of recording ambisonically ,
best,
Augustine Leudar
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, at 15:52, Augustine Leudar wrote:
Hello - could anyone recommend a good uni/cardioid directional
microphones for use with the Tascam DR 680 ?
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Im sure Im missing something obvious here but humour me. With a stereo
signal I can just place two speakers in a line and have my stereo signal
send two discrete channels to each speakers, each channel representiong one
channel of my stereo microphone. The same with quadrophonic (with no
matrixing
Message: 6
Date: Sat, 22 Jan 2011 23:56:42 +0100
From: f...@kokkinizita.net
Subject: Re: [Sursound] Why do you need to decode ambisonic/b format
First, don't try and send HTML to this list, as you can see it will
be removed.
Sorry - I dont know what you mean - as far as Iknow I haven't sent
. Re: Why do you need to decode ambisonic/b format signals
(Geoffrey Barton)
2. Re: Why do you need to decode ambisonic/b format signals
(Steven Dive)
3. Subject: Re: Why do you need to decode ambisonic/b format
signals ? (Augustine Leudar)
4. Re: Subject: Re: Why do you
Hello all,
This is a question for those who have studied or are about to study sound
art, or sound related studies at phd level. What were your Phd proposals ?
or theses in ?
cheers,
GUs
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Hello all,
I am looking to build a wavefield synthesis setup. I am looking to use
about 32 channels more or less.
I am currently thinking of using PCI or PCI express cards as they a reputed
to be faster than USB/Firewire. The sound cards and drivers need to be
relatively stable as it will be
it is more specific than Re:
Contents of Sirsound-list digest...
Today's Topics:
1. 32 (ish) channel soundcard for wavedield synthesis ?
(Augustine Leudar)
2. Re: 32 (ish) channel soundcard for wavedield synthesis ?
(Michael Chapman)
3. Re: 32 (ish) channel soundcard for wavedield
message you are replying to, so it is more specific than Re:
Contents of Sirsound-list digest...
Today's Topics:
1. Re: Sursound Digest, Vol 44, Issue 19 (Augustine Leudar)
2. Re: Sursound Digest, Vol 44, Issue 19 (Michael Chapman)
3. Re: 32 (ish) channel soundcard for wavedield
actually I was considering the RME HDSPe RayDAT which is actually the
same price as the lightpipe but I would have to use a desktop and I want
to use a fast laptop with a ssd drive (thus the need for firewire)
On 27 March 2012 17:00, sursound-requ...@music.vt.edu wrote:
Send Sursound mailing
Hi,
Although I'm very much learning about ambisonics - I use it a lot in
sound installations and surround sound musical applications. I am
currently working on a couple of surround sound audio DVDs which use
ambisonic panners and will work perfectly well on 5.1 systems. I found
panning
I am getting a many opinions on this as possible and I have now heard
various answers. It specifically relates to boosted band and, in this
scenario, elevation cues in the median plane . Blauert's 1969 experiment
showed that if an if a narrow band noise or sinusoid wave with a centre
frequency of
again to anyone who says things like ambisonics cant compete with 5.1
please bear in mind this is like saying amplitude panning can't
compete with 5.1 - it doesnt make any sense at all. You mix your
tracks horizontally ,without elevation, using ambisonics plugins and
burn your ac3/dts file like
So I am nervously edging towards the following conclusions :
1. Music can be mixed ambisonically and then decoded or bounced
down to Speaker configurations like 5.1, 7.1 ,1100.12 , stereo
whatever.
2. This can all be done with software - there is no need for
specialist decoders or hardware -
?
To: Surround Sound discussion group sursound@music.vt.edu
Message-ID: 4fbe1316.1030...@stackingdwarves.net
Content-Type: text/plain; charset=ISO-8859-1; format=flowed
On 05/24/2012 11:57 AM, Augustine Leudar wrote:
Hello all,
I am building a six capsule ambisonic microphone. I have been told
correct ?
