iple slide and print formats)
would be infeasible without the ability to automate the work using LP and a
language like Python.
Thanks in advance,
Carl Peterson
All,
I am involved in some choral
recording projects where we are
having the singers sing from
projected slides. To aid in timing,
pitch, etc., we have it set up where
they have headphones feeding them the
MIDI of the song being recorded as
they sing. All of this is synchonored
through the
Hey all,
How do I get the spacing between lyrics and the surrounding staves to be
equal and fixed, regardless of whether noteheads/stems collide with the
lyrics? I've tried a number of different combinations of settings and can't
get the stems ignored.
Also, I noticed that the spacing depends on
All (but particularly anyone with experience/knowledge on fresco for mac),
I'm trying to install the latest stable of Frescobaldi on my Mac
(10.9), and it gets to installing the py27-pyqt4 dependency, and fails
with this message:
Error: org.macports.configure for port py27-pyqt4 returned: config
On Mon, Jan 6, 2014 at 1:18 PM, Daniel Rosen wrote:
>> -Original Message-
>> From: Carl Peterson [mailto:carlopeter...@gmail.com]
>>
>> SourceTree isn't available for Linux, last time I checked...I use it on
>> Mac/Windows for my other repos, but alas, n
On Mon, Jan 6, 2014 at 11:46 AM, Daniel Rosen wrote:
> I use SourceTree for almost everything; the exceptions are a couple of
> commands that I can't figure out how to do in the GUI (e.g. git stash apply).
>
> I learned/am learning Git by using SourceTree, and I haven't had much
> difficulty und
On Sat, Jan 4, 2014 at 12:52 PM, Speldosa wrote:
> I would like to use \paper{two-sided = ##t} in order to have different
> margins for even and odd pages. However, when activating this option, odd
> pages get larger right margins and even pages get larger left margins. I'd
> like to have it the o
On Thu, Jan 2, 2014 at 7:38 PM, Joshua Nichols wrote:
> Okay, so I did "the obvious" and went through the Fontbook and literally
> "clicked and dragged" the fonts into the "computer" (I guess that's the sys
> place) tab, and then I re-typeset the file: It worked...
>
> Well... there's for a lot of
On Thu, Jan 2, 2014 at 6:43 PM, Joshua Nichols wrote:
> see attached. It was lengthy.
>
> IC,
>
> Josh
>
>
I didn't find an entry for Linux Libertine in your listing.
On my machine, I checked Font Book and it looks like I have it
installed both as a user copy and as a system copy. And Linux
Liber
On Thu, Jan 2, 2014 at 11:39 AM, Joshua Nichols
wrote:
> I figured I'd wait till 2.18.0 to see if something magical occurred, but now
> I know for sure...
>
> When I use the snippet:
>
> #(define fonts
>
> (make-pango-font-tree "Linux Libertine G"
>
> "Nimbus Sans"
>
> "Luxi Mono"
>
> (/ myStaffSi
Note at the bottom of the Nanuals page:
> Manual formats
> The LilyPond manuals generally come in three formats:
> split HTML, big HTML and PDF. Split HTML is good for
> reading online. Big HTML (and some of these can be very
> big) contains the whole manual in a single page. PDF is
> available fo
On Sun, Dec 22, 2013 at 12:58 AM, Carl Peterson wrote:
> On Sun, Dec 22, 2013 at 12:47 AM, James Harkins wrote:
>> I was just searching, without success, for a way to change the number of
>> pulses-per-quarter in MIDI output. The default, 384, handles double
>> divisi
On Sun, Dec 22, 2013 at 12:47 AM, James Harkins wrote:
> I was just searching, without success, for a way to change the number of
> pulses-per-quarter in MIDI output. The default, 384, handles double
> divisions and triplets, but quintuplets are inexact. I would rather use 480
> for this particula
I have a question for the git experts on the list. I've migrated my
current collection of lilypond projects to a git repository so that I
can migrate the source files among my various workstations and use
versioning as part of my editing process (so that I can theoretically
keep track of my changes
On Fri, Dec 13, 2013 at 8:46 AM, Urs Liska wrote:
> Am 13.12.2013 14:14, schrieb Stephanie Mitchell:
>
>> Hi all,
>> Just wondering if there is an app for ios that can write and print
>> lilypond files?
>> I'm looking for a ios app that will do this, so I can print music while
>> away from home.
