I really like it as an abstract play with lines, forms and texture,
Bulent. And kudos to you for going hardcore with the 67 and film!
On Tue, Nov 10, 2015 at 10:29 AM, Bulent Celasun
wrote:
> I may call it a figurative abstract, to make it still more confusing!
>
>
Hi Boris!
I like that shot - lots going on
so did the guy trip on the chair?
ann
On 11/8/2015 2:10 PM, Boris Liberman wrote:
Hi!
After very long hiatus, I am back posting to my photo blog. Please,
have a look:
http://pentax-ways.blogspot.co.il/2015/11/2015-03-etude.html
Also, I posted a
Like it - great light
ann
On 11/8/2015 11:34 AM, knarf wrote:
Based on a suggested crop sent to me off-list. I accidentally deleted the
original post. But here's a fresh post :
http://knarfinthecity.blogspot.ca/2015/11/waiting_99.html?m=0
Hope you enjoy. Comments welcome.
Cheers,
frank
I call it Godfrey inspired :-)
I like it
ann
On 11/10/2015 10:29 AM, Bulent Celasun wrote:
I may call it a figurative abstract, to make it still more confusing!
Anyway, consider it untitled, if you like!
Pentax 67, 165mm f/2.8 (at f/8), Fomapan ISO 100 film (on tripod).
Bulent,
It looks like you are having lots of fun!
Judging from your self-portrait, I'd say
"you've been thinking outside the box".
:-)
And don't listen to your enemies: you are not square!
;-)
Cheers!
Igor
On Tue, Nov 10, 2015 at 10:29 AM, Bulent Celasun wrote:
I may call it a
Thank you, Paul.
It certainly wasn't my intention to force it into view, and the
subject was fairly naturally deshabille in that posture. I'm mulling
over your observation and considering what it means to my composition,
framing, etc. Maybe if there was a bit more space around?
I appreciate your
Thank you, Dan. She's also a very down to earth gal, and was a joy to work with.
On Mon, Nov 9, 2015 at 9:30 PM, Daniel J. Matyola wrote:
> Very nice, Bruce. She is a fine model indeed.
>
> Dan Matyola
> http://www.pentaxphotogallery.com/danieljmatyola
>
>
> On Mon, Nov 9,
> On Nov 9, 2015, at 8:08 AM, Eric Weir wrote:
>
> I am uncertain at this point which of the folders in LR points to the actual
> files, i.e., the files on the reformatted and renamed drive from which they
> were imported. There are indications in favor of both.
>
>
I may call it a figurative abstract, to make it still more confusing!
Anyway, consider it untitled, if you like!
Pentax 67, 165mm f/2.8 (at f/8), Fomapan ISO 100 film (on tripod).
http://photo.net/photodb/photo?photo_id=18125484
Comments appreciated.
Bulent
I don't use ad blocker software as such, but I do have a hosts file that
redirects the likes of ad.doubleclick.net to 127.0.0.1 (aka perdition).
That along with NoScript have kept me insulated from worst of the
advertising abuses on the "free" internet without creating an undue
burden on my
Nah - I disagree with Frank (oddly) - ruins the aspect ratio for meand
that womanm is so interesting I wouldn't
want her so far off to the left
a
On 11/8/2015 4:20 PM, knarf wrote:
Welcome back! (yes, I owe you an email).
I think this is a wonderful photo, a vibrant street (sidewalk?)
I'll have to google coxswain
No idea what is going on here, butthe geometry is nice
ann
On 11/10/2015 12:28 AM, Daniel J. Matyola wrote:
A Coxswain at the Gardner Cup Regatta at Dartmouth College:
http://photo.net/photodb/photo?photo_id=18125332=lg
K-5 II S, DA 18-135 zoom
Comments are
Really wonderful gallery! Can't pick faves, they all stand out ...
Because I didn't submit with the form(I changed my mind about what to
submit and Brian let meemail) I will tell you that the
photo was taken almost to the day, a year before Katrina hit N O. with
my LX and fuji film.
The
Has a very Norman Rockwell feel to it.
On 11/8/2015 11:34 AM, knarf wrote:
Based on a suggested crop sent to me off-list. I accidentally deleted the
original post. But here's a fresh post :
http://knarfinthecity.blogspot.ca/2015/11/waiting_99.html?m=0
Hope you enjoy. Comments welcome.
