Re: [h-cost] Costumes in "War and Peace"

2016-01-06 Thread Catherine Olanich Raymond
It's a great book.  Every historical costumer who loves movies should 
own a copy.


On 01/06/2016 12:00 PM, Viv Watkins wrote:

There is a fascinating book - "Hollywood and History - Costume Design in
Film"  which looks how costume designers present historical dress.   It
was published in 1988 to accompany an exhibition mounted at the Los
Angeles County Museum of Art.  Part of the foreword says "Contemporary
viewers are not aware that the costumes reflect their own standards of
style and beauty - that the cave-dwellers' costumes are cut to emphasise
the 1940's silhouette, that the antebellum dresses are made with 1930's
bias-cut fabrics.  It is only with the passage of time that one can see
clearly how all-pervasive the designer's contemporary aesthetics have
been." It is one of my favourite costume books, it has given me an extra
layer of fun when I watch the wonderful old movies.




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Catherine Olanich Raymond
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Re: [h-cost] Is h-costume still going?

2015-12-17 Thread Catherine Olanich Raymond

On 12/17/2015 09:38 AM, annbw...@aol.com wrote:

I have been getting the monthly reminders from indra.com, but I have to admit I 
don't read them.


I also have something to share--this is based on the paper I gave at the Jane 
Austen Society of North America's annual general meeting in Louisville in 
October.



http://www.jasna.org/persuasions/on-line/vol36no1/wass.html



Thanks for the URL, Ann!

My attempt to respond to the "is the list still going" post also drew a 
rejection message.  Hopefully this will get through.


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Re: [h-cost] Is h-costume still going?

2015-12-17 Thread Catherine Olanich Raymond



On 12/17/2015 12:36 PM, aqua...@patriot.net wrote:

You're welcome!

I suppose people could say what they are working on.



I am in theory working on learning sprang so I can make myself a hair 
net suitable for early period costume, but I haven't done anything since 
making myself a sprang frame months ago.




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Re: [h-cost] Mouse-proof underwear

2015-12-17 Thread Catherine Olanich Raymond
Ah, I understand now.  I thought that "mouse-proof" underwear was 
underwear that wouldn't be eaten by mice.  But apparently Miss 
Browning's underwear were meant to mouse-proof the wearer.


On 12/17/2015 02:22 PM, Catherine Walton wrote:

I found the idea of mouse-proof underwear mentioned in - of all things -
a cookery book:  Elisabeth Luard's "European Peasant Cookery, The Rich
Tradition", (Transworld Publishers Ltd., London, 1986), page 478,
'Buffalo Milk (Hungary)'.  It is the introduction to a long quotation
from Ellen Browning's "A Girl's Wanderings in Hungary", (London, 1896).
The quotation itself is about the uses of buffalo milk, especially
making cheese, and it contains nothing whatever about items of dress,
but it may be that the source book itself offers more.

"Ellen Browning, a clever young university graduate and kinswoman of
Robert Browning, travelled alone through late nineteenth-century
Hungary, trying to restore her health while recovering from her father's
death.  She admitted fear of nothing except mice and wore long cloth
knickers under her gown as an anti-mouse device.  She had constant
trouble with fleas, but was a very observant traveller."

As I'm an ardent medievalist, I've never paid much attention to the
sorts of things normally worn in Ellen's time, but this intrigued me;
I'd love to know more, and whether others also felt the need for such
garments, and whether they worked.
As I've been very ill lately, I haven't been able to pursue Ellen's
book, nor to look into the subject in general, but the subject has
haunted me.  Help !

Catherine Walton - delighted to see so many people posting again.
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Re: [h-cost] Mouse-proof underwear

2015-12-17 Thread Catherine Olanich Raymond

On 12/17/2015 05:42 PM, Catherine Walton wrote:

On 17/12/2015 22:28, Catherine Olanich Raymond wrote:

Ah, I understand now.  I thought that "mouse-proof" underwear was
underwear that wouldn't be eaten by mice.  But apparently Miss
Browning's underwear were meant to mouse-proof the wearer.


Oh - sorry:  I missed the ambiguity.
I hope I haven't disappointed too many people?


No, that's fine!  It's still very interesting, at least to me.

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Re: [h-cost] Mouse-proof underwear

2015-12-17 Thread Catherine Olanich Raymond

On 12/17/2015 05:56 PM, Sharon Collier wrote:

Maybe bloomers tied closed at the bottom so mice couldn't run up her legs?
I'd have also gotten a cat.
;-)


I agree, but it's possible Miss Browning needed her long bloomers 
because she was traveling to places where the accommodations were...dodgy.




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Re: [h-cost] medieval jewelry

2015-06-08 Thread Catherine Olanich Raymond

On 06/08/2015 06:31 PM, Katy Bishop wrote:

Nice, thanks for posting


Amen!  Great photos, too, for those of us who can't make it to New York. 
 Thank you, Janet!


On Mon, Jun 8, 2015 at 3:49 PM, Janet Davis bear_ja...@msn.com wrote:


The Met is having an exhibit of medieval and renaissance jewelry :





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Re: [h-cost] Medieval Garments Reconstructed free PDF

2014-09-03 Thread Catherine Olanich Raymond

On 09/03/2014 07:44 PM, Ginni Morgan wrote:

Ummm, it looks like you actually have to buy the hardbound book to get a free 
copy of the e-book in .pdf format.  Unless there's a different webpage than the 
one I ended up on when I clicked the link.



No, there are two links on the relevant page. One of them is indeed a 
free PDF of the book; I'm downloading it now.


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Re: [h-cost] Where is publication of NESAT XI research?

2013-10-06 Thread Catherine Olanich Raymond

On 10/06/2013 06:40 PM, Lavolta Press wrote:

This is one of the many popular-audience articles that appeared on the
discovery of some 15th-century brassieres:
http://ajw.asahi.com/article/behind_news/social_affairs/AJ201211140001 I
heard that a paper would be presented on these brassieres at NESAT XI,
which happened in 2011. I have been eagerly waiting its publication,
presumably in the anthology of NESAT papers. But I cannot find such an
anthology for NESAT XI, including on the NESAT website, though I may be
missing something since I can't read German.  Does anyone know if this
research has been published and if so where I can find it?


Fran:  The NESAT XI volume hasn't been published yet--it was supposed to 
be published late last year but the date keeps getting pushed back.  I 
think the current estimate is sometime in December 2013 but I'm not sure 
of that.


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Every saint has a past and every sinner has a future.
- Oscar Wilde





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Re: [h-cost] Nazi propaganda photos of occupied Paris in World War 2

2013-09-12 Thread Catherine Olanich Raymond

On 09/12/2013 07:25 PM, Lynn Downward wrote:

The photographs are really wonderfully done. It's hard to say that he
should be punished for putting the best face on France during the German
occupation. He seems to have shown both sides of the coin in his
photography, although the German side paid better. And the Germans are the
ones who gave him the rare color film, making these photos so important
historically.

I started to notice how even the women called well-dressed in the captions
didn't have nylons on. Only one woman other than those in uniform seemed to
be wearing stockings. You'd think the Germans would have given them
stockings to wear in at least some of the more posed photographs.


In the more posed photographs, you can't see the women's legs, and thus 
you can't tell.


A lot of the women and girls are wearing ankle socks (high socks in one 
instance) and some women are clearly bare legged, but in the crowd shots 
not enough detail is visible to be sure--especially of women 
photographed from the front.


Certainly only the Nazi women in military uniforms clearly are wearing 
proper stockings with clocks.



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- Oscar Wilde





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Re: [h-cost] Wall calendars

2013-09-12 Thread Catherine Olanich Raymond

On 09/12/2013 11:56 PM, Lavolta Press wrote:

Has anyone found any good (preferably pre-1930) costume related wall
calendars for 2014?


The Lithuanian Folk Culture Center is selling a gorgeously-illustrated 
2013-2014 calendar illustrating costume reproductions of  Curonian 
costumes of the 1st to 14th centuries.


You can buy it from the Center's website:

http://www.llkc.lt/index.php?216300311

Balticshop.com carries it for $25.00 plus $3.95 shipping anywhere in the 
US, but for some reason I can't raise their website just now.



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Every saint has a past and every sinner has a future.
- Oscar Wilde




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Re: [h-cost] What's your dressmaker's dummy wearing today?

2013-09-10 Thread Catherine Olanich Raymond

On 09/10/2013 12:59 PM, Cin wrote:

It's been forever since I asked my seasonal question, so here it is:
It's that time of year when the calendar is full of holiday parties,
winter balls, gift-making excuses, company dinners, Dickens Fair,
theater season, New Years Eve, cocktail parties, and 12th Night. You
might even be planning a sojourn to a balmy tropical locale.  Whatever
the reason, h-costumers are probably making something.  So, what's
your dressmaker's dummy wearing today?


A Middle Byzantine tunic to wear over the Manazan shift (it's a bit long 
to be a shirt) that I made a few years ago.  Admittedly I haven't gotten 
very far


http://cathyscostumeblog.blogspot.com/2013/07/sewing-for-byzantium-starting-himation.html

http://cathyscostumeblog.blogspot.com/2012/11/return-to-byzantium-tunic.html

Pictures of the Manazan shift:

http://cathyscostumeblog.blogspot.com/2009/04/sewing-for-byzantium-manazan-shirt.html

And here's a hint of what the outfit will be like when completed (I'm 
wearing all the components but using an old ordinary gold overtunic 
instead of one cut like the Byzantine tunic will be:


http://cathyscostumeblog.blogspot.com/2009/11/behold-mantion.html


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Cathy Raymond
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Every saint has a past and every sinner has a future.
- Oscar Wilde





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Re: [h-cost] where to buy lucet?

2013-06-17 Thread Catherine Olanich Raymond

On 06/17/2013 08:19 PM, Rebecca wrote:

Where do people purchase their lucets (preferably online)? I'd like to buy a
few, but am coming up stumped on where I've seen them for sale! Thanks :)


Google is your friend on this one.  Really.

