mm_Film_Camera.html>
Just thought I would share.
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an Aaton might be a good candidate from
what I can tell.
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t;
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b if you can, or if not approach PAC lab,
and say you want it professional, and take the emotion out of it, and
move forward.
We all feel your pain, and understand the situation, we've had it happen
to us, don't let it discourage you.
Best
--
Steven Gladstone
New York Based Filmma
vance.
Best.
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Steven Gladstone
New York Based Filmmaker
917-886-5858
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THE VINTAGE CRAFT!
Sent from my iPhone
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http:/
On 8/29/13 7:40 PM, Jon Behrens wrote:
Hello everybody I just wanted ask if any of you have any tips on where to go to
get an Eyemo 35mm motion picture camera ?
My Basement, I've got one.
What are you looking for?
--
Steven Gladstone
New York Based Filmmaker
917-886-5858
I have to check the Memoriav Dissier, but I did find it interesting to
see the strange pattern in the pants of the person at the right side of
the frame in the first image. It seemed to get worse with the rough grade.
--
Steven Gladstone
New York Based Filmmaker
917-886-5858
http
Ahhh thanks, I see it now and understand.
Thanks.
On 9/1/13 2:35 PM, Jeff Kreines wrote:
On Sep 1, 2013, at 1:06 PM, Steven <mailto:ste...@gladstonefilms.com>> wrote:
I have to check the Memoriav Dissier, but I did find it interesting
to see the strange pattern in the pan
many
times. It was a slow day, but this was before the days of the TSA.
No ill effects.
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Steven Gladstone
New York Based Filmmaker
917-886-5858
http://www.gladstonefilms.com
http://roadtodad.blogspot.com/
http://indiekicker.reelgrok.com/
http://www.blakehousemovie.com
http
s. Do I have to go to the
south or something? Any info is much appreciated. Thanx.
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Steven Gladstone
New York Based Filmmaker
917-886-5858
http://www.gladstonefilms.com
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ht
m
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http://indiek
it was the IIC.
I miss film cameras, sniff, sniff. And I'm never selling my Eyemo and
lenses, I'll need it to battle the zombies in the coming apocalypse.
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Steven Gladstone
New York Based Filmmaker
917-886-5858
http://www.gladstonefilms.com
http://roadtodad.blogspot.com/
http://i
nd.
Best
On 1/28/14 11:56 PM, Jeff Kreines wrote:
Steven:
Didn’t know you were at B&H. What department?
The Arri grip was plastic, and had a 3/8-16 thread, and an activator
rod that pushed a switch in the base of the Arri 8. Which was pretty
silly, since the 16S held better using the
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Steven Gladstone
New York Based Filmmaker
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http://roadtodad.blogspot.com/
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http://www.blakehousemovie.com
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couple of
those
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Does anyone know of any labs that currently process Fomapan in Regular 8?
Thanks
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Steven Gladstone
New York Based Filmmaker
917-886-5858
http://www.gladstonefilms.com
http://roadtodad.blogspot.com/
http://indiekicker.reelgrok.com/
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http
, and which need a
brake, the hardest is getting them to trust you.
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Steven Gladstone
New York Based Filmmaker
917-886-5858
http://www.gladstonefilms.com
http://roadtodad.blogspot.com/
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http://www.blakehousemovie.com
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On 4/23
smekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com>
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nav=8&productid=161
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Steven Gladstone
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917-886-5858
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http://roadtodad.blogspot.com/
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http://www.blakehousemovie.com
http://www.hellion.gladstonefilms.com
__
It is such a pleasure to read such posts that express such passion for
ones craft.
Thank you all for sharing.
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Steven Gladstone
New York Based Cinematographer
Gladstone films
Blog - http://indiekicker.reelgrok.com/
http://www.blakehousemovie.com
http://www.gladstonefilms.com
917-886-5858
es. The more samples per second, the smoother the
resulting waveforms will be when the digital information is reconverted
to analog for display. The more pixels as well, equates to smoother
transitions.
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Steven Gladstone
New York Based Cinematographer
Gladstone films
Blog - http://indiekicker
ize for any confusion I contributed to.
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Steven Gladstone
New York Based Cinematographer
Gladstone films
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On 8/30/11 1:28 PM, Flick Harrison wrote:
> Steven,
>
> I don't quite understand your points... are you disagreeing with me, or
> supplementing what I'm saying? I'll go with the former, since debate is
> more fun than agreement on rowdy email lists.
Cool, let's
Way back when in college, we were warned that some labs behaved like
this, and it was suggested that if shooting material the lab might not
like, to shoot 10 seconds or so of something more acceptable, like cute
puppies, before filming the "hard" stuff.
