Analysis
BBC Radio * Room 718 · Henry Wood Hs · Regents St · London W1 1AA · * 020 776 
50849 ? lee(at)server-sidesystems.ltd.uk



 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED] On Behalf Of Richard Edwards
 Sent: Tuesday, November 28, 2006 9:49 AM
 To: backstage@lists.bbc.co.uk
 Subject: RE: [backstage] Psiphon

 Hi Lee,

 I accept your points, at the same time though, the British
 are being sold on this idea of privacy with a number, an ID
 number. Well, as a public Corporation the BBC could reverse
 that thinking and treat us all as UK residents wherever we
 are in the world already.. it is still far easier to find
 people that you can trust, than to be weighed down by the
 thoughts of people that you cannot.
 That is pandering to the lowest common denominator.
 The benefits far out-weigh the negatives for a closer social
 community.
 I think it is a shame that all that power goes to support the
 tiny worse case scenario.
 As far as I am aware, every song on TOTP up until 1983 was
 re-recorded so that the BBC owned the rights of broadcast
 in the charter it clearly states that the BBC must distribute
 its content to the UK public. so where is all that music
 that I payed for :-) I am sure that similar can be said for
 BBC TV. All they would have to do is say publically that
 such and such a show was going to be aired on the net, in
 not best quality, and that the original producer would be
 payed X. If he doesn't agree - fine - but right now is anyone
 asking that question?
 If you can see a matrix of good honest people, the vast
 majority, across the planet, all UK residents if you want,
 all hosting bits of a show and streaming it, then the BBC
 doesn't have to host anything. it simply has to control
 the first issue and the delivery mechanism. Which is exactly
 what it is trying to do now along with Sky, ITV etc.
 The first lines do not have political leanings, please excuse
 me if it comes across that way. I am not interested in
 negative or political social engineering, but take a look,
 the fact is that it is happening all around us right now.

 Richard

 On Tuesday, November 28, 2006, at 09:52AM, Lee Goddard
 [EMAIL PROTECTED] wrote:
 From P Edwards (Monday, November 27, 2006 11:19 PM):
 
  I think it is pretty laughable :-)
 
  I am very happy to pay for quality and expensive programming, but
  being censored from the same, just because of a legal
 precedent, is
  almost the ultimate insult, especially if one does have a UK TV
  license.
  In my hallucination, it should take one person within
 Auntie's legal
  department about a month to change the contracts for content
  production, add some budget for servers and bandwidth, to make the
  biggest change to how the BBC works since radio gave way
 to black and
  white TV.
 
 Probably less time, but I guess the problems isn't that the
 Beeb can't find the time for contract-updating. I imagine
 every recording has associated contracts and releases, and
 often after the initial broadcast and an agreed number of
 re-broadcastings, the artist release evaporates, and the
 rights revert to the performers.
 
 
  I can hear the voices of resistance still. There is
 absolutely no reason not to
 
 Hosting all that media, not to mention distributing it at a
 reasonable rate, is not going 

Re: [backstage] Psiphon

2006-11-28 Thread Tom Loosemore

On 28/11/06, Kim Plowright [EMAIL PROTECTED] wrote:

I see your 'written by a Torrent site' and raise you a 'written by a
broadcaster'
http://news.bbc.co.uk/1/hi/entertainment/6168950.stm

Some 43% of Britons who watch video from the internet or on a mobile
device at least once a week said they watched less normal TV as a
result.

Sigh.


devil in the detail... same article

But online video viewers are still in the minority, with just 9% of
the population saying they do it regularly.

Another 13% said they watched occasionally, while a further 10% said
they expected to start in the coming year. 

and it's claimed data, which is notoriously unreliable when you ask
people if they do something they perceive as being aspirational (which
is why you get those surveys saying a third of the UK has a blog...)
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Re: [backstage] Psiphon

2006-11-28 Thread Tom Loosemore

On 28/11/06, Richard Hyett [EMAIL PROTECTED] wrote:




  I trust more the evidence of my own eyes, not some survey that I haven't
read.


The evidence of my own eyes is that the HiFi in family homes is gathering
dust, or has become the ocassional play thing of the senior member, the kids
use the computer to listen to their music. All of my nephews and nieces, and
I have a lot, know what YouTube is. It seems obvious to me that this
transition, led by music will mean that they spend more time on the PC,
watching than they do on the TV.

Its a generational thing


not sure i buy this - Youtube is a *new* media experience - it's
active, short form, shareable media at 3 feet

most TV view is lean back, immersive, long form - it meets a
different, more passive need (and i'm personally happy that my kids
are much more interested in active media than passive...)

now since there are only so many hours in the day, it's pretty certain
that TV's dominance in terms of time (and it's *hugely dominant, even
for kids) will be challenged - but yotube won't kill TV - it'll change
it, just like TV changed radio, but radio listening is more popular
than ever.

video didn't kill the radio star - the only media form to die has been
cave paintings, and that's cos caves are cold, and we're less scared
on wild animals now!
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Re: [backstage] Postcoder

2006-11-16 Thread Tom Loosemore

best I can do ,...
http://www.streetmap.co.uk/streetmap.dll?GridConvert?name=529811,189466type=OSGrid

On 16/11/06, Dave Cross [EMAIL PROTECTED] wrote:


I've got a couple of hundred full UK postcodes that I want to convert to
lat/long values. And I thought to myself 1/ Postcoder would be the
perfect tool to do that with and 2/ when I was working on Postcoder
earlier this year there was lots of talk about releasing the API as part
of Backstage. But there were licensing problems.

