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Janis and all, 

I'm getting a better grip on my tension issues.  It's
not the warp tension - it's the draw tension that's
making it uneven.  The tension across the warp is
fairly even; my spreader is about a foot away from my
cards, so the effect is not terribly pronounced. The
ribbon wants to spread out and be quite a bit wider
than I'm making it; it spreads out, and I'm reining it
in by pulling at the edges with the weft, which makes
the center loose and the sides tight.  

I did finally figure out that (a) starting out with it
more perfectly even, helped make it more perfectly
even throughout (thanks, Herveus!), and (b) I can
adjust the spread, by pinching the fell at the
selvedge in one hand, and pinching along the fell to
spread the threads with the other, and (c) the areas
with double-face work tend to spread out, whereas the
areas without tend to stay more compact. I think the
twisting pattern makes it want to spread more. 
Because I'm making this in short segments and
untwisting all the built up twist between, I've got a
clean start every five inches or so, where I can
carefully adjust the distribution of threads without
making a mess of them.  

It's frustrating having to do things again to get them
right - but I think I've got 2 and possibly 3 good
segments now, out of the 4 that I need - I'll do the
birds again, and then see if I want to do the knotwork
part again.  I did the last name once, and had trouble
with it spreading, but now I've got first and last
names both in good form.  I am amazed with the visual
clarity of lettering at 75 tablets - you will
definitely be able to read it from a ways!  

I've got several little chunks of this ribbon where I
tried out pattern work, that I'm going to use for
dyeing samples.  I understand that the black will
probably stay pretty much just black (which is what I
want) - but it won't hurt my feelings if it gets a
little bit of a golden tinge to it.  Either way, the
black parts will take a certain amount of golden
color, because of being able to see the (currently)
white parts through the weave.  

Michael




 
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