Hi Chris,
This might be what you are looking for, it will only alert you by voice when
you clip or at a given level.
http://www.katsurashareware.com/pgs/prolevel.html
Best,
John André
On 07 May 2014, at 12:54, Christopher-Mark Gilland
wrote:
> I'm 100% perfectly aware that I can monitor th
Thanks a lot Slau, we all recognize and appreciate your efforts, dedication and
hard work!!
Best,
John André
On 10 May 2014, at 05:59, Slau Halatyn wrote:
> As some of you may already know, I was asked to write something for the Avid
> blog regarding Pro Tools accessibility. The article was p
Hi,
When using PT 11, the following will be a temporary method to change names of
inputs/outputs/busses in the I/O setup window:
1*Turn on the mouse keys in the System Preferences or by pressing the option
key 5 times, and go to the Setup>I/O window.
2*Press command-1 for the inputs, command-2
Hi,
I have played with ReCabinet and Guitar Rig Pro in PT11. They are not very
accessible, but both are possible to use by doing some Mouse Keys navigation
and get access to the preset settings. but that's pretty much all you can do.
If someone is interested, I can post the details.
Best,
John
Hi,
If you have problems with the signal meter inside each track, it might help to
select only this track in the track list and hide all other tracks. You should
also check the peak setting in your preferences, it can be set to update never,
each 3rd sec or always.
Best,
John André
On 19 Ju
Hi,
Try adding the Pitch III plugin on the original track, and do some fine tuning
there until it match the pitch of the PT instruments. It might work, and will
not change the tempo of the song.
Best,
John André
On 20 Jun 2014, at 13:53, John Gunn wrote:
> Hello All.
>
> A little over 17
Hi,
I've tried to figure out a way to use the clip gain feature with VoiceOver.
Maybe the fader and dB value that is related to this feature is not accessible
with VO yet? I'd appreciate further info on this. I use the most recent version
of PT 11 with Mavericks.
Best,
John André
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0:45, Slau Halatyn wrote:
> Hi John,
>
> It does work. Make sure the region is selected and use the shortcut. I've had
> success with it without issue.
>
> Slau
>
> On Jul 10, 2014, at 5:22 PM, John André Lium-Netland
> wrote:
>
>> Hi,
>>
>> I
Hi Krister,
I totally understand your frustration, AVID has done a couple of changes on
their web pages, and if you log in to your account and go to the page you
describe, it looks like there is no downloads available. But, even though I've
not figured out exactly what I did, I think I interact
0, Krister Ekstrom wrote:
> Ok, i don't know if i understood that correctly but i'll give it a try.
> Thanks a bunch.
> /Krister
>
>> 29 aug 2014 kl. 19:20 skrev John André Lium-Netland :
>>
>> Hi Krister,
>>
>> I totally understand your frus
t+spacebar) in order to reveal the heading under which
> there's a link to show the downloads. It's a quite cumbersome and not obvious
> procedure as you probably noticed.:-)
> Again sorry for the frustrated mail that started this whole thread.
> /Krister
>
>> 29 aug
Hi,
It's too bad that VoiceOver's interaction with the fader can't be used in a
group, since all the other parameters that can be linked in a group works when
using VoiceOver. If you group a set of tracks, they all will be controlled when
you press mute, solo etc. using VoiceOver. Volume and se
Hi,
I’ve decided to dive into Keyboard Maestro, but to avoid reinventing
everything, I would appreciate if others shared macros they have made for
different procedures, especially related to mouse navigation and Pro Tools
actions. If you have added vocal feedback, like Slau suggested, I’ll pref
Hi Steve,
You can do this several ways, depending on your preferred work flow or
preferences. You can select to have the insertion point follow playback, in
that case you will play from where you stopped. There is a setting for this in
the edit window. If you have an extended keyboard and make
Hi,
If you mean Input Quantize, the toggle for this is found under the Event
menu>Event operations>Input Quantize. Look for the checkbox “Enable Input
Quantize”. I assume it is checked, so you should uncheck it. This is under PT11
in Mavericks.
Hope this helps!
