[lace] What is the best way to begin making lace

2019-01-26 Thread TESS PARRISH
Here’s a thought for the too-busy beginner:  read!  A large part of 
learning lace is learning about lace. You don’t have to steep yourself in the 
fashionable laces of the 19th century—there’s a tremendous amount of 
contemporary work being done today, easily found on YouTube, not to mention 
checking books out of your local library.  A great deal of the ‘show and tell’ 
at our lace meetings is sharing what we have found on line or in books, and a 
very valuable lesson for all lacemakers old or new is to try to analyze where 
the threads are going in photos of lace, or the real thing if you have it.
Any craft—woodwork, silversmithing, glass blowing, writing, music—takes 
long hours of practice, and lacemaking is no different.  Sadly, people today 
haven’t been introduced to the long hours of trial and error that were common 
to children of my generation, and grownups just “don’t have the time or 
patience for that.” (How often have you heard that when you were demonstrating?)
Still, there are those of us, sometimes considered “talented” or even a 
bit “odd”, who are driven to use our minds and hands to make lace.  It is up to 
us to us to encourage the seekers and beginners by meeting them where they each 
are and to lead them gently into the world of craftsmanship.
So good hunting to all those with little children or other 
time-consuming obligations. Keep on looking and reading (Arachne is a good 
start) and asking questions.  We are here to help and encourage you to look 
forward to the day when you will have your very own lace corner.  Good luck!  
Tess in wintery Maine—cold, snow, and lots of indoor time for making 
lace!

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[lace] New postings on the “Arizona” site

2018-07-28 Thread Tess Parrish
We are all very grateful to Susanne Thompson for giving us permission to
include her two books on Honiton lacemaking on the “Arizona” web site.  As
you know, the majority of the material on the site started so long ago by
Ralph Griswold, contains mostly out of copyright material, published before
1923.  We do have a few books donated by contemporary authors and are very
grateful for their donations.  Perhaps others might also like to join Rosemary
in allowing us to post more.

For those who have not yet explored this site, maintained by the University of
Arizona and managed by John Cropper [john.p.crop...@gmail.com], the most
direct way to the lace section is by entering
http://www2.cs.arizona.edu/patterns/weaving/lace.html.
Click on Books at the top then scroll down to Thompson, Susanne, and you will
find an Introduction to Honiton Lace and Further Steps in Honiton Lace, both
beautifully composed and illustrated books suitable for anyone interested in
learning about Honiton.  You will see that the books have been separated into
sections to make the downloading a bit easier.  They are all PDFs and free to
any and all to use and enjoy.

It is not always easy to find readily available copies of books to scan, but I
have been very fortunate to live fairly near Jeri Ames, and she has most
generously made her very large library available to me, so I was able to
borrow and scan these two books for the site. If other new books are donated
to us for posting, I am sure that Jeri will continue to share her books with
me, thus avoiding the past difficulties I had in finding the old pre-1923
books.

If you have any questions, please don’t hesitate to email me at
tess1...@aol.com.  It will be a pleasure to hear from you.

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[lace] The Arizona site

2018-06-25 Thread Tess Parrish
Every once in a while a concern is raised about the “Arizona” site and how
to be sure that it will remain available to us all.  I have just written to
John Cropper, who has managed the site ever since Ralph Griswold died, and
here is his response:
———-
“The Computer Science department has not indicated any desire to remove the
archive and users of the archive can always contact me via the email address
posted on the website  (weav...@cs.arizona.edu).”
———
If anyone wants to add to the collection the only requirement is an email from
the author granting permission.  Here, again, is John’s reply to that:
———-
“As far as the website - if an author wishes to submit a PDF of their book
for inclusion and sends me an email with their permission notice then I am
happy to include the manuscript and from now on will put a link to a copy of
their email as part of the listing so that anyone can click on the link and
see the "permission slip" associated with the document.”
———-
I hope that this clears up a few questions and that anyone who might like to
have a book or other material posted on the Arizona site will feel free to add
to the amazing collection already there. I will be glad to forward any
questions or comments to John Cropper. He is very helpful and prompt to
answer.

Tess Parrish (in Maine, USA, where a lovely Maine summer is in full swing)

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[lace] Machine lace and its manufacture

2018-05-25 Thread Tess Parrish
Felkin, William. A History of the Machine-Wrought Hosiery and Lace
Manufacturers, Burt Franklin, New York, 1967, 608 pages. Posted April 18,
2007. SAMPLE PAGE. REVIEW. Part 1: File size 10.1 MB PDF. Part 2: File size
12.5 MB PDF. Part 3: File size 11.9 MB PDF.

This can be found on the “Arizona”
site:(http://www2.cs.arizona.edu/patterns/weaving/lace.html) under Lace and
Books.

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[lace] Wedding veil

2018-05-22 Thread Tess Parrish
This from my lacemaking friend who tats and does tambour work:
“Actually it was done on a Cornely machine ( like a sewing machine that only
does chain stitch). Then the pieces were cut out and embroidered on the veil
with additional embroidery stitches. “

I guess no professionals do handwork any more whether for embroidery or lace,
and even making a veil for a princess requires a machine.  Sigh...

Tess (tess1...@aol.com) still always the amateur with needle or bobbin in
hand.

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[lace] Lacemaking and music

2018-05-21 Thread Tess Parrish
I was immediately drawn to Amy Mills' comment about lace and music: "... to
make a relatively simple analogy - the pattern could easily be considered a
score, and the various stitches required to make the various parts of the
lace compared to the different values of notes, the number of stitches a
form of subdivision?"

Anyone who has read or has access to Alfred von Henneberg's book The Art and
Craft of Old Lace will find on pp 30-31
his analysis of lace construction, likening it to musical composition, and a
bit later on in the book he gives excellent examples in color describing what
he means. He was an engineer who apparently found some laces in his aunts'
attic and was fascinated with their construction.

A reprint of the original 1931 volume was recently made and is available
through one of Amazon's second-hand sellers.  Not only does it contain the
above analysis of lacemaking, but there are pages and pages of excellent
photographs of the finest laces of the period.  The book is written in several
languages. This is a classic, and worthy of being in any good lace library.