Here's a few of the places I've seen them.  Which ones you pick will 
depend upon how big a lucet you want, whether and how much you care 
about size, shape, and materials, and price.  Good luck!


(P.S.  You'll get most hits if you type lucet into Google, but 
lucette may work also.)


On EBay:

Pine Box Traders:

http://www.ebay.com/itm/Lucet-Basic-1-piece-Lucette-Snoddgaffel-String-Fork-Assorted-Hardwood-PBT-/390606966659?pt=LH_DefaultDomain_0hash=item5af1fd4f83

Olde Tyme Antiques:

http://www.ebay.com/itm/Lovely-Handmade-Purple-Heart-Wooden-LUCET-for-Braiding-Cord-/251209389892?pt=LH_DefaultDomain_0hash=item3a7d3f1744

Daegrad:


http://compare.ebay.com/like/161034866762?var=lvltyp=AllFixedPriceItemTypesvar=sbar

craftyls:

http://www.ebay.com/itm/ANCIENT-LUCET-HAND-CRAFTED-WOODEN-CRAFT-TOOL-with-instructions-/321133112014?pt=UK_Crafts_Other_Crafts_EHhash=item4ac5066ace

On Etsy.com:

Brush Creek Wool Works (on vacation at the moment)


http://www.etsy.com/listing/58758948/lucet-handmade?utm_source=googleutm_medium=product_listing_promotedutm_campaign=supplies_lowgclid=CLLzw5G67LcCFVKf4AodgwIAfA

On the Internet generally:

Halcyon Yarn (halcyonyarn.com)

http://halcyonyarn.com/multi-craft/6842/wooden-lucet-with-handle?gclid=CMOA-qW67LcCFQmf4Aod3QoAfA

Paradise Fibers:

http://www.paradisefibers.com/wool-tree-mill-lucet.html?gclid=CKTPtMO67LcCFciY4Aodz1QAYw



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Cathy Raymond
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Re: [h-cost] Fabrics Medieval vs Modern

2013-03-10 Thread Catherine Olanich Raymond

On 03/10/2013 06:35 PM, Purple Kat wrote:

I can go into NYC and get medium weight 60 wide pure linen in any
color I want for approx $8/yd.

I can also go to the local fabric store and find appropriate weave
cottons for chemises.. $8.50/yd.

One thing I am really looking for is light weight wool for under
$10/yd. Even better if it is white or very very light colored.


This is a wool gabardine which may not be what you want.  But it's 
$10.75 per yard and pale yellow:


http://www.fashionfabricsclub.com/p/12515/Pale-Yellow-Wool-Gabardine
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Re: [h-cost] Hairdresser recreates ancient hairstyles

2013-02-07 Thread Catherine Olanich Raymond

On 02/07/2013 10:05 PM, Sharon Collier wrote:

Someone on Facebook posted a link to the complete video of her doing the
Vestal Virgin hairstyle.


For those who don't like Facebook, you can view it on my blog:

http://cathyscostumeblog.blogspot.com/2013/01/janet-stephens-and-seni-crines.html


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Re: [h-cost] Old fashion paper

2013-01-16 Thread Catherine Olanich Raymond

On 01/16/2013 04:13 PM, Sharon Collier wrote:

I bought an antique puzzle, and in the box, used to pad the pieces, was a
sheet of an old newspaper, The Cleveland Observer, dated April 21. 1928. AND
it was the front page of the fashion section! Showing dresses and hats, etc.

My question is, what should I do with it? It's rather torn, and yellowed.
And  I don't want to put it back in with the puzzle-non-acid paper is best
for that. Do you think It's all on microfiche already?


It may very well be, but you might be able to find that out.  Try 
calling the Cleveland Observer and/or the Cleveland Public Library, 
explain the reason for your interest, and ask.



  Should I attempt to

tape the pieces back together?


Probably only if you want to preserve the fashion information on the 
page for yourself.  If you do, photocopy the patched page (since the 
taped page is not likely to last much longer anyway).


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Cathy Raymond
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Remember that time is money.
--Benjamin Franklin

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Re: [h-cost] Old fashion paper

2013-01-16 Thread Catherine Olanich Raymond

On 01/16/2013 04:33 PM, Sharon Collier wrote:

Whoops. It was the Cleveland Plain Dealer newspaper, not the Observer.
Brain hiccup.


Whichever.  My advice remains the same, except you contact a different 
paper to see whether they have fiche of back issues that are that old.



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Remember that time is money.
--Benjamin Franklin





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Re: [h-cost] Is anyone there?

2013-01-06 Thread Catherine Olanich Raymond
I got a booklet called Medieval Embroidery that discusses stitches and 
designs of early medieval embroidery finds, such as Queen Bathilde's shirt.



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Re: [h-cost] Is anyone there?

2013-01-06 Thread Catherine Olanich Raymond

On 01/06/2013 08:20 PM, Joan Jurancich wrote:

At 05:01 PM 1/6/2013, you wrote:

I got a booklet called Medieval Embroidery that discusses stitches
and designs of early medieval embroidery finds, such as Queen
Bathilde's shirt.
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ca...@thyrsus.com
(610) 805-9542


Yes, I'm receiving h-costume. It's just really quiet right now.

Where did you get your booklet? It sounds very interesting.


A friend purchased it for me--it's written by Mary Jenkins, who is 
Baroness Ealasaid nic Suibhne in the SCA.  Griffin Dyeworks sells it; 
you can order it on this page:



http://www.griffindyeworks.com/store/index.php?main_page=indexcPath=18zenid=vubsksgm0iesfsj568asecqr36



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Re: [h-cost] Butterick 5832

2012-12-17 Thread Catherine Olanich Raymond

On 12/17/2012 07:58 PM, humbugfo...@att.net wrote:

Thanks for the help. I'm also wondering about two small details on this
pattern. It's designed to close with hooks and eyes (wonder of wonders,
NOT a zipper) but I wonder if lacing might be more appropriate to the
time period (1840). Also, the sleeves end with a slit (at least 3-4
inches) closed at the wrist with a button. I feel that even if the slit
is appropriate (and I'm not sure it is), it's designed too long. (I
won't even bother to discuss the fact that the skirt is too narrow -
they simply didn't use enough petticoats on the model).


I don't think they used petticoats at all (at least not for the shape, 
that is).  I think they used a modern hoop skirt that was on the narrow 
side.  That's part of the reason the dress looks wrong--the skirt SHAPE 
is wrong--not just (or even primarily) the width of it.




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Re: [h-cost] Chinese peasant costumes... help?

2012-12-03 Thread Catherine Olanich Raymond

On 12/03/2012 03:53 PM, Ginni Morgan wrote:

Um, the June 2012 issue of National Geographic Magazine has an
articlewith color photographs on the colors of the Terra Cotta Army. Check your

local library (or your neighbors) for a copy. The colors were stunning.
Definitely eye bleeding time. As for peasants, see if you can google
Chinese painting for that period and look for workers in the rice
paddies or something like that. There are often travelogue paintings
that sometimes have servants hauling everything up a mountain.

Judging from the URL on that image, it is probably taken from the 
National Geographic article.




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Re: [h-cost] Chinese peasant costumes... help?

2012-12-03 Thread Catherine Olanich Raymond

On 12/03/2012 05:14 PM, Marion McNealy wrote:

You might also look for the book  5000 Years of Chinese Costumes  by Xun
Zhou; Chunming Gao; in your local university library. I saw a copy today at a
used bookstore and it looked like it could be useful for pattern shapes, etc.


I have it; it's a great reference, but it doesn't say much of anything 
about peasant costume for early time periods.  It might be possible to 
infer basic clothing shapes from it, but it doesn't really answer 
questions about colors.


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Re: [h-cost] Dang! WTH Happened?

2012-06-24 Thread Catherine Olanich Raymond

On 06/24/2012 07:06 PM, Julie Tamura wrote:

I just finished a 50's sundress for my daughter.  It has a fitted boned
bodice with a natural waist and a full skirt.  I spent a lot of time fitting
the bodice snugly to her.  After one wearing she can stick her hand down the
bodice and the straps are falling down her arms. It's 100% quilting cotton.
It was pretortured and we've washed  dried it again; it's still too large.
I'll rewash  dry it and then I'll have to take it in. I'm frustrated. Any
idea what could have happened? The bodice is even lined.


Here's what occurred to me first.

1) Could your daughter have lost enough weight to affect the fit? 
Alternatively, does she tend to have water retention issues before her 
menstrual periods?  If so, the difference between her pre-period and 
post-period torso measurements might be causing the problem.


2) Cotton garments are their tightest right after a wash and loosen up 
in wear (as anyone who wears cotton denim jeans can attest).  Sometimes 
they can loosen up quite a bit.  If that's the problem with your fabric, 
you may just need to make the bodice not just snug, but actually tight, 
to get the desired post-wash post-wearing fit.


Just some random thoughts.  I hope they help.


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Cathy Raymond
ca...@thyrsus.com
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Remember that time is money.
--Benjamin Franklin


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Re: [h-cost] white glue

2012-05-30 Thread Catherine Olanich Raymond

On 05/30/2012 02:38 PM, Ginni Morgan wrote:

It's really good to find out that the white glue I remember from

childhood in Iowa and California is no longer what is marketed in the
US. The description of the NZ product is exactly what I remember using.
It dried clear. And you used it for everything. It came in a white
squeeze bottle and we usually bought Elmer's. They must have changed the
formulation when I wasn't looking. I've only seen the yellow wood glue
in the last few years. Now, I'll have to remember not to buy white glue
for my permanent projects.


I'm confused by your statement.  I used Elmer's white glue as a child as 
well.  It did dry clear.  But it was NOT waterproof then, and I doubt it 
is waterproof now, though I haven't had occasion to use it for many 
years.  It was specifically marketed for use in gluing paper, and it did 
that job well, but I would not use it for fabric (except maybe for 
gluing pieces of fabric to PAPER for an art project) or anything else.



