generates it.
TIA,
Paul Scott
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Paul Scott wrote:
I am new to the list and just starting to learn LilyPond. I know
this has been discussed here before but I haven't seen a solution.
! LaTeX Error: File `geometry.sty' not found. is the familiar
message. I don't have the file and Google searches haven't shown where
' b a d1 e4 d c a b1
}
}
TIA,
Paul Scott
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Jule Slootbeek wrote:
because you type f's in the notes, the \key commands only puts the
required keysignature at the beginning of the piece.
change your f's to fis and it'll be fine.
Ok. That doesn't seem logical to me and it's clearly more work but if
that's the way it works I can do
Jan Nieuwenhuizen wrote:
Paul Scott [EMAIL PROTECTED] writes:
change your f's to fis and it'll be fine.
Ok. That doesn't seem logical to me and it's clearly more work
Want an f? Get an f. Want a fis, get a fis. Quite logical.
It would be quite logical if there were an equal
Jan Nieuwenhuizen wrote:
Paul Scott [EMAIL PROTECTED] writes:
It would be quite logical if there were an equal probability of notes
in a composition being in or out of the current key.
Maybe it's a language question. In Dutch, the name of an f-sharp is a
fis; it's quite unnatural
Laura Conrad wrote:
Paul == Paul Scott [EMAIL PROTECTED] writes:
p.s. I am getting two copies of everything from this thread. The
first one of each pair lacks the last three identification lines.
You shoud set your Mail-Followup-To: header.
Paul
The manual gives something like this for multi-measure rests. It works
if I don't try the 5 bar rest before '\mark 1'. With that rest
included I get everything on one line. I tried various combinations of
turning Score.skipBars on and off with no success.
Any ideas?
TIA,
Paul Scott
Graham Percival wrote:
On Fri, 25 Oct 2002 10:30:06 -0700
Paul Scott [EMAIL PROTECTED] wrote:
For a simple piece with score and parts how do I cause the tempo marking
to appear only at once above the top part in the score and and once at
the beginning of each part. This will be a fairly
Command/2PS?
Thanks,
Paul Scott
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Paul Scott wrote:
Mats Bengtsson wrote:
The recommended procedure to produce a PDF file of a
score is 'ly2dvi -p file.ly'. It will use vector fonts
instead of bitmapped fonts, so you don't get the fuzzy
note heads when the you view the file in Acrobat.
Do you know if that's what Emacs does
in one verse but to two syllables in the next verse the first
verse will move the next syllable to the second quarter note and offset
incorrectly the whole first verse.
AFAICT double underscore doesn't do what I need.
TIA,
Paul Scott
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because the pitches change from one beat to the next.
I can see from a consistency point of view that it would make sense to
put one half note in one 2/4 bar but it doesn't make musical sense in
the case of tremolos from anything I have ever seen.
HTH,
Paul Scott
have slurs or ties go from the measure before endings go
into both endings.
TIA,
Paul Scott
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What objects can I attach text like:
^#'((bold To B. Cl.))
to? In this case there are no notes to attach to.
What I want it above is R1*8 R1*3.
TIA,
Paul Scott
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Graham Percival wrote:
On Thu, 21 Nov 2002 15:36:20 -0700
Paul Scott [EMAIL PROTECTED] wrote:
What objects can I attach text like:
^#'((bold To B. Cl.))
to? In this case there are no notes to attach to.
What I want it above is R1*8 R1*3.
R1*8 s1^#blah blah R1*3
Ah! That reminder
Paul Scott wrote:
Graham Percival wrote:
On Thu, 21 Nov 2002 15:36:20 -0700
Paul Scott [EMAIL PROTECTED] wrote:
What objects can I attach text like:
^#'((bold To B. Cl.))
to? In this case there are no notes to attach to.
What I want it above is R1*8 R1*3.
R1*8 s1^#blah blah R1*3
Mats Bengtsson wrote:
In the latest development version, it is possible to typeset
both text and articulation marks centered over the multi-measure rest,
see
http://lilypond.org/development/Documentation/user/out-www/lilypond/Multi-measure-rests.html
Thanks. I run Debian and this reminded
\clef bass
\addlyrics
\bass
\context Lyrics { \basswords }
If this is not enough information I will provide more.
TIA,
Paul Scott
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about who else might be working
on this? I really don't want to build notation note-by-note
in OpenOffice Draw!
