3. Preference>Edit - "Substitute Font for Missing Unicode Characters" UnCheck.
>
> These three things are the biggest problem with collaboration. If it doesn't
> help, let me know. I'm pretty good with resolving these conflicts.
>
> Good luck,
> Steve Fiskum
> ___
Hello list,
Am I right that that there are others on this list who are using Aruvarb (Jan
Angermüller’s adaptation of Bravura for Finale) as their music font?
If so, could I ask about a strange problem I have encountered?
I’m sharing files using Aruvarb with a collaborator. I’m using the most
I recommend you do the fade out in audio software, not Finale.
Cheers,
— DJA
-
http://secretsocietymusic.org
> On 24 Mar 2018, at 8:49 PM, Haroldo Mauro wrote:
>
> Thanks. How do you manage to have a fade-out over 12 measures with "Scale
> to…” ?
>
> Haroldo
>
>
>
Hi all,
Is there any way to get Human Playback to correctly play back glissandos
(straight gliss line using “tab slide” smart shape) when there are notes that
are both the endpoint of one gliss and the beginning of another?
The results are fine when the tab slide just connects two pitches, but
ra concert I attended this morning, and all of a sudden
> the Orchestra formed in a big band formation and conductor Teddy Abrams
> started talking about our good list friend Darcy James Argue, and his piece
> "Transit" that we were about to hear.
>
> Very good piece, very wel
Turn off “Respect Instrument Ranges When Copying or Changing Instruments” in
Preferences > Edit, and write a sternly-worded email to MakeMusic asking them
why on Earth they ever decided to make this box checked by default.
Cheers,
— DJA
-
http://secretsocietymusic.org
> On Apr 10, 2017,
Exactly correct.
Cheers,
— DJA
-
http://secretsocietymusic.org
> On Apr 9, 2017, at 10:26 AM, Klaus Smedegaard Bjerre
> wrote:
>
> The fermata changes the pulse and hence has the most profound effect, so the
> fermate must always be on top of anything else.
>
Hi all,
Has anyone had any success getting Keyboard Maestro to:
A) recognize the current state of Finale checkboxes using "If/Then/Else”?
B) getting Keyboard Maestro the click checkboxes using “Press A Button” (rather
than a simulated mouse click)?
Cheers,
— DJA
-
Semi-stressed bears aren’t subtle either, but (lest anyone be concerned) that
was a typo for “beat.”
Cheers,
— DJA
-
http://secretsocietymusic.org
> On Dec 13, 2016, at 9:47 AM, Darcy James Argue <djar...@icloud.com> wrote:
>
> The difference between a barline accent
in stress.
> What makings are there to do this?
>
> tim
>
>> On Dec 12, 2016, at 6:23 PM, Darcy James Argue wrote:
>>
>> And to answer your question:
>>
>> With a expression above the measure that says "2+2+2” (as I believe
>> Chris Smith als
And to answer your question:
With a expression above the measure that says "2+2+2” (as I believe Chris Smith
also suggested).
Cheers,
— DJA
-
http://secretsocietymusic.org
> On Dec 10, 2016, at 5:06 AM, David H. Bailey wrote:
>
> So how would you indicate
The discussion seemed to have moved beyond the specifics of the original
question — people were making broad normative claims about 6/4 versus 3/2.
Cheers,
— DJA
-
http://secretsocietymusic.org
> On Dec 10, 2016, at 5:06 AM, David H. Bailey wrote:
>
>
>
> On
,
— DJA
-
http://secretsocietymusic.org
> On Dec 7, 2016, at 3:08 PM, Darcy James Argue <djar...@icloud.com> wrote:
>
> Hi all,
>
> The conventional answer is 3/2, because as you say, traditionally 6/4 is
> compound meter.
>
> I personally ignore this convent
Hi all,
The conventional answer is 3/2, because as you say, traditionally 6/4 is
compound meter.
I personally ignore this convention for exactly the reason you describe — that
it suggests that the underlying X/4 pulse changes, and that is unintentional.
