[Tex-music] Fwd: >10000 downloads

2022-01-25 Thread Dieter

Don't bother, I found the download number.

-- Dieter



 Weitergeleitete Nachricht 
Betreff:Re: [Tex-music] >1 downloads
Datum:  Tue, 25 Jan 2022 09:46:03 +0100
Von:    Dieter 
An: tex-music@tug.org



How do I find this counter?

--Dieter Gloetzel

Am 24.01.2022 um 20:13 schrieb dsim...@roadrunner.com:


Congrats. Bob, but we’re talking about Purcell vs. Pasquini 

*From:* TeX-Music 
*On Behalf Of *Bob Tennent
*Sent:* Monday, January 24, 2022 10:56 AM
*To:* Werner Icking Music Archive 
*Subject:* Re: [Tex-music] >1 downloads

Only 1?  :+)

https://imslp.org/wiki/Oedipus,_Z.583_(Purcell,_Henry)#Musick_for_a_While_2

On Mon, Jan 24, 2022 at 11:25 AM  wrote:

Since I recently learned about the number-of-downloads counter in
IMSLP, I checked through some of my own contributions to the
archive. The biggest number I found was 10213, for Pasquini’s
Follia variations for solo harpsichord!

https://imslp.org/wiki/Partite_diversi_di_follia_(Pasquini%2C_Bernardo)

--Don Simons

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Re: [Tex-music] >10000 downloads

2022-01-25 Thread Dieter

How do I find this counter?

--Dieter Gloetzel

Am 24.01.2022 um 20:13 schrieb dsim...@roadrunner.com:


Congrats. Bob, but we’re talking about Purcell vs. Pasquini 

*From:* TeX-Music 
*On Behalf Of *Bob Tennent
*Sent:* Monday, January 24, 2022 10:56 AM
*To:* Werner Icking Music Archive 
*Subject:* Re: [Tex-music] >1 downloads

Only 1?  :+)

https://imslp.org/wiki/Oedipus,_Z.583_(Purcell,_Henry)#Musick_for_a_While_2

On Mon, Jan 24, 2022 at 11:25 AM  wrote:

Since I recently learned about the number-of-downloads counter in
IMSLP, I checked through some of my own contributions to the
archive. The biggest number I found was 10213, for Pasquini’s
Follia variations for solo harpsichord!

https://imslp.org/wiki/Partite_diversi_di_follia_(Pasquini%2C_Bernardo)

--Don Simons

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[Tex-music] accent on a whole note

2020-12-13 Thread Dieter

Don--

PMX documentation tells us, that the position of an accent depends on 
the stem direction.


How could I put the accent below the whole note?

--Dieter

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Re: [Tex-music] PMX grace note problem

2020-12-13 Thread Dieter

Don--,

it's great, when you find some time for improvements. From the point of
view of the testsuite, I would be most interested in dealing with the
quarter grace notes in the 3rd bar. Concerning stem length of sixteenth
notes and slurs I find Liliyponds dimensions nicer.

--Dieter



Am 05.12.2020 um 17:58 schrieb dsim...@roadrunner.com:


Dieter—

Speaking of more relevant problems, I noticed one in this example: It
seems that PMX cannot do the after-grace on the last note of bar 2.
But that could be even more tricky to fix.

I also thought it would be interesting to directly compare the layout
PMX produces vs the one from Lilypond.

Lilypond, then PMX at 16 pt:

Several things I notice:

 1. On the double-beamed graces, PMX’s stem could be shorter. I’ve
noticed all along that the MusiXTeX default stem length on
multiply beamed notes is longer than I would prefer. I think it
just builds outward from the single-beam height. For non-grace
notes you can change the beam height case-by-case, but I doubt
it’s currently possible with graces in PMX.
 2. PMX has a noticeably wider blank space at the end of each bar.
 3. PMX’s grace note bodies are all a bit closer to the main note than
Lilypond’s. But on single graces, Lilypond’s flag drops lower than
MusixTeX’s.
 4. PMX’s slurs end before crossing the main stem; Lilypond’s cross it.

I’m open to comments and possible code revisions on any of this.

--Don

*From:* TeX-Music 
*On Behalf Of *Dieter
*Sent:* Saturday, December 5, 2020 2:25 AM
*To:* tex-music@tug.org
*Subject:* Re: [Tex-music] PMX grace note problem

Hi Don--

Of course you are perfectly right, not spending days on this problem,
just in order to satisfy the testsuite.

I might encounter other problems in the testsuite, which are more
relevant.

--Dieter

Am 05.12.2020 um 02:28 schrieb dsim...@roadrunner.com
<mailto:dsim...@roadrunner.com>:

In light of my recent problems posting to ICK, I’m curious to see
if this goes through.

The only PMX problem here occurs with a 2-note, unbeamed grace.
It’s true that PMX chokes on this, and its also true that with
some effort I could modify the code to make it work. But really??
Is there any composer in the history of the world who has ever
called for multiple unbeamed grace notes on a single note??

--Don

*From:* TeX-Music

<mailto:tex-music-bounces+dsimons=roadrunner@tug.org> *On
    Behalf Of *Dieter
*Sent:* Friday, December 4, 2020 8:00 AM
*To:* Werner Icking Music Archive 
<mailto:tex-music@tug.org>
*Subject:* [Tex-music] PMX grace note problem

I am checking XML2PMX with the the inofficial testsuite for
MusicXML of Lilypond.

This is one of the tasks.

XML2PMX does not yet solve the problem. And when I try to model it
directly in PMX:

==

---
%\input musixlyr
%\special{papersize=297mm,420mm}%
---
%|
%

%http://www.musicxml.org/dtds/partwise.dtd;
<http://www.musicxml.org/dtds/partwise.dtd>>
%
%
%
%
%Part P1 :
%
%
% nv, -noinst, nostaves per instrument
 1 -1 1
% mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig
 4 4 0 6 0 0
%
% npages,nsyst,musicsize,fracindent
 0 5 16 0.07

t
./
Tt

Tc

Abepl
%%w277m
%%h390m

% ( 1| 1| 1) 1
 G1m2d5 c45 G2m2e5 d5 c45 G1m2d5 c45 G1m1d5 c45 /
% ( 1| 1| 1) 2
 G1m2sxd5 c45 G2m2e5 d5 c25 [ G1m2sxd5  c85 G1m2sxd5 c85 ] /
% ( 1| 1| 1) 3
 G1m2e5 c45 zf4 G1m0d5s c45 G2m0d5f a4f c45 c45 /
===

    I run into

Regards, Dieter

P.S. the first two lines come out properly.



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Re: [Tex-music] PMX grace note problem

2020-12-05 Thread Dieter

Hi Don--

Of course you are perfectly right, not spending days on this problem,
just in order to satisfy the testsuite.

I might encounter other problems in the testsuite, which are more relevant.

--Dieter


Am 05.12.2020 um 02:28 schrieb dsim...@roadrunner.com:


In light of my recent problems posting to ICK, I’m curious to see if
this goes through.

The only PMX problem here occurs with a 2-note, unbeamed grace. It’s
true that PMX chokes on this, and its also true that with some effort
I could modify the code to make it work. But really?? Is there any
composer in the history of the world who has ever called for multiple
unbeamed grace notes on a single note??

--Don

*From:* TeX-Music 
*On Behalf Of *Dieter
*Sent:* Friday, December 4, 2020 8:00 AM
*To:* Werner Icking Music Archive 
*Subject:* [Tex-music] PMX grace note problem

I am checking XML2PMX with the the inofficial testsuite for MusicXML
of Lilypond.

This is one of the tasks.

XML2PMX does not yet solve the problem. And when I try to model it
directly in PMX:

==

---
%\input musixlyr
%\special{papersize=297mm,420mm}%
---
%|
%
%http://www.musicxml.org/dtds/partwise.dtd;
<http://www.musicxml.org/dtds/partwise.dtd>>
%
%
%
%
%Part P1 :
%
%
% nv, -noinst, nostaves per instrument
 1 -1 1
% mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig
 4 4 0 6 0 0
%
% npages,nsyst,musicsize,fracindent
 0 5 16 0.07

t
./
Tt

Tc

Abepl
%%w277m
%%h390m

% ( 1| 1| 1) 1
 G1m2d5 c45 G2m2e5 d5 c45 G1m2d5 c45 G1m1d5 c45 /
% ( 1| 1| 1) 2
 G1m2sxd5 c45 G2m2e5 d5 c25 [ G1m2sxd5  c85 G1m2sxd5 c85 ]   /
% ( 1| 1| 1) 3
 G1m2e5 c45 zf4 G1m0d5s c45 G2m0d5f a4f c45 c45 /
===

I run into

Regards, Dieter

P.S. the first two lines come out properly.


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[Tex-music] PMX grace note problem

2020-12-04 Thread Dieter
I am checking XML2PMX with the the inofficial testsuite for MusicXML of 
Lilypond.


This is one of the tasks.

XML2PMX does not yet solve the problem. And when I try to model it 
directly in PMX:


==

---
%\input musixlyr
%\special{papersize=297mm,420mm}%
---
%|
%
%http://www.musicxml.org/dtds/partwise.dtd;>
%
%
%
%
%Part P1 :
%
%
% nv, -noinst, nostaves per instrument
 1 -1 1
% mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig
 4 4 0 6 0 0
%
% npages,nsyst,musicsize,fracindent
 0 5 16 0.07

t
./
Tt

Tc

Abepl
%%w277m
%%h390m

% ( 1| 1| 1) 1
 G1m2d5 c45 G2m2e5 d5 c45 G1m2d5 c45 G1m1d5 c45 /
% ( 1| 1| 1) 2
 G1m2sxd5 c45 G2m2e5 d5 c25 [ G1m2sxd5  c85 G1m2sxd5 c85 ]   /
% ( 1| 1| 1) 3
 G1m2e5 c45 zf4 G1m0d5s c45 G2m0d5f a4f c45 c45 /
===

I run into

Regards, Dieter

P.S. the first two lines come out properly.
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Re: [Tex-music] PMX error with unusual triplets in a file created withxml2pmx

2020-12-01 Thread Dieter

Since Bodo's triplet constructs are already not quite straightforward
within PMX, it will be difficult to catch them with XML2PMX.
I will think about it after the next release.

Regards, Dieter


Am 01.12.2020 um 06:34 schrieb Andre Van Ryckeghem:

Pmx can only use a beam in a tuplet for all notes. For excluding some
notes, in line tex is needed. Because there are notes that look as
quarters the beam must be forced ([m1).

I learned somthing from you: the use of "m3", thanks for that.

Andre


 1 1  3 4 3 4 0 1
 1 1 16 0.07

t
./
Tt
Polska Nymphaea Bar 4 and 7
Tc
Johannes Mayr
AbeplT
%\\input musixper\
%%w277m
%%h390m

% ( 1| 1| 1) 1
 \zcharnote{12}{\metron{\qu}{80}}\ [ g24x6n3f-2 a4 b4D c5D ] [ a44x3
g4 f4 ] /
[m1 g24x6n3 \tbu1\ a4 \def\qb#1{\qu}\ b4D \def\tbu#1{}\ c5D ] [ a44x3
g4 f4 ] /
% ( 1| 1| 1) 2
 rp /
% ( 1| 1| 1) 3
 c24x3 c5d b4 [ a8d4 g14 ] /
=

-Oorspronkelijk bericht- From: Bodo Meißner
Sent: Monday, November 30, 2020 5:46 PM
To: tex-music@tug.org
Subject: Re: [Tex-music] PMX error with unusual triplets in a file
created withxml2pmx

Am 30.11.2020 um 16:40 schrieb Andre Van Ryckeghem:

I do not know if this is very helpful, but the triplet should be a
6-tuplet:

[ g24x6 a4 b4D c5D ]

(There are no complaints for the [..]



Hello Andre,

thank you for the suggestion.

The PMX file was generated with Dieter's xml2pmx program from valid ABC
notation via conversion to valid MusicXML, and the ABC notation is the
main source. The original peace contains more bars with this type of
triplet. So modifying the PMX input would be a tedious task.

Nevertheless, a solution for this problem might be useful for a possible
improvement of xml2pmx.

Your solution prints a 6-tuplet while the original score uses a triplet.
I was already able to fix this by appending "n3". With this change the
first bar looks like this:

% ( 1| 1| 1) 1
 \zcharnote{12}{\metron{\qu}{80}}\ [ g24x6n3 a4 b4D c5D ] [ a44x3 g4
f4 ] /

Is it possible to get the two 1/8 notes beamed?

A minor problem is the collision of the tempo specification with the
triplet bracket. I didn't test yet if such a collision would also occur
with the full original score.


Best regards,
Bodo
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Re: [Tex-music] Please help with PMX file

2020-10-28 Thread Dieter

Am 22.10.2020 um 21:38 schrieb Rodolfo Medina:

 writes:


Rodolfo--

Thanks for the PDF. Now I can attack the problem. But will you be satisfied
with a solution that might involve in-line TeX in the PMX file? Without
experimenting, I'm not sure PMX can handle more than one staff-crossing beam
within a bar.

--Don


Hi, Don, thanks indeed...

The problem is in bar 184...  I've been trying to fix it but don't manage to.
In-line TeX should not be a problem for me, nay my final purpose is just the
TeX file, so it should be ok.  If you friends out there manage to fix that
damned measure 184, I'll be glad: I wish to add this score to my MusiXTeX
collection...

cheers

rodolfo
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Hi Don and Rodolfo,

this looks like a solution to the problem of Bar 184 (Mondscheinsonate).

If you want to know, why it works , please ask Don.

Regards, Dieter

--

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Im Rosengarten 27
64367 Mühltal
Tel.: 06151 / 360 82 72

---
%\input musixlyr
%\special{papersize=297mm,420mm}%
---
%|
%
%
%
%
%encoding date : 2020-10-22 
%Software : MuseScore 2.3.2
%Part P1 : Piano
%
%
% nv, -noinst, nostaves per instrument
 2 -1 2
% mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig
 4 4 4 4 0 4
%
% npages,nsyst,musicsize,fracindent 
 1 2 16 0.07
Piano
bt
./
Tt

Tc

Abepl
\\input musixper\
%%w277m
%%h390m
 
% ( 1| 2| 1) 184
 f01  zc2  zf2  //
 r8b  [jl a13su f13ssu ] [l e13l c13l e13l f13l ] r2b /
 [ e14 D"Mondscheinsonate Bar 184"+24 c ]j r8b r4b [u a43sx6 c e fss as c ]  [l 
e45x6 f5ssl a5sl c6l a5l e5l ] /
% ( 1| 2| 5) 185
 {3 g01 {4 zc2 {5 zg2 /
% ( 1| 1| 1) 185
 [l e46x3 c6l g5l ] [l e45x3 c5l g4l ] [l e45x3 c5l g4l ] [u e14u c15u g14u 
e14u ] /
% ( 1| 2| 1) 186
 r4b [l g13l e14l c14l g13l ] [l e13l c14l g13l e13l ] [l c13l g13l e13l c13l ] 
//
% ( 1| 2| 5) 186
 g01 } zc2 } zg2 } /
% ( 1| 1| 1) 186
 [u c14u g14u e14u c14u ] r2b r4b /
% ( 1| 2| 1) 187
 [l g12l a12l a12sl b12l ] [l b12sl c13l c13ssl d13l ] [l e13l e13sl f13l 
f13ssl ] [l g13l a13nl a13sl 
b13nl ] //
% ( 1| 2| 5) 187
 rp /
% ( 1| 2| 5) 188
 rp /
% ( 1| 1| 1) 188
 [u b13su c14u c14ssu d14u ] [u e44x5 e4su f4u f4ssu g4u ] [l a44x5 a4sl b4nl 
b4sl c5sl ] [l d85nx3 d5sl 
e5nl ] [l e35sl f35sl f35ssl g35l ] /
% ( 1| 2| 5) 189
 g03 zb3s zf4 /
% ( 1| 1| 1) 189
 a05 /


beethoven184.ps
Description: PostScript document
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Re: [Tex-music] Please help with PMX file

2020-10-23 Thread Dieter




 Weitergeleitete Nachricht 
Betreff:Re: [Tex-music] Please help with PMX file
Datum:  Fri, 23 Oct 2020 11:04:16 +0200
Von:Dieter 
An: Rodolfo Medina 



Hi Rodolfo, this would be a 128th note. There are 32 in the whole piece.
To my knowledge 128th is not implemented in PMX.
Don, please correct me!
Regards, Dieter

um 19:03 schrieb Rodolfo Medina:

Hi, Dieter:

I'm also sending you this other xml score: it's the first of Schubert's 3
Klavierstuecke D. 946.  XML2PMX seems to be successful on it, but then the pmx
file gives error in bar 133:

   You entered an invalid note-length value: 7

Maybe you can work it out...

Thanks again,

Regards

Rodolfo




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Re: [Tex-music] Please help with PMX file

2020-10-22 Thread Dieter

Am 22.10.2020 um 03:07 schrieb Bob Tennent:

  >|The file comes from a previous XML -> PMX convertion with
  >|Dieter's fantastic XML2PMX.

Dieter's XML2PMX is promising but still "beta". He is
currently working through a test suite of MusicXML files to
try and squash bugs. If you were to open the xml file in
musescore, you could export a conventional score.

Bob T.
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XML2PMX tries to bind dynamics to a gracenote. Since PMX does not
support this, it is a bug on my side.

Rodolfo, could you send me your xml-file, so that I can sort this out?

And the staff-crossing beams are still more than "beta".

Regards Dieter

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Re: [Tex-music] staff crossing beams

2020-07-08 Thread Dieter

As always, Don has solved the problem perfectly and timely.

I had a problem with my mail server and overlooked his answer.

Regards, Dieter

Am 08.07.2020 um 14:12 schrieb Dieter:


How can I close the gap between the 3rd and 4th sixteenth note in the
3rd measure?

Regards, Dieter


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[Tex-music] staff crossing beams

2020-07-08 Thread Dieter

How can I close the gap between the 3rd and 4th sixteenth note in the
3rd measure?

Regards, Dieter


--

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Im Rosengarten 27
64367 Mühltal
Tel.: 06151 / 360 82 72

---
\input musixtex
\input pmx%\input
%\input musixlyr
%\special{papersize=297mm,420mm}%
---
%|
%
%
%The Entertainer.
%Scott Joplin
%
%
%Part P1 : Piano
%
%
% nv, -noinst, nostaves per instrument
 2 -1 2
% mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig
 2 4 2 4 0 0
%
% npages,nsyst,musicsize,fracindent 
 0 5 16 0.07
Piano
bt
./
Tt
The Entertainer.
Tc
Scott Joplin
Abepl
\\input musixper\
%%w277m
%%h390m

% ( 1| 1| 1) 1

  r2b /
   \zcharnote{20}{INTRO: Not fast.}\ 
% ( 1| 1| 5) 1
 [l d15l e15l c15l {0 a14l ] [l a14l }0 b14l g84l ] //
 [u d16u Df e16u c16u {0 a15u ] [u a15u }0 b15u g85u ] /

% ( 1| 2| 5) 2

m2/4/2/4 
 [l d14l e14l c14l {0 a13l ] [l a13l }0 b13l g83l ] /
% ( 1| 1| 1) 2
 [l d15l e15l c15l {0 a14l ] [u a14u }0 b14u g84u ] /
% ( 1| 2| 1) 3
% r8b r1b {0 [ju a13u ] [u a13u }0 b13u a13u a13fu ] //
% ( 1| 2| 5) 3
% [l d13l e13l c13l {0 a12l ] [l a12l }0 b12l a12l a12fl ] /
% ( 1| 1| 1) 3
% [u d14u e14u c14u ]j  r1b r4b /
% ( 1| 2| 5) 3 neue Variante
 [l d13l e13l c13l {0 a12l ] [l a12l }0 b12l a12l a12fl ] //
% ( 1| 2| 1) 3
 r8b r1b {0 [ju a13u ] [u a13u }0 b13u a13u a13fu ] /
% ( 1| 1| 1) 3
 [u d14u e14u c14u ]j  r1b r4b /---
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Re: [Tex-music] `The Entertainer' IMSLP engraving file

2020-06-29 Thread Dieter

Hi Rodolfo,

could you send me the entertainer.xml?
I want to look into this.

Regards, Dieter

Am 29.06.2020 um 09:03 schrieb Rodolfo Medina:

Bob Tennent  writes:


My arrangement for 4 recorders has an autosp/musixtex source.

Fine, thanks...  I need the piano version though...



  >|On IMSLP there are 5 different typset editions of Scott
  >|Joplin's The Entertainer... One of those is declared to
  >|be MuseScore and MusicXML source, the other 4 are not
  >|declared at all... Does anyone know if among them is a
  >|pmx/MusiXTeX source...?

The MusicXML score can be translated to pmx using Dieter's
XML2PMX converter.