That could be a fashion mag shot -
Not my sort of thing, but so nicely done
(I hate fashion)
ann
On 11/7/2015 3:51 PM, Bruce Walker wrote:
A noir-ish shot for the b fans ...
https://www.flickr.com/photos/bruce_m_walker/22824553196/lightbox/
645Z, DFA645 90mm/2.8, f:11, 1/125th sec, 100 ISO
Wonderful tonality and texture, too!
On Sun, Nov 8, 2015 at 1:10 PM, Boris Liberman wrote:
> Hi!
>
> After very long hiatus, I am back posting to my photo blog. Please, have a
> look:
>
> http://pentax-ways.blogspot.co.il/2015/11/2015-03-etude.html
>
> Also, I posted a short
On 11/8/2015 5:25 PM, Bob W-PDML wrote:
I went with some friends to the Lee Miller exhibition at the Imperial War
Museum today - it's a superb exhibition and I recommend it very highly.
I took my Fuji X20 with me because one of my friends has one on my recommendation
but couldn't figure out
me too
ann
On 11/7/2015 4:05 AM, Larry Colen wrote:
This gave me a chuckle
https://www.flickr.com/photos/ellarsee/22817939306/in/album-72157660557640441/
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On Tue, Nov 10, 2015 at 5:18 AM, Steve Cottrell wrote:
> On 9/11/15, Bruce Walker, discombobulated, unleashed:
>
>>Kristina Jovanovic has been pigeonholed as a glamour/swimsuit model
>>because she's as curvy as a mountain road. I booked her for a shoot
>>and to her surprise
Thanks, Frank!
On Mon, Nov 9, 2015 at 10:13 PM, knarf wrote:
> Stunning!
>
> Cheers,
>
> frank
>
> On November 9, 2015 7:55:37 PM EST, Bruce Walker
> wrote:
>>Kristina Jovanovic has been pigeonholed as a glamour/swimsuit model
>>because she's
Ann,
Thank you :)
I am one of his fans, actually!
Bulent
-
http://patoloji.gen.tr
http://celasun.wordpress.com/
http://www.flickr.com/photos/bc_the_path/
http://photo.net/photodb/user?user_id=2226822
http://www.alpert.com/marco/photo15/peso24.html
Comments, as always, welcomed.
-Marco
---
http://www.alpert.com/marco
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The coxswain is the one who keeps the oarsmen in time and steers racing
shell. (There hope that helps).
On 11/10/2015 11:43 AM, ann sanfedele wrote:
I'll have to google coxswain
No idea what is going on here, butthe geometry is nice
ann
On 11/10/2015 12:28 AM, Daniel J. Matyola wrote:
A
Bruce,
Thank you for your comment.
This view has intrigued me for quite some time.
I had tried to photograph it before, more than once.
The results were unappealing for some reason.
This time, the scene was singing!
And the image just worked!
The 67 simply rocks... every time!
Bulent
Collin B wrote:
> Somehow my submission got lost. Probably in the server pre-failure
> stages.
> Things happen. No big deal. This *would have been* my submission.
> K5, F50/1.7
>
> https://www.flickr.com/photos/55001392@N08/22912036302/in/album-
> 721576587219
> 11284/
Glad we got to see it
Almost all the submissions are good in one aspect or another.
How very nice!
My favorite:
Criterium by Mark Roberts
Runners up:
Misty Morning Ride by Malcolm Smith
Baa-cycle by Brian Walters
Thumbs Up by Frank Theriault
Bulent
Somehow my submission got lost. Probably in the server pre-failure stages.
Things happen. No big deal. This *would have been* my submission.
K5, F50/1.7
https://www.flickr.com/photos/55001392@N08/22912036302/in/album-721576587219
11284/
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Igor,
Many thanks for your comment.
>"...thinking outside the box"
Wow! Looks like a better title!
Cheers :)
Bulent
-
http://patoloji.gen.tr
http://celasun.wordpress.com/
http://www.flickr.com/photos/bc_the_path/
I like the geometry of the shadows, and I like the 'Rear Window' idea of
people's lives going on independently and publicly, so I would love to see this
as 2 separate photos rather than one.
B
> On 10 Nov 2015, at 18:41, Marco Alpert wrote:
>
>
I REALLY like this one. Great pose, strong concept, interesting and
compelling composition. I usually dislike purple hair, but it works
well here and is quite attractive, and the tattoos also add interest.
The camera is also elegant and well positioned, and the way she is
gazing down at it
Molly Fassbender has a fascination with self-portraits, so I brought
my little collection of vintage cameras along to our shoot last
Thursday.
https://www.flickr.com/photos/bruce_m_walker/22923705145/lightbox/
645Z, DFA645 90mm f:2.8 Macro, f:11, 1/125th sec, 100 ISO, handheld.
