formats)
would be infeasible without the ability to automate the work using LP and a
language like Python.
Thanks in advance,
Carl Peterson
All,
I am involved in some choral
recording projects where we are
having the singers sing from
projected slides. To aid in timing,
pitch, etc., we have it set up where
they have headphones feeding them the
MIDI of the song being recorded as
they sing. All of this is synchonored
through
Hey all,
How do I get the spacing between lyrics and the surrounding staves to be
equal and fixed, regardless of whether noteheads/stems collide with the
lyrics? I've tried a number of different combinations of settings and can't
get the stems ignored.
Also, I noticed that the spacing depends on
All (but particularly anyone with experience/knowledge on fresco for mac),
I'm trying to install the latest stable of Frescobaldi on my Mac
(10.9), and it gets to installing the py27-pyqt4 dependency, and fails
with this message:
Error: org.macports.configure for port py27-pyqt4 returned:
On Mon, Jan 6, 2014 at 11:46 AM, Daniel Rosen drose...@gmail.com wrote:
I use SourceTree for almost everything; the exceptions are a couple of
commands that I can't figure out how to do in the GUI (e.g. git stash apply).
I learned/am learning Git by using SourceTree, and I haven't had much
On Mon, Jan 6, 2014 at 1:18 PM, Daniel Rosen drose...@gmail.com wrote:
-Original Message-
From: Carl Peterson [mailto:carlopeter...@gmail.com]
SourceTree isn't available for Linux, last time I checked...I use it on
Mac/Windows for my other repos, but alas, not for LP.
Carl P
On Sat, Jan 4, 2014 at 12:52 PM, Speldosa l4rs...@gmail.com wrote:
I would like to use \paper{two-sided = ##t} in order to have different
margins for even and odd pages. However, when activating this option, odd
pages get larger right margins and even pages get larger left margins. I'd
like to
On Thu, Jan 2, 2014 at 11:39 AM, Joshua Nichols
josh.d.nich...@gmail.com wrote:
I figured I'd wait till 2.18.0 to see if something magical occurred, but now
I know for sure...
When I use the snippet:
#(define fonts
(make-pango-font-tree Linux Libertine G
Nimbus Sans
Luxi Mono
(/
On Thu, Jan 2, 2014 at 6:43 PM, Joshua Nichols josh.d.nich...@gmail.com wrote:
see attached. It was lengthy.
IC,
Josh
I didn't find an entry for Linux Libertine in your listing.
On my machine, I checked Font Book and it looks like I have it
installed both as a user copy and as a system
On Thu, Jan 2, 2014 at 7:38 PM, Joshua Nichols josh.d.nich...@gmail.com wrote:
Okay, so I did the obvious and went through the Fontbook and literally
clicked and dragged the fonts into the computer (I guess that's the sys
place) tab, and then I re-typeset the file: It worked...
Well...
Note at the bottom of the Nanuals page:
Manual formats
The LilyPond manuals generally come in three formats:
split HTML, big HTML and PDF. Split HTML is good for
reading online. Big HTML (and some of these can be very
big) contains the whole manual in a single page. PDF is
available for
I have a question for the git experts on the list. I've migrated my
current collection of lilypond projects to a git repository so that I
can migrate the source files among my various workstations and use
versioning as part of my editing process (so that I can theoretically
keep track of my
On Sun, Dec 22, 2013 at 12:47 AM, James Harkins jamshar...@gmail.com wrote:
I was just searching, without success, for a way to change the number of
pulses-per-quarter in MIDI output. The default, 384, handles double
divisions and triplets, but quintuplets are inexact. I would rather use 480
On Sun, Dec 22, 2013 at 12:58 AM, Carl Peterson carlopeter...@gmail.com wrote:
On Sun, Dec 22, 2013 at 12:47 AM, James Harkins jamshar...@gmail.com wrote:
I was just searching, without success, for a way to change the number of
pulses-per-quarter in MIDI output. The default, 384, handles double
On Fri, Dec 13, 2013 at 8:46 AM, Urs Liska u...@openlilylib.org wrote:
Am 13.12.2013 14:14, schrieb Stephanie Mitchell:
Hi all,
Just wondering if there is an app for ios that can write and print
lilypond files?