Yes, it worked, but I had to add a line: after line 34 I had to add the
following line 35:

  rb2 /

Besides, I had to change the file name from The_Entertainer.xml to
TheEntertainer.xml.  Besides, in TheEntertainer.tex, there are the `undefined
control sequences' Idecresc and Tcresc which are not present in musixtex.tex
nor in pmx.tex...  Where do they come from...?

thanks,

rodolfo
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Re: [Tex-music] xml2pmx updated

2020-05-24 Thread Dieter

Hi Danai!

Did you have a look into "Readme2020.txt"?

XML2PMX is a 32-Bit-Binary on UBUNTU. I did not test this on a
64-Bit-machine.
Please open the Folder "XML2PMX_Linux_2020"
and run (on the command line) the command "./RunTelemann", which contains:
=
./XML2PMX_2020 ./XML/Telemann.xml ./PMX/Telemann.pmx a 0
 cd PMX
 musixtex Telemann
==
"./XML/Telemann.xml" means: "Telemann.xml" sits in the subdirectory
"XML" of directory "XML2PMX_Linux_2020".
===
IF everything goes well, the last line will be: "Telemann.pdf generated
by ps2pdf"
Regards, Dieter
===
Am 24.05.2020 um 04:09 schrieb Danai SAE-HAN (韓達耐):

Hi Bob

Thanks for looking into this.  I have indeed downloaded XML2PMX_Linux.zip.
The MD5SUM hash of the ZIP file is 1c18ebab4a7eb8111b892978cd1a5ce6 . 
Downloading the same ZIP file yields the same hash result.
The MD5SUM hash of the executable XML2PMX_2020 in the top directory
is: 0c496a871a60ddc1391bee9fdea55fe5 .
I used "unzip" without any arguments, options or modifiers.

The text "XML2PMX.EXE" is a hardcoded output text within the Linux
binary (see "source/TestbedLinux015.Mod").
FYI, I am working in a 64-bit setup.

I get the same result after re-downloading the ZIP package:

$ ./XML2PMX_2020 XML/Telemann.xml test.pmx

NoOfArgs :     3
XML/Telemann.xml
test.pmx
sout : test.txt
Linux Binary XML2PMX (Version 2020) Copyright 2015-2020 Dieter Gloetzel

This is XML2PMX.EXE Version 15.
input file: XML/Telemann.xml not found

Can you confirm the binary works on your end?

Regards

--
Danai

On Sat, 23 May 2020 at 18:44, Bob Tennent mailto:rdtenn...@gmail.com>> wrote:

 >|Thanks for updating XML2PMX on WIMA.  I have tried it on Linux,
but cannot
 >|find any input XML file.
 >|This is what I get in the terminal:
 >|
 >|===
 >|./RunTelemann
 >|
 >|NoOfArgs :     5
 >|./XML/Telemann.xml
 >|./PMX/Telemann.pmx
 >|sout : ./PMX/Telemann.txt
 >|A    3|
 >| number of bars to be processsed :     0
 >|Linux Binary XML2PMX (Version 2020) Copyright 2015-2020 Dieter
Gloetzel
 >|
 >|This is XML2PMX.EXE Version 15.
 >|input file: ./XML/Telemann.xml not found

You'd better download

http://icking-music-archive.org/software/xml2pmx/XML2PMX_Linux.zip

again. Here's what you should get:

    % unzip -l XML2PMX_Linux.zip
    Archive:  XML2PMX_Linux.zip
      Length      Date    Time    Name
    -  -- -   
            0  05-15-2020 05:33   XML2PMX_Linux_2020/
        35823  03-03-2020 06:10  XML2PMX_Linux_2020/GNU-GPL.txt
            0  05-15-2020 03:31   XML2PMX_Linux_2020/PMX/
            0  05-15-2020 03:31  XML2PMX_Linux_2020/PMX/example/
         5821  04-03-2020 12:46
 XML2PMX_Linux_2020/PMX/example/Telemann.PMX
         5641  05-13-2020 06:10
 XML2PMX_Linux_2020/PMX/example/Telemann.pmx
        34536  05-13-2020 06:10
 XML2PMX_Linux_2020/PMX/example/Telemann.pdf
          666  05-15-2020 03:29
 XML2PMX_Linux_2020/PMX/example/musixtex.log
        12258  05-15-2020 03:29
 XML2PMX_Linux_2020/PMX/example/Telemann.tex
            0  05-13-2020 04:17   XML2PMX_Linux_2020/source/
        39532  05-09-2020 13:47  XML2PMX_Linux_2020/source/BWL015.Mod
         9293  05-09-2020 13:52
 XML2PMX_Linux_2020/source/CompleteWL015.Mod
         1411  05-09-2020 13:46
 XML2PMX_Linux_2020/source/FifoWL015.Mod
         1317  01-30-2016 10:51  XML2PMX_Linux_2020/source/LCout.Mod
        62823  07-18-2015 21:53
 XML2PMX_Linux_2020/source/OLR.X86.Kernel.Mod
        18979  03-12-2016 19:16
 XML2PMX_Linux_2020/source/Strings0.Mod
       135481  05-09-2020 13:13
 XML2PMX_Linux_2020/source/TestbedLinux015.Mod
            0  05-14-2020 11:01   XML2PMX_Linux_2020/XML/
!!!    228179  11-14-2014 09:57  XML2PMX_Linux_2020/XML/Telemann.xml
      1520188  05-11-2020 12:17  XML2PMX_Linux_2020/XML2PMX_2020
           89  05-13-2020 06:09  XML2PMX_Linux_2020/RunTelemann
         8797  05-15-2020 05:33  XML2PMX_Linux_2020/Readme2020.txt
          386  05-15-2020 03:29  XML2PMX_Linux_2020/Kernel.Log
    -                     ---
      2121220                     23 files

Bob T.



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[Tex-music] PMX: problem with changing the number of instruments

2020-01-07 Thread Dieter

I am a great fan of this feature in PMX and I am using it extensively
over many pages and systems.

But now I am stuck. I am working on the violin voice of the Ibert Flute
Concerto.


It compiles until the last few lines:

% wieder einstimmig
L22Mi.0cn12t
m c85 za+ zf+ r8 r8 c85 za+ zf+ r4 c85 za+ zf+ r8 | /
%m3434 rm1 | /
%m f46x3 a- c- f8- r8  f46x3 a- c- f8- r8 | f46x3 a- c- f8- r8 f46x3
a- c- f8- r8 | /
%f84 zc+ za+ r8 f84 zc+ za+ r8 f84 zc+ za+ r8 f84 zc+ za+ r8 | r4 f84
zc+ za+ r8 f84 zc+ za+ r8 f84 zc+ za+ r8 | /
%f44 zc+ r2db //
%a05 | /
% a8 a r4 r2

===

BUt when it hits the "L22"-Statement, then  I am getting the error message:

Somehow I have a déjà-vue feeling, but do not remember what I did to
solve the problem.

If I counted properly , the "L22" is the 10th statement of this kind. Of
course I will not bother you with the huge code,

but if somebody had similar experiences, I would be interested.

Regards, Dieter



ibertv10.pdf
Description: Adobe PDF document
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Re: [Tex-music] How to print notesheets 25 % enlarged with recto/verso

2019-12-27 Thread Dieter

Hi Jean-Pierre,

there is an even simpler solution without pdftk. Just choose the option,
which is on my German Acrobat Installation:

Ausrichtung: Hoch/Querformat automatisch.

And of course "set the custom scale" and "flip long edges"

Then anything on any scale will be centered on even and odd pages.

Bye, Dieter

Am 12.12.2019 um 13:27 schrieb cou...@oca.eu:

If you want to magnify less than 1.41 and cut your A3 pages after
printing them install https://www.pdflabs.com/tools/pdftk-server/ and
rotate your document with pdftk yourscore.pdf cat 1-endE output
rotatedscore.pdf

Then open your new document with Acrobat reader, and select paper=A3,
landscape, flip long edges, custom scale = 125%

Then odd and even pages will be printed on corresponding areas of each
side.

Bye,



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[Tex-music] How to print notesheets 25 % enlarged with recto/verso

2019-12-10 Thread Dieter

Has somebody got an idea to solve the following problem?

We have note-sheets in A4 portrait. And we want to print them
recto/verso and enlarged by 25 % on  A3-paper in landscape.

That means the A4-sheets have to be rotated by 90 °.  And we need to
align the front and backside, in order to cut them properly.

Regards,

Dieter


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[Tex-music] Varying number of instruments

2019-07-03 Thread Dieter

I stumbled across a problem, which was already treated by Dirk Baack and
Don Simons, but the solution is unclear to me.

I have a configuration with voice and piano. And I want sometime a piano
solo and some other time  a vocal solo.

This works fine for the piano (L2P2Mn11tt). Pls. se attachment. But when
I want to isolate the voice with (L2P2Mn12t), then

I get an error message: !staff number (2) out of specified range (1)!



% nv, -noinst, nostaves per instrument
 3 2
% mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig
 4 4 4 4 0 -1
%
% npages,nsyst,musicsize,fracindent
 2 2 16 0.07
Piano
Voice
ttt
./
AbepI0.9
%It80ivlvl
%\\input musixper\
%%w277m
%%h390m
r0 /
r0 /
r0 /
r0 /
r0 /
r0 /
L2P2Mn11tt
r0 /
r0 /
r0 /
r0 /
r0 /
r0 /



--

Dr. Dieter Glötzel
Im Rosengarten 27
64367 Mühltal
Tel.: 06151 / 360 82 72



klammertest.ps
Description: PostScript document
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Re: [Tex-music] alignment of \flageolett in \Largenotesize

2019-06-29 Thread Dieter

Am 29.06.2019 um 17:23 schrieb Bob Tennent:

  >|Enlarging the \flageolett symbol works fine, but it is
  >|not exactly aligned with the whole note "a06".

 From musixdoc.pdf:

   These marks are horizontally centered relative to
   solid note heads. To compensate for the fact that
   whole notes are wider, you should use \wholeshift{Any
   nonspacing macro} to center accents and other items (e.g.,
   \Fermataup) above a whole note.

Bob


Hi Bob, thanks for your rapid reply. But I need another helping hand.
Where do I put the \wholeshift{} ?

Regards Dieter

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[Tex-music] Fwd: alignment of \flageolett in \Largenotesize

2019-06-29 Thread Dieter

Please disregard the second part of my message concerning tremolo. I was
mistaken.

 Weitergeleitete Nachricht 
Betreff:[Tex-music] alignment of \flageolett in \Largenotesize
Datum:  Sat, 29 Jun 2019 16:15:17 +0200
Von:Dieter 
Antwort an: Werner Icking Music Archive 
An: Werner Icking Music Archive 



Enlarging the \flageolett symbol works fine, but it is not exactly
aligned with the whole note "a06".

=

---
\input musixtex
\input pmx
 \def\flg#1{\Largenotesize\flageolett{#1}\normalnotesize}
---

% nv, -noinst, nostaves per instrument
 1 -1 1
% mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig
 4 4 4 4 0 -1
%
% npages,nsyst,musicsize,fracindent
 0 4 16 0.07

t
./
w150
Abep

 \flageolett{17}\ a06  /
  \flg{17}\ a  /



Other alignment problem with Tremolo on a whole note:


According to Musixdoc_1.29 The tremolo bars should be aligned with the
whole note.

Regards, Dieter
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[Tex-music] alignment of \flageolett in \Largenotesize

2019-06-29 Thread Dieter

Enlarging the \flageolett symbol works fine, but it is not exactly
aligned with the whole note "a06".

=

---
\input musixtex
\input pmx
 \def\flg#1{\Largenotesize\flageolett{#1}\normalnotesize}
---

% nv, -noinst, nostaves per instrument
 1 -1 1
% mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig
 4 4 4 4 0 -1
%
% npages,nsyst,musicsize,fracindent
 0 4 16 0.07

t
./
w150
Abep

 \flageolett{17}\ a06  /
  \flg{17}\ a  /



Other alignment problem with Tremolo on a whole note:


According to Musixdoc_1.29 The tremolo bars should be aligned with the
whole note.

Regards, Dieter

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Re: [Tex-music] New PMX version with gaps

2019-06-05 Thread Dieter

Hi Don,

I tested your gap functionality with a Coda example. See attachment.

I am most impressed by the elegance and ease of handling.

Excellent work!

Regards, Dieter


m 02.06.2019 um 03:08 schrieb Don Simons:

The package is available from WIMA at the following address:

http://icking-music-archive.org/software/pmx/pmx290.zip

--Don


-Original Message-
From: TeX-Music [mailto:tex-music-
bounces+dsimons=roadrunner@tug.org] On Behalf Of Don Simons
Sent: Saturday, June 01, 2019 3:49 PM
To: 'Werner Icking Music Archive' 
Subject: [Tex-music] New PMX version with gaps

I've produced a new version of PMX (2.90) that lets you put a blank gap at
the end or in the middle of a system. It was very challenging and still

has

known deficiencies, but is at a stage where I would very much appreciate
having as many people as possible try it out and report any bugs you find.
Until it shows up on WIMA, you can get a zip of the distribution here:

www.pchpublish.com/bbbxv/pmx290.zip

The file BlankGaps.pdf explains the new syntax.

The known deficiencies are (1) It cannot yet be used in the first system

of the

score; (2) It doesn't yet properly handle automagically inserting extra

space

when needed for accidentals or other items in the gapped system if it is

too

crowded (this can temporarily be addressed by manually inserting gaps with
the "X" command); (3) You can change the barline symbol from the default
one at the end of the segment before or after the gap with an "R"
command option on the last note in voice 1, but that command MUST be the
very last one before the group-ending "/".

Once again, please give it a workout and report any bugs or issues.

--Don Simons

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---
\input musixtex
\input pmx
\input musixlyr
%\special{papersize=297mm,420mm}%
\sepbarrules
%\input pstricks
%\def\gap{\
%\psframe[linestyle=none,fillstyle=solid,fillcolor=white](-15pt,-1.6pt)(69pt,150pt)}\
\setlyrics{gesang}{Schon in der Schu-le die Jungs ha'm ge-lacht._ doch mir 
hat's \"{u}-ber-haupt nichts aus-ge-macht._
 sie war so s\"{u}{\ss},_ ih-re Bei-ne so lang,_ bin fast ein Jahr in ihr'n 
Bal-lett-kurs ge-gang'n._ Als ich
 er-fuhr,_ dass sie auf Um-welt-schutz steht,_ hab ich "´nein dan-ke"' auf 
mein' Par-ka ge-n\"{a}ht._
 Das hat sie da-mals al-les nicht in-t'res-siert,_ doch seit-dem wei{\ss} ich, 
wer die Welt re-giert:__
 Wie sie geh'n_ und steh'n,_ wie sie dich_ an-seh'n,_ und schon \"{o}ff_-nen 
sich Ta_-sche und Herz
 _-nen sich Ta_-sche und Herz__
 und dann kaufst_ du 'n Ring_ und 'n Nerz._ Ein las-zi_-ver Blick_ und schon
 \"{a}n-dert sich dei-ne Po-li-tik,_ kein Boss_ und kein Ac_-tion_-held, _-und 
kein Ac_-tion_-held,__ kein Staat und
 kein Ma-fia-geld._ Frau'n_ re-gier'n_ die Welt._ Al-le Re-gi-ster von ko-kett 
his na-iv,_ 
 sie ha'm  als Ba-by schon den Va-ter im Griff._ sie ge-ben al-les wenn sie
 ir-gend-was woll'n_ und du bei{\ss}t_ auf Gra-nit_ wenn sie schmoll-'n._  Du 
machst dich l\"{a}-cher-lich_ und l\"{a}sst dich
 ver-hau'n,_ da-mit die M\"{a}-dels ein-mal nur r\"{u}-ber schau'n. 
Sie-pu-schen Beck-ham
 und st\"{u}rz-ten Clin_-ton, oh-ne da-f\"{u}r 'ne Par-tei zu gr\"{u}n_-den:
 Wie sie geh'n, \empty{} wie sie geh'n_ und steh'n,_ wie sie dich an-seh'n,_
 und schon \"{o}ff-nen sich Ta-sche und Herz__ und dann kaufst_ du 'n Ring_ und 
'n Nerz.__ Ein las-zi-ver Blick_ und schon
 \"{a}n-dert sich dei_-ne Po-li-tik, kein Boss_ und kein Ac_-tion_-held, kein 
Staat und
 kein Ma-fia-geld._ Frau'n_ re-gier'n_ die Welt._}
 \assignlyrics2{gesang}
---
%| 
%
%http://www.musicxml.org/dtds/partwise.dtd;>
%
%
%
%
%Part P1 : 
%Part P2 : 
%Part P3 : 
%
%
% nv, -noinst, nostaves per instrument
 3 -2 2 1
% mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig
 4 4 4 4 0 3
%
% npages,nsyst,musicsize,fracindent 
 7 28 20 0.07
Piano
Gesang
bt8
./
Tt
Frauen regier'n die Welt
Tc
Musik: Matthias Hass
AbeplI.9
It134ipibs
%\\input musixper\
\\setclef2{\treble}\settrebleclefsymbol{2}\treblelowoct\
%%w277m
%%h390m
% ( 3| 1| 1) 1
h-4
~~~INTRO ( \nolyr\metron{\qu}{134} )
 a42u r8 a82u e42u r8 e82u /
% ( 1| 1| 1) 1
 rp /
% ( 3| 1| 1) 1
 rp /
% ( 2| 1| 1) 2
 a42u r8 {0 e82u [u e82u }0 e82u g82u (B g82u ] /
% ( 1| 1| 1) 2
 rp /
% ( 3| 1| 1) 2
 rp /
% ( 2| 1| 1) 3
 a42u )B r8 a82u e42u r8 e82u /
% ( 1| 1| 1) 3
 rp /
% ( 3| 1| 1) 3
 rp /
% ( 2| 1| 1) 4
 a42u r8 {0 e82u [u e82u }0 e82u ] g42u Rd /
% ( 1| 1| 1) 4
 rp /
% ( 3| 1| 1) 4
 rp  /
% ( 3| 1| 1) 5
h-4
~~~VERS 1
 a42u r8 e82u a42u r8

Re: [Tex-music] musixtex \flageolett

2019-06-03 Thread Dieter

Am 16.05.2019 um 17:24 schrieb Bob Tennent:

  >|Am 16.05.2019 um 13:14 schrieb Bob Tennent:
  >|>   >|In musixtex.tex I find this definition
  >|>   >|
  >|>   >|\def\flageolett{...}
  >|>   >|
  >|>   >|and would like to know, how to increase the size of the
  >|>   >|little circle by 50 %.
  >|>
  >|> {\largenotesize\flageolett ...}
  >|>
  >|Thanks!

You're welcome. Even if you use PMX, refer to musixdoc.pdf.

Best,
Bob


Hi Bob,

WIth the following PMX Code



---
\input musixtex
\input pmx
---

% nv, -noinst, nostaves per instrument
 1 -1 1
% mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig
 4 4 4 4 0 -1
%
% npages,nsyst,musicsize,fracindent
 0 4 16 0.07

t
./

Abep

\flageolett{17}\  a06 /
\largenotesize\flageolett{17}\ a /
\Largenotesize\flageolett{17}\ a /

==
I get

Yes, the flageolett-circle becomes bigger, but also the whole note become 
bigger.
How can I avoid this effect?
Regards, Dieter

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Re: [Tex-music] New PMX version with gaps

2019-06-03 Thread Dieter

Hi Don,

I try to run your example, but get an "undefined control sequence", see
below.
Regards, Dieter
=

C:\Users\Glötzel>d:

D:\>cd musix

D:\MUSIX>cd dongap

D:\MUSIX\DonGap>Call "c:\programme\miktex 2.9\miktex\bin\pmx290.exe"
gapsample
 This is PMX, Version 2.90 , 27 may 19
 Opening gapsample.pmx

 Starting first PMX pass

  Bar 1  Bar 2  Bar 3  Bar 4  Bar 5  Bar 6  Bar 7  Bar 8  Bar 9 Bar 10 
Bar 11
  Bar 12  Bar 13  Bar 14  Bar 15  Bar 16  Bar 17  Bar 18  Bar 19 Bar 20
  Bar 21  Bar 22  Bar 23  Bar 24  Bar 25  Bar 26  Bar 27  Bar 28 Bar 29
  Bar 30  Bar 31  Bar 32  Bar 33  Bar 34  Bar 35  Bar 36  Bar 37 Bar 38
  Bar 39
 Done with first pass


 Starting second PMX pass


  Bar 1  Bar 2  Bar 3  Bar 4  Bar 5  Bar 6  Bar 7  Bar 8  Bar 9 Bar 10 
Bar 11
  Bar 12  Bar 13  Bar 14  Bar 15  Bar 16  Bar 17  Bar 18  Bar 19 Bar 20
  Bar 21  Bar 22  Bar 23  Bar 24  Bar 25  Bar 26  Bar 27  Bar 28 Bar 29
  Bar 30  Bar 31  Bar 32  Bar 33  Bar 34  Bar 35  Bar 36  Bar 37 Bar 38
  Bar 39
 Writing ./gapsample.tex
 Done with second PMX pass.

D:\MUSIX\DonGap>pause
Drücken Sie eine beliebige Taste . . .

