[Gimp-developer] Playing with (color) matches

2008-05-10 Thread Andrew A. Gill
I'm in the market for a color matching book, and I certainly 
understand that GIMP is rightly focussing on other things right 
now.

I further understand that the famous national brand for color 
matching is pretty insane about protecting its intellectual 
property.  This really isn't much of an issue because there are 
other systems that I could use.

But if I select a system that isn't supported in GIMP and will 
likely never be, I can see myself switching to Photoshop.

AND I DON'T WANT TO SWITCH TO PHOTOSHOP.

So can anyone recommend a color matching system that would be 
more likely than the others to be included in GIMP at some point, 
years in the future?

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Re: [Gimp-developer] the symbol for inch can be ' ?

2008-11-18 Thread Andrew A. Gill
On Tue, 18 Nov 2008, Cristian Secar? wrote:

 Somewhere in the po-plug-ins file there is this string:

 The unit's symbol if it has one (e.g. \'\ for inches). The unit's
 abbreviation is used if doesn't have a symbol.

 Is this correct ? As far as I know the symbol for inch is , not '.

I believe the definitive discussion of this is in This is Spinal 
Tap, where they mistakenly request a model of Stonehenge 18 
high, instead of 18', resulting in a prop that was in danger of 
being crushed by a dwarf.

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Re: [Gimp-developer] Please take me off of the list!

2008-11-28 Thread Andrew A. Gill
On Fri, 28 Nov 2008, David Owens wrote:

 I've tried and tried but no one will respond... I wanted to be active but 
 things came up and now i cant and all this is is really spam for me... so if 
 you could please take me off theat would be GREAT. No hard feelings... best 
 of luck to you chaps.

[Apologies if I'be posted this before]

When you send unsubscribe requests to an email list, it lands 
in the mailboxes of hundreds of people who can't unsubscribe you.

I can't unsubscribe you. Try the stuff below. Clip 'n' save these 
instructions for future reference.
=8=Cut-Here=8=

How To Unsubscribe From Any Email List

1. Look at the messages you've been getting on the list. Do they 
have how to unsubscribe messages near the end, or an email 
address to use in a List-Unsubscribe: header at the top? If so, 
follow those instructions.

2. Most lists these days, including all lists hosted by the big 
two (Yahoo! Groups and Topica), have an -unsubscribe alias for 
this purpose. For example, if you're on the WHATEVER list, either 
[EMAIL PROTECTED] or 
[EMAIL PROTECTED] would be the right address to 
use.

(For the rest of this memo, let's assume that the WHATEVER list 
is at example.com -- that is, the alias is [EMAIL PROTECTED] 
If the list has a name like WHATEVER-L, you might try steps 6 
and 7 first.)

3. Otherwise, first send a request to the -request alias. For 
our example, that would be [EMAIL PROTECTED] This is 
often read by a human being, so write accordingly. In theory, all 
email lists are supposed to implement this address (though Yahoo! 
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4. If you get no response from the above, send mail to the 
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If the list is administered by the majordomo software, you'll get 
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7. If you get no response, send mail to the listproc alias. For 
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of your message should be unsubscribe WHATEVER.

8. If you get no response, send mail to the site postmaster. 
For our example, that address is [EMAIL PROTECTED] Mention
that you tried the previous five steps, to no avail.

9. If you get no response, send mail to root. Our example 
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10. If -- and only if -- all the above fail, send a message to 
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Re: [Gimp-developer] CMYK editing (Was: GIMP PDF export plugin)

2009-03-23 Thread Andrew A. Gill
On Mon, 23 Mar 2009, Martin Nordholts wrote:

 I am by no means a photography professional and my point of view comes
 mostly from what other people have said regarding CMYK support; I don't
 have any direct sources to give.

 Could you perhaps clarify/give references to your claim that high-end
 photo editing apps are pushing for an RGB only work-flow? If you are
 going to print an image, CMYK _will_ play a role in your work-flow.

I do work in the printing industry, and I can tell you that 
output is still CMYK, and will remain CMYK for at least the next 
few years.  Well, some of it is 6-color Hexachrome.

