If you've got access to the full Unicode set, flat, natural and sharp
are characters 9837, 9838 and 9839 respectively (hex 266D, 266E, 266F).
(There's also a few characters of miniature notes in the four slots
before that.)
For a chart of the "miscellaneous symbols" range of Unicode, see
The easiest way to do what Charles wants to do, with the fonts he
already has, is to specify an exact line spacing (instead of relative
spacing like single spacing, double spacing, etc.). For instance, if
you are dealing with a 12 pt. text font, make the line spacing exactly
14 pts. Then you
At 6:10 PM -0700 4/28/04, Brad Beyenhof wrote:
Charles Small wrote:
Hello, How do I sensibly incorporate an occasional # or b
or natural, or mP or mF for
that matter, in a paragraph of text (in a text block)?
The required symbols are there in whatever music font
(Maestro, say) but-- for
This may not be a great help but here is one idea. Using a test block, when
I need to enter "Trumpet in Bb", for example, I use the CS Times font. To
enter the flat, I dial in ALT 0223. I select the B and the flat, then set
tracking at 150. Everything stays in line and spaced pretty well in my
On Apr 28, 2004, at 5:17 PM, Noel Stoutenburg wrote:
It is true that the hyphens used for the separators between melismatic
syllables are selected from the lyric font, but it turns out that
there is a way to change the height. All one need do is, after all of
the editing on the lyrics is comple
Split points are absolute hell. The UI is awful, non-wysiwyg, and it's
buggy. I avoid them as much as possible, even if it means breaking
into smaller measures with invisible barlines and measure numbers
redone.
I remember one file in which I had a split point that evaporated every
time I ma
Charles Small wrote:
>Hello, How do I sensibly incorporate an occasional # or b
> or natural, or mP or mF for
> that matter, in a paragraph of text (in a text block)?
>The required symbols are there in whatever music font
> (Maestro, say) but-- for reasons
> I don't understand-- getting
I've had the same problem in the past as Charles Small is experiencing.
I've always compromised by having various text boxes overlapping, to
place the notation characters where they need to be. In complicated
situations, I'd arrange the items in MS Publisher, and export the whole
item as a gr
Charles Small wrote:
Hello, How do I sensibly incorporate an occasional # or b or
natural, or mP or mF for that matter, in a paragraph of text (in a
text block)?
The required symbols are there in whatever music font (Maestro, say)
but-- for reasons I don't understand-- getting a # the correc
Friends, please forgive the cross post. Someone posted a request for
information on how one might change the height of hyphens between
syllables, and someone replied that there is no way to change the height
of hyphens because the hyphen is selected from the lyric font. I don't
remember which
Hello, How do I sensibly incorporate an occasional # or b or natural, or mP or mF for
that matter, in a paragraph of text (in a text block)?
The required symbols are there in whatever music font (Maestro, say) but-- for reasons
I don't understand-- getting a # the correct size to match 12 or
Many thanks, Noel and Johannes, for your help! Putting your comments together gave me
exactly what I needed. Ch.S.
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Sometimes I find that it is easier to create a new time signature for
the partial measure and hide the bar line and time signature in the
measure tools. Things stay where you put them. One warning with this
method is that each measure is counted in the measure numbers. You can
work around this
Hi all,
I'm stuck in an activity loop in FinWin2K3.
I am trying to split some very wide measures in a piece of solo flute music.
Every time I add split points, the measure fragments jump to previous
systems -- no matter whether those previous systems are locked, have a "fit
music" number of mea
On Apr 28, 2004, at 7:38 AM, <[EMAIL PROTECTED]> wrote:
Hello,
So now that I'm switching to OSX and Finale 2004, I wonder if theres a
way
to get patch name documents like those that used to come with OMS?
I'm guessing that the answer is no, and obviously it's no big deal when
doing notation but I
This may be of some interest:
The newly released iTunes 4.5 (Mac and PC) now includes an option for
lossless compression of audio files -- the format is called "Apple
Lossless." Unlike MP3, AAC or WMA, this is true CD-quality audio --
16-bit 44.1 KHz stereo -- at half the file size. It's a pl
This will probably restart some of the discussions to which you refer, but
some styles dictate that all grace note stems should be up. See the flute
and picc grace notes in Stravinsky's "Le Sacre."
RH
- Original Message -
From: "Mark D Lew" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Se
Hello,
So now that I'm switching to OSX and Finale 2004, I wonder if theres a way
to get patch name documents like those that used to come with OMS?
I'm guessing that the answer is no, and obviously it's no big deal when
doing notation but I also do a lot of MIDI sequencing. So, if anyone has
an
Thanks all for your help, but it's already solved.
Acrobat says
"To embed only certain fonts, move them into the Always Embed List. Make
sure Embed All Fonts is not selected."
I didn't move any fonts into the Always Embed List, because I had
selected Embed All Fonts.
The solution was: also put t
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