D:\MUSIX\DonGap>if errorlevel 1 goto pmxerr

D:\MUSIX\DonGap>if exist gapsample.pml del gapsample.pml

D:\MUSIX\DonGap>if exist gapsample.mx2 del gapsample.mx2

D:\MUSIX\DonGap>if exist gapsample.mx1 del gapsample.mx1

D:\MUSIX\DonGap>Call etex.exe gapsample
This is pdfTeX, Version 3.14159265-2.6-1.40.17 (MiKTeX 2.9 64-bit)
entering extended mode
(gapsample.tex ("C:\Program Files\MiKTeX
2.9\tex\generic\musixtex\musixtex.tex"
MusiXTeX(c) 1.24 <2017-02-28>
maxinstruments=6 max128beams=6 maxgroups=3 maxslurs=6 maxtrills=6
maxoctlines=6) ("C:\Program Files\MiKTeX 2.9\tex\generic\musixtex\pmx.tex"
PMX, a Preprocessor for MusiXTeX, Version 2.80b <15 Mar 17>
) maxslurs=24
Normal \dimen register pool exhausted, switching to extended pool.
Normal \count register pool exhausted, switching to extended pool.
maxinstruments=24 bar 1 bar 2 bar 3 bar 4 bar 5 bar 6 bar 7 bar 8 bar 9
bar 10
bar 11 bar 12 bar 13 bar 14 bar 1 bar 2 bar 3 bar 4 bar 5 bar 6 bar 7 bar 8
bar 9 bar 10 bar 11
! Undefined control sequence.
l.126 \nobarno

?

===
Am 02.06.2019 um 03:08 schrieb Don Simons:

The package is available from WIMA at the following address:

http://icking-music-archive.org/software/pmx/pmx290.zip

--Don


-Original Message-
From: TeX-Music [mailto:tex-music-
bounces+dsimons=roadrunner@tug.org] On Behalf Of Don Simons
Sent: Saturday, June 01, 2019 3:49 PM
To: 'Werner Icking Music Archive' 
Subject: [Tex-music] New PMX version with gaps

I've produced a new version of PMX (2.90) that lets you put a blank gap at
the end or in the middle of a system. It was very challenging and still

has

known deficiencies, but is at a stage where I would very much appreciate
having as many people as possible try it out and report any bugs you find.
Until it shows up on WIMA, you can get a zip of the distribution here:

www.pchpublish.com/bbbxv/pmx290.zip

The file BlankGaps.pdf explains the new syntax.

The known deficiencies are (1) It cannot yet be used in the first system

of the

score; (2) It doesn't yet properly handle automagically inserting extra

space

when needed for accidentals or other items in the gapped system if it is

too

crowded (this can temporarily be addressed by manually inserting gaps with
the "X" command); (3) You can change the barline symbol from the default
one at the end of the segment before or after the gap with an "R"
command option on the last note in voice 1, but that command MUST be the
very last one before the group-ending "/".

Once again, please give it a workout and report any bugs or issues.

--Don Simons

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[Tex-music] Duration of multirests below the staff?

2019-05-24 Thread Dieter

How could I put the duration of a multirest below the staff?

Regards, Dieter

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[Tex-music] Limit of Bar numbers and Systems in PMX and MusiXTeX

2019-05-24 Thread Dieter

I am working with a friend from Switzerland on a PMX document for the
1st Violin in the 1st Symphony of Gustav Mahler.

This beast has a total of 1707 Bars and about 200 Systems. Obviously
this does not fit within the limits of PMX (600 Bars, 125 Systems). And
I guess MusiXTex has similar limits.

The four movements have 450, 358, 168, and 731 Bars, respectively.

Would it be feasible and reasonable to raise the Bar limit, correspondingly?

Regards,

Dieter


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[Tex-music] musixtex \flageolett

2019-05-16 Thread Dieter

In musixtex.tex I find this definition

\def\flageolett{\n@iv120\uacc@Char}

and would like to know, how to increase the size of the little circle by
50 %.

Thanks,

Dieter

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[Tex-music] PMX and Trills

2019-05-09 Thread Dieter


When I test the Trills with PMX, everything looks as it should.


However when I look at the beginning of Mozarts "Sonate Facile" (from
MuseScore via MusicXML)  it looks differently.

I cannot find a reason, why the trill in Bar 4 behaves differently from
the one in Bar 15.

(PMX attached.)

Thanks and regards, Dieter

---
\input musixtex
\input pmx
%\input musixlyr
%\special{papersize=297mm,420mm}%
\def\writebarno{\llap{\tenrm\the\barno\barnoadd}}%
\def\raisebarno{2\internote}%
\def\shiftbarno{1.3\Interligne}%
---
%|
%
%http://www.musicxml.org/dtds/partwise.dtd;>
%
%
%
%
%Part P1 : Piano
%
%
% nv, -noinst, nostaves per instrument
 2 -1 2
% mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig
 4 4 0 6 0 0
%
% npages,nsyst,musicsize,fracindent 
 0 4 16 0.07
Piano
tt
./
Tt
Sonate C-dur KV 545
Tc
W.A. Mozart
Abepl
%\\input musixper\
%%w277m
%%h390m

% ( 1| 2| 5) 1
 Rl (B [u c84u g84u e84u g84u ] [u c84u g84u e84u g84u ] /
% ( 1| 1| 1) 1
 \zcharnote{12}{Allegro}\ (B c25l Dp e45l )B g45l /
% ( 1| 2| 5) 2
 [u d84u g84u f84u g84u ] [u c84u g84u e84u g84u ] /
% ( 1| 1| 1) 2
 (C b4d4l [l c15l d15l ] c45l )C r4 /
% ( 1| 2| 5) 3
 [u c84u a84u f84u a84u ] [u c84u g84u e84u g84u ] /
% ( 1| 1| 1) 3
 (C a25l g45l )C c46l /
% ( 1| 2| 5) 4
 [u b83u g84u d84u g84u ] [u c84u g84u e84u g84u ] /
% ( 1| 1| 1) 4
 (C g45l [l f85l oT e15l f15l ] e45l )C r4 /
% ( 1| 2| 5) 5
 f44u )B r4 r4 Cb f43l zc4 /
% ( 1| 1| 1) 5
 (C [l a84l b14l c15l ] [l d15l e15l f15l g15l ] [l a15l g15l f15l e15l ] [l 
d15l c15l b14l a14l ] /
% ( 1| 2| 5) 6
 e43l zc4 r4 r4 e43l zc4 /
% ( 1| 1| 1) 6
 [u g84u a14u b14u ] [l c15l d15l e15l f15l ] [l g15l f15l e15l d15l ] [u c15u 
b14u a14u g14u ] /
% ( 1| 2| 5) 7
 d43l zc4 r4 r4 d43l zb3 /
% ( 1| 1| 1) 7
 [u f84u g14u a14u ] [l b14l c15l d15l e15l ] [l f15l e15l d15l c15l ] [u b14u 
a14u g14u f14u ] /
% ( 1| 2| 5) 8
 c43l zc4 r4 r4 c43l ze3 /
% ( 1| 1| 1) 8
 [u e84u f14u g14u ] [l a14l b14l c15l d15l ] [l e15l d15l c15l b14l ] [u a14u 
g14u f14u e14u ] /
% ( 1| 2| 5) 9
 f03 za3 /
% ( 1| 1| 1) 9
 \zcharnote{-6}{cresc.}\ [u d84u e14u f14u ] [u g14u a14u b14u c15su ] [l d15l 
a14l b14l c15l ] [l d15l 
e15l f15l g15l ] /
% ( 1| 2| 5) 10
 f4d3l g83l a4d3l f83sl /
% ( 1| 1| 1) 10
 [l a15l b15l c16nl b15l ] [l a15l g15l f15l e15l ] [l f15l g15l a15l g15l ] [l 
f15l e15l d15l c15l ] /
% ( 1| 2| 5) 11
 [u g12u b12u d13u g13u ] [u g12u c13u e13u g13u ] [u g12u b12u d13u g13u ] [u 
g12u c13u e13u g13u ] /
% ( 1| 1| 1) 11
 [l b84l o. )C Df g85l o. e85l o. c85l o. ] [l d85l o. g85l o. e85l o. c85l o. 
] /
% ( 1| 2| 5) 12
 g42u o. g43l o. g42u o. r4 /
% ( 1| 1| 1) 12
 d45l o. b44l o. zd5 zg5 g44u o. r4 /
% ( 1| 2| 5) 13
 \zcharnote{-6}{legato}\ [l c14sl Dp d14l c14l d14l ] [l c14l d14l c14l d14l ]
 [l c14nl d14l c14l d14l ] [l c14l d14l c14l d14l ] /
% ( 1| 1| 1) 13
 rp /
% ( 1| 2| 5) 14
 [l b13l d14l b13l d14l ] [l b13l d14l b13l d14l ] [l b13l d14l b13l d14l ] [l 
b13l d14l b13l d14l ] /
% ( 1| 1| 1) 14
 (B [l d86l b85l )B ] (B g4d5l [l a15l b15l ] [l a85l )B g85l o. ] /
% ( 1| 2| 5) 15
[l c14l d14l b13l d14l ] [l a13l d14l b13l d14l ] [l c14l d14l b13l d14l ] [l 
c14l d14l a13l d14l ] /
% ( 1| 1| 1) 15
 (B [l g8d5l oT f15sl )B ] f45l r2 /
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Re: [Tex-music] Problem with pmx file

2019-05-09 Thread Dieter

Hi Rodolfo,

the problem of XML2PMX with respect to Sonate facile of Mozart has been
identified.
There seems to be new syntax of MusicXML, which I see for the first time.
Please look at Measure 25 of <>
The trill in the right hand has been modelled twice:

 * once as a whole note for the note sheet
 * and once as thirtytwo 32nd notes: a35, b, a, b . . .etc. for MIDI

I will have to remove the explicit trill.

Regards, Dieter

Am 08.05.2019 um 15:17 schrieb Rodolfo Medina:

Dieter  writes:


Hi Rodolfo,

the "m0/4/0/4/" has been generated by XML2PMX, so it is my fault.

And then there seem to be staff-crossing beams involved, which XML2PMX
cannot yet handle.

Do you maybe have a printout (pdf) of BWV0826? This would help me in the
analysis.

Thanks for testing!

Regards, Dieter


Thanks to you...

I sent you the wrong file, sorry...  It should be this one I'm attaching
together with the pdf printout, both coming from Musescore at:

  https://musescore.com/classicman/scores/77457

And yes, in bar 18 there are some staff-crossing beams...  So it's explained
why XML2PMX fails there...  What about BWV0826.xml instead...?

Cheers, thanks again

Rodolfo



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Re: [Tex-music] Problem with pmx file

2019-05-08 Thread Dieter

Hi Rodolfo,


the "m0/4/0/4/" has been generated by XML2PMX, so it is my fault.

And then there seem to be staff-crossing beams involved, which XML2PMX
cannot yet handle.

Do you maybe have a printout (pdf) of BWV0826? This would help me in the
analysis.

Thanks for testing!

Regards, Dieter


Am 07.05.2019 um 17:44 schrieb Rodolfo Medina:

Dieter  writes:


Hi Rodolfo,

it seems that in Bar 18 the meter change is not correct.

Could you send me the XML-file?

Regards, Dieter

Hi, Dieter!

the XML file was one of my many attempts to use XML2PMX.  I'm afraid I didn't
save it.  It was an xml file modified by me in order to have XML2PMX work on
it.  I'm attaching the original file, that I got in internet.  Unfortunately,
in my experience, XML2PMX only works on the sample files you report in
Readme.txt: with most other xml files I've found in internet, XML2PMX fails for
me under both Linux and Windows.  How come...?  For example, with the file I'm
attaching now, I'd be curious to know why XML2PMX fails.  Also, it fails for
me, as I said, on the xmls coming from Musescore.  You said there's something
special with them.  What special...?  I'd be curious.  I've studied now
MusicXML language a bit.  I hope you can work it out and fix it...  Maybe could
I have your new experimental version, while waiting for the official new
one...?  Please let me know...  Thanks, cheers

Rodolfo





Am 05.05.2019 um 00:28 schrieb Rodolfo Medina:

  Please help with this other attached pmx file.  Under both Linux and Windows,
when trying to process it with `musixtex test.pmx', I get the following error:

This is musixtex.lua version 0.21.
  This is PMX, Version 2.84 , 10 Feb 18
  Opening test.pmx

  Starting first PMX pass

   Bar 1  Bar 2  Bar 3  Bar 4  Bar 5  Bar 6  Bar 7  Bar 8  Bar 9  Bar 10  Bar 11
   Bar 12  Bar 13  Bar 14  Bar 15  Bar 16  Bar 17

  ERROR in line 111, bar 18 Digit 0 not allowed here
 v
  m0/4/0/4
 ^
!! pmx processing of test.pmx fails.


Thanks,

Rodolfo


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Re: [Tex-music] strange reaction of PMX 284

2019-05-07 Thread Dieter

Sorry Don,

I made a stupid syntax error. I did not sleep well last night.

Regards, Dieter

Am 07.05.2019 um 10:01 schrieb Dieter:


Hi Don,

I do not understand, what I am doing wrong.

This is the pmx-code:



---
\input musixtex
\input pmx
\let\tny\tinynotesize
---
1 1 4 4 0 6 0 -1
0 2 20 0.08

t
.\
Abep
w120m
h
Pi\`{u} mosso
\tny\ d46x3nf a  r  \tny\ r4  \tny\ d46x3nf a r  \tny\ r4  /
% ( 2| 1| 1) 85
m/4/4/4/4
 a05 Dpp  zd /
 ==

And this is, what I get from pmx284.

===

D:\MUSIX\ulrich>Call "c:\programme\miktex 2.9\miktex\bin\pmx284.exe"
testtiny
 This is PMX, Version 2.84 , 30 Dec 17
 Opening testtiny.pmx

 Starting first PMX pass

  Bar 1At line 23690 of file pmx284_180208.for
Fortran runtime error: Positive width required in format
(i0)
  ^
===
D:\MUSIX\ulrich>pause
Drücken Sie eine beliebige Taste . . .



As soon, as I remove the meter change, everything looks fine.

Regards, Dieter

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[Tex-music] strange reaction of PMX 284

2019-05-07 Thread Dieter

Hi Don,

I do not understand, what I am doing wrong.

This is the pmx-code:



---
\input musixtex
\input pmx
\let\tny\tinynotesize
---
1 1 4 4 0 6 0 -1
0 2 20 0.08

t
.\
Abep
w120m
h
Pi\`{u} mosso
\tny\ d46x3nf a  r  \tny\ r4  \tny\ d46x3nf a r  \tny\ r4  /
% ( 2| 1| 1) 85
m/4/4/4/4
 a05 Dpp  zd /
 ==

And this is, what I get from pmx284.

===

D:\MUSIX\ulrich>Call "c:\programme\miktex 2.9\miktex\bin\pmx284.exe" 
testtiny

 This is PMX, Version 2.84 , 30 Dec 17
 Opening testtiny.pmx

 Starting first PMX pass

  Bar 1At line 23690 of file pmx284_180208.for
Fortran runtime error: Positive width required in format
(i0)
  ^
===
D:\MUSIX\ulrich>pause
Drücken Sie eine beliebige Taste . . .



As soon, as I remove the meter change, everything looks fine.

Regards, Dieter

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Re: [Tex-music] MusiXTeX/pmx sources

2019-04-20 Thread Dieter


Hi Rodolfo,

"fi invalid" means that the input xml-file does not exist.
Could you send me the whole input command?

I am just unable to test, because my linux-ubuntu machine is not working
properly (mousepointer shivering),
 I must get a new mouse and keyboard early next week.

Regards, Dieter

Am 20.04.2019 um 17:34 schrieb Rodolfo Medina:

Dieter  writes:


Hi Rodolfo,

I believe you are working with Linux, right? Did you have a look at the
README file?

There should be 5 entries in the command line. Like this one:

./XML2PMX ./XML/Telemann.xml ./PMX/Telemann.pmx n 10

The option "n" means no option chosen. And "10" is the number of bars you want 
to convert.

After running the command the result will be in Folder /PMX/.

I just tested it on Windows 10 and it worked correctly.

My linux system did not run for many months, but I will try to verify again.

Regards,
Dieter


Hi, Dieter, I did as you say but there's no output, and error:

This is XML2PMX.EXE Version 14.
./Invention_1.xml fi is invalid

Rodolfo











Hi, Dieter...

I wanted to test your tool onto the xml sample file that you attached, but it
fails:

$ ./XML2PMX Invention_1.xml
./XML2PMX error: argument number not 5


Please help...

Thanks,

Rodolfo



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Re: [Tex-music] MusiXTeX/pmx sources

2019-04-20 Thread Dieter

Hi Christian,

could you please send me your XML file or even better pdf file of Anna
Magdalena's Musette?

Then I will run it through my machinery and we can count the errors.

Regards, Dieter

Am 20.04.2019 um 11:35 schrieb Christian Mondrup:

On 4/20/19 12:05 AM, Rodolfo Medina wrote:

Dieter  writes:

Thank you...  It'd be great.  I'll try to install Audiveris in my Linux
machine.  If successful, I'll then start the happy `xml -> tex'
walk.  I'll let
you know.


I managed to build and run audiveris on my Mint 18.3 linux station. I
followed the instructions at

https://bacchushlg.gitbooks.io/audiveris-5-1/content/install/sources.html

My test case is a simple MUP engraved keyboard score: 'Musette' by
J.S.Bach from Anna Magdalena Notenbüchlein. When opening the .mxl
result file with MuseScore I notice that the musicxml transcription is
far from error free. I wouldn't expect that either. It looks like,
though, that audiveris may free you from some tedious Scoding.


I'd propose that a specific repository be created, including all and
only music
score sources...


Judged from my quality assurance while maintaining WIMA 2001-2012 I'd
not recommend that proposal. My experience is that the quality of
score contributions varies substantially. How would you now from a pmx
engraving source ONLY that the engraver has prepared a proper score?
You need a PDF result to evaluate that.

Greetings



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Re: [Tex-music] MusiXTeX/pmx sources

2019-04-20 Thread Dieter

Hi Rodolfo,

I believe you are working with Linux, right? Did you have a look at the
README file?

There should be 5 entries in the command line. Like this one:

./XML2PMX ./XML/Telemann.xml ./PMX/Telemann.pmx n 10

The option "n" means no option chosen. And "10" is the number of bars you want 
to convert.

After running the command the result will be in Folder /PMX/.

I just tested it on Windows 10 and it worked correctly.

My linux system did not run for many months, but I will try to verify again.

Regards,
Dieter










Hi, Dieter...

I wanted to test your tool onto the xml sample file that you attached, but it
fails:

$ ./XML2PMX Invention_1.xml
./XML2PMX error: argument number not 5


Please help...

Thanks,

Rodolfo



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Re: [Tex-music] colour support in MusiXTeX?

2019-04-15 Thread Dieter

There is a lot of colour in

musixguide.pdf,
but is there any doc in English?

Thanks and regards,
Dieter

Am 12.04.2019 um 18:12 schrieb Hiroaki MORIMOTO:


I found it for plain MusiXTeX (not PMX), but have not yet checked its detail.

http://sheet-poem.com/musixTeX/musixguide.pdf
http://sheet-poem.com/musixTeX/musixtex.html

Hiroaki

- Original Message -

To: Werner Icking Music Archive 
From: Dieter 
Date: Thu, 11 Apr 2019 18:28:20 +0200
Subject: [Tex-music] colour support in MusiXTeX?


Has anybody ever thought about colour support for MusiXTeX and PMX?

Regards, Dieter

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Re: [Tex-music] Moving test horizontally in MusixTeX

2019-04-13 Thread Dieter

Thanks Dirk,
mean while I found a simpler solution within PMX.
a D"\circleit 3"+16-2.5 /

Regards,
Dieter

Am 13.04.2019 um 12:05 schrieb Dirk Laurie:

This inline TeX instead of zcn almost does it:

\zchar{+10}{\llap{\circleit1\kern\afterruleskip}}\

Another \llap with the notehead width should fix that.


Op Sa. 13 Apr. 2019 om 11:25 het Dieter  geskryf:

---
\input musixtex
\input pmx
---
1 1 4 4 0 6 0 -1
0 5 20 0.08

t
.\
Abep
%w120m
a05 /
\zcn{10}{\circleit 1}\ a /
\lcn{10}{\circleit 2}\ a /
\ccn{10}{\circleit 3}\ a /



yields


How could I move the circled number horizontally to the beginning (or end) of a 
bar?

Thanks!

Dieter

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[Tex-music] Moving test horizontally in MusixTeX

2019-04-13 Thread Dieter

---
\input musixtex
\input pmx
---
1 1 4 4 0 6 0 -1
0 5 20 0.08

t
.\
Abep
%w120m
a05 /
\zcn{10}{\circleit 1}\ a /
\lcn{10}{\circleit 2}\ a /
\ccn{10}{\circleit 3}\ a /



yields


How could I move the circled number horizontally to the beginning (or
end) of a bar?