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Re: [h-cost] Thread- reluctant switcher needs suggestions

2012-05-17 Thread Catherine Olanich Raymond

On 05/17/2012 05:51 PM, Lavolta Press wrote:


I used to buy Coats  Clark cotton poly by preference, but it became so
fragile awhile back that I switched to Gutermann poly. I recently bought
some Gutermann all cotton and was surprised to find I like it less than
their poly--the poly is smoother.



I agree with Fran's opinion of Gutermann all-cotton; I found it so rough 
as to be unusuable (and that was for hand-sewing).  Nowadays, I use 
Gutermann's silk for most of my hand-sewing.  If CC cotton/poly is 
gone, I'm not sure what I'll get the next time I break out my machine.



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Re: [h-cost] Ghent Alterpiece

2012-03-12 Thread Catherine Olanich Raymond

On 03/12/2012 07:02 PM, Marjorie Wilser wrote:
 closertovaneyck.kikirpa.be

I found it by pasting the above (partial?) URL into Google, and clicking 
on the first link it found.



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Re: [h-cost] starch recipe

2012-02-14 Thread Catherine Olanich Raymond

This blog talks a bit about materials used to obtain starch for ruffs:


http://bjws.blogspot.com/2012/02/little-more-on-starch-for-ruffs-et-al.html



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Re: [h-cost] Pattern Suggestions

2012-02-09 Thread Catherine Olanich Raymond

On 02/09/2012 11:00 AM, annbw...@aol.com wrote:


Okay, folks, I may be getting a Steampunk urge, since a big event is right up 
the road in May. I long ago wanted to do an 1870s bustle style and this seems 
like a good opportunity. My question is, what pattern(s) do you all recommend 
for an 1870s era bustle day outfit? I'm thinking bodice with high neck and 3/4 
sleeves and underskirt with draped overskirt. I do have the skill to make some 
minor changes to a pattern-could certainly modify the sleeve, for instance--but 
want something that I wouldn't need to do a lot to, as time is of the essence. 
Also not stuck on 100% authentic to the period--that is one of the appeals of 
Steampunk!

I was hoping the Big Two had something that I could just pick up at the fabric 
store and run with, but I didn't see anything suitable there.



Truly Victorian has some nice patterns for the bustle era:

http://www.trulyvictorian.com/

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Re: [h-cost] Pattern Suggestions

2012-02-09 Thread Catherine Olanich Raymond

On 02/09/2012 11:31 AM, seamst...@juno.com wrote:

I have made the basic 1870's underskirt several times and it is quick and simple to 
make. 
http://www.trulyvictorian.net/tvxcart/product.php?productid=81cat=2page=1


I have also made the 1871 Day Bodice several times and really like the 
result. 
http://www.trulyvictorian.net/tvxcart/product.php?productid=32cat=2page=1 



I have made several of the overskirts but in terms of bang for buck (and 
effort), the Bustle Apron Overskirt is probably the best option.


http://www.trulyvictorian.net/tvxcart/product.php?productid=40cat=2page=1

I have only tried the 1871 day bodice, the 1870s tie-apron overskirt, 
the 1870s Blouse Waist, and the 1870s Underskirt.  The day bodice went 
together very quickly for me and gave a good result.  The skirts did as 
well.  As for the blouse waist, don't try to make it up in a heavy 
fabric--it's not meant for that (and the result looked kind of weird).



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Re: [h-cost] marking tools

2012-01-12 Thread Catherine Olanich Raymond

On 01/12/2012 03:02 PM, lili...@earthlink.net wrote:



I have not yet found the perfect tool for marking on white and other very 
light fabric.


 I sometimes use soft school kid's chalk in a somewhat darker color (i 
tend to use a medium blue),


but i worry about it staining the fabric. I also sometimes use a very 
soft graphite pencil when i am certain the lines will be hidden by the 
stitching.




You do know that they make tailor's chalk in light blue, as well as 
white?  The Joann's near me sells them in a two pack (one white, one 
blue) for less than $3.00.


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Re: [h-cost] Costuming presents and a question

2011-12-26 Thread Catherine Olanich Raymond

On 12/26/2011 02:35 PM, Kate Adams wrote:

My sewing machine is now in the shop for having its first major
problem in 10 years of ownership.  Noo!!  That wasn't a present.  The
present was getting my backup machine out of its box for the first
time in 3-4 years, oiling it, and having it work perfectly!!  Never
again will I wonder is this sewing machine worth the money?  Instead
the question becomes, what can I afford?

And now for the question:  Is the Realm of Venus still open for
submissions?  If not, is there another place on the net for displaying
costumes?


Bella ran two contests this year--one for complete costumes and one for 
accessories.  So she's still happy to display costumes on her website, 
she just hasn't gotten a lot of costumes for the Showcase, for some 
reason.  If you're interested, e-mail her directly:

bella_lucia_da_ver...@yahoo.com.au


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Re: [h-cost] What costume-related gifts did you get?

2011-12-25 Thread Catherine Olanich Raymond



This year, I got no costume-related presents whatsoever.  But I bought 
myself Margareta Gleba's Textile Production in Pre-Roman Italy (DBBC 
had, and may still have, it on sale cheap!  Check it out!) so I'm content.


I *did* get three books on food history! Spirit of the Harvest, which is 
a book of reconstructed North American Indian recipes, The Pharoah's 
Kitchen, about food in ancient Egypt and Nubia, and Meals and Recipes 
from Ancient Greece.  Quality and accuracy to be assessed as I read them.


I did not know about The Queen's Servants though I enjoyed The King's 
Servants and will probably add it to my list of books to get--thanks 
Kimiko!



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Re: [h-cost] What costume-related gifts did you get?

2011-12-25 Thread Catherine Olanich Raymond

On 12/26/2011 12:10 AM, Pierre  Sandy Pettinger wrote:

OOOHH - I'm going to have to check out that one - The Pharoah's
Kitchen. Sounds really neat - and I have a nephew who's in grad school
studying to be an Egyptologist.


I'm planning to post reviews of all three books as I read them on my 
historic food blog, Food Through 
Time--http://cathyshistoricfood.blogspot.com/



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Re: [h-cost] What's on your Christmas wish list?

2011-11-05 Thread Catherine Olanich Raymond
All of Fran's items are on my list as well, with the exception of The 
Empire's New Clothes and Facing Beauty.  There's a bunch more I'd like 
to have, but I won't bore you by transcribing my Wish List.  :-)




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Re: [h-cost] 1880s hairstyles

2011-10-20 Thread Catherine Olanich Raymond

On 10/20/2011 07:39 PM, Marjorie Wilser wrote:

The request was for 1880s hairstyles. I love the Rapunzel site, but
don't remember if anything there is a good match for 1880s.

The hallmark of 1880s hair is frizzy bangs! Perhaps a clip of fakehair
for the front of your style would work. The rest of the hair was worn
either under the hat (atop the head) or below it (toward the nape), but
can be almost anything. The frizzy bangs (and no center part) are the
most visible style detail.


I don't think any of the Rapunzel stuff features frizzy bangs, but a 
clip on should work.  I think of 1880s as having lots of sausage curls 
in a bunch, hanging down the neck.



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Re: [h-cost] 1880s hairstyles

2011-10-20 Thread Catherine Olanich Raymond

On 10/20/2011 11:41 PM, Marjorie Wilser wrote:

Cathy, that was more 1870s, the sausage curls.

Thanks.  Victorian isn't my specialty, so I'm not surprised I got it wrong.

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Re: [h-cost] 70's prom dresses

2011-10-05 Thread Catherine Olanich Raymond
Yearbooks might, or might not, do any good.  When the girls' yearbook 
photos were taken at my high school, they merely draped our busts with a 
piece of velvet; we did not wear our prom gowns or anything like that.



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Re: [h-cost] What's your dressmaker's dummy wearing today?

2011-10-04 Thread Catherine Olanich Raymond



A white linen Viking shift and one of my linen, wrap-around apron 
dresses, in anticipation of a photo session for my blog that has yet to 
materialize.


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Re: [h-cost] Fashion/costume wall calendars for 2012

2011-09-27 Thread Catherine Olanich Raymond

On 09/27/2011 07:00 PM, Mary Llewellyn wrote:

On Tue, Sep 27, 2011 at 1:30 PM, Lavolta Pressf...@lavoltapress.com  wrote:
[...]

Wow, this is shoe calendar year:

[...]

Wow indeed!  Thanks so much for all those great calendar links,
especially the shoe calendars.  Now I just have to decide which one to
send to my sister, the shoe freak, whose birthday is coming up soon.
:-)


Sigh.  I must have missed the original e-mail with all of the 
links--could someone please resend it?



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Re: [h-cost] Fashion/costume wall calendars for 2012

2011-09-27 Thread Catherine Olanich Raymond

On 09/27/2011 09:06 PM, Catherine Olanich Raymond wrote:

On 09/27/2011 07:00 PM, Mary Llewellyn wrote:

On Tue, Sep 27, 2011 at 1:30 PM, Lavolta Pressf...@lavoltapress.com
wrote:
[...]

Wow, this is shoe calendar year:

[...]

Wow indeed! Thanks so much for all those great calendar links,
especially the shoe calendars. Now I just have to decide which one to
send to my sister, the shoe freak, whose birthday is coming up soon.
:-)


Sigh. I must have missed the original e-mail with all of the
links--could someone please resend it?


Never mind!  It turned out I hadn't emptied my trash folder after all. 
Thanks.


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Re: [h-cost] Movie Costume Question: McGonagall's Yule Ensemble

2011-09-14 Thread Catherine Olanich Raymond
These pictures should help.  I found a site by a costumer who made one 
for herself, but I can't locate it again!  I'll try later.


http://harrypotter.wikia.com/wiki/Minerva_McGonagall%27s_dress_robes

http://weheartit.com/entry/12025930

No, wait, I did find it; here it is!

http://public.fotki.com/Kait/other_costuming/professor_mcgonagal-1/

Good luck!


ailman/listinfo/h-costume


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Re: [h-cost] New Pattern Company?

