On 18 Sep 2003 at 13:40, Steve Desjardins wrote:
> Canon can just get things to market so quickly (even compared with Nikon) that
> Pentax will always lag.
Yeah but how many years lag is acceptable? ;-)
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rippled (seemingly unnecessarily).
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simple need wouldn't you
think?
Granted I use a meter exclusively when shooting MF but hey we were talking toy
format. :-)
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ays without a crash in the past and
that's under hard use). My NT4 server well that's another matter, it's often up
for over a year at a time.
Computers are tools not religions.
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On 24 Sep 2003 at 17:58, Rob Brigham wrote:
> I expect much more cursing and swearing at Pentax over the next 6-12
> months!!
..after I finish kicking myself for not jumping ship sooner :-(
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ax glass and a DSLR with
crippled mount to get where I need to go.
Couldn't be more basic.
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On 25 Sep 2003 at 9:36, [EMAIL PROTECTED] wrote:
> Which reminds me of Cartier-Bresson, the real expert on "decisive moments", and
> who didn't have a light meter at all :-)
Who by all accounts produced some pretty poor negs for the master printers he
employed.
Ro
ot focusing at infinity/out-of-focus on film when in-focus in
> viewfinder", which can exist all on its own.
Don't forget the expensive to replace bumpers in the guts of the mirror-box
assembly.
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noise with a single exposure?
Other than noise reduction or shooters requiring direct print from RAM cards I
can't see any other real use for the multi-exposure function.
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> lens like this could make the WA folks happy, yes?
The problem is that the actual angle of view is not what you'd expect given the
FL as the sensor is so small. The E-10 at the 9mm setting isn't wider than the
LX with the 31mm. Big chunk of glass for the speed too.
Rob Studdert
HURS
my average sized
hand can't get around one. Pentax camera bodies however...
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but I don't recall what colour it is.
They also become more prevalent as exposure time is increased. There is a neat
little Windows based app that logs dead/hot pixels, search DeadPixelText.zip.
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[EMAI
ost said it well "Pentax's lack of vision in their overall design
concepts", not encouraging.
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ot; lens should provide on
the print hence my normal lens for use with the *ist D would likely be a 31mm.
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nt change for the actual shot
> you want to take
Too true and especially pertinent in macro applications.
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On 1 Oct 2003 at 21:48, Alan Chan wrote:
> http://www.mapcamera.com/
Anyone registered with MAP care to divulge the *ist D and *ist D + D-BG1
prices?
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Manfrotto used to have a monopod (may still do) that could be used to replace
the centre column of an 055 tripod.
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the difference in software development costs to add or ignore a
function to make use of the electronic aperture position feedback in F/FA
lenses?
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Penta
can be virtually assured of colour consistency even between light sources if I
balance off the same reference.
Cheers,
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dware topology than OS. Try reviewing whilst the buffer is being written to
RAM :-)
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On 6 Oct 2003 at 16:38, J. C. O'Connell wrote:
> are you sure the lens is for full frame 35mm?
>
> No one has ever even produced a prime let alone
> a zoom for SLRs that goes that wide.
I'd love to see some optical tests on this baby :-)
Rob Studdert
HURSTVILLE AUSTRAL
is out
> (hey it's black!). Okay, but no wait the G5 is coming out with the swivel LCD
> (and it's black too!). Okay, but no wait, look at that new S*n* 828 thing, and
> hey the *istD is coming out! Okay, but no wait...
I'm surprised that you put the *ist D in that mix?
On 6 Oct 2003 at 19:22, Mark Roberts wrote:
> Even if you regard it as a slap (I don't), it's not a lot of people.
> Very, *very* few, actually.
I did say a lot of us but yes you are right it probably very few people and
less photographers.
Rob Studdert
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Tel
On 6 Oct 2003 at 12:30, tom wrote:
> Here's the b/w conversion action I use:
>
> http://www.bigdayphoto.com/BWTERM.atn
Hi tv,
What version of PS was that action created under? Opening under PS7 creates a
program error.
Cheers,
Rob Studdert
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est that anyone looking at a system camera
be it film or digital should look anywhere but Canon.
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On 7 Oct 2003 at 14:30, Rob Brigham wrote:
> I think the Cd standard is 1x=150Kbps? So that would be 10x = pretty
> slow by todays standards.
X=150KB/s WRT CF cards.
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ully spotted
they will be visible, especially on a 4MP sensor like mine.
