The photo is nicely done - you have captured an expression. I am just
trying to decide what her face is saying to me. Good shot.
--
Bruce
Tuesday, September 4, 2007, 9:14:13 PM, you wrote:
MA http://www.alpert.com/marco/photo07/peso6.html
MA Comments, as always, welcomed.
MA
Actually, it was Pardees. I had called Camera Arts but
they were out of the white backgrounds.
I like Action Camera. I've given them a quite a bit of
business over the last year. I bought my supports, a
nice used 165mm f2.8 for the 67 and even ordered a new
center column for my Bogen through
[EMAIL PROTECTED] wrote:
In the film days, I think Pentax and Nikon were the big draws. When
Canon came out with the
AE-1, they became a player. Minolta made its mark with the Maxxam AF
cameras. IMO, Pentax lost out with the SF series of AF cameras. Canon
EOS cameras were much better,
From: Rebekah [EMAIL PROTECTED]
Date: 2007/09/04 Tue AM 10:51:01 GMT
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: OT - Cat Stew
Show us a picture of your computer first.
show me a picture of yours.
rg2
It's not very good. I'm busy printing something at the moment.
I read the thread on DPR, Joe.
Fortunately everything will go well for you and your lens. Happy for you :)
--
Thibault Massart aka Thibouille
--
K10D,Z1,SuperA,KX,MX, P30t and KR-10x ;) ...
--
PDML Pentax-Discuss Mail List
PDML@pdml.net
From: Jack Davis [EMAIL PROTECTED]
Date: 2007/09/04 Tue PM 03:17:48 GMT
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Non-Pentax Lenses for the Gallery
I recently asked Carolyn about the acceptability of using non-Pentax
lenses for Gallery images.
I received an email from A Cathy
On Tue, 4 Sep 2007 14:07:26 -0700, Godfrey DiGiorgi wrote
That's very nice indeed, John. :-)
Godfrey
Thanks Godfrey, I'm still considering adding a little warmth, but got caught
up editing a lot of group shots here at work.
Regards,
John
From: John Sessoms [EMAIL PROTECTED]
Date: 2007/09/04 Tue PM 04:17:24 GMT
To: pdml@pdml.net
Subject: Re: OT - Cat Stew
From:
Bob Sullivan
Dave,
The idea about asian restaurants and cats (or dogs) was passed to me
some 30 years ago in the Netherlands. American friends living there
On Tue, 04 Sep 2007 19:03:12 -0400, John Graves wrote
John,
Wonderful Picture. How much did you pay those clouds to perform for
you.
John G.
I had a big wind machine on hire at a very competitive rate!
John
On Tue, 4 Sep 2007 17:31:10 -0400, frank theriault wrote
On 9/2/07, John Whittingham [EMAIL PROTECTED] wrote:
Just sorting through some of the images I took in Wales, this is one of
the
ones I like the most, Pentax K10D Sigma 10-20 @ 10mm, f/8 @ 1/640 sec,
ISO200, RAW (DNG), SR=on, ACR,
On Tue, 04 Sep 2007 16:06:11 -0600, Tom C wrote
Lovely shot! I hate those pathetic stair railings the law must make
you put up though.
Tom C.
Yeah, ruins the whole thing (no pun intended), the temptation to use the
clone tool came to mind once or twice 8)
Regards,
John
On Tue, 4 Sep 2007 21:45:30 -0400, Paul Stenquist wrote
Good question. For pans of cars I set the autofocus to th´single
center sensor. When I'm shooting people on the street, I generally
choose the uppermost sensor with the camera in a vertical position.
I never use the full array. That
From: Tim Øsleby [EMAIL PROTECTED]
Date: 2007/09/04 Tue PM 05:26:31 GMT
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: Stupid lens survery
You argue pro cat stew.
So I don't take you seriously.
Mark!
