Another way is to make the composite signature 1/16+16+16+16+16 with 5/16
as display.
On Fri, Oct 19, 2018 at 2:24 PM David Wolfson
wrote:
> .625 /2 in the composite time signature box would give you what you want,
> with 5/16 for display.
>
> David Wolfson
> www.davidwolfsonmusic.net
>
> > On O
Word. This is the most creative “little thing” I’ve seen in a long time. And I
worked for MM for 15 years
Allen
Allen Fisher
allen.fis...@gmail.com
On Oct 20, 2018, 5:04 AM -0500, SN jef chippewa
, wrote:
>
> WAAHH!
>
> no way, that is awesome
>
> > .625 /2 in the compo
WAAHH!
no way, that is awesome
> .625 /2 in the composite time signature box would give you what you want,
> with 5/16 for display.
--
neueweise -- fonts for new music and traditional notation
http://newmusicnotation.com/fonts
shirling & neueweise | http://newmusicnot
.625 /2 in the composite time signature box would give you what you want, with
5/16 for display.
David Wolfson
www.davidwolfsonmusic.net
> On Oct 19, 2018, at 1:00 PM,
> wrote:
>
> . Beaming 5/16 in One Group
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use a composite time signature of 1+9/32 showing alternate 5/16.
if you use a 32nd on the 1st beat, do the same thing but at the /64 level.
> That will only give you 5 separate 16th notes.
> Normally you would use the Composite Time Sig, but for 5/16th it doesn’t
> quite work.
> Normally you w
That will only give you 5 separate 16th notes.
Normally you would use the Composite Time Sig, but for 5/16th it doesn’t quite
work.
Normally you would type 1 in the top and then click EDU and type the added
value of 5 16th notes = 1280
But that doesn’t seem to work.
Workaround is to just have a
Use «Composite Time Signature»> Type 5 in the top left field and 16 below.
Skjalg - for anledningen på nett med iPhone.
> 19. okt. 2018 kl. 08:39 skrev Giovanni Andreani :
>
> Hello,
>
> Is there a way to set the time signature to 5/16 while grouping the five
> sixteenths under the same beam,
Hello,
Is there a way to set the time signature to 5/16 while grouping the five
sixteenths under the same beam, within the Time Signature Tool? Looks like I’m
missing something.
Giovanni
Giovanni Andreani
www.giovanniandreani.com
www.ga-music.com
_
Thank you Klaus! That did it.
I was going in circles here :-(
Dr.A.S.Weinstangel
sasha.weinstan...@utoronto.ca
cel.647-292-4605
> Date: Thu, 23 Jul 2015 13:58:41 +
> From: yorkmaster...@yahoo.com
> To: finale@shsu.edu
> Subject: Re: [Finale] beaming over rests
>
> =>
=> Document Options (alt+cmd+A on Mac)=> Beams=> Uncheck: Allow Rests To Float
Klaus
Subject: Re: [Finale] beaming over rests
Fin2012c Win 8.1
When the beams are set to go over the rests, the rests are globally pushed down
into the first space. How to keep them in the
Fin2012c Win 8.1
When the beams are set to go over the rests, the rests are globally pushed down
into the first space. How to keep them in their normal position?
Thanks for your help!
Dr.A.S.Weinstangel
sasha.weinstan...@utoronto.ca
cel.647-292-4605
All you have to do is set your time signature to 3+3+3+3+2/8 (using a
composite time sig -- put the entire numerator in the first box rather
than one digit in each) and then set the time sig to display as 7/4.
If you have music already entered, you can rebeam the music to this
composite sig.
A
Hi,
I want to create custom beaming groups within a time signature. For
example, 4 groups of 3 eighths in 7/4 leaving a quarter rest. Default
beaming is 2 eighths. Additionally, I would like to know how to copy that
pattern (cut and paste) without the "formatting" reverting back to groups
of 2 eig
Finale insists on beaming eighth and sixteenth notes across rests and
between beats, even though I have turned this off in Preferences. Any ideas?