--
Steven Gladstone
New
Way back when I was in college, we heard about this practice, and we
were told if you are going to have nudity, or stronger or offensive
material - make sure you shot 30 seconds of warm fuzzy playful kittens
at the head of the roll.
--
Steven Gladstone
New York Based Cinematographer
I'm in Brooklyn, I have a single key take up reel, and a Split reel.
Also a Changing bag, and some old weird lenses.
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Steven Gladstone
New York Based Cinematographer
Gladstone films
Blog - http://indiekicker.reelgrok.com/
http://www.blakehousemovie.com
http://www.gladstonefilms.com
91
give away (Like $20 bucks) to someone who
could use them.
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Steven Gladstone
New York Based Cinematographer
Gladstone films
Blog - http://indiekicker.reelgrok.com/
http://www.blakehousemovie.com
http://www.gladstonefilms.com
917-886-5858
_
Stock (certificates
that is) off of e-bay.
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Steven Gladstone
New York Based Cinematographer
Gladstone films
Blog - http://indiekicker.reelgrok.com/
http://www.blakehousemovie.com
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and prefer 24 fps. That's how I phrase it, you
want to shoot at 30 fps, or any frame rate, that is your choice, enjoy.
My dream (probably unfulfilled) is to make a still frame with the Niepce
process.
Anyone who wants to tell me what medium I can or cannot use should go
BLEEP themselves.
d at one time own Aaton (If I recall) but
that was so they could get the little Aaton Code diode technology,
Panavision later sold Aaton, again if I recall.
I bought an Aaton way back - around 1998 or so, it was made in the
1970's and was a "BBC" camera at one time in its life.
Hello everybody.
My new book, "Scratch, Crackle & Pop!: The whole grains approach to making
films without a camera" has launched. This site link explains the book in a
little more detail:
https://scratchatopia.wordpress.com/
Thanks. Happy reading.
Steven
capture
images as computer files. * Note that the workshop will be given in English.
Objective: The participant discovers experimental practice of animation.
Here is the event link:
https://www.eventbrite.ca/e/workshop-experimental-animation-on-film-with-steven-woloshen-tickets-24658473157
ronics
> on our aatonLTRs. any and all recommendations welcome.
> i need artillery to counter support staff insurgency.
> many, many thanks,
> cathy
ilman-mail5.webfaction.com/listinfo/frameworks
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Gladstone films
Blog - http://indiekicker
Camera engineering website.
http://www.camera-engineering.com/
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Gladstone films
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917-886-5858
2
> perf 35mm instead of 4 perf?
>
> just curious...
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Gladstone films
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__
ure.
On 11/2/11 11:27 PM, k. a.r. wrote:
> Hi everyone.
> So in about 3 weeks I am flying to Mexico to shoot on two documentary
> projects.
>
> I will be bringing a light kit, one that has some high intensity compact
> florescent bulbs.
> (you know, the curly looking ones that
ure.
On 11/2/11 11:27 PM, k. a.r. wrote:
> Hi everyone.
> So in about 3 weeks I am flying to Mexico to shoot on two documentary
> projects.
>
> I will be bringing a light kit, one that has some high intensity compact
> florescent bulbs.
> (you know, the curly looking ones that
ill develop any
image in there.
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Steven Gladstone
New York Based Cinematographer
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Multiple exposures, don't forget "reciprocity failure"
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Steven Gladstone
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http://www.gladstonefilms.com
917-886-5858
___
nation can be off, but a good print
is a good print, with electronic distribution (especially to the home)
forget it, things will never look the way you intend.
These two points are not enough to overcome the costs involved in making
prints and shipping them.
--
Steven Gladstone
New York Based C
film projection to survive as the mainstream form of
distribution, there are too many other factors that favor electronic
distribution.
There are positives and negatives to both.
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Steven Gladstone
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Gladstone films
Blog - http://indiekicker.reelgrok.com/
http://www.blake
this clears up the confusion about the origins of the rotating
shutter.
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Gladstone films
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917-886-5858
_
On 11/21/11 9:24 PM, Steven Gladstone wrote:
> I think Imax may use some other system to
> transport the film
I meant IMAX projectors.
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Steven Gladstone
New York Based Cinematographer
Gladstone films
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http://www.blakehousemovie.co
On 11/22/11 3:32 PM, Aaron F. Ross wrote:
> (Frankenstein's monster voice) Video bad! Film good! Grrr! GRR!
>
:-)
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Steven Gladstone
New York Based Cinematographer
Gladstone films
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http://www.blakehousemovie.com
http://www.gladstonefi
this was a few years ago.
