Re: OT: Ever wanted to see a Parcel Package Route Map

2012-03-14 Thread David J Brooks
On Tue, Mar 13, 2012 at 5:47 PM, Charles Robinson charl...@visi.com wrote:
 On Mar 13, 2012, at 10:33, Jeffery Johnson wrote:

 Yeah sometimes I can be a bit obsessive so I located the following site to
 track packages giving you a visual map:

 http://www.packagemapping.com/


 Here's my brother's most-recent iPad (iPad 2, refurbished) purchase if you 
 need a number to see how it looks:

 http://www.packagemapping.com/?action=trackshipper=upsmitracknum=497394749006uniqueID=;

Told ya the world was flat

Dave

  -Charles

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 http://charles.robinsontwins.org
 http://www.facebook.com/charles.robinson


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Re: GESO: Photowalk -- 3/13/2012

2012-03-14 Thread David J Brooks
First dog shot and all of the building shots are nice. Nice
perspective on the last flower shot

Dave

On Wed, Mar 14, 2012 at 1:18 AM, Walt Gilbert ldott...@gmail.com wrote:
 Hi all,

 But for the extremely sunny conditions, it was the perfect day to get out on
 a photowalk. So, for the first time since winter kicked in, I decided to
 take the K-x and K1000D out, fitted with the A 50/1.7 and the Promaster
 70-300/4.5-5.6 respectively, and put them through the paces.  Here are the
 preliminary keepers from the afternoon:

 http://www.flickriver.com/photos/walt_gilbert/sets/72157629581602575/

 Any input is appreciated. I was just happy to get out of range of the
 cordless phone.

 Thanks!

 Walt

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Re: Yellow Sunset Through Palm

2012-03-14 Thread David J Brooks
Pretty photo

Dave

On Tue, Mar 13, 2012 at 4:22 PM, Daniel J. Matyola danmaty...@gmail.com wrote:
 http://photo.net/photodb/photo?photo_id=15039260size=md

 Comments are invited.
 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola

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Re: PESO - Mid-winter by the Lake

2012-03-14 Thread David J Brooks
Nice peaceful feel to it

Dave

On Tue, Mar 13, 2012 at 8:35 PM, frank theriault
knarftheria...@gmail.com wrote:
 Taken maybe a month ago, when by mid-afternoon the sun was low in the sky:

 http://knarfinthecity.blogspot.com/2012/03/mid-winter-by-lake.html

 Hope you enjoy.  Comments welcome.

 cheers,
 frank

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Re: PESO: Snowdrop

2012-03-14 Thread David J Brooks
Nice, Good detail and exposure and nice pleasant back drop

Dave

On Tue, Mar 13, 2012 at 8:51 PM, Paul Stenquist pnstenqu...@comcast.net wrote:
 My annual snowdrop photo. They bloomed Sunday, but I just got around to 
 shooting one today. K-5 with the Vivitar Seres 1 90/2.5 macro (first 
 version), f11 @ 1/125, ISO 800. Love being able to push the ISO for macro 
 shots with the K-5. Love the bokeh of that classic Vivitar lens as well.

 http://photo.net/photodb/photo?photo_id=15348632size=lg
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Re: PESO -- The Tower III

2012-03-14 Thread David J Brooks
Very nice.

Dave

On Mon, Mar 12, 2012 at 8:56 PM, P. J. Alling
webstertwenty...@gmail.com wrote:
 http://dl.dropbox.com/u/1604247/PESO/PESO%20--%20thetoweriii.html

 Equipment: Pentax K20D w/smc Pentax FA 20-35mm f4.0

 As usual comments are welcome but may be totally ignored.

 --
 Don't lose heart!  They might want to cut it out, and they'll want to avoid
 a lengthily search.


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OT - Online critics

2012-03-14 Thread David Savage
So I came across this via FB today...

There is a flickr group called deleteme where images in the groups
pool of photos is voted on to either be be retained of deleted.

Someone decided to test members visual literacy  photographic
knowledge by submitting this photo (read the comments):

http://www.flickr.com/photos/andrerabelo/70458366/

Cheers,

Dave

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Re: Wanted: Pentax 6x7 body cap and 67 lens rear caps

2012-03-14 Thread David J Brooks
I may have, let me have a look in my piles o stuff

Dave

On Tue, Mar 13, 2012 at 11:28 PM, Darren Addy pixelsmi...@gmail.com wrote:
 On the off chance that some of my fellow PDMLers have a draw of Pentax
 Detritus (he was the Roman god of junk drawers) I beseech thee.
 I need a Pentax 6x7 body cap and two 67 lens rear caps.
 Should my wail fail, I shall be forced to cast my eyes upon that
 infernal auction site... and we all know how dangerous that can be (in
 more ways than one).

 Drop me a line should you have something available.

 Darren Addy
 Kearney, Nebraska

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Re: Lightroom 4 released

2012-03-14 Thread David J Brooks
On Tue, Mar 13, 2012 at 8:25 PM, John Francis jo...@panix.com wrote:
 On Tue, Mar 06, 2012 at 08:21:42AM -0600, George Sinos wrote:
 Lightroom 4 was released as we've been expecting.  What's unexpected
 is the lower $149 price.  The upgrade price is down to $79.

 Great.  That's $79 for the software, and $1799 for a new notebook

  http://www.tigerdirect.com/applications/SearchTools/item-details.asp?EdpNo=6710849CatId=4939

 (plus a little extra to upgrade the memory - I think it will take 16G).

LOL

I had to upgrade my iBook to iMac to do the lightroom 2-3 upgrade.

BTW my copy of LR2, ordered Saturday, came last night via FedEx. Not
bad, now to the upgrade cave software man.

Dave


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Re: Lightroom 4 released

2012-03-14 Thread David J Brooks
On Wed, Mar 14, 2012 at 5:41 AM, David J Brooks pentko...@gmail.com wrote:
That should be LR4 not LR2. Thats what happens when you type in the dark.

Dave

 BTW my copy of LR2, ordered Saturday, came last night via FedEx. Not
 bad, now to the upgrade cave software man.

 Dave


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Peso roof line

2012-03-14 Thread David J Brooks
From Sundays walk. The buildings down town Stouffville are old, and
usually build very close to each other.

http://photo.net/photodb/photo?photo_id=15350193

K-5 D FA 50 f2.8 and f5.6 ISO 160

Dave

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Re: Anybody still shooting wet plates?

2012-03-14 Thread Underpaid N. Overpentaxed
Plinking in the rain?
No seriously, there is a guy in Hamburg who holds wet plate workshops
if you are ever in the area. There was an article about his work in
photographie magazine a while ago, it was pretty cool.
Cheers
Ecke

2012/3/13 Darren Addy pixelsmi...@gmail.com:
 Sorry, just trying to find a cooler niche in the wake of the Anybody
 still shooting film? subject line.
 : )

 Darren Addy
 Kearney, Nebraska

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Re: GESO Letting loose

2012-03-14 Thread Bruce Walker
I suppose it's only because of my newness to the process that I saw
all this background activity that was going on completely unnoticed.
Eventually I may start ignoring the man behind the curtains myself --
but I hope I retain to the ability to see him. My inner child's eyes.

The makeup artist requested and now has these shots for his portfolio.
The models love them too.

Thank you very much, Frank!


On Tue, Mar 13, 2012 at 10:39 PM, knarftheria...@gmail.com
knarftheria...@gmail.com wrote:

 I'm sure I'm not supposed to, but my favourite shots are the first
 three, of the makeup artist doing his work and then the model looking very
 pleased at the result. Brings some humanity to the whole fashion/modelling
 thing.

 The fashion shots are wonderful, too. My fave is Paper.

 Sounds and looks like a terrific afternoon. Certainly a success if we can
 judge from the results.

 Cheers,
 frank

 What can be asserted without proof can be dismissed without proof. --
 Christopher Hitchens

 --- Original Message ---

 From: Bruce Walker bruce.wal...@gmail.com
 Sent: March 13, 2012 3/13/12
 To: Pentax Discuss Mailing List PDML@pdml.net
 Subject: GESO Letting loose

 Cut to the chase:  http://goo.gl/mbTQU  ... scroll down 7 shots to
 where the BW's start.

 On the weekend I attended a workshop on directing and posing models in
 the studio. A very cozy affair, our teacher Neeto da Silva held it in
 her home studio that she sets up in a lovely low-rise apartment around
 the corner from the old and iconic Maple Leaf Gardens in downtown
 Toronto.

 I met Neeto at the very first studio collaborative TF shoot I
 attended. Another photog and I were hugely impressed by her easy
 command of the set and the models, and discussed it with her. In some
 follow up email she agreed to tailer a workshop for the other photog
 and myself, and arranged to have two models and a makeup artist on
 hand.

 The shots in this GESO are mostly behind-the-scenes candids, but also
 three shots from a flying hair sequence. Both of the models had
 gorgeous, long hair and we were directed to use that and have fun with
 it. It took me a while to really let loose and get creative, but I did
 and I'm still feeling the high from this workshop, 3 days later.

 For equipment junkies: K20D, DA* 50-135/2.8, ISO 100. f/8 give or take.
 2 x Elinchrom BX500 NI monolights with Profoto softboxes (24 I think).

 The candids are ISO 1600, various wide apertures (see the individual
 shots), natural room light from floor to ceiling windows.

 Comments welcome!

 --
 -bmw

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Re: GESO Letting loose

2012-03-14 Thread Bruce Walker
Thank you, Paul. Appreciate it!

On Tue, Mar 13, 2012 at 10:46 PM, Paul Stenquist
pnstenqu...@comcast.net wrote:
 Nice set. Letting Loose is my favorite, but I like them all. The backstage 
 shots are high interest and well done.


 On Mar 13, 2012, at 9:14 AM, Jack Davis wrote:

 My choice is  the first BW hair shot. Fan, however, is VERY strong in all.
 Exposures are well handled.

 Jack


 
 From: Bruce Walker bruce.wal...@gmail.com
 To: Pentax Discuss Mailing List PDML@pdml.net
 Sent: Tuesday, March 13, 2012 4:48 AM
 Subject: GESO Letting loose

 Cut to the chase:  http://goo.gl/mbTQU  ... scroll down 7 shots to
 where the BW's start.

 On the weekend I attended a workshop on directing and posing models in
 the studio. A very cozy affair, our teacher Neeto da Silva held it in
 her home studio that she sets up in a lovely low-rise apartment around
 the corner from the old and iconic Maple Leaf Gardens in downtown
 Toronto.

 I met Neeto at the very first studio collaborative TF shoot I
 attended. Another photog and I were hugely impressed by her easy
 command of the set and the models, and discussed it with her. In some
 follow up email she agreed to tailer a workshop for the other photog
 and myself, and arranged to have two models and a makeup artist on
 hand.

 The shots in this GESO are mostly behind-the-scenes candids, but also
 three shots from a flying hair sequence. Both of the models had
 gorgeous, long hair and we were directed to use that and have fun with
 it. It took me a while to really let loose and get creative, but I did
 and I'm still feeling the high from this workshop, 3 days later.

 For equipment junkies: K20D, DA* 50-135/2.8, ISO 100. f/8 give or take.
 2 x Elinchrom BX500 NI monolights with Profoto softboxes (24 I think).

 The candids are ISO 1600, various wide apertures (see the individual
 shots), natural room light from floor to ceiling windows.

 Comments welcome!

 --
 -bmw

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-bmw

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Re: GESO: Photowalk -- 3/13/2012

2012-03-14 Thread Bruce Walker
Very good stuff, Walt. I love seeing that flowering tree -- is it a
cherry, or apple?

I like that crumbling window, but I think a more squarish crop, in
tight, might be better. I'd try an 8x10 format.