Best,
John André
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Hi,
I’ve seen this in several versions of PT, but since it’s not a big deal, I have
not done much to fix it. But some of you might have seen that in some
situations, the shown tracks in your mix window will for a VoiceOver user
appear to the left of the window name, and above the “Show/hide” bu
Hi,
Thanks for the 3 suggestions, but none of them worked for me in PT11 under
Mavericks.
Best,
John André
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Hi Steve,
Try using shift-option plus/minus to move the in point, and shift-command
plus/minus to move the out point by the nudge value you set.
Best,
John André
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Hi,
You have to license Pro Tools first, even the trial version. You have probably
seen the License window, which is not yet accessible with VoiceOver. As soon as
you have licensed it, you will see the main Pro Tools windows, which indeed is
accessible. You will however need sighted help to get
Hi,
This is a very promising initiative, that I appreciate. Your list covers indeed
areas where several plugins I own lack sufficient compatibility with VoiceOver.
Rating plugins this way will make the issues more transparent to both the
developers and users.
Best,
John André Lium-Netland
Hi,
Anyone who can tell exactly which versions of PT 11.x.x that have the signal
level issue, you know the one where you have to multiply the signal level by 10
to get the correct level?
Best
John André
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Hi,
Can anyone confirm that it’s not possible to route individual channels in
Strike 2 to aux inputs in PT when using VoiceOver. I know the setting is there
somewhere, as described in the manual, but I can’t find it with Voiceover. I
was assuming it would be among the channel settings for each
Hi,
I’ve found Keyboard Maestro to be very useful, so thanks for the tips and
macros you have posted. Only tricky thing I have found about KM is that it
tends to conflict with VoiceOver in some way when I switch between apps. To
avoid this I have to start and stop the KM engine inbetween sessio
Hi,
You guys really creates great stuff. While we are on the subject of Christmas;
here is a single my GF Kathrine and I published last Christmas. Song #1 is Who
would imagine a King, and song #2 is a traditional Norwegian Christmas song. I
have arranged and played them in what I would call an
Hi,
I guess so, but I haven’t tried that.
Best,
John André
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Fo
Hi,
Fission will both play and convert .OGG files to whatever format you like.
http://rogueamoeba.com/fission/
Best,
John André Lium-Netland
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Hi,
I have created presets for Guitar Rig 5, Stutter Edit and Ozone 5. Guitar Rig 5
is the most extensive of them, containing 481 presets. It was quite a job to
save all the presets, but they works great. Both the Ozone 5 and Stutter Edit
presets are grouped the same way as the originals in the
Hi Matt,
Yes, please feel free to add them to your preset page.
Best,
John André
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Matt,
Previously there was an issue with Yamaha type sustain pedals being wired
different than Roland type pedals. Could that be the issue here? Just a shot in
the dark….. In that case, the pedal will work the way you describe, totally
different from what you’d expect….
Best,
John André
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Y
Hi Steve,
Open the PT preferences and go to the Processing settings. Interact when you
hear “Import” and find the checkbox for “Automatically copy files on import”
and make sure it’s checked. This will always copy files to the Audio Files
folder in your session folder.
Best,
John André
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Hi,
If you want to edit one of the values in a list, interact with the text and
press control-option-space. Then enter the new value and press enter. Stop
interacting to return to the list. For example, to change the location of a
MIDI event from 40.1.000 to 41.1.000, interact with the 40.1.000
Hi,
Now and then I’ve seen the level meter for a track staying blank even though
there is signal on the track, but this usually is fixed by showing only this
track, hiding all others. But today I have been unable to get the tracks to
show anything else than blank. I’ve tried different preferenc
Hi,
You can use the find feature in VO, by pressing control-option-F, your search,
and enter to jump to the first appearing result, and control-option-G to search
for the next appearance for the same search. Or use the item chooser
control-option-I and enter your search to narrow the list….
Be
Hi Slau,
In a previous thread, we discussed that when using VoiceOver, it was not
possible to control the volume of grouped tracks. If possible, I would like
this to be fixed.