How about using GIMP to capture the images and create any efficient
image file you want to insert into your OpenOffice document?
Paul Scott
Ray Peck wrote:
How about using GIMP to capture the images and create any efficient
image file you want to insert into your OpenOffice document?
I'm using GIMP for some things, but I want to avoid using pixmaps
as much as possible, and I want to be able to edit the pasted-in
image
Paul Scott wrote:
Ray Peck wrote:
How about using GIMP to capture the images and create any efficient
image file you want to insert into your OpenOffice document?
Here is an OpenOffice Writer document doing what you described with a
JPEG which I believe is not proprietary
there
are multiple measure rests broken up by these unmusical divisions.
IMNSHO the bar numbers or letters should match the phrases and logical
musical subdivisions.
My three cents worth!
Paul Scott
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David Raleigh Arnold wrote:
On Fri, 13 Dec 2002 01:18:57 Paul Scott wrote:
Heikki Johannes Junes wrote:
Instead, what one typically wants is bar numbering at 1, 5, 9, 13, ...
Even more accurately, at 5, 9, 13, 17, ...
*If* it matches the phrases. I absolutely
will try a complete example.
TIA,
Paul Scott
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will try a complete example.
TIA,
Paul Scott
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Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
I'm not concerned about redundancy just understanding the structure.
I've been programming for over 35 years and I really appreciate the
concept of laziness - why do something the computer can be taught to do.
Agreed, but now I still
How does one create a caesura? Or is there another name used in the
documentation?
TIA,
Paul Scott
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Mats Bengtsson wrote:
Do you mean something like
http://lilypond.org/stable/Documentation/user/out-www/lilypond/Breath-marks.html
All I see there is a breath mark. A caesura is two parallel diagonal
lines (similar to repeat slashes but placed higher) indicating a short
noticeable pause in
a g a }
}
}
TIA,
Paul Scott
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to interscoreline under Vertical spacing.
Thanks again for all the great work.
Paul Scott
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Ferenc Wagner wrote:
Paul Scott [EMAIL PROTECTED] writes:
Can anyone tell me how to get the without using a second editor?
Any of the following may do what you want (got from
info emacs --i quote RET ,)
C-q
(local-unset-key \)
Thank you for the answer and how to find it.
Paul
that no one has needed this common (to me at least) musical
notation.
Thanks,
Paul
Paul Scott wrote:
Mats Bengtsson wrote:
Do you mean something like
http://lilypond.org/stable/Documentation/user/out-www/lilypond/Breath-marks.html
All I see there is a breath mark. A caesura is two parallel diagonal
Graham Percival wrote:
On Sat, 22 Feb 2003 01:05:41 -0700
Paul Scott [EMAIL PROTECTED] wrote:
Mats Bengtsson wrote:
2. This symbol needs to be in the staff. It usually cuts the top two
lines of the staff. I don't know enough about placing markup or other
marks anywhere I want them. This has
Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
Am Montag, 10. Februar 2003 09:39 schrieben Sie:
Does it make sense that the following example (using GNU LilyPond 1.6.6)
creates one set of notes and omits the double percent repeat but works
correctly when skipBars = ##f ?
It
Graham Percival wrote:
As for the caesura, I think the proper solution is to add the
character to the font, and use it with BreathMark (syntax: \breathe).
From what I gather, the symbol is not complicated, so it should be easy.
As long as it can intersect the top one or two lines of the staff.
Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
How about some diagrams showing the relationships between the various
dimensions and what they apply to?
Yes!
Please make some! :-)
I wish I knew enough about these to do that.
Seriously -- I've tried explaining this a lot of times: it
Graham Percival wrote:
On Fri, 14 Mar 2003 17:00:18 -0700
Paul Scott [EMAIL PROTECTED] wrote:
Han-Wen Nienhuys wrote:
How about some diagrams showing the relationships between the
various dimensions and what they apply to?
Please make some! :-)
I wish I knew enough about
is that it requires GUILE 1.6, so you will have to install
that by hand.
Guile 1.6 is packaged at Debian unstable. LilyPond 1.6.6-2 in Debian
unstable depends on Guile-1.6 (or Guile-1.4)
How far away is Lily 1.8 for Debian unstable?
Or were you only referring to Cygwin?
Paul Scott
Score.currentBarNumber = #RIGHT NO
to achieve some result.