Tim Typo
Mostly Harmless
- Original Message -
From: David
From: Godfrey DiGiorgi [EMAIL PROTECTED]
Date: 2007/09/04 Tue PM 08:06:30 GMT
To: DUG [EMAIL PROTECTED], PDML List PDML@pdml.net,
PAW [EMAIL PROTECTED], SeePhoto Talk [EMAIL PROTECTED]
Subject: PAW 2007 - 37 - GDG
I've been seeing this foot/bike overpass nearby that crosses the
From: Tom C [EMAIL PROTECTED]
Date: 2007/09/04 Tue PM 10:06:11 GMT
To: pdml@pdml.net
Subject: RE: PESO: Harlech Castle 2
Lovely shot! I hate those pathetic stair railings the law must make you put
up though.
More likely insurance. Have to keep the profit margins up.
Tom C.
From: Cotty [EMAIL PROTECTED]
I agree. If you are going to control animal numbers and a cull is
necessary, shooting - as long as it is with a rifle and not a shotgun
(unless at point blank range) - is fine. As long as death is instant.
Traps are a no-no. Anything that produces prolonged
Brendan MacRae wrote:
Well, I don't know anthing about it, I haven't read any of
the reviews on it, and I don't make those decisions anyway
the owner does. There's a lot of great gear out there that we
don't carry. At that point he handed me the charge slip to
sign and I took my yellow
ann sanfedele wrote:
Keith -- instead of buying it from Merrill? gr
or did you mean ebay?
No, Amazon.com.
This is the link to the listing on ebay -- and the signed book...
Wasn't aware of that source, when you mentioned it to me.
You're clear, because when one mentions something more
Thanks Jack. It's full frame, no crop.
Paul
On Sep 4, 2007, at 11:13 PM, Jack Davis wrote:
What a cutie! I think it works as a result of there being a little
snipped off of both the head and feet.
Good crop.(?)
Jack
--- Paul Stenquist [EMAIL PROTECTED] wrote:
Grace in the grass. Shot with
She is a pixie. (Actually, she says she's a princess :-). Thanks to
all who had a look.
Paul
On Sep 4, 2007, at 11:31 PM, Godfrey DiGiorgi wrote:
Nice work. Looks like a pixie ... :-)
G
On Sep 4, 2007, at 6:41 PM, Paul Stenquist wrote:
Grace in the grass. Shot with continuous autofocus
Thanks Bruce. I rarely take pictures of other kids, because it can
cause problems. but I had already spoken to this girl's mother, so it
seemed okay. Gave her my e-mail address and told her I'd send her
some pics as well, but I haven't heard from her. I've done that a few
times in the past
Yes, the uppermost center will give you a good head or even eye focus
point when shooting vertical. Sometimes I drop it down to the second
sensor (from the top) if I want to frame looser. I usually leave the
camera on the setting that allows sensor selection and work the
little joystick
Great capture Marco.
Maybe just a little too much background on the right, but maybe not.
CW
- Original Message -
From: Marco Alpert [EMAIL PROTECTED]
To: Pentax-Discuss Mail List PDML@pdml.net
Sent: Wednesday, September 05, 2007 12:14 AM
Subject: PESO - Getting the News
On Sep 4, 2007, at 2:37 PM, Bob Blakely wrote:
Interesting. The chromatic aberration produced by the lens can
clearly be
seen. This would not have been evident if the moon were properly
exposed -
but then you wouldn't have recorded any of the sisters.
For stars, nebulae, etc. (not the
Nicely rendered. Great tonal values. Excellent framing.
Paul
http://www.alpert.com/marco/photo07/peso6.html
Comments, as always, welcomed.
-Marco
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--
No virus found in this
Any information of Big Elektra studio flash voltage (suitable for DSLR
or would fry my camera?), also appreciate information on your preferred
studio light/flash sets. Any useful advice would be appreciated.
Product page in German
The irony here was that I was trying to help his sales by telling you
guys about it :)
oh well.
anyway, enjoy it Keith, it is a fun read
ann
keith_w wrote:
ann sanfedele wrote:
Keith -- instead of buying it from Merrill? gr
or did you mean ebay?
No, Amazon.com.
This
I could have guessed Pardees, Brendon. Just seemed to fit.