Also, the procedure of changing input/output/bus names in the I/O window is
still not easy to do, even though it works
Hi Slau,
Sure, if you create a group containing a number of tracks, you will be able to
mute/solo all the tracks by pressing the solo or mute button for one of the
tracks, just as you would expect. but if you change the volume or send level by
interacting with a fader, the volume or send level
Hi Slau,
Purely selfish reasons or not, what you do for accesibility in Pro Tools and
the community here, is something I personally am very humbled and thankful for.
Mostly because I’m pretty sure it wouldn't happened yet, without the efforts
you have put into it.
Best,
John André
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Hi,
I would like to create a fade-out for a clip/region, but when I use the Create
Fade dialog (command-F), I’m only able to create fade-ins. It seems like the
settings I’m able to do with VoiceOver is not changing the type of fade from a
fade-in to a fade-out. Anyone had any experience with th
Hi Matt,
Yes, I tried option-G, but no fade was added to the selected region. Also, like
I said, I only get fade-ins when I use the command-F Fade window…
Best,
John André
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Hi,
Yes, as far as I know, but it works well with VoiceOver if the presets meets
your needs. I had someone to help me program the presets, so let me know if you
don’t already have them.
Best,
John André
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Hi Slau,
Thanks a lot, by using shift-tab to do a better selection, and then command-F,
it worked like expected. ;)
Best,
John André
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Hi,
There are nearly 60 presets, but each of them has a number of effects spread
across the MIDI channel you assign. As soon as you have the presets installed,
you can take it in use without sighted assistance. If you need that kind of
effects for a project, I would go for it.
Best,
John André
Hi,
I would hide all other tracks, only showing the aux track. Then focus on the
solo button, press command-option-control-F5 to make sure the mouse is also
focused there, then hold command and press your mouse or track pad.
Best,
John André
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Hi,
You can also hold the command button and press the track pad on your MacBook
Pro when you have hidden all other tracks and focused both the mouse cursor and
the VO cursor to the solo button..
Best,
John André
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Hi,
Sorry if this is somthing you’ve already tried, but make sure you have hidden
all other tracks, and press page down or page up to make sure the track you are
interacting with really is visible. I experience this all the time, but it use
to work better when I do all the things that have been
Hi,
That would be a great list to have, but I haven’t found anything like that yet.
So far, I’ve only selected effect by testing each of them against the actual
place in a song.
Best,
John André
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Hi,
Thanks a lot for this.
One thing that is annoying in Stutter Edit: For each of the presets, there are
a number of effects that produces a sound with just too much gain. That’s why
you should monitor the effects at low level. I know you can reduce the gain for
these effects found on a rand
Hi,
It should work like expected, but since some checkboxes are only
checked/unchecked if you route the mouse cursor to it with
command-option-control-F5 and press control-option-shift-space, you should
double check that the checkbox is actualy checked in the preferences before
looking for oth
Hi,
I assume that if you make a copy of the track in the playlist and consolidate
this track, you will be able to use Clip gain to do minor adjustments for the
whole track, and still have your automation intact… If you don't need the
uncosolidated track, you can simply consolidate the actual t
Hi,
I wonder how to use the band pass feature in EQ3 7-band with VoiceOver. A
sighted person can hold control-shift and listen to spesific individual bands
in the EQ, but I’m not sure how to do this with VoiceOver. Any ideas?
Best,
John André
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Hi Slau,
Thanks for the clarification, programming KM for this purpose would be cool to
check out one day I have sighted assistance…
Best,
John André
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Great work Slau, looking forward to the update!
Best,
John André
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Thanks for that update, Kevin.
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Hi,
Thanks Slau, installed 12.2.1 today with no problems. Great accesibility fixes.
As you mentioned, fader groups with VO now works correctly.
But can I assume that the two faders in each channel will work the same, even
though the one moves by 05 and the other 0.1 dB in each step?
There is
Hi,
I run PT 12.2.1 with OSX 10.10, and selection/copY/paste mostly works just
fine. One thing to remember is to always make sure the Selector Tool in the
Cursor Tools cluster of the Edit window is selected. Also, deselect and
reselect a track and a selection range can straight things out in th
Thanks for the info, Has anyone here that is totally blind used the QCon Pro
for some time in professional work with Pro Tools?