On Wed, Mar 14, 2012 at 1:18 AM, Walt Gilbert ldott...@gmail.com wrote:
 Hi all,

 But for the extremely sunny conditions, it was the perfect day to get out on
 a photowalk. So, for the first time since winter kicked in, I decided to
 take the K-x and K1000D out, fitted with the A 50/1.7 and the Promaster
 70-300/4.5-5.6 respectively, and put them through the paces.  Here are the
 preliminary keepers from the afternoon:

 http://www.flickriver.com/photos/walt_gilbert/sets/72157629581602575/

 Any input is appreciated. I was just happy to get out of range of the
 cordless phone.

 Thanks!

 Walt

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Re: Peso roof line

2012-03-14 Thread Bruce Walker
I really like your composition, Dave. All the diagonal lines make it
subtly dynamic.

On Wed, Mar 14, 2012 at 5:53 AM, David J Brooks pentko...@gmail.com wrote:
 From Sundays walk. The buildings down town Stouffville are old, and
 usually build very close to each other.

 http://photo.net/photodb/photo?photo_id=15350193

 K-5 D FA 50 f2.8 and f5.6 ISO 160

 Dave

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 www.caughtinmotion.com
 http://brooksinthecountry.blogspot.com/
 York Region, Ontario, Canada

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Re: PESO: Snowdrop

2012-03-14 Thread John Sessoms
Larry, I'm surprised that you of all people don't know the difference 
between a drop and a flake.


From: Larry Colen


I thought it was Mark C that was shooting snow drops.



On 3/13/2012 5:51 PM, Paul Stenquist wrote:

My annual snowdrop photo. They bloomed Sunday, but I just got around to 
shooting one today. K-5 with the Vivitar Seres 1 90/2.5 macro (first version), 
f11 @ 1/125, ISO 800. Love being able to push the ISO for macro shots with the 
K-5. Love the bokeh of that classic Vivitar lens as well.

http://photo.net/photodb/photo?photo_id=15348632size=lg

Nicely done, great choice of focus point, background, composition etc.


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Re: PESO -- The Tower IV

2012-03-14 Thread Jack Davis
Like this, Peter! 
Believe I'd prefer the little red thing go away, however. It's a bit of a 
distraction that would be difficult for me to explain. :-)

Jack


- Original Message -
From: P. J. Alling webstertwenty...@gmail.com
To: Pentax-Discuss Mail List pdml@pdml.net
Cc: 
Sent: Tuesday, March 13, 2012 9:07 PM
Subject: PESO -- The Tower IV

http://dl.dropbox.com/u/1604247/PESO/PESO%20--%20thetoweriv.html

Equipment: Pentax K20D w/smc Pentax FA 20-35mm f4.0

As usual comments are welcome but may be totally ignored.

-- Don't lose heart!  They might want to cut it out, and they'll want to avoid 
a lengthily search.


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RE: 4x% Kodachromes from WWII

2012-03-14 Thread John Sessoms

From: John Coyle


I started with blue flash-bulbs in 1967.  They had a long burn time (1/40 to 
1/60 second)
with a rapid climb to full output, then an even peak output followed by rapid 
drop-off at
the end of the burn.  The 'M' setting on the camera I was using at the time (a 
Voigtlander
Vito CD) was what you used for these bulbs, although the camera also had an 'X' 
setting
for them new-fangled electronic flashes.
The settings ensured that the shutter opened first, then the flash fired.  The 
shutter
speed had to be set at 1/30 or slower, so that the flash output occurred while 
the shutter
was fully open, otherwise you'd get a black bar at one side or the other, where 
the film
was unexposed.  Aperture was calculated from the guide number of the flash and 
the speed
of the film, and I found I could seldom close down beyond f8, even at 400 ASA.  
The bulbs
were coated with a blue substance to match the colour temperature of noon 
daylight, so
fill-in flash was possible.
There was a third shutter setting option, FP ('flash-peak'), which would allow 
the use of
bulbs designed for focal-plane shutters, and these you could use at speeds from 
1/30th
upwards to 1/1000th, although I never had a camera with that facility until I 
got a
Rolleicord, where you could use the 'V' setting to fire the flash at any speed 
- basically
because the shutter was a between-lens type.
 Open to correction on some of the technicalities, it's been a long time since 
I had to
think about such matters!



I think the M-sync fired the bulb first and then opened the shutter.

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Re: Wanted: Pentax 6x7 body cap and 67 lens rear caps

2012-03-14 Thread John Sessoms

From: Darren Addy


On the off chance that some of my fellow PDMLers have a draw of Pentax
Detritus (he was the Roman god of junk drawers) I beseech thee.
I need a Pentax 6x7 body cap and two 67 lens rear caps.
Should my wail fail, I shall be forced to cast my eyes upon that
infernal auction site... and we all know how dangerous that can be (in
more ways than one).

Drop me a line should you have something available.


KEH is showing an EX condition body cap ($10)  two rear lens caps, EX 
($9)  BGN ($7).


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Re: 4x% Kodachromes from WWII

2012-03-14 Thread P. J. Alling

On 3/14/2012 8:32 AM, John Sessoms wrote:

From: John Coyle

I started with blue flash-bulbs in 1967.  They had a long burn time 
(1/40 to 1/60 second)
with a rapid climb to full output, then an even peak output followed 
by rapid drop-off at
the end of the burn.  The 'M' setting on the camera I was using at 
the time (a Voigtlander
Vito CD) was what you used for these bulbs, although the camera also 
had an 'X' setting

for them new-fangled electronic flashes.
The settings ensured that the shutter opened first, then the flash 
fired.  The shutter
speed had to be set at 1/30 or slower, so that the flash output 
occurred while the shutter
was fully open, otherwise you'd get a black bar at one side or the 
other, where the film
was unexposed.  Aperture was calculated from the guide number of the 
flash and the speed
of the film, and I found I could seldom close down beyond f8, even at 
400 ASA.  The bulbs
were coated with a blue substance to match the colour temperature of 
noon daylight, so

fill-in flash was possible.
There was a third shutter setting option, FP ('flash-peak'), which 
would allow the use of
bulbs designed for focal-plane shutters, and these you could use at 
speeds from 1/30th
upwards to 1/1000th, although I never had a camera with that facility 
until I got a
Rolleicord, where you could use the 'V' setting to fire the flash at 
any speed - basically

because the shutter was a between-lens type.
 Open to correction on some of the technicalities, it's been a long 
time since I had to

think about such matters!



I think the M-sync fired the bulb first and then opened the shutter.

FP sync did that, the standard luminance chart for FP bulbs shows a 
sharp spike which then trails off at a relatively constant light out put 
for quite some time afterwords, I tried to find an image of that chart 
but couldn't.  Just imagine a chart of these arbitrary numbers


Flash fires  --  0  1  15 20 15 14 14 14 14 13 13 13 12 11 9 7 5 3 1 0

The shutter opens when the value drops to 15 to insure that the film is 
relatively evenly exposed.  That's what FP bulbs were all about.


M sync the shutter begins to open then the flash fires (on a leaf 
shutter before the shutter is fully open, but on a focal plane shutter 
after the shutter is fully open to capture as much of the light as 
possible.


The chart for M bulbs is more like this

Flash fires - 0 1 15 20 15 10 5 3 2 1





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Re: PESO: Snowdrop

2012-03-14 Thread Rick Womer
Paul, I always look forward to your annual snowdrop shot.  This is a 
particularly nice one--very graceful, and you're right about the lovely bokeh.

Rick
 
http://photo.net/photos/RickW


- Original Message -
From: Paul Stenquist pnstenqu...@comcast.net
To: Pentax-Discuss Mail List pdml@pdml.net
Cc: 
Sent: Tuesday, March 13, 2012 8:51 PM
Subject: PESO: Snowdrop

My annual snowdrop photo. They bloomed Sunday, but I just got around to 
shooting one today. K-5 with the Vivitar Seres 1 90/2.5 macro (first version), 
f11 @ 1/125, ISO 800. Love being able to push the ISO for macro shots with the 
K-5. Love the bokeh of that classic Vivitar lens as well.

http://photo.net/photodb/photo?photo_id=15348632size=lg
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GESO - Magnum Contacts

2012-03-14 Thread Derby Chang



Popped into the curator talk at Stills Gallery tonight for the Magnum 
Contacts show. Beautiful presentation, and the talk was funny, 
informative and charming. Highly recommended if you are in Sydney for 
the next week.


Bonus, there are some gob smacking huge Trent Parke prints on the other 
side of the gallery, itself worth a visit


http://members.iinet.net.au/~derbyc/12/12_03/12_03_magnumcontact/index.htm

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PESO 2012 - 041 - GDG

2012-03-14 Thread Godfrey DiGiorgi
I was browsing through the photos from my trip in October 2011. 
This one on the train station at Belfast caught my eye ...

  http://www.flickr.com/photos/gdgphoto/6981956135/lightbox/
or
  http://www.flickr.com/photos/gdgphoto/6981956135/

enjoy! 

Godfrey - http://godfreydigiorgi.posterous.com

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OT: Happy Pi Day

2012-03-14 Thread Daniel J. Matyola
3/14 is Pi Day!  http://www.piday.org/

By happy coincidence, it is also Albert Einstein's Birthday.


Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola

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Re: Yellow Sunset Through Palm

2012-03-14 Thread Daniel J. Matyola
Thanks, Dave.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Wed, Mar 14, 2012 at 4:55 AM, David J Brooks pentko...@gmail.com wrote:
 Pretty photo

 Dave

 On Tue, Mar 13, 2012 at 4:22 PM, Daniel J. Matyola danmaty...@gmail.com 
 wrote:
 http://photo.net/photodb/photo?photo_id=15039260size=md

 Comments are invited.
 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola

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Re: PESO -- The Tower IV

2012-03-14 Thread Daniel J. Matyola
Nice perspective and effective use of the shadows.  I like the little
red thing.  It is incongruous, and adds a bit of mystery and reality
at the same time.  Litter happens.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola



On Wed, Mar 14, 2012 at 12:07 AM, P. J. Alling
webstertwenty...@gmail.com wrote:
 http://dl.dropbox.com/u/1604247/PESO/PESO%20--%20thetoweriv.html

 Equipment: Pentax K20D w/smc Pentax FA 20-35mm f4.0

 As usual comments are welcome but may be totally ignored.

 --
 Don't lose heart!  They might want to cut it out, and they'll want to avoid
 a lengthily search.


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Re: Peso roof line

2012-03-14 Thread Daniel J. Matyola
I like the interesting mix of textures and architectural details.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola



On Wed, Mar 14, 2012 at 5:53 AM, David J Brooks pentko...@gmail.com wrote:
 From Sundays walk. The buildings down town Stouffville are old, and
 usually build very close to each other.

 http://photo.net/photodb/photo?photo_id=15350193

 K-5 D FA 50 f2.8 and f5.6 ISO 160

 Dave

 --
 Documenting Life in Rural Ontario.
 www.caughtinmotion.com
 http://brooksinthecountry.blogspot.com/
 York Region, Ontario, Canada

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Re: GESO: Photowalk -- 3/13/2012

2012-03-14 Thread Daniel J. Matyola
A very nice gallery.  I especially like to two featuring old barns or
garages and the two dog images.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola



On Wed, Mar 14, 2012 at 1:18 AM, Walt Gilbert ldott...@gmail.com wrote:
 Hi all,

 But for the extremely sunny conditions, it was the perfect day to get out on
 a photowalk. So, for the first time since winter kicked in, I decided to
 take the K-x and K1000D out, fitted with the A 50/1.7 and the Promaster
 70-300/4.5-5.6 respectively, and put them through the paces.  Here are the
 preliminary keepers from the afternoon:

 http://www.flickriver.com/photos/walt_gilbert/sets/72157629581602575/

 Any input is appreciated. I was just happy to get out of range of the
 cordless phone.