Also, when I enter notes in a 4/4 measure that will end with 1-1/2 beats
rest, Finale automatically fills in a dotted quarter rest. It should be an
eig
opher Smith [christopher.sm...@videotron.ca]
Sent: Wednesday, July 16, 2014 8:15 AM
To: finale@shsu.edu
Subject: Re: [Finale] Beaming Groups of Tuplet 16ths
Eric tells the truth.
If you have a whole bunch of them, you may be despairing of the amount of
mouse-clicks it will take, but fortunately yo
Eric tells the truth.
If you have a whole bunch of them, you may be despairing of the amount of
mouse-clicks it will take, but fortunately you can copy ONLY beam alterations
without copying the notes or other things, by setting the filter. The triplets
would have to be on the same beat in the
Hi Patricia,
Have you tried Special Tools > Secondary Beam Break Tool? Click on beams.
Select the forth box from the left and press enter. A dialog appears asking
what to do. Tell it "Break only" and check "16th". It just worked for me.
Hope this helps.
Eric
**
Does anyone know how to beam two groups of 16th note triplets with an 8th beam
to clearly show two halves of one beat? When I press the slash key, it
automatically beams both sets of triplet 16ths with a continuous 6-note double
beam, and I need to show the rhythm more clearly.
Sincerely,
Pat
They affect what happens when you choose "Cut Time (beam as 4/4)" for your time
signature, as Chris suggested -- this is effectively the same thing as setting
up 4/4 but choosing "cut time" for display.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On Dec 21, 2012, at 1:20 PM, Don
Hi Darcy,
Do those settings affect cut time as well as common time? I seem to recall
setting up 4/4 but displaying cut time previously in order to access those
features.
Don Hart
On Fri, Dec 21, 2012 at 12:53 PM, Darcy James Argue
wrote:
> Hi Chris,
>
> This is true, but Larry also needs to g
Hi Chris,
This is true, but Larry also needs to go to Document Options - Beams and turn
off "Include Rests when Beaming in Groups of Four" (and also turn off "Beam
Three Eighth Notes Before/After an Eighth Rest" if desired). Then follow your
steps.
Cheers,
- DJA
-
WEB: http://www.secretso
Use the Contextual Menu (two ways, either in Selection Tool right click (or
control click in Mac) the time sig, or in the Time Sig tool right click the
first bar where you want it) and select "2/2 (beam as 4/4)" or "Cut Time (beam
as 4/4)". This will not change anything already entered, but from
Listers,
I have been doing a setting of a piece in cut time. The piece has
lots of eighth notes in groups of 4.and often, the grouping is 2
eighths, eighth rest/eighth note. Finale beams all four together,
but I only want the first 2 eighths beamed, leaving the rest and the
final eighth
oun...@shsu.edu] On Behalf Of
>Darcy James Argue [djar...@earthlink.net]
>Sent: Thursday, July 14, 2011 3:21 PM
>To: finale@shsu.edu
>Subject: Re: [Finale] beaming "issue"
>
>Hi Eric,
>
>Beaming eighth notes in groups of four is of course c
On 7/14/2011 6:22 PM, delius...@aol.com wrote:
> I'm using 2011 for Windows, and I HAVE turned that off, and it STILL
> insists on grouping in fours. Is there another "switch" somewhere that I'm
> missing that I need to also turn off to stop this? The one that really kills
> me is it's still bea
I'm using 2011 for Windows, and I HAVE turned that off, and it STILL
insists on grouping in fours. Is there another "switch" somewhere that I'm
missing that I need to also turn off to stop this? The one that really kills
me is it's still beaming over rests, which I see as a "modern" thing,
Aaron,
Thanks for the tip. I'd forgotten about this default. I do know that beaming 4
eights together in common time is, in general, standard practice, but there are
cases where it leads to ugly results — where large intervals are involved, for
instance — and I was annoyed that I couldn't overri
rcy
James Argue [djar...@earthlink.net]
Sent: Thursday, July 14, 2011 3:21 PM
To: finale@shsu.edu
Subject: Re: [Finale] beaming "issue"
Hi Eric,
Beaming eighth notes in groups of four is of course completely correct in 4/4.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
Hi Eric,
Beaming eighth notes in groups of four is of course completely correct in 4/4.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 14 Jul 2011, at 3:21 AM, Eric Fiedler wrote:
> M ...