Best,
John André
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Hi,
To better control the settings in the Dyn3 Compressor/Limiter in PT, I have
changed the related settings in the preferences so that the gain reduction
meter should shouw up in the plugin nserted and in the track where compression
is used. But the only thing I can see with VoiceOver is an em
Hi,
I can recommend Carbonite, very accessible and easy to use.
www.carbonite.com
Best,
John André
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Hi Slau,
Thanks for the feedback, you were indeed correct; the gain reduction meter
worked like expected when a combination of scrolling and minimizing of the
amount of info viewed in the mix window was performed. However, I’ve found that
the Hot Spot Watch feature of VoiceOver is not properly
Hi,
The AVID Application Manager should be in the AVID folder inside the
Application folder. Launch it when you have sighted assistance, and log into
your AVID account from the interface. Then, look for an option to update the
Application Manager in the same window. When the update is finished,
Hi Kevin,
Did you ever find a way to link the Structure 2 presets with the correct path
to the sample library? I have access to the presets from the PT preset menu,
but it will not load any samples.
Any info would be appreciated!
Best,
John André
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Hi,
I recommend that you hide all other tracks, reduce the number of items shown
inside of each shown track, and make sure there is no other windows floating on
the screen. Then toggle with the page up and page down keys on your keyboard
until you see that VoiceOver can read the levels. This me
Hi,
If you for instance have an extended keyboard with separate page up and page
down keys, try first to press the page up several times, and test the meter. If
it doesn’t work, press the page down several times and try again. On screen,
you will scroll the content of the window far up or down,
Hi,
I will recommend El Capitan and PT 12. It works smooth and the accessibility is
as optimal as possible at this time.
Best,
John André
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Hi,
Vo-semicolon and VO-period will not work in this case. Instead, focus your VO
cursor and mouse cursor to the first plugin you would like to move. Be sure to
place the focus to the name of the plugin, the right column in the insert
window. then press control-option-command-shift-space once.
Hi,
I would like a spectrum analyser plugin that read out results for a number of
frequencies across the band with results in clear text that VoiceOver can read.
Does anyone know about one that works this way? I would like to be able to read
the actual amount of build-up of frequencies wherever
Interesting, the accessible peak meter works great, so that would be awesome to
also have… Thanks for the info.
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Hi,
No problems found with PT 12.4and El Capitan here……
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Hi,
I would like to know what experiences you have with PT 12.5. Are there any
changes or issues, positive or negative, in accessibility with VoiceOver?
Best,
John André
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Hi,
Thanks for the feedback, I run El Capitan and will probably also wait until my
current project is finished before upgrading, just in case something is broken.
Best,
John André
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Hi Peter,
While the clip is selected, press control-shift-up arrow or down arrow to
adjust the gain. The amount of each adjustment is set in the preferences.
Remember, you don’t have to separate the clip first, just make a selection in
the edit window and make your adjustments.
Best,
John Andr
Hi Brian,
When you use the “New Track” command in the send assignment, PT will both
create a new bus and a new aux track with the same name. I assume this is the
new aux track you refer to. But you did not mention that you allocated the
output of this aux track to your master, so if you didn’t
Hi Brian,
You have to set the output of the reverb aux to the same outputs used for your
other tracks. Your dry signals will then be blended with the wet signals from
the reverb track.
Best,
John André
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Hi Brian,
The quickest way to select only one specific track is either
•Find the track list popup menu, and select to hide all tracks. Then go to the
track list and press the left column for the track you would like to monitor.
or
•make sure only the track you would like to monitor is selected
Hi,
I’m not usually posting much about my own projects here, but since I find it
interesting to listen to your songs, and share Pro Tools experiences with you,
I would like to tell you about the music project I run with my girlfriend
Kathrine.
We compose, record and mix down the music in our
Hi,
Thanks for the great feedback guys! ;)
Best,
John André Lium-Netland
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Thanks a lot, Steve! ;)
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Hi Steve,
Make sure the Selection tool is selected in the Edit Windows Cursor Tool
cluster. Also, try de-selecting the current track and select it again in the
track list, and then select the in and out points again... It might work. ;)
Best,
John André
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Thanks Steve, yes, I started with piano and keyboards when I was a kid, later
with guitars, acoustic drums and bass. But I like toggling between them in the
studio until they play with each other like a band would. ;)
Hope you find a solution to your issue today…
Best,
John André
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Hi again Steve,
Remember that the track has to be visible, and toggle with the track selection
in the track list. There are situations where I first am unable to select
anything even though a track is selected, but if I de-select the track, and
then select the actual track you’d like to work wi
Hi,
Anyone using the Focus Right Control app for Mac with VoiceOver and any Focus
Right audio interface?