 Thanks!

 Walt

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Re: PESO -- The Tower IV

2012-03-14 Thread Bob Sullivan
Yes, Better with the red thing than without...  Regards,  Bob S.

On Wed, Mar 14, 2012 at 9:13 AM, Daniel J. Matyola danmaty...@gmail.com wrote:
 Nice perspective and effective use of the shadows.  I like the little
 red thing.  It is incongruous, and adds a bit of mystery and reality
 at the same time.  Litter happens.
 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola



 On Wed, Mar 14, 2012 at 12:07 AM, P. J. Alling
 webstertwenty...@gmail.com wrote:
 http://dl.dropbox.com/u/1604247/PESO/PESO%20--%20thetoweriv.html

 Equipment: Pentax K20D w/smc Pentax FA 20-35mm f4.0

 As usual comments are welcome but may be totally ignored.

 --
 Don't lose heart!  They might want to cut it out, and they'll want to avoid
 a lengthily search.


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Re: GESO: Photowalk -- 3/13/2012

2012-03-14 Thread Walt Gilbert

Thank you, David.

The flowers are just about perfectly situated for photographing, sitting 
on top of a steep roadside embankment, about seven feet above the road. 
Just a hop over a shallow ditch and about two steps up the side of the 
embankment, and you're right there. The biggest challenge is not sliding 
down the embankment.


-- Walt

On 3/14/2012 3:54 AM, David J Brooks wrote:

First dog shot and all of the building shots are nice. Nice
perspective on the last flower shot

Dave

On Wed, Mar 14, 2012 at 1:18 AM, Walt Gilbertldott...@gmail.com  wrote:

Hi all,

But for the extremely sunny conditions, it was the perfect day to get out on
a photowalk. So, for the first time since winter kicked in, I decided to
take the K-x and K1000D out, fitted with the A 50/1.7 and the Promaster
70-300/4.5-5.6 respectively, and put them through the paces.  Here are the
preliminary keepers from the afternoon:

http://www.flickriver.com/photos/walt_gilbert/sets/72157629581602575/

Any input is appreciated. I was just happy to get out of range of the
cordless phone.

Thanks!

Walt

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I never enter photo contests BUT...

2012-03-14 Thread Darren Addy
I did this one.
Theme: Landscape.
Most Likes wins.
Should anyone care to register at the (relatively new)
camera-enthusiast.com forum, then they can Like their favorite
image. If it happens to be mine, I thank you, but there are many
worthy images there (and not a lot of Likes on any of them so far).
My entry is the previously well-liked PESO image I took of a Kansas Gust Front:
http://www.flickr.com/photos/pixelsmithy/4722534814/in/photostream/

The gallery of contest entries is found here:
http://www.camera-enthusiast.com/forums/useralbums/fuji-x10-giveaway-submissions.7/view
(Mine is in the last row, Waay down there, as I type this).

Darren Addy
Kearney, Nebraska

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Re: Pentax Forums in depth review of the K-01

2012-03-14 Thread Jaume Lahuerta
- Mensaje original -

 De: Larry Colen l...@red4est.com
 Asunto: Pentax Forums in depth review of the K-01
 
 
 http://www.pentaxforums.com/reviews/pentax-k-01-review/
 
 


It is a bit sad to read that autofocus is still Pentax Achilles' heel, now with 
contrast detection AF.


But for me, and after my experience with a Sony NEX, the real problem of 
this camera is the lack of articulated LCD screen and (at least optional) 
electronic 
viewfinder. And this time it is not a problem of space, I would say...

Regards,Jaume


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Re: I never enter photo contests BUT...

2012-03-14 Thread Bill Owens
Nice, Darren

On Wed, Mar 14, 2012 at 10:40 AM, Darren Addy pixelsmi...@gmail.com wrote:
 I did this one.
 Theme: Landscape.
 Most Likes wins.
 Should anyone care to register at the (relatively new)
 camera-enthusiast.com forum, then they can Like their favorite
 image. If it happens to be mine, I thank you, but there are many
 worthy images there (and not a lot of Likes on any of them so far).
 My entry is the previously well-liked PESO image I took of a Kansas Gust 
 Front:
 http://www.flickr.com/photos/pixelsmithy/4722534814/in/photostream/

 The gallery of contest entries is found here:
 http://www.camera-enthusiast.com/forums/useralbums/fuji-x10-giveaway-submissions.7/view
 (Mine is in the last row, Waay down there, as I type this).

 Darren Addy
 Kearney, Nebraska

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Re: GESO: Photowalk -- 3/13/2012

2012-03-14 Thread Walt Gilbert

On 3/14/2012 6:35 AM, Bruce Walker wrote:

Very good stuff, Walt. I love seeing that flowering tree -- is it a
cherry, or apple?
Thank you, Bruce! I believe that's a Bradford pear tree, if I'm not 
mistaken. They're beautiful when they blossom in spring, and grow really 
fast. But, from my experience, you have to be hyper vigilant about 
keeping them pruned. Otherwise, they shed limbs like crazy and split at 
the slightest provocation.




I like that crumbling window, but I think a more squarish crop, in
tight, might be better. I'd try an 8x10 format.
I toyed with that crop aspect at first, but for some reason, my eye 
wanted to see more of the brickwork. I'll have to revisit it since you 
mentioned it.


Thanks for the input!

-- Walt





On Wed, Mar 14, 2012 at 1:18 AM, Walt Gilbertldott...@gmail.com  wrote:

Hi all,

But for the extremely sunny conditions, it was the perfect day to get out on
a photowalk. So, for the first time since winter kicked in, I decided to
take the K-x and K1000D out, fitted with the A 50/1.7 and the Promaster
70-300/4.5-5.6 respectively, and put them through the paces.  Here are the
preliminary keepers from the afternoon:

http://www.flickriver.com/photos/walt_gilbert/sets/72157629581602575/

Any input is appreciated. I was just happy to get out of range of the
cordless phone.

Thanks!

Walt

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Re: PESO -- The Tower IV

2012-03-14 Thread Bruce Walker
I agree. Red thing should stay. :-)

Nice!

On Wed, Mar 14, 2012 at 10:22 AM, Bob Sullivan rf.sulli...@gmail.com wrote:
 Yes, Better with the red thing than without...  Regards,  Bob S.

 On Wed, Mar 14, 2012 at 9:13 AM, Daniel J. Matyola danmaty...@gmail.com 
 wrote:
 Nice perspective and effective use of the shadows.  I like the little
 red thing.  It is incongruous, and adds a bit of mystery and reality
 at the same time.  Litter happens.
 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola



 On Wed, Mar 14, 2012 at 12:07 AM, P. J. Alling
 webstertwenty...@gmail.com wrote:
 http://dl.dropbox.com/u/1604247/PESO/PESO%20--%20thetoweriv.html

 Equipment: Pentax K20D w/smc Pentax FA 20-35mm f4.0

 As usual comments are welcome but may be totally ignored.

 --
 Don't lose heart!  They might want to cut it out, and they'll want to avoid
 a lengthily search.


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Re: Pentax Forums in depth review of the K-01

2012-03-14 Thread Steven Desjardins
From my reading of the review, it doesn't say that the K-01's contrast
detection AF is much worse than anyone else's, just that it's worse
than phase detection AF.  This is still true in general for mirrorless
system cameras.  I'm not saying it's great  but merely that they
didn't compare the contrast detection AF with anything else.

On Wed, Mar 14, 2012 at 10:42 AM, Jaume Lahuerta jlah...@yahoo.com wrote:
 - Mensaje original -

 De: Larry Colen l...@red4est.com
 Asunto: Pentax Forums in depth review of the K-01


 http://www.pentaxforums.com/reviews/pentax-k-01-review/




 It is a bit sad to read that autofocus is still Pentax Achilles' heel, now 
 with contrast detection AF.


 But for me, and after my experience with a Sony NEX, the real problem of
 this camera is the lack of articulated LCD screen and (at least optional) 
 electronic
 viewfinder. And this time it is not a problem of space, I would say...

 Regards,Jaume


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Re: Lightroom 4 released

2012-03-14 Thread Charles Robinson
On Mar 9, 2012, at 13:50, Tim Bray wrote:

 Just been using it for a couple days, but the new 2012 process, uh...
 makes my pictures look better.

I've been struggling with one issue - sometimes I'll hit the auto button in 
the TONE box to get my exposure into the ballpark before fiddling.

With LR3 it was always pretty darned close.

With LR4 I get consistently at least a couple of stops too dark - like the only 
thing it's doing is throwing the entire exposure to the left to preserve the 
highlights.

Anyone else see that when they hit that auto button?

 -Charles

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Re: I never enter photo contests BUT...

2012-03-14 Thread Bruce Walker
ponder-out-loud

Why is there never an image-enthusiast.com site?

/ponder-out-loud

On Wed, Mar 14, 2012 at 10:40 AM, Darren Addy pixelsmi...@gmail.com wrote:
 I did this one.
 Theme: Landscape.
 Most Likes wins.
 Should anyone care to register at the (relatively new)
 camera-enthusiast.com forum, then they can Like their favorite
 image. If it happens to be mine, I thank you, but there are many
 worthy images there (and not a lot of Likes on any of them so far).
 My entry is the previously well-liked PESO image I took of a Kansas Gust 
 Front:
 http://www.flickr.com/photos/pixelsmithy/4722534814/in/photostream/

 The gallery of contest entries is found here:
 http://www.camera-enthusiast.com/forums/useralbums/fuji-x10-giveaway-submissions.7/view
 (Mine is in the last row, Waay down there, as I type this).

 Darren Addy
 Kearney, Nebraska

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Re: OT - Online critics

2012-03-14 Thread Steven Desjardins
  These kind of tests also reveal something of the nature of famous
photos.  A lot of folks don't like Picasso either.  ;-)

On Wed, Mar 14, 2012 at 5:10 AM, David Savage ozsav...@gmail.com wrote:
 So I came across this via FB today...

 There is a flickr group called deleteme where images in the groups
 pool of photos is voted on to either be be retained of deleted.

 Someone decided to test members visual literacy  photographic
 knowledge by submitting this photo (read the comments):

 http://www.flickr.com/photos/andrerabelo/70458366/

 Cheers,

 Dave

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Re: GESO: Photowalk -- 3/13/2012

2012-03-14 Thread Walt Gilbert

Thanks, Dan!

Those are old Burley tobacco barns that don't get much use these days as 
very few farmers grow it anymore. The old saying goes, you have to be 
strong in the back and weak in the mind to grow tobacco -- and I guess 
all the old guys' backs have finally given out.


The dog was too good-looking a beast not to get a few shots of him -- 
extremely friendly and kind of a goofball. I'd have probably spent the 
rest of my daylight playing with him if he hadn't lost interest an gone 
on about his business. I got a few other shots of him that I liked, but 
am still working to see what I want to do with them.


Thanks again!

-- Walt

On 3/14/2012 9:19 AM, Daniel J. Matyola wrote:

A very nice gallery.  I especially like to two featuring old barns or
garages and the two dog images.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola



On Wed, Mar 14, 2012 at 1:18 AM, Walt Gilbertldott...@gmail.com  wrote:

Hi all,

But for the extremely sunny conditions, it was the perfect day to get out on
a photowalk. So, for the first time since winter kicked in, I decided to
take the K-x and K1000D out, fitted with the A 50/1.7 and the Promaster
70-300/4.5-5.6 respectively, and put them through the paces.  Here are the
preliminary keepers from the afternoon:

http://www.flickriver.com/photos/walt_gilbert/sets/72157629581602575/

Any input is appreciated. I was just happy to get out of range of the
cordless phone.