So I just thought I'd ask if those licensing problems were any nearer to
being solved and whether the Postcoder API was any closer to being made
public.

Or, failing that, what other tools do people use to convert postcodes to
lat/long? It seems to me that the Google Maps GeoCoder object doesn't
understand UK postcodes.

Cheers,

Dave...
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Re: [backstage] AGH! Cruddy BBC website

2006-11-13 Thread Tom Loosemore

Nic, you have my utmost sympathy...

On 13/11/06, Nic James Ferrier [EMAIL PROTECTED] wrote:

I am in a bad mood because all the tech I've tried over the last few
days has broken. Even my aga is broken and that is very low tech.

[sometimes I think there must be days when a low level magnetic field
settles over my house and causes mysterious things to go wrong]

So I settle down to watch university challenge as a nice breather from
fighting kernel builds on 64 bit and... whadya know? It's that ejit
john humphries and his over egged ego trip mastermind.

When is university challenge on then? I go look at the BBC site. Type
univeristy challenge into search... a whole load of press
releases. No programme page though.

Select A-Z... index U... no mention of university challenge.

Select BBC 2, the home of university challenge, select A-Z of
programmes... index U... no university challenge page.

Apparently university challenge doesn't run on the BBC.


A while ago there was a competition to make a new design for the BBC
website embracing web 2.0.

It seems to me that the BBC should just do what it should be doing and
let me have access to the information I need. After all, that is why I
pay my licence fee.


Agh!


I know this isn't the BBC website helpline... but it's pointless
complaining there (I've tried it before) because you just get a load
of public sector waffle about serving the audience blah blah blah.


It makes me angry when commercial sites don't work. Let alone ones I'm
paying for with taxes.

--
Nic Ferrier
http://www.tapsellferrier.co.uk   for all your tapsell ferrier needs
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[backstage] Flickr Photo Map...

2006-11-10 Thread Tom Loosemore
http://www.flickr.com/map/london/

Nice... 

Though I don't understand the logic behind the 'pages' approach

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Re: [backstage] BBC Touch

2006-11-01 Thread Tom Loosemore

personally, I think it's a fabulous experiment in data.

from a news angle? vast amounts of news consumption is people who
don't click a link or read a single story - they go to the homepage to
check if anything 'important' has happened (usually not). That's
editorship, which is different from journalism.

But then again, that caveat only really applies to the homepage, so I
think Chris' ideas could be more appropriate to a particular index
(business, politics etc) where (I'd guess...) far fewer users adopt
this nothing big happened - great, I can bugger off qick scanning
behaviour.

one tip: you can get far better term extraction if you run two or more
term extractors (I like Yahoo!'s - and it's an API)  over the same
story copy and then only use those terms with two or more matches. You
get far less noise for not much more effort (Chris Sizemore's idea...
not mine...)

On 01/11/06, Chris Riley [EMAIL PROTECTED] wrote:

Hi Matthew,

Thanks for your feedback.  On the Pakistan thing, I'm not sure, it was just
when I glanced at it when writing the mail that stuck in my mind.  So you're
probably right :o)

On your second point about the editorial, completely agree that they
shouldn't be ordering stories by popularity (I think I mention in the about
page that they shouldn't be striving for 100% or something), but I do still
think it is fair to say stories they want us to read about, a story is
more likely to be read if the editor has chosen to make it a headline on the
news homepage wouldn't you say?

As for the popular feed and the data it provides being accumulated with a
certain degree of lag between new news and what we've been reading over
lunch, yeah, of course you're always going to get that issue, and I
completely understand where you're coming from.

Similarly saying that its the BBC's ability to write a good headline that's
being measured is a fair comment, but I don't believe it provides an unfair
popular bias to a story.  In part that's why I introduced the automatic
subject extraction, to try and help get through that issue and delve into
the actual subjects we're choosing to click through (and so show some
interest in) vs. those we don't.  That way even if you don't read the full
story, clicking through registers your interest in the subject.  You'll
never be able to get away from the fact the journalists are going to write
captivating headlines, but if they are consistently doing that, with the
main subject in the headline, I'm happy with that.

Ultimately its an experiment with the data, and if someone can make use of
the data in a new way thanks to my efforts, I'm happy with that.

Cheers,
Chris


On 11/1/06, Matthew Somerville [EMAIL PROTECTED] wrote:
 Chris Riley wrote, reordered slightly:
  In particular I think its useful for highlighting issues the public care
  more about. For instance a couple of says ago whilst Pakistan was the
  headline, most of us were reading the climate change story.