On 25 May 2012 18:05, Augustine Leudar augustineleu...@gmail.com wrote:
Thankyou all for your responses - they've been a great help - especially
Eric Benjamin - that makes perfect sense thanks !
There are two ways to approach the construction of such a microphone.
One of
them
Hi Aaron - which is exactly what Ill be doing over the next few weeks ! Ill
be using a program called Holm Impusle - We've already measured the
frequency response of the capsules individually - next we are going to
measure the finished array with the capsules in sitiu. We have filled the
space in
This is also something I've been wondering about and trying to achieve in
sound installations. A fly landed on a microphone once when I was recording
in the jungle and when played back it sort of worked - sort of - but I do
think the cognitive visual factors (the sound installation was in a
Wow - thats real startrek material right there Dave ! I was letting my
imagination wander in a similar area the other day and was wondering
if the beating/harmonics caused by two beams of electromagnetic waves
could somehow excite the air where their paths crossed causing a sound
to eminate from
Kind of already happening ! Not exactly a virtuoso performance but still
pretty cool :
Miniature flying robots play James Bond theme :
http://www.youtube.com/watch?v=_sUeGC-8dyk
No if we could just get the noise levels of the robots down and fix a small
speaker on their backs I think
Thats pretty similar to an example I heard the other day. A composer had
split the sound of a cello into different frequency bands and dispersed
them around a lot of loudspeakers (in a line if I remember correctly) each
one playing a different frequency - imagine his dissapointment when the
human
I once had a piece played atspatial audio concert and some people came to
visit. Afterwards one guy came up to me and said - the sound was right
there - right there in front of my face ! Was it ambionics ? Im pretty sure
he just heard what he expected or hoped to hear - simply because he
thought
Interesting - must be an aspect of the cocktail effect ...
On 2 June 2012 04:13, umashankar mantravadi umasha...@hotmail.com wrote:
as a location sound mixer, i exploited the visual reinforcement of sound
in many situations. if you are recording half a dozen people speaking, and
the camera
That would be an interesting experiment ! Though I think the fact that the
subsequent decorrelating the sound of the cello in the different speakers
gave the composer the spatial effects he was looking for (it still sounded
like a cello) shows it was property of the way the different frequncy
Hi Sero,
I use ICST quite a lot as well - I do as you say and just apply the
effects to the signals before sending them into ambipanning~
I'm not sure why converting to from B - format A - format will
necessarily allow you more creative possibilities - I'm not really
sure why you would do that, A
People will always tell you you need more speakers, but you could do some
great stuff with 12 speakers. Im just building my own portable setup myself
. If your using max you could easily combine ambsonics with VBAP for
spacialisation. For software that works with max I would recommend ICST,
Spat
Hi Sero,
Im not quite sure what you are trying to do and have missed a few posts so
obviously if this post doesnt apply disregard it. But are you trying to
create a delay line that follows the original soundsource (ie when the
original sound source is in , say, speaker 1 the delay is still
Love it. I reckon it would work the other way round too. Show people the
horse or whatever and then play them the sound through the speaker . There
has been a lot of experiments like this one that particularily springs to
mind is WALLACH, H. (1940) The role of head movements and vestibular and
bah - you ruin everything Dave - I was really looking forward to
trying to justify bringing a horse into our department and using this
list as justification for such randomness
Although the principle is sound, there's a problem with using a horse - they
have a very big
presence, not least
Hello all,
I am currently making a WFS setup and would like to check out what software
is available (windows,mac or linux) . Could we compile a list of software
(preferably open source) avialable for wavefield synthesis on this thread,
thanks ,
Gus
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some nice suggestions here = anyone know of anything that works on windows ?