2011-09-13 Thread Catherine Olanich Raymond
They've been around for awhile.  I haven't bought from them, but my 
impression is that they are not shooting for reenactor quality 
reproductions or anything like that--more like sturdy Halloween or 
live-action rolyplaying costume.




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Re: [h-cost] Where is everyone hanging out these days?

2011-08-08 Thread Catherine Olanich Raymond

On 08/08/2011 01:08 AM, penn...@costumegallery.com wrote:

So here are the questions...how did you find the h-costume email list?  And
what year did you join?  It will be really interesting how the newbies have
found it.



I found the H-costume list website by searching the web shortly after I 
got a real browser (i.e., one that could handle graphics well) in 2001, 
and that's when I signed up.



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Re: [h-cost] Where is everyone hanging out these days?

2011-08-07 Thread Catherine Olanich Raymond



I started my own costume blog and mostly blog there, or on the costume 
blogs of other interested friends.  It can be found at:


http://cathyscostumeblog.blogspot.com/

On 08/06/2011 05:42 PM, Lavolta Press wrote:


  I don't do Twitter, but on Facebook, there has been a lot of in depth
research type discussions going on in the two Groups I'm a part of.
Elizabethan Costume http://www.facebook.com/groups/29374273995/ (being
able to discuss with Ninya, Jane, and Melanie among many others about
different aspects of whatever photo we are discussing about has been
very enlightening.


I don't do Facebook.  I recently started an account on Google Plus, but 
I doubt I'll do serious costume discussions there.




But still, you can't post anything very long in any discussion. I'm a
member of a number of Facebook groups, and I ran into their posting
length limit immediately.

 However, I also know that in order for me to actually Create the ideas
floating in my head, I will need to spend less time on this computer, or
those ideas won't get created. Maybe folks are spending less time online
in order to Create?

I wouldn't be surprised. It's amazing how much time the net can take up.


Amen to that.

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Re: [h-cost] a costumer's term question

2011-04-16 Thread Catherine Olanich Raymond




On 04/17/2011 01:21 AM, Linda Rice wrote:

Garb-age?


Today's question is, if the cut-off bits of cloth are cabbage, what are
the cut-off bits of fur?


 Jen/Margaret

Very punny.  :-)

I think that fur scraps from costume-making would still be called 
cabbage--the name comes from the odd shape, not the substance, right?




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Re: [h-cost] Are you guys willing to test a Facebook business page?

2011-03-28 Thread Catherine Olanich Raymond



I didn't get a Captcha box wither when I clicked the like button just now.

On 03/28/2011 07:17 PM, Franchesca wrote:

I have created 3 such pages for various groups and totally understand what
you mean.

Until you have that magic number 25 fans you will not be able to reserve
your business name.

I am number 23, no captcha either. Hopefully you will get a few others. I
will post something on my own FB to see if I can get a few friends to help


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Re: [h-cost] Are you guys willing to test a Facebook business page?

2011-03-28 Thread Catherine Olanich Raymond

On 03/28/2011 09:31 PM, Sid Young wrote:

Can I suggest you try it without logging in first, you should then get a
dialog asking to log in. If your already logged into facebook then pressing
like automatically adds the liked page to your wall without asking you to
authenticate again.


I wasn't logged in.  I rarely visit Facebook.  All I did was follow 
Fran's link to the page.


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Re: [h-cost] Authenticity

2011-03-14 Thread Catherine Olanich Raymond

On 03/14/2011 02:58 PM, Lisa A Ashton wrote:

Delurking here:


 [snip]

  So for me, now learning about the Civil War era, to

recreate an actual person known to have lived (their clothing--I am NOT a
re-enactor), the more I learn about the sewingmachines of hte time, what
might have been done by hand, the history of the Industrial Age at that
time, what dyes and colors were available, What undergarments were worn
to shape the outside, what fabrics might have been available to a
specific social class in a particular location, it's all a continuum.
Context is, truly, everything.  And re-inventing the wheel, as I had to
with the Great-grandmother dress, in order to make the decorative
soutache swirls accurately, definitely gave me a much stronger
connection; as has making my collars and cuffs for my Civil War era
dresses by hand.

I would say that for many of us, personal interest is a very strong
motivator.


The same is very much true for me.  I don't really enjoy sewing, but I 
have taught myself enough skills to be able to sew an early Medieval 
style shift and tunic, and have learned much thereby.  Thanks, Lisa, for 
your comment.


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Re: [h-cost] OT: skin tone mesh long sleeved shirt

2011-02-17 Thread Catherine Olanich Raymond

On 02/17/2011 03:23 PM, Audrey Bergeron-Morin wrote:

That would work except that a leotard is not mesh, I really need transparent
skin tone mesh...


Trying checking out merchants who sell to figure skaters--figure skating 
costumes often incorporate flesh-colored mesh.


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Re: [h-cost] 15th c sewing technique

2011-02-12 Thread Catherine Olanich Raymond

On 02/12/2011 01:18 PM, Beteena Paradise wrote:

Recently, I was given some information which seems wrong to me. I was told that
I should be using twill tape to stablize the neck and front opening of a
(pre-tudor) mid-15th century laced front kirtle. To me, that sounds like a
modern sewing technique, but the woman who told me this said that was the way
the extant clothing was done. I've tried doing some research and can't find
anything to confirm it. Does this sound right to anyone here? Thanks.


Take a look at Textiles and clothing, c.1150-c.1450
 By Elisabeth Crowfoot, Frances Pritchard, Kay Staniland

Google Books has excerpts of it, but with out the photograph that (to my 
recollection) shows a piece of different fabric reinforcing the 
buttonholed edge.


The page (as redacted for Google Books) can be found here,  but you 
might be able to get it on Interlibrary Loan if you can't afford to buy it:


http://books.google.com/books?id=CY-8T59wHHUCpg=PA171lpg=PA171dq=pritchard+14th+century+sleevesource=blots=KItepaB2Owsig=prDR4VKvp4WS92XrcHdjohQ2My4hl=enei=HNxWTZnqLcTflgeG_8nBBwsa=Xoi=book_resultct=resultresnum=1ved=0CBcQ6AEwAA#v=onepageq=pritchard%2014th%20century%20sleevef=false


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Re: [h-cost] 15th c sewing technique

2011-02-12 Thread Catherine Olanich Raymond

On 02/12/2011 02:34 PM, Beteena Paradise wrote:

It isn't exactly what she said as she insisted that it had to be 1/4 inch cotton
twill tape as that is what was used then, but at least there is support for silk
binding. Thank you so much!



I greatly doubt it was cotton twill tape, and I don't recall seeing 
any period binding of those dimensions.  Still, the more evidence you 
get the better you can make up your mind as to what *you* think is 
appropriate.


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Re: [h-cost] 15th c sewing technique

2011-02-12 Thread Catherine Olanich Raymond

On 02/12/2011 11:51 PM, otsisto wrote:

 On another list I remember someone showing an

extent kirtle with twill weave binding along the front opening and
neckline which was stitched to the back side of the fabric. It appeared
to be card woven onto the edge but may have been stitched on (pic. was a
wee bit grainy). I believe the woman said that the threads were of wool
and linen (warp was one and the other was the weft). So, twill tape is
possibly period or a good substitute for the woven on band. That it HAS
to be 1/4 is debatable as the extent example was closer to 1/2 and I
do not think that there would have been a sumptuary laws that dictated
the width of twill tape. For it being made of cotton is highly doubtful
for most of Europe but possible in the Mediterranean region, either
region it would have been rare and costly. As for binding and edge you
are more likely to have in the European and Mediterranean regions linen,
wool, hemp, nettle and silk before you would see a cotton bound edge.
Egypt on the other h! and would most likely have the cotton binding. Is
it possible that there was a miscommunication somewhere?


The kirtle evidence sounds interesting.  Do you remember which list you 
saw it on?  (I'd love to check back to find the source.)



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Re: [h-cost] Book review

2010-12-30 Thread Catherine Olanich Raymond

On 12/30/2010 09:34 PM, Joan Jurancich wrote:

At 06:01 PM 12/30/2010, you wrote:

I've been asked about this book, but not haven't seen it before, I
couldn't offer much. Has anyone seen this one? Good Bad?

http://www.etsy.com/listing/39296868/encyclopedie-illustree-du-costume-et-de


alex
So much to do and so little attention span to get it done with…


I must say that for $15 I'd take a chance on it.


Assuming you can read French, of course.



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ca...@thyrsus.com

I'm a little bit disappointed that cat plus Internet doesn't equal
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Re: [h-cost] What costume-related holiday gifts did you get?

2010-12-25 Thread Catherine Olanich Raymond
No books, this time, but a frame for doing tablet weaving on from Lynn 
the Weaver:


http://www.lucets.com/pages/looms.html


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ca...@thyrsus.com

I'm a little bit disappointed that cat plus Internet doesn't equal
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Re: [h-cost] What book do you want to see in your Christmas stocking?

2010-12-11 Thread Catherine Olanich Raymond

Tons.  Among the most serious contenders right now:

Fransen, Lilli; Norgard, Anna; Østergård, Else (Shelly Nordtorp-Madson, 
tr.). Medieval Garments Reconstructed: Norse Clothing Patterns. Aarhus 
University Press (December 31, 2009).


Glæsel, Nille. Viking - dress, clothing, klær, garment. (2010).

Adams, Noel, Entwistle, Chris.  Intelligible Beauty: Recent Research on 
Byzantine Jewellery (British Museum Research Publication) British Museum 
Press (2010).


--
Cathy Raymond
ca...@thyrsus.com

I'm a little bit disappointed that cat plus Internet doesn't equal
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Re: [h-cost] What's your dressmaker's dummy wearing today?

