Good morning, Alain.
Thank you for this. I hope it was fun to put together!
Have a good afternoon,
Chris.
On Mon, Sep 28, 2020 at 1:06 AM Alain Veylit
<[1]al...@musickshandmade.com> wrote:
People who like lute duets might interested in a project I put
together,
Of course, his son also made a difficult version...
On 14.09.20 13:52, Christopher Stetson wrote:
> Hi, Tristan and all,
> I was not familiar with the song (and now I feel
inadequate), but yes,
> it is a beautiful and accomplished performance,
Hi, Tristan and all,
I was not familiar with the song (and now I feel inadequate), but yes,
it is a beautiful and accomplished performance, Thanks!
Stay safe and keep playing,
Chris.
On Sun, Sep 13, 2020 at 9:46 PM Tristan von Neumann
<[1]tristanvonneum...@gmx.de> wrote:
Hello Tristan and Jean-Marie.
I've had a facsimile copy of the Tresor since one bought those things
with a check in an envelope, and agree about the quality of the music,
but haven't had it out in years, so thanks for the reminder. I
have played through Susanne, but tend more
Wasn't Vincenzo known mostly as a theoretician? Should we see this more
as a treatise on writing variations than intended for public
performance?
On Sat, Aug 29, 2020, 11:56 AM Sarge Gerbode <[1]sa...@gerbode.net>
wrote:
I think this one wins the prize, but I am not sure
The Scottish Hunts Upp? Or maybe it just seems that way.
On Sat, Aug 29, 2020 at 9:22 AM Mathias Rösel
<[1]mathias.roe...@t-online.de> wrote:
Roman,
IIRC, there's a notorious fantasy in the Siena ms.
Mathias
Richard, the unfortunate lutenist was the Mark Smeaton that Theo
mentioned, and he probably did.
On Wed, Aug 26, 2020 at 10:55 PM Christopher Stetson
<[1]christophertstet...@gmail.com> wrote:
Thanks for asking, Theo, and hello all.
Judging from what I see on fa
Thanks for asking, Theo, and hello all.
Judging from what I see on facebook and youtube, there doesn't seem to
be a dearth of young (well, young to me) enthusiastic and very talented
players, and I suspect the lute world will go on as it has, a small
collection of passionate,
Hi, all.
There's also the very remarkable 12-course cittern that Praetorius
illustrates with plan and side views in Syntagma;
[1]https://artscimedia.case.edu/wp-content/uploads/sites/146/2015/04/14
214944/PraeCitterns.jpg We would likely categorize it as a type of
bandora if
Thanks for pointing this out, Tristan. I took a quick look. Not for
the faint of heart!
Chris.
On Mon, Aug 17, 2020 at 6:34 AM Tristan von Neumann
<[1]tristanvonneum...@gmx.de> wrote:
The first 50 pieces of a manuscript of which I had never heard
before.
Rare
Hi, all.
If my memory serves there are p's, q's, r's, and s's in Holborne's
cittern book. I don't remember what he did about c's.
Stay safe, dry, and well.
Best to all and keep playing.
Chris.
On Tue, Aug 4, 2020, 11:22 AM Frank A. Gerbode, M.D.
<[1]sa...@gerbode.net>
My vote is also a harp. They're not often depicted front-on like that,
but that is how they look. I agree, the color palette is striking for
the time.
On Mon, Jul 20, 2020, 2:11 PM Sean Smith <[1]lutesm...@gmail.com>
wrote:
Looking at the sound holes, I suspect a harp.
Me too. Currently struggling with some Spinacino oddities myself.
On Sat, Jun 27, 2020, 2:35 PM Frank A. Gerbode, M.D.
<[1]sa...@gerbode.net> wrote:
I could not agree with you more, Ron. I reserve the right to
change
something that sounds awful into something that
Thanks from me too, Ron. I looked at the transcription, and at least
one of them calls for eight courses. I don't read German tablature
(or German language, so I need to ask for Tristan's help), but know
something of of it, so I assume Gerle would have had to use special
If that's what happens when you sleep too much, I'll have to try it!
On Fri, May 22, 2020 at 11:38 AM Joachim Lüdtke
<[1]jo.lued...@t-online.de> wrote:
Nice shredding on the Quinterne!