In a mixed-meter piece, going from 4/4
Hi Jan,
Amazing!
Can’t wait for this to be released!
Cheers,
— DJA
-
http://secretsocietymusic.org
> On Nov 15, 2016, at 11:08 AM, Jan Angermüller wrote:
>
> Here is a demo video of what my Perfect Layout plugin does to create
> niente hairpins in Finale.
>
Hi Mike,
All new Macs come with macOS Sierra and it’s not possible to install an older
OS. Finale 2010 is definitely not supported on Sierra. If you buy a new Mac you
will also need to upgrade to Finale v25.
Cheers,
– DJA
-
http://secretsocietymusic.org
From: Michael Dutka
Hi all,
It seems that simulated mouse clicks no longer work in yKey (formerly iKey) as
of OS X 10.11 — at least, I have not been able to get them to work.
Is there a replacement Mac macro app that does simulated mouse clicks that
works correctly under El Capitan and Sierra?
I know Keyboard
t 2:12 AM, Ryan Beard <ry.squa...@gmail.com> wrote:
>
> Can you print to PDF each page first to 9"x12", then impose those two 9x12
> pages on 12"x18"?
>
> Sent from my iPhone
>
>> On Oct 10, 2016, at 7:27 PM, Darcy James Argue <djar...@icloud.c
Hello,
Does anyone have a good solution for printing 8.5”x11” PDFs 2-up onto 12”x18”
paper that both enlarges the image the correct amount and preserves equidistant
margins?
The app Bookbinder’s Collator does this perfectly when making booklets, but it
is not able to do regular 2-up. And
There is a plugin to remove vertical collisions but it doesn’t actually work.
Cheers,
— DJA
-
http://secretsocietymusic.org
> On Sep 29, 2016, at 3:44 AM, Giovanni Andreani
> wrote:
>
> Is there anyway to automate the process of system wrapping? I have a
Haven’t tried it recently, but it’s
> worth a look. It uses the directional arrow keys to accomplish this.
>
>
>> On Sep 24, 2016, at 11:00 PM, Darcy James Argue <djar...@icloud.com> wrote:
>>
>> Hi all,
>>
>> I know Apple just released macOS 1
Hi all,
I know Apple just released macOS 10.12 but I just recently upgraded to OS X
10.11.6 and am still trying to work out all the kinks.
One major kink is that yKey (formerly iKey) shortcuts that involve simulating
mouse movements (“Move To”) no longer seem to work.
I’m not sure if any yKey
gt;>
>>>
>>>> On Sep 19, 2016, at 1:40 PM, Chuck Israels <cisra...@comcast.net> wrote:
>>>>
>>>> Hi Darcy,
>>>>
>>>> Yes, I have reproduced this behavior. Glad I saved extra preference files!
>>>>
>>&
n design? They always say, “It’s complicated, but we’ll
> get to it.”
>
> Chuck
>
>
>> On Sep 18, 2016, at 11:31 PM, Darcy James Argue <djar...@icloud.com> wrote:
>>
>> Hi all,
>>
>> Can anyone else confirm this? (MacFin v25 on OS X 10.11.6)
>&g
Hi all,
Can anyone else confirm this? (MacFin v25 on OS X 10.11.6)
Steps:
1) Launch Finale with a known good set of preferences.
2) Hold down option and go View > Program Tool Set 1
3) File > Save Preferences
4) Quit Finale
5) Re-launch Finale. Finale will crash on quit.
Can anyone
Hi all,
Getting set up with Mac Finale v25 for the first time, and it seems that there
isn’t any way to shorten the Tool Palette?
I believe ever since I began using Finale (3.0), it has been possible to
eliminate tools from the tool set by resizing it. I keep mine in a single
horizontal
Linked parts is the big one.
Cheers,
– DJA
-
http://www.secretsocietymusic.org
On July 12, 2016 at 1:16:37 PM, Johannes Gebauer (li...@musikmanufaktur.com)
wrote:
I am wondering whether I should upgrade my ancient version of Finale
(2k9) to the current. Can someone outline in some brief
player)
ARIA Player v1.872
An absolute nightmare that took untold hours, but at least I’ve got the GPO and
JABB instruments back.