On 5 July 2012 21:44, Augustine Leudar augustineleu...@gmail.com wrote:
Hi Eric,
Just a small setup to start with - 32 channels. 4 behringer ADAT
converters (ADA8000 ) and an RME Raydat soundcard in a Rackmount PC
I cant remember the formula off hand but it important ,I am told, to use
the correct number of speakers for the order you are using - so if you use
too many speakers for the order that can also muddy up the localisation.
Someone will enlighten us Im sure but is it :
the order number + 1 squared
that is for 3d by the way but not sure ... anyone ?
On 9 July 2012 12:31, Augustine Leudar augustineleu...@gmail.com wrote:
I cant remember the formula off hand but it important ,I am told, to use
the correct number of speakers for the order you are using - so if you use
too many
Just wan t to add this fantastic bit of oftware by Matt Montag - really
nice gui and even works in windows by double clicking an exe file so no
compiling to be done ! :
https://github.com/mmontag/WFS-Designer
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So I was wondering if any of you have used any of the wavefield
synthesis software mentioned here and what the results were like. I am
having great fun with soundscape renderer at the moment - anybody any
experience with any of the others ? How effective was the
spatialisation (especially
I personally think that these things can sometimes happen due to weird room
reflections , resonances modes, the position of the television etc
interacting weirdly with certain frequencies.
I will never forget one of these events when I recorded bird sound. Played
back on my crappy laptiop speakers
of Technology
University of Derby, UK
tel: 01332 593155
e: p.len...@derby.ac.uk
-Original Message-
From: sursound-boun...@music.vt.edu [mailto:sursound-boun...@music.vt.edu]
On Behalf Of Augustine Leudar
Sent: 07 August 2012 12:24
To: richarddob...@blueyonder.co.uk; Surround Sound
I struggled to recreate this effect - my last paper was on creating
vertical illusions with all these cues etc. The conclusion I reached was
that they can only effectively be created by accident or by nailing a
speaker to a tree.
On 13 August 2012 12:07, Dave Malham dave.mal...@york.ac.uk wrote:
Hello all -
just a photo of a recent sound installation for the sounflower festival
last week :
http://i48.tinypic.com/2eusz04.jpg
We had our wee wavefield synthesis system hidden in the trees on 2 acres of
woodland and then several larger speakers dotted around for sounds which
used
P.S thanks to Sounscape renderer and Matt Montag for letting me use there
fantastic software !
On 28 August 2012 12:31, Augustine Leudar augustineleu...@gmail.com wrote:
Hello all -
just a photo of a recent sound installation for the sounflower festival
last week :
http://i48.tinypic.com
Hi all,
This is a question for those with knowledge of WFS. One of the
properties of plane waves propagated with a single line array on a
Wavefield synthesis system is that as you walk down the array the
sound follows you appearing to emanate from the nearest loudspeaker
. I was wondering if this
hmm - thats weird because I get this effect even if the plane wave
isnt orthogonal to the array - perhaps something is configured
wrongly.
On 12/09/2012, Fons Adriaensen f...@linuxaudio.org wrote:
On Wed, Sep 12, 2012 at 01:17:23PM +0100, Augustine Leudar wrote:
This is a question
another question is - is our auditory system able to take account of
the curvature of a wavefront to estimate the distance of a source or
does it only use other cues such as the spektral content of the sound
etc etc
On 12/09/2012, Augustine Leudar augustineleu...@gmail.com wrote:
hmm - thats
at least account for it
and continue working.
jim
On Wed, Sep 12, 2012 at 9:45 AM, Augustine Leudar
augustineleu...@gmail.com
wrote:
hmm that might be it - they are not the best speakers in the world !
the effect is not noticable if you stand more than a metre or two away
from the array
waves.
