Re: [Finale] Beaming 5/16 in One Group

2018-10-20 Thread Robert Patterson
Another way is to make the composite signature 1/16+16+16+16+16 with 5/16
as display.

On Fri, Oct 19, 2018 at 2:24 PM David Wolfson 
wrote:

> .625 /2 in the composite time signature box would give you what you want,
> with 5/16 for display.
>
> David Wolfson
> www.davidwolfsonmusic.net
>
> > On Oct 19, 2018, at 1:00 PM,  <
> finale-requ...@shsu.edu> wrote:
> >
> > . Beaming 5/16 in One Group
>
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Re: [Finale] Beaming 5/16 in One Group

2018-10-20 Thread Dreamhost
Word. This is the most creative “little thing” I’ve seen in a long time. And I 
worked for MM for 15 years

Allen

Allen Fisher
allen.fis...@gmail.com

On Oct 20, 2018, 5:04 AM -0500, SN jef chippewa 
, wrote:
>
> WAAHH!
>
> no way, that is awesome
>
> > .625 /2 in the composite time signature box would give you what you want, 
> > with 5/16 for display.
>
> --
> neueweise -- fonts for new music and traditional notation
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Re: [Finale] Beaming 5/16 in One Group

2018-10-20 Thread SN jef chippewa


WAAHH!

no way, that is awesome

> .625 /2 in the composite time signature box would give you what you want, 
> with 5/16 for display. 

--
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new music notation + translation + arts management
[FB] http://facebook.com/neueweise| [TW] http://twitter.com/neueweise
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[Finale] Beaming 5/16 in One Group

2018-10-19 Thread David Wolfson
.625 /2 in the composite time signature box would give you what you want, with 
5/16 for display. 

David Wolfson
www.davidwolfsonmusic.net

> On Oct 19, 2018, at 1:00 PM,  
>  wrote:
> 
> . Beaming 5/16 in One Group

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Re: [Finale] Beaming 5/16 in One Group

2018-10-19 Thread SN jef chippewa

use a composite time signature of 1+9/32 showing alternate 5/16.

if you use a 32nd on the 1st beat, do the same thing but at the /64 level.


> That will only give you 5 separate 16th notes.
> Normally you would use the Composite Time Sig, but for 5/16th it doesn’t 
> quite work.
> Normally you would type 1 in the top and then click EDU and type the added 
> value of 5 16th notes = 1280
> But that doesn’t seem to work.


EDU can only be used for "single-symbol" durations and their dotted and 
double-dotted versions (1/32, 3/16, 7/32).  anything that needs to be tied 
(5/16, 9/anything) can't be represented as EDUs.


> Workaround is to just have a regular 5/16 time signature and after you have 
> input the music, highlight the section and under Utilities select 
> Rebeam-Rebeam to Time Signature. Then enter the value of a half note 
> (something bigger than 5 16th notes). That should give you what you want.

> >> Is there a way to set the time signature to 5/16 while grouping the five 
> >> sixteenths under the same beam, within the Time Signature Tool? Looks like 
> >> I’m missing something.
> >> 
> >> Giovanni

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Re: [Finale] Beaming 5/16 in One Group

2018-10-19 Thread Thomas Schaller
That will only give you 5 separate 16th notes.
Normally you would use the Composite Time Sig, but for 5/16th it doesn’t quite 
work.
Normally you would type 1 in the top and then click EDU and type the added 
value of 5 16th notes = 1280
But that doesn’t seem to work.

Workaround is to just have a regular 5/16 time signature and after you have 
input the music, highlight the section and under Utilities select Rebeam-Rebeam 
to Time Signature. Then enter the value of a half note (something bigger than 5 
16th notes). That should give you what you want.

Thomas Schaller


> On Oct 19, 2018, at 9:41 AM, Skjalg Bjørstad  
> wrote:
> 
> Use «Composite Time Signature»> Type 5 in the top left field and 16 below. 
> 
> Skjalg - for anledningen på nett med iPhone.
> 
>> 19. okt. 2018 kl. 08:39 skrev Giovanni Andreani :
>> 
>> Hello,
>> 
>> Is there a way to set the time signature to 5/16 while grouping the five 
>> sixteenths under the same beam, within the Time Signature Tool? Looks like 
>> I’m missing something.
>> 
>> Giovanni
>> 
>> 
>> 
>> 
>> Giovanni Andreani
>> 
>> www.giovanniandreani.com
>> www.ga-music.com
>> 
>> 
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Re: [Finale] Beaming 5/16 in One Group

2018-10-19 Thread Skjalg Bjørstad
Use «Composite Time Signature»> Type 5 in the top left field and 16 below. 

Skjalg - for anledningen på nett med iPhone.

> 19. okt. 2018 kl. 08:39 skrev Giovanni Andreani :
> 
> Hello,
> 
> Is there a way to set the time signature to 5/16 while grouping the five 
> sixteenths under the same beam, within the Time Signature Tool? Looks like 
> I’m missing something.
> 
> Giovanni
> 
> 
> 
> 
> Giovanni Andreani
> 
> www.giovanniandreani.com
> www.ga-music.com
> 
> 
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[Finale] Beaming 5/16 in One Group

2018-10-19 Thread Giovanni Andreani
Hello,

Is there a way to set the time signature to 5/16 while grouping the five 
sixteenths under the same beam, within the Time Signature Tool? Looks like I’m 
missing something.

Giovanni




Giovanni Andreani

www.giovanniandreani.com
www.ga-music.com


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Re: [Finale] beaming over rests

2015-07-23 Thread dr.a.s. weinstangel
Fin2012c  Win 8.1

When the beams are set to go over the rests, the rests are globally pushed down 
into the first space. How to keep them in their normal position?

Thanks for your help!

Dr.A.S.Weinstangel

sasha.weinstan...@utoronto.ca
cel.647-292-4605



  
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Re: [Finale] beaming over rests

2015-07-23 Thread dr.a.s. weinstangel
Thank you Klaus! That did it.
I was going in circles here :-(

Dr.A.S.Weinstangel

sasha.weinstan...@utoronto.ca
cel.647-292-4605


 Date: Thu, 23 Jul 2015 13:58:41 +
 From: yorkmaster...@yahoo.com
 To: finale@shsu.edu
 Subject: Re: [Finale] beaming over rests
 
 = Document Options (alt+cmd+A on Mac)= Beams= Uncheck: Allow Rests To Float
 Klaus 
  
  Subject: Re: [Finale] beaming over rests

 Fin2012c  Win 8.1
 
 When the beams are set to go over the rests, the rests are globally pushed 
 down into the first space. How to keep them in their normal position?
 
 Thanks for your help!
 
 Dr.A.S.Weinstangel
 

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Re: [Finale] beaming over rests

2015-07-23 Thread Klaus Smedegaard Bjerre
= Document Options (alt+cmd+A on Mac)= Beams= Uncheck: Allow Rests To Float
Klaus 
 
 Subject: Re: [Finale] beaming over rests
   
Fin2012c  Win 8.1

When the beams are set to go over the rests, the rests are globally pushed down 
into the first space. How to keep them in their normal position?

Thanks for your help!

Dr.A.S.Weinstangel

   
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Re: [Finale] Beaming groups and copying beaming groups

2014-12-01 Thread Aaron Sherber
All you have to do is set your time signature to 3+3+3+3+2/8 (using a 
composite time sig -- put the entire numerator in the first box rather 
than one digit in each) and then set the time sig to display as 7/4.

If you have music already entered, you can rebeam the music to this 
composite sig.

Aaron.




On 11/29/2014 5:41 PM, Dean Rosenthal wrote:
 Hi,

 I want to create custom beaming groups within a time signature. For
 example, 4 groups of 3 eighths in 7/4 leaving a quarter rest. Default
 beaming is 2 eighths. Additionally, I would like to know how to copy that
 pattern (cut and paste) without the formatting reverting back to groups
 of 2 eighths. I want to do this as a batch process, *without* using the /
 for each grouping – because that takes a LOT of time for lengthier group or
 multiple irregular beamings. Ideas? Workarounds are ok. Jari, do you have a
 Plug-in for this?

 Jari W: Specifically, I have a question for you about the Free Time and
 Create Time Signature in Transform To Contents in the Meter and Rhythm
 plugin. Free Time seems to break longer groupings into multiple time
 signatures, which affects the visual layout due to spacing between hidden
 measures if you remove the bar lines and the Create Time Signature is
 something I'm experiencing the same way – for example 17 eighth notes don't
 convert to 17/8. Or am I not using them correctly?

 Dean


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[Finale] Beaming groups and copying beaming groups

2014-11-29 Thread Dean Rosenthal
Hi,

I want to create custom beaming groups within a time signature. For
example, 4 groups of 3 eighths in 7/4 leaving a quarter rest. Default
beaming is 2 eighths. Additionally, I would like to know how to copy that
pattern (cut and paste) without the formatting reverting back to groups
of 2 eighths. I want to do this as a batch process, *without* using the /
for each grouping – because that takes a LOT of time for lengthier group or
multiple irregular beamings. Ideas? Workarounds are ok. Jari, do you have a
Plug-in for this?

Jari W: Specifically, I have a question for you about the Free Time and
Create Time Signature in Transform To Contents in the Meter and Rhythm
plugin. Free Time seems to break longer groupings into multiple time
signatures, which affects the visual layout due to spacing between hidden
measures if you remove the bar lines and the Create Time Signature is
something I'm experiencing the same way – for example 17 eighth notes don't
convert to 17/8. Or am I not using them correctly?

Dean

-- 
Dean Rosenthal
www.deanrosenthal.org
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[Finale] Beaming of eighth notes; default rests

2014-11-11 Thread Steven Larsen
Finale insists on beaming eighth and sixteenth notes across rests and
between beats, even though I have turned this off in Preferences. Any ideas?

Also, when I enter notes in a 4/4 measure that will end with 1-1/2 beats
rest, Finale automatically fills in a dotted quarter rest. It should be an
eighth rest followed by a quarter. I can't figure out how to change this. 

I'm using Finale 2014 for Windows, which other than this is working fine for
me.

 

Steve Larsen

 

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Re: [Finale] Beaming Groups of Tuplet 16ths

2014-07-16 Thread Eric Fiedler
Hi Patricia,
Have you tried Special Tools  Secondary Beam Break Tool? Click on beams. 
Select the forth box from the left and press enter. A dialog appears asking 
what to do. Tell it Break only and check 16th. It just worked for me.
Hope this helps.
Eric
*
Habsburger Verlag Frankfurt (Dr. Fiedler)
www.habsburgerverlag.de
webmas...@habsburgerverlag.de
*

Am 16.07.2014 um 07:53 schrieb Patricia Spedden psped...@huntington.edu:

 Does anyone know how to beam two groups of 16th note triplets with an 8th 
 beam to clearly show two halves of one beat?  When I press the slash key, it 
 automatically beams both sets of triplet 16ths with a continuous 6-note 
 double beam, and I need to show the rhythm more clearly.
 