And the newest technology is digital presses like the HP Indigo, 
which are also 6-color or more.  The cheap ones cost upwards of 
$160,000, not counting the product maintenance contract.  No one 
is going to turn around and buy another press that uses a 
completely different workflow after dropping that much money on a 
brand new press just 4 years ago.

I have seen no evidence that anyone is moving from a CMYK or 
6-color workflow to an all-RGB workflow.  I do know that some 
desktop printers use RGB color inputs, but those are desktop 
printers, not professional presses.

The workflow may be different for photo editing than for some of 
the documents that I work on (most are spot jobs, but some 
involve image manipulation), especially with things like photo 
kiosks, but professional-quality press output will remain CMYK 
for quite some time.

I recognize that CMYK editing is a difficult thing, and I'd 
encourage you to take the time to do it right, but I'd also 
encourage you to do it.  It may take some work to convert current 
Adobe users to GIMP, but the way GIMP works now, you ensure that 
they can't even consider it.

Full disclosure: I use Adobe products at work, but GIMP at home. 
I much prefer the UI of GIMP to that of Photoshop, and it works 
just fine for the amateur work that I enjoy as a hobby at home. 
In fact, GIMP can do all the professional things that I need it 
to at work--all except CMYK and spot.  I don't even really use 
16-bit much, and I can work around PMS colors.

If GIMP had CMYK support, I could take my work home.

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Re: [Gimp-developer] CMYK editing (Was: GIMP PDF export plugin)

2009-03-23 Thread Andrew A. Gill
On Mon, 23 Mar 2009, Sven Neumann wrote:

 On Mon, 2009-03-23 at 17:51 -0400, Andrew A. Gill wrote:

 I do work in the printing industry, and I can tell you that
 output is still CMYK, and will remain CMYK for at least the next
 few years.

 Output, yes, of course. But where in this process do you actually edit
 an image in CMYK? I don't mean converting it to CMYK to get it printed.
 I mean actual editing after the conversion. Could you give us some
 examples of where that is needed?

Oh, sure.

Like I said, I mainly work with vectors and spot jobs, but I 
have, in the past, had to deal with some of these issues.  Take 
the following image, for example:

http://www.ets.ru/images/pk75.jpg

To properly print this image, it should be trapped--that is, 
either the red plate or the black plate should be altered so that 
the red and black overlap.  That way, a slight misregistration 
won't result in a white gap along the border.  Trapping is 
usually pretty small, around .25 pt, but here's an exaggerated 
example of what will happen if you don't trap and the plates are 
misregistered:

http://i158.photobucket.com/albums/t102/superluser/whywetrap.png

Some trapping can be done in vector programs and page layout 
programs, but images with non-geometric edges like the one above 
cannot.  I would have to do it in GIMP, but I cannot do it in 
GIMP, because that would require having some of the pixels at 
100% red and whatever shade of black it is at that point, and 
GIMP cannot do that because it does not have CMYK support.

Likewise rich black.  In cases where you are printing black on a 
multicolored border, it's useful to print in rich black, usually 
60%C, 100%K.  This makes the effects of trapping less noticeable.

You can find an example of rich black here:

http://www.graphic-design-employment.com/over-printing.html

Again, it is not possible to do this in GIMP without CMYK 
support.

Also, color correction.  If I print a proof and it turns out that 
it is too cyan, I cannot simply turn up the red, because that 
will also adversely affect both the cyan and magenta plates.

And finally, I agree with Sven that I don't know why anyone would 
want to have multipage PDF output for GIMP.  I'd much rather see 
built-in DjVu support.

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Re: [Gimp-developer] GIMP PDF export plugin

2009-03-25 Thread Andrew A. Gill
On Wed, 25 Mar 2009, Alexandre Prokoudine wrote:

 2. You have a newspaper where first page should have a two-color
 photo: black (C=0%M=0%Y=0%K=100%) and blue (C=100%M=0%Y=0%K=0%).
 separate+ however separates black to 4 channels.

The Christian Science Monitor does this pretty frequently, and 
2-color ads and brochures are fairly popular because they are 
cheap.  You can look online for examples, but I have to get to my 
prepress job now.

 To me it's somewhat strange that GIMP's product vision doesn't mention
 prepress needs explicitly.