My workaround that sometimes works is to place \break ans/or \noBreak
commands at experimental measures after the Multi-measure Rest until I
get what I want.
Paul Scott
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David Raleigh Arnold wrote:
On Monday 31 March 2003 05:32 am, Joerg Anders wrote:
Hi all!
Some users requested LilyPond export of segno, dal segno ... in
NoteEdit. I've problems to understand the system. (I never was
at music school) Maybe it is too easy ;-) Note! I have to
implement the
signature to alter the note. b -is b
natural and bes is b flat no mater what the key signature.
Paul Scott
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of the slashes in Daniel's example is shorter.
Are we both talking about the symbol that occurs at the end of bars 22
and 38?
Another issue I see is that apparently Caesura has another meaning of
which I was not aware. I'm not sure where in Lily doc's I saw it but it
has to do with early music.
Paul
solution works
for me.
Regards,
Paul Scott
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Graham Percival wrote:
I recommend that people use the keyboard shortcut for reply to all,
instead of using icons. Then you can simply remember hit g when replying
on a lilypond- mailing list (for example) and then type your message.
With Mozilla it's Ctrl-shift-R which I could memorize but
#scripts-trill \raise #0.8 {
\musicglyph #accidentals--1 } }
Cheers,
Alex.
HTH,
Paul Scott
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Mats Bengtsson wrote:
Notice that Lilypond considers the grace notes to have zero duration.
Did you mean for playback or in terms of print spacing? Is that related
to why there are problems with grace notes and bar lines, etc.?
Paul Scott
common and are essential for
printing music. A basic of my music studies.
Paul Scott
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With 1.7.20 if a first ending goes to the next line the ending number is
repeated. I have never seen this in printed music and I believe it
makes the music harder to read. For someone who often is in a sight
reading situation I find this an unnecessary distraction.
Thanks,
Paul Scott
\paper
With 1.7.20 the tab is not working in emacs here. The error message is
Symbol's function definition is void; Lilypond-beginning-of-containing-sexp
Any ideas or help?
TIA,
Paul Scott
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like maybe to repeat a phrase with another instrument.
Paul Scott
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unstable install lilypond
otherwise you will getting the version for stable or testing.
Paul Scott
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I get this error message when I use the tab key in lilypond-mode:
save-excursion: Symbol's function definition is void:
LilyPond-beginning-of-containing-sexp
Does anyone recognize this or can anyone tell me I can diagnose this?
TIA,
Paul Scott
to not have automatic
alignment in emacs for Lilypond. Does anyone recognize this or can
anyone tell me I can diagnose this?
TIA,
Paul Scott
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software long enough it doesn't
even occur to you that Lily would do it differently.
Paul Scott .
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is already the newest version.
lilypond-doc is already the newest version.
Paul Scott
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Pedro Kroger wrote:
Paul Scott ([EMAIL PROTECTED]) wrote:
I have 1.8.1 installed from unstable. Adding your line to my
sources.list with apt-get install lilypond lilypond-doc I get:
lilypond is already the newest version.
lilypond-doc is already the newest version.
Have you run apt
Pedro Kroger wrote:
how about apt-get install lilypond=1.9.5-1 ?
That's working.
Thanks,
Paul
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Paul Scott wrote:
Pedro Kroger wrote:
how about apt-get install lilypond=1.9.5-1 ?
When I run your version ly2dvi reports that I am running 1.7.20. When I
install from unstable it reports 1.8.1.
I have partially tracked this down. I have both:
-rwxr-xr-x1 root root25850
Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
I don't know whether this suggests a packaging problem or something
messed up on my system but I thought it would be good for you to know
about this.
ly2dvi doesn't exist in 1.9.5 - it's been renamed lilypond.
Does that suggest that
Pedro Kroger wrote:
* Han-Wen Nienhuys ([EMAIL PROTECTED]) wrote:
[EMAIL PROTECTED] writes:
Does that suggest that Pedro's deb's install an incorrect
lilypond-mode.el and startup?
yep. Fixed in CVS.
thanks for that, it will save me some time in the next build :-)
Scott,
Paul Scott wrote:
With 1.8.1 on Debian unstable when I place a cue part simultaneous
with 'r1' for the instrument resting the whole rest is placed at the
beginning of the measure.
Duh! That's what r1 does. R1 works much better. Please ignore this
thread.
Paul
typesetter available
anywhere.
I second that.