 Sincerely,
 
 Patricia Spedden
 
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Re: [Finale] Beaming Groups of Tuplet 16ths

2014-07-16 Thread Christopher Smith
Eric tells the truth. 

If you have a whole bunch of them, you may be despairing of the amount of 
mouse-clicks it will take, but fortunately you can copy ONLY beam alterations 
without copying the notes or other things, by setting the filter. The triplets 
would have to be on the same beat in the bar to copy easily, but that should be 
a problem.

Also JW Pattern (free 3rd party plugin) will copy beaming easily.

Christopher


On Wed Jul 16, at WednesdayJul 16 3:43 AM, Eric Fiedler wrote:

 Hi Patricia,
 Have you tried Special Tools  Secondary Beam Break Tool? Click on beams. 
 Select the forth box from the left and press enter. A dialog appears asking 
 what to do. Tell it Break only and check 16th. It just worked for me.
 Hope this helps.
 Eric
 *
 Habsburger Verlag Frankfurt (Dr. Fiedler)
 www.habsburgerverlag.de
 webmas...@habsburgerverlag.de
 *
 
 Am 16.07.2014 um 07:53 schrieb Patricia Spedden psped...@huntington.edu:
 
 Does anyone know how to beam two groups of 16th note triplets with an 8th 
 beam to clearly show two halves of one beat?  When I press the slash key, it 
 automatically beams both sets of triplet 16ths with a continuous 6-note 
 double beam, and I need to show the rhythm more clearly.
 
 Sincerely,
 
 Patricia Spedden
 
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Re: [Finale] Beaming Groups of Tuplet 16ths

2014-07-16 Thread Patricia Spedden
Thanks so much.  Eric's instructions were perfect, and I appreciated the 
copy/filter suggestion since there are a couple instances in this composition.

Patricia Spedden

From: finale-boun...@shsu.edu [finale-boun...@shsu.edu] On Behalf Of 
Christopher Smith [christopher.sm...@videotron.ca]
Sent: Wednesday, July 16, 2014 8:15 AM
To: finale@shsu.edu
Subject: Re: [Finale] Beaming Groups of Tuplet 16ths

Eric tells the truth.

If you have a whole bunch of them, you may be despairing of the amount of 
mouse-clicks it will take, but fortunately you can copy ONLY beam alterations 
without copying the notes or other things, by setting the filter. The triplets 
would have to be on the same beat in the bar to copy easily, but that should be 
a problem.

Also JW Pattern (free 3rd party plugin) will copy beaming easily.

Christopher


On Wed Jul 16, at WednesdayJul 16 3:43 AM, Eric Fiedler wrote:

 Hi Patricia,
 Have you tried Special Tools  Secondary Beam Break Tool? Click on beams. 
 Select the forth box from the left and press enter. A dialog appears asking 
 what to do. Tell it Break only and check 16th. It just worked for me.
 Hope this helps.
 Eric
 *
 Habsburger Verlag Frankfurt (Dr. Fiedler)
 www.habsburgerverlag.de
 webmas...@habsburgerverlag.de
 *

 Am 16.07.2014 um 07:53 schrieb Patricia Spedden psped...@huntington.edu:

 Does anyone know how to beam two groups of 16th note triplets with an 8th 
 beam to clearly show two halves of one beat?  When I press the slash key, it 
 automatically beams both sets of triplet 16ths with a continuous 6-note 
 double beam, and I need to show the rhythm more clearly.

 Sincerely,

 Patricia Spedden

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[Finale] Beaming Groups of Tuplet 16ths

2014-07-15 Thread Patricia Spedden
Does anyone know how to beam two groups of 16th note triplets with an 8th beam 
to clearly show two halves of one beat?  When I press the slash key, it 
automatically beams both sets of triplet 16ths with a continuous 6-note double 
beam, and I need to show the rhythm more clearly.

Sincerely,

Patricia Spedden

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[Finale] beaming

2012-12-21 Thread Lawrence David Eden
Listers,

I have been doing a setting of a piece in cut time.  The piece has 
lots of eighth notes in groups of 4.and often, the grouping is 2 
eighths, eighth rest/eighth note.  Finale beams all four together, 
but I only want the first 2 eighths beamed, leaving the rest and the 
final eighth un beamed.  I am sure there is an intelligent way to set 
this up so that I don't have to keep regrouping the figures, but I 
just can't figure out how to do it.

Suggestions, please.

Thanks,

Larry Eden
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Re: [Finale] beaming

2012-12-21 Thread Christopher Smith
Use the Contextual Menu (two ways, either in Selection Tool right click (or 
control click in Mac) the time sig, or in the Time Sig tool right click the 
first bar where you want it) and select 2/2 (beam as 4/4) or Cut Time (beam 
as 4/4). This will not change anything already entered, but from now on it 
will beam 4 8ths together (assuming you have that option selected in Doc 
OptionsBeaming.) You can Rebeam (Utilities menu) to change things that have 
already been entered.

Christopher


On Fri Dec 21, at FridayDec 21 9:36 AM, Lawrence David Eden wrote:

 Listers,
 
 I have been doing a setting of a piece in cut time.  The piece has 
 lots of eighth notes in groups of 4.and often, the grouping is 2 
 eighths, eighth rest/eighth note.  Finale beams all four together, 
 but I only want the first 2 eighths beamed, leaving the rest and the 
 final eighth un beamed.  I am sure there is an intelligent way to set 
 this up so that I don't have to keep regrouping the figures, but I 
 just can't figure out how to do it.
 
 Suggestions, please.
 
 Thanks,
 
 Larry Eden
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Re: [Finale] beaming

2012-12-21 Thread Darcy James Argue
Hi Chris,

This is true, but Larry also needs to go to Document Options - Beams and turn 
off Include Rests when Beaming in Groups of Four (and also turn off Beam 
Three Eighth Notes Before/After an Eighth Rest if desired). Then follow your 
steps.

Cheers,

- DJA
-
WEB: http://www.secretsocietymusic.org

On Dec 21, 2012, at 7:07 AM, Christopher Smith christopher.sm...@videotron.ca 
wrote:

 Use the Contextual Menu (two ways, either in Selection Tool right click (or 
 control click in Mac) the time sig, or in the Time Sig tool right click the 
 first bar where you want it) and select 2/2 (beam as 4/4) or Cut Time 
 (beam as 4/4). This will not change anything already entered, but from now 
 on it will beam 4 8ths together (assuming you have that option selected in 
 Doc OptionsBeaming.) You can Rebeam (Utilities menu) to change things that 
 have already been entered.
 
 Christopher
 
 
 On Fri Dec 21, at FridayDec 21 9:36 AM, Lawrence David Eden wrote:
 
 Listers,
 
 I have been doing a setting of a piece in cut time.  The piece has 
 lots of eighth notes in groups of 4.and often, the grouping is 2 
 eighths, eighth rest/eighth note.  Finale beams all four together, 
 but I only want the first 2 eighths beamed, leaving the rest and the 
 final eighth un beamed.  I am sure there is an intelligent way to set 
 this up so that I don't have to keep regrouping the figures, but I 
 just can't figure out how to do it.
 
 Suggestions, please.
 
 Thanks,
 
 Larry Eden
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Re: [Finale] beaming

2012-12-21 Thread Don Hart
Hi Darcy,

Do those settings affect cut time as well as common time?  I seem to recall
setting up 4/4 but displaying cut time previously in order to access those
features.

Don Hart


On Fri, Dec 21, 2012 at 12:53 PM, Darcy James Argue
djar...@earthlink.netwrote:

 Hi Chris,

 This is true, but Larry also needs to go to Document Options - Beams and
 turn off Include Rests when Beaming in Groups of Four (and also turn off
 Beam Three Eighth Notes Before/After an Eighth Rest if desired). Then
 follow your steps.

 Cheers,

 - DJA
 -
 WEB: http://www.secretsocietymusic.org

 On Dec 21, 2012, at 7:07 AM, Christopher Smith 
 christopher.sm...@videotron.ca wrote:

  Use the Contextual Menu (two ways, either in Selection Tool right click
 (or control click in Mac) the time sig, or in the Time Sig tool right click
 the first bar where you want it) and select 2/2 (beam as 4/4) or Cut
 Time (beam as 4/4). This will not change anything already entered, but
 from now on it will beam 4 8ths together (assuming you have that option
 selected in Doc OptionsBeaming.) You can Rebeam (Utilities menu) to change
 things that have already been entered.
 
  Christopher
 
 
  On Fri Dec 21, at FridayDec 21 9:36 AM, Lawrence David Eden wrote:
 
  Listers,
 
  I have been doing a setting of a piece in cut time.  The piece has
  lots of eighth notes in groups of 4.and often, the grouping is 2
  eighths, eighth rest/eighth note.  Finale beams all four together,
  but I only want the first 2 eighths beamed, leaving the rest and the
  final eighth un beamed.  I am sure there is an intelligent way to set
  this up so that I don't have to keep regrouping the figures, but I
  just can't figure out how to do it.
 
  Suggestions, please.
 
  Thanks,
 
  Larry Eden
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Re: [Finale] beaming

2012-12-21 Thread Darcy James Argue
They affect what happens when you choose Cut Time (beam as 4/4) for your time 
signature, as Chris suggested -- this is effectively the same thing as setting 
up 4/4 but choosing cut time for display.

Cheers,

- DJA
-
WEB: http://www.secretsocietymusic.org

On Dec 21, 2012, at 1:20 PM, Don Hart donhartmu...@gmail.com wrote:

 Hi Darcy,
 
 Do those settings affect cut time as well as common time?  I seem to recall
 setting up 4/4 but displaying cut time previously in order to access those
 features.
 
 Don Hart
 
 
 On Fri, Dec 21, 2012 at 12:53 PM, Darcy James Argue
 djar...@earthlink.netwrote:
 
 Hi Chris,
 
 This is true, but Larry also needs to go to Document Options - Beams and
 turn off Include Rests when Beaming in Groups of Four (and also turn off
 Beam Three Eighth Notes Before/After an Eighth Rest if desired). Then
 follow your steps.
 
 Cheers,
 
 - DJA
 -
 WEB: http://www.secretsocietymusic.org
 
 On Dec 21, 2012, at 7:07 AM, Christopher Smith 
 christopher.sm...@videotron.ca wrote:
 
 Use the Contextual Menu (two ways, either in Selection Tool right click
 (or control click in Mac) the time sig, or in the Time Sig tool right click
 the first bar where you want it) and select 2/2 (beam as 4/4) or Cut
 Time (beam as 4/4). This will not change anything already entered, but
 from now on it will beam 4 8ths together (assuming you have that option
 selected in Doc OptionsBeaming.) You can Rebeam (Utilities menu) to change
 things that have already been entered.
 
 Christopher
 
 
 On Fri Dec 21, at FridayDec 21 9:36 AM, Lawrence David Eden wrote:
 
 Listers,
 
 I have been doing a setting of a piece in cut time.  The piece has
 lots of eighth notes in groups of 4.and often, the grouping is 2
 eighths, eighth rest/eighth note.  Finale beams all four together,
 but I only want the first 2 eighths beamed, leaving the rest and the
 final eighth un beamed.  I am sure there is an intelligent way to set
 this up so that I don't have to keep regrouping the figures, but I
 just can't figure out how to do it.
 