Greetings Helmut
www.syntheticwave.de
Am 12.09.2012 14:17 schrieb Augustine Leudar augustineleu...@gmail.com
:
Hi all,
This is a question for those with knowledge of WFS. One of the
properties of plane waves propagated with a single line array on a
Wavefield synthesis system
by the way have any of you seen this :
http://www.syntheticwave.de/HOLOPLOT_Loudspeaker_Modules.htmhttps://ex2k7.qub.ac.uk/OWA/redir.aspx?C=jMjb6VGWPE2C03uwInbI6NzL1xn6bM9IpE_V4FFPuYLdaVy2otKYLbtqGTJydNHU9qsGKXoXCo8.URL=http%3a%2f%2fwww.syntheticwave.de%2fHOLOPLOT_Loudspeaker_Modules.htm
far
Hi Steven,
1. Identical speaker will be preferable - but, and I know some will
disagree, not essential.
2.The speaker layout - if you use max tryout ICSTs plugin which let you
specify the speaker layout and are reasonably flexible.
3.Things can translate well from small setups to big ones - I have
encoder I just cant see how there would be crazy activity on he xyz and not
the w - all he meteres read is pressure /gain from respective
summed/deducted capsules
On 29 September 2012 23:25, Paul Hodges pwh-surro...@cassland.org wrote:
--On 29 September 2012 23:08 +0100 Augustine Leudar
I wouldn't go into the H2 line or mic inputs - they are very noisy - but
Umahankars modified H2 which will take your Tetramic direct to the h2 (by
removing the capsules in the H2 and replacing them with a 5pin xlr) is a
project I have had on the back burner for a while and should give you an
I am not sure about the second part of your post. But with regards to the
first half did you consider using max msp (or probably supercollider) ? you
could control as many channels as you want with a computer and control them
with almost anything from a wii controller via blue tooth to more or
so ... what's all this about a portal ?
On 9 October 2012 01:24, Robert Greene gre...@math.ucla.edu wrote:
This is funny but it is of course wrong,
I like facebook a lot, but I dislike text messages,
and so on. Which general types of things one likes
may develop early, but the details are
It definitely behoves you to remain among us Carsten (=;
On 10 October 2012 11:29, Carsten Bohn c...@bignote.de wrote:
It has sort of got lost in the melee. Try:
http://mur.mu.rs/?p=560
https://www.facebook.com/**TransDimensionalPortalhttps://www.facebook.com/TransDimensionalPortal
an academic duel to the death over facebook - swashbuckling stuff !
On 10 October 2012 18:20, Martin Leese martin.le...@stanfordalumni.orgwrote:
Carsten Bohn wrote:
It has sort of got lost in the melee.
...
This list has an amazing side-effect, which is
: getting to know new words
What about a forum ? I mean mailing lists are s 1980s - with a forum
you can easily see/search for earlier posts and topics ? Is such a
suggestion blasphemous ?
On 11 October 2012 17:55, Charlie Richmond charlie@gmail.com wrote:
On Thu, Oct 11, 2012 at 9:51 AM, Stefan Schreiber
your post is almost enough to distract me from my work Sampo , but no...
must resist..
On 12 October 2012 18:49, Sampo Syreeni de...@iki.fi wrote:
On 2012-10-10, Martin Leese wrote:
f.e. M?l?e : which Google translates in german to something like fray
in naval warfare? !?
My English
-10-18 12:49 PM, Augustine Leudar wrote:
Spherical speakers ?
Are there such things ? - I tried googling to no avail. I dont mean
something like this :
http://www.instablogsimages.**com/images/2007/08/13/eole-**system_48.jpghttp://www.instablogsimages.com/images/2007/08/13/eole-system_48.jpg
hmm - I get the following mesage : An HTML attachment was scrubbed... then
a broken link
On 19 October 2012 03:19, Neil Marcia Adams neilnmar...@gmail.com wrote:
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actually the dodecahedron things would work fine for my purposes, actually
normal speakers work fine, I make sound art installations - outdoor ones,
and there are certain instances where it might be useful to have a speaker
that propogated sounds in all directions (as in real life the sound of say
Sperical speakers have massive and obvious applications for holophopny - or
creating audio holograms. This may not be much use for many home listeners
- but has many , many uses for theatre, sound art etc
On 22 October 2012 23:46, etienne deleflie edelef...@gmail.com wrote:
I think this
obviously Id love to spend millions of pounbds on the best sytem - but
these days getting any money at all for experimental arts projects is
challenging !