Agreed.  I don't think anyone here is looking for a Photoshop 
clone (I know that I personally hate PS for a variety of 
reasons), but we do realize that it has to compete with 
Photoshop, and not addressing the issues of large sections of the 
design market when your competitor does is probably not the best 
move.

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Re: [Gimp-developer] GIMP PDF export plugin

2009-03-25 Thread Andrew A. Gill
On Wed, 25 Mar 2009, Vincent Lordier wrote:

 This is valuable input you're giving actually
 How about collecting these use cases for prepress in the wiki here
 http://wiki.gimp.org/gimp/ ?

 (like the UI team did with brainstorm here :
 http://gimp-brainstorm.blogspot.com/ )

 You could put it using these kind of chapters :
 https://wiki.ubuntu.com/UbuntuWithoutRestricted

 This way, we could specify the GIMP a bit better and coordinate dev efforts
 ;)

 enjoy this day !

I'd be happy to, but I've got to get to work.  InDesign is a 
flaky POS software that makes me wish there were a better free 
alternative.

But since there isn't, I'll have to write up some examples when I 
get home.

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Re: [Gimp-developer] GIMP PDF export plugin

2009-03-25 Thread Andrew A. Gill
On Wed, 25 Mar 2009, peter sikking wrote:

 Alexandre Prokoudine wrote:

 There was a somewhat heated discussion of this thread at
 linuxgraphics.ru forum and here are several examples from people who
 deal with prepress work on daily basis:

 1. Client brings an image for poster in CMYK which needs color
 correction. Urgent work, not time to ask him to redo it. Double color
 space conversion is out of question. So he had to use Photoshop from
 VMWare.

 2. You have a newspaper where first page should have a two-color
 photo: black (C=0%M=0%Y=0%K=100%) and blue (C=100%M=0%Y=0%K=0%).
 separate+ however separates black to 4 channels.

 3. Some print houses set limit to overall sum of colors, for example
 180%. So if you take Cyan 100% + Magenta 100% (already 200%) + a
 little of K and Y this will result in unnatural colors in a newspaper.

 4. Live density control for each CMYK channel is a must (Scribus/SVN
 has that in preview dialog).

 To me it's somewhat strange that GIMP's product vision doesn't mention
 prepress needs explicitly.

 A vision is an expression of the project of what they want
 the software to be.

 There is choice in there, and the user community cannot demand
 that GIMP does certain things. For instance making web mockups
 (including the required html + css generation) is explicitly not
 supported.

 Now what about that prepress. I think it is fairly safe to say
 that scribus' vision is to be prepress-king and GIMP should watch
 it not to want to overlap too much in that department. Everything
 in the above examples that reeks of newspaper, publications or
 multiple pages is a job for scribus. They want to do this.

Scribus is vector-based, not raster based.

I do not believe that Scribus has any intent to be allow 
raster-based editing, but I could be wrong.

I have CC'd the Scribus list.  Let us hear their opinions.  Does 
Scribus intend to allow people to tackle the problems listed 
above?

Or would you be able to trap the following image with Scribus?

http://www.ets.ru/images/pk75.jpg

 The vision does speak about creating original art and I am all for
 it to bring this original art to the printing press. And not via
 the print dialog (I am also mr. openPrinting) but those printing
 presses that have operators. From the description above you can
 see what is should be like: first you create the art, then you
 bring it to the press. Mix master tape (in rgb) and then cut
 the lp (in cmyk).

As someone who works in prepress, I can tell you that when we 
take it from original artwork to press, we have to run any raster 
artwork through Photoshop or a competing product.

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Re: [Gimp-developer] GIMP PDF export plugin

2009-03-25 Thread Andrew A. Gill

On Wed, 25 Mar 2009, Alexandre Prokoudine wrote:


On Wed, Mar 25, 2009 at 7:27 PM, Andrew A. Gill wrote:


Agreed.  I don't think anyone here is looking for a Photoshop clone (I know
that I personally hate PS for a variety of reasons), but we do realize that
it has to compete with Photoshop, and not addressing the issues of large
sections of the design market when your competitor does is probably not the
best move.


Do we realize that? :)

It is true that GIMP is usually seen as to-be-photoshop-substitution
and its maturity in various areas in fact is the reason why people
switch to GIMP. However GIMP doesn't seem to be driven by a will to
make Photoshop die, die, die :)


http://www.businessdictionary.com/definition/competitor.html

It's a product that has similar features.  It's a competing 
product.