 Suggestions, please.
 
 Thanks,
 
 Larry Eden
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Re: [Finale] beaming issue

2011-07-15 Thread John Howell
Some older vocal engraving actually prefers individual flags with no 
beaming at all, a practice that goes back to 16th century printing 
from individual pieces of type.  I've never actually seen a 
preference for beaming in duplets in vocal music.  And most modern 
vocal engraving, unless it deliberately mimics the older method, uses 
beaming exactly like instrumental.

What IS sometimes done in modern editions of earlier music is to beam 
according to how many notes go with a single syllable, which is 
better indicated with slurs.

John




At 3:45 PM -0500 7/14/11, Fiskum, Steve wrote:
Although some vocal engraving prefers beaming in groups of two while 
instrumental engraving is in four. You can change this with your 
Time Sig. tool or Doc. OptionsBeaming.

Steve

From: finale-boun...@shsu.edu [finale-boun...@shsu.edu] On Behalf Of 
Darcy James Argue [djar...@earthlink.net]
Sent: Thursday, July 14, 2011 3:21 PM
To: finale@shsu.edu
Subject: Re: [Finale] beaming issue

Hi Eric,

Beaming eighth notes in groups of four is of course completely correct in 4/4.

Cheers,

- DJA
-
WEB: http://www.secretsocietymusic.org



On 14 Jul 2011, at 3:21 AM, Eric Fiedler wrote:

  M ...
  Can anyone on the list confirm this beaming issue? (FinMac 2011, 
OS 10.6.8)

  Enter a measure of eight-notes in 4/4 with Speedy/Midi.
  They are beamed together in groups of _four_. :-(
  Rebeaming to the time signature 4/4 doesn't work, although 
rebeaming to 8/8 and 1/1 does.

  This has just started happening with OS 10.6.8 ... I think.
  Any fellow-sufferers out there?
  Eric
  
  Habsburger Verlag Frankfurt (Dr. Fiedler)
  www.habsburgerverlag.de
  eric.f.fied...@t-online.de
  e.fied...@em.uni-frankfurt.de
  



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-- 
John R. Howell, Assoc. Prof. of Music
Virginia Tech Department of Music
College of Liberal Arts  Human Sciences
Blacksburg, Virginia, U.S.A. 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:john.how...@vt.edu)
http://www.music.vt.edu/faculty/howell/howell.html

We never play anything the same way once.  Shelly Manne's definition
of jazz musicians.
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[Finale] beaming issue

2011-07-14 Thread Eric Fiedler
M ...
Can anyone on the list confirm this beaming issue? (FinMac 2011, OS 10.6.8)

Enter a measure of eight-notes in 4/4 with Speedy/Midi.
They are beamed together in groups of _four_. :-(
Rebeaming to the time signature 4/4 doesn't work, although rebeaming to 8/8 
and 1/1 does.

This has just started happening with OS 10.6.8 ... I think.
Any fellow-sufferers out there?
Eric

Habsburger Verlag Frankfurt (Dr. Fiedler)
www.habsburgerverlag.de
eric.f.fied...@t-online.de
e.fied...@em.uni-frankfurt.de




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Re: [Finale] beaming issue

2011-07-14 Thread Aaron Sherber
On 7/14/2011 6:21 AM, Eric Fiedler wrote:
 Enter a measure of eight-notes in 4/4 with Speedy/Midi.
 They are beamed together in groups of _four_. :-(

This is longtime and intentional behavior, but you can turn it off if 
you don't like it. Take a look in Document Options under Beaming, Beam 
four eighth notes together in common time.

Aaron.
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Re: [Finale] beaming issue

2011-07-14 Thread Darcy James Argue
Hi Eric,

Beaming eighth notes in groups of four is of course completely correct in 4/4.

Cheers,

- DJA
-
WEB: http://www.secretsocietymusic.org



On 14 Jul 2011, at 3:21 AM, Eric Fiedler wrote:

 M ...
 Can anyone on the list confirm this beaming issue? (FinMac 2011, OS 10.6.8)
 
 Enter a measure of eight-notes in 4/4 with Speedy/Midi.
 They are beamed together in groups of _four_. :-(
 Rebeaming to the time signature 4/4 doesn't work, although rebeaming to 8/8 
 and 1/1 does.
 
 This has just started happening with OS 10.6.8 ... I think.
 Any fellow-sufferers out there?
 Eric
 
 Habsburger Verlag Frankfurt (Dr. Fiedler)
 www.habsburgerverlag.de
 eric.f.fied...@t-online.de
 e.fied...@em.uni-frankfurt.de
 
 
 
 
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Re: [Finale] beaming issue

2011-07-14 Thread Fiskum, Steve
Although some vocal engraving prefers beaming in groups of two while 
instrumental engraving is in four. You can change this with your Time Sig. tool 
or Doc. OptionsBeaming.

Steve

From: finale-boun...@shsu.edu [finale-boun...@shsu.edu] On Behalf Of Darcy 
James Argue [djar...@earthlink.net]
Sent: Thursday, July 14, 2011 3:21 PM
To: finale@shsu.edu
Subject: Re: [Finale] beaming issue

Hi Eric,

Beaming eighth notes in groups of four is of course completely correct in 4/4.

Cheers,

- DJA
-
WEB: http://www.secretsocietymusic.org



On 14 Jul 2011, at 3:21 AM, Eric Fiedler wrote:

 M ...
 Can anyone on the list confirm this beaming issue? (FinMac 2011, OS 10.6.8)

 Enter a measure of eight-notes in 4/4 with Speedy/Midi.
 They are beamed together in groups of _four_. :-(
 Rebeaming to the time signature 4/4 doesn't work, although rebeaming to 8/8 
 and 1/1 does.

 This has just started happening with OS 10.6.8 ... I think.
 Any fellow-sufferers out there?
 Eric
 
 Habsburger Verlag Frankfurt (Dr. Fiedler)
 www.habsburgerverlag.de
 eric.f.fied...@t-online.de
 e.fied...@em.uni-frankfurt.de
 



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Re: [Finale] beaming issue

2011-07-14 Thread Eric Fiedler
Aaron,
Thanks for the tip. I'd forgotten about this default. I do know that beaming 4 
eights together in common time is, in general, standard practice, but there are 
cases where it leads to ugly results — where large intervals are involved, for 
instance — and I was annoyed that I couldn't override this behavior with the 
rebeam command and had to resort to beam-breaking by hand.
Eric

Habsburger Verlag Frankfurt (Dr. Fiedler)
www.habsburgerverlag.de
eric.f.fied...@t-online.de
e.fied...@em.uni-frankfurt.de



On 14.07.2011, at 12:47, Aaron Sherber wrote:

 On 7/14/2011 6:21 AM, Eric Fiedler wrote:
 Enter a measure of eight-notes in 4/4 with Speedy/Midi.
 They are beamed together in groups of _four_. :-(
 
 This is longtime and intentional behavior, but you can turn it off if 
 you don't like it. Take a look in Document Options under Beaming, Beam 
 four eighth notes together in common time.
 
 Aaron.
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[Finale] beaming issue

2011-07-14 Thread DeliusFan
I'm using 2011 for Windows, and I HAVE turned that off, and it STILL  
insists on grouping in fours.  Is there another switch somewhere that I'm  
missing that I need to also turn off to stop this?  The one that really  kills 
me is it's still beaming over rests, which I see as a modern thing, but  
has no place in my transcriptions/arrangements of Vivaldi.  Is there  another 
place where THIS issue is handled separately from the document  options?
 
Thanks in advance,
Michael Wittenburg
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Re: [Finale] beaming issue

2011-07-14 Thread David H. Bailey
On 7/14/2011 6:22 PM, delius...@aol.com wrote:
 I'm using 2011 for Windows, and I HAVE turned that off, and it STILL
 insists on grouping in fours.  Is there another switch somewhere that I'm
 missing that I need to also turn off to stop this?  The one that really  kills
 me is it's still beaming over rests, which I see as a modern thing, but
 has no place in my transcriptions/arrangements of Vivaldi.  Is there  another
 place where THIS issue is handled separately from the document  options?

Is this perhaps an older template that you brought forward into Fin2011?

I just started WinFin2011 and turned off the options to beam 8ths in 
groups of 4 in the Document Options / Beams and then entered a measure 
full of 8ths and they're beamed in pairs, as they should be with this 
option turned off.  I just turned it back on, entered another measure 
full of 8ths, and they beamed in groups of four as they should with this 
option turned on.

So I have no explanation as to why your switching that option off isn't 
working other than that I remember reading horror stories of people who 
have worked with templates from earlier versions of Finale which didn't 
behave properly in Fin2011.

-- 
David H. Bailey
dhbai...@davidbaileymusicstudio.com
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Re: [Finale] beaming question

2011-01-10 Thread Aaron Sherber

On 1/10/2011 2:11 PM, dc wrote:

In 6/8, how can I get Finale to not beam together notes that are separated
by rests (two 8ths separated by a rest, for instance)?


Make sure your time signature is 6 x eighth note, not 2 x dotted 
quarter. Or use Utilities | Rebeam to Time Signature to accomplish this.


Aaron.
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{Spam} Re: {Spam} Re: [Finale] beaming question

2011-01-10 Thread Aaron Sherber

On 1/10/2011 3:32 PM, dc wrote:

I want:
8 8 8 beamed (in the same beat, of course)

but not
8 _ 8


Well, you can break all the beams by hand, of course, but that's not a 
great solution if you're talking about a long passage.


You can also do this with TGTools Bream Breaker.

Aaron.
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{Spam} Re: [Finale] beaming question

2011-01-10 Thread David H. Bailey

On 1/10/2011 3:15 PM, Aaron Sherber wrote:

On 1/10/2011 2:11 PM, dc wrote:

In 6/8, how can I get Finale to not beam together notes that are
separated
by rests (two 8ths separated by a rest, for instance)?


Make sure your time signature is 6 x eighth note, not 2 x dotted
quarter. Or use Utilities | Rebeam to Time Signature to accomplish this.



In Finale these days it seems we have a choice -- if we want 3 8ths 
beamed together we need to choose 2 x dotted quarter, but this also 
forces 8ths in a half-measure to be beamed even when separated by an 8th 
rest.  Or we can select 6 x 8th note but then we don't get any of the 
8th notes beamed, even if we want them to be.


So the best I can suggest is to select whichever meter is going to help 
more of the time and correct what's needed by hand each time (it's only 
a single key stroke to break those beams over the 8th rest).


It's too bad in the Document Options dialog under Beaming there isn't an 
option to break 8th-note beams over a rest in 6/8 time.


Yet another option for us to lobby MakeMusic for!  Yippee!