Jack
--- Brendan MacRae [EMAIL PROTECTED] wrote:
Actually, it was Pardees. I had called Camera Arts but
they were out of the white backgrounds.
I like Action Camera. I've given them a quite a bit of
business over the last year. I
Yes, I'm sure many agree.
I think the answer is wrong and I plan to ask again next week.
Jack
--- mike wilson [EMAIL PROTECTED] wrote:
From: Jack Davis [EMAIL PROTECTED]
Date: 2007/09/04 Tue PM 03:17:48 GMT
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Non-Pentax Lenses for
On Sep 5, 2007, at 1:08 AM, mike wilson wrote:
http://homepage.mac.com/ramarren/photo/PAW7/37.htm
That breaks a few rules. 8-)
I see a red halo on the rider's back. Artefact or real?
It's a color photo ... The rider was wearing a red sweater. ;-)
Thanks for commenting.
Godfrey
--
Thank you Godfrey, et. al...
Godfrey: when you say that good modern cameras allow for both CW and
multi-segment, do you mean this in terms of a setting (a switch) made
on the camera body? I ask because my ZX-M goes into CW mode when
using an older lens (i.e. an M-series lens). Is this
I figured you meant this, P.J. I am a master of the typo...and I am
a professional writer :-) I very much appreciate your commentary.
Thanks,
Glen
On Sep 5, 2007, at 12:03 AM, P. J. Alling wrote:
Maybe I shouldn't post when I'm tired. That quote should read,
...why
doesn't this damed
I almost hate to admit this, but I've accidentally rim over a cat at
speed, when one darted into the road at night. (I went back to check on
the animal, no collar and it must have died almost instantly, bit still
disturbing). No damage was done to my vehicle at all. They're just not
big
These are excellent comments, Brendan. You highlight many important
issues we Pentaxians face...and things we feel.
Regards,
Glen
On Sep 4, 2007, at 11:24 PM, Brendan MacRae wrote:
So, after my fruitless search for the 16-50mm f2.8
over the last coupe of days (except for the 5
available
The equator.
I know that, because there is a sign on the other side of the road
(southbound) telling me I'm halfway to the equator :-)
On 9/4/07, P. J. Alling [EMAIL PROTECTED] wrote:
To which I as the question, starting from where?
wendy beard wrote:
Brendan MacRae wrote:
Well, I don't know anthing about it, I haven't read any of
the reviews on it, and I don't make those decisions anyway
the owner does. There's a lot of great gear out there that we
don't carry. At that point he handed me the charge slip to
sign and I took my yellow copy
Normally there is a setting that lets you switch between multisegment, CW and
spot metering.
(Spot is when the reading is taken only in a small circle in the center of the
image).
Unfortunately, the MZ-M (ZX-M in the US) does not have it, and this is one of
the reasos for my upgrade to the
There was a PUG theme of the same name a month or so back. I thought
of it as I passed this scene while driving along the Thousand Islands
parkway
http://www.pbase.com/wendybeard/image/84578732
and a little closer
http://www.pbase.com/wendybeard/image/84578729
What were these people thinking!
I hit a large coyote with a minivan once, at about 75 miles per hour.
It just ran into the highway at night, and afraid a sudden maneuver
would flip the vehicle, I just tried to keep it away from the path of
the tires and center the van. The impact cracked the plastic skirt
under the front bumper
Thank you, Jaume. The MZ-5n (ZX-5n) looks interesting. Is there any
difference in the Euro and American versions (i.e. MZ and ZX)? Also,
do the higher models in this series have the same functionality
(ZX-10, 50, 60, etc.)?
Thanks,
Glen
On Sep 5, 2007, at 10:03 AM, Jaume Lahuerta wrote:
On Wed, 5 Sep 2007 07:03:25 -0700 (PDT), Jaume Lahuerta wrote
Normally there is a setting that lets you switch between
multisegment, CW and spot metering.
(Spot is when the reading is taken only in a small circle in the
center of the image).
Unfortunately, the MZ-M (ZX-M in the US) does
Sorry, but I'm completely unfamiliar with Pentax film SLR bodies
other than the MX, which simply had CW Averaging and nothing else.