Thanks!

Dieter

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Re: [Tex-music] PMX: switch to smaller notes type (German "Stichnoten")

2019-04-12 Thread Dieter

Hi Don,

it is totally straightforward. I should have known  before.

---
\input musixtex
\input pmx
---
1 1 4 4 0 6 0 -1
0 2 20 0.08

t
.\
Abep
w120m
a4 b c d /
\zcn{12}{\circleit 1}\ e f g  a4 /
\zcn{12}{\circleit 3}\ b c d e /


and the result is:
It is very helpful to extend PMX with MusiXTeX elements.
Regards, Dieter

Am 11.04.2019 um 20:16 schrieb Don Simons:

I'm not familiar with \boxit or \circleit and I'm not sure what you mean by "rehearsal 
marks". Maybe an example would help. But if they're text, you can put them anywhere you want 
using the D"..." command with vertical and horizontal shift options.

--Don


Hi Don,
it is amazing how easy it is to use the cue notes with PMX.

  >I will try and fiddle a bit with the X-command. May I ask another question?

I try using  \boxit or \circleit in PMX for rehearsal marks. But they always 
drop inside the stave. How could I move these boxes above stave?
Or is there another solution.
Regards, Dieter


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[Tex-music] colour support in MusiXTeX?

2019-04-11 Thread Dieter

Has anybody ever thought about colour support for MusiXTeX and PMX?

Regards, Dieter

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Re: [Tex-music] PMX: switch to smaller notes type (German "Stichnoten")

2019-04-11 Thread Dieter

Hi Don,
it is amazing how easy it is to use the cue notes with PMX.
 I will try and fiddle a bit with the X-command. May I ask another
question?
I try using  \boxit or \circleit in PMX for rehearsal marks. But they
always drop inside the stave. How could I move these boxes above stave?
Or is there another solution.
Regards, Dieter
Am 11.04.2019 um 17:18 schrieb Don Simons:


First, good job simplifying the procedure for making notes smaller.

As for shrinking the spacing, once again I have a klunky answer but
not a good one. The PMX command X can be used with a negative
argument, so for example X-.5 will shrink the local space by 0.5
notehead widths. Problem is that you’d need to put in a separate one
of these in EVERY space you wanted to shrink, and if you wanted to
maintain the right scaling, you’d need different amounts of shrinkage
for different length notes. Maybe Andre can come up with a better way J.

--Don

*From:*TeX-Music
[mailto:tex-music-bounces+dsimons=roadrunner@tug.org] *On Behalf
Of *Dieter
*Sent:* Thursday, April 11, 2019 4:56 AM
*To:* tex-music@tug.org
*Subject:* Re: [Tex-music] PMX: switch to smaller notes type (German
"Stichnoten")

Hi Don,

Thanks for your rapid help.

I 'm sorry for being so imprecise. What I really wanted is this:

This is an excerpt from the 1st violin of the 1st Symphonie of Mahler.

Is there a way to compress the cue notes horizontally?

Regards, Dieter



---
\input musixtex
\input pmx
\let\tny\tinynotesize
---
1 1 4 4 0 6 0 -1
0 2 20 0.08

t
.\
Abep
w120m
h
Pi\`{u} mosso
\tny\ \zcharnote{10}{(trmp.)}\ r8d \tny\ a34 zfs \tny\ a zf \tny\ 
a4x3n+12 zf f zd a+ zf  \tny\
[u d45x3 zf- a d zf- ] \tny\ [u e45x3 za- d zf- e+ za- ] /
\\\advance\barno-1\ 
r4 a45 Dff r2+1//
\tny\ [ d85 zfs \tny\ r1 \tny\ f1 za ] r2db /

===

Am 10.04.2019 um 18:12 schrieb Don Simons:

I finally figured out that you’re asking about cue notes. Short
answer: it’s not easy. You have to use inline TeX. There are some
macros in pmx.tex that simplify some things a little bit:


\def\smno#1{\off{.17\qn@width}\tinynotesize#1\normalnotesize\off{-.17\qn@width}}%

\def\pmno#1{\roffset{.08}{\smallnotesize#1\normalnotesize}}%

\def\smq#1{\smno{\zql{#1}}}\def\smc#1{\smno{\zcl{#1}}}%

\def\smh#1{\smno{\zhl{#1}}}%

But you’re going to have to do some work to get horizontal spacing
right for your example, since while \smno makes the notes small,
it uses the \noteskip that’s already been set. Here’s a short
example you should study, extracted from my published edition of
Nicola Matteis “Ayres for Violin, the Fourth Part”:

=

1 1 2 4 0 6 0 0

1 2 20 0.08

t

.\

\smh0\islurd34\ bd44u [u c1 \tslur36\ d ] /

% Bar 1-5

\\\advance\barno-1\ 

m4400

\smh0\ c25u r8 [u c su+6-.3 \smq0\ b c1 b s+7+.5 ] |

\smh0\ a2 r1 [u a su+8-.3 b c ] \smq{-1}\ bd8 os-1 a1 s+8+.5 |

\smh{-3}\ gs2 r8 [u b \smc0\ bd s c3 d s ]

\smh0\ c2u r1 [u c s d e ] \smq{-1}\ [u dd8 c1 s ]

\smh{-1}\ b2u r8 [u g85 \smc6\ fd os e1 ] /

% Bar 6-10

\smh5\ e25u r4 \smno{\ibl43{-6}\zqbp45}\ [u ad8
\smno{\tbbl4\tbl4\zqb41}\ a14 ]

\smh1\ b2u r8 \smc0\ [u c \smq{-1}\ cd os b1 ] \smh0\ c2u r4
\smq7\ g45u

\smh6\ g2u r8 gu \smq5\ [u fs s e1 f s ]

\smh4\ g2u r4 \smq4\ [u gd8 s fnc1 s ] /

=

--Don

*From:*TeX-Music
[mailto:tex-music-bounces+dsimons=roadrunner@tug.org] *On
Behalf Of *Dieter
*Sent:* Wednesday, April 10, 2019 12:46 AM
*To:* tex-music@tug.org <mailto:tex-music@tug.org>
*Subject:* [Tex-music] PMX: switch to smaller notes type (German
"Stichnoten")

How could I do this in PMX?

Thanks

Dieter



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Re: [Tex-music] PMX: switch to smaller notes type (German "Stichnoten")

2019-04-11 Thread Dieter

Hi Don,
Thanks for your rapid help.
I 'm sorry for being so imprecise. What I really wanted is this:
This is an excerpt from the 1st violin of the 1st Symphonie of Mahler.

Is there a way to compress the cue notes horizontally?

Regards, Dieter

---
\input musixtex
\input pmx
\let\tny\tinynotesize
---
1 1 4 4 0 6 0 -1
0 2 20 0.08

t
.\
Abep
w120m
h
Pi\`{u} mosso
\tny\ \zcharnote{10}{(trmp.)}\ r8d \tny\ a34 zfs \tny\ a zf \tny\
a4x3n+12 zf f zd a+ zf  \tny\
[u d45x3 zf- a d zf- ] \tny\ [u e45x3 za- d zf- e+ za- ] /
\\\advance\barno-1\
r4 a45 Dff r2+1//
\tny\ [ d85 zfs \tny\ r1 \tny\ f1 za ] r2db /

===
Am 10.04.2019 um 18:12 schrieb Don Simons:


I finally figured out that you’re asking about cue notes. Short
answer: it’s not easy. You have to use inline TeX. There are some
macros in pmx.tex that simplify some things a little bit:

\def\smno#1{\off{.17\qn@width}\tinynotesize#1\normalnotesize\off{-.17\qn@width}}%

\def\pmno#1{\roffset{.08}{\smallnotesize#1\normalnotesize}}%

\def\smq#1{\smno{\zql{#1}}}\def\smc#1{\smno{\zcl{#1}}}%

\def\smh#1{\smno{\zhl{#1}}}%

But you’re going to have to do some work to get horizontal spacing
right for your example, since while \smno makes the notes small, it
uses the \noteskip that’s already been set. Here’s a short example you
should study, extracted from my published edition of Nicola Matteis
“Ayres for Violin, the Fourth Part”:

=

1 1 2 4 0 6 0 0

1 2 20 0.08

t

.\

\smh0\islurd34\ bd44u [u c1 \tslur36\ d ] /

% Bar 1-5

\\\advance\barno-1\

m4400

\smh0\ c25u r8 [u c su+6-.3 \smq0\ b c1 b s+7+.5 ] |

\smh0\ a2 r1 [u a su+8-.3 b c ] \smq{-1}\ bd8 os-1 a1 s+8+.5 |

\smh{-3}\ gs2 r8 [u b \smc0\ bd s c3 d s ]

\smh0\ c2u r1 [u c s d e ] \smq{-1}\ [u dd8 c1 s ]

\smh{-1}\ b2u r8 [u g85 \smc6\ fd os e1 ] /

% Bar 6-10

\smh5\ e25u r4 \smno{\ibl43{-6}\zqbp45}\ [u ad8
\smno{\tbbl4\tbl4\zqb41}\ a14 ]

\smh1\ b2u r8 \smc0\ [u c \smq{-1}\ cd os b1 ] \smh0\ c2u r4 \smq7\ g45u

\smh6\ g2u r8 gu \smq5\ [u fs s e1 f s ]

\smh4\ g2u r4 \smq4\ [u gd8 s fnc1 s ] /

=

--Don

*From:*TeX-Music
[mailto:tex-music-bounces+dsimons=roadrunner@tug.org] *On Behalf
Of *Dieter
*Sent:* Wednesday, April 10, 2019 12:46 AM
*To:* tex-music@tug.org
*Subject:* [Tex-music] PMX: switch to smaller notes type (German
"Stichnoten")

How could I do this in PMX?

Thanks

Dieter


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[Tex-music] PMX: switch to smaller notes type (German "Stichnoten")

2019-04-10 Thread Dieter

How could I do this in PMX?


Thanks

Dieter

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[Tex-music] PMX: interference betweeen tuplets and dynamic marks

2019-02-21 Thread Dieter

Dear PMXperts,

the attached example runs only, when I remove the "Dp" in the bass voice.

The "Dp" in the Alto works fine.

Or in other words I cannot put a dynamic mark after the triplet.

Regards

Dieter

===

---
\input musixtex
\input pmx
\def\titlelines{\vbox{\smalltype\hbox{Text: Py B{\"a}ckman}\hbox{Musik: 
Stefan Nilsson}\hbox{K{\"o}rsats: Lars Wallen{\"a}s}}}

---
% PREAMBLE
% nstaves ninstr mtrnuml mtrdenl mtrnump mtrdenp
  4  4  4   4    4  4
% npickup (1 = 1/4-Note) nkeys
  0  -2
% npages nsystems musicsize fracindent
  0   5  20 0.12
Bass
Tenor
Alt
Sopran
b8tt
.\
% Body
% Header
Tc
\titlelines
Tt
Gabriellas s\aa ng

AbepI0.9

%Bars 16-17
b2x3 Dp   b b  b2 t | Rd b2 t r2 | /
b2x3nf  b b  b2 t | b2 t r2 | /
f2d Dp r8 b1- c | d4 g f2x3nf d b | /
d2x3nf  d d  d2 t | d2 t r2 | /

=





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Re: [Tex-music] Font change in PMX

2019-02-18 Thread Dieter

Thanks, Hiroaki!

It works.

Regards,
Dieter


Am 18.02.2019 um 14:42 schrieb Hiroaki MORIMOTO:

It may be:

---
\input musixtex
\input pmx
\input musixlyr
%\akkoladen{{1}{4}}
\def\titlelines{\vbox{\smalltype\hbox{Text: Py B{\"a}ckman}\hbox{Musik: Stefan 
Nilsson}\hbox{K{\"o}rsats: Lars Wallen{\"a}s}}}
---
% PREAMBLE
% nstaves ninstr mtrnuml mtrdenl mtrnump mtrdenp
   4  4  4   44  4
% npickup (1 = 1/4-Note) nkeys
   0  -2
% npages nsystems musicsize fracindent
   0   5 20 0.12
Bass
Tenor
Alt
Sopran
b8tt
.\
% Body
% Header
Tc
\titlelines
Tt
Gabriellas s\aa ng
%h
%Melancolique  ( 1/4 = 54 )
AbepI0.9a2
b-0 t | b0 t t1 | b0 t1 t2 | b0 t2 t3 | b2d t3 r4 | /
b2 c2 | f0 | f0 | g0 t | g2d t r8 b1- c | /
r0 | r0 | b0 t | b0 t t1 | b2d t1 r4 | /
r0 | r0 | b2 c2 | f0 | e2d r4  | /

Note that PMX cuts input lines off at 127 bytes; i.e. changing \titlelines into 
\composerslines in this sample will fail.
To write definitions with more bytes, you can use .mod file instead.

Of course there may be other ways...

Hiroaki


- Original Message -

To: tex-music@tug.org
From: Dieter 
Date: Mon, 18 Feb 2019 09:59:25 +0100
Subject: [Tex-music] Font change in PMX


I have three lines in "Tc",and want to apply the small font? to all
three lines.

Thanks and regards Dieter

---
\input musixtex
\input pmx
\input musixlyr
%\akkoladen{{1}{4}}
---
% PREAMBLE
% nstaves ninstr mtrnuml mtrdenl mtrnump mtrdenp
  ? 4? 4? 4?? 4??? 4? 4
% npickup (1 = 1/4-Note) nkeys
  ? 0? -2
% npages nsystems musicsize fracindent
  ? 0?? 5 20 0.12
Bass
Tenor
Alt
Sopran
b8tt
.\
% Body
% Header
*Tc**
**\smalltype\ Text: Py B{\"a}ckman \\? Musik: Stefan Nilsson\\
K{\"o}rsats: Lars Wallen{\"a}s *
Tt
Gabriellas s\aa ng
%h
%Melancolique? ( 1/4 = 54 )
AbepI0.9a2
b-0 t | b0 t t1 | b0 t1 t2 | b0 t2 t3 | b2d t3 r4 | /
b2 c2 | f0 | f0 | g0 t | g2d t r8 b1- c | /
r0 | r0 | b0 t | b0 t t1 | b2d t1 r4 | /
r0 | r0 | b2 c2 | f0 | e2d r4? | /




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[Tex-music] Font change in PMX

2019-02-18 Thread Dieter

I have three lines in "Tc",and want to apply the small font  to all
three lines.

Thanks and regards Dieter

---
\input musixtex
\input pmx
\input musixlyr
%\akkoladen{{1}{4}}
---
% PREAMBLE
% nstaves ninstr mtrnuml mtrdenl mtrnump mtrdenp
  4  4  4   4    4  4
% npickup (1 = 1/4-Note) nkeys
  0  -2
% npages nsystems musicsize fracindent
  0   5 20 0.12
Bass
Tenor
Alt
Sopran
b8tt
.\
% Body
% Header
*Tc**
**\smalltype\ Text: Py B{\"a}ckman \\  Musik: Stefan Nilsson\\
K{\"o}rsats: Lars Wallen{\"a}s *
Tt
Gabriellas s\aa ng
%h
%Melancolique  ( 1/4 = 54 )
AbepI0.9a2
b-0 t | b0 t t1 | b0 t1 t2 | b0 t2 t3 | b2d t3 r4 | /
b2 c2 | f0 | f0 | g0 t | g2d t r8 b1- c | /
r0 | r0 | b0 t | b0 t t1 | b2d t1 r4 | /
r0 | r0 | b2 c2 | f0 | e2d r4  | /



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[Tex-music] Cannot reach Don's email

2018-10-05 Thread Dieter

Hi Don,

the last few emails, I sent to your adress" don Simons 
"

were not delivered.

Regards, Dieter



Am 05.10.2018 um 06:12 schrieb Don Simons:

In PMX (not LaTeX!) this seems to work:

=
1 1 4 4 4 4 0 0
1 1 20 0

t
.\
g24 D"Coda \musixchar85"+14 g /
=

You can use spaces inside the "..." to shift the symbol to the right. You
would need to use {\musixchar85} if you wanted to put any text after the
symbol, to keep from changing the font.

--Don


-Original Message-
From: TeX-Music [mailto:tex-music-
bounces+dsimons=roadrunner....@tug.org] On Behalf Of Dieter
Sent: Thursday, October 04, 2018 12:29 AM
To: Werner Icking Music Archive 
Subject: [Tex-music] PMX: Segno or Coda sign within dynamic text

Hi Don,

is it possible to include a special symbol like "segno" or "coda"

inside dynamic text like

D"some text \coda p\ some more text" ? Where p is the pitch to place the
symbol.

It is no problem toB  generate a coda sign somewhere around the text.

But it does not reserve horizontal space for it.

I am sure if I were more fluent in TeX, I should be able to resolve this
problem myself.

Thanks and regards
Dieter

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[Tex-music] PMX: Segno or Coda sign within dynamic text

2018-10-04 Thread Dieter

Hi Don,

is it possible to include a special symbol like "segno" or "coda"

inside dynamic text like

D"some text \coda p\ some more text" ? Where p is the pitch to place the
symbol.

It is no problem toB  generate a coda sign somewhere around the text.

But it does not reserve horizontal space for it.

I am sure if I were more fluent in TeX, I should be able to resolve this
problem myself.

Thanks and regards
Dieter

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Re: [Tex-music] prepmx failing on example document

2018-04-29 Thread Dieter

IF typesetting music with lyrics is your major concern,

I recommend to use PMX together with the package "musixlyr" (by 
RainerDunker).


Sample in the attachment.

Regards,
Dieter


Am 29.04.2018 um 10:23 schrieb Dirk Laurie:

2018-04-28 21:34 GMT+02:00 "Matthias Holländer"<matthiashollaen...@web.de>:


However, I started using MusiXTeX and PMX in the meantime and did have quite
a hard time finding appropriate PMX example files for my particular needs.
E.g. the first example I became aware of that would be with lyrics, was
netsoos.pmx (it's mentioned in section 6.1 of the PMX manual), but since I
could not produce a netsoos.pmx from the netsoos.mtx I had to go on
searching for another example.

Note that netsoos.pmx uses the M-Tx lyrics system: everything is done by
inline TeX using macros from mtx.tex. There is nowadays a native PMX lyrics
system that does not require you to load mtx.tex

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netsoos_musixlyr.pdf
Description: Adobe PDF document
---
\input musixtex
\input pmx
\input musixlyr
\setlyrics{b}{Net soos ek   is,   net soos ek   is,   O  Lam van  God, ek   
kom.}
\setlyrics{t}{Net soos ek   is,O  Lam van  God,_  ek   kom.}
\setlyrics{a}{Net soos ek   is,   net soos ek   is,   O  Lam van  God, ek   
kom.}
\setlyrics{s}{Net soos ek   is,   net soos ek   is,   O  Lam van  God, ek   
kom.}
\auxlyr{\lyrraise1{a-10pt}}
\auxlyr{\lyrraise2{a+15pt}}
\lyrraise2{b+10pt}
---
2 -2 1 1 3 4 3 4  0.0 2 1 1 20 0


bt
./
w190m
\\setinterinstrument{1}{9\Interligne}\
\\sepbarrules\
\\grouptop12\groupbottom11\
\\input musixlyr \
\\def\at#1{\lyrraisehere{#1\internote}}\

\assignlyrics1{b}\
 a43 a4   a4 | g2d | g4 g4   g4 | f2d | b4- g4+ f4 | e2   a4- | d2d ofd RD //
 
\auxlyr{\assignlyrics1{t}}\
 rp+6 | b43 e4   d4 | c2d | a4 d4  c4 | (S b2d | b2 )S g4 | f2d /

\assignlyrics2{a}\
 d44s g4  f4 | e2d | e4  f4   e4 | d2d | d4 d4r d4 | d2   c4 | d2d //

\auxlyr{\assignlyrics2{s}}\
 b44  b4  b4 | b2d | a4  a4   a4 | a2d | d4 e4- f4 | g2   e4 | d2d of /

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Re: [Tex-music] prepmx failing on example document

2018-04-09 Thread Dieter

Hello Bendikt,

(1) Install Miktex 2.9 on Windows 10 (including luatex)
(2) open a command line
(3) choose the folder with netsoos.mtx
(4) execute: musixtex netsoos.mtx

Regards, Dieter



Am 07.04.2018 um 17:36 schrieb Christof Hesse:

Hallo Benedikt,
TEX kann zunächst nichts mit der Datei "netsoos.mtx" anfangen. Zuerst 
mußt Du "prepmx netsoos.mtx" eingeben, dann "pmxabnetsoos.pmx", dann 
"musixtex -p netsoos.tex". Dann erhältst Du

das Resultat "netsoos.pdf", das ich im Dateianhang beilege.
Liebe Grüße
Christof
*Gesendet:* Samstag, 07. April 2018 um 16:34 Uhr
*Von:* "Benedikt Wilde" <bwi...@posteo.de>
*An:* tex-music@tug.orgdas Resultat
*Betreff:* Re: [Tex-music] prepmx failing on example document
Of course. I attached the mtx file.