In future, it would be nice to know if there were a less brute-force method.
Cheers,
– DJA
-
http://www.secretsocietymusic.org
From: Darcy James Argue <d
Argue <djar...@icloud.com>
Reply: Darcy James Argue <djar...@icloud.com>
Date: May 3, 2016 at 5:22:29 PM
To: finale@shsu.edu <finale@shsu.edu>
Subject: Getting JABB and GPO to work in Finale 2014.5 Mac + ARIA
Hi all,
Can someone explain what the trick is to get the latest vers
Hi all,
Can someone explain what the trick is to get the latest version of ARIA Player
to recognize GPO4 and JABB3?
I’ve followed the instructions here:
http://makemusic.custhelp.com/app/answers/detail/a_id/5381/~/setting-up-garritan-sound-libraries-in-finale-and-printmusic
The result is that
Rather than extract the parts, you could add new hidden staves to the score and
copy/explode the instruments to separate staves — plugins make this easier.
That way you can at least keep all of the parts in the same file, which makes
updating and printing them much, much easier.
Cheers,
-
Craig,
When the two chords are stacked vertically, with a horizontal line separating
them, they are played as a polychord, e.g.
F#
—
C
Chord inversions and chords with an alternate bass are both displayed with a
diagonal slash, e.g.,
F#/C
(Sometimes the alternate bass is subscript but the
F#/C#min7 isn't directly supported by the Chord Tool but there are several
simple workarounds, including entering either the slash or the chord suffix as
an expression.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On Feb 14, 2016, at 1:22 PM, Martin Nickless
"Hi had it confirmed yesterday by finale that they do not support poly chords"
I have no idea what you are talking about.
"• Alternate Bass: Type a slash (/), an underscore (SHIFT+hyphen), or a bar
symbol (|) to indicate whether an alternate bass note should appear next to,
below, or slightly
Hi Glen,
Often I find the first "Export to Audio" command in FinMac2014d does nothing.
The file only appears after a second invocation.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On Nov 5, 2015, at 12:45 AM, Glen Daum wrote:
> I need to export a Finale
always add blank pages at the end.
On Aug 28, 2015 7:24 PM, Darcy James Argue djar...@icloud.com wrote:
Hi Greg,
Thanks, much obliged. (I already own that Swingline stapler.)
One question — what do you enter in the page range when the total length
of the part isn't a multiple of 4 pages
recommend the Swingline saddle stapler. You can find
them on eBay.
Hope this helps,
Greg
From: Darcy James Argue djar...@icloud.com
Subject: [Finale] 12x18 booklet printing workflow
Date: August 26, 2015 at 10:05:40 PM PDT
To: finale@shsu.edu
Hi all,
So after a year and a half of owning
trimmer to straighten that out.
Even still, this is the method of printing with which I am happiest.
David Froom
On 28 Aug 2015, at 1:00 PM, Darcy James Argue djar...@icloud.com wrote:
From: Darcy James Argue djar...@icloud.com
Subject: [Finale] 12x18 booklet printing workflow
Date: August
James Argue djar...@icloud.com wrote:
Hi all,
So after a year and a half of owning a Ricoh AP6330N, I have — somewhat
sheepishly — just today discovered it can actually handle 12x18 paper. (I
had until now just assumed that it had the same size limitations as its
predecessor, the Ricoh
Hi all,
So after a year and a half of owning a Ricoh AP6330N, I have — somewhat
sheepishly — just today discovered it can actually handle 12x18 paper. (I had
until now just assumed that it had the same size limitations as its
predecessor, the Ricoh AP2610, which maxed out at 11x17. In
Hi Jan,
Are you positive that this text expression has the result you describe? That is
definitely not what happens on my system (FinMac 2014d). As far as I know, it
is not possible to turn off HP on a staff-by-staff basis.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On Aug
.