Tess Parrish (tess1...@aol.com <mailto:tess1...@aol.com>) in Maine USA, where
today we had our first day of summer weather: heavenly!

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[lace] The English lace school

2018-05-15 Thread Tess Parrish
Recent mention of the English lace school sent me to one of my early notebooks 
where I found the record of my visit to Tiverton in July of 1980.  It was my 
first introduction to lace, having been an embroiderer since early childhood, 
and I still have the brochure that Susan Cox handed out to our group.  It is an 
excellent review of all the various laces, about 23 pages long.  At that time, 
the school was doing very well, and for me it began what has been my ongoing 
passion for the past almost forty years.  It was lovely to go back in time and 
remember...

Tess Parrish (tess1...@aol.com) in Maine USA, where spring has finally arrived.

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[lace] Mounting lace for display

2018-03-27 Thread Tess Parrish
Thank to Joepie’s kind efforts, I was finally—after a lot of
searching—able to find the “White Coated Metal Ring For
Crafts—20cm/Metal Wire & Craft Hoops”.  They can be found through
Amazon—but in Britain only!  If you want them in the US, you can find them,
but instead of costing 1.90 you will have to pay over $40 for the same thing.

The suggestion that one might use lampshade rings is unfortunately not a
useful one, as they are made of a lighter wire than is used in these rings.
It is easy to find brass ones of the correct size (3mm thickness of wire) but
Lyn’s idea that they could be painted wouldn’t work for me.

I have no idea where I got my first three rings—in a set of 3”, 5”, and
8” diameters—but it may well have been at one of the congresses where
suppliers display so many delightful treasures.  In any case, perhaps a
supplier on Arachne might be able to check for availability in the US and
perhaps elsewhere.

Thanks again to all who wrote with suggestions.

Best, Tess

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[lace] Mounting lace for display

2018-03-26 Thread Tess Parrish
Does anyone know where I can find white enameled metal rings 5-8” in diameter 
in which to mount laces to make hanging window decorations?  Metal, white, but 
not silver or gold. I have looked through the internet without success.

Thanks for any suggestions.

Tess (tess1...@aol.com in sunny but still cool Maine USA)

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[lace] Vintage pattern books

2018-01-18 Thread Tess Parrish
DMC is pretty tricky about finding dates.  The one for the Dentelles aux
Fuseaux I found on the first page, “Part 1: File size 16.6 MB PDF” at the
bottom of the page over on the right.  It shows the numbers 1124.  This means
November 1924.

My little Encyclopedia has its numbers on the page opposite the title page:
755, which means July 1955. And another one, Le Macramé—title page—612.

It may also depend on the dates of publication or style of folder.  I have
several DMC folders with no dates on them anywhere that I could find. They
were all published around 1905 or certainly before WW1. (I know the dates of
the owners.)

So the trick is to look wherever you can for the three or perhaps four little
numbers hiding somewhere in the front or the back of the book. Where that
might be, and even the dating or not, may very well depend on when it was
published.

I also suggest you take a look at the web page
http://www.antiquepatternlibrary.org/html/warm/catalog.htm
which seems to have a lot of dates on the DMC books.

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[lace] Mme Goubaud

2017-06-12 Thread Tess Parrish
I am happy to think that the recent thread on Madame Goubaud may have
introduced new lacemakers and researchers to what we all call "the Arizona
site."  It was a wonderful project, keeping me busy for several years during
which I learned a lot.  However, I must respond to Jenny's kind words:

In a message dated 6/11/2017 2:24:35 A.M. Eastern Daylight Time,
je...@brandis.com.au writes:

It was  only when I was comparing the 2 sites work that  I really
appreciated just how much work Tess Parrish had done removing all the
background colour from the scans, thus making it much more  readable.

To see what I mean, compare these 2 copies of the same  scan

https://www2.cs.arizona.edu/patterns/weaving/books/archive_003.pdf
http://archive.org/stream/priscillabattenb00brow#page/n5/mode/2up


Jenny, none of this would have been possible without the patient tutelage of
Ralph Griswold. It was he who took the scans and turned them into the
readable, downloadable books and other documents that we all enjoy today.  All
I did was to follow his directions and he then worked his computer magic to
finish the job.

So we all have Ralph Griswold to thank for all that he has left behind as his
legacy to weavers and lacemakers everywhere.  The University of Arizona
recognizes this treasure, and Ralph's good friend John Cropper is still
monitoring the site. Anyone wanting to add to it with their own contemporary
work (Brian Lemin has done so, among others)can reach John at
john.p.crop...@gmail.com.  The rule Ralph adhered to in respect to copyright
was that nothing could be used that was published after 1922, but of course
with the author's permission that restriction doesn't apply. So I do hope that
we see more contemporary work on the site as time goes on.

Tess Parrish (tess1...@aol.com) in Maine, USA,  where the thermometer hit a
record 92'F yesterday--unbelievable!

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[lace] Elisa Ricci books

2016-05-05 Thread Tess Parrish
I thought I had sent this a couple of days ago, but apparently without
success:

The two volumes of Elisa Ricci's Old Itallian Laces have been sent off to the
Museum of Folk Art in Santa Fe.
(http://www.internationalfolkart.org/exhibitions/exhibition-details?eventID=2
833). It is very gratifying to have found a home for these two beautiful books
which now will be available to anyone to see.  They show quite a few lace
books in their catalogue, and are apparently interested in adding to their
collection.

Just to back up a bit: I found these two beautiful books at a local used-book
store in Portland, Maine, and the librarian at the Portland Public Library did
a fine job of restoring them to perfect condition. And as a suggestion to all
who might want to donate lace books to a library or museum who might want
them, it is possible to place a value on them and use that as a tax deduction.

An interesting adventure with a very satisfying conclusion!

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[lace] Old Italian Lace

2016-04-28 Thread Tess Parrish
I have the two-pair set of Elisa Ricci's Old Italian Lace (1913) which I would 
like to sell to an individual or to donate to a library.  I only want to 
recover my original investment, not to make a profit, so the cost including 
postage will be reasonable for this valuable addition to any lacemaker's 
library.
They are in very good condition, having just had the covering of the spines 
repaired but otherwise only showing the expected occasional foxing of some of 
the pages.  If interested, please email me privately. These books are very 
heavy, so international mailing is pretty much out of the question.