All this stuff was much simpler in the past. Nikon pioneered the CW
Averaging meter pattern way back when they shipped the Nikon F
Photomic FTn in 1969. There
Thanks...does the ZX-5n accept the FG battery pack (AA, like on the
ZX-M)?
Thanks again,
Glen
On Sep 5, 2007, at 10:07 AM, John Whittingham wrote:
On Wed, 5 Sep 2007 07:03:25 -0700 (PDT), Jaume Lahuerta wrote
Normally there is a setting that lets you switch between
multisegment, CW and
Cotty wrote:
Taken on the Ward's Island Ferry, on my way back from taking Skyline
at Twilight (yesterday's PESO):
http://tinyurl.com/2pbas2
Boy that has a gritty feel to it. Could be a still from a movie. Good
atmosphere. Er, why is everyone down the other end of the boat? (hint-
Right
The only difference between an MZ and a ZX is the name.
Lower numbers in this series indicate better bodies (the best is the MZ-S).
Generally there's little reason today to pick any body below the MZ-5n in the
line, they aren't enough cheaper to make up for the features you lose. MZ-5n's
are
No, there is no difference except for the name.
I wouldn't say that the 10, 50, 60 are higher models at all, although it is
difficult to explain since the numbers do not follow clear logics (at least to
me).
The bottom down models were the MZ-50, replaced by the 30 and then by the 60.
Teh are
Yes.
-Adam
Glen Tortorella wrote:
Thanks...does the ZX-5n accept the FG battery pack (AA, like on the
ZX-M)?
Thanks again,
Glen
On Sep 5, 2007, at 10:07 AM, John Whittingham wrote:
On Wed, 5 Sep 2007 07:03:25 -0700 (PDT), Jaume Lahuerta wrote
Normally there is a setting that lets
Well, actually there are a few more differences, like bracketing,
viewfinder,...as I said in my previous post, take a look at Boz's site for a
complete list:
http://www.bdimitrov.de/kmp/
And yes, the 5n accepts the battery pack (I would say that all the MZ's except
for the MZ-S accept it...)
Typically film cameras have either a metering switch, or it's linked to some
other control (film Rebels will switch metering patterns when set to Manual or
using the AE Lock, my old Nikon FA switched metering modes when set to Manual,
when a button was pressed/locked or when a AI-converted lens
This AM my wife told me there was a pretty pink sun rising.
I shot it as a lark, really, but am surprised to see the degree of
vertical banding accross the frame.
Thought that was dealt with through a firmware download some time back.
This is likely a supreme test, however.
Opinions?
Thanks very much, Adam...
This is good news, as I like the FG pack. Is there any difference
between the ZX-5 and the ZX-5n?
Regards,
Glen
On Sep 5, 2007, at 10:52 AM, Adam Maas wrote:
Yes.
-Adam
Glen Tortorella wrote:
Thanks...does the ZX-5n accept the FG battery pack (AA, like on
Hmm... this kind of makes me wonder,
to turn the issue around, whether there exist people
similar to wine-tasters who can 'taste' from the image
such important factors as make, plant, focal distance,
aperture, whether it was a good year when the lens blossomed --
i'm aware that there is something
The main difference is in control layout. The MZ-5 has the metering selector
around the exposure compensation dial and the drive mode selector colocated
with the on/off switch around the shutter release. The MZ-5n moves the metering
selector switch to the shutter speed dial, and the drive mode
Thanks for everyone's comments on this, and I'll do my best to fix the
background a bit :))
Looks like he's using his tongue, trying to get that raspberry seed from
between his teeth! g
Actually, you're pretty close - I think he was struggling with some
peanut butter at the moment :oP
rg2
On
There are a couple of differences, but the most important one is that
the ZX-5n has depth of field preview, the 5 does not.
Glen Tortorella wrote:
Thanks very much, Adam...
This is good news, as I like the FG pack. Is there any difference
between the ZX-5 and the ZX-5n?