>
On Thu, Dec 12, 2013 at 4:26 PM, Tom van der Hoeven
wrote:
> Suppose I have
> music = \relative c'{c b a g f e e f g a b c}
> my instrument is limited so it cannot play the pitch f end below
> I have to raise f e e f by a terts of an octave
> Is there a function shift or can it be made s
On Tue, Dec 10, 2013 at 3:31 PM, Richard Shann wrote:
>
> only some people are interested in "everything", many want just their
> own bits of interest.
> Denemo is customizable to a great extent, all menus and palettes can be
> modified; most users will not do so, but it would be possible to creat
On Tue, Dec 10, 2013 at 12:15 PM, Simon Bailey wrote:
> for instance:
> - the cool new features in 2.17 were \tuplet, tighter spacing,
> dot.notation.of.objects and \markLengthOn, several articulations feature;
> - 2.15 didn't have much exciting for me in it -- here i stuck with 2.14
> until 2.16
On Tue, Dec 10, 2013 at 10:23 AM, David Kastrup wrote:
>
>
> If we have branches with personal interests, it must become more
> feasible for the respective authors with personal interests to provide
> binaries if they consider that a good idea. Any solution that will only
> work via the "Phil, d
On Tue, Dec 10, 2013 at 8:23 AM, Mike Solomon wrote:
> Hey all,
>
> I recently e-mailed the development list about multiple concurrent
> development versions and I’d like to ask users, especially those currently
> using the development version, to take the time to respond to a question
> regardin
On Mon, Dec 9, 2013 at 12:15 PM, Carl Peterson wrote:
> On Mon, Dec 9, 2013 at 12:01 PM, Urs Liska wrote:
>
>>
>> Would a section "Online Tools" better be placed between the
>> "full-fledged" editors (Frescobaldi/Denemo) and "Text editors"
On Mon, Dec 9, 2013 at 12:01 PM, Urs Liska wrote:
>
> Would a section "Online Tools" better be placed between the "full-fledged"
> editors (Frescobaldi/Denemo) and "Text editors" or after the "Text editors".
>
> I think we could consider not only score editors but also tools like
> - http://scale
On Mon, Dec 9, 2013 at 1:12 AM, James Harkins wrote:
> Carl's two-column approach is pretty much what I had in mind. Although, he
> suggests this would be only a slight improvement. I think it could be more
> than that. Suppose we introduce the downloads with a couple of paragraphs
> across the t
On Dec 8, 2013 11:02 PM, "James Harkins" wrote:
>
> On Dec 9, 2013 11:52 AM, "Mark Stephen Mrotek"
wrote:
> >
> > Mr. Harkins,
> >
> > Two or three hops are not too much for anyone that reads and follows
directions.
>
> Then you have more faith than I in general usage patterns on the
internet. (A
On Fri, Dec 6, 2013 at 3:26 AM, Janek Warchoł wrote:
> 2013/12/6 David Kastrup :
> > Janek Warchoł writes:
> >> A suggestion from my colleague: for a long time he kept confusing LM
> >> and NR, and he said that it would be nice if (for example) they had
> >> different color schemes so that one wi
On Sun, Dec 8, 2013 at 5:55 PM, Carl Peterson wrote:
>
> I have something in development for #2 on Federico's list. I've parsed
> through enough of the texi2html script that I was able to insert CSS
> classes into the tag that will allow me to color code each manual.
>
On Sun, Dec 8, 2013 at 5:34 PM, Urs Liska wrote:
> Am 08.12.2013 23:23, schrieb Federico Bruni:
>
>
> 2013/12/6 Federico Bruni
>
>> These problems should be recorded in our tracker.
>> So far I've seen 2 issues/feature requests:
>>
>> 1. improve SEO
>> 2. associate a different color scheme t
On Sat, Dec 7, 2013 at 3:42 PM, Phil Holmes wrote:
>
>
>> My recommendations would be:
>> 1. Use a consistent URL for the latest stable version of LilyPond
>> documentation. That way web searches and other pages across the web link
>> to the latest version instead of ancient versions of the docume
On Sat, Dec 7, 2013 at 1:19 PM, Richard Shann wrote:
> On Sat, 2013-12-07 at 18:11 +0100, Joseph Rushton Wakeling wrote:
> > On 07/12/13 18:07, Jan Nieuwenhuizen wrote:
> > > Beethoven's 104 Piano Sonatas
> >
> > That would be 32 :-) But 104 separate movements in total ...