Thanks!

Walt

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Re: OT: Ever wanted to see a Parcel Package Route Map

2012-03-14 Thread Steven Desjardins
The world is flat.  It's just that space-time is curved.

On Wed, Mar 14, 2012 at 4:49 AM, David J Brooks pentko...@gmail.com wrote:
 On Tue, Mar 13, 2012 at 5:47 PM, Charles Robinson charl...@visi.com wrote:
 On Mar 13, 2012, at 10:33, Jeffery Johnson wrote:

 Yeah sometimes I can be a bit obsessive so I located the following site to
 track packages giving you a visual map:

 http://www.packagemapping.com/


 Here's my brother's most-recent iPad (iPad 2, refurbished) purchase if you 
 need a number to see how it looks:

 http://www.packagemapping.com/?action=trackshipper=upsmitracknum=497394749006uniqueID=;

 Told ya the world was flat

 Dave

  -Charles

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 http://charles.robinsontwins.org
 http://www.facebook.com/charles.robinson


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OT: Interesting stitched image

2012-03-14 Thread Daniel J. Matyola
I thought this was an interesting image:

http://i.imgur.com/wy1r4.jpg

It is said to have been stitched from 11 shots.  I don't know who took
it;  the only information I have is from the website where I found the
image:

http://www.bspcn.com/2012/03/13/this-is-a-11-shot-image-stitched-together-to-make-one-image/

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola

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Re: Lightroom 4 released

2012-03-14 Thread Bruce Walker
Oh damn, I hope that's not a new feature. I use the Auto button
quite often when faced with an unknown or tricky exposure and it's
usually a good start.

Send them your feedback. The Lr boys are still iterating it and
issuing patch updates, from the Twitter traffic I've seen.


On Wed, Mar 14, 2012 at 10:50 AM, Charles Robinson charl...@visi.com wrote:
 On Mar 9, 2012, at 13:50, Tim Bray wrote:

 Just been using it for a couple days, but the new 2012 process, uh...
 makes my pictures look better.

 I've been struggling with one issue - sometimes I'll hit the auto button in 
 the TONE box to get my exposure into the ballpark before fiddling.

 With LR3 it was always pretty darned close.

 With LR4 I get consistently at least a couple of stops too dark - like the 
 only thing it's doing is throwing the entire exposure to the left to preserve 
 the highlights.

 Anyone else see that when they hit that auto button?

  -Charles

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PESO: Red Sunset with Palm

2012-03-14 Thread Daniel J. Matyola
http://photo.net/photodb/photo?photo_id=15039257

Comments will be appreciated.

Dan Matyola
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Re: OT: Interesting stitched image

2012-03-14 Thread Bruce Walker
Whoa! Our local-contrast knobs go to 11. :-)

Reminds me of the that 1977 Weather Report album cover.
http://en.wikipedia.org/wiki/Heavy_Weather_(album)


On Wed, Mar 14, 2012 at 10:58 AM, Daniel J. Matyola
danmaty...@gmail.com wrote:
 I thought this was an interesting image:

 http://i.imgur.com/wy1r4.jpg

 It is said to have been stitched from 11 shots.  I don't know who took
 it;  the only information I have is from the website where I found the
 image:

 http://www.bspcn.com/2012/03/13/this-is-a-11-shot-image-stitched-together-to-make-one-image/

 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola

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Re: OT: Interesting stitched image

2012-03-14 Thread Charles Robinson
On Mar 14, 2012, at 9:58, Daniel J. Matyola wrote:

 I thought this was an interesting image:
 
 http://i.imgur.com/wy1r4.jpg
 
 It is said to have been stitched from 11 shots.  I don't know who took
 it;  the only information I have is from the website where I found the
 image:
 
 http://www.bspcn.com/2012/03/13/this-is-a-11-shot-image-stitched-together-to-make-one-image/
 

Man, that's been HDR'ed all to hell.  

Could have been a nice picture, now it's more like something on a movie poster 
or a science fiction paperback. 

I would like to see this one with a slightly-closer-to-real tone map!

 -Charles

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Re: PESO: Red Sunset with Palm

2012-03-14 Thread Bruce Walker
Oh, that's stunning colour, Dan.

I'm bothered by the dark silhouette foreground. I experimentally
cropped that with my fingers and I think it's stronger. try cropping
across the bottom so the horizon is just barely in-frame. It becomes
more of a study in texture and colour.

Anyways, a beaut.


On Wed, Mar 14, 2012 at 11:04 AM, Daniel J. Matyola
danmaty...@gmail.com wrote:
 http://photo.net/photodb/photo?photo_id=15039257

 Comments will be appreciated.

 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola

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Re: I never enter photo contests BUT...

2012-03-14 Thread Walt Gilbert

Man, that's a whole gang of images!

I do like yours a lot, but I can't seem to get my Like to take.

I'm sure I've said it before, but I've always wanted to do storm 
photography out on the plains. We get some decent storms here in KY that 
would make nice photos if it weren't for the topography. The best I've 
ever gotten was a big roll cloud, but it just doesn't look as dramatic 
as it would with a flatter, less cluttered horizon.


Good luck!

-- Walt

On 3/14/2012 9:40 AM, Darren Addy wrote:

I did this one.
Theme: Landscape.
Most Likes wins.
Should anyone care to register at the (relatively new)
camera-enthusiast.com forum, then they can Like their favorite
image. If it happens to be mine, I thank you, but there are many
worthy images there (and not a lot of Likes on any of them so far).
My entry is the previously well-liked PESO image I took of a Kansas Gust Front:
http://www.flickr.com/photos/pixelsmithy/4722534814/in/photostream/

The gallery of contest entries is found here:
http://www.camera-enthusiast.com/forums/useralbums/fuji-x10-giveaway-submissions.7/view
(Mine is in the last row, Waay down there, as I type this).

Darren Addy
Kearney, Nebraska




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RE: GESO - Magnum Contacts

2012-03-14 Thread knarftheria...@gmail.com
Cool. Looks like a wonderful exhibit. Hope it eventually makes it to Toronto.

Thanks for the report and wonderful photos.

Cheers,
frank

What can be asserted without proof can be dismissed without proof. -- 
Christopher Hitchens

--- Original Message ---

From: Derby Chang der...@iinet.net.au
Sent: March 14, 2012 3/14/12
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: GESO  - Magnum Contacts



Popped into the curator talk at Stills Gallery tonight for the Magnum 
Contacts show. Beautiful presentation, and the talk was funny, 
informative and charming. Highly recommended if you are in Sydney for 
the next week.

Bonus, there are some gob smacking huge Trent Parke prints on the other 
side of the gallery, itself worth a visit

http://members.iinet.net.au/~derbyc/12/12_03/12_03_magnumcontact/index.htm

-- 

der...@iinet.net.au
http://members.iinet.net.au/~derbyc



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Re: PESO - Frosty

2012-03-14 Thread knarftheria...@gmail.com
Thanks Walt and Dan!

cheers,
frank

What can be asserted without proof can be dismissed without proof. -- 
Christopher Hitchens

--- Original Message ---

From: Walt Gilbert ldott...@gmail.com
Sent: March 14, 2012 3/14/12
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: PESO - Frosty

I like it very much, Frank!

It's pleasantly evocative.

-- Walt

On 3/12/2012 8:50 PM, frank theriault wrote:
 The title refers to the frosty window I was shooting through (three of
 my fingers are to be seen reflected in the glass on her dark coat, but
 I was too lazy to remove them in PS). I haven't decided if I like this
 photo or not but I'll post it anyway:

 http://knarfinthecity.blogspot.com/2012/03/frosty.html

 It was taken about a month ago, the morning after one of our few
 snowfalls this winter.  It had all melted by that afternoon.

 Hope you enjoy.  Comments welcome.

 cheers,
 frank



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Re: I never enter photo contests BUT...

2012-03-14 Thread Jack Davis
Worthy entry, Darren.
I clicked on likes. Does that mean I voted for it?

Jack


- Original Message -
From: Darren Addy pixelsmi...@gmail.com
To: Pentax-Discuss Mail List pdml@pdml.net
Cc: 
Sent: Wednesday, March 14, 2012 7:40 AM
Subject: I never enter photo contests BUT...

I did this one.
Theme: Landscape.
Most Likes wins.
Should anyone care to register at the (relatively new)
camera-enthusiast.com forum, then they can Like their favorite
image. If it happens to be mine, I thank you, but there are many
worthy images there (and not a lot of Likes on any of them so far).
My entry is the previously well-liked PESO image I took of a Kansas Gust Front:
http://www.flickr.com/photos/pixelsmithy/4722534814/in/photostream/

The gallery of contest entries is found here:
http://www.camera-enthusiast.com/forums/useralbums/fuji-x10-giveaway-submissions.7/view
(Mine is in the last row, Waay down there, as I type this).

Darren Addy
Kearney, Nebraska

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RE: GESO: Photowalk -- 3/13/2012

2012-03-14 Thread knarftheria...@gmail.com
Like 'em all, especially that Purina wall and double especially the front 
porch. Such a slice of Americana! And you caught the flag just right.

Perfect!

cheers,
frank

What can be asserted without proof can be dismissed without proof. -- 
Christopher Hitchens

--- Original Message ---

From: Walt Gilbert ldott...@gmail.com
Sent: March 14, 2012 3/14/12
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: GESO: Photowalk -- 3/13/2012

Hi all,

But for the extremely sunny conditions, it was the perfect day to get 
out on a photowalk. So, for the first time since winter kicked in, I 
decided to take the K-x and K1000D out, fitted with the A 50/1.7 and the 
Promaster 70-300/4.5-5.6 respectively, and put them through the paces.  
Here are the preliminary keepers from the afternoon:

http://www.flickriver.com/photos/walt_gilbert/sets/72157629581602575/

Any input is appreciated. I was just happy to get out of range of the 
cordless phone.

Thanks!

Walt

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RE: OT - Online critics

2012-03-14 Thread knarftheria...@gmail.com
I think it was posted here at least twice before.

But it's still funny. If nothing else it shows how braking the rules can make 
for an outstanding photo.

;-)

cheers,
frank

What can be asserted without proof can be dismissed without proof. -- 
Christopher Hitchens

--- Original Message ---

From: David Savage ozsav...@gmail.com
Sent: March 14, 2012 3/14/12
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: OT - Online critics

So I came across this via FB today...

There is a flickr group called deleteme where images in the groups
pool of photos is voted on to either be be retained of deleted.

Someone decided to test members visual literacy  photographic
knowledge by submitting this photo (read the comments):

http://www.flickr.com/photos/andrerabelo/70458366/

Cheers,

Dave

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Re: OT: Interesting stitched image

2012-03-14 Thread Doug Brewer

On 3/14/12 11:04 AM, Bruce Walker wrote:

Whoa! Our local-contrast knobs go to 11. :-)

Reminds me of the that 1977 Weather Report album cover.
http://en.wikipedia.org/wiki/Heavy_Weather_(album)


Jaco is a bass god. Off to Grooveshark, boys.

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Re: OT - Online critics

2012-03-14 Thread Daniel J. Matyola
In a recent thread, many sharply criticized one of the most famous
images of AA.  Is HCB such a god that he is beyond criticism?

Dan

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Re: GESO: Photowalk -- 3/13/2012

2012-03-14 Thread Walt Gilbert

Thank you, Frank!

The Purina wall is one I've photographed dozens of times, but manages to 
keep frustrating me. The roof line of the building is extremely close to 
the top-left corner of that sign and it always ruins the image in my eye.