Paul Scott
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know there is now a Debian branch called experimental that
might be perfect for this?
1.9.6 didn't solve my emacs problem but there may be another reason.
More later.
Paul Scott
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unstable emacs works correctly.
Paul Scott
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Pedro Kroger wrote:
* Paul Scott ([EMAIL PROTECTED]) wrote:
Did you know there is now a Debian branch called experimental that
might be perfect for this?
No, I didn't. Where can I find info about it?
I saw it discussed on Debian User list. I have deleted most messages.
You could
Pedro Kroger wrote:
* Paul Scott ([EMAIL PROTECTED]) wrote:
GNU Emacs 21.3.1 (i386-pc-linux-gnu, X toolkit) of 2003-09-13 on raven,
modified by Debian
I discovered what is wrong. Actually it's kind of my fault :( There is
a python script now that generates the lilypond.words file
of attaching text to multi-measure rests now?
Is there a better way?
The answer should be R1*2^\markup{ Allegro } but the markup hides the
measure count. I am waiting for a comment on that problem.
Paul Scott
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Han-Wen Nienhuys wrote:
Added this to the doco:
If you want to have a text on the left end of a multi-measure rest,
attach the text to a zero-length skip note, i.e.
@example
s1*0^Allegro
R1*4
@end example
This makes the multimeasure excessively wide and actually steals space
from a
Paul Scott wrote:
(Lily 1.8.1 on Debian unstable)
This makes the multimeasure excessively wide and actually steals space
from a following MM rest.
Paul
\score {
\property Score.skipBars = ##t
\context Staff
Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
This makes the multimeasure excessively wide and actually steals space
from a following MM rest.
Ah, that seems to be a bug. I fixed it partially in 2.0 CVS.
For the moment, you might want to put the allegro atop the 72 \mark.
Excellent!
lilypond-mode with Pedro's deb's?
Thanks,
Paul Scott
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Pedro Kroger wrote:
* Paul Scott ([EMAIL PROTECTED]) wrote:
Any changes in the emacs code after my last feedback?
Is anyone else having problems using emacs lilypond-mode with
Pedro's deb's?
I think/hope it's working. At least is in my system. Could you,
please, give a try?
Well
Paul Scott wrote:
Pedro Kroger wrote:
* Paul Scott ([EMAIL PROTECTED]) wrote:
Any changes in the emacs code after my last feedback?
Is anyone else having problems using emacs lilypond-mode with
Pedro's deb's?
I think/hope it's working. At least is in my system. Could you,
please, give
Pedro Kroger wrote:
Could you send your .ly file? I am running out if ideas of what it
could be, except the fact that maybe you have lilypond in two
different places.
I wouldn't be surprised since I have built several versions of DEB's
from CVS myself. I looked because of this error but I may
Pedro Kroger wrote:
Could you send your .ly file?
I tried the purge and even this fails the same way:
\score {
\property Score.skipBars = ##t
\context Staff = clarinet { \notes R1*2^\markup{ Allegro } R1*2 }
\paper { }
}
I'm going to try Ferenc Wagner's woody packages.
This worked in 1.8.1 but not in 2.0.0. If this is not enough
information I will include a complete failing ly file. I thought this
might be enough information.
TIA,
Paul Scott
:
\score {
\context StaffGroup
\globalcastello
\property Score.skipBars = ##t
\context
Paul Scott wrote:
Should convert-ly convert .. to .. when necessary? I just
tried one example and it didn't.
1.8.1 to 2.0.0 Debian unstable with Ferenc Wagner's woody deb's.
A larger example worked fine.
Paul
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Graham Percival wrote:
\paper {
linewidth = 6.\cm
\translator { \RemoveEmptyStaffContext }
Thanks much,
Paul
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shortly, but it does not cause me great grief at the
moment!
I didn't realize my last post on this hadn't been sent to the list. I
don't think the spacing problem is fixed in 2.0.0.
Paul Scott
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Is there any progress on the space taken up by grace notes and extra
barlines generated by their presence? Or am I doing something silly here?
Thanks,
Paul Scott
global = { \time 2/4 \skip 2 \bar || \skip 2*2 \bar |. }
parti = \notes {
\key c \major a2 \key f \major
\grace{ c'16( [ d
.
Then that (those) line(s) is(are) removed. \mark's are the only thing
left but no rests.