See the following crop from a EI 320 1/2 second exposure (EXIF info intact):
http://members.ozemail.com.au/~geroc/P9095721.jpg
Not a perfect example as it's none too sharp however you get the idea.
Rob Studdert
HURSTVI
be able to use their bloody aperture rings. I bought my MZ-S for
the same reasons as yourself and now all I see is total inconsistency from
Pentax regarding operation, compatibility, delivery, body design and yes even
lens/body finish and colour. What I can't understand is how people here seem
eat retort indeed, indicating that the author has a deep understanding of
the underlying concepts and dilemmas. :-(
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e before you do the
> interpolate and icc profile match etc, or better yet have an adaptive
> interpolator that can reject that pixel, then the results can be a lot better.
I agree, but it would be far better if happened in the camera
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t , they are screwing their
> previous customers AND their new ones by not
> allowing them to use lenses that could work
> fine on the camera. They have timed it with
> digital capture but that has nothing to do
> with it
It's obvious, the R&D costs to implement multiple exp
e for a marketing guru or a gizmo freak.
So I guess they had the opportunity but not the impetus to implement aperture
ring control. Why is the question?
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the covering then trimmed accurately using a knife from the front face.
The backing paper is then simply peeled away and the covering stuck back on. I
personally wouldn't touch glues, I've seen the mess repairers have made on my
cameras :-(
Rob Studdert
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my hardest working LX this way ten or so years ago and it's still
holding up, of course I had to scrape away several layers of old glue first :-(
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On 9 Oct 2003 at 13:17, Robert Gonzalez wrote:
> Very nice. Its good to see a pic from a non-A lens look so well on the *.
Not that I don't like the pic but hey you can tell jack * about a lens or just
about any other part of the system by viewing a 600x400 pixel image.
Rob
not keeping Pentax
> in business anyway. No other company has campatibility back to the mid-1980s
> like Pentax. And the *ist-D is very competitive with any Canon SLR right now.
So everyone whining hasn't spent good money on new Pentax glass recently?
Rob Studdert
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ontrol is in the *ist D,
I use it regularly on my E-10
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ng any more at
> present!
Cheers,
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On 10 Oct 2003 at 13:55, Rob Studdert wrote:
> On 9 Oct 2003 at 21:47, William Robb wrote:
>
> > You can't make it a black and white issue.
>
> Exactly. It just shits me..
Oops. Sorry about that.
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more
nasty aberrations (coloured edges etc.) you'll see around the areas of
saturation. Most digicams have more exposure latitude into the shadow than
slide film however but a couple of stops short of the better print films.
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ct that most have
integrated exposure histograms and the ability to dial up the contrast to suite
the conditions means that a light meter will only get you in the ball-park. You
have to use the in camera displays to optimise your exposure.
Rob Studdert
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e balance from a white card in direct sunlight without using a 4x ND
as my camera (E-10) saturates (f11 @ 1/640 E80)
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ively where your middle exposure point lies) after the fact. Digital
camera outputs are pretty linear so if you don't like the look why not write an
action that transforms the file to replicate the look of your favourite film?
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ds on).
Would the same guys snigger when a photog indicates that they use CC filters on
their digicam too?
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ion profile using
appropriate software ie Vuescan.
http://www.monacosys.com/targets.html
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when I meet with Christian next
week.
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and I save in-camera in
jpeg, I'm most often very pleased with the results. I'm still keen to have some
time with the *ist D to see if the RAW processing stream has improved any.
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be so however there are a lot of MF digi-backs being pushed into service by
pros (not Pentax of course).
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Hi Team,
Anyone have an idea of ball-park pricing for a used SMCP FA 28-80 3.5-4.7 Power
Zoom lens?
TIA,
Rob Studdert
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are looking at around 920,1640 on the image img20030916184719.jpg, I
don't think that's going to go away if it were saved as TIFF, it looks like a
demosaicing aberration. Solution shoot RAW and process with a more capable
algorithm off the camera.
Rob Studdert
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iffused, but end up as lines of artifacts on the digital
> sensor, which makes them more recognizable to the human visual system
Also since the discrete pixels of the actual sensor are positioned in a colour
matrix colour aberrations are generally exaggerated by the demosaicing
algorithm.
On 15 Oct 2003 at 17:18, Rob Brigham wrote:
> RAW seems to allow for an extra 3 stops in either
> direction which is actually pretty massive.
Relative to what contrast setting when saving jpeg in camera?