(Personally, I want to make Photoshop die, die, die, but that's 
mainly because of a deep loathing for the UI.)


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Re: [Gimp-developer] GIMP PDF export plugin

2009-03-25 Thread Andrew A. Gill
On Thu, 26 Mar 2009, Graeme Gill wrote:

 As I understand it, Scribus is not a pixel editor, it is
 a page layout package, rather a different thing altogether.

For the record, Scribus does allow pixel editing.

When you right click on an image and select Edit Image, it opens 
the image in GIMP.

I think that's pretty strong evidence that there's no intent to 
do raster editing in Scribus itself.

 I really don't think people working in the graphic
 arts are going to want to master two different pixel editing
 packages, simply because one of them doesn't support anything
 other than RGB. If they're in the Linux sphere, then I guess
 they need to go and look at using Krita instead.

FYI, Krita is extremely buggy.  It has an SDI, which some people 
(e.g. me) don't like, but the code will improve and there may be 
improvements in the interface.  Krita may indeed surpass GIMP. 
Sad, really, since I think GIMP can be the better product.

[from here out, `you' refers to core GIMP developers]

We want you to succeed, and all you need to do to succeed is to 
address some of the issues that users need.  If you're telling us 
that GIMP has no intention of ever providing those things, we'll 
find another product.  Maybe Krita when it becomes vaguely 
stable, or maybe a fork.

But you've got the time to do it before the others catch up, and 
you've got GEGL, the toolset to do it right.

Here's a thought: I can code.  I'm sure others on this list can, 
too.  Why don't you tell us what you would require for a CMYK 
mode to be incorporated into the trunk of GIMP.  We can all read 
the API, but you can tell us what coding standards we need, what 
toes we can't step on and why other attempts to add similar 
functionality (like Cinepaint nee FilmGimp) foundered, and what 
we can do to avoid making those same mistakes.

If you tell us what we need to do, we can do it.  That's the 
point of Open Source!

If you don't, people are going to get sick of the excuses and 
simply move on to develop this functionality somewhere else.

From the outside, GIMP is seen as a shining example of what open 
source is capable of.  Inside the OSS movement, it's seen much 
like the XFree86 guys--constantly bickering about the same 
issues.  I'm sure that you'd have no trouble getting developers 
to work on a flagship product if they were convinced that it 
would end some of the internal conflicts in OSS.

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Re: [Gimp-developer] GIMP PDF export plugin

2009-03-25 Thread Andrew A. Gill
On Wed, 25 Mar 2009, Guillermo Espertino wrote:

 Even though I agree that most of the CMYK cases mentioned use CMYK
 almost as spot colors, I can think of a very common usage scenario in
 Graphic Design where you need to be able to edit CMYK directly:

 Corporate colors.
 Most frequently Pantones. Brands have their corporate colors and ask
 designers to use them, but they can not always afford extra spot passes
 in offset press, so the colors have to be converted to the most
 aproximate CMYK combination (the Pantone Bridge catalog is for that).

 So you have to adjust the color of a photograph of a sign, a truck and a
 producto of your client to their corporate CMYK color.

 It's a photograph, you need CMYK, you can't use spot.

 This is a very common scenario, and it's a task for a image manipulation
 program.

Sadly for the cause of CMYK, that's not really a good example. 
That's a better example for the need for Pantone and other color 
matching system support.

Which GIMP will eventually need, but I'm thinking that day will 
come a decade or two from now, hopefully when there's an open 
source rival for Pantone.

(I actually plan to take that task on, myself in a few years, as 
part of some research)

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Re: [Gimp-developer] GIMP PDF export plugin

2009-03-25 Thread Andrew A. Gill
On Wed, 25 Mar 2009, Louis Desjardins wrote:

 To this point I don?t believe it?s that important to start figuring out
 whether the case is as good an example as it possibly can. I guess we
 are not at all trying to make the trial of the use of CMYK in the
 printing industry! (Now, that would be a total waste of time!) For those
 interested I bet a full glass of beer ? available at LGM! ? that they
 can find without too much efforts plenty of explanations about CMYK use
 in the printing industry on the web. Even non-offset printing go by CMYK
 and inkjet printing involves CMYK plus Light Cyan, Light Mangenta and/or
 Vivid Magenta and some Black variations. Somehow, somewhere in the
 process these printers need to convert the data so the printer can use
 one of the CMYK inks that?s in the machine, be it toner or printing ink.
 There is no way to ignore this reality.