> Can anyone on the list confirm this beaming "issue"? (FinMac 2011, OS 10.6.8)
>
>
On 7/14/2011 6:21 AM, Eric Fiedler wrote:
> Enter a measure of eight-notes in 4/4 with Speedy/Midi.
> They are beamed together in groups of _four_. :-(
This is longtime and intentional behavior, but you can turn it off if
you don't like it. Take a look in Document Options under Beaming, Beam
fou
M ...
Can anyone on the list confirm this beaming "issue"? (FinMac 2011, OS 10.6.8)
Enter a measure of eight-notes in 4/4 with Speedy/Midi.
They are beamed together in groups of _four_. :-(
"Rebeaming" to the time signature 4/4 doesn't work, although rebeaming to 8/8
and 1/1 does.
This has j
On 1/10/2011 4:23 PM, dc wrote:
Couldn't a plug-in check this and remove all the beams over rests?
TGTools Beam Breaker
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No, the option is to extend the beam over a rest to the right side of the beam.
Steve P.
On 10 Jan 2011, at 21:29, "Williams, Jim" wrote:
> I'm not near finale now, but there is a document option called " beam over
> rests" that can be turned on or off, isn't there?
>
> Sent from my iPhone,
I'm not near finale now, but there is a document option called " beam over
rests" that can be turned on or off, isn't there?
Sent from my iPhone, so please pardon all the typos.
On Jan 10, 2011, at 4:26 PM, "dc" wrote:
> David H. Bailey écrit:
>> In Finale these days it seems we have a choice
If there are a large number of bars in a row to be fixed you can also
use the 6 x 8 time signature with 'different sig for display' so that
finale doesn't add a redundant time sig announcement.
Steve P.
On 10 Jan 2011, at 20:49, David H. Bailey wrote:
On 1/10/2011 3:15 PM, Aaron Sherber w
try
document options>beaming
Mark
--- On Mon, 1/10/11, dc wrote:
> From: dc
> Subject: {Spam} Re: [Finale] beaming question
> To: finale@shsu.edu, finale@shsu.edu
> Date: Monday, January 10, 2011, 3:32 PM
> Aaron Sherber écrit:
> > Make sure your time signature is 6
On 1/10/2011 3:15 PM, Aaron Sherber wrote:
On 1/10/2011 2:11 PM, dc wrote:
In 6/8, how can I get Finale to not beam together notes that are
separated
by rests (two 8ths separated by a rest, for instance)?
Make sure your time signature is 6 x eighth note, not 2 x dotted
quarter. Or use Utilitie
On 1/10/2011 3:32 PM, dc wrote:
I want:
8 8 8 beamed (in the same beat, of course)
but not
8 _ 8
Well, you can break all the beams by hand, of course, but that's not a
great solution if you're talking about a long passage.
You can also do this with TGTools Bream Breaker.
Aaron.
___
On 1/10/2011 2:11 PM, dc wrote:
In 6/8, how can I get Finale to not beam together notes that are separated
by rests (two 8ths separated by a rest, for instance)?
Make sure your time signature is 6 x eighth note, not 2 x dotted
quarter. Or use Utilities | Rebeam to Time Signature to accomplish
Ah, I see! (24 octaves! What instrument?!) 8-)
This is a little tricky. I have always done it in Speedy Entry manually for one
measure, then the passage can be copied to other measures and repitched with
the Simple Entry tool.
In Speedy it's the / key, but that is a little strange, too. You ha
I apologize for the subject, I meant octave notes instead of octaves.
I resolved the problem changing the time from 3/1 (three semibreves) to
3/1 (one dotted breve) specifying the time as a composite time signature
with 1/12,288 EDUs beat duration. Join Beam is still a mystery.