And the flag on the front porch was the very thing that caught my eye. 
That particular home has lots of interesting photo fodder on the 
property -- weeping willows, a duck pond, old horse wagons, old gas 
station signs, etc -- and one of these days I'm going to see if I can 
get permission just to wander around on it taking photos.


-- Walt

On 3/14/2012 10:15 AM, knarftheria...@gmail.com wrote:

Like 'em all, especially that Purina wall and double especially the front 
porch. Such a slice of Americana! And you caught the flag just right.

Perfect!

cheers,
frank

What can be asserted without proof can be dismissed without proof. -- 
Christopher Hitchens

--- Original Message ---

From: Walt Gilbertldott...@gmail.com
Sent: March 14, 2012 3/14/12
To: Pentax-Discuss Mail Listpdml@pdml.net
Subject: GESO: Photowalk -- 3/13/2012

Hi all,

But for the extremely sunny conditions, it was the perfect day to get
out on a photowalk. So, for the first time since winter kicked in, I
decided to take the K-x and K1000D out, fitted with the A 50/1.7 and the
Promaster 70-300/4.5-5.6 respectively, and put them through the paces.
Here are the preliminary keepers from the afternoon:

http://www.flickriver.com/photos/walt_gilbert/sets/72157629581602575/

Any input is appreciated. I was just happy to get out of range of the
cordless phone.

Thanks!

Walt




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Re: GESO - Magnum Contacts

2012-03-14 Thread Bruce Walker
Won't be in Sydney this week, or even the next, but thanks for that
gallery of shots, Derby. I see that your favourite kind of art fans
were there for you, too. :-)


On Wed, Mar 14, 2012 at 9:19 AM, Derby Chang der...@iinet.net.au wrote:


 Popped into the curator talk at Stills Gallery tonight for the Magnum
 Contacts show. Beautiful presentation, and the talk was funny, informative
 and charming. Highly recommended if you are in Sydney for the next week.

 Bonus, there are some gob smacking huge Trent Parke prints on the other side
 of the gallery, itself worth a visit

 http://members.iinet.net.au/~derbyc/12/12_03/12_03_magnumcontact/index.htm

 --

 der...@iinet.net.au
 http://members.iinet.net.au/~derbyc



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Re: 4x% Kodachromes from WWII

2012-03-14 Thread Paul Sorenson
Bulbs like the Press 25, 25b's and GE 5, 5b's were, as I recall, good 
for both M sync with leaf shutters and X sync with focal plane shutters, 
but the shutter speed with X sync was maxed out at 1/30th.  The b 
designation indicated a blue bulb for daylight fill and daylight 
balanced film.  The clear bulbs were balanced for tungsten light.  Later 
flash for the amateur market used smaller bulbs like the M-5 and later 
the peanut sized AG-1.


The FP bulbs, used w/a focal plane shutter, were good across nearly all 
shutter speeds because of the long light peak.


Some of the larger graflex-type flashes used the Press 40 bulb, which 
was about the size of a 60 watt light bulb.


-p

On 3/14/2012 7:54 AM, P. J. Alling wrote:

On 3/14/2012 8:32 AM, John Sessoms wrote:

From: John Coyle


I started with blue flash-bulbs in 1967. They had a long burn time
(1/40 to 1/60 second)
with a rapid climb to full output, then an even peak output followed
by rapid drop-off at
the end of the burn. The 'M' setting on the camera I was using at the
time (a Voigtlander
Vito CD) was what you used for these bulbs, although the camera also
had an 'X' setting
for them new-fangled electronic flashes.
The settings ensured that the shutter opened first, then the flash
fired. The shutter
speed had to be set at 1/30 or slower, so that the flash output
occurred while the shutter
was fully open, otherwise you'd get a black bar at one side or the
other, where the film
was unexposed. Aperture was calculated from the guide number of the
flash and the speed
of the film, and I found I could seldom close down beyond f8, even at
400 ASA. The bulbs
were coated with a blue substance to match the colour temperature of
noon daylight, so
fill-in flash was possible.
There was a third shutter setting option, FP ('flash-peak'), which
would allow the use of
bulbs designed for focal-plane shutters, and these you could use at
speeds from 1/30th
upwards to 1/1000th, although I never had a camera with that facility
until I got a
Rolleicord, where you could use the 'V' setting to fire the flash at
any speed - basically
because the shutter was a between-lens type.
Open to correction on some of the technicalities, it's been a long
time since I had to
think about such matters!



I think the M-sync fired the bulb first and then opened the shutter.


FP sync did that, the standard luminance chart for FP bulbs shows a
sharp spike which then trails off at a relatively constant light out put
for quite some time afterwords, I tried to find an image of that chart
but couldn't. Just imagine a chart of these arbitrary numbers

Flash fires -- 0 1 15 20 15 14 14 14 14 13 13 13 12 11 9 7 5 3 1 0

The shutter opens when the value drops to 15 to insure that the film is
relatively evenly exposed. That's what FP bulbs were all about.

M sync the shutter begins to open then the flash fires (on a leaf
shutter before the shutter is fully open, but on a focal plane shutter
after the shutter is fully open to capture as much of the light as
possible.

The chart for M bulbs is more like this

Flash fires - 0 1 15 20 15 10 5 3 2 1







--
Being old doesn't seem so old now that I'm old.

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Re: OT - Online critics

2012-03-14 Thread Charles Robinson
On Mar 14, 2012, at 4:10, David Savage wrote:

 So I came across this via FB today...
 
 There is a flickr group called deleteme where images in the groups
 pool of photos is voted on to either be be retained of deleted.
 
 Someone decided to test members visual literacy  photographic
 knowledge by submitting this photo (read the comments):
 
 http://www.flickr.com/photos/andrerabelo/70458366/
 

The general attitude seems to be that it's a bland shot - if you don't consider 
who shot it.

Which brings to mind this question: Just because it was shot by a specific 
known person, does that make it a better image?

Personally, I don't think so.

 -Charles

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Minneapolis, MN
http://charles.robinsontwins.org
http://www.facebook.com/charles.robinson


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Re: OT - Online critics

2012-03-14 Thread Matthew Hunt
On Wed, Mar 14, 2012 at 11:29 AM, Daniel J. Matyola
danmaty...@gmail.com wrote:

 In a recent thread, many sharply criticized one of the most famous
 images of AA.  Is HCB such a god that he is beyond criticism?

I don't think that's really the issue here. Rather, I see two main points:

(1) The commenters are oblivious to the fact that it's a famous
photograph, showing a weakness in the commenters' understanding of the
history of the art form they're critiquing. I see some merit to this
argument, but, really, all of us have to decide where to focus our
attention, and we all have strengths, weaknesses, and gaps in our
knowledge.

(2) Most of the complaints were about the technical quality,
particularly sharpness. This illustrates a widespread belief,
especially in this sort of Internet forum, that perfect technical
quality is essential to a good photograph. If that's someone's
well-considered belief, fine, but it seems like a lot of people hold
this belief without really thinking about it, or without appreciating
how many of photography's past works would be rejected under it. Today
I was engaged in a discussion about whether the Nikon D700 and D800
are suitable for making large prints (in the sense of Maybe the D800
is, but maybe not the D700.) My response was that if that kind of
statement seems reasonable to you, you're saying there haven't been
many adequate prints in the history of photography. It's a narrow
technical view that, even I as a sensor and instrumentation geek, am
getting weary of. I'm glad for the ever-increasing capabilities of our
equipment, but at some point you need to just look at the picture!

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Re: 4x% Kodachromes from WWII

2012-03-14 Thread Charles Robinson
On Mar 14, 2012, at 10:44, Paul Sorenson wrote:
 
 The FP bulbs, used w/a focal plane shutter, were good across nearly all 
 shutter speeds because of the long light peak.
 

BTW, Wikipedia informs me that the FP stands for flat peak - which makes 
sense.  Interestingly coincidental that it's ideal for Focal Plane shutters 
(same two letters).

 -Charles

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RE: 4x% Kodachromes from WWII

2012-03-14 Thread JC O'Connell
I always thought that with flashbulbs the bulb was fired prior to the
shutter to account for the delay between bulb firing and maximum bulb
output

-
J.C.O'Connell
hifis...@gate.net
-

-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of John
Coyle
Sent: Tuesday, March 13, 2012 9:28 PM
To: 'Pentax-Discuss Mail List'
Subject: RE: 4x% Kodachromes from WWII

I started with blue flash-bulbs in 1967.  They had a long burn time (1/40 to
1/60 second)
with a rapid climb to full output, then an even peak output followed by
rapid drop-off at
the end of the burn.  The 'M' setting on the camera I was using at the time
(a Voigtlander
Vito CD) was what you used for these bulbs, although the camera also had an
'X' setting
for them new-fangled electronic flashes.
The settings ensured that the shutter opened first, then the flash fired.
The shutter
speed had to be set at 1/30 or slower, so that the flash output occurred
while the shutter
was fully open, otherwise you'd get a black bar at one side or the other,
where the film
was unexposed.  Aperture was calculated from the guide number of the flash
and the speed
of the film, and I found I could seldom close down beyond f8, even at 400
ASA.  The bulbs
were coated with a blue substance to match the colour temperature of noon
daylight, so
fill-in flash was possible.
There was a third shutter setting option, FP ('flash-peak'), which would
allow the use of
bulbs designed for focal-plane shutters, and these you could use at speeds
from 1/30th
upwards to 1/1000th, although I never had a camera with that facility until
I got a
Rolleicord, where you could use the 'V' setting to fire the flash at any
speed - basically
because the shutter was a between-lens type.
 Open to correction on some of the technicalities, it's been a long time
since I had to
think about such matters!


John Coyle
Brisbane, Australia



-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Steven Desjardins
Sent: Wednesday, 14 March 2012 3:32 AM
To: Pentax-Discuss Mail List
Subject: Re: 4x% Kodachromes from WWII

That's interesting, John.  By the time I started doing serious photography,
electronic
flashes had taken over.  I really don't know the characteristics of
flashbulbs.

On Tue, Mar 13, 2012 at 1:06 PM, John Sessoms jsessoms...@nc.rr.com wrote:
 Flashbulbs

 From: Bob Sullivan

 Cool photos!
 4x5 Kodachromes from the WWII era.
 I wonder about the lighting set-up.
 They are all well lit.
 Wasn't it Kodachrome 14 or slower in those days?
 The lighting is striking.
 Regards,  Bob S.

 On Tue, Mar 13, 2012 at 8:22 AM, Bong Manayon bongmana...@gmail.com
 wrote:

 Wow. ?I showed them to my students who thought they were cos-players.

 Bong


 On Tue, Mar 13, 2012 at 10:04 AM, Steven Desjardins 
 drd1...@gmail.com
 wrote:

 A site I got form another forum:

 http://pavel-kosenko.livejournal.com/303194.html?thread=22669914

 Give them a minute to load. ?Well worth the look.



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Re: OT - Online critics

2012-03-14 Thread knarftheria...@gmail.com
No, of course HCB is not beyond criticism. No one is. I recall when news of his 
death was announced on this list, several said that they just didn't get why he 
was considered such a great artist, he was little more than a common street 
photographer.

Hey, to each his own.

I think what is interesting in this critique is exactly that they weren't 
criticizing HCB (they didn't appear to know it was his) they were critiquing 
the photograph. I found it interesting that the most sanctimonious posters were 
those that criticized the breaking of rules. They wanted to look at what was 
wrong with the photo rather than look at it as a whole and just see that it 
worked - spectacularly well imho.

I wonder if those same posters, had they known whose photo it was wouldn't have 
been fawning over it.

;-)

If HCB followed all the rules he wouldn't have been who he was.