I'm looking for a ios app that will do this, so I can print music while
away
On Thu, Dec 12, 2013 at 4:26 PM, Tom van der Hoeven
t...@vanderhoeven.bizwrote:
Suppose I have
music = \relative c'{c b a g f e e f g a b c}
my instrument is limited so it cannot play the pitch f end below
I have to raise f e e f by a terts of an octave
Is there a function shift or
On Tue, Dec 10, 2013 at 8:23 AM, Mike Solomon m...@mikesolomon.org wrote:
Hey all,
I recently e-mailed the development list about multiple concurrent
development versions and I’d like to ask users, especially those currently
using the development version, to take the time to respond to a
On Tue, Dec 10, 2013 at 10:23 AM, David Kastrup d...@gnu.org wrote:
If we have branches with personal interests, it must become more
feasible for the respective authors with personal interests to provide
binaries if they consider that a good idea. Any solution that will only
work via the
On Tue, Dec 10, 2013 at 12:15 PM, Simon Bailey si...@bailey.at wrote:
for instance:
- the cool new features in 2.17 were \tuplet, tighter spacing,
dot.notation.of.objects and \markLengthOn, several articulations feature;
- 2.15 didn't have much exciting for me in it -- here i stuck with 2.14
On Tue, Dec 10, 2013 at 3:31 PM, Richard Shann rich...@rshann.plus.comwrote:
only some people are interested in everything, many want just their
own bits of interest.
Denemo is customizable to a great extent, all menus and palettes can be
modified; most users will not do so, but it would be
On Mon, Dec 9, 2013 at 12:01 PM, Urs Liska u...@openlilylib.org wrote:
Would a section Online Tools better be placed between the full-fledged
editors (Frescobaldi/Denemo) and Text editors or after the Text editors.
I think we could consider not only score editors but also tools like
-
On Mon, Dec 9, 2013 at 12:15 PM, Carl Peterson carlopeter...@gmail.comwrote:
On Mon, Dec 9, 2013 at 12:01 PM, Urs Liska u...@openlilylib.org wrote:
Would a section Online Tools better be placed between the
full-fledged editors (Frescobaldi/Denemo) and Text editors or after the
Text editors
On Sun, Dec 8, 2013 at 5:34 PM, Urs Liska u...@openlilylib.org wrote:
Am 08.12.2013 23:23, schrieb Federico Bruni:
2013/12/6 Federico Bruni fedel...@gmail.com
These problems should be recorded in our tracker.
So far I've seen 2 issues/feature requests:
1. improve SEO
2. associate a
On Sun, Dec 8, 2013 at 5:55 PM, Carl Peterson carlopeter...@gmail.comwrote:
I have something in development for #2 on Federico's list. I've parsed
through enough of the texi2html script that I was able to insert CSS
classes into the body tag that will allow me to color code each manual.
One
On Fri, Dec 6, 2013 at 3:26 AM, Janek Warchoł janek.lilyp...@gmail.comwrote:
2013/12/6 David Kastrup d...@gnu.org:
Janek Warchoł janek.lilyp...@gmail.com writes:
A suggestion from my colleague: for a long time he kept confusing LM
and NR, and he said that it would be nice if (for example)
On Dec 8, 2013 11:02 PM, James Harkins jamshar...@gmail.com wrote:
On Dec 9, 2013 11:52 AM, Mark Stephen Mrotek carsonm...@ca.rr.com
wrote:
Mr. Harkins,
Two or three hops are not too much for anyone that reads and follows
directions.
Then you have more faith than I in general usage
On Mon, Dec 9, 2013 at 1:12 AM, James Harkins jamshar...@gmail.com wrote:
Carl's two-column approach is pretty much what I had in mind. Although, he
suggests this would be only a slight improvement. I think it could be more
than that. Suppose we introduce the downloads with a couple of
On Sat, Dec 7, 2013 at 1:03 PM, Janek Warchoł janek.lilyp...@gmail.comwrote:
2013/12/6 Carl Peterson carlopeter...@gmail.com:
In particular, I would say that anything used should be incontrovertibly
in
the public domain (i.e., the older, the better).
This is just impossible
On Sat, Dec 7, 2013 at 1:19 PM, Richard Shann rich...@rshann.plus.comwrote:
On Sat, 2013-12-07 at 18:11 +0100, Joseph Rushton Wakeling wrote:
On 07/12/13 18:07, Jan Nieuwenhuizen wrote:
Beethoven's 104 Piano Sonatas
That would be 32 :-) But 104 separate movements in total ...