On 07/12/2012, Gregorio Garcia Karman ggkar...@musicologia.com wrote:
Dear Augustine, I guess you are right. Congratulations for your past
yes Matts uses Vbap between two arrays for height - but only works on
windows thus far
On 7 December 2012 21:50, Miguel Negrao
miguel.negrao-li...@friendlyvirus.org wrote:
A 07/12/2012, às 17:05, Augustine Leudar escreveu:
Thanks Joseph,
Actually Miguel works in the same room as me
HI Jorn,
Thanks for the well informed reply as usual.
honestly, for a system like that, i wouldn't think about windows even for
a split second. there is really only one sane system choice, and that is
clearly linux. for your frontend and user experience, by all means go with
windows if it
On 8 December 2012 12:56, Jörn Nettingsmeier
netti...@stackingdwarves.netwrote:
On 12/08/2012 12:46 AM, Augustine Leudar wrote:
yes Matts uses Vbap between two arrays for height - but only works on
windows thus far
unless i'm misunderstanding something, that remark doesn't make sense
more effective proximity
Another question is why you would use WFS for the horizontal part at all.
Does it offer anything you need and that HOA can't do ?
Ciao,
--
FA
A world of exhaustive, reliable metadata would be an utopia.
It's also a pipe-dream, founded on self-delusion, nerd
Ok lets have a proximity off !
One of the things that interests me most in the work Im doing is creating
proximity illusions. One member of this board asked my why I would choose
WFS over HOA for the horizontal plane and my answer was that WFS could
create more effective proximity illusions.
sorry - wfs - wavefield synthesis - HOA - higher order ambisonics
On 12 December 2012 14:43, David Pickett d...@fugato.com wrote:
I must have missed the beginning of this.
What does WFS stand for? W... Field System?
David
At 06:10 12-12-12, Augustine Leudar wrote:
Ok lets have
Ha I know Rodrigo well ! Will give it a watch
On 12 December 2012 14:50, Pierre Alexandre Tremblay tremb...@gmail.comwrote:
Dear all
Thanks to Rodrigo Constanzo we have the first video tutorial of how to use
and abuse the fruit of the HIRT (the HISS Impulse Response Toolbox). This
time
in a speaker triangle (J?rn Nettingsmeier)
2. Proximity illusions - WFS vs HOA (Augustine Leudar)
3. a quick tutorial video on how to create an impulse response
(Pierre Alexandre Tremblay)
4. Re: Proximity illusions - WFS vs HOA (David Pickett)
5. Re: Proximity illusions - WFS
I look forward to hearing that Fons - if you ever need a beta tester let me
know
On 12 December 2012 22:25, Fons Adriaensen f...@linuxaudio.org wrote:
On Wed, Dec 12, 2012 at 07:20:31PM +0100, Natasha Barrett wrote:
1. Proximity illusions on WFS at IRCAM: all four sides WFS arrays
(BTW
I would use Vbap =- you could play with the panning laws as well. You could
also use individual speakers as individual instruments if they weren't
moving - that was you are not faking anything - you are not creating a
phantom images, no fake hrtfs, - the sound sounds like its coming from the
top
One of my supervisors who was researching this said it gave them awful
headaches !
