RIP Julian Bream.
As a teenager in Toronto, the very first records I took out of the
library were the Toronto Consort, who introduced me to Julian Bream's
music, and Woods So Wild. After that I signed out Lute Music from the
Royal Courts of Europe and Julian Bream Plays Dowland. And
True! You can't put Early Music into concert halls and call it
historical performance.
I once heard Jordi Savall and his orchestra (about 20 people or so) with
Corelli in a huge Symphony Hall.
It was nice, but it totally lacked the impact it would have had in a
more intimate setting.
And if it
week.
Best,
Ron & Donna
__
From: lute-...@new-old-mail.cs.dartmouth.edu
on behalf of Martyn Hodgson
Sent: Sunday, May 3, 2020 6:58 AM
To: Lutelist Net ; Ron Andrico
Subject: [LUTE] Re: Saturda
Dear Donna and Ron,
I often find your Sat quotes interesting but don't always make time to
read every single one!
I wonder if you've considered of making them all available in some sort
of omnibus edition so that they can be readily accessed at a later,
more convenient, date. Just
To: Ron Andrico
Cc: lute@cs.dartmouth.edu
Subject: [LUTE] Re: Saturday morning quotes
Thanks, Ron & Donna
Your video is superb musical entertainment in our time of isolation and
solitude.
Dick
Sent from my iPhone
> On Mar 21, 2020, at 3:59 PM, Ron Andric
Thanks, Ron & Donna
Your video is superb musical entertainment in our time of isolation and
solitude.
Dick
Sent from my iPhone
> On Mar 21, 2020, at 3:59 PM, Ron Andrico wrote:
>
> Better late than never, we have posted a new video today with two songs
> by Bartolomeo Tromboncino. We h
PS: If you want a glimpse at how polyphony sounds with Indian voices,
check out this Dhrupad by the Gundecha Brothers.
Though Indian music is mostly monody, harmonies are sometimes used in
the extensive Prelude/Ricercar at the beginning:
https://www.youtube.com/watch?v=MskgNpSf1c4
On 26.08.19
Thanks George,
this is interesting!
Though I was referring to Afghan singers because they are mentioned in
the source explicitly as singing like Europeans.
For diminution practices and virtuoso singing, I consider Indian
singers a good inspiration.
Indian music theory also
I second that! The Rore album is stunning. It also features a Ceterone.
On 25.08.19 03:43, Jurgen Frenz wrote:
thank you very much for the post and listen to "grain de la voix", there are
several recordings on YouTube.
Jurgen
--
“Close your eyes. Fall in love.
thank you very much for the post and listen to "grain de la voix", there are
several recordings on YouTube.
Jurgen
--
“Close your eyes. Fall in love. Stay there.”
Jalāl ad-Dīn Muhammad Rumi
‐‐‐ Original Message ‐‐‐
On Saturday, August 24, 2019 7:46 PM, R
Thanks Ron! I wish more Early Musicians would turn to their natural voices.
And polyphonic madrigals are rarely sung in a natural voice, many
performances I find very irritating.
Apart from sources, there is another way to approximate the sound of the
voice around 1600:
A Jesuit traveller in A
Thanks for this, Ron. List members might like to know that I wrote on a
similar topic: http://luteshop.co.uk/the-great-silence/
Best to all,
Martin
On 01/06/2019 15:06, Ron Andrico wrote:
Wordpress is forever rearranging their format and keeping us guessing.
Here is a new link that a
The performance has a lovely sonority. Congrats.
On Sat, Feb 9, 2019 at 12:08 PM Ron Andrico <[1]praelu...@hotmail.com>
wrote:
We have posted our Saturday morning quotes, this week with a
video of
Josquin's Stabat Mater
[1][2]https://wp.me/p15OyV-4nY
R
__
Dear Ron,
Tears started to fall before Dowland published "Flow my tears". Have a
look at "Come heavy sleep", published in the First Book of 1697.
Best
Antonio
P.S. Of course I'm aware that the manuscript ve
Thank You Ron for this very poignant post!