One light: Buff
On 11/10/2015 2:22 PM, Toralf Lund wrote:
I particularly like Bill's photo, because it's "less obvious", to put it
that way.
Thank you.
There are little scenes like that dotting the landscape where I live.
There are literally tens of thousands of old vehicles sitting in the
middle of
Thanks, Ann!
Fashion isn't really my thing either, but the visual aesthetic that it
has is. When a body is stylishly draped, my primitive shutter brain
lights up like a pinball machine. _This_ model inspired me like
crazy.
On Tue, Nov 10, 2015 at 11:31 AM, ann sanfedele
On 10/11/15, Marco Alpert, discombobulated, unleashed:
>http://www.alpert.com/marco/photo15/peso24.html
>
>Comments, as always, welcomed.
That's very good!
--
Cheers,
Cotty
___/\__Broadcast, Corporate,
|| (O) |Web Video Production
--
_
> On Nov 10, 2015, at 7:26 AM, Eric Weir wrote:
>
>> On Nov 9, 2015, at 8:08 AM, Eric Weir wrote:
>>
>> I am uncertain at this point which of the folders in LR points to the actual
>> files, i.e., the files on the reformatted and renamed drive from
Very nice...glad to get a chance to see it
-p
On 11/10/2015 12:49 PM, Collin B wrote:
Somehow my submission got lost. Probably in the server pre-failure stages.
Things happen. No big deal. This *would have been* my submission.
K5, F50/1.7
Thanks, Godfrey!
m
On Nov 10, 2015, at 11:45 AM, Godfrey DiGiorgi wrote:
> Like this one a lot. It lead me on a pleasant detail hunt looking for all the
> details across the balconies.
> Great work!
>
> G
>
>
>> On Nov 10, 2015, at 10:40 AM, Marco Alpert
On 08/11/15 22:35, Brian Walters wrote:
'morning all.
As expected, quite a few cycles this month (both pedal & motor). Mark's
dramatic 'Criterium' is my pick but I also like Dave's 'The Attack',
Frank's 'Thumbs Up' and Pat's 'High Flyer'.
Good to see Subash back, too.
There's lots to enjoy
Better late than never!
Thanks for posting it anyway. I also like the image.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola
On Tue, Nov 10, 2015 at 1:49 PM, Collin B wrote:
> Somehow my submission got lost. Probably in the server pre-failure stages.
>
Marco Alpert wrote:
http://www.alpert.com/marco/photo15/peso24.html
Comments, as always, welcomed.
I love the composition, the interplay of light and shadow, and the
combination of people and abstract shapes.
I can't help but think that there might be a better way of processing
the
Like this one a lot. It lead me on a pleasant detail hunt looking for all the
details across the balconies.
Great work!
G
> On Nov 10, 2015, at 10:40 AM, Marco Alpert ma...@alpert.com [baphotoshooters]
> wrote:
>
>
Godfrey DiGiorgi wrote:
>> On Nov 10, 2015, at 10:40 AM, Marco Alpert ma...@alpert.com
>> [baphotoshooters] wrote:
>>
>> http://www.alpert.com/marco/photo15/peso24.html
>>
>Like this one a lot. It lead me on a pleasant detail hunt looking for all the
>details
On 11/10/2015 3:53 PM, Bill wrote:
On 11/10/2015 2:22 PM, Toralf Lund wrote:
I particularly like Bill's photo, because it's "less obvious", to put it
that way.
Thank you.
There are little scenes like that dotting the landscape where I live.
There are literally tens of thousands of old
Bruce,
That's a nice shot... This point of view creates some suspense:
The the way she is positioned, what she is looking at...
Being pictured against the white cold-looking floor (table?) creates the
contrast with how hot she looks. The extended black bellows just
sprung into the action
Cotty and I are SNAGs. We're like kindred spirits.
When we were at GFM well nigh a decade ago we co-chaired men's sensitivity
sessions and held several all-night vigils featuring lots of wailing and
beating of drums.
Either that or we drank our faces off. It's all a bit hazy right now...
Somehow Collin's submission got lost in cyberspace so the PUG has now
been updated to include it.
http://pug.komkon.org/index.html
Cheers
Brian
++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/
--
--
--
http://www.fastmail.com
I really appreciate that, Dan. Thank you!