Tess Parrish (tess1...@aol.com) in Maine USA

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[lace] Lace in Rauma

2016-04-02 Thread Tess Parrish
I suppose that because the Congress in Turku, Finland 1996, was the first OIDFA 
Congress I attended, it has always remained fresh in my mind, a happy 
experience to say the least.  Added to that is the fact that one of the 
teachers at the Rauma workshop has been my Christmas correspondent over all 
these years.  She was the translator for the teacher, a great help to us all, 
and I remember with gratitude all that they taught us.  

I have all my prickings and class examples along with my notes and finished 
pieces.  I also have the complete folder of patterns collected from lacemakers 
from everywhere, always included by OIDFA for attenders.  

I have been to almost every OIDFA Congress since then, but Turku and Rauma 
still will always remain my favorite.  

Tess (in Maine, USA, where I found my first crocus yesterday. Ahhh, spring!)

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[lace] Contemporary lace

2015-12-09 Thread Tess Parrish
For any interested in what a contemporary bobbin lace artist can do, Google 
"Pierre Fouchet bobbin lace."  Amazing!  

Tess (in Maine USA, where winter is still trying to arrive.  No snow or ice 
yet, very unusual, but makes for good walking weather,)

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[lace] Lace book on project Gutenberg

2015-12-02 Thread Tess Parrish
This book was scanned on "Arizona" in 2002.  Can't believe it was that long
ago!  Anyway, just go to http://www.cs.arizona.edu, click on "lace" then
"books" then scroll down to Goldenberg.  Might be easier than through Project
Gutenburg.  Good luck!

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[lace] Boat

2015-02-13 Thread Tess Parrish
A recent posting on Pinterest has come to my attention, and I would like to be 
able to give the lacemaker her proper due. See: 

http://media-cache-ak0.pinimg.com/1200x/7a/18/02/7a1802d66f98faedffb4aa5d21e8d5a3.jpg

It is a little sailboat with one of the most inspiring and original treatment 
of ocean water that I have ever seen.  If anyone knows who made it, I'm sure we 
would all want to thank her for it.

Tess (tess1...@aol.com) in Maine where more snow is predicted for tomorrow--3 
ft. deep already, the problem being where to put it all after shoveling and 
plowing!

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[lace] Lace curtains

2014-11-16 Thread Tess Parrish
Thanks to Clay and Sue, the mysteries of putting something into Flickr seem to 
have been overcome. They have just posted the picture I took of the pair of 
curtains I have finally finished after months of intense effort.  The pattern I 
used is a variation of Ulrike's design on pages 54-4 to 6 in the second section 
of her masterful work on Torchon.  I lengthened the pricking to fit the windows 
and made a couple of other changes which seemed to work out all right. (I hope 
Ulrike has forgiven me and won't look too closely at all my mistakes!). I used 
Fresia 30/3 to make the curtains sturdy enough to hang well and enlarged the 
scale by about 140%.  In the book it calls for 66 pairs of bobbins, but when I 
finished it looks as though I used well over 100 pairs!  Managing so many was 
difficult, but as with many of the challenges of this project I learned a lot.  
It was a long time in the planning and making, but the resulting satisfaction 
is well worth it.  My workroom is now cozy and quite elegant!  

Thanks first of all to Ulrike and then to Clay and Sue for helping me to share 
this venture.  I hope everyone can access the Flickr.com site and see what 
marvels so many lace makers have accomplished.

Tess (tess1...@aol.com). In Maine USA, where winter fast approaches.

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[lace] One day workshop

2014-10-22 Thread Tess Parrish
Thank you so much, Alice, for the detailed report on the workshop.  I know how 
tired you must have been after it was all over, but I'm sure it was certainly 
worth the effort for both students and teacher.

I have one little suggestion, which might save a sore back from the long 
bending over other people's pillows. When I spent several days at the Kant 
Cantrum I noticed that the set up for both students and teacher was as I have 
never seen it elsewhere: Three chairs were set up along the wall.  The teacher 
sat in the middle one, and a first student took the chair on her right, 
followed by a second student on her left.  The teacher turned to the first 
student and helped her with her problem, then turned to the second one and took 
care of her.  Meanwhile, a third student took the place of the first, and so it 
continued all afternoon.  This might not work as well at the beginning of a 
group introduction, but as the afternoon wore on it might have saved the 
teacher's back and give the students a welcome change of position now and then.

Most of the time the setup for lace classes, as I've experienced it in the US, 
is just as Alice described it, with poor light, inadequate tables, and 
miserable seating.  But for me anyway, I love to introduce people to lacemaking 
and always welcome the opportunity to do so even under adverse conditions.  We 
seem to be getting more requests for demonstration up here in Maine USA which 
is very encouraging.  And interestingly, the most eager to figure it all out 
are the men and boys!

Tess
 

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[lace] What style of bobbins?

2014-07-29 Thread Tess Parrish
I use continental bobbins.  When I first started making lace (can it really be 
thirty years ago?) my bobbins rolled, too.  I found that if I put a terry cloth 
wash cloth or small towel underneath them it helped.  But the real trick is to 
keep the pillow flat.  It is the slope, so commonly used with beaded bobbins, 
that is the problem.  For me, anyway.  I use completely flat block pillows and 
never have a rolling bobbin. Also, I flick my bobbins as I work, which I can't 
seem to do with the beaded bobbins.

Concerning the mail problems, which really sound quite dreadful, I hope those 
who lose their mail can find the solution soon.  I use my iPad, MacBook Pro, 
AOL, Safari, and have all outgoing mail copied to myself when I send it out, 
and have never had the troubles afflicting so many.  I wonder if knowing this 
will help solve the trouble: I hope so.  Good luck!

Tess (tess1...@aol.com) happy in summertime Maine USA, where the weather is 
gorgeous!

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[lace] Looking for thread

2014-04-26 Thread Tess Parrish
Thanks to all who wrote with suggestions as to where to find Fresia 30/3.  I 
have been able to place my order and can continue making my curtain knowing 
that i will not run out of thread.  Arachne is the lacemaker's best friend!

