Thanks for your input Dave. I have Lenny Lipton’s book so I will have a good
look at it again. I also have one called 'The Technique of Editing 16mm Film’
by John Burder, which helpfully details editing processes.
I’m interested in your response to the idea of editing as stitching and so hope
headspace than
>>>>> computer editing.
>>>>>
>>>>> Christopher
>>>>>
>>>>> On Thu, Nov 29, 2018 at 9:34 PM Colinet André
>>>>> wrote:
>>>>> Hello,
>>>>>
>>>>>
.org>
*Verzonden: *vrijdag 30 november 2018 2:04
*Aan: *Experimental Film Discussion List
<mailto:frameworks@jonasmekasfilms.com>
*Onderwerp: *Re: [Frameworks] Linear film editing
Hi,
I learned in film school during the transition period that
what Dave says is
A good introduction would be Roberts and Sharples "Primer of Filmmaking"
I believe.
--scott
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Mary:
You might want to pick up an old filmmaking book that covers the different
processes on physical editing of photochemical film. E.g. Lenny Lipton’s
“Independent Filmmaking”.
A. There are two methods of putting the cut pieces of film together:
1) glue splices and
2) tape splices.
•
gt; I’m talking about another definition of “non-linear” which is also correct.
>>>
>>> Anyhow I made a lot of linear analogue video editing and every time you had
>>> to copy to start a new version until the quality was so bad you had to go
>>> back to the or
>>> I’m talking about another definition of “non-linear” which is also
>>> correct.
>>>
>>> Anyhow I made a lot of linear analogue video editing and every time you
>>> had to copy to start a new version until the quality was so bad you h
;
>> On Thu, Nov 29, 2018 at 9:34 PM Colinet André
>> wrote:
>>
>>> Hello,
>>>
>>> of course you are right with this approach.
>>>
>>> I’m talking about another definition of “non-linear” which is also
>>> correct.
>
bad you had to
>> go back to the originals with the timecodes.
>>
>>
>>
>> Verzonden vanuit Mail <https://go.microsoft.com/fwlink/?LinkId=550986>
>> voor Windows 10
>>
>>
>>
>> *Van: *Adam Hyman
>> *Verzonden: *vrijdag 30 novem
mental Film Discussion List
<mailto:frameworks@jonasmekasfilms.com>
*Onderwerp: *Re: [Frameworks] Linear film editing
Hi,
I learned in film school during the transition period that what
Dave says is correct
Editing with celluloid is non-linear; early
vrijdag 30 november 2018 2:04
> Aan: Experimental Film Discussion List
> Onderwerp: Re: [Frameworks] Linear film editing
>
>
>
> Hi,
>
>
>
> I learned in film school during the transition period that what Dave says is
> correct
>
> Editing with ce
550986>
> voor Windows 10
>
>
>
> *Van: *Adam Hyman
> *Verzonden: *vrijdag 30 november 2018 2:04
> *Aan: *Experimental Film Discussion List
>
> *Onderwerp: *Re: [Frameworks] Linear film editing
>
>
>
> Hi,
>
>
>
> I learned in film school dur
to
the originals with the timecodes.
Verzonden vanuit Mail voor Windows 10
Van: Adam Hyman
Verzonden: vrijdag 30 november 2018 2:04
Aan: Experimental Film Discussion List
Onderwerp: Re: [Frameworks] Linear film editing
Hi,
I learned in film school during the transition period that what Dave says
have a poll though.
Best,
Adam
From: FrameWorks on behalf of
Colinet André
Reply-To: "Experimental Film Discussion List
"
Date: Thursday, November 29, 2018 at 4:44 PM
To: "Experimental Film Discussion List "
Subject: Re: [Frameworks] Linear film editing
I don¹t agr
No, Dave is right on.
In the beginning, we had film editing, and film editing was great. You
could put anything anywhere.
Then, we had videotape, and although you could kind of razor-blade quad
tape, most videotape editing was done by dubbing scenes one at a time from
one video machine to
Verzonden: donderdag 29 november 2018 22:50
Aan: Experimental Film Discussion List
Onderwerp: Re: [Frameworks] Linear film editing
> I'm interested in 'linear film editing', as in cutting and splicing film at
> an edit bench or Steenbeck or however you do it.
That’s not linear editing. Physica
> I'm interested in 'linear film editing', as in cutting and splicing film at
> an edit bench or Steenbeck or however you do it.
That’s not linear editing. Physical film editing is non-linear, which means you
can edit anywhere in the piece you want by winding the reels to that spot.
Linear
Dear Frameworks Friends.
I'm interested in 'linear film editing', as in cutting and splicing film at
an edit bench or Steenbeck or however you do it. I'd like to know more
about artist filmmakers who continue to edit film physically whilst also
living in this digital era!
I've attached a
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