I am informed that some CcMmYK printers accept only RGB data.  In 
such cases, it would be better not to convert to CMYK, since it 
will only have to be converted back to RGB before it goes to the 
device.

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Re: [Gimp-developer] GIMP PDF export plugin

2009-03-25 Thread Andrew A. Gill
On Wed, 25 Mar 2009, Louis Desjardins wrote:

 This mostly depends on the RIP that is attached to the printer but really, 
 this doesn?t prove the point of the need of CMYK editing ability to be wrong, 
 does it?

On the contrary.

Just trying to give people all the facts.  I find it helps to 
avoid being accused of partisanship.

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Re: [Gimp-developer] GIMP PDF export plugin

2009-03-26 Thread Andrew A. Gill
On Thu, 26 Mar 2009, Martin Nordholts wrote:

 I must say I find this a bit arrogant.

Maybe.  Probably.

But I think it's time for me a a user to stop telling developers 
what I need and to start asking what you need to make that 
happen.

I think it's time to stop looking at this from the position of 
nebulous wants and desires and to start looking at the end 
product and asking what restrictions need to be placed on its 
development.  Where does it connect to the rest of the program? 
How does it interact with the rest of the program?  When we know 
that, we'll be able to start figuring out how best to implememt it.

 Supporting someone that is inexperienced with hacking on the GIMP core

I'm not asking for support.  I'm just asking you what the shape 
of the hole is that the CMYK peg must fit into.

I'm not really suggesting that I tackle the problem, but in my 
experience, the first response to ``You should have feature X'' 
is usually ``You forgot to attach the patch.''  Talk is cheap, 
and somebody needs to offer to help.

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Re: [Gimp-developer] GIMP PDF export plugin

2009-03-26 Thread Andrew A. Gill
On Wed, 25 Mar 2009, Vincent Lordier wrote:

 Hello happy CMYK warriors,

 This is valuable input you're giving actually
 How about collecting these use cases for prepress in the wiki here
 http://wiki.gimp.org/gimp/ ?

Well, I'm a man of my word and so I just contributed my wiki 
attempt to do my part to change this from pie-in-the-sky 
dreaming.

There's an incomplete draft here:

http://wiki.gimp.org/gimp/ToDo/FloorpieCMYK

I still need to come up with a good color correction example and 
a good rich black example, but I should sleep now.

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Re: [Gimp-developer] GIMP PDF export plugin

2009-03-26 Thread Andrew A. Gill
On Thu, 26 Mar 2009, yahvuu wrote:

 just to be shure (i'm probably just paraphrasing Andrew A. Gill's follow-up):

No, you're not.

That came out a little sharp.  Let me try to soften it.  You're 
entitled to your opinion, but I just want to make sure that 
there's no misunderstanding.

 I think this task can be done equally well in an RGB space, say sRGB.
 If Pantone's Bridge has sRGB approximations, it should be trivial. If not,
 you have to convert that single color from your best-guess CMYK to sRGB first.

I said before that I didn't think this was a real use for CMYK, 
but that is because I think that even if GIMP had CMYK support, 
it would not be able to perform this task well enough.  GIMP 
would need native Pantone support, which I don't think is really 
that useful at this time.

As little as I trust Pantone to CMYK, I trust Pantone to RGB 
even less.

 By this i mean anything which can't be done by processing
 the plates as separate grayscale channels (see ?yvind Kolas's post).

This is not fun.  What you are suggesting is a very laborious 
process, and having such a process work properly would probably 
result in tens of minutes to hours of wasted time, depending on 
the image in question.

And it still would result in one of the following:

1.) A helper application which creates the CMYK image
2.) GIMP still is unable to deal with trapping or rich black.

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Re: [Gimp-developer] GIMP PDF export plugin

2009-03-26 Thread Andrew A. Gill
On Thu, 26 Mar 2009, ?yvind Kol?s wrote:

 I was not describing user interface anywhere in my mail,

To be honest, I think I missed your message.