Giovanni
I tried this in several ways but just can't get it to work:
Using Fin 2009 on a MacBook Pro,
I've got one single measure in 3/1 time and it's got to show two layers
containing the following:
Layer 2 (stems down): 24 octaves alternating a note with a rest and
starting with a note.
Layer 1 (stems
It does not matter because they are hidden and will not print... the cues
without staff style appear and are printed correctly beemed.
Odile
Le 2010-04-03 à 05:24, dc a écrit :
> I have beamed cue notes that are hidden in the score with at staff style. But
> when I apply the staff style, the n
On Mar 30, 2010, at 7:57 PM, Christopher Smith wrote:
The trick is with grace notes, you have to hit EACH grace note ONCE
only, then the following eighth note. There is no way to know if
you have already toggled the beam on or off, so make sure you are
VERY careful with how many times you h
Jerry,
Are you hitting EVERY one of the grace notes in the group with the /
key? If even ONE of them was missed (or hit twice, or four times),
then nothing will work.
Hmm, I hadn't tried it in 6/8 (in FinMac 2010) until just now, and
actually it works with NO extra keystrokes for me! When
I would be interested to know a situation where grace note groups can't
be beamed together with regular groups, since I have never encountered
such a situation myself. The trick is to beam all the regular notes as
well as the grace notes. (I always start from the end of the group and
move backw
I have not been able to get it to work all the time either (when I am in 3/8.
6/8, 9/8 etc). the layer approach works but is very tedious.
thanks,
jk
On Mar 30, 2010, at 8:53 PM, SN jef chippewa wrote:
>
> use layer 2 for the grace notes, placing and hiding rests where the notes are
> in l
use layer 2 for the grace notes, placing and hiding rests where the
notes are in layer 1 are that won't allow you to beam across. i did
this recently... or maybe it was with another layer and real notes
(hidden tuplets) at 75%...
I still have not been able to make it work when there are a
ubject: [Finale] beaming over grace notes
> To: finale@shsu.edu
> Date: Wednesday, March 31, 2010, 4:21 AM
> anyone know how to allow finale to
> beam over grace notes such as groups of three eighth notes
> in 6/8 time with grace notes (drum rudiments - flams and
> drags etc) in betwe
My Beam Selection plugin will do this automatically, so long as the
grace notes are of 8th or smaller value.
It is not possible to beam over a quarter or larger grace notes in
Finale. (Well, you can do it, but the grace notes have to be in a
different Voice or Layer: a pain.)
On Tue, Mar 30, 201
thanks christopher, I was not hitting the grace notes with the / key. once I
started doing that it worked.
I still have not been able to make it work when there are a group of grace
notes (such as an ornament) between some of the regular eighth notes.
I'll keep trying.
best,
jk
On Mar 30, 2
Yeah, this is touchy, but you have to know how Finale thinks.
In Speedy, you hit the / button normally to create-break beams with
the PREVIOUS eighth note.
The trick is with grace notes, you have to hit EACH grace note ONCE
only, then the following eighth note. There is no way to know if yo
anyone know how to allow finale to beam over grace notes such as groups of
three eighth notes in 6/8 time with grace notes (drum rudiments - flams and
drags etc) in between?
thanks,
jk
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dc wrote:
Here's my beaming problem. I have a piece in common time where some of
the beats use the typical rhythm of a 12/8 time sig: dotted 8th + 16th +
8th in the value of a quarter note. So I define use a tuplet with "1
dotted quarter in the space of 1 quarter", and I get my three notes. But
Richard, that is it! For some reason this didn't work the last time I
tried this (the beamlet changed length), but it works perfectly in 2010!
This can be copied from measure to measure as well, so if it shows up
many times, Dennis can just copy the edit without the notes. Great!
Christophe
On 1/28/2010 9:08 AM, Christopher Smith wrote:
Oh yeah, I know what you are talking about. I have complained about
this bitterly, and the guys at MakeMusic don't even seem to
understand the problem.
I know that I reported this as long ago as 12/2003. I have a reply from
them on 1/5/2004 in whi
From the Quick Help: Special tools, select the Broken Beam
Then click in the app. maes. the handle to change the broken beam
direction (left or right).