Is that
On Sat, Dec 7, 2013 at 3:42 PM, Phil Holmes m...@philholmes.net wrote:
My recommendations would be:
1. Use a consistent URL for the latest stable version of LilyPond
documentation. That way web searches and other pages across the web link
to the latest version instead of ancient versions of
On Fri, Dec 6, 2013 at 7:10 AM, Phil Burfitt phil.burf...@talktalk.netwrote:
From: Janek Warchoł janek.lilyp...@gmail.com
Sent: Friday, December 06, 2013 11:16 AM
* why are you out-sourcing tracking (google analytics)?
I suppose that when that was decided upon, there may have been no
On Fri, Dec 6, 2013 at 12:42 AM, David Kastrup d...@gnu.org wrote:
Shane Brandes sh...@grayskies.net writes:
The U.S. has the concept of fair use see 17 U.S.C. § 107
But we want LilyPond to be distributable in more than just the U.S.A.
Indeed. I am not a legal expert by any stretch (I've
On Fri, Dec 6, 2013 at 9:00 AM, James Harkins jamshar...@gmail.com wrote:
A side comment, picking up on a comment in the Windows experience thread:
I hope the new site will avoid any hooks to Google analytics or other APIs.
I'm behind the Great Firewall of China, and I see frequently how
On Fri, Dec 6, 2013 at 10:19 AM, Phil Holmes m...@philholmes.net wrote:
Our server is provided on a goodwill basis, and so we would not want to
use any scripting that might load it.
I was thinking that was the case. This would be a script that would append
all the request headers to a text
On Fri, Dec 6, 2013 at 10:30 AM, David Kastrup d...@gnu.org wrote:
So any extension announced after the death of an author should
not apply to the works of an author who labored under different
assumptions when creating the work.
+1
Indeed. That said, if a work is in the public domain, it's
On Fri, Dec 6, 2013 at 10:47 AM, David Kastrup d...@gnu.org wrote:
Carl Peterson carlopeter...@gmail.com writes:
On Fri, Dec 6, 2013 at 10:30 AM, David Kastrup d...@gnu.org wrote:
So any extension announced after the death of an author should
not apply to the works of an author who
On Fri, Dec 6, 2013 at 11:08 AM, Phil Holmes m...@philholmes.net wrote:
Well, yes, as CPU load. I remain of the view that this is not a good use
of time - there are other things that will be of greater value for less
effort. Remember, you'll not be doing this by editing HTML, but the
On Thu, Dec 5, 2013 at 1:42 AM, David Kastrup d...@gnu.org wrote:
Carl Peterson carlopeter...@gmail.com writes:
Where do I sign up and what do I need to know about the way the
current site works? I cannot write a single line of C++, my Scheme
skills are meager at best (limited mostly
Branching this discussion into its own topic
On Thu, Dec 5, 2013 at 11:25 AM, Phil Burfitt phil.burf...@talktalk.netwrote:
Tim McNamara wrote:
If you think that Lilypond's web page needs a facelift, then
volunteer to roll up your sleeves and help change it...
Werner Lemberg wrote:
On Thu, Dec 5, 2013 at 8:13 PM, Carl Sorensen c_soren...@byu.edu wrote:
On 12/5/13 9:43 AM, Carl Peterson carlopeter...@gmail.com wrote:
1) Review the CSS of both the website and the documentation. These are
simply CSS files that don't need any compiling or reconfiguring. The
eyesore
On Wed, Dec 4, 2013 at 9:09 PM, Tim McNamara tim...@bitstream.net wrote:
On Dec 4, 2013, at 6:18 PM, Phil Burfitt phil.burf...@talktalk.net
wrote:
I also think lilypond's website is terrible. It looks like something out
of the eighties knocked up on a dos machine. By comparison, take a look
On Tue, Dec 3, 2013 at 12:01 PM, Garrett McGilvray
garrett.mcgilv...@icloud.com wrote:
Now, to focus on a different point: the question as to whether a truly
fair comparison can be made only by professionals. I have no doubt that an
experienced professional in Finale (and I've ignored
On Sun, Dec 1, 2013 at 1:31 PM, David Kastrup d...@gnu.org wrote:
SoundsFromSound soundsfromso...@gmail.com writes:
The biggest complaint I've heard from many of my peers (when it comes
to possibly switching from Finale/Sibelius) is that LilyPond looks
like way too much work and Text
On Sun, Dec 1, 2013 at 9:09 AM, Henning Hraban Ramm lilypon...@fiee.netwrote:
I guess „we“ have a chance in combination with TeX, i.e. at universities
etc. where TeX is in broad use, since the approach and needed expertise is
similar.