>
> Is that because Mus
On Sat, Dec 7, 2013 at 1:03 PM, Janek Warchoł wrote:
>
> 2013/12/6 Carl Peterson :
> > In particular, I would say that anything used should be incontrovertibly
> in
> > the public domain (i.e., the older, the better).
>
> This is just impossible with comparisons lik
On Fri, Dec 6, 2013 at 11:08 AM, Phil Holmes wrote:
>
> Well, yes, as CPU load. I remain of the view that this is not a good use
> of time - there are other things that will be of greater value for less
> effort. Remember, you'll not be doing this by editing HTML, but the
> texi2HTML control fil
On Fri, Dec 6, 2013 at 10:47 AM, David Kastrup wrote:
> Carl Peterson writes:
>
> > On Fri, Dec 6, 2013 at 10:30 AM, David Kastrup wrote:
> >
> >> So any extension announced after the death of an author should
> >> not apply to the works of a
On Fri, Dec 6, 2013 at 10:30 AM, David Kastrup wrote:
> So any extension announced after the death of an author should
> not apply to the works of an author who labored under different
> assumptions when creating the work.
>
+1
Indeed. That said, if a work is in the public domain, it's in the p
On Fri, Dec 6, 2013 at 10:19 AM, Phil Holmes wrote:
>
> Our server is provided on a goodwill basis, and so we would not want to
> use any scripting that might load it.
>
> I was thinking that was the case. This would be a script that would append
all the request headers to a text file on the serv
On Fri, Dec 6, 2013 at 9:00 AM, James Harkins wrote:
> A side comment, picking up on a comment in the "Windows experience" thread:
>
> I hope the new site will avoid any hooks to Google analytics or other APIs.
> I'm behind the Great Firewall of China, and I see frequently how Google
> dependenci
On Fri, Dec 6, 2013 at 12:42 AM, David Kastrup wrote:
> Shane Brandes writes:
>
> > The U.S. has the concept of fair use see 17 U.S.C. § 107
>
> But we want LilyPond to be distributable in more than just the U.S.A.
>
Indeed. I am not a legal expert by any stretch (I've just read a lot of
stuff
On Fri, Dec 6, 2013 at 7:10 AM, Phil Burfitt wrote:
> From: "Janek Warchoł"
> Sent: Friday, December 06, 2013 11:16 AM
>
>
>
>> * why are you out-sourcing tracking (google analytics)?
>>>
>>
>> I suppose that when that was decided upon, there may have been no good
>> free alternatives to Google
On Thu, Dec 5, 2013 at 8:13 PM, Carl Sorensen wrote:
>
> On 12/5/13 9:43 AM, "Carl Peterson" wrote:
>
> >
> >1) Review the CSS of both the website and the documentation. These are
> >simply CSS files that don't need any compiling or reconfiguring. The
&
Branching this discussion into its own topic
On Thu, Dec 5, 2013 at 11:25 AM, Phil Burfitt wrote:
>
> Tim McNamara wrote:
>
>>
>> If you think that Lilypond's web page needs a facelift, then
>> volunteer to roll up your sleeves and help change it...
>>
>>
> Werner Lemberg wrote:
>
>>
>> Do yo
On Thu, Dec 5, 2013 at 1:42 AM, David Kastrup wrote:
> Carl Peterson writes:
> > Where do I sign up and what do I need to know about the way the
> > current site works? I cannot write a single line of C++, my Scheme
> > skills are meager at best (limited mostly to tak
On Wed, Dec 4, 2013 at 9:09 PM, Tim McNamara wrote:
>
> On Dec 4, 2013, at 6:18 PM, Phil Burfitt
> wrote:
> > I also think lilypond's website is terrible. It looks like something out
> of the eighties knocked up on a dos machine. By comparison, take a look at
> the home pages of musescore, final
On Tue, Dec 3, 2013 at 12:01 PM, Garrett McGilvray <
garrett.mcgilv...@icloud.com> wrote:
>
> Now, to focus on a different point: the question as to whether a truly
> fair comparison can be made only by professionals. I have no doubt that an
> experienced professional in Finale (and I've ignored S
On Dec 2, 2013 9:40 PM, "James Harkins" wrote:
>
> Keith OHara oco.net> writes:
>
> > Of course specifying time in terms of durations is more convenient
> > than specifying absolute time, or we would need to change every
> > following note when we insert a few measures.