Don't believe anyone from the TSA, they are goons. I actually had one
tell me that walking with film through the metal detector had destroyed
my film.
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Gladstone films
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FrameWorks mailing list
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video gear lying around for loan, rental
> or sale?
My understanding is that Digital 8 gear will also play back Hi-8
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Steven Gladstone
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Gladstone films
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c woes.
16bit, 48Khz for sound in DV cameras.
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Steven Gladstone
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Gladstone films
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917-886-5858
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On 12/22/11 11:01 AM, Pablo Marin wrote:
> Thanks Ed,
>
> but I'm referring to Single 8 : http://en.wikipedia.org/wiki/Single-8
Isn't Single 8 the same format as Super 8, just packaged differently?
--
Steven Gladstone
New York Based Cinematographer
Gladston
On 12/22/11 11:56 AM, Pablo Marin wrote:
> not quite:
Got you, same "format", but film construction packaging and develop
process are different.
I've an old Wittenauer twin that will take either Super 8 or if you
switch the back, it will take Single 8.
:-)
--
Steven
omes much simpler to
remove the interlaced frames in software editing programs to end up with
24 fps to edit with.
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Steven Gladstone
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Gladstone films
Blog - http://indiekicker.reelgrok.com/
http://www.blakehousemovie.com
http://www.gladstonefilms.com
917
On 1/4/12 1:38 AM, william santen wrote:
> I do not have experience with a DSLR and slide duper- After some
> research- a flatbed scanner seems to be the best choice for the digital
> route-
I tried that once, very unhappy with the results.
Even at 2400 pixels per inch, a 16mm frame gives you w
, it pulls 220 watts, and is a bit punchy, but that isn't
necessarily a bad thing. Oh it has a remote dimer - flicker free down to
it's low light level 40% if I recall. Things is overbuilt and rugged,
and seems to be the best of the low end floro units.
--
Steven Gladstone
New
ook (Jon Fauer) there is a great
section on shooting off a TV screen.
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Steven Gladstone
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Gladstone films
Blog - http://indiekicker.reelgrok.com/
http://www.blakehousemovie.com
http://www.gladstonefilms.com
917-886-5858
_
ocated in Brooklyn, N.Y.
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Steven Gladstone
New York Based Cinematographer
Gladstone films
Blog - http://indiekicker.reelgrok.com/
http://www.blakehousemovie.com
http://www.gladstonefilms.com
917-886-5858
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around, but you could do the same to a L.E.D. or
LCD set, I'm fairly certain.
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http://www.blakehousemovie.com
http://www.gladstonefilms.com
917-886
I'm happy to get it off my hands and not
in the trash.
If anyone has suggestions about the OCN (both color and Black and White)
and film prints. Please send them along.
Thanks.
--
Steven Gladstone
New York Based Cinematographer
Gladstone films
Blog - http://indiekicker.ree
Forgot to mention I'm in Brooklyn, N.Y.
On 2/14/12 1:49 PM, Steven Gladstone wrote:
> I'm going to be getting rid of a bunch of stuff, even a 16mm viewer and
> 35mm sync block. Including a Redlake Hycam, and a big box of OCN -
> People used to use that for SLUG didn'
it?
It's sealed and in the freezer.
--
Steven Gladstone
New York Based Cinematographer
Gladstone films
Blog - http://indiekicker.reelgrok.com/
http://www.blakehousemovie.com
http://www.gladstonefilms.com
917-886-5858
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m vaults) and the George Eastman House (Jared Case) in Rochester.
>
> Dennis
Thanks Dennis,
I'll contact them this week. I suppose I'll have to bike it there, isn't
there a ban on using public transport with Nitrate, or was that only in
a Hitchcock film?
--
Steven Gladstone
Ne
oof, that is with fire
doors and panels that slide over the projection windows. The idea being
to contain the fire within the booth. This stems from the days of
Nitrate - I believe.
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Steven Gladstone
New York Based Cinematographer
Gladstone films
Blog - http://indiekicker.reelgrok.
rsday, Friday and MONDAY.
Please respond to me directly if interested.
Thanks
--
Steven Gladstone
New York Based Cinematographer
Gladstone films
Blog - http://indiekicker.reelgrok.com/
http://www.blakehousemovie.com
http://www.gladstonefilms.com
917-886
rsday, Friday and MONDAY.
Please respond to me directly if interested.
Thanks
--
Steven Gladstone
New York Based Cinematographer
Gladstone films
Blog - http://indiekicker.reelgrok.com/
http://www.blakehousemovie.com
http://www.gladstonefilms.com
917-886
Probably too much.