Good luck with that, at least if my university was any
On Mon, Dec 2, 2013 at 6:13 PM, Phil Burfitt phil.burf...@talktalk.netwrote:
- Original Message - From: David Kastrup d...@gnu.org
Sent: Monday, December 02, 2013 7:11 PM
Wouldn't it be far better after installing lilypond, to present the
user with a cut down tutorial and usage
On Dec 2, 2013 9:40 PM, James Harkins jamshar...@gmail.com wrote:
Keith OHara k-ohara5a5a at oco.net writes:
Of course specifying time in terms of durations is more convenient
than specifying absolute time, or we would need to change every
following note when we insert a few measures.
On Dec 1, 2013 1:47 AM, David Kastrup d...@gnu.org wrote:
Noeck noeck.marb...@gmx.de writes:
I personally don't understand why LP is not common at music
universities but that's probably a chicken-or-the-egg thing and the
lack of large scale marketing. But this would also need official
the association I found.
Carl Peterson
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lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
On Tue, Nov 19, 2013 at 2:11 PM, Urs Liska u...@openlilylib.org wrote:
I don't have a clue what that actually is, but the things very much
look like a tenor (C) clef imposed over the treble clef.
Urs
I agree. I suspect the meaning of the symbol is to indicate that the line
indicated by the
On Wed, Nov 13, 2013 at 1:18 PM, David Kastrup d...@gnu.org wrote:
Hayden Smith haydenpi...@gmail.com writes:
I cannot make inference based on the image provided in the notation
reference itself and wondered where script-chart.ly might be located
which would contain a complete list of
On Fri, Nov 1, 2013 at 3:52 PM, David Kastrup d...@gnu.org wrote:
Peter Bjuhr peterbj...@gmail.com writes:
On 11/01/2013 07:53 PM, David Kastrup wrote:
Can you guess what the output of saving and running the following file
will be?
Is the surprising output related to this?
If an
All,
Is there a way to tell LilyPond to try to space lyrics evenly, as opposed
to spacing notes roughly proportionally? I'm working with an SATB hymn
sheet where there are dotted half notes and quarter notes and eighth notes
all together, and the normal spacing engine that gives more space to
\ah = \set shapeNoteStyles = #'#(doThin reThin miThin faThin sol laThin
tiThin)
Use \ah wherever you would use \aikenHeads.
In my documents, since I *only* use Aiken heads, I do this:
\layout {
\context {
\Voice
shapeNoteStyles = #'#(doThin reThin miThin faThin sol laThin tiThin)
}
}
On Fri, Oct 18, 2013 at 9:12 AM, Eduardo Silva eduardo.su...@hotmail.comwrote:
Hi, Carl. I like your sample. What do you do to make the verses left
aligned (and possibly shifted) at the start of a new system? Do you do it
manually? I know one could do it fairly easy if at the start of every
On Thu, Oct 17, 2013 at 5:55 PM, Garrett McGilvray
garrett.mcgilv...@gmail.com wrote:
On Oct 12, 2013, at 10:25 PM, Carl Peterson carlopeter...@gmail.com
wrote:
So this would be your basic setup:
\score {
\new Staff = top {
\new Voice = sopVerse { } % voice for verse melody
On Wed, Oct 16, 2013 at 6:54 PM, Garrett McGilvray
garrett.mcgilv...@gmail.com wrote:
And thanks also to the several who gave their thoughts to whether I should
reply to all. This is indeed a very helpful community of people. I'm coming
from a background in occasional usage of Finale, and
On Thu, Oct 10, 2013 at 2:22 AM, Johan Vromans jvrom...@squirrel.nl wrote:
Jacques Menu jacques.m...@epfl.ch writes:
After struggling with irregular bars, I've been working on a Python3
tool that
transforms a spec such as:
[...]
into a ready-to-compile Lilypond source file.
