On 05/03/2014 04:25 PM, Ted Felix wrote:
> On 05/03/2014 05:47 PM, D. Michael McIntyre wrote:
>> On 05/03/2014 04:37 PM, Tom Breton (Tehom) wrote:
>>> If you have adjacent notes of the same pitch and you select all of them
>>> and change their lengths, you don't get a sensible result.
>> a) Do whatever I said, even though it's stupid.  Don't truncate anything
>> to avoid overlaps, don't adjust start times, just screw it all up and
>> turn it into an overlapping polyphonic mess that won't render or print
>> correctly.
>
>     This would allow the user to go from varying degrees of legato to
> staccato by reducing the note duration for all of the selected notes.
> That seems useful to me.  Or is there already a better way to do that?
>
>     Combining them seems dangerous to me.  They probably have four notes
> of the same pitch for a reason.  The attack is likely to be important to
> them.
>
> Ted.
>

Without some means of controlling phrasing by varying note durations,
I would find Rosegarden useless.

With certain voices the only way to achieve a decent legato is to
employ considerable overlap.  Repeated notes, on the other hand,
often require considerable daylight between them for proper
articulation.

I don't know if this is relevant to the current discussion, but on my
own system I have addressed the issue by exploiting the difference
between notation duration and performance duration.

To begin with, so that I could see what I was doing, I changed the
color scheme so that notes of shorter performance duration and notes
of longer performance duration appear in different colors.

I then added menu items in the quantizing area to allow me to select
the number of milliseconds by which to increase durations and the
number of milliseconds by which to decrease them.

Selecting a group of notes and hitting a hot-key combination changes
the performance durations of the whole group.

Changing the tempo has the side effect of changing the lengths of the
overlaps and lifts, so another menu entry is provided to recalculate
these.

And if I want to remove my changes, I remove the quantization in the
usual manner.

Except for the color of the notes (if that option is selected), the
notation itself remains untouched.

Tim Munro



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