What can be read between the lines, and what also came up in many
discussions I had about music:
Many people forget that music in the 16th century was not made to please
a great mass of uneducated people, but highly educated patrons you would
even t
VERY informative and interesting article again
With kind regards,
Met vriendelijke groeten,
Bien cordialement,
Gilbert Isbin
[1]www.gilbertisbin.com
[2]gilbert.is...@gmail.com
2018-04-14 17:29 GMT+02:00 Ron Andrico <[3]praelu...@hotmail.com>:
We have posted our S
Very interesting article Ron !
With kind regards,
Met vriendelijke groeten,
Bien cordialement,
Gilbert Isbin
[1]www.gilbertisbin.com
[2]gilbert.is...@gmail.com
2018-04-07 19:03 GMT+02:00 Ron Andrico <[3]praelu...@hotmail.com>:
We have published our Saturday morni
As others have said, thanks, Ron, for your impressively thorough and
informed scholarship from an insider's viewpoint. This would have
been unlikely to come from someone not intimately involved with the
music.
On Sun, Jan 15, 2017 at 6:05 AM, Ed Durbrow
<[1]edurb...@sea.plala.
Thanks for your long contribution. Good luck!
Ed Durbrow
Saitama, Japan
http://www.youtube.com/user/edurbrow?feature=watch
https://soundcloud.com/ed-durbrow
http://www9.plala.or.jp/edurbrow/
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin
Huge thanks Ron, for 6 years of remarkable and insightful lute
bloggings. A veritable treasure trove of thoughtful information for all
of us who like to dig a little deeper.
Best of luck with your new projects!
G
On Sat, Jan 14, 2017 at 5:23 PM, Ron Andrico <[1]praelu...@hotmail.
ober 2016 21:11
An: Roman Turovsky; Ron Andrico; lute@cs.dartmouth.edu
Betreff: [LUTE] Re: Saturday morning quotes - A HIP score
On 15/10/2016 21:05, Roman Turovsky wrote:
> little squeaky lutes in A are very likely a modern anachronism,
> considering that the majority of voices work much bett
He sings duets with Putin, so..
RT
On 10/15/2016 4:15 PM, John Mardinly wrote:
If so, obviously not one Trump would molestâ¦..
On Oct 15, 2016, at 12:47 PM, Matthew Daillie
<[1]dail...@club-internet.fr> wrote:
Did she have a moustache?
On 15/10/2016 21:46, Roman Tu
what are you implyin'?
RT
On 10/15/2016 3:47 PM, Matthew Daillie wrote:
Did she have a moustache?
On 15/10/2016 21:46, Roman Turovsky wrote:
the one I worked with - was happy in D.
RT
On 10/15/2016 3:40 PM, Matthew Daillie wrote:
On 15/10/2016 21:38, Roman Turovsky wrote:
I've been asked t
If so, obviously not one Trump would molestâ¦..
On Oct 15, 2016, at 12:47 PM, Matthew Daillie
<[1]dail...@club-internet.fr> wrote:
Did she have a moustache?
On 15/10/2016 21:46, Roman Turovsky wrote:
the one I worked with - was happy in D.
RT
On 10/15/2016 3:40 PM,
Did she have a moustache?
On 15/10/2016 21:46, Roman Turovsky wrote:
the one I worked with - was happy in D.
RT
On 10/15/2016 3:40 PM, Matthew Daillie wrote:
On 15/10/2016 21:38, Roman Turovsky wrote:
I've been asked the "couldn't we do it lower in E?" question too
many times.
RT
You sho
the one I worked with - was happy in D.
RT
On 10/15/2016 3:40 PM, Matthew Daillie wrote:
On 15/10/2016 21:38, Roman Turovsky wrote:
I've been asked the "couldn't we do it lower in E?" question too many
times.
RT
You should try sopranos. The question is always: 'don't you have a
lute with
On 15/10/2016 21:38, Roman Turovsky wrote:
I've been asked the "couldn't we do it lower in E?" question too many
times.
RT
You should try sopranos. The question is always: 'don't you have a lute
with a higher pitch?'
Matthew
To get on or off this list see list information at
http://www.
I've been asked the "couldn't we do it lower in E?" question too many times.
RT
On 10/15/2016 3:10 PM, Matthew Daillie wrote:
On 15/10/2016 21:05, Roman Turovsky wrote:
little squeaky lutes in A are very likely a modern anachronism,
considering that the majority of voices work much better wit
On 15/10/2016 21:05, Roman Turovsky wrote:
little squeaky lutes in A are very likely a modern anachronism,
considering that the majority of voices work much better with larger
lutes tuned a whole 3rd lower - to E, or even D.
