Here's my version:
https://youtu.be/dkPp4pDWGQI
I used an 'ordinary' archlute. In my opinion there are no problems about
single or double strings, but mainly about good taste and esthetic.
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> On 11 Oct 2016, at 01:37, Roman Turovsky wrote:
>
> Not really. There are a lot of factors in LF manufacture that are absent is
> this.
>
> Many people play single-strung archlutes with nails, some without. Stephen
> Stubbs with, Konrad Junghaenel and Konstantin Bozhinov without.
>
> RT
>
The question is different:
why one should play a baroque lute concerto on a lute-shaped guitar
using an old fashon Segovian style?
Il 11/10/2016 10:47, Jarosław Lipski ha scritto:
On 11 Oct 2016, at 01:37, Roman Turovsky wrote:
Not really. There are a lot of factors in LF manufacture that
There is really nothing Segovian about it.
A Segovian usually means unmusical, sloppy, irritating etc.
RT
On 10/11/2016 5:09 AM, Diego Cantalupi wrote:
The question is different:
why one should play a baroque lute concerto on a lute-shaped guitar
using an old fashon Segovian style?
Il 11/
there are plenty of reasons to use a single-strung archlute, the most
obvious of these are the volume, precision and speed that are required
by the
standards of 21st century HIP orchestral playing.
RT
On 10/11/2016 4:48 AM, Jarosław Lipski wrote:
Sure, I am not criticising anyone. On the contr
Let's say that his playing is quite irritating for me.
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> Il giorno 11 ott 2016, alle ore 11:46, Roman Turovsky
> ha scritto:
>
>
> There is really nothing Segovian about it.
>
> A Segovian usually means unmusical, sloppy, irritating etc.
>
> RT
>
>
>> On 10/11/2016 5:09
…so now you’re talking ;) It’s all about mixing aesthetics - old and modern.
Why then do you insist on calling it HIP?
I played this concerto on several occasions on various historical double strung
instruments and we never felt any problems with a proper balance between an
ensemble and a lute.
I love this thread. Started as an open ended question about wadyathinkaboutthis
and has become a Rorschach test for HIP interpretation.
First off, the I in HIP is informed, not identical. As our musicological and
historical lutherie evidence grows, we can try to recreate and imitate aspects
of
Very nicely played Diego, with taste. I like your version. My congratulations ;)
JL
> On 11 Oct 2016, at 09:10, Diego Cantalupi wrote:
>
> Here's my version:
>
> https://youtu.be/dkPp4pDWGQI
>
> I used an 'ordinary' archlute. In my opinion there are no problems about
> single or double strin
So do I ! Well done Diego !
Jean-Marie
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Message d'origine
De : JarosÅaw Lipski
Date : 11/10/2016 2:31 PM (GMT+01:00)
à : lute@cs.dartmouth.edu
Objet : [LUTE] Re: Vivaldi lute concerto
Very nicely played Diego, wit
Not true!
"Segovian usually means unmusical, sloppy, irritating etc." for his
solo playing, but when he played with an ensemble, he was forced to be
disciplined and musical, like it or not. Just listen to his recordings
of Rodrigo's Fantasia para un Gentlehombre, Ponce's Concerto de
I agree with John, I'd probably take that a little further as I am a
big fan of Segovia, but lets leave it at that. Segovia was entirely
capable of playing rhythmically precise when he was in an ensemble. I
wish some of that carried over to his solo playing, but it was a
different ti
My, myâ¦were will it all end? ;)
The discussion diverged from a simple question to a very complicated topic, and
I wonât go into details as this is not the best place for this kind of
discussion, and so many books were written about it, however I just would like
to point out some problems in
> On Oct 11, 2016, at 4:00 PM, Ron Andrico wrote:
>
> HIP is not
> necessarily a hard and fast objective measure because whenever the term
> is mentioned, you must ask the question, "...according to whom?"
>
> Speedy O'Dette's use of a mandolino is a serious stretch of
> imagination.
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