On Tue, Nov 10, 2015 at 4:10 PM, Daniel J. Matyola wrote:
> I REALLY like this one. Great pose, strong concept, interesting and
> compelling composition. I usually dislike purple hair, but it works
> well here and is quite
On 9/11/15, Bruce Walker, discombobulated, unleashed:
>Kristina Jovanovic has been pigeonholed as a glamour/swimsuit model
>because she's as curvy as a mountain road. I booked her for a shoot
>and to her surprise and delight I said I wanted to do some black and
>white figure studies. When she
Damn you.
Cheers,
frank
On November 10, 2015 1:40:11 PM EST, Marco Alpert wrote:
>http://www.alpert.com/marco/photo15/peso24.html
>
>Comments, as always, welcomed.
>
>-Marco
>
>---
>http://www.alpert.com/marco
--
"Sharpness is a bourgeois concept." -- Henri
A Hyatt Regency someplace. I like it.
Rick
On Nov 10, 2015, at 1:40 PM, Marco Alpert wrote:
> http://www.alpert.com/marco/photo15/peso24.html
>
> Comments, as always, welcomed.
>
> -Marco
>
> ---
> http://www.alpert.com/marco
>
> --
> PDML Pentax-Discuss Mail List
>
Those rich earthtone colours against the cooler background make this
shot for me, Frank. Love nature shots like this.
On Tue, Nov 10, 2015 at 8:48 PM, frank theriault
wrote:
> I know, it's a moribund plant, and the hooked spikes aren't there to
> hurt anyone, they're
I love the way you put that. :) Thank you very, very much, Igor!
On Tue, Nov 10, 2015 at 7:14 PM, Igor PDML-StR wrote:
>
> Bruce,
>
> That's a nice shot... This point of view creates some suspense:
> The the way she is positioned, what she is looking at...
> Being pictured
I know, it's a moribund plant, and the hooked spikes aren't there to
hurt anyone, they're there to become inextricably entwined with our
sweaters and other woollies, so we spread the seeds.
Looks evil to me though, especially with the webs and dead insects:
It's no big deal to add that image to the PUG - now done.
http://pug.komkon.org/15nov/slides/CB-2wheels.html
Not sure what happened to the original submission.
Cheers
Brian
++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/
On
Nice snack for an omnivore!
Alan C
-Original Message-
From: frank theriault
Sent: Wednesday, November 11, 2015 3:48 AM
To: Pentax-Discuss Mail List
Subject: PESO - Diabolique
I know, it's a moribund plant, and the hooked spikes aren't there to
hurt anyone, they're there to become
Thanks, Bob. But pardon my denseness, how exactly would you like to see it as
two photos?
- Marco
On Nov 10, 2015, at 11:48 AM, Bob W-PDML wrote:
> I like the geometry of the shadows, and I like the 'Rear Window' idea of
> people's lives going on independently and
Thanks, Cotty!
- Marco
On Nov 10, 2015, at 12:49 PM, Steve Cottrell wrote:
> On 10/11/15, Marco Alpert, discombobulated, unleashed:
>
>> http://www.alpert.com/marco/photo15/peso24.html
>>
>> Comments, as always, welcomed.
>
> That's very good!
>
> --
>
>
> Cheers,
>
Thanks, Mark. Much apprecitaed.
- Marco
On Nov 10, 2015, at 3:06 PM, Mark Roberts wrote:
> Godfrey DiGiorgi wrote:
>
>>> On Nov 10, 2015, at 10:40 AM, Marco Alpert ma...@alpert.com
>>> [baphotoshooters] wrote:
>>>
>>>
Thanks, Larry. That was specifically one of the challenges of the shot. It went
through quite a few iterations to arrive at this one.
- Marco
On Nov 10, 2015, at 1:19 PM, Larry Colen wrote:
>
>
> Marco Alpert wrote:
>> http://www.alpert.com/marco/photo15/peso24.html
>>
Thanks, Rick. (Outside Chicago.)
- Marco
On Nov 10, 2015, at 5:53 PM, Rick Womer wrote:
> A Hyatt Regency someplace. I like it.
>
> Rick
>
> On Nov 10, 2015, at 1:40 PM, Marco Alpert wrote:
>
>> http://www.alpert.com/marco/photo15/peso24.html
>>
>> Comments, as
Thanks, Frank. I’ll take that in the most positive of possible interpretations.
- Marco
On Nov 10, 2015, at 6:29 PM, knarf wrote:
> Damn you.
>
> Cheers,
>
> frank
>
> On November 10, 2015 1:40:11 PM EST, Marco Alpert wrote:
>>
http://photo.net/photodb/photo?photo_id=18125904=lg
K-5 II S, FA 18-135 zoom
Comments are invited.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola
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On Tue, Nov 10, 2015 at 11:43 AM, ann sanfedele wrote:
> No idea what is going on here, butthe geometry is nice
Thanks, Ann.