--
David H. Bailey
dhbai...@davidbaileymusicstudio.com
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Re: {Spam} Re: [Finale] beaming question

2011-01-10 Thread Mark McCarron
try
document optionsbeaming

Mark

--- On Mon, 1/10/11, dc den...@free.fr wrote:

 From: dc den...@free.fr
 Subject: {Spam} Re: [Finale] beaming question
 To: finale@shsu.edu, finale@shsu.edu
 Date: Monday, January 10, 2011, 3:32 PM
 Aaron Sherber écrit:
  Make sure your time signature is 6 x eighth note, not
 2 x dotted quarter. Or use Utilities | Rebeam to Time
 Signature to accomplish this.
 
 That was my first idea - but then three 8ths don't get
 beamed together.
 
 I want:
 8 8 8 beamed (in the same beat, of course)
 
 but not
 8 _ 8
 
 (where 8 = 8th note and _= 8th rest)
 
 Dennis
 
 
 
 
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Re: {Spam} Re: [Finale] beaming question

2011-01-10 Thread Steve Parker
If there are a large number of bars in a row to be fixed you can also  
use the 6 x 8 time signature with 'different sig for display' so that  
finale doesn't add a redundant time sig announcement.


Steve P.


On 10 Jan 2011, at 20:49, David H. Bailey wrote:


On 1/10/2011 3:15 PM, Aaron Sherber wrote:

On 1/10/2011 2:11 PM, dc wrote:

In 6/8, how can I get Finale to not beam together notes that are
separated
by rests (two 8ths separated by a rest, for instance)?


Make sure your time signature is 6 x eighth note, not 2 x dotted
quarter. Or use Utilities | Rebeam to Time Signature to accomplish  
this.




In Finale these days it seems we have a choice -- if we want 3 8ths  
beamed together we need to choose 2 x dotted quarter, but this also  
forces 8ths in a half-measure to be beamed even when separated by an  
8th rest.  Or we can select 6 x 8th note but then we don't get any  
of the 8th notes beamed, even if we want them to be.


So the best I can suggest is to select whichever meter is going to  
help more of the time and correct what's needed by hand each time  
(it's only a single key stroke to break those beams over the 8th  
rest).


It's too bad in the Document Options dialog under Beaming there  
isn't an option to break 8th-note beams over a rest in 6/8 time.


Yet another option for us to lobby MakeMusic for!  Yippee!

--
David H. Bailey
dhbai...@davidbaileymusicstudio.com
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Re: [Finale] beaming question

2011-01-10 Thread Williams, Jim
I'm not near finale now, but there is a document option called  beam over 
rests that can be turned on or off, isn't there?

Sent from my iPhone, so please pardon all the typos.

On Jan 10, 2011, at 4:26 PM, dc den...@free.fr wrote:

 David H. Bailey écrit:
 In Finale these days it seems we have a choice -- if we want 3 8ths beamed 
 together we need to choose 2 x dotted quarter, but this also forces 8ths 
 in a half-measure to be beamed even when separated by an 8th rest.  Or we 
 can select 6 x 8th note but then we don't get any of the 8th notes beamed, 
 even if we want them to be.
 
 So the best I can suggest is to select whichever meter is going to help 
 more of the time and correct what's needed by hand each time (it's only a 
 single key stroke to break those beams over the 8th rest).
 
 The 3/8 was just one example. In most cases, for the music I do, I don't 
 want any rests at all under beams, and I find it strange that this doesn't 
 seem to be a beaming option.
 
 Couldn't a plug-in check this and remove all the beams over rests?
 
 Dennis
 
 
 
 
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Re: [Finale] beaming question

2011-01-10 Thread Steve Parker
No, the option is to extend the beam over a rest to the right side of the beam. 
Steve P. 

On 10 Jan 2011, at 21:29, Williams, Jim jwilli...@franklincollege.edu wrote:

 I'm not near finale now, but there is a document option called  beam over 
 rests that can be turned on or off, isn't there?
 
 Sent from my iPhone, so please pardon all the typos.
 
 On Jan 10, 2011, at 4:26 PM, dc den...@free.fr wrote:
 
 David H. Bailey écrit:
 In Finale these days it seems we have a choice -- if we want 3 8ths beamed 
 together we need to choose 2 x dotted quarter, but this also forces 8ths 
 in a half-measure to be beamed even when separated by an 8th rest.  Or we 
 can select 6 x 8th note but then we don't get any of the 8th notes beamed, 
 even if we want them to be.
 
 So the best I can suggest is to select whichever meter is going to help 
 more of the time and correct what's needed by hand each time (it's only a 
 single key stroke to break those beams over the 8th rest).
 
 The 3/8 was just one example. In most cases, for the music I do, I don't 
 want any rests at all under beams, and I find it strange that this doesn't 
 seem to be a beaming option.
 
 Couldn't a plug-in check this and remove all the beams over rests?
 
 Dennis
 
 
 
 
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{Spam} Re: [Finale] beaming question

2011-01-10 Thread Aaron Sherber

On 1/10/2011 4:23 PM, dc wrote:

Couldn't a plug-in check this and remove all the beams over rests?


TGTools Beam Breaker
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Re: [Finale] Beaming 24 Octave Notes in Two Layers with Interposed Rests - Can finale do this?

2010-10-25 Thread Christopher Smith
Ah, I see! (24 octaves! What instrument?!) 8-)

This is a little tricky. I have always done it in Speedy Entry manually for one 
measure, then the passage can be copied to other measures and repitched with 
the Simple Entry tool. 

In Speedy it's the / key, but that is a little strange, too. You have to make 
sure you are on the RIGHT-hand note of the pair you want to beam, then hit the 
/ key. Also, if you have ever hit the / key while on a REST, then you won't be 
able to beam the next note until you toggle the rest off again.

There must be a way to copy only the beam alterations to other measures, but I 
haven't found it in either Finale's menus nor in TG Tools.

Christopher



On Mon Oct 25, at MondayOct 25 1:04 AM, Giovanni Andreani wrote:

 I apologize for the subject, I meant octave notes instead of octaves.
 I resolved the problem changing the time from 3/1 (three semibreves) to
 3/1 (one dotted breve) specifying the time as a composite time signature
 with 1/12,288 EDUs beat duration. Join Beam is still a mystery.
 
 Giovanni
 
 
 
 
 Giovanni Andreani
 
 www.giovanniandreani.eu
 
 
 
 
 
 I tried this in several ways but just can't get it to work:
 
 Using Fin 2009 on a MacBook Pro,  
 
 I've got one single measure in 3/1 time and it's got to show two layers
 containing the following:
 Layer 2 (stems down): 24 octaves alternating a note with a rest and
 starting with a note.
 Layer 1 (stems up): the same as layer 2 but starting with a rest.
 
 All the rests are then hidden finally showing notes alternating between
 the two layers.
 
 What I would like to do is beam all the octaves together in each layer.
 I tried to do this by selecting the most appropriate time  signature
 (3/1) and then manually used the Speedy Entry command / (Join Beam -
 by the way I can't find a keyboard command on my MacBook for this) to
 beam the octaves together, where needed. This worked for the lower layer
 (layer two), probably because it is starting with a note and, while
 beaming always occurs over octave rests, groping works out better. The
 upper layer, starting with a rest only shows gropus of two octave notes
 beamed together (octave n. 2 and n. 4 per each group) in the whole
 measure and in no way I was able to beam them together.
 
 Am I missing something?
 
 Thank you in advance
 
 Giovanni Andreani
 
 
 
 
 
 Giovanni Andreani
 
 www.giovanniandreani.eu
 
 
 
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[Finale] Beaming 24 Octaves in Two Layers with Interposed Rests - Can finale do this?

2010-10-24 Thread Giovanni Andreani
I tried this in several ways but just can't get it to work:

Using Fin 2009 on a MacBook Pro,  

I've got one single measure in 3/1 time and it's got to show two layers
containing the following:
Layer 2 (stems down): 24 octaves alternating a note with a rest and
starting with a note.
Layer 1 (stems up): the same as layer 2 but starting with a rest.

All the rests are then hidden finally showing notes alternating between
the two layers.

What I would like to do is beam all the octaves together in each layer.
I tried to do this by selecting the most appropriate time  signature
(3/1) and then manually used the Speedy Entry command / (Join Beam -
by the way I can't find a keyboard command on my MacBook for this) to
beam the octaves together, where needed. This worked for the lower layer
(layer two), probably because it is starting with a note and, while
beaming always occurs over octave rests, groping works out better. The
upper layer, starting with a rest only shows gropus of two octave notes
beamed together (octave n. 2 and n. 4 per each group) in the whole
measure and in no way I was able to beam them together.

Am I missing something?

Thank you in advance

Giovanni Andreani





Giovanni Andreani

www.giovanniandreani.eu



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Re: [Finale] Beaming 24 Octave Notes in Two Layers with Interposed Rests - Can finale do this?

2010-10-24 Thread Giovanni Andreani
I apologize for the subject, I meant octave notes instead of octaves.
I resolved the problem changing the time from 3/1 (three semibreves) to
3/1 (one dotted breve) specifying the time as a composite time signature
with 1/12,288 EDUs beat duration. Join Beam is still a mystery.

Giovanni




Giovanni Andreani

www.giovanniandreani.eu





I tried this in several ways but just can't get it to work:

Using Fin 2009 on a MacBook Pro,  

I've got one single measure in 3/1 time and it's got to show two layers
containing the following:
Layer 2 (stems down): 24 octaves alternating a note with a rest and
starting with a note.
Layer 1 (stems up): the same as layer 2 but starting with a rest.

All the rests are then hidden finally showing notes alternating between
the two layers.

What I would like to do is beam all the octaves together in each layer.
I tried to do this by selecting the most appropriate time  signature
(3/1) and then manually used the Speedy Entry command / (Join Beam -
by the way I can't find a keyboard command on my MacBook for this) to
beam the octaves together, where needed. This worked for the lower layer
(layer two), probably because it is starting with a note and, while
beaming always occurs over octave rests, groping works out better. The
upper layer, starting with a rest only shows gropus of two octave notes
beamed together (octave n. 2 and n. 4 per each group) in the whole
measure and in no way I was able to beam them together.

Am I missing something?

Thank you in advance

Giovanni Andreani





Giovanni Andreani

www.giovanniandreani.eu



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Re: [Finale] beaming hidden notes

2010-04-03 Thread Odile Gruet
It does not matter because they are hidden and will not print... the cues 
without staff style appear and are printed correctly beemed.

Odile

Le 2010-04-03 à 05:24, dc a écrit :

 I have beamed cue notes that are hidden in the score with at staff style. But 
 when I apply the staff style, the notes lose their beams. Why? Can this be 
 avoided?
 
 Thanks,
 
 Dennis
 
 
 
 
 
 
 
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Re: [Finale] beaming over grace notes

2010-04-01 Thread Mark D Lew

On Mar 30, 2010, at 7:57 PM, Christopher Smith wrote:

The trick is with grace notes, you have to hit EACH grace note ONCE  
only, then the following eighth note. There is no way to know if  
you have already toggled the beam on or off, so make sure you are  
VERY careful with how many times you have hit each note with the /  
key, and hit each grace note ONLY ONCE! (or three times, because  
you toggle it on and off each time you hit it.) Don't worry, the  
grace note won't connect with the normal-sized eighth, but you have  
to toggle it on anyway.