Benedikt




On 07.04.2018 16:25, Christof Hesse wrote:
> Kannst Du wenigstens Deinen TEX- File an Deine Frage anhängen? So 
kann niemand
> eine vernünftige Antwort geben, weil niemand da Problem 
reproduzieren kann.

> Liebe Grüße Christof
> *Gesendet:* Samstag, 07. April 2018 um 15:00 Uhr
> *Von:* "Benedikt Wilde" <bwi...@posteo.de>
> *An:* "Tex Music" <tex-music@tug.org>
> *Betreff:* [Tex-music] prepmx failing on example document
> Hello everyone,
>
> I have been wanting to start using MusiXTeX for some time now, but the
> following error prevented me from doing so. I have searched for a
> solution in various places online, but could not find any. Hopefully,
> someone here can help me.
>
> When I try to run musixtex on the example file netsoos.mtx from the
> MusiXTeX site [1], I get the following output in the console
>
> d:\folder>musixtex netsoos
> This is musixtex.lua version 0.19.
> ==> This is M-Tx 0.63 (Music from TeXt) <7 January 2018>
> !! prepmx preprocessing of netsoos.mtx fails.
>
> and the program crashes.
> The (rather unhelpful) content of musixtex.log is
>
> This is musixtex.lua version 0.19.
> Processing netsoos.mtx
> prepmx netsoos
> !! prepmx preprocessing of netsoos.mtx fails.
>
> I am using MiKTeX on Windows 10.
>
> Any ideas on what might be the problem?
> (Note: I do not have a full MiKTeX installation. Could any missing
> packages be causing this behavior?)
>
> Thank you for your help
>
> Benedikt
>
>
> PS: Some time ago I posted a question about this on tex.SE [2]. Then, I
> got the additional error message
>
> C:\Program Files\MiKTeX 2.9\scripts\musixtex\musixtex.lua:564: bad
> argument #1 to 'write' (string expected, got nil)
>
> This message is not present with the current version of musixtex (and
> m-tx), but it may still be the same error.
>
>
>
>
> [1]: http://icking-music-archive.org/software/htdocs/Introduction.html
> [2]:
> 
https://tex.stackexchange.com/questions/351571/m-tx-fails-bad-argument-1-to-write

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>
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Re: [Tex-music] Produce midi file from MusiXTeX code

2018-01-16 Thread Dieter

Hi Bodo,

your hint to "audiveris" is interesting. I tried to use audiveris a few 
years ago.

And I was very much disappointed, because I was not even able to install it.
And that was due to an OCR package of google which was stored in the 
wrong place.

If it has changed, the better.

Using SharpEye I never had a problem with the generated XML-code.
The SharpEye Editor is really powerful and systematically controls the 
duration of Bars.


Sure my XML2PMX does have its limits, for example it cannot (yet) treat 
stave-crossing beams.


So if it works  (99 % of the cases ;-) ), it is not a big effort for me. 
When it means new features, then it may take a bit longer.


Regards, Dieter


Am 16.01.2018 um 10:42 schrieb Bodo Meißner:

Zitat von Rodolfo Medina <rodolfo.med...@gmail.com>:

The most delicate passage, as I understand, is scan => MusixXML.  I 
don't have MS Windows nor Apple Mac on both my two PCs, I have Linux 
on both...


Hello Rodolfo,

if it's a reasonable amount of work, someone from this list may do the 
scanning/conversion for you.
(Dieter may also use your PDF to test/improve the MusicXML-to-PMX 
converter.)


If you want to do the scan process yourself you can try Audiveris
https://github.com/audiveris
I only tried the earlier generation about a year ago, which was not 
able to convert all files.


There is also an online conversion service that converts a PDF to a 
MuseScore file. This service uses Audiveris, don't know if they use 
the current generation. MuseScore is free and can export MusicXML.

The import service requires free registration on the MuseScore site.
https://musescore.com/import


Kind regards,
Bodo

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Re: [Tex-music] Produce midi file from MusiXTeX code

2018-01-16 Thread Dieter
I want to clarify clarify,   how to solve Rodolfo's problem with 
Sharpeye and XML2PMX.


1. MusiXTeX produces note sheets in a PDF-file
2. "FreePDF to TIFF converter"  Creates TIF-file(s) from PDF-file
3. SharpEye reads TIF, then  we can manually correct any scanning error 
with the SharpEye Notes Editor

4. SharpEye creates MusixXML
5. XML2PMX creates PMX-Input
6. PMX creates midi

But beware, that this midi file is not made for a beauty contest, but 
only for auditively controling the note pitch.

For example the effect of ties is not taken into account.

Rodolfo is still invited to send me his PDF-file, so that I can try.

Regards, Dieter

Am 16.01.2018 um 10:09 schrieb Rodolfo Medina:

"Don Simons" <dsim...@roadrunner.com> writes:


The original question was how to create midi from MusiXTeX. The proposal was
MusiXTeX => image => scan => MusixXML => XML2PMX and then I assumed PMX =>
midi directly.


The most delicate passage, as I understand, is scan => MusixXML.  I don't have
MS Windows nor Apple Mac on both my two PCs, I have Linux on both...  So that
passage is unfortunately not practicable for me...

Rodolfo
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Re: [Tex-music] Produce midi file from MusiXTeX code

2018-01-14 Thread Dieter


Hi Rodolfo,

Bob's Photoscore solution looks quite powerful.

In  case that you want to try "XML2PMX" instead, just send me a pdf. And 
I will see what I can do.


WIth this procedure you will also get a pmx-file.

Regards, Dieter

Am 14.01.2018 um 15:01 schrieb Rodolfo Medina:

Bob Tennent <rdtenn...@gmail.com> writes:


  >|I want to get a midi file from my MusiXTeX code: is it
  >|possibile, and how...?

If the MusiXTeX code was generated by PMX, you can get a
midi using pmxab on the source. Otherwise, you'll need a
program that can scan the generated PDF. I've been
using PhotoScore for years:

http://www.neuratron.com/photoscore.htm


Thank you, Dirk and Bob.

Rodolfo
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[Tex-music] PMX : moving dots

2018-01-11 Thread Dieter

Hi Don,

please have a look at this example.

==

1    1    4 4 4 4  0 0  0 2  20  0

t
./
w200
 r8   b43d+0+1   zc    r8   b43ld+0+1   zc  /



The 2nd dotted note with a low stem moves the wrong dot.

Is this a bug or a feature?

Regards,

Dieter


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Re: [Tex-music] Request for help with staff gaps in PMX

2017-10-16 Thread Dieter

Thanks to all contributors to this conversation.

I find the white space solution most brilliant.

And it is the only one suitable for me, because I do not understand 
enough TeX.


Regards,
Dieter



Am 15.10.2017 um 21:22 schrieb Don Simons:

Based on recent list postings, I'm considering implementing staff gaps in
PMX. (Since the need is so rare, this is mainly an intellectual challenge).
It would use psframe from pstricks, to paint a white box from one barline to
the next, covering the full height of the system. The psframe construct
requires the use to select an insertion point and to designate the vertical
and horizontal distances from that point to the lower left and upper right
corners of the box. In the example I used as the insertion point the first
default musixtex position after the left barline, and I got the relative
corner locations by trial and error.

What I'm asking for here is some help in working out how to teach PMX to
automagically select all of the necessary parameters, using info buried in
musixtex. I'm thinking the insertion point should probably come at the right
barline, so musixtex knows where it is and can work backwards from there to
the previous barline to get the width of the measure. Horizontally, the
insertion point should probably be at the bottom of the lowest staff (as in
my earlier example). I'd then need to know how to calculate the vertical
distance from there to the top line of the top staff using musixtex
parameters.

If anyone cares to tackle this, the best way to communicate it would be to
generate a musixtex file from a PMX file, then provide a manually doctored
tex file, or maybe use inline tex in the PMX file.

--Don

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[Tex-music] system split vertically (see attacjment)

2017-10-11 Thread Dieter

Hi,

How could one achieve an effect like in the attachment starting with a 
pmx source?


Thanks and regards,
Dieter
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Re: [Tex-music] Space between staves and lyrics not working correctly in M-Tx

2017-06-18 Thread Dieter

The "lyrraise" command should of course go to the end of the M-Tx-preamble.
=
Title: Asaduya Yunta
Poet: Traditional
Style: Singer
Meter: 0/4
Pages: 1
Space: 16
Systems: 3
%%\font\elevensf=cmss10 scaled \magstephalf\elevensf
%%\lyrraise1{b-20pt}
==
Am 07.06.2017 um 16:28 schrieb Dieter:

Dear all,
I propose another solution based on "musixlyr".
Just add the line "\lyrraise1{b-20pt}" to your intermediate PMX file 
just before the second "---".

and then run PMX.

"1" is the number of the voice and "-20pt" the shift to be applied.

There are other useful functions in "musixlyr" which can be used like 
this.


Regards, Dieter Gloetzel

P.S. @ Dirk: I have not recently used M-Tx and I was impressed by the 
automatic installation of M-Tx on  MikTeX.



Am 06.06.2017 um 20:32 schrieb Dirk Laurie:

2017-06-06 18:33 GMT+02:00 Luigi Cataldi <luica...@gmail.com>:

A simple way to solve the problem is to put '@-8' at the beginning 
of the
first line of music and, in the same position of the second line, 
'@+8' in

order to restore the normal position:

@-8 c d [[ e8 g ] ( [ e d  ] ) ( [ d c ] ) ( [ c d ] ) d4 g (" [[ g8 
a ] )

g4 {rep1} ( [ g8 a ] ) a4 a

@+8 [[ g8- g ] [[ g8 g ] [[ c e ] [[ d d ] c4

Or '@=0'. I'm not sure this is spelt out for lyrics in the manual.

The default vertical position of lyrics is tricky to understand. The 
musixlyr

documentation §3.4 calls it "not necessarily the most logical way",
but the idea is to stay compatible with the \csong macro of musixtex,

Dirk

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Re: [Tex-music] Space between staves and lyrics not working correctly in M-Tx

2017-06-07 Thread Dieter

Dear all,
I propose another solution based on "musixlyr".
Just add the line "\lyrraise1{b-20pt}" to your intermediate PMX file 
just before the second "---".

and then run PMX.

"1" is the number of the voice and "-20pt" the shift to be applied.

There are other useful functions in "musixlyr" which can be used like this.

Regards, Dieter Gloetzel

P.S. @ Dirk: I have not recently used M-Tx and I was impressed by the 
automatic installation of M-Tx on  MikTeX.



Am 06.06.2017 um 20:32 schrieb Dirk Laurie:

2017-06-06 18:33 GMT+02:00 Luigi Cataldi <luica...@gmail.com>:


A simple way to solve the problem is to put '@-8' at the beginning of the
first line of music and, in the same position of the second line, '@+8' in
order to restore the normal position:

@-8 c d [[ e8 g ] ( [ e d  ] ) ( [ d c ] ) ( [ c d ] ) d4 g (" [[ g8 a ] )
g4 {rep1} ( [ g8 a ] ) a4 a

@+8 [[ g8- g ] [[ g8 g ] [[ c e ] [[ d d ] c4

Or '@=0'. I'm not sure this is spelt out for lyrics in the manual.

The default vertical position of lyrics is tricky to understand. The musixlyr
documentation §3.4 calls it "not necessarily the most logical way",
but the idea is to stay compatible with the \csong macro of musixtex,

Dirk

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[Tex-music] UTF8 and MusiXTeX

2017-03-22 Thread Dieter

Good Morning,

you may have noticed, that I published on the WIMA page a converter from 
MusicXML to PMX, called XML2PMX.


The XML stuff is all  coded in UTF8. When I have chants with German 
lyrics with Umlaut (äöüß), I have to manually translate to the TeX 
abbreviations like \"{o} etc.


Of course I could try to automatize this process. But I would prefer, 
when MusiXTeX would function with UTF8. With LaTeX you can load  a UTF8 
encoding package, but with TeX I have not heard of such a thing.


Anybody got an idea about the feasibility?

Regards,
Dieter

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Re: [Tex-music] trio with interstaff beam puzzle

2017-03-16 Thread Dieter

Hi Don and André,

when all these intersting triplet cases have been solved inside PMX, I 
propose another one in this area:


which was realized (if I remember properly by André) as:
==
\\\let\qlnew\ql\
e4 d \downtrio{-4}{1.6}0\ d2x3Dn
\def\ql#1{\ibl060\qb0{#1}\tbl0\qb0{6}\let\ql\qlnew}\ e |  /
===
I wonder whether this could be realized on PMX level.

--Dieter

Am 16.03.2017 um 07:16 schrieb Andre Van Ryckeghem:

Thanks to everyone for looking at it.

Don's solution is a handsome discovery, but had a drawback that i 
cannot read the value of the 3th note in the trio (it comes on the 
wrong line if in the lower staff).


Now i humbly ask for allowing rests at the end of xtuplets. And also 
for combined flags and beams in xtuplets.


Here are a few examples of what are my wishes.

Andre

===
2 1 2 4 0 6 0 0 1 3 20 0

tt
./
AT
%Method: Put an any note where the rest should come.
%(if beamed, the hight defines the slope.
%Then replace the note by the musixtex dummy note (*)
%The put a normal rest (ie. \ds)
%
\\\staffbotmarg6\Interligne\
\\\stafftopmarg10\Interligne\
\\interstaff{20}\
%definitions
\\let\cusav\cu\let\clsav\cl\let\ccusav\ccu\let\cclsav\ccl\
\\let\qusav\qu\let\qlsav\ql\let\qbsav\qb\
\\let\tbusav\tbu\let\tblsav\tbl\
\\let\iblsav\ibl\let\ibblsav\ibbl\let\ibusav\ibu\let\ibbusav\ibbu\
\\let\tblsav\tbl\let\tbusav\tbu\
%
%NOT BEAMED
%replace a 4th note by a dummy (*)
\\def\trioq{\def\qu##1{\let\ql\qlsav\let\qu\qusav\qu{*}}\
\\def\ql##1{\let\qu\qusav\let\ql\qlsav\ql{*}}\qp}\
% lower the rest
\\def\trioql#1{\def\qu##1{\let\ql\qlsav\let\qu\qusav\qu{*}}\
\\def\ql##1{\let\qu\qusav\let\ql\qlsav\ql{*}}\lower#1\Interligne\qp}\

%replace an 8th note by a dummy (*)
\\def\trioc{\def\cu##1{\let\cl\clsav\let\cu\cusav\cu{*}}\
\\def\cl##1{\let\cu\cusav\let\cl\clsav\cl{*}}\ds\bsk}\
% lower the rest
\\def\triocl#1{\def\cu##1{\let\cl\clsav\let\cu\cusav\cu{*}}\
\\def\cl##1{\let\cu\cusav\let\cl\clsav\cl{*}}\lower#1\Interligne\ds\bsk}\

%replace an 16th note by a dummy (*)
\\def\triocc{\def\ccu##1{\let\cl\cclsav\let\ccu\ccusav\ccu{*}}\
\\def\cl##1{\let\ccu\ccusav\let\ccl\cclsav\ccl{*}}\qs\bsk}\
% lower the rest
\\def\trioccl#1{\def\ccu##1{\let\cl\cclsav\let\ccu\ccusav\ccu{*}}\
\\def\cl##1{\let\ccu\ccusav\let\ccl\cclsav\ccl{*}}\lower#1\Interligne\qs\bsk}\ 


%
% BEAMED
% replace an 8th beamed note by a dummy (*), then put a musixtex rest
% the \bsk adapt the lenght of the beam
\\def\triods{\def\qb##1##2{\let\qb\qbsav\qb##1{*}}\ds\bsk}\
% lower the rest
\\def\triodsl#1{\def\qb##1##2{\let\qb\qbsav\qb##1{*}}\lower#1\Interligne\ds\bsk}\ 


% shorter beam
\\def\triodsb{\triods\bsk\bsk\def\tbu##1{\let\tbu\tbusav\tbu##1\sk}}\
\\def\triodsbl#1{\triodsl#1\bsk\bsk\def\tbu##1{\let\tbu\tbusav\tbu##1}}\
% replace an 16th beamed note by a dummy (*)
\\def\trioqs{\def\qb##1##2{\let\qb\qbsav\qb##1{*}}\qs\bsk}\
% lower the rest
\\def\trioqsl#1{\def\qb##1##2{\let\qb\qbsav\qb##1{*}}\lower#1\Interligne\qs\bsk}\ 


% shorter beam
\\def\trioqsb{\trioqs\bsk\def\tbu##1{\let\tbu\tbusav\tbu##1\sk}}\
\\def\trioqsbl#1{\triodsl#1\bsk\def\tbu##1{\let\tbu\tbusav\tbu##1\qs}}\
%
% BEAMS and FLAG combined
% 8th note up
\\def\triobuc{\def\qb##1##2{\let\qb\qbsav\qb##1{*}\cu{##2}}\bsk}\
\\def\triobubc{\bsk\let\ibu\ibusav\def\ibu##1##2##3{\sk\ibusav{##1}{##2}{##3}\bsk\bsk}\ 


\\def\qb##1##2{\let\qb\qbsav\qb##1{*}\cu{##2}}\sk}\
\\def\triobucc{\def\qb##1##2{\let\qb\qbsav\qb##1{*}\ccul{##2}}\bsk}\
\\def\triobubcc{\bsk\let\ibbu\ibbusav\def\ibbu##1##2##3{\sk\ibbusav{##1}{##2}{##3}\bsk\bsk}\ 


\\def\qb##1##2{\let\qb\qbsav\qb##1{*}\ccu{##2}}\sk}\
% 8th note low
\\def\trioblcc{\def\qb##1##2{\let\qb\qbsav\qb##1{*}\ccl{##2}}\bsk}\
\\def\trioblbcc{\bsk\let\ibbl\ibblsav\def\ibbl##1##2##3{\sk\ibblsav{##1}{##2}{##3}\bsk\bsk}\ 


\\def\qb##1##2{\let\qb\qbsav\qb##1{*}\ccl{##2}}\sk}\
\\def\trioblc{\def\qb##1##2{\let\qb\qbsav\qb##1{*}\cl{##2}}\bsk\tbl1}\
\\def\trioblbc{\bsk\let\ibl\iblsav\def\ibl##1##2##3{\sk\iblsav{##1}{##2}{##3}\bsk\bsk}\ 


\\def\qb##1##2{\let\qb\qbsav\qb##1{*}\cl{##2}}\sk}\
%
\\def\st{\smalltype}\def\bs{$\backslash$}\
%1
%rest at the end of a trio, not beamed
d44ax3nf+1 D"\st d4ax3 e $\backslash$trioc f"-3 e \trioc\ f
b4-ax3nf D"\st b4ax3 e $\backslash$triocl2 g"-3 e \triocl2\ g |
%rest at the end of a trio, beamed
ex3nf D"\st ex3  b \bs triodsl2\ g"-3 d \triodsl2\ g
ex3nf D"\st ex3  d \bs triodsbl3\ g"-3 d \triodsbl3\ g //
% normal ones
d45ax3nf-2 r e rx3nf-2 r e |
% other examples
g-Dx2 D"\st gDx2 \bs trioc\ g"+19 \trioc\ g
cx3 D"\st cx3  b \bs triodsb\ g"+21 D"voices not sychron"+26 b 
\triodsb\ g /

%
%2 end rest, low beam
g44x3 D"\st g+x3 r \bs triodsl2\ g"-3 r \triodsl2\ g
% end rest, no beam
gax3nf D"\st g+x3 r \bs triocl2\ f"-5 r \triocl2\ f |
% testing other cases
rDx3n+1 D"\st rDx3 \bs triocl2\ b"-7-5 \triocl2\ b
rx3 D"\st rx3 \bs trioql2\ bD"-7-5 \trioql2\ bD //
% normal one

Re: [Tex-music] trio with interstaff beam puzzle; pls. disregard my previous mail!

2017-03-15 Thread Dieter

Sorry, I found the tuplet file.
Dieter


Am 15.03.2017 um 09:53 schrieb Dieter:

Hi André,

not that I can be of any help to solve your problem. But I want at 
least understand, what it is about.

The example does not run through, because it does not find "tuplet.tex".

Where would I find this? I am using MusiXTeX 1.24 and PMX 2.77 
(unpublished so far).


Regards, Dieter


Am 15.03.2017 um 09:01 schrieb Andre Van Ryckeghem:

2 1 2 4 0 6 0 0 1 1 20 0

tt
./
AT
\\let\qbsav\qb\
\\def\triodummy{\def\qb##1##2{\let\qb\qbsav\qb##1{*}}}\
\\interstaff{12}\
%
rb4 [jl f8+ ] r \ibl3{20}0\ [l rb4x3 rb  XS-1 
\def\cu{\qu}\stemlength5\ fu ] r4 /

r8+6 r+6 r+6 r+6   r8+6 r+6 r r //
[l b8 a ]j rb r-4 [jl b4x3nf a \triodummy\ b- ] r4 / 






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Re: [Tex-music] trio with interstaff beam puzzle

2017-03-15 Thread Dieter

Hi André,

not that I can be of any help to solve your problem. But I want at least 
understand, what it is about.