Cheers,
frank 

What can be asserted without proof can be dismissed without proof. -- 
Christopher Hitchens

--- Original Message ---

From: Daniel J. Matyola danmaty...@gmail.com
Sent: March 14, 2012 3/14/12
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: OT - Online critics

In a recent thread, many sharply criticized one of the most famous
images of AA.  Is HCB such a god that he is beyond criticism?

Dan

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Re: Pentax Forums in depth review of the K-01

2012-03-14 Thread David J Brooks
On Tue, Mar 13, 2012 at 2:46 PM, Larry Colen l...@red4est.com wrote:

 http://www.pentaxforums.com/reviews/pentax-k-01-review/



 AF mostly works

That would be good for Frank, mostly.:-)

Dave

 --
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Documenting Life in Rural Ontario.
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York Region, Ontario, Canada

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Re: OT - Online critics

2012-03-14 Thread Matthew Hunt
On Wed, Mar 14, 2012 at 11:47 AM, Charles Robinson charl...@visi.com wrote:

 The general attitude seems to be that it's a bland shot - if you don't 
 consider who shot it.

 Which brings to mind this question: Just because it was shot by a specific 
 known person, does that make it a better image?

 Personally, I don't think so.

No, it's not a better image just because it's by someone famous. But
sometimes I think that guys like AA and HCB have so many photographers
following in their footsteps that their originals seem routine, or
even cliched. So I think it can be helpful to take the historical
context into account.

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Re: I never enter photo contests BUT...

2012-03-14 Thread Darren Addy
On Wed, Mar 14, 2012 at 10:15 AM, Jack Davis jdavi...@yahoo.com wrote:
 Worthy entry, Darren.
 I clicked on likes. Does that mean I voted for it?

Thanks all, for the comments.
I reloaded the page and the image has 11 views but no Likes. I
believe you have to be logged-in (and thus HAVE a log-in [register])
for a Like to be registered. I wonder if more people aren't having
difficulties - there are a suspiciously low number of likes on
almost all the images. H.

Storm photography is indeed a blast. To be in position to get the good
stuff you have to chase, as in be willing to travel to find the good
storms and then be in the proper position for either the cell or a
particular feature of the cell (like a wall cloud or the funnel or
tornado that it spawns). Since most storms are moving, that means
attempting to move with them as they go through their cycles (both
lifecycle from birth to death and their cycles of occlusion and
growth). It helps to have an interest in weather/meteorology to
understand how/where supercells will form and how they behave - which
might be in the best position to have a longer life or more likely to
be a tornado producer - if that is what you are seeking.

Nobody wants to see a tornado be a threat to life or property, and
fortunately the vast majority of them occur in open country (which we
have a LOT of out here on the Plains).

Those of you with Android or iPhones (or iPads) interested in weather
would do well to purchase the RadarScope app. It not only brings
NEXRAD Level 3 radar imagery in real time to your phone, but also
shows your location (if in proximity to the storm) on GPS capable
phones. Unbelievable technology for a mobile device for a pittance.
Those of you interested in software with a similar capability for your
desktop or laptop, checkout grlevelx.com .

Darren Addy
Kearney, Nebraska

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re: Yellow Sunset Through Palm

2012-03-14 Thread Don Guthrie

Super framing and exposure of lovely scene.




Message: 2
Date: Tue, 13 Mar 2012 16:22:45 -0400
From: Daniel J. Matyola danmaty...@gmail.com
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Yellow Sunset Through Palm
Message-ID:
caomwt1xnovk5gvpe35o1jujyeawah-hd+2u56dlm3hknxx6...@mail.gmail.com
Content-Type: text/plain; charset=UTF-8

http://photo.net/photodb/photo?photo_id=15039260size=md

Comments are invited.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


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PESO - Mid-winter by the Lake

2012-03-14 Thread Don Guthrie

Good picture for BW. Leads the eye well and wintery. Works for me.




Message: 6
Date: Tue, 13 Mar 2012 19:35:23 -0500
From: frank theriault knarftheria...@gmail.com
To: Pentax-Discuss Mail List PDML@pdml.net
Subject: PESO - Mid-winter by the Lake
Message-ID:
CALoSNQLjzyrT=ma4qn1gdcqugu9fohkaecaazi83itp1mep...@mail.gmail.com
Content-Type: text/plain; charset=ISO-8859-1

Taken maybe a month ago, when by mid-afternoon the sun was low in the sky:

http://knarfinthecity.blogspot.com/2012/03/mid-winter-by-lake.html

Hope you enjoy.  Comments welcome.

cheers,
frank



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Re: OT - Online critics

2012-03-14 Thread Mark Roberts
Matthew Hunt wrote:

On Wed, Mar 14, 2012 at 11:29 AM, Daniel J. Matyola
danmaty...@gmail.com wrote:

 In a recent thread, many sharply criticized one of the most famous
 images of AA.  Is HCB such a god that he is beyond criticism?

I don't think that's really the issue here. Rather, I see two main points:

(1) The commenters are oblivious to the fact that it's a famous
photograph, showing a weakness in the commenters' understanding of the
history of the art form they're critiquing.
snip
(2) Most of the complaints were about the technical quality,
particularly sharpness. This illustrates a widespread belief,
especially in this sort of Internet forum, that perfect technical
quality is essential to a good photograph.
snip

Also:
(3) That's an awesome photograph!

 
-- 
Mark Roberts - Photography  Multimedia
www.robertstech.com





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RE: PESO: Snowdrop

2012-03-14 Thread Don Guthrie
Looks like the lens did its job. And the operator held his end as well. 
Seems like fine work to me.




Message: 7
Date: Tue, 13 Mar 2012 20:51:57 -0400
From: Paul Stenquist pnstenqu...@comcast.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: PESO: Snowdrop
Message-ID: b7f4f445-7257-4ba4-b4d8-a5623ccb7...@comcast.net
Content-Type: text/plain; charset=us-ascii

My annual snowdrop photo. They bloomed Sunday, but I just got around to 
shooting one today. K-5 with the Vivitar Seres 1 90/2.5 macro (first version), 
f11 @ 1/125, ISO 800. Love being able to push the ISO for macro shots with the 
K-5. Love the bokeh of that classic Vivitar lens as well.

http://photo.net/photodb/photo?photo_id=15348632size=lg



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Re: OT: Interesting stitched image

2012-03-14 Thread Bruce Walker
One of the best concerts I've ever attended was in the early 2000's
(2002?) with Joe Zawinul and his band of A-listers appearing at an
outdoor venue in Toronto called the Harbourfront Centre Concert Stage.
It wasn't Weather Report, but it *was*. :-)

Sadly, I didn't pick up a camera until some years later.


On Wed, Mar 14, 2012 at 11:22 AM, Doug Brewer d...@alphoto.com wrote:
 On 3/14/12 11:04 AM, Bruce Walker wrote:

 Whoa! Our local-contrast knobs go to 11. :-)

 Reminds me of the that 1977 Weather Report album cover.
 http://en.wikipedia.org/wiki/Heavy_Weather_(album)


 Jaco is a bass god. Off to Grooveshark, boys.


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Re: PESO: Effluence

2012-03-14 Thread Don Guthrie
Well worth the effort too. I probably have some pics that would benifit 
from that treatment. Thanks.









Message: 15
Date: Tue, 13 Mar 2012 22:03:09 -0400
From: Mark C pdml-m...@charter.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: PESO: Effluence
Message-ID: 4f5ffc5d.2000...@charter.net
Content-Type: text/plain; charset=ISO-8859-1; format=flowed

On 3/13/2012 2:49 PM, Don Guthrie wrote:

Congratulations. I like the presentation. Are you really 2 years
behind in your catalog?


Thanks. Not really two years behind - in this case I could not get the
right tonal adjustment in Photoshop. The original scan was way too dark
in the center pool. I stumbled into the image this weekend and ran it
through Photomatix - which resulted in a an image was a total mess. But
that image,  when blended as a layer over the original,  fixed the
problem with the tonality.




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Re: OT - Online critics

2012-03-14 Thread Matthew Hunt
On Wed, Mar 14, 2012 at 5:10 AM, David Savage ozsav...@gmail.com wrote:

 There is a flickr group called deleteme where images in the groups
 pool of photos is voted on to either be be retained of deleted.

 Someone decided to test members visual literacy  photographic
 knowledge by submitting this photo (read the comments):

 http://www.flickr.com/photos/andrerabelo/70458366/

Also, if you haven't seen Mike Johnston's (fictitious) sends-up of
this kind of critique, here they are:

http://theonlinephotographer.blogspot.com/2006/06/great-photographers-on-internet.html
http://theonlinephotographer.typepad.com/the_online_photographer/2009/11/great-photographers-on-the-internet-part-ii.html

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Re: OT - Online critics

2012-03-14 Thread Walt Gilbert

On 3/14/2012 10:48 AM, Matthew Hunt wrote:

On Wed, Mar 14, 2012 at 11:29 AM, Daniel J. Matyola
danmaty...@gmail.com  wrote:


In a recent thread, many sharply criticized one of the most famous
images of AA.  Is HCB such a god that he is beyond criticism?

I don't think that's really the issue here. Rather, I see two main points:

(1) The commenters are oblivious to the fact that it's a famous
photograph, showing a weakness in the commenters' understanding of the
history of the art form they're critiquing. I see some merit to this
argument, but, really, all of us have to decide where to focus our
attention, and we all have strengths, weaknesses, and gaps in our
knowledge.
As a neophyte, this is something I can appreciate more than most on the 
list, I suppose. That's why I'm so hesitant to offer critiques on 
others' works and instead choose to learn from the critiques that others 
offer. A case in point: Mark's photo of the columns from a few days ago. 
My eye really wanted to see that image in a horizontal perspective. But, 
after looking at it again, I understood that it simply wouldn't have 
worked nearly as well that way -- perhaps for the very fact that it 
would have been a concession to the eye's natural inclination.




(2) Most of the complaints were about the technical quality,
particularly sharpness. This illustrates a widespread belief,
especially in this sort of Internet forum, that perfect technical
quality is essential to a good photograph. If that's someone's
well-considered belief, fine, but it seems like a lot of people hold
this belief without really thinking about it, or without appreciating
how many of photography's past works would be rejected under it. Today
I was engaged in a discussion about whether the Nikon D700 and D800
are suitable for making large prints (in the sense of Maybe the D800
is, but maybe not the D700.) My response was that if that kind of
statement seems reasonable to you, you're saying there haven't been
many adequate prints in the history of photography. It's a narrow
technical view that, even I as a sensor and instrumentation geek, am
getting weary of. I'm glad for the ever-increasing capabilities of our
equipment, but at some point you need to just look at the picture!
This phenomenon actually makes me revel in my blissful ignorance. Not 
having any preconceived notions of what a photo should look like when 
I take it, I tend to gravitate toward taking photos that look how I 
want them to look. Having a great deal of technical knowledge can 
obviously help to achieve that end, obviously. But, there's a certain 
freedom in not being burdened with the strictures of technical perfection.


That's not to say I wouldn't love to have all the knowledge that the 
gearheads on the list have; it would certainly help me to cut back on 
the number of clunkers I shoot. But, for the time being, I find it 
extremely satisfying when my images come out the way I envisioned them 
when I hit the shutter button. And if that turns out to be pretty 
crappy, at least I'll know the problem is in my eye and not the camera 
-- which is a much less expensive problem to fix.


-- Walt

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Re: OT - Online critics

2012-03-14 Thread Jack Davis
Beautifully segmented composition.

Jack



From: Mark Roberts postmas...@robertstech.com
To: Pentax-Discuss Mail List pdml@pdml.net 
Sent: Wednesday, March 14, 2012 9:14 AM
Subject: Re: OT - Online critics

Matthew Hunt wrote:

On Wed, Mar 14, 2012 at 11:29 AM, Daniel J. Matyola
danmaty...@gmail.com wrote:

 In a recent thread, many sharply criticized one of the most famous
 images of AA.  Is HCB such a god that he is beyond criticism?