On 13 December 2012 11:31, Dave Malham dave.mal...@york.ac.uk wrote:
(http://www.lradx.com/) or acoustic spotlights
(http://www.holosonics.com/technology.html) where the ultrasonic
sources are grouped together
P.S. YOu might want to get in touch with a guy called Steve Barbar of
LARES-Lexicon they apparently have buil WFS synthesis systems of 600+
channels with tracking for the actors in theatre productions using the
SoundMan-Server
software.Charlie
I did a multichannel sound installation recently in a park that required
over half a km of XLR cables - with attendant health and safety laws and it
was hell - cables had to be routed through trees, over walkways, building
etc with a cherry picker. I looked into some wireless solutions but wasnt
Hi -
We did this for one sound installation that was quadrophonic and
prerecorded . We had two stereo SD card players connected to the same power
source. The SD card players would start playing automatically when switched
on so the quadrophonic image would work and would be synched automatically
-
theres also the wirless bluetooth speakers from creative :
http://www.amazon.co.uk/dp/B003MAJM4U/ref=asc_df_B003MAJM4U11695696?smid=A3P5ROKL5A1OLEtag=hydra0b-21linkCode=asncreative=22206creativeASIN=B003MAJM4Uhvpos=1o1hvexid=hvnetw=ghvrand=704497245304525378hvpone=hvptwo=hvqmt=
they get rid of
I will be in Florence from April till July and have a six channel
microphone Umashankas Velabn design which can be used for ambisonics of or
just the raw channel recordings - I intend to cllibrate the microphone
sometime this month - if thats any good - sounds fascinating !
On 6 February 2013
P.S. I could use a quiet laptop , good quality portable battery powered
speaker and Holm acoustics impulse response software :
http://www.holmacoustics.com/holmimpulse.php
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Hmm sounds like Giuseppe is your best bet
Hi,
Maybe I can do that. I have a Soundfield ST450 with a laptop+RME. If there
is a way I can bring a Genelec to do sweep, otherwise balloons.
I live near Rome, one hour away from gran sasso.
Saluti.
Giuseppe
Sent from my iPhone
On 06/feb/2013,
That was my assumption - being locked in a sphere with an atmosphere of
pure argon would play havoc with my iphone reception
I believe the plan is to record the IR before the
hatch is closed and the sphere pumped full of
argon. Hence the need to make the
measurement soon. So, simulate with
From: sursound-boun...@music.vt.edu [sursound-boun...@music.vt.edu] On
Behalf Of Augustine Leudar [augustineleu...@gmail.com]
Sent: 08 February 2013 21:12
To: Richard Lee; Surround Sound discussion group
Subject: Re: [Sursound] anyone in Gran Sasso region able to record an
impulse
I've got a couple of installations that require a standalone device that
will play 8 or more channels (octophonic mixes so all tracks need to be
played simultaneously) can anyone think of an affordable standalone player
? The museum staff will not know anything about audio technology so
preferably
don't test it, so...
Cheers,
Alexandre
Le 9 févr. 2013 à 22:24, Augustine Leudar a écrit :
I've got a couple of installations that require a standalone device that
will play 8 or more channels (octophonic mixes so all tracks need to be
played simultaneously) can anyone think
without
On 10 February 2013 00:21, Augustine Leudar augustineleu...@gmail.comwrote:
that looks reasonable thanks - so let me just double check - this can play
all 16 tracks simultaneously in sync ?
On 10 February 2013 00:08, Alexandre Rocca roccaalexan...@yahoo.frwrote:
Hi
without a computer (ie its not just an interface) with just a usb stick ?
On 10 February 2013 00:23, Augustine Leudar augustineleu...@gmail.comwrote:
without
On 10 February 2013 00:21, Augustine Leudar augustineleu...@gmail.comwrote:
that looks reasonable thanks - so let me just double
perhaps.. a PC would better
On 10 February 2013 11:16, Oli Larkin olilar...@googlemail.com wrote:
On 10 Feb 2013, at 11:05, Augustine Leudar wrote:
I m
even thinking the best idea would be to use a apple mini and a motu
soundcard. If I can program the apple mini to open an eight
Thanks Eero ,
I know what you mean about reliability. I think if the computer is
disconected from the internet with a stripped down operating system that
isnt trying to update itself , connected to the internet or even without a
keyboard mouse and monitor (so noone can fiddle) it should be ok.