If I have mischaracterized what you have said (and judging from 
what you say below, it looks like someone has), I crave pardon.

Here's what I was disagreeing with:

yahvuu:
   Yet AFAIKS none of the examples has shown a requirement for 
   doing actual image processing in CMYK space (which is a 
   good thing, btw).

To justify this, the message continues:

yahvuu:
   By this i mean anything which can't be done by processing 
   the plates as separate grayscale channels (see ?yvind 
   Kolas's post).

It sounds to me like the latter sentence is referring to the UI, 
considering the content of the former sentence.

 I was describing
 underlying implementation mechanisms. GEGL stores pixels in buffers
 that can store and on demand convert to and from RGB, YCbCr, CIE Lab
 and Grayscale (dynamically extendable with other color models).
 Allowing image processing operations to be implemented using the
 models best fit for a particular operation.

I certainly don't take issue with that.

 At the moment I do not have interest in CMYK but the above outline is
 in line with my ideas on how GEGL should evolve.

At first blush, what you said seems about right.  I'll read it 
more closely and give it more thought.

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Re: [Gimp-developer] digested: printing presses, cmyk, tiff + pdf...

2009-03-26 Thread Andrew A. Gill
I think I agree with 99% of what you wrote. 
Clarifications/quibbles:

(wait.  Nevermind.  Probably about 75%)

On Fri, 27 Mar 2009, peter sikking wrote:

 4) tiff or pdf? it is just a transport method. it is a strategic
choice what to do first/better/at all.

PDF isn't really appropriate for raster images, but printers know 
how to deal with them and some expect it.

 1) all creative work in GIMP is in rgb.

Is currently?  Or should be?  I can agree that it is currently, 
but it should allow CMYK editing.

 2) when it is one of those times (plural) to work on the
printing press mastering of this file, then pull the
press projection over the image window. now you can see the
plates (similar to layers) and work on each or combinations.

This would make a very useful feature, but it must accompany full 
CMYK editing.

CMKYGO can easily be
also a default.

Probably not, for a few reasons.  Hexachrome(R) is 
patent-encumbered, for starters.

 4) flip the press projection up again and continue to work
on the creative part. flip the press projection down
again and the plates are updated from the image changes.
with previous plate modifications applied on top.

Ah.  This is needlessly complicated and would require two 
versions of the same image.

Remember--rich black is a necessary CMYK color and cannot be 
represented in RGB.  Trapping images requires CMYK and the 
trapped image cannot be represented in RGB.

Changes to one image cannot be automatically transferred to the 
other without complicated transforms.  This is far more than just 
RGB  CMYK.  This would involve things like edge detection and 
intelligent algorithms to determine when a boundary between two 
colors in one version of the image has shifted and thus requires 
a change to the other version.

To put it simply, this solution would require probably twice as 
much work as CMYK editing would.

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Re: [Gimp-developer] digested: printing presses, cmyk, tiff + pdf...

2009-03-27 Thread Andrew A. Gill
On Thu, 26 Mar 2009, Robert Krawitz wrote:

 I think the case of text black is a partial, qualified exception --
 but it's arguable that it has any bearing on RGB vs. CMYK.  It really
 means the darkest, sharpest black that can be produced regardless of
 rendering device.  It could just as well be represented as RGB+K, or
 simply as a separate layer.  I'd argue that it's actually a creative
 choice, though.

It doesn't necessarily mean the darkest, but it does mean the 
sharpest.  And you're right that it could essentially be 
represented as RGB+K.

 Perhaps prepress tasks would better be implemented as a plugin (or set
 of plugins)?  It's hard for me to see how trapping (for example) would
 make any sense at all as part of the core, but as a plugin it would
 make perfect sense.  I know Adobe at least used to sell a product
 called TrapWise whose purpose in life was to do nothing but trapping.

Automatic trapping is actually not a bad idea for a plugin.  You 
could have things like trap along path or edge detection trapping 
(which I used as an example of something that would be 
prohibitively expensive in an interactive mode, but in one-time 
mode wouldn't be an issue).