I don't think that's really the issue here. Rather, I see two main points:

(1) The commenters are oblivious to the fact that it's a famous
photograph, showing a weakness in the commenters' understanding of the
history of the art form they're critiquing.
snip
(2) Most of the complaints were about the technical quality,
particularly sharpness. This illustrates a widespread belief,
especially in this sort of Internet forum, that perfect technical
quality is essential to a good photograph.
snip

Also:
(3) That's an awesome photograph!


-- 
Mark Roberts - Photography  Multimedia
www.robertstech.com





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RE: OT: Ever wanted to see a Parcel Package Route Map

2012-03-14 Thread Jeffery Johnson
Yes the world is indeed flat. That is why I don't wonder off to far from
home as I don't want to fall off the edge.


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Steven Desjardins
Sent: Wednesday, March 14, 2012 9:53 AM
To: Pentax-Discuss Mail List
Subject: Re: OT: Ever wanted to see a Parcel Package Route Map

The world is flat.  It's just that space-time is curved.

On Wed, Mar 14, 2012 at 4:49 AM, David J Brooks pentko...@gmail.com wrote:
 On Tue, Mar 13, 2012 at 5:47 PM, Charles Robinson charl...@visi.com
wrote:
 On Mar 13, 2012, at 10:33, Jeffery Johnson wrote:

 Yeah sometimes I can be a bit obsessive so I located the following 
 site to track packages giving you a visual map:

 http://www.packagemapping.com/


 Here's my brother's most-recent iPad (iPad 2, refurbished) purchase if
you need a number to see how it looks:

 http://www.packagemapping.com/?action=trackshipper=upsmitracknum=49
 7394749006uniqueID=

 Told ya the world was flat

 Dave

  -Charles

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 http://www.facebook.com/charles.robinson


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Re: Lightroom 4 released

2012-03-14 Thread Godfrey DiGiorgi
Ok, I did a little poking at it.

Basically, with Process 2012 selected, if you click the Auto button in
the Basic panel Exposure area on a photo which has more than 5-10%
of the image area at or beyond the white saturation point, Lr4 will do
its best to pull the exposure down so that the whites and highlights
are below the saturation threshold. On any more average scene, it will
render exposure that is quite close to on the mark.

Tapping the J key in the Develop module will turn on the white and
black saturation clipping indicators ... that will show you whether
Auto is useful for that scene.

G

On Wed, Mar 14, 2012 at 7:50 AM, Charles Robinson charl...@visi.com wrote:
 On Mar 9, 2012, at 13:50, Tim Bray wrote:

 Just been using it for a couple days, but the new 2012 process, uh...
 makes my pictures look better.

 I've been struggling with one issue - sometimes I'll hit the auto button in 
 the TONE box to get my exposure into the ballpark before fiddling.

 With LR3 it was always pretty darned close.

 With LR4 I get consistently at least a couple of stops too dark - like the 
 only thing it's doing is throwing the entire exposure to the left to preserve 
 the highlights.

 Anyone else see that when they hit that auto button?

  -Charles

 --
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 Minneapolis, MN
 http://charles.robinsontwins.org
 http://www.facebook.com/charles.robinson


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Re: I never enter photo contests BUT

2012-03-14 Thread Tom C
 I did this one.
 Theme: Landscape.
 Most Likes wins.
 Should anyone care to register at the (relatively new)
 camera-enthusiast.com forum, then they can Like their favorite
 image. If it happens to be mine, I thank you, but there are many
 worthy images there (and not a lot of Likes on any of them so far).
 My entry is the previously well-liked PESO image I took of a Kansas Gust 
 Front:
 http://www.flickr.com/photos/pixelsmithy/4722534814/in/photostream/

 The gallery of contest entries is found here:
 http://www.camera-enthusiast.com/forums/useralbums/fuji-x10-giveaway-submissions.7/view
 (Mine is in the last row, Waay down there, as I type this).

 Darren Addy
 Kearney, Nebraska

I like the storm shot Darren.

Photo contest rant follows.

There seems to be no good way to run a contest. Subjectivity always
enters into the picture. However this kind of contest seems to have
more problems than the kind in which a select set of judges passes
judgement.

A big complaint from posters in this contest is that images near the
top of the list seem to acquire more votes. That's entirely logical,
those voting are not required to look at every image before voting.
Hence as interest wanes or time slips by the images lower on the list
tend to get fewer votes, regardless of their merit.

A recent monthly photo contest run by an insurance company here in
Idaho had a similar format, except that anyone that registered on the
site was eligible to vote. So it was not really a photo contest, it
was a popularity contest. Those that could encourage or ask the most
number of friends to vote would garner the most votes, regardless of
image merit. How is that remotely fair? I wrote the company regarding
the issue, and their response was that they designed it to be a
popularity contest. So much for that.

Tom C.

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Re: Boston Public Library

2012-03-14 Thread Tom C
 http://www.robertstech.com/pages/fotoblog/7da00222.htm

 I think I like this one. Not certain, but probably. I'm half worried
 that I overdid the processing but then I think reality is overrated
 anyway...


 --
 Mark Roberts - Photography  Multimedia
 www.robertstech.com

I like it quite a bit Mark. Numerous hotels tend to purchase locally
themed photography for decor, often though out the entire building. I
could easily see this hanging in some 4 or 5 star hotel in downtown
Boston.

Tom C.

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Re: I never enter photo contests BUT

2012-03-14 Thread Darren Addy
I agree with your assessment, Tom.
I think the point of most web site related contests is just to draw
eyeballs or provide one more reason to come back, reload the page,
whatever. In this case, it is also to spur more registrations for the
privilege of entering or voting. No contest prize is given out of the
goodness of any entities heart. It is being offered in exchange for
something of greater value to the contest holder (advertising
exposure, word-of-mouth, etc.)

Darren Addy
Kearney, Nebraska

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Re: OT - Online critics

2012-03-14 Thread Charles Robinson
On Mar 14, 2012, at 11:14, Mark Roberts wrote:
 
 Also:
 (3) That's an awesome photograph!
 

Can someone explain to me what it is about that photo which they like?

I don't mean to sound rude, but for me it's dull as dirty dishwater.  Slice of 
life which is great if you have ever visited there or lived there and want to 
remember a feeling, but as a photograph in its own it leaves me bored.


 -Charles

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http://www.facebook.com/charles.robinson


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Re: Lightroom 4 released

2012-03-14 Thread Charles Robinson
On Mar 14, 2012, at 11:38, Godfrey DiGiorgi wrote:

 Ok, I did a little poking at it.
 
 Basically, with Process 2012 selected, if you click the Auto button in
 the Basic panel Exposure area on a photo which has more than 5-10%
 of the image area at or beyond the white saturation point, Lr4 will do
 its best to pull the exposure down so that the whites and highlights
 are below the saturation threshold. On any more average scene, it will
 render exposure that is quite close to on the mark.
 
 Tapping the J key in the Develop module will turn on the white and
 black saturation clipping indicators ... that will show you whether
 Auto is useful for that scene.
 

My last batch of photos were taken on and around a frozen snow-covered lake.  I 
guess that explains that.

I'm sad to see this behavior, but I can adjust.  Thanks for the analysis, 
Godfrey!

 -Charles

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Minneapolis, MN
http://charles.robinsontwins.org
http://www.facebook.com/charles.robinson


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Re: Lightroom 4 released

2012-03-14 Thread Bruce Walker
Here's a feature request then: Spot-Meter for the Auto. Like the WB eye-dropper.

Is there a FR form?


On Wed, Mar 14, 2012 at 12:38 PM, Godfrey DiGiorgi gdigio...@gmail.com wrote:

 Ok, I did a little poking at it.

 Basically, with Process 2012 selected, if you click the Auto button in
 the Basic panel Exposure area on a photo which has more than 5-10%
 of the image area at or beyond the white saturation point, Lr4 will do
 its best to pull the exposure down so that the whites and highlights
 are below the saturation threshold. On any more average scene, it will
 render exposure that is quite close to on the mark.

 Tapping the J key in the Develop module will turn on the white and
 black saturation clipping indicators ... that will show you whether
 Auto is useful for that scene.

 G

 On Wed, Mar 14, 2012 at 7:50 AM, Charles Robinson charl...@visi.com
 wrote:
  On Mar 9, 2012, at 13:50, Tim Bray wrote:
 
  Just been using it for a couple days, but the new 2012 process, uh...
  makes my pictures look better.
 
  I've been struggling with one issue - sometimes I'll hit the auto
  button in the TONE box to get my exposure into the ballpark before fiddling.
 
  With LR3 it was always pretty darned close.
 
  With LR4 I get consistently at least a couple of stops too dark - like
  the only thing it's doing is throwing the entire exposure to the left to
  preserve the highlights.
 
  Anyone else see that when they hit that auto button?
 
   -Charles
 
  --
  Charles Robinson - charl...@visi.com
  Minneapolis, MN
  http://charles.robinsontwins.org
  http://www.facebook.com/charles.robinson
 
 
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   godfreydigiorgi.posterous.com

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Re: PESO -- The Tower IV

2012-03-14 Thread P. J. Alling
It's hard to tell in the web sized image but the little red thing is 
somebodies lost scarf.


On 3/14/2012 10:13 AM, Daniel J. Matyola wrote:

Nice perspective and effective use of the shadows.  I like the little
red thing.  It is incongruous, and adds a bit of mystery and reality
at the same time.  Litter happens.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola



On Wed, Mar 14, 2012 at 12:07 AM, P. J. Alling
webstertwenty...@gmail.com  wrote:

http://dl.dropbox.com/u/1604247/PESO/PESO%20--%20thetoweriv.html

Equipment: Pentax K20D w/smc Pentax FA 20-35mm f4.0

As usual comments are welcome but may be totally ignored.

--
Don't lose heart!  They might want to cut it out, and they'll want to avoid
a lengthily search.


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Don't lose heart!  They might want to cut it out, and they'll want to avoid a 
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Re: PESO -- The Tower IV

2012-03-14 Thread knarftheria...@gmail.com
Yes, well you simply must keep it in there. Makes the photo imho. That and 
wonderful composition and very good exposure/rendering.

Love it!

cheers,
frank

What can be asserted without proof can be dismissed without proof. -- 
Christopher Hitchens

--- Original Message ---

From: P. J. Alling webstertwenty...@gmail.com
Sent: March 14, 2012 3/14/12
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: PESO -- The Tower IV

It's hard to tell in the web sized image but the little red thing is 
somebodies lost scarf.

On 3/14/2012 10:13 AM, Daniel J. Matyola wrote:
 Nice perspective and effective use of the shadows.  I like the little
 red thing.  It is incongruous, and adds a bit of mystery and reality
 at the same time.  Litter happens.
 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola



 On Wed, Mar 14, 2012 at 12:07 AM, P. J. Alling
 webstertwenty...@gmail.com  wrote:
 http://dl.dropbox.com/u/1604247/PESO/PESO%20--%20thetoweriv.html

 Equipment: Pentax K20D w/smc Pentax FA 20-35mm f4.0

 As usual comments are welcome but may be totally ignored.

 --
 Don't lose heart!  They might want to cut it out, and they'll want to avoid
 a lengthily search.