Tess (tess1...@aol.com) in Maine USA where I saw a forsythia in bloom yesterday.

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[lace] Need thread

2014-04-24 Thread Tess Parrish
I have looked everywhere but can't seem to find the thread I need to continue 
my present project.  I hope someone can help me find it: Freesia linen, 30/3, 
off white, on the 500 meter cone. I will probably need two cones, maybe three.

Thanks so much.

Tess (tess1...@aol.com)

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[lace] Arizona archives

2014-04-22 Thread Tess Parrish
There has been some minor confusion corresponding with John Cropper, who is
the good friend who volunteers to keep the Arizona archives going.  But it
is all straightened out now.  Brian had sent him some bobbin-related work and
wasn't sure that it had arrived.  So I wrote John at his new address
(john.p.crop...@gmail.com) and got a nice response which should reassure
everyone as to the status of the site.

John wrote, Brian did send email with new bobbin-related material attached to
the 'weaving@cs' email address and it arrived. I have acknowledged its receipt
but have not posted the information to the site yet.  Once I have brushed off
the cobwebs from my memory I should be able to post Brian's and also new
articles that are sent as PDF's or Word documents (not set up to do any
scanning conversions any more).

Please note that John will work only with PDF or Word documents.  If you do
scan documents be sure they are saved as John wants them.  It is wonderful
that Ralph Griswold's site
http://www.cs.arizona.edu/patterns/weaving/lace.html is still up and running
for us all.  Thanks, John.

Tess (tess1...@aol.com) in Maine, USA, where spring is making a hesitant
attempt to arrive.

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[lace] The Arizona site

2014-03-24 Thread Tess Parrish
Thanks to a note received this morning asking about a web site which sells the
full line of CDs of Ralph Griswold's lace reference collection and which
contains all the original downloadable  files, I have contacted Kris Bruland,
and here is his most encouraging reply:
--
 On Mar 24, 2014, at 9:13 AM, Kris Bruland wrote:

 Hi Tess,

 Ralph's digital archive has been part of Handweaving.net for quite a while
and we do not charge for people to use any of the website.

 Shortly before he passed away, Ralph provided a complete copy of the archive
for Handweaving.net to include.  He did this because he was concerned that the
university where he had worked would discontinue the archive's site and wanted
to make sure that it remained available.

 Ever since then, we have made the archive available on Handweaving.net to
everyone at no charge.  We try to cover the cost of this by selling CDs of the
material that Ralph provided for this purpose.  During many months it costs us
more to host the website than we receive through CD sales.

 Thanks,

 Kris Bruland
 kbrul...@handweaving.net
--

I hope that this will comfort all those who have been worried about the
original site.  I also know that while the University of Arizona has every
intention of keeping it active, you will find that Kris, whom I have known for
a long time, is easy to contact and quick to respond. He took over the sale of
the CDs early in the game and has the complete original collection on his
site, as always free of charge to all, as Ralph Griswold intended it should
be.

This means that while the original address
http://www.cs.arizona.edu/patterns/weaving/lace.html
Is still functioning perfectly, you might find it easier to go onto Kris'
site
Handweaving.net or even write him directly at kbrul...@handweaving.net

I hope this helps.

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[lace] A 4 ring binders

2014-01-08 Thread Tess Parrish
Bev and anyone else,

I got my A4 binder from Staples, on line but no problem.  It has four rings 
which match the holes in Ulrike's folders quite perfectly.  I ordered the 
three-inch size, which holds all three of the folders plus a bit extra for all 
the stuff I added to it, like prickings and notes.

Tess

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[lace] Looking for pattern information

2013-10-29 Thread Tess Parrish
I have a pricking of a pattern by Riet de Vries dated 1991.  It is an imaginary 
face done in what looks to me like Russian techniques, though I could be wrong 
about that.  I seem to have scribbled a few notes in French on the back of the 
pricking, but otherwise I have no idea where I got it. It measures about 
9/24cm square and is delightfully ornate.  It is probably something from one 
of the lace magazines I subscribed to at that time or later, but that's just a 
guess.  If anyone has an idea of where I might have gotten it I would really 
appreciate the information, as I would like to have a few clues as to work it.  
I can easily send a picture of it if contacted privately.

Thanks so much.

Tess ( tess1...@aol.com) in Maine. USA

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[lace] Looking for a pattern

2013-10-29 Thread Tess Parrish
Arachne is remarkable!  Not only did I get several emails from helpful friends, 
but one of them had actually made the lace and had won a prize with it!  She 
told me that it was published in La Dentelle, hence my notes in French, and 
also in Lace Express.
Thanks to all who wrote me and all the rest who are on Arachne and always ready 
to help all of us.

Now to get to work and make it at last.  It has been sitting on my drawer since 
1994!

Tess (tess1...@aol.com) in Maine, USA

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[lace] Paris auction

2013-10-24 Thread Tess Parrish
My daughter has just sent me this:   
http://www.thierrydemaigret.com/html/index.jsp?id=17477lng=frnpp=1

It is the complete listing with photos which can be enlarged if you click on a 
picture and give your permission to connect to the site.  There are too many 
items to look at in just a minate, so I am saving them onto a CD for my own 
future reference.  Most of these seem to be fairly usual laces, but the prices 
were interesting to see, especially the results.

Tess (tess1...@aol.com) in Maine USA where we have just had our first frost, 
quite late for the season.

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[lace] More on French auctions

2013-10-24 Thread Tess Parrish
My French son in law sent me the following this morning.  I had no idea that
there was so many interesting lace connections available.  I hope this will
not force you to spend so much on your computers that you stop making
lace--which for me is the most interesting part of this passion we all love.
--
If you want to have any news and pictures about lace sales in France, you can
do the following :

Type the web site adress : www.interencheres.com

then on the upper left side, before Rechercher, type dentelles

and then you will have all the next sales with descriptions and pictures.