>
> Assuming that "duratio
On Mon, Dec 2, 2013 at 6:13 PM, Phil Burfitt wrote:
> - Original Message - From: "David Kastrup"
> Sent: Monday, December 02, 2013 7:11 PM
>
>
> Wouldn't it be far better after installing lilypond, to present the
>>> user with a cut down tutorial and usage instructions in a read-me
>>> f
On Sun, Dec 1, 2013 at 9:09 AM, Henning Hraban Ramm wrote:
>
> I guess „we“ have a chance in combination with TeX, i.e. at universities
> etc. where TeX is in broad use, since the approach and needed expertise is
> similar.
>
Good luck with that, at least if my university was any indication of
th
On Sun, Dec 1, 2013 at 1:31 PM, David Kastrup wrote:
> SoundsFromSound writes:
>
> > The biggest complaint I've heard from many of my peers (when it comes
> > to possibly switching from Finale/Sibelius) is that "LilyPond looks
> > like way too much work" and "Text input?? That makes absolutely n
On Dec 1, 2013 1:47 AM, "David Kastrup" wrote:
>
> Noeck writes:
> > I personally don't understand why LP is not common at music
> > universities but that's probably a chicken-or-the-egg thing and the
> > lack of large scale marketing. But this would also need official
> > contacts in the LP tea
On Tue, Nov 19, 2013 at 2:11 PM, Urs Liska wrote:
> I don't have a clue what that actually is, but the "things" very much
> look like a tenor (C) clef imposed over the treble clef.
>
> Urs
>
>
I agree. I suspect the meaning of the symbol is to indicate that the line
indicated by the C clef (in b
ush bottom will
stretch the system vertically to fill the space, which is not visually
pleasing, nor is it ideal for the people singing. This may be a function of
something else, but that's the association I found.
Carl Peterson
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On Wed, Nov 13, 2013 at 1:18 PM, David Kastrup wrote:
> Hayden Smith writes:
>
> > I cannot make inference based on the image provided in the notation
> > reference itself and wondered where "script-chart.ly" might be located
> > which would contain a complete list of articulations.
>
> In the L
All,
Is there a way to tell LilyPond to try to space lyrics evenly, as opposed
to spacing notes roughly proportionally? I'm working with an SATB hymn
sheet where there are dotted half notes and quarter notes and eighth notes
all together, and the normal spacing engine that gives more space to long
On Fri, Nov 1, 2013 at 3:52 PM, David Kastrup wrote:
> Peter Bjuhr writes:
>
> > On 11/01/2013 07:53 PM, David Kastrup wrote:
> >> Can you guess what the output of saving and running the following file
> >> will be?
> >>
> > Is the surprising output related to this?
> >> If an included file is g
\ah = \set shapeNoteStyles = #'#(doThin reThin miThin faThin sol laThin
tiThin)
Use \ah wherever you would use \aikenHeads.
In my documents, since I *only* use Aiken heads, I do this:
\layout {
\context {
\Voice
shapeNoteStyles = #'#(doThin reThin miThin faThin sol laThin tiThin)
}
}
On Fri, Oct 18, 2013 at 9:12 AM, Eduardo Silva wrote:
> Hi, Carl. I like your sample. What do you do to make the verses left
> aligned (and possibly shifted) at the start of a new system? Do you do it
> manually? I know one could do it fairly easy if at the start of every new
> verse in the lyrics
On Thu, Oct 17, 2013 at 5:55 PM, Garrett McGilvray <
garrett.mcgilv...@gmail.com> wrote:
>
> On Oct 12, 2013, at 10:25 PM, Carl Peterson
> wrote:
>
> So this would be your basic setup:
>
> \score {
>\new Staff = "top" {
> << \new Vo
On Wed, Oct 16, 2013 at 6:54 PM, Garrett McGilvray <
garrett.mcgilv...@gmail.com> wrote:
>
> And thanks also to the several who gave their thoughts to whether I should
> reply to all. This is indeed a very helpful community of people. I'm coming
> from a background in occasional usage of Finale, a
On Thu, Oct 10, 2013 at 2:22 AM, Johan Vromans wrote:
> Jacques Menu writes:
>
> > After struggling with irregular bars, I've been working on a Python3
> tool that
> > transforms a spec such as:
> > [...]
> > into a ready-to-compile Lilypond source file.