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Re: Lightroom 4 released

2012-03-14 Thread George Sinos
A while back I started setting the camera profile before doing
anything else.  It seemed to make a difference as to how auto
rendered images.  I don't know if that's true or if it is my
imagination.  Sometimes workflow is guided as much by superstition as
by fact.

gs

George Sinos

gsi...@gmail.com
www.georgesphotos.net
plus.georgesinos.com



On Wed, Mar 14, 2012 at 12:11 PM, Charles Robinson charl...@visi.com wrote:
 On Mar 14, 2012, at 11:38, Godfrey DiGiorgi wrote:

 Ok, I did a little poking at it.

 Basically, with Process 2012 selected, if you click the Auto button in
 the Basic panel Exposure area on a photo which has more than 5-10%
 of the image area at or beyond the white saturation point, Lr4 will do
 its best to pull the exposure down so that the whites and highlights
 are below the saturation threshold. On any more average scene, it will
 render exposure that is quite close to on the mark.

 Tapping the J key in the Develop module will turn on the white and
 black saturation clipping indicators ... that will show you whether
 Auto is useful for that scene.


 My last batch of photos were taken on and around a frozen snow-covered lake.  
 I guess that explains that.

 I'm sad to see this behavior, but I can adjust.  Thanks for the analysis, 
 Godfrey!

  -Charles

 --
 Charles Robinson - charl...@visi.com
 Minneapolis, MN
 http://charles.robinsontwins.org
 http://www.facebook.com/charles.robinson


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Re: OT: Happy Pi Day

2012-03-14 Thread Tim Bray
But Pi is *wrong*: http://tauday.com/tau-manifesto

On Wed, Mar 14, 2012 at 6:52 AM, Daniel J. Matyola danmaty...@gmail.com wrote:
 3/14 is Pi Day!  http://www.piday.org/

 By happy coincidence, it is also Albert Einstein's Birthday.


 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola

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Re: PESO: Snowdrop

2012-03-14 Thread Larry Colen

On Mar 14, 2012, at 4:55 AM, John Sessoms wrote:

 Larry, I'm surprised that you of all people don't know the difference between 
 a drop and a flake.

The last set were fast on their way to being drops from being flakes.

 

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Re: OT: Happy Pi Day

2012-03-14 Thread Larry Colen

On Mar 14, 2012, at 6:52 AM, Daniel J. Matyola wrote:

 3/14 is Pi Day!  http://www.piday.org/
 
 By happy coincidence, it is also Albert Einstein's Birthday.

And even happier coincidence, a good day to have steak.


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Re: 4x% Kodachromes from WWII

2012-03-14 Thread John Sessoms

From: P. J. Alling


On 3/14/2012 8:32 AM, John Sessoms wrote:

From: John Coyle


I started with blue flash-bulbs in 1967.  They had a long burn time
(1/40 to 1/60 second)
with a rapid climb to full output, then an even peak output followed
by rapid drop-off at
the end of the burn.  The 'M' setting on the camera I was using at
the time (a Voigtlander
Vito CD) was what you used for these bulbs, although the camera also
had an 'X' setting
for them new-fangled electronic flashes.
The settings ensured that the shutter opened first, then the flash
fired.  The shutter
speed had to be set at 1/30 or slower, so that the flash output
occurred while the shutter
was fully open, otherwise you'd get a black bar at one side or the
other, where the film
was unexposed.  Aperture was calculated from the guide number of the
flash and the speed
of the film, and I found I could seldom close down beyond f8, even at
400 ASA.  The bulbs
were coated with a blue substance to match the colour temperature of
noon daylight, so
fill-in flash was possible.
There was a third shutter setting option, FP ('flash-peak'), which
would allow the use of
bulbs designed for focal-plane shutters, and these you could use at
speeds from 1/30th
upwards to 1/1000th, although I never had a camera with that facility
until I got a
Rolleicord, where you could use the 'V' setting to fire the flash at
any speed - basically
because the shutter was a between-lens type.
 Open to correction on some of the technicalities, it's been a long
time since I had to
think about such matters!


I think the M-sync fired the bulb first and then opened the shutter.


FP sync did that, the standard luminance chart for FP bulbs shows a
sharp spike which then trails off at a relatively constant light out put
for quite some time afterwords, I tried to find an image of that chart
but couldn't.  Just imagine a chart of these arbitrary numbers

Flash fires  --  0  1  15 20 15 14 14 14 14 13 13 13 12 11 9 7 5 3 1 0

The shutter opens when the value drops to 15 to insure that the film is
relatively evenly exposed.  That's what FP bulbs were all about.

M sync the shutter begins to open then the flash fires (on a leaf
shutter before the shutter is fully open, but on a focal plane shutter
after the shutter is fully open to capture as much of the light as
possible.

The chart for M bulbs is more like this

Flash fires - 0 1 15 20 15 10 5 3 2 1



http://camerapedia.wikia.com/wiki/Flash_sync


Some older cameras support M sync, which supports flash sync with (now
obsolete) medium-speed electric flash bulbs. Because flash bulbs take
some time to generate their maximum light output, M-sync is timed to
fire the flash slightly earlier, then opening the shutter so as to
coincide with that peak output.



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Re: PESO -- The Tower IV

2012-03-14 Thread John Sessoms

From: Bob Sullivan


Yes, Better with the red thing than without...  Regards,  Bob S.


Better red than dead ??

8-D




On Wed, Mar 14, 2012 at 9:13 AM, Daniel J. Matyola danmaty...@gmail.com wrote:

Nice perspective and effective use of the shadows. ?I like the little
red thing. ?It is incongruous, and adds a bit of mystery and reality
at the same time. ?Litter happens.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola



On Wed, Mar 14, 2012 at 12:07 AM, P. J. Alling
webstertwenty...@gmail.com wrote:

http://dl.dropbox.com/u/1604247/PESO/PESO%20--%20thetoweriv.html

Equipment: Pentax K20D w/smc Pentax FA 20-35mm f4.0

As usual comments are welcome but may be totally ignored.



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Re: Lightroom 4 released

2012-03-14 Thread Larry Colen

On Mar 14, 2012, at 7:50 AM, Charles Robinson wrote:

 On Mar 9, 2012, at 13:50, Tim Bray wrote:
 
 Just been using it for a couple days, but the new 2012 process, uh...
 makes my pictures look better.
 
 I've been struggling with one issue - sometimes I'll hit the auto button in 
 the TONE box to get my exposure into the ballpark before fiddling.
 
 With LR3 it was always pretty darned close.
 
 With LR4 I get consistently at least a couple of stops too dark - like the 
 only thing it's doing is throwing the entire exposure to the left to preserve 
 the highlights.
 
 Anyone else see that when they hit that auto button?

I'm still on LR3, but the behavior that I consistently get is that when I hit 
auto, it'll crank the brightness too high, and I'll have to drop the brightness 
to make things more reasonable.


--
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Re: OT - Online critics

2012-03-14 Thread Larry Colen

On Mar 14, 2012, at 8:48 AM, Matthew Hunt wrote:

  I'm glad for the ever-increasing capabilities of our
 equipment, but at some point you need to just look at the picture!


Mark!

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Re: OT - Online critics

2012-03-14 Thread Larry Colen

On Mar 14, 2012, at 10:09 AM, Charles Robinson wrote:

 On Mar 14, 2012, at 11:14, Mark Roberts wrote:
 
 Also:
 (3) That's an awesome photograph!
 
 
 Can someone explain to me what it is about that photo which they like?
 
 I don't mean to sound rude, but for me it's dull as dirty dishwater.  Slice 
 of life which is great if you have ever visited there or lived there and 
 want to remember a feeling, but as a photograph in its own it leaves me bored.

I like it, can't say as I love it though.  There is something about the 
composition that draws my eye around in a pleasing way. For me the things that 
make it pleasing have almost nothing to do with the subject matter, or the 
technical prowess of the photo.

As an aside, at one point I wanted to design an experiment where you would 
measure the movements of peoples eyes as they looked at a picture, and do an 
analysis of the movements in the frequency domain, to see if visually pleasing 
shapes worked off movements with similar sorts of harmonic relationships as 
pleasing combinations of notes.


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Re: OT - Online critics

2012-03-14 Thread John Sessoms

From: Steven Desjardins


  These kind of tests also reveal something of the nature of famous
photos.  A lot of folks don't like Picasso either.

On Wed, Mar 14, 2012 at 5:10 AM, David Savage ozsav...@gmail.com wrote:

So I came across this via FB today...

There is a flickr group called deleteme where images in the groups
pool of photos is voted on to either be be retained of deleted.

Someone decided to test members visual literacy  photographic
knowledge by submitting this photo (read the comments):

http://www.flickr.com/photos/andrerabelo/70458366/

Cheers,


It bothers me that the main argument against deleting it is who the 
photographer was, and not the image itself.


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RE: OT: Interesting stitched image

2012-03-14 Thread John Sessoms

From: Daniel J. Matyola


I thought this was an interesting image:

http://i.imgur.com/wy1r4.jpg

It is said to have been stitched from 11 shots.  I don't know who took
it;  the only information I have is from the website where I found the
image:

http://www.bspcn.com/2012/03/13/this-is-a-11-shot-image-stitched-together-to-make-one-image/

Dan Matyola


It is interesting, but a bit heavy handed with HDR for my taste.

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Re: Lightroom 4 released

2012-03-14 Thread Godfrey DiGiorgi
Larry, You seem to shoot a lot in dark situations. Any auto mode is
going to try to get the scene average up to near 18% gray, modulo
trying to prevent highlight clipping.

Bruce, An auto setting mode based on a selected sample area (of
adjustable size) would be cool. There's a Lightroom forum on the Adobe
site somewhere ... I have the address at home, not here. That would be
a good feature request.

In practice, I almost never use the auto mode at all. Most of the
time, I can rough in adjustment for most of an entire session with
two/three clicks in the Quick Develop panel before I even open a
single image in the Develop module. I only click auto now and then,
normally, to see what LR thinks of my exposures. Most of the time it
doesn't change the photo enough to even notice what it did without
looking at the sliders.

On Wed, Mar 14, 2012 at 11:28 AM, Larry Colen l...@red4est.com wrote:

 On Mar 14, 2012, at 7:50 AM, Charles Robinson wrote:

 On Mar 9, 2012, at 13:50, Tim Bray wrote:

 Just been using it for a couple days, but the new 2012 process, uh...
 makes my pictures look better.

 I've been struggling with one issue - sometimes I'll hit the auto button 
 in the TONE box to get my exposure into the ballpark before fiddling.

 With LR3 it was always pretty darned close.

 With LR4 I get consistently at least a couple of stops too dark - like the 
 only thing it's doing is throwing the entire exposure to the left to 
 preserve the highlights.

 Anyone else see that when they hit that auto button?

 I'm still on LR3, but the behavior that I consistently get is that when I hit 
 auto, it'll crank the brightness too high, and I'll have to drop the 
 brightness to make things more reasonable.


 --
 Larry Colen l...@red4est.com sent from i4est





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  godfreydigiorgi.posterous.com

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Re: OT - Online critics

2012-03-14 Thread John Sessoms

From: Daniel J. Matyola


In a recent thread, many sharply criticized one of the most famous
images of AA.  Is HCB such a god that he is beyond criticism?

Dan


Apparently.

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Re: OT: Interesting stitched image

2012-03-14 Thread Daniel J. Matyola
Agreed.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola



On Wed, Mar 14, 2012 at 2:43 PM, John Sessoms jsessoms...@nc.rr.com wrote:
 From: Daniel J. Matyola

 I thought this was an interesting image:

 http://i.imgur.com/wy1r4.jpg

 It is said to have been stitched from 11 shots.  I don't know who took
 it;  the only information I have is from the website where I found the
 image:


 http://www.bspcn.com/2012/03/13/this-is-a-11-shot-image-stitched-together-to-make-one-image/

 Dan Matyola


 It is interesting, but a bit heavy handed with HDR for my taste.

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