-Original-Nachricht-
Betreff: [LUTE] funny video
Datum:
Hi, all.
Many thanks to Tristan, and especially Sarge. He's one busy guy! If
it's a possibility for you, let me urge folks not to ignore the donate
button on his web page.
Best to all, and keep playing.
Chris.
On Fri, Apr 24, 2020 at 9:29 AM Tristan von Neumann
...or had large hands. Actually, though, I don't find them more
technically difficult than many of the chanson intabulations of earlier
publications.
On Sun, Mar 15, 2020, 1:12 PM Tristan von Neumann
<[1]tristanvonneum...@gmx.de> wrote:
But seriously, how do you play
Hello all. I have Molinaro in facsimile, the old SPES edition. I'm sure
I tried 12, but frankly remember that even #1 stretched my abilities.
That was at least 25 years ago, though, so perhaps I should take
another look (especially now while I have some spare time). However,
having
Hello, Tristan and all.
Tristan, you do ask the most interesting questions! I have looked for
traditional Portuguese music a bit from personal and local interest.
There is a large, active Portuguese-American community near me in South
Eastern Massuchusetts and Rhode Island and I
Hi, everyone.
Just my two farthings on this opinion fest: I'm perfectly comfortable
reading both from facsimile and modern editions, French, Italian, or
"Spanish", but only stumbling German. I don't find modern editions
especially ugly, and many original manuscripts (the early
I don't know of any major repertoire specifically for recorder and Ren.
lute, and I'm not completely familiar with recorder range and
registration, but I'd think pretty much any lute song should be
adaptable. Check out [1]gerbode.net for more modern editions than
you'll know what
Hi, all.
I remember being told some time ago, by someone who should have known,
that one of the early German greats (Gerwig, Schaeffer, or Dombois, but
I think Gerwig) used that stringing, but I both can't remember and
don't know if it was from historical precedent (I doubt it) or
"To avoid having to travel in bad company to find entertainment, he
learned to play the lute so he could pass the time alone, when he
couldn't find other friends."
Pretty much sums it up.
Best, and keep playing,
Chris.
On Tue, Jul 30, 2019 at 3:27 PM
In my opinion the problem would be coming up with measurable criteria
for "sounds the same".
Best, and keep playing (wherever you think it came from),
Chris.
On Mon, Jul 15, 2019 at 11:48 AM
<[1]theoj89...@new-old-mail.cs.dartmouth.edu> wrote:
Given the book "The Song
edu
[mailto:[3]lute-...@cs.dartmouth.edu] On Behalf
Of Edward Martin
Sent: Monday, June 24, 2019 11:08 PM
To: Christopher Stetson <[4]christophertstet...@gmail.com>
Cc: [5]lute@cs.dartmouth.edu
Subject: [LUTE] Re: Julian Bream on Lute
Christopher a
around!How interesting!
It
was made by someone by the name Meinl from (at the time) East
Germany.
Thanks, a nice trip down memory lane!!
ed
On Mon, Jun 24, 2019 at 10:39 PM Christopher Stetson
<[1][2]christophertstet...@gmail.c
Hello, all. So far I've been lurking on this interesting topic. As
a lutenist of "that generation" I, too, was inspired by Bream, along
with Schaeffer, Ragossnig, and Gerwig. I remember talking with my
friend who is now a respected medieval lutenist and teacher, probably
Thanks, Tristan, I took a look, will check them out a bit later.
Frankly, any passamezzo with less than 13 variations is fine with me.
Can't wait for some groove.
-Chris.
On Wed, May 15, 2019 at 3:12 PM Tristan von Neumann
<[1]tristanvonneum...@gmx.de> wrote:
Well, what
"...not a guitar but doing its best."
Thanks, Danny.
On Sat, May 11, 2019 at 10:22 AM Daniel Shoskes
<[1]kidneykut...@gmail.com> wrote:
Never thought to use a bot, but gamers seem to have found the
solution
Is it possible they still thought of the 6th course as "added", as we
do the 7th and subsequent courses, even when the 7th is tuned to "D"
(nominal), and therefore a logical extension of the standard tuning
pattern?
Best to all, and keep playing,
Chris.