>
> Very interesting. It reminds me of so
On Sun, Oct 13, 2013 at 3:03 PM, Garrett McGilvray <
garrett.mcgilv...@gmail.com> wrote:
> Hi Carl,
>
> I am so very grateful for your help. I have taken some time to study your
> answer and do some practicing. I'm sorry to say that I'm still stuck. Where
> I am getting confused is how to make a p
On Sat, Oct 12, 2013 at 9:26 PM, Garrett McGilvray <
garrett.mcgilv...@gmail.com> wrote:
> Hi folks,
>
> The short version of the question (I think) is this: how do you set a
> multi-measure rest when manually specifying lyric duration?
>
> --
> If the short version isn't sufficient, here is w
On Thu, Sep 12, 2013 at 3:50 PM, Evan Driscoll wrote:
> On 9/12/2013 2:03 PM, Carl Peterson wrote:
> > It also discourages the delightful idiots who insist on replying all
> > to a mass mailing (when the original sender didn't have the decency or
> > know-how to stick
On Thu, Sep 12, 2013 at 2:48 PM, David Kastrup wrote:
> Not sure about that. The information usually is available in the
> headers, and as far as I can tell, Gmail does preserve and maintain it
> as well. So unless someone "breaks the chain", it would seem like a
> poor choice not to actually u
On Thu, Sep 12, 2013 at 2:04 PM, David Kastrup wrote:
>
> I'm certain Gmail will also be able to figure out the mail you are
> replying to without referring to any header at all as long as any Gmail
> user has not yet deleted it (and probably even afterwards). But for a
> normal mail server/clie
On Thu, Sep 12, 2013 at 1:20 PM, David Kastrup wrote:
> Tim Roberts writes:
>
> > David Kastrup wrote:
> >> How does it make it harder? As I said, replying to a digest makes no
> >> sense with regard to message threading anyway.
> >
> > Of course it makes sense. I just did it, and your mailer
On Thu, Sep 12, 2013 at 1:46 PM, Kieren MacMillan <
kieren_macmil...@sympatico.ca> wrote:
> Hi all,
>
> > I have no idea how your email system would figure out just what mail Tim
> > had been replying to. The information is just not there in the headers.
>
> Apple Mail uses the Subject (as text),
Replying to group since I forgot to the first time...
On Tue, Sep 10, 2013 at 12:54 PM, Carl Peterson wrote:
> I use #(set-global-staff-size __) at the top oc the document and
> myStaffSize = #__ in the paper block. Usually I have to play with the two
> to find the right combination of s
> font tree), I got a normal response... So perhaps it is a bug? Or am I
> missing something?
>
> IC,
>
> Josh
>
>
> On Tue, Sep 10, 2013 at 12:12 PM, Carl Peterson
> wrote:
>
>> On Tue, Sep 10, 2013 at 1:04 PM, Joshua Nichols > > wrote:
>>
>>
On Tue, Sep 10, 2013 at 1:04 PM, Joshua Nichols wrote:
> Thanks Carl! Should the myStaffSize be inside a #() or unspecified?
>
It is outside a Scheme context, so:
\paper {
myStaffSize = #22
}
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ht
On Tue, Sep 10, 2013 at 5:22 AM, immanuel litzroth wrote:
> If there were some kind of make-dep for lilypond it could even generate
> these dependencies
> automaticaly, like it happens for C (the compiler generates dependencies
> when passed the
> correct flags). This should not be too hard to bre
Question for those who are familiar with linux bash shell scripting...
I have a script running on my linux box that uses inotifywait to monitor a
folder and compile any changed lilypond files. The folder is tied to my
dropbox account, so I can upload files to dropbox from any computer and
have the
On Mon, Sep 9, 2013 at 9:30 AM, Phil Holmes wrote:
> - Original Message - From: "Owain Sutton" >
>
>>
>> It strikes me more as an issue of horizontal alignment than notehead size.
>>
>> For comparison, here's an example published by Boosey & Hawkes (Britten
>> violin
>> concerto): http:/
On Sat, Sep 7, 2013 at 11:35 PM, Carl Peterson wrote:
> On Sat, Sep 7, 2013 at 11:28 PM, Mark Stephen Mrotek > wrote:
>
>> Hello:
>>
>> ** **
>>
>> A partial measure contains 1 and 1/16 beat. How is that notated in the
>> command “\partial?”