Enjoy !!
--

Tess (tess1...@aol.com)

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[lace] Bookmarks

2013-08-23 Thread Tess Parrish
I am particularly interested in the technique used in one of the bookmarks.  
It's the blue one, fourth one in, from Sharon Morrison/Kathy Hensel.  It says a 
pattern is available, but I don't know how to get it.  There are others of 
interest as well, so it might be helpful to know how this is done.  Thanks.

Tess (tess1...@aol.com). In Maine USA, where summer is at its best.

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[lace] pictures on Flickr

2013-07-22 Thread Tess Parrish
Thanks to Clay and Sue Babbs, I have posted a few pictures onto Flickr.  The 
name of the set is Tess Parrish.  The first two pictures, which I will delete 
in a few days, are of what I think is an ivory needle case which my sister 
found in my mother's work basket.  Clay put it there in order to set up a set 
under my name but also in case anyone would like to take a look, perhaps to 
come up with a different use for this little object.

Today I have been trying to learn how to work Flickr and have posted a few of 
my laces.  None of them is original, and they show some beginner mistakes for 
those sharp-eyed lacemakers who love to search out such interesting bits.  If 
there are duplicates, please be patient with me.  I am learning how to delete 
as well as to post, and Clay and Sue are standing by to help me as needed.  
Thanks to them both and to all the lacemakers around the world who have given 
me such pleasure and guidance over the years.

Tess (tess1...@aol.com) in Maine, USA, where the dreadful heat has finally 
subsided and we are back to good old comfortable Maine summer weather.

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[lace] Lace camp

2013-07-13 Thread Tess Parrish
My granddaughter in law in Ottawa just sent me information about this.  It is 
too late to do anything about it this year, but it certainly gives us ideas for 
the next.  It also shows that lace gatherings don't have to be held in luxury 
hotels, so far beyond the reach of most of us.  Enjoy and dream!

See http://www.jliu.org/Lacecamp/2001lace-history.htm

Tess (tess1...@aol.com) in Maine USA, where glorious summer has finally settled 
in.

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[lace] Sight reading and memory

2013-07-09 Thread Tess Parrish
Liz--

Thanks so much for your input on Arachne.  You have explained a lot about my 
tricky memory.  When I sight read music I know exactly where the muscles of my 
voice should be and silently make the sounds (hope that makes sense).  When I 
have to memorize words, or remember names, I don't have anything to hold onto, 
like muscle movements of throat or fingers, so I can't seem to remember them.  
Lace patterns--rose ground, for instance--seem to relate in my mind to the 
action of placing the pins, and if I don't stick to the same order of the 
motions I tend to get mixed up. That seems to relate to the combination of eyes 
and hand motions. And back to sight reading music, the same process seems to be 
the case in being able to follow diagrams but not word-written directions.

So thanks for explaining the mystery of my memory.  Had I known all this in 
first grade, arithmetic might have made sense to what is basically a 
mathematically inclined mind.  I can now rest easy in my 84th year, realizing 
that it is not a failing condition of my brain but a well explained way of 
learning.

Tess

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[lace] Math vs arithmetic

2013-07-08 Thread Tess Parrish
It was my brother the mathematician who pointed out that math is one thing, 
calculation another.  So those who consider themselves mathematically 
challenged may only suffer from problems with numbers, and in my case I am 
convinced that this started for me in first or second grade with poor teaching 
in arithmetic class.  However, I am musical, love to solve problems, tend 
toward logical thinking--in effect, with the same family genetics as that 
brother of mine. I grasp at finding the poetry and music in mathematics, which 
he has spent his life knowing.

As for boys and lacemaking, my experience is that they take to it more readily 
than do girls, at first anyway. There are lots of reasons for that, but among 
them might be their immediately logical way of thinking and their ability to 
focus more single-mindedly.  (Generalizing as usual, my besetting sin...) I am 
always interested when demonstrating at lace events to see that a women might 
look and comment and pass on by, while a man will often stand there quietly 
observing, nod his head, and say Yes, that makes sense before going on his 
way.

This discussion has gone on for a while, which shows how much we are trying to 
understand why we make lace.  It is for me the most interesting and challenging 
of the textile crafts.

Tess (tess1...@aol.com) who awoke this morning at thunder and rain, breaking 
the terrible heat of the last week or more.  We in Maine USA are not used to 
this and hope it won't come back.

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[lace] Elizabeth Kurella

2013-06-15 Thread Tess Parrish
Thanks to Jeri's posting, I have been in touch with Elizabeth Kurella.  (Check 
out her website: she is just getting it set up and it looks quite promising. 
http://www.lacecurator.info)  She plans to sign up for Arachne, but in the 
meantime I told her that I would post her request about her upcoming trip to 
Belgium.  Please answer her privately at lacecura...@gmail.com so she can 
hear from you before she leaves.  It might be nice to post on Arachne as well 
in case there are others who are looking for the same information.  Anyway, it 
is lovely to see her new web site and I hope that when she gets back from 
Belgium she will be on Arachne.

Here is what she wrote me:
  I will be in Belgium for a few days in September (from about 22-27)  and 
 have not been there for decades.  Any suggestions of museums to visit, and 
 especially people to meet with?

Tess (tess1...@aol.com) in Maine, USA, where summer is trying to arrive.

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[lace] Exhibition

2013-01-24 Thread Tess Parrish
I was lucky to get Sof's posting about that remarkable exhibition and was even 
more pleased to get the two links posted later here on Arachne.  I am so often 
distressed at contemporary work (in many media) where the design and the 
technique don't suit each other.  In the work of these two artist/ craftsmen, 
the union seems complete.  Thanks so much to Sof for opening our eyes to what 
can really be done with lace.

Tess (tess1...@aol.com) in Maine USA where it has warmed up to 8'F from an 
early morning low of -4'F!

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[lace] Luring the public to lace

2013-01-11 Thread Tess Parrish
One thing to consider might be to start with curators who think that museums 
are only for paint and paper and such.  Many are young women these days, and 
they knit and wear machine made lace; they just haven't connected their 
personal interests with their professional ones.  So here's what is happening 
in Portland, Maine.  