Yep, I'm in Brooklyn NY.
Best.
On 2/22/12 8:33 AM, Amy Dickson wrote:
> Steven where are you based? - the states i imagine? Im in London but
> would like the changing bag and splicer - wonder how much postage would be?
>
> Amy
>
> On 22 February 2012
this, and I'd like to see it
go to a good home. Free, please come get.
I'm in Brooklyn, N.Y.
Best.
--
Steven Gladstone
New York Based Cinematographer
Gladstone films
Blog - http://indiekicker.reelgrok.com/
http://www.blakehousemovie.com
http://www.gladstonefilms.com
91
)
This is Free, Please come take it if you can use it.
Best.
--
Steven Gladstone
New York Based Cinematographer
Gladstone films
Blog - http://indiekicker.reelgrok.com/
http://www.blakehousemovie.com
http://www.gladstonefilms.com
___
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Located in Brooklyn
On 2/28/12 9:50 AM, Cait Carvalho wrote:
> Hi,
>
> Where are you located? I would love to take some film off your hands.
> Please contact me at ccarv...@gmail.com <mailto:ccarv...@gmail.com>.
> Thanks for posting!
>
> -Cait
>
> On Tue
Sorry I keep forgetting, I'm located in Brooklyn, N.Y.
On 2/28/12 9:06 AM, Steven Gladstone wrote:
> Hi:
> Thanks everyone who came and got stuff.
>
> I've 2 rolls of Super 8 7285 - still in original package.
> 1 unopened super 8 roll (don't know what it is)
On 2/28/12 12:19 PM, Cait Carvalho wrote:
> I am as well. Where about?
>
I'm in Carroll Gardens.
Tomorrow is best. Before 3 pm, or after 6y
What are interested in? The Super 8 or the 35mm?
> On Tue, Feb 28, 2012 at 12:11 PM, Steven Gladstone
> mailto:ste...@gladstone
Somebody else wants the Super 8, so you can have the 35mm.
Can you pick it up tomorrow?
Between 10 am-3pm or After 6 pm.
I'll send you address.
Best.
On 2/28/12 1:34 PM, Delaney Schenker wrote:
> Both but preferably the 35mm
>
> On Tuesday, February 28, 2012, Steven G
ruary 28, 2012, Cait Carvalho wrote:
>
> I'm interested in the Super 8 film and I can try and make it for
> after 6pm.
>
> On Tue, Feb 28, 2012 at 1:19 PM, Steven Gladstone
> wrote:
>
> On 2/28/12 12:19 PM, Cait Carvalho wrote:
> > I a
fect our ability to supply 5285 and 7285 color reversal motion picture
> film products to our customers.
Does anyone remember Ektar - slide film.
O I disliked that film.
--
Steven Gladstone
New York Based Cinematographer
Gladstone films
Blog - http://indiekicker.reelgrok.com/
http:/
de really nice gear for the film industry.
--
Steven Gladstone
New York Based Cinematographer
Gladstone films
Blog - http://indiekicker.reelgrok.com/
http://www.blakehousemovie.com
http://www.gladstonefilms.com
917-886-5858
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Hi,
In regards to the handmade resources, I would would just like to point you in
the directions of my Tumblr site:
http://scratchatopia.tumblr.com/.
I'm trying to build as many links and tools as possible,
best,
Steven Woloshen
http://scratchatopia.tumblr.com/
> From: framewo
"...does anyone know of other interesting works where someone playing all the
parts has a dialogue with "themselves," so to speak?
Did Peter "Stoney" Emshwiller ever finish "Later That Same Life" in which the
filmmaker interviews himself 38+ years in the future?
https://time.com/4104698/man-inte
If you're looking for more jazz options, I will toot my own horn with "Cameras
Take Five"
Thanks everynone
Steven Woloshen
https://scratchatopia.wordpress.com/
From: FrameWorks on behalf of
frameworks-requ...@jonasmekasfilms.com
Sent: Thurs
Please help circulate!
https://recruit.apo.ucla.edu/apply/JPF03396
UCLA Assistant Professor of Experimental and Emergent Media
Cinema & Media Studies Program
Department of Film, Television & Digital Media
School of Theater, Film & Television
Job #JPF03396
Application deadline: December 22nd, 20
Hi Esperanza,
Feel free to send me a direct email regarding this.
best,
Steven
steven-ball.net
‐‐‐ Original Message ‐‐‐
On Wednesday, 20 February 2019 11:17, Rob Gawthrop
wrote:
> Hi Esperanza
>
> Artists and academics/writers are not necessarily exclusive - thinking of
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