Thanks,
Paul
Paul Scott wrote:
Would it not be fairly easy to create a variation of
\RemoveEmptyStaffContext so that lines consisting only of rests would
be reduced at least to one line of multimeasure
David Raleigh Arnold wrote:
On Saturday 04 October 2003 03:13 am, Paul Scott wrote:
currently use 'piece = ...' to get section or movement names but I
would like them centered instead of on the left. Is there a way to
get a centered section or movement titles for an
orchestral/instrumental part
Paul Scott wrote:
piece = \\center Title
With this one \\center is ignored.
piece = {\\center{Title}}
This one and variations all produce parsing errors from lilypond.
Lilypond 2.0.0
Paul
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Graham Percival wrote:
On Sat, 04 Oct 2003 11:36:15 -0700
Paul Scott [EMAIL PROTECTED] wrote:
ow can I either raise \mark or move bar numbers so they don't conflict
as they do when they are left alone and the rehearsal mark falls at the
beginning of the line?
\translator{ \ScoreContext
Mats Bengtsson wrote:
Why are rehearsal marks placed to the left of the clef symbol? I
don't see this in other printed music or in Finale's output. Placing
rehearsal marks to the right of the clef symbol would solve one of my
problems and make it look like other printed music.
Maybe, this
Paul Scott wrote:
Pedro Kroger wrote:
Debian Sid packages (binary and sources) of Lilypond 2.0.1 are
available from my website:
http://www.pedrokroeger.net/lilypond/
They're also apt-gettable adding the following line to sources.list:
Hi Pedro,
I've been using Feri's 2.0.0 for woody quite
Bernard Meylan wrote:
What is the steps to do, to can use Emacs for the Lilypond code (I use
XEmacs21).
What platform? With Debian GNU/Linux just install the LilyPond package
and open a .ly file.
Paul Scott
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to the new
\markup Attached is a version of your file with most of the remaining
errors converted to \markup. I left you two things to correct.
HTH,
Paul Scott
#(ly:set-option 'old-relative)
#(set! point-and-click line-location)
\version 1.9.8
\header{
title = Study in Tango
subtitle
composers do about these structure and efficiency situations? Am I
missing some basic LilyPond techniques?
No criticism intended here just possible ideas. I think Lily is great!
Thanks,
Paul Scott
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Ferenc Wagner wrote:
Available at
deb http://afavant.elte.hu/~wferi/debian woody main
Thank you so much. It looks like the multimeasure rest spacing is
either fixed or drastically improved. I will gladly have to retune a
part for a rehearsal tomorrow.
Thanks, Han-Wen, Jan and Feri!
Paul
and not to be published. I'm glad to
know that opus also works.
I know I also need to use lilybook but haven't taken the time yet.
Maybe your example will help.
Thanks,
Paul Scott
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= clarinet { \glissup }
}
TIA,
Paul Scott
glissup = \notes {
\time 2/2
{ bes'2 s2 }
{ \once \property Voice.Stem \set #'transparent = ##t
\once \property Voice.NoteHead \set #'transparent = ##t
bes2\glissando ges'4-^ r4 }
}
\score {
\property
suppose I could have a second voice with some hidden/skipped notes
and attach the dynamics to that, but if there's an easier way, I'd
like to know about it.
I think that's it right now. Something like:
{ a1 } { s2..\ s8\! }
You just have to adjust the s values to get what you need.
Paul Scott
Paul Scott wrote:
1. The key change seems to be the problem here. Something about it
makes the spacing for that last quarter note bad. Simply removing the
key change and tweaking as in 2. solves the over the bar line
problem. The spacing of the quarter note is still not as good as it
could
the final answer. I guess you are looking for
something more recent.
Paul Scott
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3)
Can someone help me finish the syntax?
TIA,
Paul Scott
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Aaron wrote:
maybe Mats answered I think or Frenec
But I remember posting a thank you.
When I searched google I only found old stuff.
Me too.
I remember it was something simple...
Do you have anything in your sent folder which could maybe be reanswered?
Can you make a better guess about the
Nicolas Sceaux wrote:
Sun, 30 Nov 2003 11:24:53 -0700, Paul a dit :
I am trying to solve the same problem. I have gotten this far:
#(define textPad( lambda( pad ) \property Score.TextScript \override
#'padding = pad ))
with several guessed variations of
(textPad 3)
Thank you very
just tried it again in 2.1.0 and it
does nothing.
Paul Scott
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