It would, in general, be a very dumb plugin, but some simple jobs 
don't need intelligent algorithms to determine that we don't need 
the red eye effect trapped but that the magenta hankerchief in 
the suit pocket does need to be, just to trap the edge of the 
photo that got torn and you're outlining with a black border.

 I don't know if it had a Photoshop plugin component or not.

TrapWise began with Aldus and was subsequently acquired by Adobe. 
TrapWise is now owned by Kodak, who describe it thus[*]:

``TRAPWISE's streamlined workflow, intelligent trapping engine 
and flexible productivity tools combine to give you precision 
trapping whenever and wherever you need it.''

As I suggested in the other message, sophisticated automated
trapping is probably going to be more difficult than simply 
implementing CMYK editing, since you're going to have to 
implement many of the same features--CMYK editing (batch, not 
interactive, granted), colorspace conversion, alterations to the 
XCF file format--plus a bunch of other features like advanced 
edge detection and an evaluation system to determine what needs 
to be trapped and what does not.

There's a reason why TrapWise was pulling in $7000 a copy in 2001 
when CS2 Premium was only $1200.


[*] 
http://graphics1.kodak.com/us/product/workflow_data_storage/production_planning/trapwise/default.htm

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Re: [Gimp-developer] digested: printing presses, cmyk, tiff + pdf...

2009-03-27 Thread Andrew A. Gill
On Fri, 27 Mar 2009, peter sikking wrote:

 I think the case of text black is a partial, qualified exception --

 I have a hard time spotting what you mean. this is troubling
 because I will have to understand the everything to be able
 to drive the Ui side of the solution.

Here, this may help:
http://www.edwardtufte.com/bboard/q-and-a-fetch-msg?msg_id=0001OR

Specifically, the comparison of 4-color and single color here:
http://www.edwardtufte.com/bboard/images/0001OS-1068.jpg

To ensure that text is readable, it must be printed as a single 
color, otherwise the grit may render the text unreadable.

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Re: [Gimp-developer] digested: printing presses, cmyk, tiff + pdf...

2009-03-27 Thread Andrew A. Gill
On Fri, 27 Mar 2009, peter sikking wrote:

 OK, that part I already got before I wrote my digest. But Robert
 points this out to show that there is a (minor) spanner in the works.

 where's the spanner?

There are two spanners: one in favor of CMYK and one against. 
I'm not sure which Robert means, since he alludes to both in his 
message.

In favor of CMYK, text black must be implemented as a single 
color and can only appear on a single plate.

Against CMYK, regardless of what system you use, text black is 
going to be a spot color, so it could just as easily be RGB+K, 
CMYK+K, LAB+K, or even YIQ+K.

Does this answer your question or should I respond when I've had 
more sleep?

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Re: [Gimp-developer] digested: printing presses, cmyk, tiff + pdf...

2009-03-27 Thread Andrew A. Gill
On Fri, 27 Mar 2009, peter sikking wrote:

 the plan as you can see in my conclusions does not hardwire a
 cmyk system, it uses (stolen from pippin) an everything is spot
 aka a-plate-is-a-plate system where the separation is free
 configurable, and cmyk and cmy+k are standard configurations.

 so we are not snookered by this.

That's good.

Some other solutions might not work that way, so clarifying this 
point they way we just did is probably a Good Thing.

I was also thinking about CMYKOG, and I may have been a little 
glib in my dismissal of it.  CMYKOG is essentially a special type 
of 6-color, which is not patent-encumbered, to the best of my 
knowledge.  There's certainly no reason why the user can't have 
Hexachrome(R) if they install proper add-ons, but it couldn't 
ship with GIMP as long as it has a libre license.

After all, there's a way to get PMS to work with Scribus (and I 
believe you can use this to get approximations in GIMP as well):
http://wiki.scribus.net/index.php/Scribus_and_Pantone_colors

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Re: [Gimp-developer] PLEASE REMOVE ME

2009-04-10 Thread Andrew A. Gill
When you send unsubscribe requests to an email list, it lands 
in the mailboxes of hundreds of people who can't unsubscribe you.

I can't unsubscribe you. Try the stuff below. Clip 'n' save these 
instructions for future reference.
=8=Cut-Here=8=

How To Unsubscribe From Any Email List

1.