The example does not run through, because it does not find "tuplet.tex".

Where would I find this? I am using MusiXTeX 1.24 and PMX 2.77 
(unpublished so far).


Regards, Dieter


Am 15.03.2017 um 09:01 schrieb Andre Van Ryckeghem:

2 1 2 4 0 6 0 0 1 1 20 0

tt
./
AT
\\let\qbsav\qb\
\\def\triodummy{\def\qb##1##2{\let\qb\qbsav\qb##1{*}}}\
\\interstaff{12}\
%
rb4 [jl f8+ ] r \ibl3{20}0\ [l rb4x3 rb  XS-1 
\def\cu{\qu}\stemlength5\ fu ] r4 /

r8+6 r+6 r+6 r+6   r8+6 r+6 r r //
[l b8 a ]j rb r-4 [jl b4x3nf a \triodummy\ b- ] r4 / 



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Re: [Tex-music] nted to tex (via midi or lilypond)

2017-02-23 Thread Dieter

Sorry, I forgot to include the resulting notes sheet.
--Dieter

Am 23.02.2017 um 09:26 schrieb Dieter:


Hi Bob and Hans Friedrich,

as  I pointed out in my previous mail, I made excellent experience 
with scanning notes, converting them to MusicXML, and then using 
XML2PMX to go to *.pmx.


So why do you not send me a PDF and I do the rest.

--Dieter
Am 22.02.2017 um 23:24 schrieb Bob Tennent:

  >|The project is producing size a5 booklets (~4 ... 12
  >|pages) with songs etc. for a service. Means mix of
  >|text and music.The first time I used noteedit which
  >|produces musixtex-code an combined this code with my
  >|texts.But noteedit does not run anymore on my computer
  >|:-(Than I found nted which is also nice to input music.
  >|But nted does not export musixtex. Now I am looking to
  >|frescobaldi. Maybe I can do the whole job in lilypond.
  >|However although I am TeX-user since 1989 I prefer to do
  >|the first pass of creating music using a gui. But in the
  >|2nd path I prefer to change tex code.

I suggest you look at MuseScore which runs on Linux (as
well as Windows and Mac OS), and both imports and exports
musicxml.

Bob T.

  >|>|>To get back to the original question. Does anyone know
  >| >|>some other way to get pmx, m-tx or tex from nted?
  >|
  >|There are many gui-based score editors which export to
  >|musicxml; why are you insisting on using nted, which
  >|doesn't? And if you are so keen on a gui-based score editor,
  >|why do you need to convert to pmx?
  >|
  >|Bob T.
  >|
  >|
  >|
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Re: [Tex-music] nted to tex (via midi or lilypond)

2017-02-23 Thread Dieter


Hi Bob and Hans Friedrich,

as  I pointed out in my previous mail, I made excellent experience with 
scanning notes, converting them to MusicXML, and then using XML2PMX to 
go to *.pmx.


So why do you not send me a PDF and I do the rest.

--Dieter
Am 22.02.2017 um 23:24 schrieb Bob Tennent:

  >|The project is producing size a5 booklets (~4 ... 12
  >|pages) with songs etc. for a service. Means mix of
  >|text and music.The first time I used noteedit which
  >|produces musixtex-code an combined this code with my
  >|texts.But noteedit does not run anymore on my computer
  >|:-(Than I found nted which is also nice to input music.
  >|But nted does not export musixtex. Now I am looking to
  >|frescobaldi. Maybe I can do the whole job in lilypond.
  >|However although I am TeX-user since 1989 I prefer to do
  >|the first pass of creating music using a gui. But in the
  >|2nd path I prefer to change tex code.

I suggest you look at MuseScore which runs on Linux (as
well as Windows and Mac OS), and both imports and exports
musicxml.

Bob T.

  >|>|>To get back to the original question. Does anyone know
  >| >|>some other way to get pmx, m-tx or tex from nted?
  >|
  >|There are many gui-based score editors which export to
  >|musicxml; why are you insisting on using nted, which
  >|doesn't? And if you are so keen on a gui-based score editor,
  >|why do you need to convert to pmx?
  >|
  >|Bob T.
  >|
  >|
  >|
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Re: [Tex-music] XML2PMX ramblings

2017-01-19 Thread Dieter

Am 18.01.2017 um 18:11 schrieb Don Simons:


Dieter Gloetzel and I have been working together to identify (both of 
us) and fix (Dieter) some issues in XML2PMX.


One (admittedly rare) problem we found occurs when the PMX score 
produced by XML2PMX has more than 10 slurs + ties going across a page 
break. We traced it to a limitation in Stanislav Kneifl’s postscript 
slur package. Although Stanislav is hesitant to actively re-engage in 
MusiXTeX programming after 10 years of absence, he did provide some 
pointers. By mimicking the existing patterns of register allocation in 
musixps.tex, my limited knowledge of TeX then allowed me to bump that 
up to 14 but no more.  Given etex’s massively enhanced register 
capacity over the older version of TeX that Stanislav used as a basis, 
we’re wondering if anyone on the list with a deeper understanding of 
TeX would be willing to dig into this and try to bump it up further, 
to 20 or 30 or more. Please contact me if so.


I’ve encountered another slightly related matter that raised some 
interesting points. For performance purposes, I’d like to use PMX to 
make a harpsichord part for Bach’s 5^th Brandenburg movement II that 
has more legible figures than the only figured one I could find on 
IMSLP.  I naively thought maybe I could save a little effort by 
finding an XML file of it and using XML2PMX to get started. I couldn’t 
find one, but I have found both a MIDI and a Finale file. I also found 
a free program MuseScore 2 that can convert MIDI to XML. I succeeded 
in importing the MIDI into MuseScore, but quickly realized something 
that seems to render any further effort along this track pointless. 
Any MIDI file with any sophistication at all (including those produced 
by PMX!) will have built in gaps between successive notes in the same 
voice, even if there’s no rest in the source. But MuseScore doesn’t 
know how to deal with that fact, so it dutifully puts in lots of 64^th 
and 128^th rests into the exported XML file. FWIW XML2PMX could not 
handle that, possibly because PMX can’t really do 128^th rests. As for 
the Finale file, MuseScore won’t input it, and I don’t know of any 
other free S/W I could use to convert it to XML. The good news is that 
the movement is not very long and making the PMX from scratch will not 
be too difficult.


--Don Simons



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Hi Don,

I have made some good experience with XML2PMX and musical OCR, using 
Sharpeye from Visiv.


For this I need either a high quality printout for scanning  or even 
better the pdf file, generated by Finale.


Then I convert it to Tiff and feed it into Sharpeye. Then there will  be 
some manual work and finally an export to MusicXML.


Or you find somebody, who has a Finale license and ask him to produce 
MusicXML.


Regards,

Dieter


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Re: [Tex-music] XML2PMX New Version!

2017-01-10 Thread Dieter

Hi André,

the reason is, that there are no notes stored with the piano staves.

You can check this easily, when you open "Nikkelen.xml" and search for 
the first occurence of "<step".


Then you will see that the sounds start at "Line 2355: A". 
This is the "A" of the voice in measure 10.


Also it is uncommon to put the voice after the piano in the partiture.

Try to get a complete xml-file or send me a pdf-file of the complete 
piece (piano and voice), then I run it through Sharpeye and XML2PMX.


A good paper copy will also do.

Regards,
Dieter

Am 09.01.2017 um 18:18 schrieb Andre Van Ryckeghem:

Dear Dieter,

I own a file made by Finale: Nikkelen.xml
I don't manage to make a pmx file from it (i get only notes on the 
lower staff).

The Finale pdf and xml are here :

http://www.avrmar.be/avr/xml/

Is it possible to get some hints to do the job?

Thanks on beforehand
Andre


-----Oorspronkelijk bericht- From: Dieter
Sent: Sunday, January 8, 2017 12:58 PM
To: tex-music@tug.org
Subject: [Tex-music] XML2PMX New Version!

Dear all,

I am happy to announce an updated Version of "XML2PMX", a converter from
MusicXML to PMX-Input.
It is available as Windows-Exe and Linux-binary.

http://icking-music-archive.org/software/xml2pmx/XML2PMX_Windows.zip
http://icking-music-archive.org/software/xml2pmx/XML2PMX_LINUX.tar.gz


Now every PMX or MusiXTeX user has the world of MusicXML at his or her
finger tip.

This does not only concern sheet music published in MusicXML, but as
well musical OCR scanner output.

Apart from error  corrections  the major new features are:
- Lyrics can be extracted and stored in a separate file (option
L=Lyrics)
- several options for console output (P=parsed data, D=directions,
V=voices, S=statistics,)
- automatic detection of pickup
- incomplete measures or voices are automatically filled with blind
rests

Please see the attachment for further details.

Regards,
Dieter






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Re: [Tex-music] XML2PMX New Version!

2017-01-10 Thread Dieter


Hi André,

Thanks for your request.
I will have a look at the file. This is the type of problems I am 
waiting for.


Regards,
Dieter
Am 09.01.2017 um 18:18 schrieb Andre Van Ryckeghem:

Dear Dieter,

I own a file made by Finale: Nikkelen.xml
I don't manage to make a pmx file from it (i get only notes on the 
lower staff).

The Finale pdf and xml are here :

http://www.avrmar.be/avr/xml/

Is it possible to get some hints to do the job?

Thanks on beforehand
Andre


-Oorspronkelijk bericht- From: Dieter
Sent: Sunday, January 8, 2017 12:58 PM
To: tex-music@tug.org
Subject: [Tex-music] XML2PMX New Version!

Dear all,

I am happy to announce an updated Version of "XML2PMX", a converter from
MusicXML to PMX-Input.
It is available as Windows-Exe and Linux-binary.

http://icking-music-archive.org/software/xml2pmx/XML2PMX_Windows.zip
http://icking-music-archive.org/software/xml2pmx/XML2PMX_LINUX.tar.gz


Now every PMX or MusiXTeX user has the world of MusicXML at his or her
finger tip.

This does not only concern sheet music published in MusicXML, but as
well musical OCR scanner output.

Apart from error  corrections  the major new features are:
- Lyrics can be extracted and stored in a separate file (option
L=Lyrics)
- several options for console output (P=parsed data, D=directions,
V=voices, S=statistics,)
- automatic detection of pickup
- incomplete measures or voices are automatically filled with blind
rests

Please see the attachment for further details.

Regards,
Dieter






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[Tex-music] XML2PMX New Version!

2017-01-08 Thread Dieter

Dear all,

I am happy to announce an updated Version of "XML2PMX", a converter from 
MusicXML to PMX-Input.

It is available as Windows-Exe and Linux-binary.

http://icking-music-archive.org/software/xml2pmx/XML2PMX_Windows.zip
http://icking-music-archive.org/software/xml2pmx/XML2PMX_LINUX.tar.gz


Now every PMX or MusiXTeX user has the world of MusicXML at his or her 
finger tip.


This does not only concern sheet music published in MusicXML, but as 
well musical OCR scanner output.


Apart from error  corrections  the major new features are:
- Lyrics can be extracted and stored in a separate file (option 
L=Lyrics)
- several options for console output (P=parsed data, D=directions, 
V=voices, S=statistics,)

- automatic detection of pickup
- incomplete measures or voices are automatically filled with blind 
rests


Please see the attachment for further details.

Regards,
Dieter
XML2PMX Readme
(***)
(Copyright 2015,2016,2017 Dieter Gloetzel **)
(***)
This program is free software: you can redistribute it and/or modify
it under the terms of the GNU General Public License as published by
the Free Software Foundation, either version 3 of the License, or
(at your option) any later version.

This program is distributed in the hope that it will be useful,
but WITHOUT ANY WARRANTY; without even the implied warranty of
MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.  See the
GNU General Public License for more details.


You should have received a copy of the GNU General Public License
along with this program.  If not, see <http://www.gnu.org/licenses/>. 

1.  Introduction
"MusicXML", ( http://www.musicxml.com/ ) originally developed by 
Recordare INC
and now owned by Finale ( https://www.finalemusic.com/ ), is the 
leading 
musical data exchange format. XML2PMX provides an import facility for 
sheet music stored in MusicXML format to PMX and MusiXTeX, the leading 
free 
software for musical typesetting. Thus we are now able to import 
published MusicXML sources
as well as MusicXML sources created by OCR scanning, 
e.g. with Sharpeye of VISIV ( http://www.visiv.co.uk ).

2. PMX  
developed by Don Simons (dsimons(at)roadrunner(dot)com) is an easy to 
use, 
yet powerful preprocessor for the musical typesetting system MusiXTeX.
http://icking-music-archive.org/software/htdocs/index.html
An excellent introduction to using PMX is
http://icking-music-archive.org/software/pmx/pmxccn.pdf

3. XML2PMX 
has been developed by the author with "Oberon Plugin for Windows 
Version 2.5" of ETHZ Zürich on Windows 10.
https://github.com/Spirit-of-Oberon/ETH-Oberon-PlugIn-Win32

XML2PMX is available as Windows-EXE (32 Bit) and as Linux binary (32 
Bit).
XML2PMX requires a TeX, MusiXTeX and PMX installation.
For Unix please see:   https://tug.org/texlive/
For Windows please see: https://miktex.org/2.9/setup

4. Coverage of MusicXML
The following MusicXML features are detected and translated to PMX:
- maximum  of 24 staves/voices and 400 measures 
- two voices per staff
- maximum of two staves per instrument
- notes and rests up to 64th, including tuplets and grace notes, 
- maximum of 2 dots
- chords, accidentals
- some annotations like Fermata, Staccato, Tremolo etc. 
- ties, slurs and beams
- definition of meter, fifths, clefs and their changes on the fly
- dynamic marks: hairpins, "ff" etc., piano damping pedal
- title and composer, and texts above or below the staff
- barlines, repeats, volta
- instrument names,
- origin of XML file copied to the resulting PMX file
- accepts Windows files  (records ended by 0DX OAX) 
  as well as Unix files  (records ended by 0AX)
- resulting PMX-file on Unix has records ended by 0AX.
- resulting PMX-file on Windows has records ended by 0DX 0AX.

5. New features:
- There is a new command line field "options", 
  which may contain one or several of the five letters "PDVSL"
  in arbitrary sequence in upper or lower case.
- Lyrics are extracted and stored in a separate file (option L=Lyrics)
- several options for console output (P=parsed data, D=directions, 
V=voices, S=statistics,)
- automatic detection of pickup
- incomplete measures or voices are automatically filled with blind 
rests

6. Limitations
Some more elaborate situations like beams crossing staves or chords 
crossing staves
 

Re: [Tex-music] 128th notes and rests in PMX?

2016-12-17 Thread Dieter

It is amazing, what PMX can do.

The most important use cases for 128th notes seem alredy  to be covered 
by PMX.


And I wonder whether there exists any piece of music, which contains a 
combination of lone 128th notes and rests.


It might be difficult to identify all these special case in the MusicXML 
file. But XML2PMX  will always produce a PMX-file as result , which you 
then can manipulate.


Regards,
Dieter

Am 15.12.2016 um 16:35 schrieb Don Simons:

I wrote


Unfortunately, I don't think there's any way to trick
PMX into doing g6.g.

I was wrong, there is a way: g3x2dn g

So we have found ways to get PMX to produce most flavors of 128th notes, as
long as it's inside a beam (together with at least one other note).

To progress any further than this, it's not clear whether it would take more
programming effort on Dieter's part in XML2PMX to make XML2PMX
128th-note-capable within this restriction, or on my part in PMX to extend
"normal" input notation using 5 or 7 for a 128th, and then either (1)
internally take advantage of the xtuplet tricks, or (2) go all the way,
which would involve completely revamping PMX's time accounting. To be
realistic, there's no chance at all I'd go route (2), and only a tiny chance
for route (1).

--Don



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Re: [Tex-music] 128th notes and rests in PMX?

2016-12-14 Thread Dieter
@ Dirk: I wonder whether you regard the Beethoven Piano Sonata in 
c-minor, op. 13 as repertoire.
@ Don: I do not have the faintest idea, why and how you produce the 
128th in the sample. In case you change your mind and find some time for 
analyzing the problem, I would offer my time to help in the realization.


It seems that the Lilypond people are quite active and that we are 
losing market to them.


Regards, Dieter

Am 14.12.2016 um 09:37 schrieb Dirk Laurie:

2016-12-14 6:33 GMT+02:00 Don Simons <dsim...@roadrunner.com>:


This is not an unreasonable request.

I'll agree with that assessment as soon as someone can
point me to a composition regarded as more or less repertoire
for a concert pianist and containing 128th notes. Liszt, Scriabin,
Rachmaninov, anyone?


So without completely revamping the timekeeping, basic 128th
notes are not going to happen.

PMX is always going to have to stop somewhere, and stopping
at 64th notes is "not unreasonable".

M-Tx, too, does timekeeping in units of 1/64 note. Without someone
else taking over maintenance of the source code, basic 128th notes
are not going to happen.

Dirk
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Re: [Tex-music] 128th notes and rests in PMX?

2016-12-14 Thread Dieter

Hi Don,

your approach to use an integer for timing is similar to what MusicXML 
does.


But they are using an integer parameter "dimensions", which signifies 
the duration of a quarter note.


Everything else is being calculated relative to this value. It can be 
chosen according to needs (e.g. when you have triplets)
and can even be modified during the music piece. In XML2PMX  the 
"dimensions"-parameter is unchangeable, but may vary with the instrument.


Regards,
Dieter

Am 14.12.2016 um 05:33 schrieb Don Simons:

This is not an unreasonable request. But it would be very challenging, for
reasons that go beyond my fading memory of deep, dark details about how I
implemented time-handling in PMX. I had originally set up an internal time
scale proportional to the duration of each note. I represented that scaled
time with an integer, and (for reasons I cannot precisely recall) decided
the minimum possible value (1) would correspond to a 64th note. So without
completely revamping the timekeeping, basic 128th notes are not going to
happen.

Despite that, it does turn out that there's at least one way to get 128th
notes if they come in pairs: 64th note duplets are allowed. So check this
out:

===

1 1 2 4 2 4 0 0
0 2 20 0

t
.\
Abep
g44 g8 g1 g3 g6 gx2 g /
g44 [ g8 g1 g3 g6 gx2 g ] /

===

The forced beaming would be necessary even for longer duration but still
beamable xtuplets embedded in beamed groups, so I won't call that an error.
And you could get rid of the printed number by using the "n" option after
"x2". And this also works with groups of 4 or more notes, e.g., g3x4 g g g
and gd3x6 g g g g g  work. Unfortunately, I don't think there's any way to
trick PMX into doing g6.g.

--Don Simons


-Original Message-
From: TeX-Music [mailto:tex-music-boun...@tug.org] On Behalf Of Dieter
Sent: Tuesday, December 13, 2016 9:43 AM
To: Werner Icking Music Archive <tex-music@tug.org>
Subject: [Tex-music] 128th notes and rests in PMX?

Hi ,

I do know that 128th notes are relatively rare.

But I am trying to run an inofficial  testsuite on XML2PMX:



http://lilypond.org/doc/v2.19/input/regression/musicxml/collated-files.html

For completeness sake it would be nice to have these.

I guess,there is a way with MusiXTeX, but maybe the implementation in PMX
as a one digit code might be difficult, although indices "5" and "7" are

still

available.

Regards, Dieter

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[Tex-music] 128th notes and rests in PMX?

2016-12-13 Thread Dieter

Hi ,

I do know that 128th notes are relatively rare.

But I am trying to run an inofficial  testsuite on XML2PMX:

http://lilypond.org/doc/v2.19/input/regression/musicxml/collated-files.html

For completeness sake it would be nice to have these.

I guess,there is a way with MusiXTeX, but maybe the implementation in 
PMX as a one digit code might be difficult,

although indices "5" and "7" are still available.

Regards, Dieter

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[Tex-music] Cautionary double-sharp or double-flat?

2016-11-10 Thread Dieter

Hi,

Lilypond has prepared a benchmark series for interpreting MusicXML, and 
I am just working on verifying these tests for XML2PMX.

One particular test requires cautionary double-sharps and -flats.
I am not sure, whether these exist in reality, but they do not seem to 
work with MusixTex.


---
\input musixtex
\input pmx
---
% nv, -noinst, nostaves per instrument
 1 -1 1
% mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig
 4 4 0 6 0 0
%
% npages,nsyst,musicsize,fracindent
 0 5 16 0.07

t
./
Tt

Tc

Abep



% Part, staff, voice( 1|| 1| 1), Bar 1
 d44f d44f d44fc d44fc | /
% Part, staff, voice( 1|| 1| 1), Bar 2
 c44s c44s c44sc c44sc | /
% Part, staff, voice( 1|| 1| 1), Bar 3
 d44ff d44ff d44ffc d44ffc | /
% Part, staff, voice( 1|| 1| 1), Bar 4
 c44ss c44ss c44ssc c44ssc | /
==
It ends up with
"Undefined control squence
\pnotes{2.83}\bigdfl d\qu d\bigdfl d\qu d\bigcdfl d\qu d\bigcdfl d\qu d%"

It seems that the macro \bigcdfl does not exist in MusiXTeX.