 Are you sure Pakistan was the headline? The climate change story became
a
 subheading just after midnight on the 29th, became the main headline
around
 07:50am, and stayed there, as far as I can tell, right through the 29th
and
 30th October, until 04:05 on the 31st October when the main headline
became
 the Prince Charles/Pakistan story for around 15 minutes (data from my
front
 page archive: http://www.bbc.co.uk/homearchive/ and my
news archive).

  On the web page you'll see subjects they want us to read about vs. what
  we're actually reading about for the past 24 hours, and past 2 weeks.

 they want us to read? That's not the point of the editorial (by which I
 mean the ordering of stories on the front page) at all, in my view. I have
 BBC news in my RSS reader, so that gives me the latest news. I click on
the
 ones I want to read, but that shouldn't affect in any way which ones the
BBC
 decide are important. They hopefully weight stories by more than
popularity,
 otherwise all the stories would be about celebrities and kittens? :-)

 What your site measures (presuming the popular feed goes on page views,
 which seems likely) is which stories have been clicked on, not read. I
 frequently click a headline if it sounds interesting, read the first
 paragraph, decide it isn't or I already know the story, and close the
page.
 If lots of people are like that, then that makes that story a popular
story
 even though it isn't at all. So what you're actually measuring is how good
 BBC headlines are at getting people to click through.

 Similarly, if a BBC post gets linked to from Slashdot or Boing Boing, it
 will almost certainly become a most popular link. But that doesn't mean it
 is most popular in terms of the what we're actually reading about, just
 that lots of people read those sites and click links, realise the first
 paragraph tells them all they need to know, and that's it.

 Most emailed would perhaps be a better XML feed to use than Most popular,
as
 then at least people have gone out of 

Re: [backstage] BBC Catalogue

2006-10-06 Thread Tom Loosemore

all ready to go, just waiting for signoff from les grandes fromages


Any news on this?

Oli

On Sun, 2006-10-01 at 21:38 +0100, Tom Loosemore wrote:
 soon... i'll ask tomorrow

 On 01/10/06, Oliver Cole [EMAIL PROTECTED] wrote:
  Hi,
 
  I was looking at doing something with the Programme Catalogue
  ( http://open.bbc.co.uk/catalogue/infax ), but it has now entered a
  review phase and is therefore currently
  unavailable. ( http://open.bbc.co.uk/catalogue/infax/contributor/809 ).
 
  Given that the contact information appears to have entered the same
  review+unavailability phase, I wondered if any of the BBC people on here
  could let me know when it might be back online?
 
  Thanks,
 
  Oli
 
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Re: [backstage] BBC news ticker in Second Life

2006-10-03 Thread Tom Loosemore

cool - got a screengrab handy?

On 03/10/06, Mario Menti [EMAIL PROTECTED] wrote:

In case there's any Second Lifers on this list, I thought I'd mention a
little experiment I did last night - created a very simple BBC news ticker
that cycles through the latest/newest 10 news items and displays the
headlines. For details and teleport/location see http://menti.net/?p=13

It really is incredibly basic, but more features could of course be added
(initially thinking of hooks to launch web browser, and the facility to
select which flavour of the BBC news feed the screen should display.

Cheers,
Mario.


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Re: [backstage] BBC news ticker in Second Life

2006-10-03 Thread Tom Loosemore

 cool - got a screengrab handy?

Hi Tom - there's one linked from the post I mentioned, but here's a direct
link: http://menti.net/bbcnewsticker.jpg



Doh. I'll get my coat...

ta!

-t
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Re: [backstage] BBC news ticker in Second Life

2006-10-03 Thread Tom Loosemore

On 03/10/06, Mario Menti [EMAIL PROTECTED] wrote:

On 10/3/06, Ian Forrester [EMAIL PROTECTED] wrote:


 Nice stuff Mario, I will check it out next time I'm in second life.

 Can you add some detail how you did it? I've only looked at the scripting
language in second life briefly.

 Just a thought, if you used the AV News RSS feeds, you could link to the
stream which would actually stream into Second life? Or maybe not?

Hi Ian,

as I said, it's very basic... as there is still no way to display HTML as
textures on a prim (a Second Life object), I use my own server (outside
Second Life) to get the newest 10 headlines and create a .jpg for each
headline. The object in Second Life uses the LSL (Linden scripting language)
to make the http requests, and replace its texture with the updated media
resource.

Simple eh?

Re. the AV stream, for streaming in Second Life it would have to be a format
supported by Quicktime, which (unless I'm mistaken) the BBC feeds aren't?

Mario.



Only on the multicast trial (recent versions of QT support H264)
http://support.bbc.co.uk/multicast/streams.html
How does live video streaming work in Second life? Do you need to go
via a proxy?

There's also the odd news-related mp4 video downloads available as
part of the podcast trial
http://news.bbc.co.uk/1/hi/programmes/4977678.stm

(not *exactly* Second Life fodder, but you never know.. there's always
space for some highbrow amid all the pron and gambling)
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