RT
One does not need to use a 'little squeaky lute in a' to accompan
little squeaky lutes in A are very likely a modern anachronism,
considering that the majority of voices work much better with larger
lutes tuned a whole 3rd lower - to E, or even D.
RT
On 10/15/2016 2:55 PM, Matthew Daillie wrote:
On 15/10/2016 19:23, Ron Andrico wrote:
Matthew:
It'
On 15/10/2016 19:23, Ron Andrico wrote:
Matthew:
It's nice to know you keep up with our blog, although I expect that you
would direct your commentary there instead of this forum. We always
appreciate thoughtful and respectful commentary.
In your comment, you skew the point
Ron,
In the 'Saturday morning quote' you put on line today and publicised
(as usual) on this forum, you speak of historically informed
performance in relation to an Air de cour by Guédron entitled 'Bien
qu'un cruel martire'. You claim that 'When the modern editor André
Verchaly
> On Jul 16, 2016, at 7:50 AM, Ron Andrico wrote:
>
> The combination actually works.
Why wouldn’t it? It’s not the first time a lute and small reed organ have
played together.
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
HWell, with a bit of imagination, it sort of sounds like a
crumhorn ensemble
A. John Mardinly, Ph.D., P.E.
Retired Principal Materials Nanoanalysis Engineer
EMail: [1]john.mardi...@asu.edu
Cell: [2]408-921-3253 (does not work in TEM labs)
But don't call the lab
Hear, hear!! Bravo!!
[kraar+logo.png]
Lynda Kraar, President
Lynda Kraar & Associates
U.S. Cell: 551-486-3772
Google Voice: [1]985-205-9632 (985-20-LYNDA)
Skype: lyndakraar
On Jul 16, 2016, at 12:39 PM, Dan Winheld <[2]dwinh...@lmi.net> wrote:
Brilliant! Roman- that rea
Of course it works! While some lucky lutanists get a singer
girl-friend, some get stuck with an accordionist girl-friend. And what
then? You just learn to love what you have...
alexander r.
On Sat, 16 Jul 2016 14:50:45 +
Ron Andrico wrote:
>Thanks, Roman. The combination actually wor
Brilliant! Roman- that really rocks; Thanks!
Dan
On 7/16/2016 7:34 AM, Roman Turovsky wrote:
You might want to check out this TV program about both things together -
https://www.youtube.com/watch?v=3kuQZJuF_tI
RT
On 7/16/2016 10:27 AM, Ron Andrico wrote:
We have posted our Saturday mor
Sent: Saturday, July 16, 2016 2:34 PM
To: Ron Andrico; lute@cs.dartmouth.edu
Subject: [LUTE] Re: Saturday morning quotes - The anti-lute
You might want to check out this TV program about both things together
-
[1]https://www.youtube.com/watch?v=3kuQZJuF_tI
RT
On 7/16/2016
You might want to check out this TV program about both things together -
https://www.youtube.com/watch?v=3kuQZJuF_tI
RT
On 7/16/2016 10:27 AM, Ron Andrico wrote:
We have posted our Saturday morning quote, this week featuring the
anti-lute.
[1]http://wp.me/p15OyV-2Y6
Ron & Do
Mary Burwell would have had no trouble at all working in the advertising
industry today. Even though, thank goodness, in those days they did not
have to list the side-effects.
On 05/21/2016 06:55 AM, Ron Andrico wrote:
We have posted Saturday morning quotes 6.1.
[1]http://wp.me/p15OyV-
> On Feb 20, 2016, at 11:34 AM, Ron Andrico wrote:
>
> Liberal, from the Latin liberalis, means ample, free or generous.
That may be true, but “liberal education,” "liberal arts,” or “liberal studies”
has/had a different, and more specific, meaning: “those studies which are the
proper pursu
So, if "the study of Dante is a liberal education", is it safe to
assume that Trump, Cruz and Rubio never studied Dante?
A. John Mardinly, Ph.D., P.E.
Principal Materials Nanoanalysis Engineer
EMail: [1]john.mardi...@asu.edu
Cell: [2]408-921-3253 (does not work in TEM labs)
J
Thanks William,
I believe this tidbit of information came from Arthur A. Reblitz's book,
Piano Servicing, Tuning and Rebuilding. Can't remember for sure.