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On 15 Oct 2003 at 23:20, jmb wrote:
> Hi,
>
> Does PUG mean Pentax Users Group? Is PUG email about a specific local
> group?
http://PUG.komkon.org/
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$ only raised US$950 (with free International shipping).
Cheers,
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t into the Mamiya 7 kit. I wasn't
suggesting that DSLRs are out to replace MF any time soon, but 35mm, it's on
it's death bed in the affluent parts of the world.
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On 17 Oct 2003 at 23:08, jmb wrote:
> Well I'll just have to see what I can do with my old Oly
> E10+tcon300s+tcon17. Hope I get that 77mm lens hood soon!
The Oly E-10 by its self is surprisingly well behaved especially at the long
end of the zoom.
Rob Studdert
HURSTVILLE AUSTRALI
't see how the bayer v. foveon
> could be any different.
Foveon will more faithfully reproduce pixel to pixel colour transitions as the
colour information for each pixel represents a direct measurement not
interpolated data.
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rce limits are pretty high.
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emove the lens to flick a coupling
lever).
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es however the inference leave a little to be
desired particularly given the items that they are trying to flog. I presented
the ad to my better half without comment just to gauge her reactions and it
didn't go down too well however I think I'd still be allowed to buy one :-)
Rob Studdert
ow much or little sense it made.
Given that the M cameras have a removable back and base I guess it wouldn't be
unreasonable for them to provide a digital back at some stage. It would
actually make quite a lot of sense, I'd be interested.
Rob Studdert
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On 19 Oct 2003 at 20:29, Paul Stenquist wrote:
> Two years ago, M6 Leicas werre going for about $950. Not exactly a
> precipitous drop in prices.
Not late mint cameras. Also the US dollar is worth less than it was 2 years ago
as compared with the EUR and AUD.
Rob Studdert
HURSTVILLE AUS
closed at 9/02
US$600, 4/02 US$550, 3/02 US$450 and 3/02 US$650
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0 full-frame DSLR, but I'm not holding my breath...
Yes, I've been blue in the face for a while...
Panotools
http://members.ozemail.com.au/~distudio/fisheye_rect/
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ommon ancestors are Thorarinn
> Jonsson (1630 - 1699) and Halldora Thorsteinsdottir (1630- ???)
Touché ;-)
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n this list
since at least October 2001.
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ave
> been the case.
And aren't the majority of LUGgers in a little world of their own :-)
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On 20 Oct 2003 at 22:25, Bruce Dayton wrote:
> Feeling left out, I also use an Epson 2450.
Me too, Nikon LS-8000
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On 21 Oct 2003 at 11:01, Raimo K wrote:
> No, some are on this list, too.
> Like you wouldn´t know.
Only the sensible ones Raimo :-)
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Penta
diffusion filter, it may offer a solution to
your noisy 35mm scans. See: http://scanhancer.iddo.nl/
Cheers,
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On 21 Oct 2003 at 20:54, J. C. O'Connell wrote:
> like I said then you really dont have 6M independent color
> pixels, the way they are spec.ing these is BS!!
> JCO
Now do you understand why the images that digicams produce are so relatively
noise free, it's all in the al
red in a single unit along with the CCD.
Been and gone, poke "DCS 760M" into Google :-)
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ate unlike a CRT plus LCD pixels are relatively slow to change
states so lower screen refresh rates are possible.
Visibility is a function of text to background contrast ratio, ambient lighting
and screen resolution. It not sufficient to say white text on a black
background is just bad design.
e-fly exposure control.
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On 23 Oct 2003 at 23:06, [EMAIL PROTECTED] wrote:
> D30. Lotta guys said you couldn't shoot action with it.
.. and the rest said they could make 16"x20" prints that were indistinguishable
from 35mm film :-)
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On 24 Oct 2003 at 12:10, Jostein wrote:
> I think the most intriguing point she makes ...
One slight point, she's a he.
http://www.dantestella.com/info.html
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contrast edges acquire a nasty dark edge. Any
hints?
Cheers,
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t the E-1 is specifically developed
> as a DSLR gives only a dissapointing result.
The finder on the E-1 better be more impressive than the E-10/20 which really
is crap, it's like looking at the image though a pipe and dark too. Not very
impressive if you are used to good SLR finders.
Rob
stand how it is supposed to work but is seems that it really is only
an advantage with an image that is out of focus across the image unlike the
product Focal Blade.