On Sat, Sep 7, 2013 at 11:28 PM, Mark Stephen Mrotek
wrote:
> Hello:
>
> ** **
>
> A partial measure contains 1 and 1/16 beat. How is that notated in the
> command “\partial?”
>
> **
>
Try \partial 16*17
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On Sat, Sep 7, 2013 at 8:04 AM, David Kastrup wrote:
>
>
> The links do no harm. If at any point of time file size is a problem
> for any given person, he can reduce it himself.
>
>
I have a problem with this statement. If they do no harm, why then does the
Usage file say:
*"Note:* You should a
On Fri, Sep 6, 2013 at 9:08 PM, Mark Polesky wrote:
> Karl and Carl (and other choral typesetters),
>
> I've added a new context to the source code called
> "NullVoice" which is designed exactly for this purpose.
> It's not yet available as a release, but you can get it by
> replacing your instal
On Fri, Sep 6, 2013 at 6:02 PM, Carl Peterson wrote:
> So getting back to this, I had somewhat a stroke of inspiration, but I
> can't find in the documentation whether this is possible. Is it possible to
> define a global context for all voice "one"s and all voice "
On Thu, Sep 5, 2013 at 10:33 PM, Carl Peterson wrote:
>
> This probably means that if it bothers me enough, I'm going to have to go
> back into the part-combiner.scm file and dissect it. While my hands are in
> the patient, I might as well figure out how to get it to combine t
On Fri, Sep 6, 2013 at 12:59 PM, David Rogers
wrote:
>
> In practical terms, Carl's and my hymn books may in fact be considered
> correct, because in many churches and/or church-music traditions, the
> congregation is expected to sing in unison most of the time, the choir
> in SATB if there is a c
On Fri, Sep 6, 2013 at 8:46 AM, David Kastrup wrote:
> Carl Peterson writes:
>
> > Some hymnals (the same ones) also do not beam flagged notes unless the
> > notes are for the same syllable (in which case, the beam serves as the
> > slur). I have adopted this chan
On Fri, Sep 6, 2013 at 4:53 AM, Phil Holmes wrote:
>
> I have to my right hand "Hymns and Modern, New Standard" and behind me
> "Songs of Praise, New Standard". Both of these use separate voices for Sop
> and Alto; Tenor and Bass. I strongly believe this is the best way of
> setting 4 part voic
On Thu, Sep 5, 2013 at 10:11 PM, David Kastrup wrote:
>
>
> Well, this is probably going nowhere fast, but it's moderately amusing
> that it seems to do something:
>
>
Agreed on both counts.
This probably means that if it bothers me enough, I'm going to have to go
back into the part-combiner.scm
On Thu, Sep 5, 2013 at 9:44 PM, David Kastrup wrote:
> Carl Peterson writes:
>
> > I am using the automatic part combiner in preparing SATB hymn sheets. The
> > issue I have is that when the notes are chorded by the apc, if there is a
> > slur (in both parts), only on
I am using the automatic part combiner in preparing SATB hymn sheets. The
issue I have is that when the notes are chorded by the apc, if there is a
slur (in both parts), only one slur is printed (as is seen in the
documentation for automatic part combining). In virtually all the examples
I've seen,
On Tue, Sep 3, 2013 at 1:44 PM, Rachael Thomas Carlson <
rachael.thomas.carl...@gmail.com> wrote:
>
> I hate to use Arial but the publishing house that I am emulating uses only
> proprietary fonts.
>
There are a few non-proprietary fonts that emulate Arial much the same way
that Arial emulates He
On Sep 1, 2013 6:01 AM, "Peter Bjuhr" wrote:
>
> As David points out the original example is uncommon both regarding ties
and slurs. I like to add another example which represent a more common use
of ties.
>
> As you can see from the ly-file I first use a tie, then a slur, then a
double dot.
>
> I
On Tue, Aug 27, 2013 at 2:04 PM, Gilberto Agostinho <
gilbertohasn...@googlemail.com> wrote:
> Hello everyone,
>
> I am working with a score in Lilypond that has a lot of repetitions, where
> basically every bar has to be repeated a certain number of times. I would
> like to be able to write the n
On Tue, Aug 20, 2013 at 6:02 PM, Eluze wrote:
> Ted Walther wrote
> > Another problem with that snippet is the amount to drop. With a good
> > centering command, it is centered. But if I alter the font size, etc,
> the
> > amount of raising and dropping needed to center the lyrics will alter.