Has anybody got an opinion on this?

Regards,
Dieter





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Re: [Tex-music] chords in grace notes with PMX

2016-10-14 Thread Dieter

Hi André,

these are nice tricks. I did not know, that I can create a slur just 
with one note.


But I wonder how one would realize more than two simultaneous grace 
notes with the first trick.


My limited TeX capabilities do not allow me to further investigate the 
second trick "\\\let\grcut\grcu\def\grcu#1  etc."


Would this allow two have more than two simultaneous grace notes?

Above all the question is how frequent or rather rare such a situation is.

A more transparent solution would be to build a real z-option into the 
Grace notes.


Regards,
Dieter


Am 13.10.2016 um 05:48 schrieb Andre Van Ryckeghem:

This are 2 methods for writing grace chords

===
   2   1   3   4   3   4   0  -2

   1   2   20  .03

bt
./
w150
c43 b+ zes esi zb /
Gxe5s g2n-ud su+3-1 su+3 //
Gxse4s g24dn /
%
\\\let\grcut\grcu\def\grcu#1{\bigsh7\zq7\grcut{#1}\global\let\grcu\grcut}\ 


c43 b+ zes esi zb /
Gxse4s g2nud su+4-1.5 s /
=

Andre
-Oorspronkelijk bericht- From: Dr. Gerhard Eber
Sent: Wednesday, October 12, 2016 10:17 AM
To: Werner Icking Music Archive
Subject: [Tex-music] chords in grace notes with PMX

Dear PMX experts,

I want to write 2 grace notes which build a chord and tried the following

1)
Ga zf e4ds zg /

2)

Ga Gf e4ds zg /

3)

G2azf e4ds zg /

4)

G2a zf e4ds zg /

1) and 2) silently ignore the second note of the intended chord, 3) and
4) complain about the z being not allowed after G.

Is there a way to do this with PMX?



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Im Rosengarten 27
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Re: [Tex-music] Vertical spacing: AI-Option in PMX

2016-08-22 Thread Dieter

Hi Don,

thanks for your exhaustive and as always helpful explanations. My 
experience is also that with some experimentation one gets finally a 
decent solution. Obviously I managed to create a vshrink situation.
Maybe one could put a warning into the next version documentation, that 
under certain conditions AI does not work as expected.


Regards,
Dieter


Am 22.08.2016 um 09:27 schrieb Don Simons:


I’m afraid I still cannot confidently provide a checklist of 
everything that affects PMX’s internal calculation of \interstaff. 
It’s very complicated, I worked it out a very long time ago, and I 
didn’t document or comment it very well in the code. If anyone cares 
to look in the FORTRAN, be my guest. There are some intriguing 
comments at line 19170 of pmxab.for ver 2.74, but the operations are 
scattered throughout the code.


I will however offer some comments about Dieter’s issue and about 
vertical spacing in general.


First, I’m virtually certain that using npages=0 had nothing to do 
with it. In all my tests on Dieter’s 2-system example, I’ve gotten 
exactly the same results with (npages,nsystems) = (0,4) as with (1,2).


When PMX sets up a score, it computes a value of \interstaff based on 
how much vertical space is used by individual staves, titles, and some 
other items. It tries to set \interstaff so that when TeX spreads 
things out over the full page height (after \eject) it looks OK. If 
there is lots of blank vertical space, as there would be with just one 
or two systems in a normal page, then the computed \interstaff would 
come out unpleasantly big, and PMX goes into “vshrink” mode, setting 
\interstaff to 10 and using \vfill before \eject, thereby grouping 
everything at the top of the page. (I think the cutoff \interstaff is 
20 but there’s some uncertainty there). In vshrink mode, AI does not 
seem to have any effect. One way to check if PMX is using vshrink mode 
is to look in the tex file and see if \interstaff is 10. If this 
happens and you still want to adjust vertical spacing, you have to get 
out of vshrink mode. There are two ways to do that. One is to issue 
the Av command. Then you will get things spread out more evenly over 
the full page height. \interstaff may come out bigger than you like, 
but now you can change it with AI. But if you only have two systems, 
you might also want less vertical space between them. I don’t know how 
to make PMX do that directly; you’d have to resort to inline tex, 
possibly inserting a \vfill at the end of the page before \eject. A 
second way to avoid vshrink is to make the page height smaller. There 
will always be some smaller page height that will coerce PMX not to go 
into “vshrink” mode. Then you can use AI, and you’ll also have reduced 
the vertical space between staves.


PMX’s vertical spacing decisions should work fine, with no tinkering, 
for just about any ordinary music without lyrics, and you shouldn’t 
have to worry about anything in the previous paragraph. PMX’s 
automatic choice to go into vshrink mode will make sparse pages look 
just fine, with a few systems grouped at the top. The problem Dieter 
came upon was caused by the need to make room for lyrics in the space 
between the two staves in a system, on a page with just two systems of 
two staves each. And even that problem went away when he added a 
title, instrument, and author, because those used enough extra 
vertical space to avoid going into “vshrink” mode.


--Don Simons

*From:*Don Simons [mailto:dsim...@roadrunner.com]
*Sent:* Saturday, August 20, 2016 1:58 PM
*To:* 'Werner Icking Music Archive' <tex-music@tug.org>
*Subject:* RE: [Tex-music] Vertical spacing: AI-Option in PMX

Dieter and Andre—

This issue is more complicated than it seems, and I’m afraid it’s been 
so long since I did the programming that it going to take me some more 
time to sort it out. The good news is that if you’re making a score, 
it’s very easy to experiment and you can almost always find a set of 
inputs that give you the vertical spacing you want.


One thing I’ve noticed so far is this. Andre’s suggestion about 
changing (npages,nsystems) from (0,4) to (1,4) does lead to different 
vertical spacing, but it also leads to 4 systems on the page rather 
than 2, and that in itself completely changes the game. I don’t think 
npages=0 by itself changes the way AI operates, but it certainly can 
(and does in the example) influence the number of systems, and if it 
does change the number of systems, then of course it will change the 
vertical spacing.


Another thing I’ve noticed is that if you remove the instrument, 
title, and composer from Dieter’s latest file, and don’t change 
anything else, you get a major change in the vertical spacing.


I’ll report back when I’ve had a chance to review this more thoroughly.

--Don Simons

*From:*TeX-Music [mailto:tex-music-boun...@tug.org] *On Behalf Of 
*Andre Van Ryckeghem

*Sent:* Friday, August 19, 2016 8:48 PM
*To:* Werner Icking

Re: [Tex-music] Vertical spacing: AI-Option in PMX

2016-08-20 Thread Dieter

Hi André,

thanks for your time. Obviously I had forgotten that "npages = 0" can 
only be used for testing and not for production.


Regards,
Dieter


Am 20.08.2016 um 05:47 schrieb Andre Van Ryckeghem:

I believe the

% npages nsystems musicsize fracindent
0  <
4
   20
0.05
-
does not obey the rules anymore.
I tried

% npages nsystems musicsize fracindent
1
4
   20
0.05
-
with
AbepI.6 and AbepI1.0 and all seems to be normal
Andre
*From:* Dieter <mailto:d.gloet...@web.de>
*Sent:* Friday, August 19, 2016 3:08 PM
*To:* Werner Icking Music Archive <mailto:tex-music@tug.org>
*Subject:* [Tex-music] Vertical spacing: AI-Option in PMX
Hi,

I do have trouble in working with the AI Option of PMX for interstaff 
spacing.


According to Noack:


I understand that \interstaff will be multiplied by x, when I use this 
option. But what I find is for a certain configuration, that
the staff distance in a piano piece becomes bigger, when I set x to 
0.5 insted of 1.0.


x = 0.5


x = 1.0

I am quite happy with the x =0.5 solution, but I would be happy to 
gain some understanding of what is happening.


Regards, Dieter


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[Tex-music] Vertical spacing: AI-Option in PMX

2016-08-19 Thread Dieter

Hi,

I do have trouble in working with the AI Option of PMX for interstaff 
spacing.


According to Noack:


I understand that \interstaff will be multiplied by x, when I use this 
option. But what I find is for a certain configuration, that
the staff distance in a piano piece becomes bigger, when I  set x to 0.5 
insted of 1.0.


x = 0.5


x = 1.0

I am quite happy with the x =0.5 solution, but I would be happy to gain 
some understanding of what is happening.


Regards, Dieter

---
\input musixtex
\input pmx
\input musixlyr
\setlyrics{s1}{\llap{1.} Dan-ke, Kon-stan-ze, dass du da bist, 
dan-ke, dass wir bei-sam-men sind.
Dan-ke, dass du ge-sund und gl\"{u}ck-lich und zu-frie-den bist.}
\setlyrics{s2}{\llap{2.} Dan-ke f\"{u}r je-des L\"{a}r-men, To-ben,
dan-ke f\"{u}r je-des Wi-der-wort.
Dan-ke, f\"{u}r je-des hel-le La-chen,
zu~h\"{o}r'n an je-dem Ort.}



\setlyrics{s3}{\llap{3.} Lie-be f\"{u}hrt dich auf al-le Gip-fel,
Lie-be bringt dich durch je-des Tal.
Lie-be, dir heut von Gott ge-ge-ben,
tr\"{a}gt dich al-le-mal.}

\setlyrics{s4}{\llap{4.}
Dan-ke f\"{u}r die-se Tau-fe heu-te, dan-ke f\"{u}r je-des gu-te Wort.
Dan-ke, dass Dei-ne Hand sie lei-ten wird an je-dem Ort.  }



%\staffbotmarg=13cm
\let\BM\beginmel
\let\EM\endmel
---
% In the Mood
% PREAMBLE
% nstaves ninstr mtrnuml mtrdenl mtrnump mtrdenp
2
1
4
4
0
6
% npickup nkeys
 0
+1
% npages nsystems musicsize fracindent
0
4
   20
 0.05
 
bt
.\
Ti
Piano 
% Body
% Header
AbepI0.6
Tc
M. G. Schneider
Tt
Danklied
%h
%oder unerwarteter Abschied von Ulla Winblad
It80ipi
% Av
% space before first note of bar
% big accidentals
% equalizes interstaff spacing
% type K slurs
%\\setclef2{\treble}\settrebleclefsymbol{2}\treblelowoct\
%\interstaff{20\Interligne}\
% Bars 1-3
%\\\atnextline{\lyrraise{1}{b-3cm}}\
\llyr\loffset{2}\lyr\
g22 zb zd e23 zg zb | a22 zc ze d23 zf za | g22 zb zd  e23 zg zb |  a22 zc ze 
d23 zf za | /
\\\assignlyricsmulti{1}{2}{s1,s2,s3,s4}\
g44 g r8 g8a g g | a4 a b b | g g r8 g8a g g | e4 e d2 | /
g22 zb zd g22 zb zd zf | c23 ze zg c23 zef zg | g22 zb zd d23 zf za zc | g2d2 
zb zd  r4 | /
g4 g r8 g8a a b | c4 b a g | d g g f | g2d r4 | /
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[Tex-music] Fwd: Re: experiments with moving dots

2016-08-09 Thread Dieter
I apologize again. The overlap of  "c" and "d" happens only on screen. 
WIth a better resolution it disappears.


Regards, Dieter

 Weitergeleitete Nachricht 
Betreff:Re: [Tex-music] experiments with moving dots
Datum:  Tue, 9 Aug 2016 10:21:58 +0200
Von:Dieter <d.gloet...@web.de>
An: Werner Icking Music Archive <tex-music@tug.org>



Hi Don,

I apologize. My last observation was nonsense. I was turning the screw 
on the wrong tuplet.


Now it looks almost good. Only the c and the d in the right hand are 
overlapping.


Is there any fine-tuning of horizontal note shift apart from "r" or "e".

Regards,
Dieter

% Bar 66
L18
Rd
h
Coda
r2b g23x3n-2 fs e | //
g22x3n-8 zd+ b+ { a a2e }+0-1 | /
bu24x3n+6 zd- zb b {u c c2e }+0-1 | //
r2b d24x3nf e fs | /


Am 08.08.2016 um 17:25 schrieb Don Simons:

By “move” I’m guessing you mean “move vertically”. This may be another RTFM,
but with some amplification. (I have to RTFM myself for questions like this,
to refresh my memory about what I did). Evidently the bracket moves up or
down with the number. And to move the number, you need to put one or two
signed integers right after the “n”. So I’m thinking g22x3n-3fs-4 may do
what you want. However, if you also want the number to come out above the
bracket, I'm not sure PMX alone can do that.

--Don

From: TeX-Music [mailto:tex-music-boun...@tug.org] On Behalf Of Dieter
Sent: Monday, August 08, 2016 2:11 AM
To: Werner Icking Music Archive<tex-music@tug.org>
Subject: Re: [Tex-music] experiments with moving dots

Hi Don,

I have another interesting tuplet case.

% Bar 66
r2b g23x3n-2 fs e | //
g22x3nfs-4 zd+ b+ { a a2e } | /
bu24x3n+6 zd- zb b { c c2e } | //
r2b d24x3n-2 e fs | /



I cannot move the lower left 3-bracket, neither with g22x3nf - something or
g22x3nfs - something.

Regards Dieter

Am 06.08.2016 um 21:35 schrieb Don Simons:
No explanation or fix yet. It looks like PMX is getting confused about which
dot to move. Must be related to the fact that the G was automagically moved
to the left because of the A in the chord. You could take advantage of that
and enter “g43d zad+0+1 zcd” to move the g dot 1 notehead width to the
right. That would line them up like  Jean-Pierre wants. But that’s obviously
not a very good long-term solution. Stay tuned.
  
--Don




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Re: [Tex-music] experiments with moving dots

2016-08-09 Thread Dieter

Hi Don,

I apologize. My last observation was nonsense. I was turning the screw 
on the wrong tuplet.


Now it looks almost good. Only the c and the d in the right hand are 
overlapping.


Is there any fine-tuning of horizontal note shift apart from "r" or "e".

Regards,
Dieter

% Bar 66
L18
Rd
h
Coda
r2b g23x3n-2 fs e | //
g22x3n-8 zd+ b+ { a a2e }+0-1 | /
bu24x3n+6 zd- zb b {u c c2e }+0-1 | //
r2b d24x3nf e fs | /


Am 08.08.2016 um 17:25 schrieb Don Simons:

By “move” I’m guessing you mean “move vertically”. This may be another RTFM,
but with some amplification. (I have to RTFM myself for questions like this,
to refresh my memory about what I did). Evidently the bracket moves up or
down with the number. And to move the number, you need to put one or two
signed integers right after the “n”. So I’m thinking g22x3n-3fs-4 may do
what you want. However, if you also want the number to come out above the
bracket, I'm not sure PMX alone can do that.

--Don

From: TeX-Music [mailto:tex-music-boun...@tug.org] On Behalf Of Dieter
Sent: Monday, August 08, 2016 2:11 AM
To: Werner Icking Music Archive <tex-music@tug.org>
Subject: Re: [Tex-music] experiments with moving dots

Hi Don,

I have another interesting tuplet case.

% Bar 66
r2b g23x3n-2 fs e | //
g22x3nfs-4 zd+ b+ { a a2e } | /
bu24x3n+6 zd- zb b { c c2e } | //
r2b d24x3n-2 e fs | /



I cannot move the lower left 3-bracket, neither with g22x3nf - something or
g22x3nfs - something.

Regards Dieter

Am 06.08.2016 um 21:35 schrieb Don Simons:
No explanation or fix yet. It looks like PMX is getting confused about which
dot to move. Must be related to the fact that the G was automagically moved
to the left because of the A in the chord. You could take advantage of that
and enter “g43d zad+0+1 zcd” to move the g dot 1 notehead width to the
right. That would line them up like  Jean-Pierre wants. But that’s obviously
not a very good long-term solution. Stay tuned.
  
--Don




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Tel.: 06151 / 360 82 72

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Re: [Tex-music] experiments with moving dots

2016-08-08 Thread Dieter

Hi Don,

I have another interesting tuplet case.

% Bar 66
r2b g23x3n-2 fs e | //
g22x3nfs-4 zd+ b+ { a a2e } | /
bu24x3n+6 zd- zb b { c c2e } | //
r2b d24x3n-2 e fs | /



I cannot move the lower left 3-bracket, neither with g22x3nf - something 
or g22x3nfs - something.


Regards Dieter

Am 06.08.2016 um 21:35 schrieb Don Simons:


No explanation or fix yet. It looks like PMX is getting confused about 
which dot to move. Must be related to the fact that the G was 
automagically moved to the left because of the A in the chord. You 
could take advantage of that and enter “g43d zad+0+1 zcd” to move the 
g dot 1 notehead width to the right. That would line them up like 
 Jean-Pierre wants. But that’s obviously not a very good long-term 
solution. Stay tuned.


--Don



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Re: [Tex-music] experiments with moving dots

2016-08-08 Thread Dieter

Thanks! Your work-around works.

Regards Dieter

Am 06.08.2016 um 21:35 schrieb Don Simons:


No explanation or fix yet. It looks like PMX is getting confused about 
which dot to move. Must be related to the fact that the G was 
automagically moved to the left because of the A in the chord. You 
could take advantage of that and enter “g43d zad+0+1 zcd” to move the 
g dot 1 notehead width to the right. That would line them up like 
 Jean-Pierre wants. But that’s obviously not a very good long-term 
solution. Stay tuned.


--Don



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Re: [Tex-music] 1+3 rhythms

2016-08-08 Thread Dieter

Am 07.08.2016 um 07:40 schrieb Dirk Laurie:

In the thread on shifting dots, r8 c4d is used for a 1-3 rhythm.
Is this preferred practice nowadays, or shoud one still rather
write r8 c8 s c4 s as I was taught 50+ years ago?
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Hi Dirk,

I did not invent the notation I am using. In fact I am copying the piano 
part of a SATB + Piano arrangement, in order to avoid too much page turning.


I think the choice of notation is a matter of taste. And I find the 
dot-notation less to type and easier to read.



Regards,

Dieter

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[Tex-music] experiments with moving dots

2016-08-06 Thread Dieter

Hi Don,

some more observations on moving dots.

%Software : PMX
%Part P1 :
%
%
% nv,noinst,mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig
 2 1 4 4 4 4 0 -1
%
% npages,nsyst,musicsize,fracindent
 0 4 16 0.07
Piano
bt
./
Tt
The Girl from Ipanema
Tc
Antonio Carlos Jobim
Abep
AK
% Bar 72
a4d2 a8 e4 e+ | /
r2b r8 g43d zad zcd | //
g83 a cn { e e2 } | /


initial situation: g-dot partially covered by a-note
===

%Software : PMX
%Part P1 :
%
%
% nv,noinst,mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig
 2 1 4 4 4 4 0 -1
%
% npages,nsyst,musicsize,fracindent
 0 4 16 0.07
Piano
bt
./
Tt
The Girl from Ipanema
Tc
Antonio Carlos Jobim
Abep
AK
% Bar 72
a4d2 a8 e4 e+ | /
r2b r8 g43d-2 zad zcd | //
g83 a cn { e e2 } | /


looks like the a-dot has moved, but I wanted to move the g-dot
===
%Software : PMX
%Part P1 :
%
%
% nv,noinst,mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig
 2 1 4 4 4 4 0 -1
%
% npages,nsyst,musicsize,fracindent
 0 4 16 0.07
Piano
bt
./
Tt
The Girl from Ipanema
Tc
Antonio Carlos Jobim
Abep
AK
% Bar 72
a4d2 a8 e4 e+ | /
r2b r8 g43d zad-2 zcd | //
g83 a cn { e e2 } | /


looks like the g-dot has moved


%Software : PMX
%Part P1 :
%
%
% nv,noinst,mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig
 2 1 4 4 4 4 0 -1
%
% npages,nsyst,musicsize,fracindent
 0 4 16 0.07
Piano
bt
./
Tt
The Girl from Ipanema
Tc
Antonio Carlos Jobim
Abep
AK
% Bar 72
a4d2 a8 e4 e+ | /
r2b r8 g43d zad zcd-2 | //
g83 a cn { e e2 } | /


look like the c-dot has moved over the a dot
===

Do you have an explanation?

Thanks and regards,
Dieter
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Re: [Tex-music] Shifting dots

2016-08-06 Thread Dieter

Hi Don and Bob,

thanks for your help. The solution works nicely. It was not obvious to 
me to first  augment the z-notes with a "d".


Sorry for the "50 mm" height.

May I ask: What is an RTFM J?

Regards Dieter

Am 05.08.2016 um 17:59 schrieb Don Simons:


That’s an easy one, basically an RTFM J

%[+4 c84 ze zgf zb zc {0 c84 ] {1 ze {2 zg {3 zb {4 zc c2d4 }0 ze }1 
zg }2 zb }3 zc }4 | /


[+4 c84 ze zgf zb zc {0 c84 ] {1 ze {2 zg {3 zb {4 zc c24d-2 }0 zed-2 
}1 zgd-2 }2 zbd-2 }3 zc }4 | /


There are some wrinkles, though. To move a dot, there must be an 
explicit “d” (even on a chord note), and the vertical shift must be 
the next number after the “d”. So that may conflict with your default 
way of explicitly indicating the octave.


