Klaus might have a point if he was making an argument, much along the lines
of Niekisch's own critique, that Juenger's approach is ultimately a sedative
to be evaluated by economic measurements. For example, Klaus states that
Ozzy's worth is ultimately defined by the fact that he made millions, was
able to live in LA,  and created "a new genre."  Presumably, Juenger would
be evaluated in similar fashion.

Is the underground musical scene in Germany, which I know has been mentioned
on this list before, more of the same? Is the "hero" ultimately hedonistic?
To be evaluated by how much money the people whom are"inspired" pay for
these products?



Jd

On Fri, Jan 15, 2010 at 4:21 AM, Tobias Wimbauer <wimba...@web.de> wrote:

> Bitte macht doch Eure privaten Plaudereien privat und nicht
> Listenöffentlich.
> Gruss
> Wim.
>
>
> -----Ursprüngliche Nachricht-----
> Von: "klaus gauger" <klaus_gau...@yahoo.com>
> Gesendet: 15.01.10 06:56:41
> An: juenger_org@yahoogroups.de
> Betreff: Re: AW: [juenger_org] Niekisch's Critique of Juenger
>
>
> Dear Joel,
>
> maybe you should give it a try and listen to some songs of Ozzy
> Osbourne and also read some of their lyrics. ItŽs surely not church
> music, but some of these songs are really good and intelligent. When
> it comes to Ozzys personal life: He wasnŽt happy about his alcoholism
> and drug addiction either and tried several time desperately to stop
> it. Like many people Osbourne has a demon inside him that drives him
> into alcoholism and drug addiction, but he was never proud about that
> and he wasnŽt also proud about the things he did under the influence
> of alcohol and drugs. When it comes to his music and his career: He
> surely can be proud about that, not many poor kids with working-class
> background from Birmingham in England have become millionares who
> live in L.A. and have created a whole new music genre.
>
> Yours,
>
> Klaus
>
> --- Joel Dietz <jdi...@gmail.com> schrieb am  *Fr, 15.1.2010:*
>
> Von: Joel Dietz <jdi...@gmail.com>
> Betreff: Re: AW: [juenger_org] Niekisch's Critique of Juenger
> An: juenger_org@yahoogroups.de
> Datum: Freitag, 15. Januar 2010, 3:47
>
> I suppose I'm not very open minded about these things.
>
> Jd
>
> On Thu, Jan 14, 2010 at 9:53 PM, klaus gauger <klaus_gauger@ yahoo.
> com> wrote:
>
> Dear Joel,
>
> nihilism must not be something weak and worthless. It can also be a
> sign of strenght and vitality. Jünger says that in "Der Waldgang".
> Hedonism musnŽt also be bad, if it is combined with any sort of
> commitment to a cause. Ozzy Osbourne is, like many musicians, a
> hedonist, but he (and the other members of Black Sabbath, especially
> Tony Iommi) invented a new art-form, Heavy Metal, and Ozzy is
> commited to this art until today and has made great efforts to create
> songs that belong now to the history of Heavy Metal and are
> appreciated by many fans, like me for example. Seen from a marxist or
> christian morality Ozzy Osbourne surely is a ugly hedonist and
> nihilist, but seen from a more open-minded point of view he also is a
> person of high value for our society.
>
> Yours,
>
> Klaus
>
> --- Joel Dietz <jdi...@gmail. com> schrieb am Do, 14.1.2010:
>
> > Von: Joel Dietz <jdi...@gmail. com>
>
> > Betreff: Re: AW: [juenger_org] Niekisch's Critique of Juenger
> > An: juenger_org@ yahoogroups. de
> > Datum: Donnerstag, 14. Januar 2010, 20:23
> > I'm not convinced. The article after
> > Niekisch's reviews Juenger's
> > "Nihilism" in greater depth. A phrase from "The Peace"
> > indicates a
> > complete rejection of this impulse, but what replaces
> > it? Aesthetics?
> > Ozzy Osbourne-like hedonistic abandonment?
> >
> > I believe the proper point of comparison would be
> > Hoelderlin, but I am
> > without conclusions, only questions.
> >
> > Jd
> >
> > On 1/14/10, Thomas Friese <thomasfriese@ ymail.com>
>
> > wrote:
> > >
> > >
> > >
> > >
> > >
> > >
> > > Bravo, Klaus! I would have replied exactly the same
> > way to "who finances
> > > it".
> > >
> > > I would add that an anarch is aware that there is no
> > free lunch in life. In
> > > one way or another, everyone pays for their choices.
> > But he is more aware of
> > > this reality and therefore attempts to choose
> > consciously what he is
> > > prepared to pay for. Most people get given their
> > choices already made by
> > > society and must still pay for what they don't
> > fundamentally want.
> > >
> > > The anarch also "knows the rules" and realizes that
> > living in society has
> > > its price, which he must pay if he wants to remain
> > there and not flee to the
> > > forest.
> > >
> > > Thomas
> > >