2010-12-03 Thread Catherine Olanich Raymond

On 12/03/2010 01:10 PM, Lynn Downward wrote:

A Viking era shift and an apron dress, but those have been completed for 
a long time.  I have a number of items in the works that have been in 
the works for awhile, including a new wrap-around apron dress and a 10th 
c Lithuanian shawl.


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ca...@thyrsus.com

I'm a little bit disappointed that cat plus Internet doesn't equal
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Re: [h-cost] Costume-related calendars

2010-11-28 Thread Catherine Olanich Raymond


Fran:  Thanks for starting this thread.  A few years ago, I couldn't 
find a good costume-related calendar for love or money.





On Nov 27, 2010, at 4:25 PM, Lavolta Press wrote:


What costume-related calendars is everyone buying for 2011?



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If you can make a girl laugh, you can make her do anything.
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Re: [h-cost] Costume-related calendars

2010-11-27 Thread Catherine Olanich Raymond

On 11/27/2010 07:25 PM, Lavolta Press wrote:

What costume-related calendars is everyone buying for 2011?


I just bought this one. showing full color photographs of reconstructed 
Lithuanian costumes from the First through Sixteenth centuries C.E.:


http://www.balticshop.com/cgi-bin/item.cgi?item=13088cat=0344title=Calendars

BalticShop.com sells it in the US for $25 plus $3.95 shipping  handling.


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If you can make a girl laugh, you can make her do anything.
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Re: [h-cost] Fabric - was: Shirt pattern - SCA period - pre-1600

2010-10-18 Thread Catherine Olanich Raymond

On 10/18/2010 01:57 PM, R Lloyd Mitchell wrote:

devalifewear.com should do the trick. If you call them, they have several 
fabrics they use in their designs.? Ask for a sample of what is available...if 
the weight and weave is crucial. One of them is Devacloth which does have some 
'crinkle'..but it 'reads' for the uniniated as un-ironed linen.? In following 
the thread, I take it that the design and appearance is more important than 
authenticity. If he gets 'hooked' with roleplaying life, you can upgrade the 
shirt to a closer period piece.
My take on reality...



Deva cloth is a bit too heavy for a shirt, IMHO, though it would be good 
for a tunic. Their Breezecloth might make a better shirt.



--
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ca...@thyrsus.com

If you can make a girl laugh, you can make her do anything.
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Re: [h-cost] (no subject)

2010-10-10 Thread Catherine Olanich Raymond

On 10/10/2010 01:59 AM, Laurie Taylor wrote:

[snip]



The chemise in the painting seems unlikely to have a drawstring neckline.
Any thoughts on this?  The picture on WGA.hu, zoomed to 200%, looks like
maybe very fine, parallel rows of gathers which would not have the
adjustability of a drawstring, but it's that gathered look that I like about
this chemise.


[snip]

I think you're right that it's very fine gathers and not a drawstring. 
In fact, I don't know of any 16th c chemises gathered on a drawstring. 
To that end, you may find the following websites interesting:



http://www.festiveattyre.com/research/chemise.html

http://realmofvenus.renaissanceitaly.net/library/camicia.htm

http://realmofvenus.renaissanceitaly.net/library/camportrait.htm

http://realmofvenus.renaissanceitaly.net/library/neckhowto.htm

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If you can make a girl laugh, you can make her do anything.
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Re: [h-cost] [ h-cost] Tom Tierney, was Fashion crisis!

2010-08-20 Thread Catherine Olanich Raymond
On Friday 20 August 2010 4:18:35 am Kate Bunting wrote:
 Cathy Raymond wrote:
 He did a book on later medieval fashion where he
 misintreprets the long bead string worn by a woman in the Tres Riches
  Heures as a transparent fabric with a beaded edge.
 
 I know very little about mediaeval costume, but I can understand why
  Tierney thought it was a cape with a beaded edge - the beads pass OVER her
  arm. Looks very awkward to modern eyes, but I suppose you didn't have to
  do anything energetic in that kind of outfit!

Oh, I can understand the error too.  But it means that he was cranking out 
those coloring books too fast to take enough thought about his source 
pictures.  That fact makes his books too unreliable to use as reference--even 
though they seem wonderfully clear.


-- 

Cathy Raymond ca...@thyrsus.com

No one can make as disastrous a bad choice as a smart person, because they 
sell it to themselves really well.--Tobias Buckell

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Re: [h-cost] FW: [Alderfolk] Fashion Crisis!

2010-08-19 Thread Catherine Olanich Raymond
On Thursday 19 August 2010 1:46:44 pm Rickard, Patty wrote:
 Comments?
 Thanks,
 Ceit
 
 To: Marche of Alderford
 Subject: [Alderfolk] Fashion Crisis!
 
 OK my SCAdian family...I have a book by Tom Tierney on Celtic Fashions.
  What I would like to know is how reputable is this source? What I am
  looking for is Irish Celt in the 6th Century. I really like the style on
  the cover but the illustration states Frankish Celts, ca 450 B.C.
  PeaceDub Essa/Cliodhna

I wouldn't trust Tierney as far as I could throw him.  His books never cite 
the sources of the illustrations he redraws (assuming he has redrawn in all 
cases instead of making something up based upon a written description, which I 
wouldn't bet against).  He did a book on later medieval fashion where he 
misintreprets the long bead string worn by a woman in the Tres Riches Heures 
as a transparent fabric with a beaded edge.


-- 

Cathy Raymond ca...@thyrsus.com

No one can make as disastrous a bad choice as a smart person, because they 
sell it to themselves really well.--Tobias Buckell

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Re: [h-cost] Tres Riches sheer? FW: [Alderfolk] Fashion Crisis!

2010-08-19 Thread Catherine Olanich Raymond
On Thursday 19 August 2010 11:20:24 pm otsisto wrote:
 Could you direct me to an online pic of this? I have come across through
 browsing some 1400s Italian paintings with sheer material layer over fabric
 of the over gown. Most were by the same artist but one w/embroidery by
 another artist from an earlier period.

 [snip]

Problem is that the one in question is *not* depicted that way.  I should be 
able to find this one on line, let's see now.

There's a ton of places to find it but in most the image cannot be zoomed very 
large.

This one isn't too bad, and it can be zoomed up a bit:

http://www.thebeckoning.com/art/limbourg/limbourg-apr.jpg

This isn't zoomable but is a bit better:

http://0.tqn.com/d/historymedren/1/0/-/H/2/april.jpg

Ah, the Brittanica on line has come through for me with an image that can be 
made both large and zoomable--and you can zoom a particular area.  I've used 
Tinyurl on this link because the URL is very large:

http://tinyurl.com/28zmhhz


The image is the miniature for April and the woman of whose costume I spoke 
is the fifth person in from the left-hand edge of the picture.  She is wearing 
a light blue houppelande with a dark blue pattern and a wide, white (perhaps 
fur?) hem, a gold under dress, and a large black fur hat.  The beads in 
question are red and draped over her right shoulder; they finish with a gold-
colored tassel low on her left side.

-- 

Cathy Raymond ca...@thyrsus.com

No one can make as disastrous a bad choice as a smart person, because they 
sell it to themselves really well.--Tobias Buckell

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Re: [h-cost] Reviews of books on history of jewellery.

2010-06-17 Thread Catherine Olanich Raymond
On Thursday 17 June 2010 2:47:09 pm Donna Hawk wrote:
 Um, actually, it is illustrated:
 
  Detailed narrative
 enhances 400 photographs and illustrations


I'll admit I haven't opened it in a while and thus will stand corrected.  What 
are the illustrations like?  I would have thought I'd have remembered if the 
book had a lot of them.


-- 

Cathy Raymond ca...@thyrsus.com

No one can make as disastrous a bad choice as a smart person, because they 
sell it to themselves really well.--Tobias Buckell

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Re: [h-cost] Reviews of books on history of jewellery.

2010-06-16 Thread Catherine Olanich Raymond
On Wednesday 16 June 2010 8:39:53 am Elizabeth Walpole wrote:
 Hi everyone,
 
 I'm doing some book buying at the moment and I'm seeking reviews of
 these three books on jewellery
[snip]

 
 First is '7000 Years Of Jewelry: An International History And
 Illustrated Survey From The Collections Of The British Museum' by Hugh
 Tait http://snipurl.com/xgxpz

I have the first edition (1986) I understand there has since been a newer one 
published.  

The Tait book has gorgeous pictures. If you are primarily interested in the 
jewelry of antiquity, Tait may be perfect for your needs.  Its coverage of 
European jewelry is much less detailed from about the late Roman period on.  
On the other hand, it does have examples of historic jewelry from outside 
Europe--China, Japan, even the South American civilizations.  For which period 
are you seeking a reference.  

 Second is 'A History Of Jewelry, 1100-1870' by Joan Evans
 http://snipurl.com/xgy3z

Interesting text, but not illustrated.  Since you want a visual reference, 
this wouldn't be for you.  I also think the Angus and Robertson price is kind 
of high.  Yes, I know that shipping to Australia is usually the highest cost, 
but even with that factor you might be able to get it cheaper from Dover 
Publications (it's one of theirs) if you ever decide you want it.

 The third option is 'Jewelry: From Antiquity To The Present'
 http://snipurl.com/xgy7s

A wonderful short survey--possibly the best for its size in English.   But 
it's a small sized folio and the pictures, though clear and mostly in color, 
are not as plentiful or as big as the Tait book.  As a visual reference, it's 
not nearly as good at the Tait book, because it  has fewer pictures.

You may also want to consider a new book, Medieval Jewellery, by Marion 
Campbell (published by the VA).  It's got marvellous tight color closeup 
photos of jewels from the 12th through 15th centuries, and enlarged 
reproductions of minatures showing period costume to give an idea of how they 
were worn.  The book focuses mostly on 1300-1600 CE, so if that's the time 
frame you're interested in, you should consider it. More info here:

http://tinyurl.com/2ddlbrt

Finally, have you checked to see whether your local library has any of these?  
That would be a better way for you to find out if any of them are potentially 
useful to you.