Cheers,
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http://www.dpreview.com/news/0310/03102704sigmasd10.asp
Rob Studdert
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Pentax user since 1986, PDMLer since 1998
ndicate a positive experience
although I do agree that eBay actively promotes positive feedback.
Rob Studdert (eBay ID: distudio)
http://members.ebay.com.au/aboutme/distudio/
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Please check my cur
; Could it be possible the movie audience might accept a similar drop
> in projection quality!?
See: http://www.henninger.com/library/hdtvfilm24/
The Fall of Film Production
http://www.volksmovie.com/rants/archive/rogerebert.htm
Start the Revolution without Digital
Rob Studdert
HURSTVILLE
On 28 Oct 2003 at 11:54, Cotty wrote:
> I have bad news. Motion pictures for cinema release are still shot on
> 35mm negative. True.
Not entirely.
http://millimeter.com/ar/video_digital_desert/
Rob Studdert
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On 28 Oct 2003 at 7:29, Mark Roberts wrote:
> "Rob Studdert" <[EMAIL PROTECTED]> wrote:
>
> >On 27 Oct 2003 at 15:49, alex wetmore wrote:
> >
> >> The last thing that I found said that the sensor in the Pentax *ist D
> >> and Nikon D100 cost
after" photos are swapped at one point!)
Can also be corrected using the Panorama Tools Plugin which is free ware:
http://www.caldwellphotographic.com/TutorialsDistortionAndColorFringing.html
Rob Studdert
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ht
ld be made
specifically with camera manufacturers. You know yourself that niche markets
(Harris would have been one in the case of CCD not for RF transistors of
course) purchases don't generally get as good a deal as volume purchasers who
can provide projections for future purchase plans. It was a
at the screen
it's pretty even. As an aside production costs were cut dramatically even after
factoring in the purchase of the cameras and editing equipment.
Rob Studdert
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Pentax user since 1986, PDMLer since 1998
y successfully produced after
having the advantage of being able to dissect and reverse engineer all the
other manufacturers successful productions over several years. IOW they had no
excuse to not get it near perfect.
Rob Studdert
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[EMAIL P
lines that the printer uses to form the image, the best
units generate 8000 scan lines, high res even for 35mm.
Search "polaroid palette"
Rob Studdert
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Pentax user since 1986, PDMLer since 1998
a fresh
unexposed film to the lab for processing then see if they blame your camera for
the scratches!
Rob Studdert
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Pentax user since 1986, PDMLer since 1998
l PCI Firewire
card so compatibility isn't such an issue.
Rob Studdert
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Pentax user since 1986, PDMLer since 1998
n of the 85 can be moved relative to the
mount it might be time for a re-lube of the focus helicoids. How much surface
wear does it show?
Cheers,
Rob Studdert
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pull the whole spool out for visual inspection.
Rob Studdert
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Pentax user since 1986, PDMLer since 1998
On 30 Oct 2003 at 20:14, tom wrote:
> You have got to be kidding me.
>
> Are you sure the math works out?
I don't think JCO was referring to an 8000dpi 16bit wet mounted drum scan :-)
Rob Studdert
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content) is electronic colour balance. When I'm shooting under
tungsten or other low Ctemperature lamps I use a blue filter, of course it
kills your effective ISO but there is always more blue channel captured and
colours are more accurate.
Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UT
ojected image). The sensor
covers almost 66% of the diagonal compared to a standard 35mm film frame.
Rob Studdert
HURSTVILLE AUSTRALIA
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Pentax user since 1986, PDMLer since 1998
er is knowing what the lens is capable of and
using it to it's full potential. If the resolution hoovers in the corners then
buy a better lens or move up format. Their 'aint much choice at the moment :-(
Rob Studdert
HURSTVILLE AUSTRALIA
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Pentax user since 1986, PDMLer since 1998
n both formats.
> But you can't use two-year-old prices to discuss pricing in this
> year's (or next year's) marketplace.
Well we couldn't seem to get around it last week so if you can't beat em..
Rob Studdert
HURSTVILLE AUSTRALIA
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Pentax items on eBay
for over three years (over 2k items primarily 35mm) and in there I see nothing
but evidence of price drops.
Rob Studdert
HURSTVILLE AUSTRALIA
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Pentax user since 1986, PDMLer since 1998
hear there are
> batch processing methods, although I don't have PhotoShop, just Elements.
Post process what you like but in all likelihood to make the best of any image
requires a degree of manual post processing that would be extremely difficult
to emulate under an automated system.
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