First, I asked if they had any lace in their collections.  My request went 
through several people until one found that yes, a collection of lace had been 
donated years ago by a prominent citizen. But it hadn't been properly indexed 
(or whatever they do in museums) so they didn't think there was much of 
interest.  I suggested that there was an active lace group in the area, and 
could we please set up a day to view some of the collection?  It took several 
months for the idea to jell, and they finally photographed all the lace 
collection, sent it to me by email, and finally chose eighteen pieces to view.  
The woman who showed it to us was one of the behind the scenes staff, not a 
fancy curator.

But it continues.  Now my idea is to expand the research I have been asked to 
do on one portrait into first the information on that portrait, and then--how 
about a gallery talk on lace in costume?  That should open a few eyes!  The 
point is, you start with where the people are, and then expand on that.  
Draping lamp posts in lace just brings temporary laughs.

On the other hand, whoever it was in Portland who wove a block-long chain link 
fence with bright blue plastic tape really did make a statement!  Probably an 
art-school student, says my daughter.  Aha! Have you thought of your local art 
school?

Much to consider...

Tess Parrish (tess1...@aol.com) in Maine USA, where we are about to have an 
early January thaw.

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[lace] Future of the Arizona Archives website

2012-12-04 Thread Tess Parrish
I have received inquiries off and on over the years about the future of the 
Arizona Archives website. 
http://www.cs.arizona.edu/patterns/weaving/lace.html

John Cropper has been a faithful and devoted guardian of the site ever since 
Ralph Griswold (The Professor) died, and although there hasn't been much 
activity recently, the site is still there as useful as ever for any who are 
doing research or who are interested in lace.  I have been pleased to meet 
lacemakers all over the world who use the information collected for so long by 
so many people, and it is very gratifying to know that it will stay active as 
long as it is needed.

Tess Parrish (tess1...@aol.com) in Maine, USA

Here is John Cropper's reassuring answer to the question:

Hi Tess

The Archive was never really officially part of the CS department or the 
University and was a personal 
project for Ralph that I got involved in as a friend. That being said - the 
Archive is being reported as part
of the CS department outreach and as such has some 'brownie point' value for 
them.  I left the 
department on good terms and continue to be in contact with them.

So, unless I am hit by lightning or there is a major change in attitude in the 
CS department I do not see
any need to worry about the site going off-line for a few years.

With these concerns in mind I shall make a backup copy of the site and put it 
out on another webserver
as a just in case scenario. Thus the short answer is that the site should 
continue for quite a while at its current location :)

John Cropper
jcrop...@cs.arizona.edu

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[lace] Fwd: Greek finger lace, etc

2012-10-10 Thread Tess Parrish

 Slight correction.  First, the book on Greek finger lace by Despina
Koutsikas is on the Arizona site
(http://www.cs.arizona.edu/patterns/weaving/lace.html).  Marji has taught a
macrame class based on this, as many people know.  What she is working on now
is Margaretenspitzen, a fascinating development on Cavendoli.  Both of these
can be found on the web and are well worth taking a look at.

 Tess(tess1...@aol.com) in MAine USA,  ablaze with autumn color

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[lace] Oops!

2012-10-10 Thread Tess Parrish
Sorry, it's spelled Cavandoli. I always get it wrong!

Tess (tess1929)

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[lace] help with Swedish directions

2012-09-14 Thread Tess Parrish
Once again, Arachne has proved its worth!  Thanks to all those who took the 
time and trouble to help me with the Swedish directions.  It was a simple 
design, but not being able to read the instructions I missed the key phrase 
which was the clue.  All is well, and I'm on my way to finishing the little 
square today.

Tess (tess1...@aol.com) in Maine, USA, where we are in the midst of a lovely 
spell of September weather

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[lace] need help with Swedish

2012-09-12 Thread Tess Parrish
Is there anyone out there who would be willing to translate a paragraph or two 
from Swedish to English? The are the directions for a small square, and I'm 
sure it is all very simple, but I can't figure out the hanging-in directions 
from the picture or the diagram, which is how I usually sort out beginnings.  I 
tried my Swedish to English dictionary and a couple of online translation 
sites, but of course they were useless with lace directions.  Thanks so much.

Tess (tess1...@aol.com) in Maine USA where summer is easing gently into fall, a 
lovely time of the year

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Re: [lace] Date requirements for posting

2012-08-19 Thread Tess Parrish
When we first did all this scanning and posting, I was told that the pre-1923 
date applied internationally, no matter what the US wants.  There are ways and 
ways of finding out whether copyrights have been renewed or not in the US, but 
we go by the original truly safe date. It gets very complicated if you try to 
search out the finer points.  Thanks for your question, though.

Tess (tess1...@aol.com)

On Aug 19, 2012, at 10:51 AM, Cynce Williams wrote:

Wouldn't Pene's publication come under Estonian copyright law? I think the 1923 
rule is for US publications.

Cynthia

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[lace] Cottier

2011-10-14 Thread tess parrish
Just a note: the Cottier book is on the Arizona website.  It was  
posted in August of this year. Just put Cottier in the search block  
and it will come right up.   Enjoy!


Tess (tess1...@aol.com) in Philadelphia for a bit, enjoying old  
friends, my mother lace group, and all that a large city offers.


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[lace] new old books on Arizona

2011-10-14 Thread tess parrish
If you go to this month on the Arizona web site, you will see that  
John has been busy!  There are six or more new books, all from  
archive.org, and more will be coming as I send them to him and he does  
the hard work of putting them up on the site for all of us to see.


Thanks, John!

Tess (tess1...@aol.com)

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[lace] a very old lace book

2011-10-11 Thread tess parrish
I have been downloading lace books from Archive.org, all of which will  
eventually find their way onto the Arizona archives, and I came upon  
one today which I think will interest all those who are looking for  
the very oldest books.  This one, apparently a collection by more than  
one scribe, is dated 1604.  To download a PDF copy, go to 	http://ia600304.us.archive.org/26/items/bookonlace00bertrich/bookonlace00bertrich.pdf
The other books I am downloading at the moment date from about 1870 to  
as late as 1920. I was surprised at how many of the books on this  
website have already appeared on Arizona, and being able to take  
advantage of these old books this way is saving us a lot of work.   
Stay tuned...