Regards,
Glen
O. . . A Gaussian distribution of 's!
Steve the Nerd
ann sanfedele [EMAIL PROTECTED] 9/4/2007 7:11 PM
Mark Roberts wrote:
P. J. Alling wrote:
ann sanfedele wrote:
P. J. Alling wrote:
Norm Baugher wrote:
David Savage wrote:
Kenneth Waller [EMAIL
On Wed, 05 Sep 2007 11:13:47 -0400, Adam Maas wrote
The main difference is in control layout. The MZ-5 has the metering
selector around the exposure compensation dial and the drive mode
selector colocated with the on/off switch around the shutter
release. The MZ-5n moves the metering
For the moon, f5.6-f/16 (depending on phase), 1/100, ISO 100.
Regards,
Bob...
Life isn't like a box of chocolates . .
it's more like a jar of jalapenos.
What you do today, might burn your butt tomorrow.
- Original Message -
Hi all,
Is it true that both Fuji and Kodak have announced plans to stop
producing film? A dealer mentioned this to me, and I would like to
know if it is true.
Thanks,
Glen
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So you're really 1/4 of the way to the North Pole, if you're starting
from the South Pole...
wendy beard wrote:
The equator.
I know that, because there is a sign on the other side of the road
(southbound) telling me I'm halfway to the equator :-)
On 9/4/07, P. J. Alling [EMAIL PROTECTED]
regarding metering selector the k10d layout
is then like MZ-5, not like MZ-5n. interesting.
The main difference is in control layout.
The MZ-5 has the metering selector around the exposure compensation
dial and the drive mode selector colocated with the on/off switch
around the shutter
The dealer is full of shit (as usual on this subject, Dealers seem to say this
a lot). Fuji remains heavily committed to film, and even Kodak (which has been
making occasional noises about the death of film) has just updated the Portra
line.
-Adam
Glen Tortorella wrote:
Hi all,
Is it
I ran off the road once to avoid a deer. $2600 worth of damage to a diesel
Escort hardly any damage to the bodywork but the undercarriage was pretty much
wiped out, I did not realize in the dark that the field was 4 feet lower than
the road. I figured next time I would hit the SOB; it would
OTOH, a set of false teeth is not going to give you a hernia. Why, I once
carried in six sets in one load...
John Sessoms wrote:
From:
Bob W
n the other hand (if you'll forgive the expression), drivers and
drivers' mates in furniture delivery vans are the salt of the earth. I
once had a
Thanks...I will check the Web page you mention.
I just spoke to a dealer, and he was quite puzzled as to why I would
want a Pentax ZX-5n--or any film camera. He said that both Kodak and
Fuji will soon stop making film. So, are we wasting our time
discussing useless antiques (i.e. ZX-5ns,
On 06/09/07, Jack Davis [EMAIL PROTECTED] wrote:
This AM my wife told me there was a pretty pink sun rising.
I shot it as a lark, really, but am surprised to see the degree of
vertical banding accross the frame.
Thought that was dealt with through a firmware download some time back.
This is
John Graves wrote:
http://www.flickr.com/photos/jhg2/1312835645/
John G.
Beautiful shot. Beautiful boat. Technically it's sailing on the wind
as off the wind would be sailing with the wind from the stern quarters
i.e. downwind.
--
Christian
http://photography.skofteland.net
--
PDML
IIRC the MZ-5 does not have the exposure lock button, which I find very useful
(specially when spot metering).
The MZ-M does have this button, though.
- Mensaje original
De: Adam Maas [EMAIL PROTECTED]
Para: Pentax-Discuss Mail List pdml@pdml.net
Enviado: miércoles, 5 de septiembre,
Nice shot. I would paint the banding out of the pic. As to the cause, could be
a one-time hiccup. Digital s__t happens.
Paul
-- Original message --
From: Jack Davis [EMAIL PROTECTED]
This AM my wife told me there was a pretty pink sun rising.
I shot it as a
On Sep 5, 2007, at 9:14, Gonz wrote:
My sister-in-law is a nurse and once she was called late at night due
to a bad accident. A family of four lost three people due to the
driver trying to avoid a raccoon crossing the highway and running
their car off the highway and flipping it.