On Fri, May 3, 2019 at
Dover Publications has them, four of Dowland's books in two volumes.
They've got tablature and transcriptions. It's small and difficult to
perform from, but here are the links:
[1]http://store.doverpublications.com/048629935x.html
Hi, all.
In re: G. C.'s comment, "today's guitar scene has been completely
inundated with spanish tab while the lute world seems to favour french
tablature." It's a matter of notational history. Historically
today's guitar tab has nothing to do with 16th century vihuela
Hi, all.
Personally, I use a Tozan-ryu style shakuhachi music stand (from one of
my other musical lives):
[1]https://www.ebay.com/itm/Kikutani-music-stand-JMS-6-Extravaganza-sha
kuhachi-height-adjustment-620-JAPAN/163283784590?epid=917472217=it
n lute; the rest on viola da Mano (vihuela).
-- Forwarded message -
From: Christopher Stetson <[1][2]christophertstet...@gmail.com>
Date: Fri, Aug 24, 2018 at 11:20 PM
Subject: Re: [LUTE] Nigel's Francesco vol 2
To: Edward Martin <
I only play Renaissance lute and I don't use one, though I know
accomplished players who swear by them, as in "By my lutestrap!".
On Thu, Aug 16, 2018 at 6:43 PM, Dan Winheld <[1]dwinh...@lmi.net>
wrote:
Personally could never understand or tolerate a strap on any normal,
Sorry, I didn't read the subject line. Portugal really had time for
music by the 18th c.
On Tue, Aug 7, 2018 at 12:14 PM, Christopher Stetson
<[1]christophertstet...@gmail.com> wrote:
Romanesca for Rome?And I'm surprised there isn't more
Renaissance
Romanesca for Rome? And I'm surprised there isn't more Renaissance
music associated with Portugal. Maybe they were too busy inventing
global hegemony?
Best, and keep playing,
Chris.
On Tue, Aug 7, 2018 at 4:43 AM, Edward C. Yong
<[1]edward.y...@gmail.com> wrote:
Hi, Alain.
The link doesn't work for me, what was the original title?
Best,
Chris.
On Fri, Aug 3, 2018 at 12:49 AM, Alain Veylit
<[1]al...@musickshandmade.com> wrote:
It's all one big Muslim conspiracy:
[2]https://www.youtube.com/watch?v=j1Sb-8kiAJ - yes, but which
The older I get, the more of a problem it becomes.
On Tue, Jul 10, 2018 at 4:47 PM, Dan Winheld <[1]dwinh...@lmi.net>
wrote:
Loose lips sink lutes. Or flutes. What's the difference- my old
guitar teacher used to tell me to keep my mouth closed!
Dan
On 7/10/2018 1:07
Hi, all.
I somewhat agree with Gilbert on matters of "proper" technique, but as
someone who is self-taught, I know that cutting corners can lead to bad
habits that are hard to unlearn and tend to keep one from moving above
certain technical plateaus. That said, he's also right
And, to continue Monica's thoughts, the change Rainer is speaking of
took place long before there were any standards for teachers at all.
it also depends on time and place. In the United States, we have
certainly had standards for teachers for several decades, including
grammar,
Hello, Leonard and all.
I've been waiting for any of the more learned, less anecdotally-based
members to join in, but no one seems to be jumping so I'll chime in.
Much of the English music of the late 16th/early 17th c. is very
Italian influenced, as is, for that matter, music from
Hello all.
An interesting question, Peter, thanks for bringing it up. To answer
honestly and personally, I'm not especially interested in new music,
per se, for any of the instruments I play (mainly lute, guitar,
mandolin, but some others too). I couldn't really say why, except
Hello, Tristan all.
In my limited understanding, these instruments were originally intended
to be tuned like a standard guitar, EADgbe at.A440, and in fact are
often referred to in English as "guitar-lutes" or "lute-guitars" I
have a couple of music books for "laute" from the
From a historical perspective even "bad" music is worth preserving and
making available, so thanks, Alain, for undertaking this project.
I'll read through it as soon as my slipped 2nd course strings are back
up to pitch. I wouldn't have taken the trouble without your
I wasn't aware of this, but logically it's not surprising since, after
all, both tablature and staff notate specific pitches within a scale,
each mark denoting only one pitch.