I will be the first to admit that this could be mis-information also!
Thanks again,
Tom
Tom Draughon
Heartistry Music
www.heartistry.com
Resent without "equal" signs:
On Jan 17, 2016, at 2:09 PM, Lute List wrote:
I have been restoring an early square piano by Chickering
circa 1840.
In my communications with other piano techs and my research,
I have found that pitch, even in the 19th century, varied wildly.
The 1840 Chickerin
Thanks Wayne, and apologies for my ignorance.
I'll re-send
Tom Draughon
Heartistry Music
www.heartistry.com
714 9th Ave. W.
Ashland, WI 54806
715-682-9362
On Jan 17, 2016, at 4:42 PM, wayne cripps wrote:
> Hi Tom , and everyone else
>
> The lute list is set up to unpack" messages that ha
> On Jan 17, 2016, at 12:09 PM, Lute List wrote:
>
> American standard pitch for pianos was set at 440 in 1916
By whom, if you happen to know?
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Hi Tom , and everyone else
The lute list is set up to “unpack" messages that have been "packed up"
for travel by your computer. One system of “packing" text is called
quoted-printable, and it uses an equals sign followed by a number to
represent special characters and numbers. So when you wr
I have been restoring an early square piano by Chickering
circa 1840. In my communications with other piano techs
and research, I have found that pitch, even in the 19th century,
varied wildly. The 1840 Chickering, one of the very first pianos
to incorporate a full cast metal plate, was designe
A late response to this thread, but I found this discussion/article;
http://www.viewzone.com/432hertz222.html
Not all that scientific, I don't think, but there's information to think
about.
Regards,
Leonard Williams
On 12/12/15, 12:21 PM, "Edward Martin" wrote:
> Nice article, Ron.
> I ag
This is hilarious!
A. John Mardinly, Ph.D., P.E.
Principal Materials Nanoanalysis Engineer
EMail: [1]john.mardi...@asu.edu
Cell: [2]408-921-3253 (does not work in TEM labs)
Titan Lab: [3]480-727-5651
NION UltraSTEM Lab: [4]480-727-5652
JEOL ARM 200 Lab: [5]480-727-5653
2
- Original Message -
From: "howard posner"
To: "Martin Shepherd"
Sent: Sunday, December 13, 2015 12:25 AM
Subject: Re: [LUTE] Saturday morning quotes - Pitch
I responded to Ron's post but I think Wordpress deleted me, so I'll say it
here. Having a standard "early music" pitch is h
> On Dec 12, 2015, at 3:48 PM, Chris Barker wrote:
>
> Oh, good grief, Lyndon LaRouche! He was as crazy as a peach orchard squirrel!
My Los Angeles neighborhood is notably lacking in peach orchards, so I can’t
comment on the mental fitness of squirrels in them, but it’s premature to be
referr
Oh, good grief, Lyndon LaRouche! He was as crazy as a peach orchard squirrel!
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
howard posner
Sent: Saturday, December 12, 2015 5:18 PM
To: Lute List
Subject: [LUTE] Re: Saturday morning
Yes, the pro's have connections
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> On Dec 12, 2015, at 12:51 PM, Ron Andrico wrote:
>
> Nevertheless, most lutenists play solo,
Most amateur lutenists.
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> On Dec 12, 2015, at 9:21 AM, Edward Martin wrote:
>
> I am wondering, has anybody on the list read some of the arguments
> about changing the modern pitch standard as a + 432?
A major push for 432 came from none other than convicted mail fraud conspirator
and 8-time fringe presidential ca
rtmouth.edu] On Behalf
Of stephen arndt
Sent: Saturday, December 12, 2015 11:40 AM
To: Edward Martin; Ron Andrico
Cc: Lute List
Subject: [LUTE] Re: Saturday morning quotes - Pitch
For what it's worth, some recorder makers are no longer making recorders
pitched at 440. They have bumped the pit
ng length - anywhere from c.65cm up to well into
the 70s.
M
- Original Message -
From: "stephen arndt"
To: "Edward Martin" ; "Ron Andrico"
Cc: "Lute List"
Sent: Saturday, December 12, 2015 8:39 PM
Subject: [LUTE] Re: Saturday morning quotes - Pi
>>
they told me that 442 is becoming the standard concert pitch in
Europe.