Hans
Op 28-jan-10, om 14:42 heeft dc het volgende geschreven:
Here's my beaming problem. I have a piece in common time where some
of
Oh yeah, I know what you are talking about. I have complained about
this bitterly, and the guys at MakeMusic don't even seem to
understand the problem. Please, if you can make it more clear to
them, do so. I never was able to come up with a procedure for
switching the side that the beamlet
If you must use a tuplet instead of a time signature of 12/8 as four dotted
wuaters, then you have to use the Broken Beam Tool to switch the sixteenth
beamlet to the other side.
> Here's my beaming problem. I have a piece in common time
> where some of the beats use the typical rhythm of a 12/8
Is your 12/8 not set up in the Time Signature dialog box as 4 dotted
quarters?
Also, your jpg link is broken.
Richard Yates
> Here's my beaming problem. I have a piece in common time
> where some of the beats use the typical rhythm of a 12/8 time
> sig: dotted 8th + 16th + 8th in the value o
Thanks a lot. It took me a lot of trial and error, but it ended up working!
> Date: Sun, 5 Jul 2009 14:14:45 -0500
> Subject: Re: [Finale] Beaming Across Barlines
> From: rob...@robertgpatterson.com
> To: finale@shsu.edu
>
> Use the Beam Over Barline Plugin. (It automates o
Use the Beam Over Barline Plugin. (It automates one or the other of
these methods, depending on whether the beam falls across a system
break.)
On Sun, Jul 5, 2009 at 1:06 PM, Pablo Castells wrote:
>
> Hi everyone! I need to beam two notes across a barline in Finale 2007. In the
> Help manual I fo
Hi everyone! I need to beam two notes across a barline in Finale 2007. In the
Help manual I found the following two suggested methods:
A) Speedy Entry Method: step 3 tells me to "enter the notes that belong at the
beginning of the next measure (the ones to which you want to beam from the
fi
Robert Patterson wrote:
In Finale, "Beam Across Staff" is called "Cross Staff". It is one of
the options in the Note Mover tool. Moving the notes to another staff
is simple, but then there may be further cleanup to do with stem and
beam placement after you move the noteheads.
Patterson Plugins h
Success! Easy peasy. Thanks so much.
David McKay
2009/6/28 David McKay
> Thanks very much for this Robert!
> David McKay
>
> 2009/6/28 Robert Patterson
>
> In Finale, "Beam Across Staff" is called "Cross Staff". It is one of
>> the options in the Note Mover tool. Moving the notes to another sta
Thanks very much for this Robert!
David McKay
2009/6/28 Robert Patterson
> In Finale, "Beam Across Staff" is called "Cross Staff". It is one of
> the options in the Note Mover tool. Moving the notes to another staff
> is simple, but then there may be further cleanup to do with stem and
> beam pl
In Finale, "Beam Across Staff" is called "Cross Staff". It is one of
the options in the Note Mover tool. Moving the notes to another staff
is simple, but then there may be further cleanup to do with stem and
beam placement after you move the noteheads.
Patterson Plugins has no direct function for
i don't know what is available in lite, might be a question of
settings/options. have you tried the same two measures in the same
staff, undo, move 2nd measure down a system and try the same two
measures?
I can get beam over barlines to connect from one bar to the other, by
seelcting two b
I can get beam over barlines to connect from one bar to the other, by
seelcting two bars in mass mover, but I can't get it to beam notes on one
stave to another, as I want to do.
David McKay
2009/6/28 shirling & neueweise
>
> Can I do it in "Patterson plugins lite?"
>>
>
> i don't know, why do
Sorry. I need a lot more explicit help here. Are you sure "beam over
barlines" will beam from one staff to another? How do you select notes? What
tool should I be using?
Thanks
David McKay
2009/6/28 shirling & neueweise
>
> i seem to remember doing it back in F2003
>
> select the notes you want
Can I do it in "Patterson plugins lite?"
i don't know, why don't you give it a try and let us know.