>
On Tue, Aug 20, 2013 at 5:49 PM, Ted Walther wrote:
> Another problem with that snippet is the amount to drop. With a good
> centering command, it is centered. But if I alter the font size, etc, the
> amount of raising and dropping needed to center the lyrics will alter. How
> can I predict th
On Tue, Aug 20, 2013 at 4:20 PM, Ted Walther wrote:
>
> Now, someone posted another alternative; I could mark the musical notes of
> the refrain as a separate voice, and tie the chorus lyrics to that. Well
> and good; I wasn't aware that voices could be sequential. After all,
> staves in a scor
On Mon, Aug 19, 2013 at 11:36 AM, Andrew Bernard
wrote:
> Greetings,
>
> James Harkins
> 20 August 2013 12:31 AM
>
> I'll be bold and disagree. G-flat is ges in Dutch (3 characters) and gf in
> English (2 characters). If you're typesetting a piece in D-flat major, the
> 33%
> redundancy for ev
My approach to handling parts for hymn settings is to define the music for
the verses and chorus independently and then apply nested simultaneous and
sequential voices. So, for instance,
\score { <<
\new Staff = "top" {
<< \new Voice = "sopRef" { \sopRefrainNotes } \new Voice = "altRef" {
On Wed, Aug 14, 2013 at 7:27 PM, Dominic wrote:
>
> So my question is, how can I get the dynamics to align themselves
> 'correctly', i.e. as they would be if they were directly attached to the
> notes. Putting the dynamics in a Dynamics context is not really an option,
> since that will make them
On Tue, Aug 13, 2013 at 11:57 AM, Mark Stephen Mrotek
wrote:
> Hello:
>
> In a single voice (RightOnly.ly), setting automatic beam behavior produces
> the desired notation.
>
> When the left hand is added (Both.ly) the commands – identical in both
> files – do not take effect.
>
> Must I do someth
On Tue, Aug 13, 2013 at 11:19 AM, Richard Shann wrote:
>
> here is your problem. You are hoping that the timing of your keypress
> could be interpreted and a duration of note estimated from it. Such
> systems have been tried many times, and are offered by programs that
> don't care if you succeed
On Sat, Aug 10, 2013 at 5:46 AM, David Kastrup wrote:
> Andrew Bernard writes:
>
> > On 10/08/13 7:10 PM, David Kastrup wrote:
> >
> >> Of course, people are free to do whatever they want with their own time
> >> and efforts. But if you do it out of a feeling of contributing to
> >> LilyPond, i
On Sat, Aug 10, 2013 at 12:21 AM, Werner LEMBERG wrote:
>
> > The SMuFL standard is just a specification cooked up by Steinberg
> > for the new program. It's been possible for them to consider this
> > since they are architecting the program from scratch. But it's a
> > step away and outside of
On Fri, Aug 9, 2013 at 9:21 AM, Urs Liska wrote:
> Am 09.08.2013 15:11, schrieb Jan-Peter Voigt:
> Of course I don't know that either, but I see a few steps:
> 1) Modify the mapping of glyphs to Unicode numbers
>I think that would be very simple, just a matter of remapping them in a
> suitabl
On Mon, Aug 5, 2013 at 8:55 PM, David Rogers wrote:
> Carl Peterson writes:
>
> > I'm curious...did you happen to notice any examples where the engraver
> > chose to split the measure that might be indicative of an approach? If
> > I were to have done something like
On Mon, Aug 5, 2013 at 5:10 PM, David Rogers wrote:
> James Harkins writes:
>
> > On Aug 5, 2013 2:59 PM, "James Harkins" wrote:
> >> I appreciate the thought, but I'm not quite interested in that
> > particular flavor of Kool-aid. I'll go with my eye on this. I don't
> > like how it looks, and
On Mon, Aug 5, 2013 at 10:38 AM, James Harkins wrote:
> On Aug 4, 2013 5:30 PM, "Trevor Daniels" wrote:
> > maybe it's as Phil stated in his answer: singers expect the lyric text
> to start with the note and do not follow other/foreign aesthetic styles
>
> Classical or jazz singers?
>
I can't s
On Tue, Jul 30, 2013 at 12:58 PM, Eduardo Silva
wrote:
>
> What I would be interested in is a WYSIWYG editor that would be able to
> take down notes and output a basic ly file, perhaps to Dropbox.
>
> Hi, I think there are some editors for Android/Ipad that will at least
> output to ABC or MusicXM
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