Tess (tess1...@aol.com) visiting in Philadelphia PA off and on all  
this winter, a real treat.


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[lace] starting lace with Torchon

2011-07-31 Thread tess parrish
Yes, torchon can be boring--but not to a beginner!  There are so many  
things to learn when one is first starting and torchon does make it  
simple.  On the other hand, I found myself quite mixed up when I  
started, because everything was white, passives and workers alike.   
When I found Lisiane Brulet's series of books, in which she start out  
with a red worker over the white rest of the beginner strip, it all  
fell into place and the rest is history!


However, when I start a beginner off in bobbin lace I often startle  
her by suggesting that she take a blank pillow, a few pins, some  
threads of any kind or color, and just go at it with no pattern or pre- 
conceived notion at all as to where this is going to lead her.  This  
doesn't work with everyone, and I choose my eager lacemaker carefully,  
but for a few people with a certain tendency sometimes very well  
hidden inside, the creative spark is unleashed and I am always  
astounded at what is released.


Anyone who has ever attended any of Betty MacDonald's classes will  
know what I am talking about. http://pittsburghlacegroup.org/2003/07/plg-newsletter-summer-2003/ 
 has a good article on her and how she teaches.  Just scroll down  
until you find Betty MacDonald workshop notes.


Tess (tess1...@aol.com) in Maine, USA, where summer is just gorgeous!

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[lace] lace and music

2011-07-11 Thread tess parrish
I sent this a couple of days ago, but Jeri tells me that she hasn't  
seen it, nor have I.  So I am sending it again because I think that  
some people might be interested:


Alfred Von Henneberg's book The Art and Craft of Old Lace likens the  
analysis of lace construction to that of musical composition.  For  
those who have this amazing book, see pages 30-31.  If anyone is  
interested in buying the fairly new reproduction it is available at  
a nicely reduced price from Amazon.


An excellent review can be found at pa...@madsamplarbooks.com.  It  
is one of the most appreciated books in my personal library.  Enjoy!


Tess (tess1...@aol.com) in Maine, USA, where yesterday the weather  
was so beautiful that our lace group met with great pleasure outside  
in my little garden.  Summer is finally here!


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[lace] good things are happening lacewise in Maine, USA

2011-06-23 Thread tess parrish
This is the time of year when many people in the eastern United States  
take their vacations in Maine.  So I am inviting any lacemakers who  
are coming up here to let us know if they would like to meet any of  
the newly forming group of active lacemakers in the state, no matter  
where these summer visitors might be staying.  The state of Maine is  
very large, like most of the United States, so it has been hard for  
all of us to get together on any kind of regular basis, but it is  
finally happening and we have been meeting monthly for several months  
now. .  Our members come from as far north as New Brunswick, Canada,  
and down into seacoast New Hampshire.  Not all of us can be at every  
gathering, so we move around the state as much as we can to make it  
easier for all no matter where they live.   The group is still small  
and widely spaced, but the will is there and we keep in constant touch  
by email.  Arachne is where we all check in every day to learn new  
things and to solve problems, and for a little far-flung group like  
ours it is a godsend.


So please, if you are vacationing here this summer, or if you live  
permanently in our area, we hope that you will contact us and say  
hello.  Summertime in Maine is the best for lacemaking, especially  
outdoors!


Tess Parrish (tess1...@aol.com) in Falmouth, Maine, just north of  
Portland.  Jeri Ames (jeria...@aol.com), in Winthrop, Maine, very near  
Augusta.  Johanna Hildebrand (hildb...@nbnet.nb.ca) in Frederickton,  
New Brunswick, Canada.  And others in between!


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[lace] need help with an old pattern

2011-06-09 Thread tess parrish
A long time ago I made a little oval mat, and I would like to make it  
again. However, this was so long ago that I have forgotten some of the  
suggestions and directions, having neglected to write them down on the  
back of the old pricking I intend to use.  The pattern was printed in  
Die Spitze, Vol. 1 2003.  Does anyone still have that copy?  I don't  
need the pricking itself, but if there are directions or special  
instructions it would be very helpful to have them to refer to.  My  
German is not good at all, so if someone who has the magazine and can  
help with translation, that would be helpful as well.


I know I am asking a lot, but Arachne never fails, so I am sure that  
someone out there can help.  Thank you very much in advance.


Tess (tess1...@aol.com) in Maine, USA, where summer has arrived at last.

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[lace] news brief

2011-06-04 Thread tess parrish
My Canadian granddaughter in law has just sent me an article which  
appeared in CAmagazine about Louise Senecal, who as many of you know  
is now the president of OIDFA after years with the Association des  
Dentellieres du Quebec.  Here is the link, which I think you will find  
interesting: http://www.camagazine.com/archives/print-edition/2011/january-february/upfront/camagazine44986.aspx 



Tess (tess1...@aol.com)

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[lace] Jeri's lace research

2011-05-26 Thread tess parrish
I have just received a telephone call from Jeri, who it seems is doing  
some research for various Arachnids.  Her computer has betrayed her  
and it is off to the repair man.  She doesn't know when it will be  
back, considering that over the Memorial Day weekend things may not be  
ready as soon as usual.


This is the message she asks me to deliver:
For those awaiting research: Jeri's computer is in the hospital.

Tess (tess1...@aol.com)

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[lace] Le Pompe on Arizona

2011-04-29 Thread tess parrish
Thanks for your kind words, Leonard, and for Susan's pointing us to  
the Arizona Archives.


I feel I need to remind people that the scans on Arizona were only  
made from books out of copyright, i.e. published before 1923 (or in a  
few very generous cases from contemporary authors who were willing to  
share their modern work).  Also, if as Leonard points out, Part 1 or 2  
is missing, that is simply because I had to deal with what I could  
find on interlibrary loan or through the generosity of those who lent  
me copies from their private collections.


 I tried to compare the Levey/Payne version of Le Pompe 1559 to the  
scan I made and I think I found that this Viennese one (1879) seems to  
have more designs, although many are the same as the L/P book. If I  
could read the German I think I would find that very interesting, but  
I can't so will have to leave it up to Ilske or other German-speaking  
Arachnids to tell us if there is anything we should know.