Klaus
Aired by iPad
Sendt fra min iPad
Den 23/08/2015 kl. 19.54 skrev Darcy James Argue djar...@icloud.com:
So this is a very annoying bug with no workaround that I can think of…
I am trying to show a 12-tone series on a part for an improvising soloist. I
also want to show a cued bass
Finale computer, so I can’t check that.
Christopher
On Aug 23, 2015, at 1:54 PM, Darcy James Argue djar...@icloud.com wrote:
So this is a very annoying bug with no workaround that I can think of…
I am trying to show a 12-tone series on a part for an improvising soloist. I
also want
The Apply Human Playback plugin in its current form is a disaster. It's utterly
unusable. The MIDI data it writes is completely different from the data HP
actually employs during live playback. I don't know why this is — it used to
work much better than it does.
The only current solution for
wrote:
I'm not able confirm your issue but most of the annoying coping problems are
resolved by using Robert Patterson's Mass Copy. More powerful and reliable
than the built-in copying IMO.
Good luck.
Steve
On Aug 23, 2015, at 12:54 PM, Darcy James Argue djar...@icloud.com wrote
So this is a very annoying bug with no workaround that I can think of…
I am trying to show a 12-tone series on a part for an improvising soloist. I
also want to show a cued bass line in the same measure.
The part is in 4/4 so the 12-tone row is in eighth-note triplets in layer 3. I
want those
the built-in copying IMO.
Good luck.
Steve
On Aug 23, 2015, at 12:54 PM, Darcy James Argue djar...@icloud.com wrote:
So this is a very annoying bug with no workaround that I can think of…
I am trying to show a 12-tone series on a part for an improvising soloist. I
also want to show
Hi all,
Has anyone observed the following behavior?
With HP set to Standard, HP pre-playback processing takes a normal amount of
time.
With HP set to Jazz, HP seems to stall on Processing Glissandi Bends,
taking up to 30 seconds to complete this step of the pre-playback processing,
even on
- Original Message -
From: Darcy James Argue djar...@icloud.com
To: finale@shsu.edu
Sent: Friday, August 21, 2015 8:26 PM
Subject: [Finale] Notes/rests in hidden layers still affect spacing
Hi all,
Is there a way to prevent notes and/or rests hidden with the Blank
Notation staff style from
jari.williams...@mailbox.swipnet.se wrote:
On 2015-08-21 22:26, Darcy James Argue wrote:
It is already unchecked. Unfortunately, this option does not work entirely
as advertised…
Hidden notes are note entries that are hidden, not hidden layers through
staff styles.
Hidden layers through
Hi David,
It is already unchecked. Unfortunately, this option does not work entirely as
advertised…
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On Aug 21, 2015, at 3:41 PM, David H. Bailey dhbaile...@comcast.net wrote:
On 8/21/2015 3:26 PM, Darcy James Argue wrote:
Hi all
Hi all,
Is there a way to prevent notes and/or rests hidden with the Blank Notation
staff style from affecting music spacing? I have some fairly dense notation in
Layer 1, hidden with a staff style, and it's affecting the spacing of Layer 4
(the visible layer).
Cheers,
- DJA
-
WEB:
Active
Layer Only and space in Layer 4. Layer 1 won't affect spacing, but then
neither will Layers 2 3. So this may not help.
JR
On 8/21/15 3:26 PM, Darcy James Argue wrote:
Hi all,
Is there a way to prevent notes and/or rests hidden with the Blank Notation
staff style from affecting
Hi Robert,
Thanks for the frank update. Your impressions match up with those of a
colleague of mine, who had been quite enthusiastic about migrating from Mac OS
X to a Windows-based machine, but ultimately ended up really regretting the
move.
Should you opt for the repair and continue to use
Hi Robert,
In case you're taking requests — is there any way the plugin could
automatically tighten the space between ledger lines on reduced-note size
passages, like cues? Currently, Finale spaces cues as if they have full-sized
ledger lines, which is obviously extremely tedious to correct
Hi Robert,
In case you're taking requests — is there any way the plugin could
automatically tighten the space between ledger lines on reduced-note size
passages, like cues? Currently, Finale spaces cues as if they have full-sized
ledger lines, which is obviously extremely tedious to correct
I believe Martin is talking about entering chord symbols (not entering the
notes themselves).