This is at a regatta -- a rowing race. Each shell (boat( has eight
rowers, plus a coxswain, who sits in the rear of the shell, steers the
boat and
Great geometry and light ...
Marco - where is that? It reminds me of a hotel I once stayed in ..all
the entrances to rooms are going arond the edges of a rectangle and face
inwardwith an atrium in the middle - .
ann
On 11/11/2015 12:11 AM, Marco Alpert wrote:
Thanks, Frank. I’ll take that
Thanks, Frank.
"All photographs are self portraits"!
Bulent
-
http://patoloji.gen.tr
http://celasun.wordpress.com/
http://www.flickr.com/photos/bc_the_path/
http://photo.net/photodb/user?user_id=2226822
“Physiologists, in fact, have calculated that rowing a
two-thousand-meter race—the Olympic standard—takes the same
physiological toll as playing two basketball games back-to-back. And
it exacts that toll in about six minutes.”
― Daniel James Brown, The Boys in the Boat: Nine Americans and Their
Thanks, Frank.
Yes, rowing has changed a LOT since I rowed on the Dartmouth Lights 50
years ago.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola
On Tue, Nov 10, 2015 at 10:29 PM, knarf wrote:
> He is cool. So is the shot.
>
> Rowing has clearly changed
It’s the Westin Chicago Northwest in Itasca. And yes, all four inner sides are
like that, with one broken by an exposed elevator.
- Marco
On Nov 10, 2015, at 9:25 PM, ann sanfedele wrote:
> Great geometry and light ...
>
> Marco - where is that? It reminds me of a hotel I
“Rowing is perhaps the toughest of sports. Once the race starts, there
are no time-outs, no substitutions. It calls upon the limits of human
endurance. The coach must therefore impart the secrets of the special
kind of endurance that comes from mind, heart, and body. —George
Yeoman Pocock”
―
I would like one photo to show the shadows without the people, and another to
show the people without the shadows. In one photo they divide my attention.
B
> On 11 Nov 2015, at 05:08, Marco Alpert wrote:
>
> Thanks, Bob. But pardon my denseness, how exactly would you like to
Ah... Got it. Thanks.
m
On Nov 10, 2015, at 9:43 PM, Bob W-PDML wrote:
> I would like one photo to show the shadows without the people, and another to
> show the people without the shadows. In one photo they divide my attention.
>
> B
>
>> On 11 Nov 2015, at 05:08,
On Tue, Nov 10, 2015 at 5:18 AM, Steve Cottrell wrote:
> How about some males to balance the books!
Not needed. Continue on the present course.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola
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Last week found me in Salt Lake City for five days of meetings. It's not an
easy place to shoot, because the gorgeous scenery is obscured by modern
clap-trap. I also had very little time.
I managed to squeeze in a little photography, though:
http://photo.net/photodb/photo?photo_id=18125865
Like.
Cheers,
frank
On November 10, 2015 7:33:36 PM EST, Bruce Walker
wrote:
>I love the way you put that. :) Thank you very, very much, Igor!
>
>On Tue, Nov 10, 2015 at 7:14 PM, Igor PDML-StR
>wrote:
>>
>> Bruce,
>>
>> That's a nice shot... This
I don't get the title. Unless there's a mirror behind that white door...
Cool geometry and composition.
Cheers,
frank
On November 10, 2015 10:29:54 AM EST, Bulent Celasun
wrote:
>I may call it a figurative abstract, to make it still more confusing!
>
>Anyway,
Creative and very unique flower garden.
Tough shooting, well handled, Rick!
J
- Original Message -
From: "Rick Womer"
To: "Pentax-Discuss Mail List"
Sent: Tuesday, November 10, 2015 6:57:21 PM
Subject: PESO - Sinuous Garden
Last week found me in
He is cool. So is the shot.
Rowing has clearly changed with the times.
:-)
Cheers,
frank
On November 10, 2015 12:28:26 AM EST, "Daniel J. Matyola"
wrote:
>A Coxswain at the Gardner Cup Regatta at Dartmouth College:
>
Looks pretty evil to me.
Nice shot!
- Marco
On Nov 10, 2015, at 5:48 PM, frank theriault wrote:
> I know, it's a moribund plant, and the hooked spikes aren't there to
> hurt anyone, they're there to become inextricably entwined with our
> sweaters and other woollies,
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