The information is displayed in the Edit Frames window.  There's a  
check box called Beam/Beat and the note will beam to the note  
before it if that box is UNchecked.  This is what the slash key  
toggles, and with grace notes it has to be off for both.


Off the top of my head, I don't remember how to access Edit Frames,  
though.  I think it's control-click or option-click from one of the  
tools, but I don't recall which.  It displays information for the  
whole measure (well, frame, actually) and you advance through the  
various notes.


mdl
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Re: [Finale] beaming over grace notes

2010-03-31 Thread Jari Williamsson
I would be interested to know a situation where grace note groups can't 
be beamed together with regular groups, since I have never encountered 
such a situation myself. The trick is to beam all the regular notes as 
well as the grace notes. (I always start from the end of the group and 
move backwards to beam the gaps.)


Or you could, as Robert suggested, use the Beam Selection plug-in from 
the Patterson PI collection to do that automatically.



Best regards,

Jari Williamsson


SN jef chippewa wrote:


use layer 2 for the grace notes, placing and hiding rests where the 
notes are in layer 1 are that won't allow you to beam across.  i did 
this recently... or maybe it was with another layer and real notes 
(hidden tuplets) at 75%...



I still have not been able to make it work when there are a group of 
grace notes (such as an ornament) between some of the regular eighth 
notes.


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Re: [Finale] beaming over grace notes

2010-03-31 Thread Christopher Smith

Jerry,

Are you hitting EVERY one of the grace notes in the group with the /  
key? If even ONE of them was missed (or hit twice, or four times),  
then nothing will work.


Hmm, I hadn't tried it in 6/8 (in FinMac 2010) until just now, and  
actually it works with NO extra keystrokes for me! When I enter a  
ruff (3 sixteenth grace notes) between the first and second eighths  
of the bar, ALL the beams appear correctly, including the three  
sixteenths, with NO extra input from me! This is not the case in 4/4,  
where I have to manually attach every beam around the grace notes  
with the / key.


Are you sure you have 6/8 set to be 2 dotted quarters? Because if you  
have set the time signature to 6 on top and 8 on the bottom, beaming  
will be a huge pain. Right-clicking the measure (control click for  
one-button mouses) will show you an option for 6/8 which is correct  
with no further editing necessary.


Christopher


On Tue Mar 30, at TuesdayMar 30 11:22 PM, jerry kalaf wrote:

thanks christopher, I was not hitting the grace notes with the /  
key. once I started doing that it worked.


I still have not been able to make it work when there are a group  
of grace notes (such as an ornament) between some of the regular  
eighth notes.


I'll keep trying.

best,

jk


On Mar 30, 2010, at 7:57 PM, Christopher Smith wrote:


Yeah, this is touchy, but you have to know how Finale thinks.

In Speedy, you hit the / button normally to create-break beams  
with the PREVIOUS eighth note.


The trick is with grace notes, you have to hit EACH grace note  
ONCE only, then the following eighth note. There is no way to know  
if you have already toggled the beam on or off, so make sure you  
are VERY careful with how many times you have hit each note with  
the / key, and hit each grace note ONLY ONCE! (or three times,  
because you toggle it on and off each time you hit it.) Don't  
worry, the grace note won't connect with the normal-sized eighth,  
but you have to toggle it on anyway.


There is no way I know of to accomplish this automatically.

Hope this helps.

Christopher


On Tue Mar 30, at TuesdayMar 30 10:21 PM, jerry kalaf wrote:

anyone know how to allow finale to beam over grace notes such as  
groups of three eighth notes in 6/8 time with grace notes (drum  
rudiments - flams and drags etc) in between?


thanks,

jk


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[Finale] beaming over grace notes

2010-03-30 Thread jerry kalaf
anyone know how to allow finale to beam over grace notes such as groups of 
three eighth notes in 6/8 time with grace notes (drum rudiments - flams and 
drags etc) in between?

thanks,

jk



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Re: [Finale] beaming over grace notes

2010-03-30 Thread Christopher Smith

Yeah, this is touchy, but you have to know how Finale thinks.

In Speedy, you hit the / button normally to create-break beams with  
the PREVIOUS eighth note.


The trick is with grace notes, you have to hit EACH grace note ONCE  
only, then the following eighth note. There is no way to know if you  
have already toggled the beam on or off, so make sure you are VERY  
careful with how many times you have hit each note with the / key,  
and hit each grace note ONLY ONCE! (or three times, because you  
toggle it on and off each time you hit it.) Don't worry, the grace  
note won't connect with the normal-sized eighth, but you have to  
toggle it on anyway.


There is no way I know of to accomplish this automatically.

Hope this helps.

Christopher


On Tue Mar 30, at TuesdayMar 30 10:21 PM, jerry kalaf wrote:

anyone know how to allow finale to beam over grace notes such as  
groups of three eighth notes in 6/8 time with grace notes (drum  
rudiments - flams and drags etc) in between?


thanks,

jk


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Re: [Finale] beaming over grace notes

2010-03-30 Thread jerry kalaf
thanks christopher, I was not hitting the grace notes with the / key. once I 
started doing that it worked.

I still have not been able to make it work when there are a group of grace 
notes (such as an ornament) between some of the regular eighth notes.

I'll keep trying.

best,

jk


On Mar 30, 2010, at 7:57 PM, Christopher Smith wrote:

 Yeah, this is touchy, but you have to know how Finale thinks.
 
 In Speedy, you hit the / button normally to create-break beams with the 
 PREVIOUS eighth note.
 
 The trick is with grace notes, you have to hit EACH grace note ONCE only, 
 then the following eighth note. There is no way to know if you have already 
 toggled the beam on or off, so make sure you are VERY careful with how many 
 times you have hit each note with the / key, and hit each grace note ONLY 
 ONCE! (or three times, because you toggle it on and off each time you hit 
 it.) Don't worry, the grace note won't connect with the normal-sized eighth, 
 but you have to toggle it on anyway.
 
 There is no way I know of to accomplish this automatically.
 
 Hope this helps.
 
 Christopher
 
 
 On Tue Mar 30, at TuesdayMar 30 10:21 PM, jerry kalaf wrote:
 
 anyone know how to allow finale to beam over grace notes such as groups of 
 three eighth notes in 6/8 time with grace notes (drum rudiments - flams and 
 drags etc) in between?
 
 thanks,
 
 jk
 
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Re: [Finale] beaming over grace notes

2010-03-30 Thread Robert Patterson
My Beam Selection plugin will do this automatically,  so long as the
grace notes are of 8th or smaller value.

It is not possible to beam over a quarter or larger grace notes in
Finale. (Well, you can do it, but the grace notes have to be in a
different Voice or Layer: a pain.)

On Tue, Mar 30, 2010 at 9:57 PM, Christopher Smith
christopher.sm...@videotron.ca wrote:
 Yeah, this is touchy, but you have to know how Finale thinks.

 In Speedy, you hit the / button normally to create-break beams with the
 PREVIOUS eighth note.

 The trick is with grace notes, you have to hit EACH grace note ONCE only,
 then the following eighth note. There is no way to know if you have already
 toggled the beam on or off, so make sure you are VERY careful with how many
 times you have hit each note with the / key, and hit each grace note ONLY
 ONCE! (or three times, because you toggle it on and off each time you hit
 it.) Don't worry, the grace note won't connect with the normal-sized eighth,
 but you have to toggle it on anyway.

 There is no way I know of to accomplish this automatically.

 Hope this helps.

 Christopher


 On Tue Mar 30, at TuesdayMar 30 10:21 PM, jerry kalaf wrote:

 anyone know how to allow finale to beam over grace notes such as groups of
 three eighth notes in 6/8 time with grace notes (drum rudiments - flams and
 drags etc) in between?

 thanks,

 jk

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Re: [Finale] beaming over grace notes

2010-03-30 Thread Klaus Smedegaard Bjerre
I just did this in a recent project, where a sixteenth after a dotted eight had 
4 grace note leading up to it:

place the cursor on the last note (the note after the grace notes) and press 
the / (slash) key.

Klaus

--- On Wed, 3/31/10, jerry kalaf jka...@sbcglobal.net wrote:

 From: jerry kalaf jka...@sbcglobal.net
 Subject: [Finale] beaming over grace notes
 To: finale@shsu.edu
 Date: Wednesday, March 31, 2010, 4:21 AM
 anyone know how to allow finale to
 beam over grace notes such as groups of three eighth notes
 in 6/8 time with grace notes (drum rudiments - flams and
 drags etc) in between?
 
 thanks,
 
 jk
 
 
 
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Re: [Finale] beaming over grace notes

2010-03-30 Thread SN jef chippewa


use layer 2 for the grace notes, placing and hiding rests where the 
notes are in layer 1 are that won't allow you to beam across.  i did 
this recently... or maybe it was with another layer and real notes 
(hidden tuplets) at 75%...



I still have not been able to make it work when there are a group of 
grace notes (such as an ornament) between some of the regular eighth 
notes.


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Re: [Finale] beaming over grace notes

2010-03-30 Thread jerry kalaf
I have not been able to get it to work all the time either (when I am in 3/8. 
6/8, 9/8 etc). the layer approach works but is very tedious.

thanks,

jk



On Mar 30, 2010, at 8:53 PM, SN jef chippewa wrote:

 
 use layer 2 for the grace notes, placing and hiding rests where the notes are 
 in layer 1 are that won't allow you to beam across.  i did this recently... 
 or maybe it was with another layer and real notes (hidden tuplets) at 75%...
 
 
 I still have not been able to make it work when there are a group of grace 
 notes (such as an ornament) between some of the regular eighth notes.
 
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RE: [Finale] beaming problem

2010-01-28 Thread Richard Yates
Is your 12/8 not set up in the Time Signature dialog box as 4 dotted
quarters? 

Also, your jpg link is broken.

Richard Yates


 Here's my beaming problem. I have a piece in common time 
 where some of the beats use the typical rhythm of a 12/8 time 
 sig: dotted 8th + 16th + 8th in the value of a quarter note. 
 So I define use a tuplet with 1 dotted quarter in the space 
 of 1 quarter, and I get my three notes. But the beam for the 
 16th is on the wrong side, i.e. between notes 2 and 3 instead 
 of notes 1 and 2. Rebeaming the music doesn't change this.
 
 www.collins.lautre.net/files/beaming.jpg (what I want, and what I get)
 
 What am I doing wrong, or how can I get around this?
 
 Thanks,
 
 Dennis
 
 
 
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Re: [Finale] beaming problem

2010-01-28 Thread Christopher Smith
Oh yeah, I know what you are talking about. I have complained about  
this bitterly, and the guys at MakeMusic don't even seem to  
understand the problem. Please, if you can make it more clear to  
them, do so. I never was able to come up with a procedure for  
switching the side that the beamlet is on without screwing everything  
up, so I left it. (Obviously, for publication this would not do at all!)