Good luck!



-- 

Cathy Raymond ca...@thyrsus.com

No one can make as disastrous a bad choice as a smart person, because they 
sell it to themselves really well.--Tobias Buckell

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Re: [h-cost] Victorian costuming sites?

2010-06-08 Thread Catherine Olanich Raymond
On Tuesday 08 June 2010 1:53:18 pm Julie wrote:
 My costuming experience is Renaissance and earlier.  I'm just getting
  started w/ Victorian/U.S. Civil War and am wondering if there are some
  good online places I can look.  I'l looking for:
 
 1.  Life  times of Queen Victoria (just watched Young Victoria  realized
  I don't know much about her) 2.  Fashions from around then that could be
  steam punked.

Around then, in the context of Queen Victoria, is too vague.  She ascended 
the throne in 1837 and died in 1901; which period of her life would you like 
to use as inspiration?

With that in mind, most steampunk costume takes the fashions of the 1870s and 
1880s as inspiration, so you may want to focus on those periods.  

Are you interested in purchasing patterns or drafting your own?  If you want 
to purchase a reasonable pattern, trulyvictorian.com has some good ones that 
are not bad to work with; their website includes a concise timeline of 
Victorian era costume.

Good luck!

-- 

Cathy Raymond ca...@thyrsus.com

No one can make as disastrous a bad choice as a smart person, because they 
sell it to themselves really well.--Tobias Buckell

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Re: [h-cost] Query re: website

2010-05-18 Thread Catherine Olanich Raymond
On Tuesday 18 May 2010 8:55:36 pm Lavolta Press wrote:
  The marketing prose strikes me as pretty tame and tasteful as print or
  Internet marketing go.  Of course, everyone's mileage will vary on that
  sort of thing.
 
 I think I'm reacting to the fact that the marketing is so targeted to a
 beginning audience. However, much of the website is targeted to a
 beginning audience, so that marketing is actually appropriate. I am
 aware that there is no standard as to what is considered beginning,
 intermediate, or advanced costuming, and that people place themselves
 into these categories depending on their own goals and so on. But to me,
 Your Wardrobe Unlock'd is a beginner site, the corset site somewhat less
 so.

My impression is somewhat different--but then, so may my definition of 
beginner.  To me, a beginner is still learning to sew, let alone apply 
that knowledge to historic clothing.


 In other words, I didn't find a lot of new information there but it
 will be different for other people.

That means only that you're not really part of the market segment they're 
targeting, and that's fine.

-- 

Cathy Raymond ca...@thyrsus.com

No one can make as disastrous a bad choice as a smart person, because they 
sell it to themselves really well.--Tobias Buckell

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Re: [h-cost] Frobisher Garb

2010-04-14 Thread Catherine Olanich Raymond
On Wednesday 14 April 2010 4:55:21 pm Kimiko Small wrote:
 Do you mean this one?
 http://commons.wikimedia.org/wiki/File:Martin_Frobisher_by_Ketel.jpg
 I wish it was a larger file to see the details better.
 
 It looks like the jerkin and possibly his breeches are in leather. But his
  sleeves have a fabric look to them, and may be attached to a doublet of
  the same fabric. The sleeves look to be extra long and pushed into doing
  those gathers - I can't tell with an image this size. The sleeves also
  look to be in 2 pieces. And just because you don't see an opening doesn't
  mean there isn't some sort of opening that is unseen in the image to get
  the hands through. I'm not sure what more help I can be, as sleeves are
  not a strong point for me. Kimiko Small

Frankly, they look like fabric to me, particularly the breeches, which look 
like velvet, but I could of course be wrong.

-- 

Cathy Raymond ca...@thyrsus.com

No one can make as disastrous a bad choice as a smart person, because they 
sell it to themselves really well.--Tobias Buckell

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Re: [h-cost] Medieval Garments Reconstructed: Norse Clothing Patterns

2010-03-16 Thread Catherine Olanich Raymond
On Tuesday 16 March 2010 8:12:23 pm Nordtorp-Madson, Michelle A. wrote:
 And this date might actually be right.  It will come out simultaneously in
  Danish and English, for those of you who prefer a Scando language.  The
  technical information is quite amazingly thorough.

It was originally supposed to come out late last year.  Then I heard that it 
was coming out in June 2010.  We'll see when it ships.

-- 

Cathy Raymond ca...@thyrsus.com

No one can make as disastrous a bad choice as a smart person, because they 
sell it to themselves really well.--Tobias Buckell

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Re: [h-cost] What's your dressmaker's dummy wearing?

2010-03-01 Thread Catherine Olanich Raymond
On Monday 01 March 2010 7:30:00 pm Cin wrote:
 It's spring (where I live). You might be making something for the end
 of the theater season, a party, a wedding, a con or a re-enactment.
 Whatever the reason, costumers are probably making something.  So,
 what's your dressmaker's dummy wearing today?

I have a number of projects but most of them are stalled because of too much 
work and snow shoveling.  :-)

The three that are closest to being actualized at the moment:

1) the 10th century Lithuanian shawl;
2) A semi-fitted wrap around apron dress;
3) A Middle Byzantine outfit; I have all components done *except* the main 
tunic.


-- 

Cathy Raymond ca...@thyrsus.com

No one can make as disastrous a bad choice as a smart person, because they 
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Re: [h-cost] (no subject)

2010-01-10 Thread Catherine Olanich Raymond
On Sunday 10 January 2010 11:18:36 pm Jo Anne Fatherly wrote:
 I got Margo's Tudor Woman patterns and now I have questions. (They've
 probably been asked before, but forgive me -- I didn't need to know then!).
 
 Two materials recommendations have me baffled. There's half-inch
 diameter Roman drapery rings. I can't find any smaller than an inch
 -- where would you get them?

One place you can get 1/2 inch rings is Renaissance Fabrics;  the specific page 
on their website is here:

http://tinyurl.com/y8v7wcb



-- 

Cathy Raymond ca...@thyrsus.com

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Re: [h-cost] Online dictionary of colors with color swatches

2010-01-03 Thread Catherine Olanich Raymond
On Sunday 03 January 2010 9:31:54 pm Sharon Collier wrote:
 Me, too, but there is a book (available at Amazon) which supposedly has
 examples of all the old colors. I think the title has something to do with
 elephants or smoke. Sorry, I don't remember exactly. It may also have
 been discussed on the Elizabethan Clothing Tribe.

It's called Elephant's Breath and London Smoke.  Here's the page on Amazon.
http://www.amazon.com/Elephants-Breath-London-Smoke-
Salisbury/dp/0973927828/ref=sr_1_1?ie=UTF8s=booksqid=1262573593sr=8-1

-- 

Cathy Raymond ca...@thyrsus.com

No one can make as disastrous a bad choice as a smart person, because they 
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Re: [h-cost] Christmas Squeee!

2009-12-27 Thread Catherine Olanich Raymond
My Christmas squee:

http://cathyr19355.livejournal.com/104880.html
Add to that a copy of Traditional Dress of the Native Americans. 

-- 

Cathy Raymond ca...@thyrsus.com

No one can make as disastrous a bad choice as a smart person, because they 
sell it to themselves really well.--Tobias Buckell

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Re: [h-cost] cleaning up a wool gown

2009-10-15 Thread Catherine Olanich Raymond
On Thursday 15 October 2009 12:21:47 pm Alexandria Doyle wrote:
 I was planning to run it through the dryer with one of the at-home dry
 cleaner products to freshen it up, but it seems like hair and such
 just cling horribly to the wool and I don't know that the tumbling
 would be enough to get the grass off.

I'd recommend against that--the heat won't help that much (the mud's already 
long dry, right?) and the tumbling won't be enough to get it loose.  What you 
need is a clothes brush--you should be able to find one in a department store 
for cheap.


-- 

Cathy Raymond ca...@thyrsus.com

A great pleasure in life is doing what people say you cannot do.
  --Walter Bagehot


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Re: [h-cost] Herald's Renaissance Dress in Italy

2009-10-07 Thread Catherine Olanich Raymond
On Wednesday 07 October 2009 10:01:29 am sunshine.k.buch...@kp.org wrote:
   Charlene Charette wrote:
   And the last couple of copies I've found were in the US$2000+ range.
 
  OK, I know it's a good book.
 
  Is it really *that* good a book? Is there that much in there that isn't
  anywhere else?

 No, imo it's not worth $2000. However, I'm very happy with the $200 I
 spent on my copy (years ago, now...) It does go though a number of Italian
 inventories circa 1480 (assuming my memory is correct, I don't have my
 copy to-hand at the moment) which I haven't seen discussed elsewhere in
 English. IMO it's a really good complement to Bernini's _Dress in Italian
 Painting_ which analyzes circa 1460-80s art with an eye construction;

Don't you mean Elizabeth Birbari's Dress in Italian Painting--1460-1500?  
Available on Amazon Marketplace for about $100, but I saw a copy on addall.com 
for less than $25.


-- 

Cathy Raymond ca...@thyrsus.com

A great pleasure in life is doing what people say you cannot do.
  --Walter Bagehot


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Re: [h-cost] Color dye mixing

2009-10-05 Thread Catherine Olanich Raymond
On Monday 05 October 2009 6:54:57 pm landofoz wrote:
 Are you positive this was wool?  I find it suspect that neither color
 remover nor dye had any effect.  What kind of dye did you use?

If she used Rit, I'm not necessarily surprised.  I find that Rit is hit or miss 
on wool, especially if the water temperature is a bit too cool.


-- 

Cathy Raymond ca...@thyrsus.com

A great pleasure in life is doing what people say you cannot do.
  --Walter Bagehot


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Re: [h-cost] Opinions on this book

2009-09-30 Thread Catherine Olanich Raymond
On Wednesday 30 September 2009 9:36:55 pm Sharon Collier wrote:
 I have a copy of The Encyclopedia of World Costume, by Doreen Yarwood.
 Any opinions on this one? Is it worth saving or should I toss it?