I have launched the app, and it seems to be incompatible with VoiceOver. It
might be because I have no Focus Right interface connected, but would like to
know others experience with Focus R
Hello again, forgive me for misspelling the name Focus Rite in my previous
message. ;)
The question is still the same, though...
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Hi,
Eddie Judd at Focusrite has just confirmed that Focusrite Control is not
compatible with VoiceOver.
However, they have already registered a request for VoiceOver compatibility,
and he suggests us to post more requests.
This is from his reply: "We do have a feature request in with our devel
Hi,
Thanks for the tip, how do you load settings without access to the app? By
opening them in Finder?
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Hi,
The app has only a Focusrite menu (hide, quit etc.), and no other menus. At
least this is the situation when you have no Focusrite interface connected...
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Hi,
Interesting, so they disappear if you disconnect your interface? Can I ask you
what interface you use from Focusrite?;)
Best,
John André
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Hi,
I have not used the accessible iLok License Manager much previously, But now I
would like to change the view from iLok1 to iLok2, which is the one I use. Is
there a shortcut or a specific procedure someone can point me to?
I thought I had saved the audio tutorial Slau made on the License Ma
Hi,
Thanks, it works! ;)
Best,
John André
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Hi,
I thought that recording to a flash based drive involved no mechanical parts,
and would stay durable almost forever… Must say I’m a bit confused about SSD,
Fusion, Flash etc. etc. ;)
Best,
John André
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Hi,
I have not a complete overview or suggestion here, but you should know that
either the Focusrite or MOTU interface’s control panel apps are accessible with
VoiceOver. However, while MOTU has totally ignored my suggestions for VoiceOver
support for 10 years now, the guys at Focusrite have pu
Sorry, I wrote either, but meant neither. ;) They are not accessible.
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Hi,
Anyone knows about a batch converter that takes a number of Structure .patch
files and turn each of them into a .tfx file for use in the Structure plug-in
in Pro Tools?
I use Translator to convert other sample formats into Structure patches, but it
cannot translate into .tfx files. As we a
Hi,
Great work guys, Really appreciated! ;)
Best,
John André
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Hi,
I can already see that Flo Tools will save me a lot of time, so while
experimenting with it, I got an idea:
Would it be possible to have a shortcut in the Flo Inspector to change the
volume and pan for the focused track using the arrow keys? shift-option-up and
down arrow to change volume
Hi Slau,
I see your point. I Thought a script maybe somehow could add plus or minus 0.5
or 0.1 to a numeric value… Good to know you have considered it, though.
Best,
John André
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Hi,
The new version of Flo Tools is great. So far, I have only found one issue:
- Adjust pan value for stereo Track: Command+Control+left-or-right-arrows for
left pan, add shift to adjust right pan
the command for left channel works, but not when adding shift for right channel.
BTW, I have tr
Bingo Slau, your old move mouse macros was in the global macro group. As soon
as they were deleted, everything worked as expected.
Thanks!
Best,
John André
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Yep. BTW, in case I have missed it; have you set up a place to upload/share
plugin views?
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Hi,
When working with stock plugins like EQ3 or a Compressor, is there an
accessible way to read the input and output meter level in the plugin, to make
sure they are the same? Of course, I would like the ability to have the output
level automatically set to the same as the input signal, but su
Hi Slau, I see your point. However, if AVID was able to do this for their stock
plugins, at least for EQ3 and compressor, it would help a lot. ;)
Best,
John André
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Hi,
I’m unable to change the edit selection start/end fields in the Edit window.
Previously, I’ve been able to focus on the field, press VO-space and then enter
the numbers, but this is impossible now. I’ve other methods to set the start
and end points, so I’m not stuck, but I wonder why this i
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