What may work is to set an independent time signature for that staff,  
then change that one measure to 12/8 (that's 4 dotted quarters) while  
displaying as 4/4. Any ordinary eighth notes in that measure would  
have to be entered as a tuplet (2 8ths in the space of one dotted  
quarter, or 4 8ths in the space of one dotted half, depending on the  
beaming you want) with the bracket and number hidden.


I find it strange in the extreme that Finale does this correctly in  
12/8, but not in 4/4 inside a triplet. It is also strange that such a  
kludge is required. Why won't the Special Tools take care of this? Or  
maybe I just didn't find the right combination...


Christopher



On Thu Jan 28, at ThursdayJan 28 8:42 AM, dc wrote:

Here's my beaming problem. I have a piece in common time where some  
of the beats use the typical rhythm of a 12/8 time sig: dotted 8th  
+ 16th + 8th in the value of a quarter note. So I define use a  
tuplet with 1 dotted quarter in the space of 1 quarter, and I get  
my three notes. But the beam for the 16th is on the wrong side,  
i.e. between notes 2 and 3 instead of notes 1 and 2. Rebeaming the  
music doesn't change this.


www.collins.lautre.net/files/beaming.jpg (what I want, and what I get)

What am I doing wrong, or how can I get around this?

Thanks,

Dennis



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Re: [Finale] beaming problem

2010-01-28 Thread Hans Swinnen

From the Quick Help: Special tools, select the Broken Beam
Then click in the app. maes. the handle to change the broken beam  
direction (left or right).


Hans


Op 28-jan-10, om 14:42 heeft dc het volgende geschreven:

Here's my beaming problem. I have a piece in common time where some  
of the beats use the typical rhythm of a 12/8 time sig: dotted 8th  
+ 16th + 8th in the value of a quarter note. So I define use a  
tuplet with 1 dotted quarter in the space of 1 quarter, and I get  
my three notes. But the beam for the 16th is on the wrong side,  
i.e. between notes 2 and 3 instead of notes 1 and 2. Rebeaming the  
music doesn't change this.


www.collins.lautre.net/files/beaming.jpg (what I want, and what I get)

What am I doing wrong, or how can I get around this?

Thanks,

Dennis



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Re: [Finale] beaming problem

2010-01-28 Thread Aaron Sherber

On 1/28/2010 9:08 AM, Christopher Smith wrote:

Oh yeah, I know what you are talking about. I have complained about
this bitterly, and the guys at MakeMusic don't even seem to
understand the problem.


I know that I reported this as long ago as 12/2003. I have a reply from 
them on 1/5/2004 in which they state they are aware of the problem and 
are looking into it; tech's name was Thierry.



switching the side that the beamlet is on without screwing everything
up, so I left it. (Obviously, for publication this would not do at all!)


The correction is actually very simple, though time-consuming if you 
have many instances. You have to use the Broken Beam Tool (in Special 
Tools) to manually flip the beamlet to the other side.


Aaron.
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Re: [Finale] beaming problem

2010-01-28 Thread Christopher Smith
Richard, that is it! For some reason this didn't work the last time I  
tried this (the beamlet changed length), but it works perfectly in 2010!


This can be copied from measure to measure as well, so if it shows up  
many times, Dennis can just copy the edit without the notes. Great!


Christopher


On Thu Jan 28, at ThursdayJan 28 9:03 AM, Richard Yates wrote:

If you must use a tuplet instead of a time signature  of 12/8 as  
four dotted
wuaters, then you have to use the Broken Beam Tool to switch the  
sixteenth

beamlet to the other side.


Here's my beaming problem. I have a piece in common time
where some of the beats use the typical rhythm of a 12/8 time
sig: dotted 8th + 16th + 8th in the value of a quarter note.
So I define use a tuplet with 1 dotted quarter in the space
of 1 quarter, and I get my three notes. But the beam for the
16th is on the wrong side, i.e. between notes 2 and 3 instead
of notes 1 and 2. Rebeaming the music doesn't change this.

www.collins.lautre.net/files/beaming.jpg (what I want, and what I  
get)


What am I doing wrong, or how can I get around this?

Thanks,

Dennis


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Re: [Finale] beaming problem

2010-01-28 Thread Noel Stoutenburg

dc wrote:


Here's my beaming problem. I have a piece in common time where some of
the beats use the typical rhythm of a 12/8 time sig: dotted 8th + 16th +
8th in the value of a quarter note. So I define use a tuplet with 1
dotted quarter in the space of 1 quarter, and I get my three notes. But
the beam for the 16th is on the wrong side, i.e. between notes 2 and 3
instead of notes 1 and 2. Rebeaming the music doesn't change this.

www.collins.lautre.net/files/beaming.jpg (what I want, and what I get)

What am I doing wrong, or how can I get around this?


I don't know that you're doing anything wrong, but the solution is to 
use the broken beam tool (part of the special tools pallete) which will 
move the broken beam to the proper side of the note.


ns
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[Finale] Beaming Across Barlines

2009-07-05 Thread Pablo Castells

Hi everyone! I need to beam two notes across a barline in Finale 2007. In the 
Help manual I found the following two suggested methods:

 

A) Speedy Entry Method: step 3 tells me to enter the notes that belong at the 
beginning of the next measure (the ones to which you want to beam from the 
first measure) at the end of the measure. Finale is not letting me do that.

B) Beam Extension Method: it is suggested that I extend the beam with the Beam 
Extension Tool by simply dragging the handle. That would be a simple solution, 
except for the fact that the single note I want to beam from has no beam and 
there are no handles to drag, precisely because it's a single note.

 

Any better suggestions? Thanks a lot.

 

Pablo.

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Re: [Finale] Beaming Across Barlines

2009-07-05 Thread Robert Patterson
Use the Beam Over Barline Plugin. (It automates one or the other of
these methods, depending on whether the beam falls across a system
break.)

On Sun, Jul 5, 2009 at 1:06 PM, Pablo Castellspjcaste...@hotmail.com wrote:

 Hi everyone! I need to beam two notes across a barline in Finale 2007. In the 
 Help manual I found the following two suggested methods:



 A) Speedy Entry Method: step 3 tells me to enter the notes that belong at 
 the beginning of the next measure (the ones to which you want to beam from 
 the first measure) at the end of the measure. Finale is not letting me do 
 that.

 B) Beam Extension Method: it is suggested that I extend the beam with the 
 Beam Extension Tool by simply dragging the handle. That would be a simple 
 solution, except for the fact that the single note I want to beam from has no 
 beam and there are no handles to drag, precisely because it's a single note.



 Any better suggestions? Thanks a lot.



 Pablo.

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RE: [Finale] Beaming Across Barlines

2009-07-05 Thread Pablo Castells

Thanks a lot. It took me a lot of trial and error, but it ended up working!
 
 Date: Sun, 5 Jul 2009 14:14:45 -0500
 Subject: Re: [Finale] Beaming Across Barlines
 From: rob...@robertgpatterson.com
 To: finale@shsu.edu
 
 Use the Beam Over Barline Plugin. (It automates one or the other of
 these methods, depending on whether the beam falls across a system
 break.)
 
 On Sun, Jul 5, 2009 at 1:06 PM, Pablo Castellspjcaste...@hotmail.com wrote:
 
  Hi everyone! I need to beam two notes across a barline in Finale 2007. In 
  the Help manual I found the following two suggested methods:
 
 
 
  A) Speedy Entry Method: step 3 tells me to enter the notes that belong at 
  the beginning of the next measure (the ones to which you want to beam from 
  the first measure) at the end of the measure. Finale is not letting me do 
  that.
 
  B) Beam Extension Method: it is suggested that I extend the beam with the 
  Beam Extension Tool by simply dragging the handle. That would be a simple 
  solution, except for the fact that the single note I want to beam from has 
  no beam and there are no handles to drag, precisely because it's a single 
  note.
 
 
 
  Any better suggestions? Thanks a lot.
 
 
 
  Pablo.
 
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[Finale] Beaming across staves

2009-06-28 Thread David McKay
I know it can be done ... I think. But I can't remember how to do it, nor
find it in the pdf manual for Finale 2004.

How do I create a beam that straddles two staves, please?

I only want to create 4 note beams for quavers [eighth notes].

Thansk for your help.

David McKay

www.aussiemusician.blogspot.com
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Re: [Finale] Beaming across staves

2009-06-28 Thread Dennis Bathory-Kitsz
On Sun, June 28, 2009 5:50 am, David McKay wrote:
 How do I create a beam that straddles two staves, please?

I use the note mover tool to drag notes from one staff to the other, then a
combination of the note reverser tool (or whatever it's called) to put the
noteheads on the correct side of the stems, and the beam adjustment tool to
place and angle it.

(There's probably an easier way by now, but I've been doing that for too long
to have noticed any new method!)

Dennis


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Re: [Finale] Beaming across staves

2009-06-28 Thread shirling neueweise


patterson tools

click, bang, boom!

(There's probably an easier way by now, but I've been doing that for 
too long to have noticed any new method!)


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Re: [Finale] Beaming across staves

2009-06-28 Thread David McKay
Can you do it with Patterson tools in Finale 2004?
Can you explain how, please?
Thanks
David McKay

2009/6/28 shirling  neueweise shirl...@newmusicnotation.com


 patterson tools

 click, bang, boom!

  (There's probably an easier way by now, but I've been doing that for too
 long to have noticed any new method!)


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Re: [Finale] Beaming across staves

2009-06-28 Thread Dennis Bathory-Kitsz
On Sun, June 28, 2009 6:53 am, shirling  neueweise wrote:
 patterson tools
 click, bang, boom!

Your mean there's a beam-across-staves in there? I  use beam-over-barlines all
the time! I'll have to look...


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Re: [Finale] Beaming across staves

2009-06-28 Thread shirling neueweise


i seem to remember doing it back in F2003

select the notes you want beamed, select the Patterson Beam over 
Barlines PI, just give it a whirl, it's really intuitive, you may 
need to adjust the settings to your liking.



Can you do it with Patterson tools in Finale 2004?


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Re: [Finale] Beaming across staves

2009-06-28 Thread David McKay
Can I do it in Patterson plugins lite? What about cross staves in TG
Tools?
David McKay

2009/6/28 David McKay davidmcka...@gmail.com

 Sorry. I need a lot more explicit help here. Are you sure beam over
 barlines will beam from one staff to another? How do you select notes? What
 tool should I be using?
 Thanks
 David McKay

 2009/6/28 shirling  neueweise shirl...@newmusicnotation.com


 i seem to remember doing it back in F2003

 select the notes you want beamed, select the Patterson Beam over Barlines
 PI, just give it a whirl, it's really intuitive, you may need to adjust the
 settings to your liking.

  Can you do it with Patterson tools in Finale 2004?


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Re: [Finale] Beaming across staves

2009-06-28 Thread shirling neueweise



Can I do it in Patterson plugins lite?


i don't know, why don't you give it a try and let us know.