   Look at the messages you've been getting on the list. Do 
they have how to unsubscribe messages near the end, or an email 
address to use in a List-Unsubscribe: header at the top? If so, 
follow those instructions.
2.

   Most lists these days, including all lists hosted by the 
big two (Yahoo! Groups and Topica), have an -unsubscribe alias 
for this purpose. For example, if you're on the WHATEVER list, 
either whatever-unsubscr...@yahoogroups.com or 
whatever-unsubscr...@topica.com would be the right address to 
use.

   (For the rest of this memo, let's assume that the WHATEVER 
list is at example.com -- that is, the alias is 
whate...@example.com. If the list has a name like WHATEVER-L, 
you might try steps 6 and 7 first.)
3.

   Otherwise, first send a request to the -request alias. 
For our example, that would be whatever-requ...@example.com. This 
is often read by a human being, so write accordingly. In theory, 
all email lists are supposed to implement this address (though 
Yahoo! Groups does not).
4.

   If you get no response from the above, send mail to the 
majordomo alias. That's majord...@example.com for our example. 
If the list is administered by the majordomo software, you'll get 
instructions for unsubscribing mailed back to you.
5.

   If you get no response, send mail to the owner- alias. 
For our example, owner-whate...@example.com. This should go to 
the human who administers the list.
6.

   If you get no response, send mail to LISTSERV. For our 
example, that address would be lists...@example.com. The text of 
your message should be SIGNOFF WHATEVER.
7.

   If you get no response, send mail to the listproc alias. 
For our example, that address would be listp...@example.com. The 
text of your message should be unsubscribe WHATEVER.
8.

   If you get no response, send mail to the site postmaster. 
For our example, that address is postmas...@example.com. Mention 
that you tried the previous five steps, to no avail.
9.

   If you get no response, send mail to root. Our example 
address is r...@example.com. Mention that you tried the previous 
six steps, to no avail.
   10.

   If -- and only if -- all the above fail, send a message to 
the list itself. Make it courteous, particularly since the vast 
majority of the people reading it can't do a thing about it. The 
message should say something like, How do I get off this list?, 
not UNSUBSCRIBE. Try to avoid setting off a bunch of me too 
messages by saying something like, Please don't chime in with a 
bunch of 'I want to unsubscribe too' messages.



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Re: [Gimp-developer] Wanted: Gimp Modification for Kids Product

2009-05-27 Thread Andrew A. Gill
On Wed, 27 May 2009, Simon Budig wrote:

 Jackson Tam (j...@sditech.com) wrote:
 We want to simplify things so that a kid could :

 Actually you might want to have a look at tuxpaint, which seems to have
 the same target audience as you.

I'm not sure about TuxPaint, but there are a lot of similar 
graphics programs out there.

Furthermore, you can

  - remove just about all the tools from the toolbox.
  - launch it via a command like `gimp frames.xcf` which would 
load an image with the frames as separate layers.
  - add a plugin that places a resized SVG as a border on top of 
the image.

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Re: [Gimp-developer] lgm talk, part 2...

2009-06-19 Thread Andrew A. Gill
On Fri, 19 Jun 2009, peter sikking wrote:

 guys,

 the second part of my lgm talk is blogged now:

 http://www.mmiworks.net/eng/publications/2009/06/gimp-squaring-cmyk-circle.html
 

 enjoy,

I do appreciate your work on this, but I have to say that I still 
have some concerns.

I have to go somewhere, so I haven't read evreything 
yet, but I'd like to make this point.  Converting from CMYK to 
RGB and vice versa are not lossless by a long shot.  This is by 
necessity and the fact that GEGL is non-destructive has nothing 
to do with it, since large porions of image data will have to be 
tossed when converting.

The gamut for RGB is far larger in the bright colors, and CMYK 
can produce effects that cannot be produced in RGB.

See, for example: 
http://arstechnica.com/gadgets/news/2009/06/expanding-the-gamut-sharp-to-increase-color-range-of-lcds.ars

I am very concerned that your overlay concept would simply 
degrade the image over successive conversions.

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Re: [Gimp-developer] The name Gimp

2009-10-28 Thread Andrew A. Gill
Well, if we're going to do this discussion, I think I'll just 
unsubscribe for a while.

Let me know when you guys decide to keep the name GIMP.  Or 
better yet, don't.

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