On Mon, Oct 30, 2017 at 5:21 AM, Ed Durbrow
<[1]edurb...@sea.plala.or.jp> wrote:
On Oct 6, 2017, at
Hello, all.
Davide Rebuffa appears to be the man to talk to about the lute dyphone.
I don't think I've seen him post here, but I know he is on Facebook.
If you do that sort of thing (and I only say this because several of
my friends don't), I imagine he'd be happy to answer your
Thank you, Matthew. I'm particularly intrigued by the contemporary
English translation.
On Mon, Aug 28, 2017 at 4:50 PM, Matthew Daillie
<[1]dail...@club-internet.fr> wrote:
You can find the sources and detailed explanations (in French) by
clicking on the title of the air
PS, the phrase "original multi-voice originals" originated with the
Department of Redundancy Department.
On Mon, Aug 28, 2017 at 3:59 PM, Christopher Stetson
<[1]christophertstet...@gmail.com> wrote:
Beware! The imslp entries noted above (no doubt quite inno
Beware! The imslp entries noted above (no doubt quite innocently by
Lex) are of an early 20th century reworking of Guedron's song. The
music is completely new, only the words are shared. I found this out
when a singer brought it to me. I don't know if this song, or other
This is wonderful, Anthony, but now the link appears to be broken, at
least on my Chrome browser. Would you mind resending it?
Best,
Chris.
On Thu, May 11, 2017 at 5:05 PM, Anthony Hart
<[1]anthony.hart1...@gmail.com> wrote:
I was browsing for copies of links to
of it?
Thanks,
Chris.
On Sat, Apr 8, 2017 at 7:20 AM, Christopher Stetson
<[2]christophertstet...@gmail.com> wrote:
Thank you, Andreas.
On Sat, Apr 8, 2017 at 12:49 AM, Andreas Schlegel
<[3]lute.cor...@sunrise.ch> wrote:
After Guillo
[4]https://www.abebooks
I found this to be a pretty good collection if you don't mind staff
notation:
[1]https://www.amazon.com/Guitar-Music-Century-Archive-Editions/dp/0786
603127
The pieces are notated for a guitar in standard "E" tuning, but the
transcriptions are faithful, no 5th or 6th strings
Hi,
Can someone tell me where I can find Pierre Guedron's "Aux Plaisirs,
aux Delices Bergeres"? I know someone knows off-hand, and I don't
have the time to go searching myself.
Thanks,
Chris.
--
To get on or off this list see list information at
My apologies, this is not a reply to this email.
On Wed, Mar 1, 2017 at 12:33 PM, Christopher Stetson
<[1]christophertstet...@gmail.com> wrote:
Of course, I'll take over the driving. Sorry to have caused concern.
Chris.
On Wed, Mar 1, 2017 at 11:36 AM, Dan Winheld <
Of course, I'll take over the driving. Sorry to have caused concern.
Chris.
On Wed, Mar 1, 2017 at 11:36 AM, Dan Winheld <[1]dwinh...@lmi.net>
wrote:
Fellow luters, I have found the perfect piece of music for
thoroughly vetting a 6th course (and 5th , also) for intonation
As others have said, thanks, Ron, for your impressively thorough and
informed scholarship from an insider's viewpoint. This would have
been unlikely to come from someone not intimately involved with the
music.
On Sun, Jan 15, 2017 at 6:05 AM, Ed Durbrow
Dear Rainer and all,
It appears to me that both examples are identical.
Chris.
On Sun, Jan 15, 2017 at 8:00 AM, Rainer <[1]rads.bera_g...@t-online.de>
wrote:
Dear lute netters,
please note that the tablature snippets in this mail may look very
strange if you do not
You are correct, Terry. Apologies.
On Wed, Oct 19, 2016 at 10:25 PM, Terry Muska
<[1]tmu...@new-old-mail.cs.dartmouth.edu> wrote:
I believe that should read
[2]catli...@aol.com
Sent from my iPhone
> On Oct 19, 2016, at 8:47 PM, Edward Martin
Thanks, Ron, for the LRLOL. Just got through playing The Queen's Dump
in preparation for a wallpaper gig tomorrow.