My recollection is that it's neither great nor totally awful.  I would not 
recommend buying it.  Nor would I recommend keeping it if space is at a 
premium and you need to trim your library.  But if you don't have problems 
with it tying up an inch or so of shelf space, I'd keep it, at least for now.

--
Cathy Raymond ca...@thyrsus.com

A great pleasure in life is doing what people say you cannot do.
  --Walter Bagehot


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Re: [h-cost] Viking alternate history--14thC/15thC Vinland?

2009-09-28 Thread Catherine Olanich Raymond
On Monday 28 September 2009 3:50:13 pm Käthe Barrows wrote:
 Is the sarafan a relative of the apron dress??

 I don't think so.  It has sides, and, in its recent configurations, it
 has straps sewn right on.  They're wide apart in front and close
 together in back.  And the garment doesn't seem to go back farther
 than the 1600s (I tried researching one for SCA wear, and they're not
 quite early enough.)

More to the point, the sarafan doesn't show up until long after the Viking 
apron dress was... history.

--
Cathy Raymond ca...@thyrsus.com

A great pleasure in life is doing what people say you cannot do.
  --Walter Bagehot


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Re: [h-cost] Roman question

2009-09-12 Thread Catherine Olanich Raymond
On Friday 11 September 2009 9:23:15 pm Laurie Taylor wrote:
 Hi,

 Finally making progress in my quest to build pieces to use in my history
 class.  The ancients are certainly some of the simplest to build, but of
 course I have an insatiable need to complicate my life and my projects!

 So, if you were building a Roman paenula (hooded poncho-like garment) in a
 thick wool or fake wool (actual fiber not certain), the cut edges of which
 are pretty stable, how would you sew the seams?  Obviously I'm not looking
 for serging ideas here.  I am maybe contemplating actually hand stitching
 it since it doesn't amount to a whole lot of sewing.

 I think my question is do we think that they would have lapped the edges
 and sewn through the layers - no flapping seam allowances on the inside? 
 Or would regular, plain seams, pressed open or to one side seem more
 likely?

Check out some of these:

http://heatherrosejones.com/archaeologicalsewing/wool.html#Wool

--
Cathy Raymond ca...@thyrsus.com

A great pleasure in life is doing what people say you cannot do.
  --Walter Bagehot


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Re: [h-cost] What's your dressmaker's dummy wearing today?

2009-09-02 Thread Catherine Olanich Raymond
On Wednesday 02 September 2009 5:35:59 pm Gilbert wrote:
 My dummy is wearing the white poodle skirt I made for my dance recital (we
 did a tap routine to Mr Sandman). It's gorgeous...

My notional dummy is wearing a wool Viking apron dress, based on the Hedeby 
fragment.

http://cathyscostumeblog.blogspot.com/2009/08/hedeby-apron-dress-
completed.html


Current project; a Byzantine half-circle cloak called a mantion.  Mine will be 
of coat-weight royal blue wool with sky blue wool trim.

--
Cathy Raymond ca...@thyrsus.com

A great pleasure in life is doing what people say you cannot do.
  --Walter Bagehot


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Re: [h-cost] What period is this Butterick from?

2009-08-09 Thread Catherine Olanich Raymond
On Tuesday 04 August 2009 9:31:59 pm Sharon Nevin wrote:
 Hi,
 This  is  slightly  off-topic  but I'm curious and I figured this list
 would probably be best to answer. The  latest  fall  Buttericks  are out
 and there is one Making History pattern.  Usually  I can guess where they
 have drawn their inspiration from and what period that they  are imitating
 but  this  is  one  is puzzling me. If you had to assign a time period
 what date would you give for this:
 http://www.butterick.com/item/B5405.htm?tab=costumespage=1

Modern, but the sleeves look vaguely 1890s-ish to me.



--
Cathy Raymond ca...@thyrsus.com

A great pleasure in life is doing what people say you cannot do.
  --Walter Bagehot


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Re: [h-cost] Handmade Hooks and Eyes?

2009-07-06 Thread Catherine Olanich Raymond
On Monday 06 July 2009 9:37:49 pm Jane Stockton wrote:
 Hi All,

 Does anyone know where I can purchase online handmade hooks and eyes
 for clothing?

http://tinyurl.com/lx5ke5

Or get them by the dozen, from the same site:

http://tinyurl.com/no9ytb

--
Cathy Raymond ca...@thyrsus.com

Civilization advances by extending the number of important operations which 
we can perform without thinking about them.
 -- Alfred North Whitehead, An Introduction to Mathematics


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Re: [h-cost] late Elizabethan headdress

2009-05-26 Thread Catherine Olanich Raymond
On Tuesday 26 May 2009 10:30:05 pm Sagittarius Uisce Beatha wrote:
 Here's a picture of Queen Elizabeth I (1575) wearing what I think you're

 http://www.elizabethancostume.net/headwear/frenchhood.html.  If you scroll
 to the bottom there's a paragraph about french hoods of the later period
 that you seek.  There's also another page that tells you how to construct a
 french hood, unfortunately the pattern for the later period isn't there but
 the earlier periods are.  Maybe you can adapt the pattern to suit what
 you're looking for.

Melanie Schussler just published an article on the evolution of French hood 
that's in the latest volume of Medieval Clothing and Textiles; she has some 
schematic drawings of French hoods, both early and late, that may be helpful.


--
Cathy Raymond ca...@thyrsus.com

All the world's a stage and most of us are desperately unrehearsed. --Sean 
O'Casey


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Re: [h-cost] Book review requested - Nineteenth Century Fashion indetail

2009-05-10 Thread Catherine Olanich Raymond
On Sunday 10 May 2009 3:09:31 am Kim Baird wrote:
 The paperback has no color photos. I did locate the 1975 hard cover edition
 at used bookstores on line for around $25.

I didn't realize that there was a hardback edition, let alone that it had 
photos!  I should look for a copy.  Thanks.

--
Cathy Raymond ca...@thyrsus.com

All the world's a stage and most of us are desperately unrehearsed. --Sean 
O'Casey


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Re: [h-cost] CC27 historical judge talks about workmanship and historical interpretation

2009-05-08 Thread Catherine Olanich Raymond
On Friday 08 May 2009 2:58:59 pm Carol Kocian wrote:
 On May 8, 2009, at 1:53 PM, Käthe Barrows wrote:
  Of course, there are periods where a raw edge is more authentic
  than finished edges.
 
  But if you'd documented the lack of seam finish, and if your other
  hand-sewing was good, the lack of seam finish would have looked
  deliberate, not like an oversight.

   One difficulty is that cloth was fulled much better in various
 historic periods than what's available now. There are some fulled
 fabrics available, but more expensive. Anyway, as pointed out
 earlier, sometimes raw edges are appropriate.

 A raw edge is one thing; a seam with loose threads hanging off of it is 
another.  *That* sort of seam is not period for Anglo-Saxon; clothing took too 
many resources (both of material and person power) to make for it to be 
tolerable to create shoddy clothing.



--
Cathy Raymond ca...@thyrsus.com

All the world's a stage and most of us are desperately unrehearsed. --Sean 
O'Casey


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Re: [h-cost] Book review requested - Nineteenth Century Fashion in detail

2009-05-07 Thread Catherine Olanich Raymond
On Thursday 07 May 2009 10:29:45 pm Elizabeth Walpole wrote:
 Hi everyone,
 I've just got some bonus money and I'm planning on spending some of it on
 books. I'm looking for a book that will show me internal construction
 details of Victorian era clothing preferably using detailed photos. Looking
 on Amazon I found Nineteenth Century Fashion in Detail by Lucy Johnston, so
 for those who have a copy does it include these sort of details (or it is
 external decorative details like embroidery or ruching). 

All of the photos are of external details, such as ruching.  However, there 
are no photos of the entire garment (though there are line sketches) and no 
photos showing construction.


--
Cathy Raymond ca...@thyrsus.com

All the world's a stage and most of us are desperately unrehearsed. --Sean 
O'Casey


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Re: [h-cost] new book

2009-04-03 Thread Catherine Olanich Raymond
Thanks.  This looks interesting.
--
Cathy Raymond ca...@thyrsus.com

Doubt is not a pleasant condition, but certainty is absurd. --Voltaire


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Re: [h-cost] New TT book?

2009-03-29 Thread Catherine Olanich Raymond
I know they've been planning to do a similar book for 17th C (The Stuart 
Tailor) but I've yet to 
see evidence that they're even as far as taking pre-sales on their website. The 
website mentions 
that they are taking pre-orders for another 16th c book The King's Servants: 
Men's Dress at the 
Accession of King Henry VIII:

http://www.tudortailor.com/

--
Cathy Raymond ca...@thyrsus.com

Doubt is not a pleasant condition, but certainty is absurd. --Voltaire



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Re: [h-cost] New TT book?

2009-03-29 Thread Catherine Olanich Raymond
According to a mutual friend, they have been having problems coming to terms 
with the 
publisher of Tudor Tailor and so have decided to start their own publishing 
house (Fat Goose) in 
order to put out smaller editions modeled on the Osprey military series that 
focus on specific parts 
of period costuming. According to the mutual friend they will also be looking 
to publish well 
researched papers from other people. It sounds as though they will be 
publishing the information 
they intended to publish but in smaller bits. The first in the new series will 
be 'The King's 
Servants' focusing on the working class male of the Tudor Era. 

Thanks for the extra information!  I was pleased to see the King's Servants 
book and have 
ordered it.
--
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Doubt is not a pleasant condition, but certainty is absurd. --Voltaire



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Re: [h-cost] brass veil pins

2009-03-18 Thread Catherine Olanich Raymond
On Wednesday 18 March 2009 2:04:46 am Joan Mielke wrote:
 I am in envy of Sarah/Bess' new veil pins.  My supplier discontinued them
 in the US.  Does anyone have a reliable source for brass veil pins--the
 very plain, but thin ones, about 2 1/2 inches long?