Here are some helpful shortcuts for that:
http://www.finalemusic.com/usermanuals/finale2014win/Content/Finale/Chord_entry_tips.htm
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On Jul
Human Playback style - choose Custom from the drop-down menu and un-check
Strum Plucked String Chords. Or just use an HP style that does not have this
box checked by default (like Standard).
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On Jul 26, 2015, at 2:04 PM, Kenneth Moore
On Jul 10, 2015, at 4:56 PM, Eric Dannewitz ericd...@jazz-sax.com wrote:
I use both. Finale 2014 I don’t think has crashed at all on me in months….if
ever.
I deeply envy you. On my setup, it crashes 100% of the time on quit and also at
least 3 times per day.
Cheers,
- DJA
-
WEB:
Hi Jef,
In my experience, Finale is very unstable with MIDI Thru set to off. I set it
to a Fixed channel that is not in use (like, channel 99, for example).
Probably won't help with performance but might help with stability.
Finale also seems to do best with a minimum of 30 GB of free HD
drives of most
machines made in the last 5 years or so.
On Thu, Jul 9, 2015 at 4:03 PM, Darcy James Argue djar...@icloud.com
wrote:
Hi Jef,
In my experience, Finale is very unstable with MIDI Thru set to off. I set
it to a Fixed channel that is not in use (like, channel 99, for example
Keep in mind the Surface 3 is actually a much newer machine than the Surface 3
Pro — the Surface 3 Pro was released over a year ago, while the Surface 3 came
out in May of this year. While the Pro machine has more raw power, the Surface
3 has the benefit of an additional year's worth of RD,
The only rubato indication that's needed is listen to the original recording.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On Jul 3, 2015, at 7:25 AM, Michael launay-c...@gmx.net wrote:
That is a very strange way to transcribe the rhythm. I can’t see any logical
reason for the
This is a dismayingly wrong-headed, over-literal transcription.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On Jul 2, 2015, at 4:34 PM, Barbara Touburg btoub...@online.nl wrote:
On 2-7-2015 22:26, Chuck Israels wrote:
Hi Barbara,
Can you send me a photo of the score -
Hello,
It seems that when you add an audio track to Finale and then attempt to change
the tempo by using or modifying a tempo change expression, no change occurs.
You have to delete the audio track and then re-load it for the tempo changes to
take effect. Am I doing something wrong, or is this
John Blane
Blane Music Preparation
1649 Huntington Ln.
Highland Park, IL 60035
847 579-9900
847 579-9903 fax
www.BlaneMusic.com
j...@blanemusic.com
On Jun 27, 2015, at 3:58 PM, Darcy James Argue djar...@icloud.com wrote:
What's the easiest way to hide a tie? (Other than
Long glissandos — especially those that pass through stems without noteheads —
often require ties for playback so that the note doesn't reattack.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On Jun 27, 2015, at 7:00 PM, Lawrence Yates yateslawre...@gmail.com wrote:
I imply no
the tie - not sure if that's the easiest
way…
JB
John Blane
Blane Music Preparation
1649 Huntington Ln.
Highland Park, IL 60035
847 579-9900
847 579-9903 fax
www.BlaneMusic.com
j...@blanemusic.com
On Jun 27, 2015, at 3:58 PM, Darcy James Argue djar...@icloud.com wrote
What's the easiest way to hide a tie? (Other than duplicating the notation
without ties in another layer and hiding the playback layer, which is what I
normally have to resort to.)
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
___
Bb7b4 is not a standard chord symbol. A flatted fourth would be identical
to a major third, which is already in the chord.
Did you mean Bb7#4? If so, that would more typically be written with the
alteration bracketed by parentheses: Bb7(#4).