What about cross staves in TGTools?


sounds like this is a different thing, have never used it though

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Re: [Finale] Beaming across staves

2009-06-28 Thread David McKay
Sorry. I need a lot more explicit help here. Are you sure beam over
barlines will beam from one staff to another? How do you select notes? What
tool should I be using?
Thanks
David McKay

2009/6/28 shirling  neueweise shirl...@newmusicnotation.com


 i seem to remember doing it back in F2003

 select the notes you want beamed, select the Patterson Beam over Barlines
 PI, just give it a whirl, it's really intuitive, you may need to adjust the
 settings to your liking.

  Can you do it with Patterson tools in Finale 2004?


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Re: [Finale] Beaming across staves

2009-06-28 Thread David McKay
I can get beam over barlines to connect from one bar to the other, by
seelcting two bars in mass mover,  but I can't get it to beam notes on one
stave to another, as I want to do.
David McKay

2009/6/28 shirling  neueweise shirl...@newmusicnotation.com


  Can I do it in Patterson plugins lite?


 i don't know, why don't you give it a try and let us know.

  What about cross staves in TGTools?


 sounds like this is a different thing, have never used it though


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Re: [Finale] Beaming across staves

2009-06-28 Thread David McKay
Thanks very much for this Robert!
David McKay

2009/6/28 Robert Patterson rob...@robertgpatterson.com

 In Finale, Beam Across Staff is called Cross Staff. It is one of
 the options in the Note Mover tool. Moving the notes to another staff
 is simple, but then there may be further cleanup to do with stem and
 beam placement after you move the noteheads.

 Patterson Plugins has no direct function for creating cross staff
 beams. It however can copy a beam pattern (including cross staffing)
 from one location to another using Mass Copy.

 There may be a Cross Staff function in TGTools.

 On Sun, Jun 28, 2009 at 7:32 AM, shirling 
 neueweiseshirl...@newmusicnotation.com wrote:
 
  i don't know what is available in lite, might be a question of
  settings/options.  have you tried the same two measures in the same
 staff,
  undo, move 2nd measure down a system and try the same two measures?
 
  I can get beam over barlines to connect from one bar to the other, by
  seelcting two bars in mass mover,  but I can't get it to beam notes on
 one
  stave to another, as I want to do.
 
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Re: [Finale] Beaming across staves

2009-06-28 Thread David McKay
Success! Easy peasy. Thanks so much.
David McKay

2009/6/28 David McKay davidmcka...@gmail.com

 Thanks very much for this Robert!
 David McKay

 2009/6/28 Robert Patterson rob...@robertgpatterson.com

 In Finale, Beam Across Staff is called Cross Staff. It is one of
 the options in the Note Mover tool. Moving the notes to another staff
 is simple, but then there may be further cleanup to do with stem and
 beam placement after you move the noteheads.

 Patterson Plugins has no direct function for creating cross staff
 beams. It however can copy a beam pattern (including cross staffing)
 from one location to another using Mass Copy.

 There may be a Cross Staff function in TGTools.

 On Sun, Jun 28, 2009 at 7:32 AM, shirling 
 neueweiseshirl...@newmusicnotation.com wrote:
 
  i don't know what is available in lite, might be a question of
  settings/options.  have you tried the same two measures in the same
 staff,
  undo, move 2nd measure down a system and try the same two measures?
 
  I can get beam over barlines to connect from one bar to the other, by
  seelcting two bars in mass mover,  but I can't get it to beam notes on
 one
  stave to another, as I want to do.
 
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Re: [Finale] Beaming across staves

2009-06-28 Thread Barbara Touburg

Robert Patterson wrote:

In Finale, Beam Across Staff is called Cross Staff. It is one of
the options in the Note Mover tool. Moving the notes to another staff
is simple, but then there may be further cleanup to do with stem and
beam placement after you move the noteheads.

Patterson Plugins has no direct function for creating cross staff
beams. It however can copy a beam pattern (including cross staffing)
from one location to another using Mass Copy.

There may be a Cross Staff function in TGTools.




Select the the notes with the Selection tool, press alt - arrow down (or 
up, whatever you wish), and whoosh there they go.

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Re: [Finale] Beaming Across Grace Notes

2009-01-18 Thread Florence + Michael
I think it's always been like this. I checked in Finale 2004b: it is  
also necessary to use the slash key on both the grace note and the  
eighth note. I think there is also a difference depending on if you  
create the grace notes as you go along, or if you first write  
everything as normal notes (de-selecting the check for extra notes  
option) and then go back to turn some notes into grace notes.


It's quite infuriating, since you can't see how many times the slash  
key has been pressed on a particular note.


Michael

On 18 Jan 2009, at 06:29, Christopher Smith wrote:

Yes, this is strange new (I think) behaviour in Finale 2009 (maybe  
even 2008).


In Speedy, you have to hit the / key on the second grace note AND  
then on the second eighth note. If you hit it on the same note  
twice, it won't work no matter how many times you hit the slash key  
on the other note (so if you have already tried this several times  
and have pressed the slash key an EVEN number of times, you won't  
get it to work until you have pressed it ONE more time and moved on  
to the other note.


I remember this behaviour as being position the cursor on the GRACE  
note and hit the slash (instead of the more obvious: position the  
cursor on the EIGHTH note.) But now you have to do it on BOTH  
notes, and only an odd number of times, never even!


Christopher



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Re: [Finale] Beaming Across Grace Notes

2009-01-18 Thread Blake Richardson
 In Speedy, you have to hit the / key on the second grace note AND
 then on the second eighth note.

Worked like a charm. Thanks much. It was driving me crazy.


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Re: [Finale] Beaming Across Grace Notes

2009-01-18 Thread Chuck Israels


On Jan 18, 2009, at 12:32 PM, Blake Richardson wrote:


In Speedy, you have to hit the / key on the second grace note AND
then on the second eighth note.


Worked like a charm. Thanks much. It was driving me crazy.


And me too - for years!  Nice to get another clue into the mystery of  
Finale.  (They often come from Christopher.)


Thanks,

Chuck








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[Finale] Beaming Across Grace Notes

2009-01-17 Thread Blake Richardson
I've got an eight-note/eighth-rest sequence with a grace note before each
eighth-note and the normal beaming process doesn't want to work.

Is there another way to beam across a grace note and a rest? It's probably
something simple I've overlooked.

I've posted screen shots of what I'm talking about at the link below.

http://gallery.me.com/btr1701/100016

The first image is the Finale document as is, without the beams. The part
I'm talking about is the third measure in the Horn part.

The second image is the original handwritten manuscript and shows the
passage as I'd like it to appear.

[For those who are curious, this is part of a film cue called The Basket
Game from Raiders of the Lost Ark. It's the part where the evil swordsman
challenges Indiana Jones to a duel with an elaborate flourish of his blade,
and Jones just sighs and shoots him.]


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Re: [Finale] Beaming Across Grace Notes

2009-01-17 Thread Christopher Smith
Yes, this is strange new (I think) behaviour in Finale 2009 (maybe  
even 2008).


In Speedy, you have to hit the / key on the second grace note AND  
then on the second eighth note. If you hit it on the same note twice,  
it won't work no matter how many times you hit the slash key on the  
other note (so if you have already tried this several times and have  
pressed the slash key an EVEN number of times, you won't get it to  
work until you have pressed it ONE more time and moved on to the  
other note.


I remember this behaviour as being position the cursor on the GRACE  
note and hit the slash (instead of the more obvious: position the  
cursor on the EIGHTH note.) But now you have to do it on BOTH notes,  
and only an odd number of times, never even!


Christopher


On Jan 17, 2009, at 10:08 PM, Blake Richardson wrote:

I've got an eight-note/eighth-rest sequence with a grace note  
before each

eighth-note and the normal beaming process doesn't want to work.

Is there another way to beam across a grace note and a rest? It's  
probably

something simple I've overlooked.

I've posted screen shots of what I'm talking about at the link below.

http://gallery.me.com/btr1701/100016

The first image is the Finale document as is, without the beams.  
The part

I'm talking about is the third measure in the Horn part.

The second image is the original handwritten manuscript and shows the
passage as I'd like it to appear.

[For those who are curious, this is part of a film cue called The  
Basket
Game from Raiders of the Lost Ark. It's the part where the evil  
swordsman
challenges Indiana Jones to a duel with an elaborate flourish of  
his blade,

and Jones just sighs and shoots him.]


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Re: [Finale] Beaming problem

2008-11-25 Thread arabushk
A Balkan folk-dance beat, perhaps? :)

ajr

 I am using Finale 2008 on Mac, OS 10.5.5.

 I want a time signature to say 8/8 but I want it beamed 3+3+2. I created
 a composite time signal of 3+3+2/8+8+8 and then a different time
 signature 8/8 to display. When I put in the notes all the eighth notes
 have separate stems -- no beams. I tried rebeaming according to time
 signature and got the same result.

 What am I missing?

 Thanks so much.

 Jane
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[Finale] Beaming problem

2008-11-24 Thread Jane Frasier

I am using Finale 2008 on Mac, OS 10.5.5.

I want a time signature to say 8/8 but I want it beamed 3+3+2. I created 
a composite time signal of 3+3+2/8+8+8 and then a different time 
signature 8/8 to display. When I put in the notes all the eighth notes 
have separate stems -- no beams. I tried rebeaming according to time 
signature and got the same result.


What am I missing?

Thanks so much.

Jane
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Re: [Finale] Beaming problem

2008-11-24 Thread Allen Fisher

Hi Jane--

Put 3+3+2 (including the plus signs) into the FIRST top box. Put an 8  
in the first bottom box. Leave the others blank, and change the  
display time signature.


On Nov 24, 2008, at 9:00 PM, Jane Frasier wrote:


I am using Finale 2008 on Mac, OS 10.5.5.

I want a time signature to say 8/8 but I want it beamed 3+3+2. I  
created a composite time signal of 3+3+2/8+8+8 and then a different  
time signature 8/8 to display. When I put in the notes all the  
eighth notes have separate stems -- no beams. I tried rebeaming  
according to time signature and got the same result.


What am I missing?

Thanks so much.

Jane
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Re: [Finale] Beaming problem

2008-11-24 Thread David W. Fenton
On 24 Nov 2008 at 21:31, Allen Fisher wrote:

 Put 3+3+2 (including the plus signs) into the FIRST top box. Put an 8  
 in the first bottom box. Leave the others blank, and change the  
 display time signature.

The other approach works if you use EDUs and put it in as 
1/1536+1/1536+1/1024. However, in my ancient version of Finale, the 
numbers don't stay there (when I go back and open up the meter dialog 
in a passage where it's already been defined thus), so I'd recommend 
using Allen's approach.

Allen: why does Finale not preserve what I put in (even though it 
continues to work)?

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Re: [Finale] Beaming problem

2008-11-24 Thread Allen Fisher

David--

Refresh my memory on what version of Finale you've been using. Do the  
numbers disappear or do they just change?


On Nov 24, 2008, at 9:43 PM, David W. Fenton wrote:


Allen: why does Finale not preserve what I put in (even though it
continues to work)?


Allen Fisher
Founder and Principal Developer
Fisher Art and Technology
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Re: [Finale] Beaming problem

2008-11-24 Thread Jane Frasier

Thanks. That was the solution.