Very
On Sun, Oct 13, 2013 at 3:03 PM, Garrett McGilvray
garrett.mcgilv...@gmail.com wrote:
Hi Carl,
I am so very grateful for your help. I have taken some time to study your
answer and do some practicing. I'm sorry to say that I'm still stuck. Where
I am getting confused is how to make a partial
On Sat, Oct 12, 2013 at 9:26 PM, Garrett McGilvray
garrett.mcgilv...@gmail.com wrote:
Hi folks,
The short version of the question (I think) is this: how do you set a
multi-measure rest when manually specifying lyric duration?
--
If the short version isn't sufficient, here is what I am
On Thu, Sep 12, 2013 at 1:46 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi all,
I have no idea how your email system would figure out just what mail Tim
had been replying to. The information is just not there in the headers.
Apple Mail uses the Subject (as text), and I
On Thu, Sep 12, 2013 at 1:20 PM, David Kastrup d...@gnu.org wrote:
Tim Roberts t...@probo.com writes:
David Kastrup d...@gnu.org wrote:
How does it make it harder? As I said, replying to a digest makes no
sense with regard to message threading anyway.
Of course it makes sense. I
On Thu, Sep 12, 2013 at 2:04 PM, David Kastrup d...@gnu.org wrote:
I'm certain Gmail will also be able to figure out the mail you are
replying to without referring to any header at all as long as any Gmail
user has not yet deleted it (and probably even afterwards). But for a
normal mail
On Thu, Sep 12, 2013 at 2:48 PM, David Kastrup d...@gnu.org wrote:
Not sure about that. The information usually is available in the
headers, and as far as I can tell, Gmail does preserve and maintain it
as well. So unless someone breaks the chain, it would seem like a
poor choice not to
On Thu, Sep 12, 2013 at 3:50 PM, Evan Driscoll edrisc...@wisc.edu wrote:
On 9/12/2013 2:03 PM, Carl Peterson wrote:
It also discourages the delightful idiots who insist on replying all
to a mass mailing (when the original sender didn't have the decency or
know-how to stick the recipient
On Tue, Sep 10, 2013 at 5:22 AM, immanuel litzroth ilitzr...@gmail.comwrote:
If there were some kind of make-dep for lilypond it could even generate
these dependencies
automaticaly, like it happens for C (the compiler generates dependencies
when passed the
correct flags). This should not be
On Tue, Sep 10, 2013 at 1:04 PM, Joshua Nichols josh.d.nich...@gmail.comwrote:
Thanks Carl! Should the myStaffSize be inside a #() or unspecified?
It is outside a Scheme context, so:
\paper {
myStaffSize = #22
}
___
lilypond-user mailing list
the modified
font tree), I got a normal response... So perhaps it is a bug? Or am I
missing something?
IC,
Josh
On Tue, Sep 10, 2013 at 12:12 PM, Carl Peterson
carlopeter...@gmail.comwrote:
On Tue, Sep 10, 2013 at 1:04 PM, Joshua Nichols josh.d.nich...@gmail.com
wrote:
Thanks Carl
Replying to group since I forgot to the first time...
On Tue, Sep 10, 2013 at 12:54 PM, Carl Peterson carlopeter...@gmail.comwrote:
I use #(set-global-staff-size __) at the top oc the document and
myStaffSize = #__ in the paper block. Usually I have to play with the two
to find the right
On Mon, Sep 9, 2013 at 9:30 AM, Phil Holmes m...@philholmes.net wrote:
- Original Message - From: Owain Sutton ow...@owainsutton.co.uk
It strikes me more as an issue of horizontal alignment than notehead size.
For comparison, here's an example published by Boosey Hawkes (Britten
Question for those who are familiar with linux bash shell scripting...
I have a script running on my linux box that uses inotifywait to monitor a
folder and compile any changed lilypond files. The folder is tied to my
dropbox account, so I can upload files to dropbox from any computer and
have
On Sat, Sep 7, 2013 at 8:04 AM, David Kastrup d...@gnu.org wrote:
The links do no harm. If at any point of time file size is a problem
for any given person, he can reduce it himself.
I have a problem with this statement. If they do no harm, why then does the
Usage file say:
*Note:* You
On Sat, Sep 7, 2013 at 11:28 PM, Mark Stephen Mrotek
carsonm...@ca.rr.comwrote:
Hello:
** **
A partial measure contains 1 and 1/16 beat. How is that notated in the
command “\partial?”