Cheers,
- DJA
-
WEB:
Hi Jim,
#4 or #11 is the standard way of writing this harmony. In jazz, 7(#11) chords
often include a natural fifth, so b5 is not accurate.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On Jun 18, 2015, at 1:45 PM, Williams, Jim jwilli...@franklincollege.edu
wrote:
Maybe it
MIDI Thru - Fixed Channel - [the channel your piano sound is on]
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On Jun 16, 2015, at 6:12 PM, GERALD BERG gj.b...@rogers.com wrote:
Hi all
Sometimes I prefer a piano sound while in Speedy entry mode and 'written'
instrument only
Hi all,
As many of you know, the fp expression is broken in Finale 2014 Human
Playback — it essentially results in the note being all but silenced.
Does anyone know if there is any way to edit the HP dictionary so that fp is
removed, or otherwise preventing the expression from having any HP
staves/instruments differently.
The sound of one instrument sometimes comes back a little after the silencing
effect. Anyway, I’d gladly turn it off, if anyone does know a way.
Chuck
On Jun 6, 2015, at 10:03 AM, Darcy James Argue djar...@icloud.com wrote:
Hi all,
As many of you
?
If it’s not too fussy, I’d like to get that to work.
Thanks,
Chuck
On Jun 6, 2015, at 10:28 AM, Darcy James Argue djar...@icloud.com wrote:
Hi Chuck,
I just realized, after asking the question, that if I change the Playback
Effect from None to something defined but harmless — like
Congrats, good sir!
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On May 21, 2015, at 4:49 PM, Dennis Bathory-Kitsz bath...@maltedmedia.com
wrote:
Hi all,
Finale-related only because all the scores are now in that format! A concert
celebrating my 50th year as a composer is
Jan,
I have never gotten this feature to work. Is there some additional trick?
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On May 16, 2015, at 6:16 PM, Jan Angermüller j...@angermueller.com wrote:
When you switch to the Playback tab In the Expression Designer, you
can set
Hi Ryan,
If your keyboard has a pitch bend wheel, move it all the way up or down and
then let it return to zero. (Not sure what causes this glitch, but when it
happens to me, this is a quick enough solution.)
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On May 17, 2015, at 4:37
Make a separate file for playback.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On May 16, 2015, at 6:03 PM, dershem ders...@cox.net wrote:
OK - here's one I haven't run across before.
Doing a piece where on the first time through a repeated section, the
dynamic is P and the
Hi Craig,
I think you will find a lot of people on this list who disagree with you about
the desirability of capturing that last 1% of engraving sophistication.
(Starting with whether it is actually 1% or more like 10% or more.) To give but
one example, having an application that could apply
Scroll view.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On May 5, 2015, at 3:36 PM, Barbara Touburg btoub...@online.nl wrote:
Next question: how do I create an 8vab-line that spans more than two
pages? Finale keeps snapping the endpoint to a spot where I dont't want
it. I
. Once you add it to the beginning/end of a measure in
one part, it will be in all parts and the score.
Steve
On 5/5/15 1:42 PM, Darcy James Argue djar...@icloud.com wrote:
Hi all,
Is there a plugin that allows you to copy the extra space at
beginning/end settings from one measure
Hi all,
Is there a plugin that allows you to copy the extra space at beginning/end
settings from one measure of a part to another? Finale's filter doesn't work on
linked parts, and the Mass Copy plugin does not appear to allow this either
(unless I'm missing something)?
Cheers,
- DJA
-
Hi Stephen,
Thanks! Great, great tip.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On Apr 29, 2015, at 1:23 PM, Stephen Lamb jstephenl...@jslweb.com wrote:
Hi Barbara,
I've come across this bug before. Finale doesn't like copying hidden tuplets,
for some reason. The
Hi all,
FinMac2014 —when placing an audio track in Finale, the clip always pops at the
end of the audio, even when the audio is nicely faded out.
Anyone seeing this? Anyone have a solution?