What about "cross staves" in TGTools?
sounds like this is a different thing, have never used it though
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ht
Can I do it in "Patterson plugins lite?" What about "cross staves" in TG
Tools?
David McKay
2009/6/28 David McKay
> Sorry. I need a lot more explicit help here. Are you sure "beam over
> barlines" will beam from one staff to another? How do you select notes? What
> tool should I be using?
> Than
i seem to remember doing it back in F2003
select the notes you want beamed, select the Patterson Beam over
Barlines PI, just give it a whirl, it's really intuitive, you may
need to adjust the settings to your liking.
Can you do it with Patterson tools in Finale 2004?
_
On Sun, June 28, 2009 6:53 am, shirling & neueweise wrote:
> patterson tools
> click, bang, boom!
Your mean there's a beam-across-staves in there? I use beam-over-barlines all
the time! I'll have to look...
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http
Can you do it with Patterson tools in Finale 2004?
Can you explain how, please?
Thanks
David McKay
2009/6/28 shirling & neueweise
>
> patterson tools
>
> click, bang, boom!
>
> (There's probably an easier way by now, but I've been doing that for too
>> long to have noticed any new method!)
>>
>
patterson tools
click, bang, boom!
(There's probably an easier way by now, but I've been doing that for
too long to have noticed any new method!)
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On Sun, June 28, 2009 5:50 am, David McKay wrote:
> How do I create a beam that straddles two staves, please?
I use the note mover tool to drag notes from one staff to the other, then a
combination of the note reverser tool (or whatever it's called) to put the
noteheads on the correct side of the
I know it can be done ... I think. But I can't remember how to do it, nor
find it in the pdf manual for Finale 2004.
How do I create a beam that straddles two staves, please?
I only want to create 4 note beams for quavers [eighth notes].
Thansk for your help.
David McKay
www.aussiemusician.blo
On Jan 18, 2009, at 12:32 PM, Blake Richardson wrote:
In Speedy, you have to hit the / key on the second grace note AND
then on the second eighth note.
Worked like a charm. Thanks much. It was driving me crazy.
And me too - for years! Nice to get another clue into the mystery of
Finale.
> In Speedy, you have to hit the / key on the second grace note AND
> then on the second eighth note.
Worked like a charm. Thanks much. It was driving me crazy.
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I think it's always been like this. I checked in Finale 2004b: it is
also necessary to use the slash key on both the grace note and the
eighth note. I think there is also a difference depending on if you
create the grace notes as you go along, or if you first write
everything as normal note
Yes, this is strange new (I think) behaviour in Finale 2009 (maybe
even 2008).
In Speedy, you have to hit the / key on the second grace note AND
then on the second eighth note. If you hit it on the same note twice,
it won't work no matter how many times you hit the slash key on the
other
I've got an eight-note/eighth-rest sequence with a grace note before each
eighth-note and the normal beaming process doesn't want to work.
Is there another way to beam across a grace note and a rest? It's probably
something simple I've overlooked.
I've posted screen shots of what I'm talking abou
A Balkan folk-dance beat, perhaps? :)
ajr
> I am using Finale 2008 on Mac, OS 10.5.5.
>
> I want a time signature to say 8/8 but I want it beamed 3+3+2. I created
> a composite time signal of 3+3+2/8+8+8 and then a different time
> signature 8/8 to display. When I put in the notes all the eighth
On 24 Nov 2008 at 22:26, Allen Fisher wrote:
> Refresh my memory on what version of Finale you've been using. Do the
> numbers disappear or do they just change?
2003. The numbers are changed, to 1/2 for the first two and I forget
what for the 3rd one. But upon opening the dialog, the display i
Thanks. That was the solution.
Jane
Allen Fisher wrote:
Hi Jane--
Put 3+3+2 (including the plus signs) into the FIRST top box. Put an 8
in the first bottom box. Leave the others blank, and change the
display time signature.
On Nov 24, 2008, at 9:00 PM, Jane Frasier wrote:
I am using Fina
David--
Refresh my memory on what version of Finale you've been using. Do the
numbers disappear or do they just change?