**
Try \partial 16*17
___
lilypond-user mailing
On Sat, Sep 7, 2013 at 11:35 PM, Carl Peterson carlopeter...@gmail.comwrote:
On Sat, Sep 7, 2013 at 11:28 PM, Mark Stephen Mrotek carsonm...@ca.rr.com
wrote:
Hello:
** **
A partial measure contains 1 and 1/16 beat. How is that notated in the
command “\partial?”
**
Try
On Fri, Sep 6, 2013 at 4:53 AM, Phil Holmes m...@philholmes.net wrote:
I have to my right hand Hymns and Modern, New Standard and behind me
Songs of Praise, New Standard. Both of these use separate voices for Sop
and Alto; Tenor and Bass. I strongly believe this is the best way of
setting
On Fri, Sep 6, 2013 at 8:46 AM, David Kastrup d...@gnu.org wrote:
Carl Peterson carlopeter...@gmail.com writes:
Some hymnals (the same ones) also do not beam flagged notes unless the
notes are for the same syllable (in which case, the beam serves as the
slur). I have adopted this change
On Fri, Sep 6, 2013 at 12:59 PM, David Rogers
davidandrewrog...@gmail.comwrote:
In practical terms, Carl's and my hymn books may in fact be considered
correct, because in many churches and/or church-music traditions, the
congregation is expected to sing in unison most of the time, the choir
On Thu, Sep 5, 2013 at 10:33 PM, Carl Peterson carlopeter...@gmail.comwrote:
This probably means that if it bothers me enough, I'm going to have to go
back into the part-combiner.scm file and dissect it. While my hands are in
the patient, I might as well figure out how to get it to combine
On Fri, Sep 6, 2013 at 6:02 PM, Carl Peterson carlopeter...@gmail.comwrote:
So getting back to this, I had somewhat a stroke of inspiration, but I
can't find in the documentation whether this is possible. Is it possible to
define a global context for all voice ones and all voice twos? In other
On Fri, Sep 6, 2013 at 9:08 PM, Mark Polesky markpole...@yahoo.com wrote:
Karl and Carl (and other choral typesetters),
I've added a new context to the source code called
NullVoice which is designed exactly for this purpose.
It's not yet available as a release, but you can get it by
I am using the automatic part combiner in preparing SATB hymn sheets. The
issue I have is that when the notes are chorded by the apc, if there is a
slur (in both parts), only one slur is printed (as is seen in the
documentation for automatic part combining). In virtually all the examples
I've
On Thu, Sep 5, 2013 at 9:44 PM, David Kastrup d...@gnu.org wrote:
Carl Peterson carlopeter...@gmail.com writes:
I am using the automatic part combiner in preparing SATB hymn sheets. The
issue I have is that when the notes are chorded by the apc, if there is a
slur (in both parts), only
On Thu, Sep 5, 2013 at 10:11 PM, David Kastrup d...@gnu.org wrote:
Well, this is probably going nowhere fast, but it's moderately amusing
that it seems to do something:
Agreed on both counts.
This probably means that if it bothers me enough, I'm going to have to go
back into the
On Tue, Sep 3, 2013 at 1:44 PM, Rachael Thomas Carlson
rachael.thomas.carl...@gmail.com wrote:
I hate to use Arial but the publishing house that I am emulating uses only
proprietary fonts.
There are a few non-proprietary fonts that emulate Arial much the same way
that Arial emulates
On Sep 1, 2013 6:01 AM, Peter Bjuhr peterbj...@gmail.com wrote:
As David points out the original example is uncommon both regarding ties
and slurs. I like to add another example which represent a more common use
of ties.