On Fri, Aug 19, 2016 at 11:05 AM, Ron Andrico
<[1]praelu...@hotmail.com> wrote:
John Johnson's perhaps more famous contemporary Edward Johnson is
the
Perhaps Johnson was responsible for the consort setting? Everyone
knew that Dowland wrote it.
Best, and keep playing.
Chris.
On Thu, Aug 18, 2016 at 12:07 PM, Sebastian Strauchler
<[1]strauch...@gmail.com> wrote:
Lachrimae found:
On Sun, Aug 14, 2016 at 7:01 PM, howard posner
<[1]howardpos...@ca.rr.com> wrote:
> On Aug 14, 2016, at 12:12 PM, G. C. <[2]kalei...@gmail.com> wrote:
>
> almost 20
>years after Rolf Lislevand made us aware of this exceptional
musician
>in 1993
I agree with Ed, Thomas. Bravo!
On Sat, Jun 4, 2016 at 8:56 PM, Ed Durbrow
<[1]edurb...@sea.plala.or.jp> wrote:
What a beautiful album. You have no worries about the being in that
catalog.
On May 22, 2016, at 9:38 AM, Thomas Walker
<[2]twlute...@hotmail.com> wrote:
Hi, all.
These:
[1]http://ks.imslp.info/files/imglnks/usimg/f/f4/IMSLP349700-PMLP564903
-ga_brescianello_18_gallichone_partitas_411979019.pdf
are quite accessible, and only 6 courses, though with the 3rd in
"guitar place" between the 2nd and 3rd course, and some retuning of the
Hello, Andreas and all.
Paul O'Dette has already done the research:
[1]http://www.barnesandnoble.com/w/ancient-airs-and-dances-16th-century
-songs-dances-for-lute-paul-odette/8650158
I don't have the CD at hand, but I believe the liner notes contain all
the sources. It's also
Sorry, didn't mean to imply The Waverly Consort were amateurs. It's a
separate thought.
C.
On Tue, May 10, 2016 at 8:07 AM, Christopher Stetson
<[1]christophertstet...@gmail.com> wrote:
Hi, Roger and all.
I met Harold in the mid-1970's and owned three
Hi, Roger and all.
I met Harold in the mid-1970's and owned three of his instruments.
Wayne is correct in the details. There is still web evidence of
Westover Harps in Holyoke, MA, but I suspect it's old and obsolete.
It's about 10 miles south of me, so I really should take a
Personally, I always wondered why the National Center for Scientific
Research was in the business of publishing lute music. I wonder how
that got by the funders. But it was a different time.
C.
On Mon, Mar 21, 2016 at 11:47 AM, [1]b...@symbol4.de <[2]b...@symbol4.de>
wrote:
Unfortunately without the very 1969, quasi-psychedelic, almost Peter
Max cover art.
On Sun, Mar 6, 2016 at 4:08 PM, Christopher Stetson
<[1]christophertstet...@gmail.com> wrote:
Yes, Leonard, I have the same LP (somewhere), but until then, someone
has put it here:
[2
Yes, Leonard, I have the same LP (somewhere), but until then, someone
has put it here:
[1]https://www.youtube.com/watch?v=FTX0MycryIA
On Sun, Mar 6, 2016 at 3:02 PM, Leonard Williams
<[2]arc...@verizon.net> wrote:
A late response to this thread:
I have an LP by
Commanding! Ahead of Handel and Bach.
On Wed, Feb 17, 2016 at 5:51 PM, Mathias RAP:sel
<[1]mathias.roe...@t-online.de> wrote:
Yay, he's in the lead.
Mathias
-UrsprA 1/4ngliche Nachricht-
Von: [2]lute-...@cs.dartmouth.edu
I agree. Thanks! I wouldn't have done it if not for the
recommendation.
On Thu, Dec 17, 2015 at 5:28 PM, David van Ooijen
<[1]davidvanooi...@gmail.com> wrote:
That was fun, thanks!
David
***
David van Ooijen
Dear all,
While we're speaking of this, does anyone know why Attaignant's Dixhuit
Basse Danses doesn't seem to be available online? Or am I wrong about
that.
Best to all, and keep playing.