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
Hello all,
Thank you so much everyone for your very kind words! It's an unbelievable
honor, obviously, and I will endeavor to be worthy of it.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On Apr 10, 2015, at 4:41 PM, Craig Parmerlee cr...@parmerlee.com wrote:
It is a great
Hi Robert,
It's true I am a lifelong Mac user (since the 1984 Macintosh!) but I'll admit
that the idea that I could take a tablet that's as powerful as my current
laptop, plunk it on the music stand of any piano, write music directly
on-screen with a pen, and then easily bounce that output to
On Apr 7, 2015, at 4:20 PM, timothy price timothy.pr...@valley.net wrote:
Aren't the files produced with Staffpad compatible with Finale on a Mac. Am
sure they are.
Of course, but that would require a separate device. The whole appeal of this
(for me at least) is that everything lives in
On Apr 7, 2015, at 4:35 PM, David H. Bailey dhbaile...@comcast.net wrote:
I don't see any reason for anybody to run out and buy a SurfacePro3
simply to run this software -- once you buy the SurfacePro3, install
Finale or Sibelius and use that since they run just fine on the
SurfacePro3. But
Hi all,
As of Finale 2014, newly created custom smart lines default to attaching to
noteheads. Is there a way to force them to attach to beats instead? It seems
that only the pre-defined smart shapes are capable of being beat-attached?
Also (perhaps related): custom smart lines do not seem to
6, 2015, at 10:19 PM, Robert Patterson rob...@robertgpatterson.com
wrote:
If there were a way to have custom lines be note-attached, I'd want to know
about it! But I'm glad you figured it out.
On Mon, Apr 6, 2015 at 9:09 PM, Darcy James Argue djar...@icloud.com
wrote:
Hi Robert
wrote:
I'm not able to reproduce this behavior in MacFin14d. What I did:
1. New a default doc
2. Open the Custom Line Dialog.
3. Hit Create
4. Hit Okay.
When I assign the new shape it is beat attached, not note attached.
On Mon, Apr 6, 2015 at 6:05 PM, Darcy James Argue djar
.
On 4/5/2015 12:27 AM, Darcy James Argue wrote:
I should clarify that I mean use the Change Instrument feature to create an
instrument change mid-piece, rather than selecting the entire staff and
changing the instrument for the entire duration.
Cheers,
- DJA
-
WEB: http
Hi all,
Can anyone else confirm that if you use the Change Instrument feature in
Finale 2014 to switch to an instrument double, the new instrument does not
respond to any dynamics or hairpins? (N.B. I have Human Playback on and am
using Garritan instruments.)
Cheers,
- DJA
-
WEB:
James Argue djar...@icloud.com wrote:
Hi all,
Can anyone else confirm that if you use the Change Instrument feature in
Finale 2014 to switch to an instrument double, the new instrument does not
respond to any dynamics or hairpins? (N.B. I have Human Playback on and am
using Garritan
/staffpad-is-a-music-handwriting-app/
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On Apr 1, 2015, at 5:33 AM, David H. Bailey dhbaile...@comcast.net wrote:
On 4/1/2015 12:21 AM, Darcy James Argue wrote:
Hello all,
Has anyone been running Finale for Windows on the Surface Pro 3
dhbaile...@comcast.net wrote:
On 4/1/2015 12:21 AM, Darcy James Argue wrote:
Hello all,
Has anyone been running Finale for Windows on the Surface Pro 3 tablet, and
if so… how's that been going for you?
Also, any prognostication on how Fin2014 would perform on the just-announced
Surface 3
Hello all,
Has anyone been running Finale for Windows on the Surface Pro 3 tablet, and if
so… how's that been going for you?
Also, any prognostication on how Fin2014 would perform on the just-announced
Surface 3 (non-pro)?
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
Hi all,
I'm actually wondering whether anyone has any solutions to the fp problem in
Fin2014, which is actually becoming a real problem for me.
The Set Rhythmic Feel to 0% workaround is okay for the note-cutout problem,
but the only solution I know to the almost-silent fp's is to put the
selection. I just tried this and it seemed to
work. I don't know if there are caveats.
On Wed, Mar 25, 2015 at 5:20 AM, Darcy James Argue djar...@icloud.com
wrote:
Hello,
If you have a staff that is set to use Independent Time Signatures (via a
Staff Style), is there any way to copy those
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