Needle and Thread carries brass pins that are thin and plain (I've ordered 
them), but I think they may be only 2 inches long;  look here:

http://www.woodedhamlet.com/threads_pins_needles/brass_pins.htm

Nope, sorry; the longest ones are only 1 1/2 inch--sorry.

Historic Enterprises carries brass pins, but I'm told they're significantly 
thicker.  They are 2 inches long and come in packs of 4.

http://www.historicenterprises.com/cart.php?m=product_detailp=209c=33

Finally, Reconstructing History sells brass pins by the dozen, with either 
coral heads or plain wire ones.  Theirs are about 1 1/2 inches long again 
(40 mm).

https://www.reconstructinghistory.com/brass-
pins.php?s=c=111d=181e=182q=1p=454w=21

These are the only sources I know about.  Good luck finding what you want!



-- 
Cathy Raymond ca...@thyrsus.com

If someone offers you a dead dog for lunch, you don't stick around for the 
pudding. --Ben Yahtzee Croshaw


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Re: [h-cost] NESAT X

2009-03-15 Thread Catherine Olanich Raymond
While poking around on the Web I found information on NESAT X, which Oxbow 
Books is publishing:

Hardcover: 352 pages 
Publisher: Oxbow Books (October 31, 2009) 
Language: English 
ISBN-10: 1842173707
ISBN-13: 978-1842173701

David Brown, Oxbow's American affiliate, is taking pre-orders at $96.00.  
Amazon.com is also taking pre-orders, but at $79.88.  You may find other 
bookstores that are planning to carry it; shop around.

I know that I can hardly want to get it!  I'd be tempted to buy it for the 
article about the Pskov textiles alone, and there are 50 papers total in this 
issue.  

-- 
Cathy Raymond ca...@thyrsus.com

If someone offers you a dead dog for lunch, you don't stick around for the 
pudding. --Ben Yahtzee Croshaw


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Re: [h-cost] Patterns date question

2009-03-11 Thread Catherine Olanich Raymond
On Wednesday 11 March 2009 7:26:04 am Deredere Galbraith wrote:
 I was wondering from when the costume is on the left of the picture.
 I have been asked to make that costume for reenactment in the
 Netherlands during the 1sth world war.
 And I wonder if that dress is the right period.
 http://www.naaipatronen.nl/afb/swb/B4954.jpg

De:  the costume shown doesn't look to be particularly period to me for any 
period, but it looks more like an 1890s outfit than anything else.  So I'm 
inclined to say, no, it's not right for WWI.


-- 
Cathy Raymond ca...@thyrsus.com

If someone offers you a dead dog for lunch, you don't stick around for the 
pudding. --Ben Yahtzee Croshaw


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Re: [h-cost] Patterns date question

2009-03-11 Thread Catherine Olanich Raymond
On Wednesday 11 March 2009 9:09:21 pm Ann Catelli wrote:
 --- On Wed, 3/11/09, Catherine Olanich Raymond ca...@thyrsus.com wrote:
  From: Deredere wrote:
   I was wondering from when the costume is on the left
 
  of the picture.
 
   http://www.naaipatronen.nl/afb/swb/B4954.jpg
 
  De:  the costume shown doesn't look to be particularly
  period to me for any
  period, but it looks more like an 1890s outfit than
  anything else.  So I'm
  inclined to say, no, it's not right for WWI.
 
  Cathy Raymond

 Looks like a 1980s costume alleged to be 1890s.

Except for the hemline, maybe.  :-)


-- 
Cathy Raymond ca...@thyrsus.com

If someone offers you a dead dog for lunch, you don't stick around for the 
pudding. --Ben Yahtzee Croshaw


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Re: [h-cost] Mary I ???

2009-03-02 Thread Catherine Olanich Raymond
On Monday 02 March 2009 12:53:31 pm Elena House wrote:
 Kimiko got it!  Tudor Costume and Fashion by Herbert Norris, p. 430.
  Google books has a preview copy of it online:
 http://snipurl.com/cy2vn  -or-
 http://books.google.com/books?id=ynMUvGdHZhUC
 Well, they call it a preview, but it seems to be almost the whole
 book; just missing a page or two here and there.  Anyway, page 430 is
 there.

So it is.  And it indeed purports to be Lady Mary II, ...drawn from a 
three-quarter portrait of the Princess Mary dating about 1551-3.  The 
interesting thing is that, though the interesting coif, high sleeve caps and 
general color scheme are consistent with the image that started this thread, 
it is not *identical*--suggesting that Norris, in turn, redrew a Victorian 
redrawing.  Ugh.


-- 
Cathy Raymond ca...@thyrsus.com

If someone offers you a dead dog for lunch, you don't stick around for the 
pudding. --Ben Yahtzee Croshaw


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Re: [h-cost] Mary I ???

2009-03-01 Thread Catherine Olanich Raymond
On Sunday 01 March 2009 6:05:45 pm Saragrace Knauf wrote:
 http://z.about.com/d/womenshistory/1/0/Y/Q/2/mary_i_tudor_holbein_001a.jpg

 Anyone seen this one before - the image name indicates it is a Holbein??

No, I haven't.  The style suggests to me that it is a Victorian re-drawing of 
a 16th century painting, possibly of a Holbein.  

The headdress is not of a type I've seen on Mary I (the portraits of her I've 
seen all show her in French hoods).  That type of headdress more commonly 
shows up on portraits of Mary, Queen of Scots in her later years.  


-- 
Cathy Raymond ca...@thyrsus.com

If someone offers you a dead dog for lunch, you don't stick around for the 
pudding. --Ben Yahtzee Croshaw


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Re: [h-cost] What's your dressmaker's dummy wearing?

2009-02-22 Thread Catherine Olanich Raymond
On Sunday 22 February 2009 10:33:02 pm Pixel, Goddess and Queen wrote:
 The dressmaker's project bag alternates between a linen gown (early 13th
 c.) in this amazingly delicious sage green handkerchief linen that I am
 still occasionally kicking myself for not buying the whole bolt of, and
 the neckline embroidery (white silk on dark blue linen) for an in-progress
 matched set of dark blue wool 13th c. outfits for me and the Consort. The
 wandering embroidery frame has the cuff embroidery for the green gown.

Yum!  I hope you'll be willing and able to put photos of these projects on the 
Web, and give us links to them, when you're done!  :-)

-- 
Cathy Raymond ca...@thyrsus.com

If someone offers you a dead dog for lunch, you don't stick around for the 
pudding. --Ben Yahtzee Croshaw


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Re: [h-cost] What's your dressmaker's dummy wearing?

2009-02-20 Thread Catherine Olanich Raymond
My dressmaker's hanger is wearing a replica of the Manazan shirt, which is 
fast nearing completion:

http://members.ozemail.com.au/~chrisandpeter/manazan_shirt/manazan_instructions.htm

-- 
Cathy Raymond ca...@thyrsus.com

If someone offers you a dead dog for lunch, you don't stick around for the 
pudding. --Ben Yahtzee Croshaw


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Re: [h-cost] What period/country etc is this tunic?

2009-02-20 Thread Catherine Olanich Raymond
On Thursday 19 February 2009 11:11:36 pm Saragrace Knauf wrote:
 Can anyone tell me what the guy in the blue tunic is wearing?  I guess that
 would be Rahim

 http://tinyurl.com/brvg4j

 http://sca.berkeley.edu/album/2003_00_and_previous_years/2000_Spring_-__Tab
ling_on_Sproul_Plaza_-_From_left_to_right_Sarah__Moshe__Faisal__Rahim__H_Sm.
jpg.3.html

I've seen that type of tunic called a Norman tunic (as in, the folks who 
invaded England in 1066), and it indeed resembles some of the images in the 
Bayeux Tapestry.


-- 
Cathy Raymond ca...@thyrsus.com

If someone offers you a dead dog for lunch, you don't stick around for the 
pudding. --Ben Yahtzee Croshaw


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Re: [h-cost] (no subject)

2009-01-17 Thread Catherine Olanich Raymond
On Saturday 17 January 2009 11:03:24 pm Yolanda wrote:
 I mostly just lurk and learn things from all of your conversations but I
 need some help.   I need help on resources for Researching 3rd century
 roman clothing and don't really know where to start.  Book website and
 other general recommendations would be very much appreciated.  I did find a
 few things but my google fu is off.

Try this one for a start; it discusses third century costume and later in the 
Roman provinces:

Croom, A.T. Roman Clothing and Fashion. Tempus Publishing, Ltd., 2000. ISBN 0 
7524 1469 0. 

There's some more generalized information about the Roman textile industry 
that late in the Empire here:

Rogers, Penelope Walton, Jorgensen, Lise Bender  Rast-Eicher, Antoninette, 
eds. The Roman Textile Industry and Its Influence. Oxbow Books, 2001. ISBN 1 
84217 046 5.

The bibliographies of both books should help also. Good luck.

-- 
Cathy Raymond ca...@thyrsus.com

If someone offers you a dead dog for lunch, you don't stick around for the 
pudding. --Ben Yahtzee Croshaw


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Re: [h-cost] Gothic Fitted Dress

2009-01-04 Thread Catherine Olanich Raymond
On Sunday 04 January 2009 12:23:11 pm Suzi Clarke wrote:
 I know there has been reams written on this list about the Gothic
 Fitted Dress, and I remember seeing a how to set of pictures, but
 when I tried to find information to pass on to a colleague, I was
 stumped. Anyone care to point me in the right direction? I know there
 is information in the archives, but I am such a klutz I can never
 find what I want.

http://www.cottesimple.com/fem_silhouette/intro_fem_silh.html

(This page actually walks you through two different approaches to making a 
GFD.)

Robin Netherton's site is here.  For some reason, it now requires a login and 
password to access the material on the GFD.

http://netherton.net/robin/

-- 
Cathy Raymond ca...@thyrsus.com

If someone offers you a dead dog for lunch, you don't stick around for the 
pudding. --Ben Yahtzee Crenshaw


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