<<
Ever rising. One of the modern orchestras I play with is at 446 for
quite awhile already. But in the early music orchestras I meet anything
from 392 (Gilles' Requiem last month) to 466 for Monteverdi
urday, December 12, 2015 11:21 AM
To: Ron Andrico
Cc: Lute List
Subject: [LUTE] Re: Saturday morning quotes - Pitch
Nice article, Ron.
I agree, in that there is no definitive pitch. We seem to have
settled on 440 vs. 415 as standards of modern vs baroque, but what
about 460, or 392? Wit
After wrestling with this vexed question of pitch since at least 1976 on
lutes, vihuelas, guitars, violas da gamba- with singers, other
instrumentalists, and- worst of all, alone by myself- attempting to
force gut strings to go to distant extremes both high & low; to remote
places where no gut
Nice article, Ron.
I agree, in that there is no definitive pitch. We seem to have
settled on 440 vs. 415 as standards of modern vs baroque, but what
about 460, or 392? With the lute, a few sources state to tune the
treble to just before it breaks, and that is where one starts.
> On Dec 5, 2015, at 12:39 PM, Ron Andrico wrote:
>
> The "thinking error" in my estimation lies in assuming that players ever
> discussed their reference pitch at all. Instruments were tuned to where they
> felt and sounded right or, in the case of accompanying instruments, where the
> voic
Finally read it-MOST enjoyable! Thank you. The link to Bream and
Grappelli was most appreciated.
A. John Mardinly, Ph.D., P.E.
Principal Materials Nanoanalysis Engineer
EMail: [1]john.mardi...@asu.edu
Cell: [2]408-921-3253 (does not work in TEM labs)
Titan Lab: [3]480-727-5651
>>
1) instruments are tuned to A=415,
[a|]
When strings are slackened a bit they do not project quite as well to
the ears of those who were first trained on modern instruments
<<
Thinking error.
We do not slacken strings but choose the appropriate diameters for the
Fantastic and timeless commentary. Thank you for sharing!
> On Nov 28, 2015, at 11:21 AM, Ron Andrico wrote:
>
> We have posted our Saturday morning quotes, this week from a 1960
> interview with Julian Bream.
> [1]http://wp.me/p15OyV-1lq
>
> Ron & Donna
>
> --
>
> References
>
> On Nov 7, 2015, at 4:53 AM, Ron Andrico wrote:
>
> We have posted our Saturday morning quotes, Dowland leads the way.
> [1]http://wp.me/p15OyV-1
That particular link goes to Ron's 28 September 2010 post. The link at the
bottom of your email goes to the one about the Big D.
To get on o
; [4]lute@cs.dartmouth.edu
Subject: Re: [LUTE] Re: Saturday morning quotes - continuum
Stephen,
My page on the 16th-century sources is at least a partial answer to
your question:
[5]http://applications.library.appstate.edu/music/lute/C16/contentlst.h
tml
I didn't go b
Stephen,
My page on the 16th-century sources is at least a partial answer to
your question:
[1]http://applications.library.appstate.edu/music/lute/C16/contentlst.h
tml
I didn't go beyond 1600, but I think we'd all agree that the heyday of
the vocal intabulation was about over f
Ron writes: ". . . the bulk of published lute music was vocal polyphony
reworked and arranged for the instrument."
I have recently been wondering and have been on the verge of asking what
percentage of the total lute repertoire intabulations of vocal works make up
. Does anyone happen to know
Well, Wilder could have gotten a present (the pipe) from a captain that
he cherished and therefore wore on the painting. A picture tells many
stories that should not lead to easy quick conclusions
=NOT=
Regards
G.
--
To get on or off this list see list information at
http://
Now I remember.
Isn't he the guy who played Dowland with the Karamazov brothers?
Rainer
On 29.08.2015 22:30, Ron Andrico wrote:
Ouch.
> Date: Sat, 29 Aug 2015 12:57:48 -0700
> To: lute@cs.dartmouth.edu
> From: howardpos...@ca.rr.com
> Subject: [LUTE] Re:
Tom Draughon
Heartistry Music
www.heartistry.com
714 9th Ave. W.