A general
Moron dealer wants to sell another digital. Film isn't dead. Some forms are
likely going to disappear in the next few years (cheap C-41 colour, Kodachrome,
possibly 35mm slide) but I'd expect to see BW and MF/LF slide continue on for
just about ever.
-Adam
Glen Tortorella wrote:
Thanks...I
Cotty wrote:
I'm laying myself wide open here, in light of a recent thread but what
the heck. All done in the camera - minimal post processing - levels
adjustment and conversion to B+W with Power Retouche in CS. I think this
shot illustrates the fantastic minimal depth of field that can be
You are being a smart ass, Peter. One, would with no other reference, figure it
was from zero latitude, if it was from anything else a reference would be
needed. Reference from zero can always be assumed. Not too far from from my
apartment is a sign that says
Eastern
Continental
Divide
3360
Kodak has moved their film production offshore (actually, I imagine that just
means they have shut down their US and European film plants mostly due to
environmental regulations*), Fuji continues to introduce new films. Film may no
longer be mainstream, but it is far from dead. I would imagine
On 9/5/07, Glen Tortorella [EMAIL PROTECTED] wrote:
Hi all,
Is multi-segment metering always better than center-weighted
metering?
Simple answer, No.
Cheers,
Dave
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Thanks for the straw man Graywolf. Tom, being halfway to the North pole
from the equator is no more obvious than being half way to the North
Pole from the South Pole. Hell the sign could have meant that they were
half way to the north pole from Denver CO. With no further information
available.
The sad fact is that when Kodak or Fuji doesn't stop making film shortly
the salesdroid will probably no longer be working there so you can't go
rub his nose in it.
Glen Tortorella wrote:
Thanks...I will check the Web page you mention.
I just spoke to a dealer, and he was quite puzzled as to
The Harvard MBA's that run Kodak would love to stop making film, (short
sighted bastards that they are), but Fuji seems to be fully committed to
film for the foreseeable future. Your salesdroid has been reading too
much crap on the Internet.
Glen Tortorella wrote:
Hi all,
Is it true that
Check out
http://mypeoplepc.com/members/kwaller/offwallphoto/id2.html
Comments appreciated - thanks in advance.
Kenneth Waller
http://tinyurl.com/272u2f
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Just what I had suspected, Adam. This dealer sounded like a phony,
anyway.
Thanks,
Glen
On Sep 5, 2007, at 11:37 AM, Adam Maas wrote:
The dealer is full of shit (as usual on this subject, Dealers seem
to say this a lot). Fuji remains heavily committed to film, and
even Kodak (which
Indeed...
Glen
On Sep 5, 2007, at 12:28 PM, P. J. Alling wrote:
The Harvard MBA's that run Kodak would love to stop making film,
(short
sighted bastards that they are), but Fuji seems to be fully
committed to
film for the foreseeable future. Your salesdroid has been reading too
much
Foveon X3 in K10D?
Tom C.
From: Glen Tortorella [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: Sometimes it's hard to shoot Pentax Date: Wed, 5 Sep 2007
09:35:51 -0400
These are excellent comments,
Well done. I especially like the DOF chosen.
Kenneth Waller
http://tinyurl.com/272u2f
- Original Message -
From: Marco Alpert [EMAIL PROTECTED]
Subject: PESO - Getting the News
http://www.alpert.com/marco/photo07/peso6.html
Comments, as always, welcomed.
-Marco
--
I don'T know from VPN. (?)
Jack
--- Digital Image Studio [EMAIL PROTECTED] wrote:
On 06/09/07, Jack Davis [EMAIL PROTECTED] wrote:
This AM my wife told me there was a pretty pink sun rising.
I shot it as a lark, really, but am surprised to see the degree of
vertical banding accross the
It could be worse, the last full service shop, within reasonable driving
distance, carries Pentax. There's one salesman in particular who while
perfictly willing to show you a K10d K100d etc., makes a point that he's
sold x number of them but, y number were returned by unhappy customers,
You spend a decade or two making ho-hum cameras, and that is what your market
image becomes. It is far harder to overcome a image like that than it is to
start from scratch.