Thanks for that !
On 10 February 2013 16:57, Alexandre Rocca roccaalexan...@yahoo.fr wrote:
Hi,
About Allen Heath ICE-16 sound card. 16 channels player and recorder, in
standalone
Le 10 févr. 2013 à 01:59, Augustine Leudar a écrit :
that looks reasonable thanks - so let me just double
Content-Type: text/plain; charset=iso-8859-1
On 10 Feb 2013, at 11:05, Augustine Leudar wrote:
I m
even thinking the best idea would be to use a apple mini and a motu
soundcard. If I can program the apple mini to open an eight channel max
patch in runltime upon starting is should just
Hi,
I'm probably going use a motu ultralite soundcard with a mini pc with
stripped down windows or linux - I've already written my own software that
plays interleaved files so I don't need to buy any 3rd party software - I
was just curious to see what standalone devices were out there. The whole
Im assuming these binaural recordings areto belistened back on headphones ?
I didnt get that impression from the vid...
On 12 February 2013 10:51, Dave Malham dave.mal...@york.ac.uk wrote:
Interesting comments re Ambisonic reproduction in section 0014 of that
patent!
Dave
--
Spats reverb sounds amazing. You might also want to look at Quik Quaks
Rayspace- its only quadraphonic but he might be worth contacting to see if
he has anything in development.
On 15 February 2013 01:49, j.l.ander...@phonecoop.coop wrote:
Hello Adrian,
If you're up for implementing
Oak, Hazel, Elm though there would have been some pine.
(what forests did they have?)
regards
Dr Peter Lennox
School of Technology,
Faculty of Arts, Design and Technology
University of Derby, UK
e: p.len...@derby.ac.uk
t: 01332 593155
From:
Would like to get some of these :
http://www.bbc.co.uk/news/magazine-20773690
On 18 February 2013 12:52, umashankar manthravadi umasha...@hotmail.comwrote:
I meant this message for the group umashankar
From: umasha...@hotmail.com
To: s...@mchapman.com
Subject: RE: [Sursound] [allowed]
I thought they'd spent years working out the average shaped head - surely
having ears in your nose is going to mess up the ILD ITDs, minute
reflections etc used for localisation, directional bands etc ? - plus
there's no shoulders also reflections from which are also used used for
elevation
Hi there -
I did several large (about 4 acres) walk through sound installations in
the dome shaped tropical biome at the Eden project in Cornwall . I guess my
application would be very different from yours. I designed the sound
installation in an adjacent dome first - there were the weirdest
Please let us know anything you find out
On 18 February 2013 17:50, Dave Malham dave.mal...@york.ac.uk wrote:
The guys you need to talk to are Dave Worrall and Kimmo Vennonen who
have one a lot of things in Geodesic domes down in Oz. Dave, at least,
was a member of this group- he as a
You need LOTS of very closely aligned speakers and the software will take a
while to install/learn, then rendering the channels also takes time if you
do it that way. The holosonic point source next to the ear is my holy
grail - I havent got it yet - but I am told IRcams system can do this. I
Lennox
School of Technology,
Faculty of Arts, Design and Technology
University of Derby, UK
e: p.len...@derby.ac.uk
t: 01332 593155
-Original Message-
From: sursound-boun...@music.vt.edu [mailto:sursound-boun...@music.vt.edu]
On Behalf Of Augustine Leudar
Sent: 19 February 2013 11:50
I used whispers in a sound installations quite often . We had several PA
speakers hidden around the trees and amongst other things whispers were on
the soundscape (in the darkness) . I dont really recall any proximity
illusions being created but I had the whispers at the volume that was not a
lot
I think the person is genuine - I just think some spam virus has hacked
into his email address - someone should probably email him and let him know
On 4 March 2013 14:24, David Pickett d...@fugato.com wrote:
At 04:50 04-03-13, Harry Saunders wrote:
SPAM removed
Can the list owner please
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