Jane

Allen Fisher wrote:

Hi Jane--

Put 3+3+2 (including the plus signs) into the FIRST top box. Put an 8 
in the first bottom box. Leave the others blank, and change the 
display time signature.


On Nov 24, 2008, at 9:00 PM, Jane Frasier wrote:


I am using Finale 2008 on Mac, OS 10.5.5.

I want a time signature to say 8/8 but I want it beamed 3+3+2. I 
created a composite time signal of 3+3+2/8+8+8 and then a different 
time signature 8/8 to display. When I put in the notes all the eighth 
notes have separate stems -- no beams. I tried rebeaming according to 
time signature and got the same result.


What am I missing?

Thanks so much.

Jane
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Re: [Finale] Beaming problem

2008-11-24 Thread David W. Fenton
On 24 Nov 2008 at 22:26, Allen Fisher wrote:

 Refresh my memory on what version of Finale you've been using. Do the  
 numbers disappear or do they just change?

2003. The numbers are changed, to 1/2 for the first two and I forget 
what for the 3rd one. But upon opening the dialog, the display is 
correct until I change anything.

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[Finale] Beaming to lyrics with layers

2008-07-17 Thread Daniel Wolf
Fin 2007c, Windows.  Choral piece. At one point divisi within one staff,  
but sharing lyrics. The individual lines in the divisi were assigned to  
layers 1  2. I wanted to beam to lyrics, but this function appears only  
applies to one layer.  Is there a workaround other than changing the time  
signature?



Daniel Wolf

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Re: [Finale] Beaming to lyrics with layers

2008-07-17 Thread dhbailey

Daniel Wolf wrote:
Fin 2007c, Windows.  Choral piece. At one point divisi within one staff, 
but sharing lyrics. The individual lines in the divisi were assigned to 
layers 1  2. I wanted to beam to lyrics, but this function appears only 
applies to one layer.  Is there a workaround other than changing the 
time signature?






The problem is that lyrics are assigned to a layer.

If you use the Show Active Layer Only and select layer 2 you will see 
the lyrics disappear.  In other words, there are no lyrics for Layer 2 
to be beamed to.


What you'll have to do is to assign the same lyrics to layer 2 and then 
get them to line up perfectly with layer 1 lyrics if you want to have 
the beaming done automatically.  I think that will be very hard to get 
right, and you'll be better off if you set the beaming manually for 
layer 2 notes.


You might want to go back and re-enter the layer2 notes as Voice2 of 
Layer 1 and then see how the beam to lyrics works.


--
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Re: [Finale] Beaming to lyrics with layers

2008-07-17 Thread Barbara Touburg

dhbailey wrote:

The problem is that lyrics are assigned to a layer.


I think it is possible to copy beaming patterns from one layer to another.

Barbara




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Re: [Finale] Beaming to lyrics with layers

2008-07-17 Thread John Howell

At 2:57 PM +0200 7/17/08, Daniel Wolf wrote:
Fin 2007c, Windows.  Choral piece. At one point divisi within one 
staff, but sharing lyrics. The individual lines in the divisi were 
assigned to layers 1  2. I wanted to beam to lyrics, but this 
function appears only applies to one layer.  Is there a workaround 
other than changing the time signature?


If I read your situation properly, you want to use beaming rather 
than slurs.  Your choice, of course, but I would never do that. 
Slurs are your friend!  They relieve the singer of yet one more need 
for on-the-spot calculation.  I have used instrumental notation 
conventions for vocal music for decades, and no one has ever 
complained.


John


--
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Virginia Tech Department of Music
College of Liberal Arts  Human Sciences
Blacksburg, Virginia, U.S.A. 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
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Re: [Finale] Beaming to lyrics with layers

2008-07-17 Thread dhbailey

Barbara Touburg wrote:

dhbailey wrote:

The problem is that lyrics are assigned to a layer.


I think it is possible to copy beaming patterns from one layer to another.



I got the impression though that the rhythms were different between the 
layers so there wouldn't be the same rhythm to paste the beaming onto. 
But I may have misunderstood the problem.



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Re: [Finale] beaming in 3/4 - 2nd try

2008-04-02 Thread Michael Cook

On 2 Apr 2008, at 08:03, dc wrote:
Thanks to all. Yes, I should have given the context, of course.  
This is a section of a Lully motet. The source I'm transcribing has  
all groups of (last) three or four 8ths beamed. Personally, as a  
performer myself, I think this is perfectly clear. But I'm  
interested in knowing what the standard rules are.


I would say the standard rule is write it the way the composer did.  
Exceptions to this rule occur:


- if the composer has clearly made a mistake
- if the composer was using a style of notation so far removed from  
present-day style that some sort of transcription is needed.


In this case I don't see any reason to change the way Lully wrote it.
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Re: [Finale] beaming in 3/4

2008-04-02 Thread Michael Cook

On 1 Apr 2008, at 22:08, Darcy James Argue wrote:
I didn't see Michael Cook's original, only Chris's reply, but in  
response to his comments, my feeling is that beaming is usually  
(not always, but usually) a poor way to indicate phrasing in modern  
music. I try to discourage the composers I work with from insisting  
on odd beam groupings and/or over-the-barline beaming -- in my  
experience, performers *hate* that stuff -- if there's a better way  
to indicate phrasing and also preserve metrical beaming.


Have a look at the works of Brahms (a pretty careful composer). He  
very often used beaming that indicates phrasing, including cross-bar  
beaming. This enabled him to indicate the sort of subtle cross  
rhythms so typical of his style, without resorting to adding accents  
or extra phrase marks. Indeed, accents or extra phrase marks might  
well cause the performer to over-accentuate the cross rhythms. 
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Re: [Finale] beaming in 3/4 - 2nd try

2008-04-02 Thread Darcy James Argue

On 2 Apr 2008, at 3:10 AM, Michael Cook wrote:


In this case I don't see any reason to change the way Lully wrote it


In this case I agree with Michael.

See, context does matter!

Cheers,

- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY



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Re: [Finale] beaming in 3/4 - 2nd try

2008-04-02 Thread John Howell

At 8:03 AM +0200 4/2/08, dc wrote:
Thanks to all. Yes, I should have given the context, of course. This 
is a section of a Lully motet. The source I'm transcribing has all 
groups of (last) three or four 8ths beamed. Personally, as a 
performer myself, I think this is perfectly clear. But I'm 
interested in knowing what the standard rules are.


Dennis


Well, now you know.  There are no standard rules, just lots of 
standard personal opinions!!


John


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Re: [Finale] beaming in 3/4 - 2nd try

2008-04-02 Thread Bruce Clausen
I too have been watching the discussion of beaming with interest.  As a 
player, I have always preferred to have the eigths in 3/4 beamed together. 
Just me.  From a historical note, I revisited my facsimile of the autograph 
of Beethoven's Fifth Symphony.  In the first movement he frequently flags 
the first 8th and them beams the remaing 3.  I assume for phrasing purposes. 
In the autograph of the first movement he also sometimes writes a dotted 
quarter with a slash to indicate the 3 eighths.  In the C major section of 
the third movement (basses gone wild; 3/4) he consistently notates quarter 
note, 8th rest, three beamed  8ths.  This, seems to me, also is for 
phrasing.


I suggest no firm solution here, I just thought some of the list might be 
interested.  I certainly have been quite interested in the discussion and 
find merit in several of  the points made, pro and contra.


Bruce Clausen

- Original Message - 
From: dc [EMAIL PROTECTED]

To: finale@shsu.edu; finale@shsu.edu
Sent: Tuesday, April 01, 2008 11:03 PM
Subject: Re: [Finale] beaming in 3/4 - 2nd try


Thanks to all. Yes, I should have given the context, of course. This is a 
section of a Lully motet. The source I'm transcribing has all groups of 
(last) three or four 8ths beamed. Personally, as a performer myself, I 
think this is perfectly clear. But I'm interested in knowing what the 
standard rules are.


Dennis


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Re: [Finale] beaming in 3/4

2008-04-02 Thread John Howell

At 4:59 PM -0400 3/31/08, A-NO-NE Music wrote:

dc / 08.3.31 / 3:45 PM wrote:


Can or should one beam together three 8ths after a dotted quarter in 3/4?


I wouldn't like that.  That screws psychologically when sight-reading.
Why would you want to give 2 pulses to 3/4 meter?


Interesting reaction.  I see it every day, and it never suggests a 
hemiola shift at all.  Quite a lot of baroque music uses that 
beaming, at least in modern editions.


John


--
John R. Howell, Assoc. Prof. of Music
Virginia Tech Department of Music
College of Liberal Arts  Human Sciences
Blacksburg, Virginia, U.S.A 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
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Re: [Finale] beaming in 3/4

2008-04-01 Thread dhbailey

Neal Gittleman wrote:
Pace those who think differently, Beethoven doesn't seem to have much 
problem with either formulation...


dottted-quarter plus three eighths is all over the first movement of the 
Eroica (well, strictly speaking, not, since he always writes it as 
quarter, eighth-rest, three eighths) and also throughout the Egmont 
Overture (again, with the rest


Schumann also uses dotted-quarter plus three eights in several passages 
in the first movement of his Second Symphony


quarter plus four eighths IS all over the first movement of Beethoven 8.

Context certainly does matter, but in none of these cases is there 
anything remotely problematic about the notation.




While I agree that none of the situations is problematic, are you 
looking at the manuscripts (or facsimiles) or are you looking at the 
engraved music?  If looking at the engraved music I doubt that Beethoven 
or Schumann had any input into how the rhythms were engraved.


And of course the overall rhythmic thrust of the music can make such a 
beaming easy to read or more difficult to phrase properly, in my opinion.


But I agree that neither is problematic for most players -- even though 
I would not beam the three 8ths following a dotted quarter myself, I can 
certainly see no truly compelling argument against it.



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David H. Bailey
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Re: [Finale] beaming in 3/4

2008-04-01 Thread Christopher Smith


On Mar 31, 2008, at 11:05 PM, Darcy James Argue wrote:

There are, obviously, a lot of engraving conventions that were  
different in Beethoven's day.


For newly written music, though, whether it's in 2/4, 3/4, 4/4, or  
any other non-compound meter, I never beam three eighth notes  
together unless they form a triplet.


In general, I beam to the beat with the following exceptions:

In 2/4, I beam groups of 4 eighth notes.

In 4/4, I beam groups of 4 eighth notes if they begin on beat 1 or  
beat 3.


In 3/4, I  beam groups of 2, 4, or 6 eighth notes if they begin on  
the beat.


This is a minor departure from traditional practice, but I'm far  
from the only one who beams this way. It makes entrances off-the- 
beat easier to read, and makes triplets easier to see at a glance,  
especially when a passage freely mixes triplet eighths and regular  
eighths.




Rhythmic complexity in general has increased in the 20th century, so  
I agree with Darcy, and with his reasons. I try to make rhythms as  
easy to read as I possibly can, even if classic eighth beaming  
doesn't usually cause problems. It's the UNusual events that I try to  
avoid.


Christopher


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