> > > --- On Mon, 1/4/10, klaus gauger <klaus_gauger@ yahoo.com>
> > wrote:
> > >
> > > From: klaus gauger <klaus_gauger@ yahoo.com>
> > > Subject: AW: [juenger_org] Niekisch's Critique of
> > Juenger
> > > To: juenger_org@yahoogroups.de
> > > Date: Monday, January 4, 2010, 4:32 PM
> > >
> > >
> > >
> > >
> > >
> > >
> > > Dear Joel,
> > >
> > >
> > > it is right that Jünger always fled from society, as
> > a 18 year old schoolboy
> > > to the foreign legion, and as a old man as an anarch
> > into the forest. Who
> > > finances this freedom? That is a typical question of a
> > marxist. Today we
> > > have in modern society millions of anarchs: Young
> > people who donŽt want to
> > > make a career and donŽt want to participate in the
> > "rat race" and subsist
> > > with temporary jobs, or doing their own business, or
> > even with social
> > > welfare or who live from the money of their parents,
> > young people who
> > > experiment with drugs, travel, read, write (all the
> > things that Jünger did),
> > > sometimes temporarily, sometimes as a choosen
> > lifestile. They survive in the
> > > economical and geographical niches that modern, rich
> > and developed societies
> > > always offer. The question is not "who finances this
> > freedom?" the question
> > > is: "Do you dare to live an individualistic,
> > anti-conformistic life, even if
> > > means to have less money than average people, even if
> > it means that you
> > > donŽt get the recognition that average people get as
> > so called hard-working
> > > citizens?". Besides: Also an anarch can work very
> > hard. Jünger wrote a lot
> > > of books and earned some money with it. But an
> > Anarch will always do a work
> > > that is also rewarding for himself. He wonŽt work
> > only for money or because
> > > he has fear to be evaluated as an unworthy, lazy
> > outsider in society.
> > >
> > >
> > > Yours,
> > >
> > > Klaus
> > >
> > >
> > >
> > > --- Joel Dietz <jdi...@gmail. com> schrieb am
> > Mo, 4.1.2010:
> > >
> > >
> > > Von: Joel Dietz <jdi...@gmail. com>
> > > Betreff: [juenger_org] Niekisch's Critique of Juenger
> > > An: "juenger_org" <juenger_org@ yahoogroups.
> > de>
> > > Datum: Montag, 4. Januar 2010, 14:26
> > >
> > >
> > >
> > >
> > > Was reviewing my notes on Eliot Neaman's Dubious
> > Past (P. 188-189), and
> > > came across this:
> > >
> > > In a two-page critique of the Waldgang, a copy of
> > which Niekisch sent to
> > > Juenger, the former editor of the national Bolshevist
> > Widerstand compared
> > > Juenger ot Max Stirner, whose individualism was nearly
> > solipsistic. Acording
> > > to Niekisch, Juenger doesnâ  t realize how indebted
> > every individual is to the
> > > collective: indeed, he remarks, â  glorious
> > isolationâ   is a version of
> > > societal exploitation. Niekisch wonders why the figure
> > of the Waldgaenger
> > > has achieved such popularity among conservatives,
> > positing that postwar
> > > individualism is the last refuge o the European
> > intellectual, threatened by
> > > the mass culture of America nad the Stalinist
> > Leviathan of Russia.
> > >
> > >
> > >
> > > Niekisch detects in all of Juengerâ  s poses the
> > flight from society, â  whether
> > > in Africa, as a heroic soldier, a gourmet of
> > aesthetics, as a runaway from
> > > Hitleâ  rs army in the dreamy reflection of Gardens
> > and Streets, as a mountain
> > > dweller in the cosmic sphere of Heliopolis. .. .
> > wherever one looks, one
> > > uncovers the figure of the fleeing nihilist.â
> > Finally, Niekisch asks, â  where
> > > is the forest?â   He considers the trees a natural
> > metaphor for solitude and
> > > refuge, comparable to Rousseauâ  s idea of nature. AS
> > such the forest â  is the
> > > somber feeling, the intuitive sense of the inner self,
> > emancipated from the
> > > exterior world.â   Niekisch concludes with the
> > material question, â  who
> > > finances this freedomâ
> > >
> > > Curious how list members would respond to Niekisch's
> > critiques.
> > >
> > > Best,
> > >
> > >
> > > Joel
> > >
> > >
> > >
> > >
> > > ____________ _________ _________ _________ _________
> > __
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> > >
> > >
> >
> >
> > --
> > joeldietz.com | twitter.com/ jdietz |
> > twitter.com/ fractastical (tech)
> >
> >
> > ------------ --------- --------- ------
> >
> > Yahoo! Groups Links
> >
> > (Yahoo!-ID erforderlich)
> >
> > juenger_org- fullfeatured@ yahoogroups. de
>
> >
> >
> >
> >
>
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> --
> Tobias Wimbauer | Wimbauer Buchversand
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