Chris.
On Fri, Nov 6, 2015 at 12:01 PM, Alain <[1]al...@musickshandmade.com>
Actually, from what I see of College/University libraries, it's likely
they don't have a cataloguer (my spell-check approves the spelling!)
any more. Times are difficult as people aren't using libraries in the
way that they did prior to internet connection, and institutions are
Agreed, Ron, not so much that I'm that supportive of copyright law in
these cases, though I do see the point. However, I spent long hours
in the library, way before digitization, copying anything I could find
by hand. I learned a lot about the music, and feel I still know those
Thanks, Ron, for your observations, and a hearty confirmation of all
you say about Rob.
Be well, everyone, and keep playing.
Chris.
On Sat, Mar 14, 2015 at 12:37 PM, Rob MacKillop
[1]robmackil...@gmail.com wrote:
Ha. Thanks to Ron for that surprise. Right back at you, sir!
Great!A Thanks, Robert.
Chris.
On Wed, Jan 21, 2015 at 7:42 PM, Robert Clair [1]rcl...@elroberto.com
wrote:
[2]http://www.cam.ac.uk/research/news/crown-jewels-of-english-lute-m
usic-go-online?utm_medium=emailutm_source=alumnewsletter
Very nice as always, Stuart!A Are these pieces available anywhere?
Chris.
On Fri, Jan 16, 2015 at 5:51 AM, WALSH STUART [1]s.wa...@ntlworld.com
wrote:
a 'quadrilha' written (or arranged) for the four-string machete:
[2]https://www.youtube.com/watch?v=-ZbySl6iqhU
a few
Thanks, Stuart.A I might be able to get help with the Portuguese!
Chris.
On Fri, Jan 16, 2015 at 7:28 AM, WALSH STUART [1]s.wa...@ntlworld.com
wrote:
On 16/01/2015 11:34, Christopher Stetson wrote:
A A Very nice as always, Stuart!AA Are these pieces available
I know it's off-topic, but a friend recently led me to Mr. Yankovic's
Bob Dylan parody, Bob, and since we're here I just have to share:A
[1]https://www.youtube.com/watch?v=JUQDzj6R3p4
The man is a genius.
Oozy rat in a sanitary zoo!
On Thu, Dec 4, 2014 at 1:16 PM, Edward Martin
Hi, all.
Inspired by this, I looked at TableditA and couldn't find it on the
trial version.A It might be there if you buy the full version, but I
don't know.A Also, Musescore (I know it's controversial) was promising
lute tablature early in the year, but I haven't heard anything
Hi, all.
Thanks, Roman, for finding this remarkable young man's videos.A Both
this and the Verdelot-based work are inspiring.
Best to all,
Chris.
On Sat, Nov 1, 2014 at 12:06 PM, [1]r.turov...@gmail.com
[2]r.turov...@gmail.com wrote:
A A Another.
A A RT
A
Mean? A I'd say downright antagonistic, verging on sociopathic. A Or
would that be musicopathic?
On Sat, Sep 13, 2014 at 11:21 AM, David van Ooijen
[1]davidvanooi...@gmail.com wrote:
A A Extremely mean fretting scheme, by the looks of it.
A A David
A A
Dear Simon and Listers,
I don't have nylgut on my lute, but have several vintage guitars strung
with it, both old and new, and be advised that I believe the material
is a bit different. A I've found I need to allow about a one week
break-in time to stretch out. A I tune it until the
...music that's good for you.A I love it.A Thanks, Ron.
Best to all,
Chris.
On Sat, Aug 30, 2014 at 11:20 AM, Ron Andrico
[1]praelu...@hotmail.com wrote:
A A We have posted our Saturday morning quote, Sage advice.
A A [1][2]http://wp.me/p15OyV-13k
A A Ron
Thanks, Roman, for your efforts and generosity. A I wish I had more
time to put them to use!
Best to all,
Chris.
On Tue, Aug 26, 2014 at 10:35 AM, [1]r.turov...@gmail.com
[2]r.turov...@gmail.com wrote:
Cantio Lodomerica XIX
Thanks, Alain!