Ashland, WI 54806
716-682-9362
On Aug 29, 2015, at 4:29 PM, howard posner wrote:
>
>> On Aug 29, 2015, at 1:16 PM, David van Ooijen
>> wrote:
>>
>> James Joyce entertained the thought of playing the lute, of course, so
>>
> On Aug 29, 2015, at 1:16 PM, David van Ooijen
> wrote:
>
> James Joyce entertained the thought of playing the lute, of course, so
> he should, it was the fashion of the time to entertain this thought,
> but did not play the lute.
And apparently didn’t play guitar terribly well either.
>
> On Aug 29, 2015, at 11:20 AM, Rainer wrote:
>
> I have no idea who Gordon Matthew Thomas Sumner is.
Oddly enough, Sting said something similar. His 1985 documentary “Bring on the
Night” has footage of a press conference in which some British press person
prefaces a question by addressin
I have no idea who Gordon Matthew Thomas Sumner is.
However: Probably almost no lute players nor mathematicians know that the great
mathematician Serge Lang was a lute player and was a friend of Julian Bream.
Unfortunately his Books (about mathematics) are quite difficult to read :(
Rainer a
I didn't know working in the US was so hard for musicians! Glad I'm
down here...
2015-03-30 12:14 GMT-03:00 Dan Winheld <[1]dwinh...@lmi.net>:
Hear hear over here as well- Just last September, I did a 3 hour gig
with a harpist for a wedding rehearsal dinner held in a winery
Hear hear over here as well- Just last September, I did a 3 hour gig
with a harpist for a wedding rehearsal dinner held in a winery "castle"
(imported & rebuilt- stone by stone, from Italy). They eventually fed
us, but NO WINE! In NAPA COUNTY California!
In 1977 we played at the Mexican Embass
On 2015-03-30 5:29 AM, gary wrote:
Peter says,"Well, okay you can come in, but go around back, passed the
garbage cans, through the kitchen, and don't touch the Hors D'ouvres
(sic) on the way in.'"
Been there, done that! Which is why, when I got married, I paid the
Toronto Consort to play my
I think it was Ronald Reagan who first referred to "sitting on our
laurels" not realizing how painful that can be. Laurels have thorns. I
think the phrase is "rest on our laurels".
I heard another version of the same joke:
"A businessman, a lawyer and a musician are waiting at the pearly gates
On Mar 30, 2015, at 1:59 AM, David van Ooijen wrote:
> David - musician = not smart with money by definition
Reminds me of the joke:
Saint Peter is checking ID's at the Pearly Gates, and first comes a Texan.
"Tell me, what have you done in life?" says St. Peter.
The Texan says, "Well, I st
will. Sadly,
the average
lutenist is not too big to fail, else I'd be demanding my $800
billion.
RA
A > Date: Sat, 28 Mar 2015 19:56:53 +0100
A > To: praelu...@hotmail.com; lute@cs.dartmouth.edu
A > From: rads.bera_g...@t-online.de
A > Subject:
00 billion.
RA
> Date: Sat, 28 Mar 2015 19:56:53 +0100
> To: praelu...@hotmail.com; lute@cs.dartmouth.edu
> From: rads.bera_g...@t-online.de
> Subject: [LUTE] Re: Saturday morning quotes - Fantasia
>
> Dear Andrico,
>
> you write "Or do people today
otmail.com; lute@cs.dartmouth.edu
> From: rads.bera_g...@t-online.de
> Subject: [LUTE] Re: Saturday morning quotes - Fantasia
>
> Dear Andrico,
>
> you write "Or do people today realize that money is merely paper that
> governments just print and allow to be distributed
ng my $800 billion.
RA
> Date: Sat, 28 Mar 2015 19:56:53 +0100
> To: praelu...@hotmail.com; lute@cs.dartmouth.edu
> From: rads.bera_g...@t-online.de
> Subject: [LUTE] Re: Saturday morning quotes - Fantasia
>
> Dear Andrico,
>
> you write "Or do people today
th.edu
> From: rads.bera_g...@t-online.de
> Subject: [LUTE] Re: Saturday morning quotes - Fantasia
>
> Dear Andrico,
>
> you write "Or do people today realize that money is merely paper that
> governments just print and allow to be distributed when
Dear Andrico,
you write "Or do people today realize that money is merely paper that
governments just print and allow to be distributed when and to whom they please?"