On Nov 24, 2008, at 9:43 PM, David W. Fenton wrote:
Allen: why does Finale not preserve what I put in (even though it
continues to work)?
Allen Fisher
Founder and Princi
On 24 Nov 2008 at 21:31, Allen Fisher wrote:
> Put 3+3+2 (including the plus signs) into the FIRST top box. Put an 8
> in the first bottom box. Leave the others blank, and change the
> display time signature.
The other approach works if you use EDUs and put it in as
1/1536+1/1536+1/1024. How
Hi Jane--
Put 3+3+2 (including the plus signs) into the FIRST top box. Put an 8
in the first bottom box. Leave the others blank, and change the
display time signature.
On Nov 24, 2008, at 9:00 PM, Jane Frasier wrote:
I am using Finale 2008 on Mac, OS 10.5.5.
I want a time signature to sa
I am using Finale 2008 on Mac, OS 10.5.5.
I want a time signature to say 8/8 but I want it beamed 3+3+2. I created
a composite time signal of 3+3+2/8+8+8 and then a different time
signature 8/8 to display. When I put in the notes all the eighth notes
have separate stems -- no beams. I tried re
Barbara Touburg wrote:
dhbailey wrote:
The problem is that lyrics are assigned to a layer.
I think it is possible to copy beaming patterns from one layer to another.
I got the impression though that the rhythms were different between the
layers so there wouldn't be the same rhythm to paste
At 2:57 PM +0200 7/17/08, Daniel Wolf wrote:
Fin 2007c, Windows. Choral piece. At one point divisi within one
staff, but sharing lyrics. The individual lines in the divisi were
assigned to layers 1 & 2. I wanted to beam to lyrics, but this
function appears only applies to one layer. Is there
dhbailey wrote:
The problem is that lyrics are assigned to a layer.
I think it is possible to copy beaming patterns from one layer to another.
Barbara
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Daniel Wolf wrote:
Fin 2007c, Windows. Choral piece. At one point divisi within one staff,
but sharing lyrics. The individual lines in the divisi were assigned to
layers 1 & 2. I wanted to beam to lyrics, but this function appears only
applies to one layer. Is there a workaround other than ch
Fin 2007c, Windows. Choral piece. At one point divisi within one staff,
but sharing lyrics. The individual lines in the divisi were assigned to
layers 1 & 2. I wanted to beam to lyrics, but this function appears only
applies to one layer. Is there a workaround other than changing the time
Hi Dennis,
Voice two notes are entered 'within the realm' of a voice 1 note. Those V2
notes entered 'within the realm' of one note cannot be beamed to those
entered 'within the realm' of another.
If I understand your situation correctly, just reenter your second two V2
notes 'within the realm' o
At 4:59 PM -0400 3/31/08, A-NO-NE Music wrote:
dc / 08.3.31 / 3:45 PM wrote:
Can or should one beam together three 8ths after a dotted quarter in 3/4?
I wouldn't like that. That screws psychologically when sight-reading.
Why would you want to give 2 pulses to 3/4 meter?
Interesting reactio
ontra.
Bruce Clausen
- Original Message -
From: "dc" <[EMAIL PROTECTED]>
To: ;
Sent: Tuesday, April 01, 2008 11:03 PM
Subject: Re: [Finale] beaming in 3/4 - 2nd try
Thanks to all. Yes, I should have given the context, of course. This is a
section of a Lully motet. The so
At 8:03 AM +0200 4/2/08, dc wrote:
Thanks to all. Yes, I should have given the context, of course. This
is a section of a Lully motet. The source I'm transcribing has all
groups of (last) three or four 8ths beamed. Personally, as a
performer myself, I think this is perfectly clear. But I'm
int
Hi Michael,
This is why I said "beaming is usually (not always, but usually) a
poor way to indicate phrasing **in modern music**."
I agree that Brahms's notation works perfectly well for his music. It
would not work nearly as well for music with a more contemporary
rhythmic profile.
Che
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