Strangely, there is an immense amount of merchandising research results
published but I have found that most people
I'll call it digital gas..for now. We still have a fairly dense high
fog, so think I'll try another shot. Sun, however, is not a bright area
rather than a disk.
Don't feel the original warrants any PS time, but thanks, Paul.
Jack
--- [EMAIL PROTECTED] wrote:
Nice shot. I would paint the banding
Frankly, I find multi-segment metering to be not too different than
center-weighted metering. I say this from an anecdotal basis not one of
measurement. In the end the expected exposure is supposed to hopefully be
overall best possible exposure.
The thing is, the camera is not smart enough
Oh, I am sorry Peter, I attributed your comments as a smart ass reply,
obviously
I was wrong.
P. J. Alling wrote:
Thanks for the straw man Graywolf. Tom, being halfway to the North pole
from the equator is no more obvious than being half way to the North
Pole from the South Pole. Hell the
What, you believe everything you read? Sturgeons law needs to be
updated, to 90% of everything on the Internet is crud.
Tom C wrote:
Foveon X3 in K10D?
Tom C.
From: Glen Tortorella [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail
'Tis true :-)
Glen
On Sep 5, 2007, at 12:26 PM, P. J. Alling wrote:
The sad fact is that when Kodak or Fuji doesn't stop making film
shortly
the salesdroid will probably no longer be working there so you
can't go
rub his nose in it.
Glen Tortorella wrote:
Thanks...I will check the
Tree trunks come off fairly purple on my monitor.
Nice setting.
Jack
--- Kenneth Waller [EMAIL PROTECTED] wrote:
Check out
http://mypeoplepc.com/members/kwaller/offwallphoto/id2.html
Comments appreciated - thanks in advance.
Kenneth Waller
http://tinyurl.com/272u2f
--
PDML
I won't buy a K10D until they get rid of the VPN Jack just showed us.
Producing results like that is akin to reaching into a box of 3-year old
expired film that's been sitting out in the sun, blindfolded, loading it in
your camera and expecting something decent.
Tom C.
From: P. J.
A good rule of thumb in deer country (or any where else) is not to swerve to
avoid animals in your vehicles path.
Kenneth Waller
http://tinyurl.com/272u2f
- Original Message -
From: Gonz [EMAIL PROTECTED]
Subject: Re: Re: OT - Cat Stew
I hit a large coyote with a minivan once, at
Excellent shot. The composition is right on. Well done, as usual.
--
Bruce
Wednesday, September 5, 2007, 9:36:43 AM, you wrote:
KW Check out
KW http://mypeoplepc.com/members/kwaller/offwallphoto/id2.html
KW Comments appreciated - thanks in advance.
KW Kenneth Waller
KW
Same here with the purple tinge. I like the composition but there is a
certain degree of softness to the entire image that bothers me.
Tom C.
From: Jack Davis [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: PESO - If a
Thank you very much for this input. I have considered these points.
Your anecdotal reasoning seems rather sound. The common sense
perspective would dictate: all metering systems have flaws, and the
human mind far surpasses anything a camera can do.
Thanks,
Glen
On Sep 5, 2007, at 12:29
Well, I was kind of being a smart ass, but it was with a point.
graywolf wrote:
Oh, I am sorry Peter, I attributed your comments as a smart ass reply,
obviously
I was wrong.
P. J. Alling wrote:
Thanks for the straw man Graywolf. Tom, being halfway to the North pole
from the equator
So you're really 1/4 of the way to the North Pole, if you're starting
from the South Pole...
?
More like 3/4 of the way to the North Pole if you're starting from the South
Pole.
Kenneth Waller
http://tinyurl.com/272u2f
- Original Message -
From: P. J. Alling [EMAIL PROTECTED]
Obviously I didn't believe that.
Tom C.
From: P. J. Alling [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: Sometimes it's hard to shoot Pentax
Date: Wed, 05 Sep 2007 12:46:48 -0400
What, you believe everything you
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