You certainly know that this is nonsense.
No government in Europe is allowed to print money. Unfortunately, the ECB is
(sort o
I believe that Douglas Alton Smith (author of "A History of the Lute
from Antiquity to the Renaissance") also plays banjo.
Gustav Leonhardt played the banjo? -- that's a surprise!
On 3/15/15 1:50 AM, Rob MacKillop wrote:
I think it more pertinent to this forum to mention the number of lute
Robby Faverey is an ace classical guitarist and baroque lute player with whom I
have had the privilege to study.
He is also playing South American folk instruments and old style gut strung
banjo. He has also played the Sarod.
He has made his own cello banjo's and enjoys playing the Bach cello su
One more contribution by Rob,
available form TREE EDITION
Francesco Geminiani (1687-1762)
The Art of Playing the Guitar or Cittra (Edinburgh, 1760)
Introduction by Rob MacKillop.
35.- Euros
Facsimile edition of this important publication for the 18th-century
wire-strun
I think it more pertinent to this forum to mention the number of lute
players who play the banjo.A
Ron Andrico - Ron plays in the "clawhammer" style, where the index (or
middle) finger of the right hand strikes downwards onto individual
strings. One of the greatest Old Time banjo pla
I had the privilege of seeing George Van Eps play in duet with Tony
Ricci while on his last California tour. I went to see him with my
friend, Eddie Duran, who is also a master jazz guitarist. Van Eps was
amazing. I felt sorry for Tony Ricci who is an amazing jazz guitarist in
his own right. Th
Sent: Saturday, March 14, 2015 2:31 PM
To: Rob MacKillop; Ron Andrico
Cc: lute-cs.dartmouth.edu List
Subject: [LUTE] Re: Saturday morning quotes - musicality
Alright, alright- I'm not sayin' nuthin- but I never knew G. van Eps had a
method; is it easily found/avialable via the google? H
There's a link on my website, Dan:
http://robmackillop.net/george-van-eps-method-for-guitar/
Rob
www.robmackillop.net
> On 14 Mar 2015, at 21:30, Dan Winheld wrote:
>
> Alright, alright- I'm not sayin' nuthin- but I never knew G. van Eps had a
> method; is it easily found/avialable via the
Alright, alright- I'm not sayin' nuthin- but I never knew G. van Eps had
a method; is it easily found/avialable via the google? He's a hero of
mine because of the 7 string business. Love my 7 string steel-string,
and am annoyed that my classical is only 6.
DAN
On 3/14/2015 12:27 PM, Rob MacKi
ot;
Sent: Saturday, March 14, 2015 7:27 PM
Subject: [LUTE] Re: Saturday morning quotes - musicality
Can I call a halt to this now? I appreciate it, but enough already!
Everyone get back to work...
Rob
www.robmackillop.net
On 14 Mar 2015, at 19:15, Edward Martin wrote:
Ron,
That wa
Can I call a halt to this now? I appreciate it, but enough already!
Everyone get back to work...
Rob
www.robmackillop.net
> On 14 Mar 2015, at 19:15, Edward Martin wrote:
>
> Ron,
> That was a tremendous tribute to Rob, ad I cannot think of a person
> more deserving of it.A I visited
Ron,
That was a tremendous tribute to Rob, ad I cannot think of a person
more deserving of it.A I visited Rob for a few days last summer, and
he was enthusiastic, kind, a wonderful person and fantastic musician.A
I cannot say enough good things about him.
ed
On Sat, Mar 14, 2
Thanks, Ron, for your observations, and a hearty confirmation of all
you say about Rob.
Be well, everyone, and keep playing.
Chris.
On Sat, Mar 14, 2015 at 12:37 PM, Rob MacKillop
<[1]robmackil...@gmail.com> wrote:
Ha. Thanks to Ron for that surprise. Right back at you, sir
Ha. Thanks to Ron for that surprise. Right back at you, sir!
Lang may your lum reek - long may there be smoke coming from your chimney :-)
Rob
www.robmackillop.net
> On 14 Mar 2015, at 16:14, Rockford Mjos wrote:
>
> I also raise my glass to Rob — to his musicianship and countless
> contrib
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