The default position of dots within a staff is always in a space. If 
the note is on a line, the default is to move the dot up. That’s why 
all dots except the one on the c5 were moved, and also why the 
downward shift has to be closer to 2 than 1.


Why in the world did you set the page height to 50 mm? That caused my 
first page to be blank when I viewed this with Ghostview.


--Don Simons

*From:*TeX-Music [mailto:tex-music-boun...@tug.org] *On Behalf Of *Dieter
*Sent:* Friday, August 05, 2016 8:01 AM
*To:* tex-music@tug.org
*Subject:* [Tex-music] Shifting dots

Hi all,

in the last chord of the PMX example below the dots are not well 
positioned.






I would like to shift the dots for c4,e4,g4-flat and b4 a little bit 
downwords.


I tried  the recommendations of Cornelius Noack, but they do not seem 
to work.


I also wonder why the dot for c5 is on the same level of the note 
whereas all the others are higher.


Any body got an idea?

Thanks and regards,
Dieter



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[Tex-music] Shifting dots

2016-08-05 Thread Dieter

Hi all,

in the last chord of the PMX example below the dots are not well positioned.





I would like to shift the dots for c4,e4,g4-flat and b4 a little bit 
downwords.


I tried  the recommendations of Cornelius Noack, but they do not seem to 
work.


I also wonder why the dot for c5 is on the same level of the note 
whereas all the others are higher.


Any body got an idea?

Thanks and regards,
Dieter


%Software : PMX
%Part P1 : 
%
%
% nv,noinst,mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig
 2 1 4 4 4 4 0 -1
%
% npages,nsyst,musicsize,fracindent 
 0 4 16 0.07
Piano
bt
./
Tt
The Girl from Ipanema
Tc
Antonio Carlos Jobim
Abep
w100m
h50m
AK
% Bar 55
g4d2f g8 c4 g | /
e44  zc+  c45 e2x3 c b | /
% Bar 56
f4d2 f8 c4+ f- | /
r4 d44 ze zg za r8  d44 ze zg za r8 | //
c05 | /
% Bar 57
g4d2f { c8 c8 } b g4 | /
[+4 c84 ze zgf zb zc {0 c84 ] {1 ze {2 zg {3 zb {4 zc c2d4 }0 ze }1 zg }2 zb }3 
zc }4 | /
% Bar 58
% Bar 59
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[Tex-music] Converter from MusicXML to PMX available

2016-04-05 Thread Dieter

Dear MusixTeXperts,

pls. find below links to Windows-Exe and Linux-Binary of XML2PMX.

http://icking-music-archive.org/software/xml2pmx/XML2PMX_Windows.zip
http://icking-music-archive.org/software/xml2pmx/XML2PMX_linux.tar.gz

XML2PMX Readme
(***)
(Copyright 2015/2016 Dieter Gloetzel ***)
(***)
This program is free software: you can redistribute it and/or modify
it under the terms of the GNU General Public License as published by
the Free Software Foundation, either version 3 of the License, or
(at your option) any later version.

This program is distributed in the hope that it will be useful,
but WITHOUT ANY WARRANTY; without even the implied warranty of
MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.  See the
GNU General Public License for more details.

You should have received a copy of the GNU General Public License
along with this program.  If not, see <http://www.gnu.org/licenses/>.



1. "MusicXML" (of Recordare INC) is an extremely powerful description language 
for data exchange of musical notes.

2. "PMX" is the well known preprocessor for the musical typesetting system 
MusiXTeX.

3.  XML2PMX.exe is a converter (on MS Windows) from "MusicXML"  to "PMX"
and has been developed with Oberon for Windows 2.5 of ETHZ Zürich on 
Windows 7.
Linux binary version is available as well.

The following features have been included:

- maximum  of 24 staves/voices and 500 measures
- two voices per staff
- maximum of two staves per instrument
- notes and rests up to 64th, including tuplets and grace notes,
- maximum of 2 dots
- chords, accidentals
- some annotations like Fermata, Staccato, Tremolo etc.
- ties, slurs and beams
- definition of meter, fifths, clefs and their changes on the fly
- dynamic marks: hairpins, "ff" etc., piano damping pedal
- title and composer, and texts above or below the staff
- barlines, repeats, volta
- instrument names,
- origin of XML file copied to the resulting PMX file
- accepts Windows files  (records ended by 0DX OAX)
  as well as Unix files  (records ended by 0AX)
- resulting PMX-file has records ended by 0AX.

These features may not always function to a 100 % in all situations,
but once you have a PMX file with all of the notes extracted, the bulk 
work has been done.
It is then easy to improve the results on the PMX side.

4.  Usage on MS Windows or LINUX command line:
XML2PMX "xml-file with path" "pmx-file with path"
(The doublequotes are essential!)

The generated PMX file will in general be complete and will run through 
"pmxab.exe".

If not, you can often solve the problem with minor changes in the PMX 
code.

After the XML2PMX run you will find intermediate results in the 
terminal window which may be helpful
for debugging.

Some more elaborate situations like staves crossing beams or chords  
have not yet been covered.

5.  You will find MusicXML-sources for testing under:
http://www.musicxml.com/music-in-musicxml/example-set/

The following pieces from this source (and a few more) have been tested:

- Schubert: Ave Maria (Ellen’s Gesang III), D. 839

- Beethoven: An die ferne Geliebte, Op. 98

- Lee Actor "Prelude to a tragedy": sample with 22 instruments and 41 
measures

- Scanner results like from Sharpeye (Visiv, UK) have also been tested 
successfully.

6.  Contents:
Main folder "XML2PMX_LINUX" contains:
- Folder "example" with *.XML, *.PMX, *.pdf
- Folder "source" with the Oberon source code.
- XML2PMX executable
- GNU-GPL.txt
- this Readme.txt

7.  Contact:
You can join me under <d.gloet...@web.de> in order to report errors, 
propose improvements or other comments.


Regards,
Dieter Glötzel

 


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Re: [Tex-music] Single note transposition

2016-03-13 Thread Dieter

Am 13.03.2016 um 00:50 schrieb Rodolfo Medina:

Don Simons <dsim...@roadrunner.com> writes:


Rodolfo Medina wrote

I wish a way of transposing a note that would affect only that note
and not any note until next `\en' command, as ' and ` do instead.

...

Alternatively, a one- or two-digit, positive or negative integer can
always be used.


Thanks.  But in the next versions of MusiXTeX, I would hope that a new way
of `single note' transposition was introduced, so to affect, if desired,

only a

single note.  This for two reasons: the notation with digits is not good

when

the piece is to be entirely transposed, and second because, with such a
`single note affecting transposition', it would be enough for the user, to

write

notes, just to remember the seven letters: a, b, c, d, e, f, g and their

capital

correspondent: A, B, C, D, E, F, G.  So writing notes would be simpler.


I've been seeing the complicated negotiations that followed this, and
wondering all along "why?",


Because I hadn't thought of the simple solution to do 'p! and `p! and put
\zcharnote{}{} in parenthesis: {\zcharnote{}{}}.



until this morning when I looked up the start of
the thread. I still wonder why, given that PMX directly and simply addresses
both of the stated reasons --- full-score transposition and simple names for
notes. And furthermore, PMX implicitly handles another MusiXTeX
transposition issue: setting the default directions of beams.


Because, although I'm new to MusiXTeX, I'm an old plain TeX user so I'm
accustomed with plain TeX and its language and feel at ease and at home with
it, and MusiXTeX is written in plain TeX language.

Thanks,

Rodolfo
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Hi Rodolfo,

why don't you give a try on PMX? I promise ( although you are an expert 
on TeX ) it will speed up your music  typesetting tremendously.


And in the saved time you could try to improve PMX's abilities in 
keyboard fingering.


Regards, Dieter
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Re: [Tex-music] Slurs and Grace Notes

2016-03-10 Thread Dieter

Am 09.03.2016 um 21:04 schrieb Jean-Pierre Coulon:

On Wed, 9 Mar 2016, Dieter wrote:


   Could you give me the title of CPE Bach's Book?


http://imslp.org/wiki/Versuch_%C3%BCber_die_wahre_Art_das_Clavier_zu_spielen,_H.868,_870_(Bach,_Carl_Philipp_Emanuel) 



Hope the LaTeX source of my French translation will help whoever 
typesets translations in other languages. :-)


Bye,

Jean-Pierre Coulon
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Thanks! Being german, I have no problem reading the facsimile of the 
original edition.


Regards, Dieter
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Re: [Tex-music] Slurs and Grace Notes

2016-03-09 Thread Dieter

Am 09.03.2016 um 13:03 schrieb Jean-Pierre Coulon:

Did you try musixps?


   Yes, I am using the Ap-Option with PMX.
And read CPE Bach's book: such short slurs are always implied by grace 
notes. So you can remove them!


   This is an excellent recommendation. I was too much concentrated on 
getting the most information out of the MusicXML file.


   Could you give me the title of CPE Bach's Book?

Bye,


Regards,
Dieter
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Re: [Tex-music] How easy is MikTeX to install?

2016-03-03 Thread Dieter

Am 28.02.2016 um 06:44 schrieb Dirk Laurie:
Hi Dirk,

I never encountered any severe problem with MikTex, which I have been 
using more than 15 years.


The only caveat I am aware of is: After manual package installation be 
sure to maintain the MikTex Database.


Regards
Dieter
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Re: [Tex-music] NEw pmx- VErsion

2016-02-05 Thread Dieter

Hi Andre,

 I am most impressed what you can do already with the "[j... ]j" 
statement.


However the meaning of "\chorsi{^OM}" is not obvious for me.

I wonder whether I will understand enough, in order to make use of these 
techniques for my MusicXML-->PMX translator.


Thanks and regards,
Dieter

Am 05.02.2016 um 11:38 schrieb Andre Van Ryckeghem:
This are a few examples of staff crossing beams, What you want is 
something like the 1st bar, for that no in line code is needed.

===
2 1 4 4 4 4 0 4
1 2 20 0
bt
./
w150m
\\def\chorsi#1{\prevstaff\zq{#1}\nextstaff}\
%\\def\chorsii#1#2{\prevstaff\zq{#1}\zq{#2}\nextstaff}\
% with beams, all in pmx
b42 ze- e2 zb+ b4 ze- //
[l+24+1 g8 g zc b b ]j
[l+24+1 g8 ]j rb [j b ]j [j b ]j /
[j c8 rb e e ]
[j c8 ]j [j c zg ]j [j e+ ]j [jl e zc ] //
g05 /
%
%Normal chords
b4 zf+ X2 Gxe+s f2 zb- f4 zb- //
rbp /
\chorsi{^OM}\ d8 zf \chorsi{PM}\ d4 zf \chorsi{PM}\
d4 zf \chorsi{PM}\ d4 zf \chorsi{PM}\ d8 zf  /
%
% \sk's needed if rests at start of bar
m2424
r8 rb4 r8 /
r8+0 \prevstaff\sk\zq{^N}\nextstaff\sk\ f
\prevstaff\sk\sk\zq{N}\nextstaff\sk\sk\ fs r+0 //
r8b+0 b zds b zdsi rb+0 /
%
===
*From:* Dieter <mailto:d.gloet...@web.de>
*Sent:* Thursday, February 4, 2016 6:33 PM
*To:* Werner Icking Music Archive <mailto:tex-music@tug.org>
*Subject:* [Tex-music] NEw pmx- VErsion
Hi Don,

(1) the new "8" clef works nicely, when set at the beginning. However 
on the fly it does not.

==
% nstaves ninstr mtrnuml mtrdenl mtrnump mtrdenp
114444
% npickup nkeys
00
% npages nsystems musicsize fracindent
011   20 0.05

t
.\
w150p
Tt
Test clef 8
a0 | /
C8 b0 | /




(2) Then I noticed, that scor2prt now creates files with extension 
*.pma. Is this intentional and, if yes, why?


(3) Then I wonder, whether PMX supports modeling staff crossing chords 
like in the 3rd measure?




Regards, Dieter


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[Tex-music] NEw pmx- VErsion

2016-02-04 Thread Dieter

Hi Don,

(1) the new "8" clef works nicely, when set at the beginning. However on 
the fly it does not.

==
% nstaves ninstr mtrnuml mtrdenl mtrnump mtrdenp
114444
% npickup nkeys
 00
% npages nsystems musicsize fracindent
011   20 0.05

t
.\
w150p
Tt
Test clef 8
a0 | /
C8 b0 | /




(2) Then I noticed, that scor2prt now creates files with extension 
*.pma. Is this intentional and, if yes, why?


(3) Then I wonder, whether PMX supports modeling staff crossing chords 
like in the 3rd measure?




Regards, Dieter

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Re: [Tex-music] PMX 2.73

2016-02-01 Thread Dieter

The latest 64Bit-Windows version from Bob runs without any problem.

Let me point out, that PMX has been capable of handling lyrics with 
musixlyr (without M-Tx) ,

since I started to work with PMX many years ago.

However this new solution is much more transparent and easier to use, 
than before.
It will help me also when I  include lyrics in the translation from 
MusicXML to PMX.


--Dieter Gloetzel

Am 31.01.2016 um 23:20 schrieb Don Simons:

I'm very pleased to announce the availability of a beta version of PMX 2.73.
Thanks to Dirk Laurie, PMX can now handle lyrics directly, without having to
use M-Tx as a pre-preprocessor. The zip file is available here:

http://icking-music-archive.org/software/pmx/pmx273.zip

I'm also attaching an example .pmx I just put together, part of a Cantata I
had earlier published using M-Tx. Entering the text directly into PMX is now
really quite straightforward.

--Don Simons


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Re: [Tex-music] Sibelius to PMX

2016-01-17 Thread Dieter

Yes, when you have a MusicXML export from Sibelius.

Feel free to send me the source.

My tool has evolved a lot, but it will need a few more weeks to be ready 
for publication.


Regards,
Dieter

Am 16.01.2016 um 23:10 schrieb Don Simons:

Is it possible?

--Don Simons

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Re: [Tex-music] Sibelius to PMX

2016-01-17 Thread Dieter

Hi Don,

I have made good experience with the non free SHARPEye from Nvidia (UK): 
from scanned note sheet to MusicXML or Midi.


Then I discovered a free product "Audiveris" from France, but did not 
yet succeed to install it.


It is based on Java, and there was sort of a mess with respect to Java 
32 Bit and Java 64 Bit.


Would be great, when someone could resolve this problem.

You can also send me the PDF and I will see what I can do. This 
Audiveris thing should be able to

work directly on the PDF file and would not need additional scanning.

Regards,
Dieter




Am 17.01.2016 um 06:16 schrieb Don Simons:

Dirk Laurie wrote

2016-01-17 0:10 GMT+02:00 Don Simons <dsim...@roadrunner.com>:


Is it possible?

Possible, yes. Possible by open-source tools, no (as yet).

Sibelius can export to MusicXML, and Dieter can convert that to PMX.

Yeah, I got that by googling. I do have a pdf of the score. Is there
freeware to convert that to XML?

--Don Simons

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Re: [Tex-music] progress with XML2PMX

2016-01-13 Thread Dieter

Hi Don,

thanks! This will help, when I need it.

Other question: Why can I not influence the page layout by changing "h" 
to some smaller value.
I had thought, that "w" and "h" were the dimensions of the notes 
surrounding rectangle. But that does not seem to be the case.


Regards,
Dieter

Am 12.01.2016 um 16:48 schrieb Don Simons:

FWIW, I can eliminate the blank page by including Ai.98, which reduces
\interstaff  for the first page from 11.7 to 11.5. But I doubt if you want
to include that in XML2PMX.

--Don Simons


-Original Message-
From: TeX-Music [mailto:tex-music-boun...@tug.org] On Behalf Of Dieter
Sent: Tuesday, January 12, 2016 4:51 AM
To: tex-music@tug.org
Subject: Re: [Tex-music] progress with XML2PMX



Which would then be the  values for "w" and "h" in PMX compatible with A3-
Format (297 mm * 420 mm)?

The problem seems to be invariant with respect to "\vsize".

Maybe I have to put some other dvips parameters in order to print A3.

Thanks and regards,
Dieter

Am 11.01.2016 um 22:00 schrieb Dirk Laurie:

2016-01-11 18:44 GMT+02:00 Dieter <d.gloet...@web.de>:


Also what I do not understand, why the piece starts with an empty
page. Any idea?

\vsize is larger than the default paper size.
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Re: [Tex-music] progress with XML2PMX

2016-01-12 Thread Dieter

Hi Don,

I know of these problems. But I wonder whether it is worthwile to try to 
solve them automatically.


Once you have the PMX generated, you can do embellishments as you like.

--Dieter Gloetzel

Am 12.01.2016 um 04:22 schrieb Don Simons:


In bar 35 & 37, 5^th staff down, the upper octaves crash into the 
beam. PMX sets the beam height and slope based only on the main notes, 
and ignores any chordal notes. You would either need to tell it to 
make the beam higher, or enter the higher notes first (as main notes) 
while still forcing the beam to be an up-beam. Same problem in bar 16. 
7^th staff down.


--Don Simons

*From:*TeX-Music [mailto:tex-music-boun...@tug.org] *On Behalf Of *Dieter
*Sent:* Monday, January 11, 2016 8:44 AM
*To:* Werner Icking Music Archive <tex-music@tug.org>
*Subject:* [Tex-music] progress with XML2PMX

Hi,

some of you will remember that I started working on a Converter from 
MusicXML to PMX more than a year ago.


Now it has got a certain mileage, but before publishing it, I want to 
show you some results for discussion.


/ActorPreludeSample.pdf /is the original notes sheet from Recordare Inc.

/ActPreSam48.PMX/ has been generated from the published MusicXML-file 
with almost no manual operations.


The only place, where  I had to tweak PMX a bit, was in measures 24 
and 25 for instruments 14, 18, 19 and 20,

where I could not place the dynamic marks automatically.
In the XML-Code the dynamic marks were located right at the beginning 
of the measure and not after the referenced note (like in PMX).


ActPreSam48.pdf is the result from running /ActPreSam48.pmx /with the 
latest PMXAB_2.71- (64Bit).


I would be pleased if someone could run the PMX, look at the error 
messages and warnings, like "more than 14 hairpins" etc.,
and tell me whether they are relevant or not and could or should be 
avioided.


Also what I do not understand, why the piece starts with an empty 
page. Any idea?


Regards Dieter
P.S. Thanks to Bob! the 64Bit version is the good one.


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Re: [Tex-music] progress with XML2PMX

2016-01-12 Thread Dieter



Which would then be the  values for "w" and "h" in PMX compatible with 
A3-Format (297 mm * 420 mm)?


The problem seems to be invariant with respect to "\vsize".

Maybe I have to put some other dvips parameters in order to print A3.

Thanks and regards,
Dieter

Am 11.01.2016 um 22:00 schrieb Dirk Laurie:

2016-01-11 18:44 GMT+02:00 Dieter <d.gloet...@web.de>:


Also what I do not understand, why the piece starts with an empty page. Any
idea?

\vsize is larger than the default paper size.
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[Tex-music] install new PMXAB.exe: error message "libgcc_s_dw2-1.dll is missing"

2016-01-11 Thread Dieter

Good Morning, well almost noon in Germany!

I just installed latest PMX and MusixTeX versions. When I run pmxab, it 
seems to run, but  I get the above error message.


When I look in the Internet, there are hundreds of sites, who want to 
repair my PC.


So does anybody know, what this error message means? And what I have to do?

It never occurred with the older versions of PMX.

Thanks
Dieter
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[Tex-music] two consecutive \zcharnote commands

2016-01-04 Thread Dieter


% nv, -noinst, nostaves per instrument
 1 -1 1
% mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig
 4 4 4 4 0 3
% npages,nsyst,musicsize,fracindent
 0 5 20 0.07
Recorder
t
./
Tt
FANTASIA 1.
Tc
Georg Philipp Telemann
Abep
% Part, staff, voice( 1|Recorder| 1| 1), Bar 33
 \zcharnote{-8}{adagio}\zcharnote{-8}{allegro}\  [l f14l d35nl c35l 
d15l f15l ] r1 [l f15l e15l d15l ] [l g14l d35l c35l d15l

f15l ] r1 [l f15l e15l d15l ] | /
% Part, staff, voice( 1|Recorder| 1| 1), Bar 34
 [l a14l c35l b34l c15l a15l ] [l g14l c15l e15l a15l ] [l f14l c35l 
b34l c15l a15l ] [l e14l c15l e15l

a15l ] | /

==
During  the automatic translation from MusicXML to PMX I have the following 
problem:

I want "adagio allegro" and not "adagio" overwritten by "allegro".

Is there a better way to achieve this apart from writing: "\zcharnote{-8}{adagio 
allegro}"

Thanks and regards,
Dieter

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