On Mon, Aug 25, 2014 at 2:30 PM, Alain Veylit [1]al...@signtracks.com
wrote:
See: [2]http://lute.musickshandmade.com/facbooks/view/271 . The PDF
link is under the donate button. I had to do a bit of guess work for
some of the titles, if you find ridiculous
Welcome, Ching-Ping.A As a would-be guqin player in the USA, I know
exactly how you feel.A I hope the list is helpful.
Best, and keep playing,
Chris.
On Sat, Aug 2, 2014 at 8:45 PM, Ching-Ping Lin [1]p...@fatmice.com
wrote:
Dear All,
I'm new and have been reading
, it all sounds pretty much the same after a
while. Hope they are throwing in a free meal too. :-)
On Jun 21, 2014, at 2:22 PM, Christopher Stetson
[2]christophertstet...@gmail.com wrote:
A Hi, Edward and all,
A Personally, I doubt if anyone who just happens to decide to go
Hi, Edward and all,
Personally, I doubt if anyone who just happens to decide to go to that
restaurant will know whether you're playing Italian music or English.A
It depends on the clientele, however.A Are there a lot of early music
aficionados in town?A Will your performance be
Hi, all,
Does anyone know anything about these:
[1]http://www.ebay.com/itm/Lute-8-Course-Lute-Renaissance-BRAND-NEW/251
411233241?_trksid=p2050601.c100085.m2372_trkparms=aid%3D111001%26algo%
3DREC.SEED%26ao%3D1%26asc%3D20140211132617%26meid%3D6899832282504624204
Beautiful and believable. Very well done.
On Fri, Apr 4, 2014 at 4:27 PM, Braig, Eugene [1]brai...@osu.edu
wrote:
Very nice.
Eugene
-Original Message-
From: [2]lute-...@cs.dartmouth.edu
[mailto:[3]lute-...@cs.dartmouth.edu] On Behalf Of Roman Turovsky
Yes, in fact all of Bataille's books of airs de cours are here:
[1]https://mail.google.com/mail/u/1/#inbox/144dba7962b23c29
A marvelous resource!
Best to all,
Chris.
On Wed, Mar 19, 2014 at 3:12 PM, Bernd Haegemann [2]b...@symbol4.de
wrote:
Could some kind soul lead me
The closest I've come to this situation was being part of a Medieval
tableau for the inaugural ball of Massachusetts Gov. Michael Dukakis
in 1975. A I was told not to actually play because Lionel Hampton was
providing the real entertainment and they didn't want me to interfere
with
@trj: A fist bump.
On Sun, Mar 16, 2014 at 12:36 PM, [1]theoj89...@aol.com wrote:
In the mid '80s, I was hired to play renaissance lute at some
company's holiday party, and I was instructed to show up in costume
(I had recently done a Twelfth Night in costume - and yes,
Thanks, David. There's a lovely setting of Bonny Sweet Robin on p.
27.
On Thu, Feb 20, 2014 at 11:16 PM, David Smith [1]d...@dolcesfogato.com
wrote:
Try
[1][2]http://digitalcollections.tcd.ie/home/index.php?DRIS_ID=MS408_
001
This is a download that should
Could there be happier music?
Chris.
On Tue, Jan 21, 2014 at 1:53 PM, David Tayler
[1]vidan...@sbcglobal.net wrote:
Thanks Rocky!
d
__
From: Rockford Mjos [2]rm...@comcast.net
To:
Hi, Daniel, Geoff, and all.
I believe current thinking is that this is a version of a chitarrone
francese. Stephen Barber and Sandi Harris offer their version in
their catalog (No. 21):
[1]http://www.lutesandguitars.co.uk/htm/cat10.htm with the famous
painting and a concise
Thanks, Stuart! Lovely little piece, and a witty video presentation,
too. Would you ever consider including a passing photo of the
instrument, though? I always wish you would.
Best for the new year,
Chris.
On Sat, Jan 4, 2014 at 4:13 PM, WALSH STUART [1]s.wa...@ntlworld.com
And it looks to be an especially nice example. I've also seen similar
instruments referred to as Swedish guitar, but I don't know what the
differences are...
Happy New Year,
Chris.
2013/12/29 David Morales [1]dmorale...@cuerdaspulsadas.com
Thanks your kind answers... i
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