As you can see from the ly-file I first use a tie, then a slur, then a
On Tue, Aug 27, 2013 at 2:04 PM, Gilberto Agostinho
gilbertohasn...@googlemail.com wrote:
Hello everyone,
I am working with a score in Lilypond that has a lot of repetitions, where
basically every bar has to be repeated a certain number of times. I would
like to be able to write the number
On Tue, Aug 20, 2013 at 4:20 PM, Ted Walther tederi...@gmail.com wrote:
Now, someone posted another alternative; I could mark the musical notes of
the refrain as a separate voice, and tie the chorus lyrics to that. Well
and good; I wasn't aware that voices could be sequential. After all,
On Tue, Aug 20, 2013 at 5:49 PM, Ted Walther tederi...@gmail.com wrote:
Another problem with that snippet is the amount to drop. With a good
centering command, it is centered. But if I alter the font size, etc, the
amount of raising and dropping needed to center the lyrics will alter. How
On Tue, Aug 20, 2013 at 6:02 PM, Eluze elu...@gmail.com wrote:
Ted Walther wrote
Another problem with that snippet is the amount to drop. With a good
centering command, it is centered. But if I alter the font size, etc,
the
amount of raising and dropping needed to center the lyrics will
On Mon, Aug 19, 2013 at 11:36 AM, Andrew Bernard
andrew.bern...@gmail.comwrote:
Greetings,
James Harkins jamshar...@gmail.com
20 August 2013 12:31 AM
I'll be bold and disagree. G-flat is ges in Dutch (3 characters) and gf in
English (2 characters). If you're typesetting a piece in
My approach to handling parts for hymn settings is to define the music for
the verses and chorus independently and then apply nested simultaneous and
sequential voices. So, for instance,
\score {
\new Staff = top {
\new Voice = sopRef { \sopRefrainNotes } \new Voice = altRef {
On Wed, Aug 14, 2013 at 7:27 PM, Dominic dominicirv...@gmail.com wrote:
So my question is, how can I get the dynamics to align themselves
'correctly', i.e. as they would be if they were directly attached to the
notes. Putting the dynamics in a Dynamics context is not really an option,
since
On Tue, Aug 13, 2013 at 11:19 AM, Richard Shann richard.sh...@virgin.netwrote:
here is your problem. You are hoping that the timing of your keypress
could be interpreted and a duration of note estimated from it. Such
systems have been tried many times, and are offered by programs that
don't
On Tue, Aug 13, 2013 at 11:57 AM, Mark Stephen Mrotek
carsonm...@ca.rr.comwrote:
Hello:
In a single voice (RightOnly.ly), setting automatic beam behavior produces
the desired notation.
When the left hand is added (Both.ly) the commands – identical in both
files – do not take effect.
Must
On Sat, Aug 10, 2013 at 5:46 AM, David Kastrup d...@gnu.org wrote:
Andrew Bernard andrew.bern...@gmail.com writes:
On 10/08/13 7:10 PM, David Kastrup wrote:
Of course, people are free to do whatever they want with their own time
and efforts. But if you do it out of a feeling of
On Fri, Aug 9, 2013 at 9:21 AM, Urs Liska u...@openlilylib.org wrote:
Am 09.08.2013 15:11, schrieb Jan-Peter Voigt:
Of course I don't know that either, but I see a few steps:
1) Modify the mapping of glyphs to Unicode numbers
I think that would be very simple, just a matter of remapping
On Sat, Aug 10, 2013 at 12:21 AM, Werner LEMBERG w...@gnu.org wrote:
The SMuFL standard is just a specification cooked up by Steinberg
for the new program. It's been possible for them to consider this
since they are architecting the program from scratch. But it's a
step away and
On Mon, Aug 5, 2013 at 10:38 AM, James Harkins jamshar...@gmail.com wrote:
On Aug 4, 2013 5:30 PM, Trevor Daniels t.dani...@treda.co.uk wrote:
maybe it's as Phil stated in his answer: singers expect the lyric text
to start with the note and do not follow other/foreign aesthetic styles
On Mon, Aug 5, 2013 at 5:10 PM, David Rogers davidandrewrog...@gmail.comwrote:
James Harkins jamshar...@gmail.com writes:
On Aug 5, 2013 2:59 PM, James Harkins jamshar...@gmail.com wrote:
I appreciate the thought, but I'm not quite interested in that
particular flavor of Kool-aid. I'll go
On Mon, Aug 5, 2013 at 8:55 PM, David Rogers davidandrewrog...@gmail.comwrote:
Carl Peterson carlopeter...@gmail.com writes:
I'm curious...did you happen to notice any examples where the engraver
chose to split the measure that might be indicative of an approach? If
I were to have done
On Tue, Jul 30, 2013 at 11:21 AM, D'Arcy J.M. Cain da...@druid.net wrote:
On Tue, 30 Jul 2013 08:39:16 -0600
i...@soundand.com wrote:
Is anyone using a tablet to run lilypond and if so which one?
I was thinking about getting a tablet but why run Lilypond on it?
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