However, the Levey/Payne book gives us some superb directions and  
diagrams, which the German one doesn't. I haven't seen the Rosemary  
Shepherd book on the subject, so can't compare.  All I can say is how  
lucky we are these days to have the excellent and careful diagrams and  
directions that modern authors provide us with.  I for one would be  
stumped if I had to work from the 1879 book, not knowing where to  
begin.  Many thanks to all of these hard-working teachers.


Tess (tess1...@aol.com)  in Maine USA, where it hit 67' this  
afternoon, the warmest we have had since last summer!


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[lace] thread equivalent

2011-02-19 Thread tess parrish
Can someone please take a look at the thread equivalent chart and tell  
me how I can replace Filata per Tombola du Cantu #30 with a comparable  
linen size?  I have suddenly acquired three new lacemakers in the area  
(Maine, USA) and I think that one of them must have my chart. It is  
quicker to ask Arachne than to trace it down, so I hope you don't  
mind. Thanks so much.


Would it be better to send an answer privately, so that the list won't  
be overwhelmed with suggestions?  Thanks again.


Tess (tess1...@aol.com) in Maine, where we have just had the most  
glorious couple of days of almost 50'F weather, soon to go back to  
cold and snow, but it was lovely while it lasted.


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[lace] many thanks to Brian

2010-12-24 Thread tess parrish
The very best postings to the Arizona Archives have come from generous  
people who have posted their own material, like Brian, or from all  
those who lent me their precious books to scan.  This is still an  
ongoing project and thanks to John Cropper it will continue to grow as  
people send us things.


Brian, please don't worry about typos.  We all make them.  If you have  
read your Arachne carefully, you have seen plenty of them yourself.   
It is the spirit behind the words that counts, and your generosity in  
sharing so much with all of us is the best Christmas present we could  
get! Thanks so much.


Tess (tess1...@aol.com)

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[lace] lace stocking fronts

2010-11-24 Thread tess parrish
Yes, there has been some confusion here.  I sent a photo of the lace  
stocking fronts I have to Alex, but she couldn't open what I sent  
her.  I have sent it to her again, but haven't heard whether she was  
successful this second time.  But to explain:


I have a pair of lace stocking fronts from the collection I have made  
at my daughter's place in France.  They are boat shaped, as Jeri says,  
and are quite fine.  The white silk stockings to which they were  
attached are gone, but they were obviously cut away because there are  
remnants of the silk knitting still evident.  People who can identify  
lace better than I will be able to determine exactly what period they  
were made and where, but I suspect that they were simply from a pair  
of very fancy silk stockings made between perhaps 1880 and WWI.


My problem is that I don't know how to post pictures so that they can  
be seen by those of us who are on Arachne. If someone can help me with  
this, I will be happy to send my photo to whoever it might be so that  
everyone can see them.  They are really quite nice.


Tess (tess1...@aol.com)

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[lace] stocking fronts

2010-11-24 Thread tess parrish
I have had good luck!  Antje has offered to put my pictures of the  
stocking fronts onto her blog site, and the pictures have come out  
very clearly with good detail.  Go to 
http://mi-pequeno-taller-eng.blogspot.com/2010/11/lace-stocking-fronts.html 
 

Now I hope to hear from everyone who knows about such things what  
technique is used, the probable date, and anything else you can think  
of!  Thanks to any and all.

Tess (tess1...@aol.com)

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[lace] Fwd: stocking fronts

2010-11-24 Thread tess parrish
This with many thanks from Marianne.

Tess

Begin forwarded message:

From: Marianne Stang marianne.st...@t-online.de
Date: November 24, 2010 10:49:00 AM EST
To: tess1...@aol.com
Subject: stocking fronts

Dear Tess,

your stocking inserts are in white Chantilly and they were really in  
use in the middle of the 19th century. In my collection there are  
several of such inserts in black Chantilly.

With best wishes
Marianne Stang from Germany

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[lace] the lacemakers of Artois

2010-11-19 Thread tess parrish
Even if you don't understand French, please go through this whole  
film:  
http://videos.tf1.fr/jt-13h/les-travaux-d-aiguille-les-dentellieres-de-l-artois-6143696.html
 
  It will look very familiar to all of us!  The beginning lacemakers  
talk about their trials and errors, and the more experienced ones help  
the new ones.  There is even a husband who says that he makes lace  
twenty=three hours a day (!) and his wife gives him a friendly little  
pat on the arm.  They are mostly working on familiar torchon examples,  
but they have posted some others which many of us have made.

This is from a daily broadcast where the announcer visits the crafts  
of France with examples of all sorts of things, like farmers making  
cheese, raising ducks for the market, building walls, and so on and so  
on.  It comes on every day on French television at the midday news  
hour and is a favorite of mine.  My daughter just happened to catch  
this one, which I think is really well done.  It will be followed by  
embroidery, knitting, and so on, and I think it is all this week.

For the ones among us who speak French, I know you will enjoy this.   
For the rest, just have a good time joining a typical French lace  
group at work.

Tess (tess1...@aol.com)

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[lace] Irish lace

2010-11-08 Thread tess parrish
Thanks to John Cropper and the helpful people at the University of  
Arizona, this email has just arrived to me, concerning Irish lace.  I  
am hoping that there will be people on the list who will write Sorcha  
with encouragement and information.  Two subsequent emails from her  
have let me know that she may be planning a lace exhibit in the near  
future from the holdings at the university of Kansas, and I have  
suggested that she scan and send me some examples of what seems to be  
a nice collection of laces there. I went through the library holdings  
and found a couple of books that I haven't scanned, so am hoping to  
find them somewhere and to add them to the Archives.


Sorcha sounds like a lovely lively young woman and I hope she  
discovers for herself not only the history of lace in Ireland, but the  
fun of giving it a try!

Thanks to any and all for your help.

Tess (tess1...@aol.com) in Maine USA, where all the pretty leaves have  
fallen and been raked up.  A new season begins!
---
  Good Afternoon University of Arizona,
 
  I found this PDF file online, with your name and Computer Science  
department associated with it in the url:
  http://www.cs.arizona.edu/patterns/weaving/books/cas_ilce.pdf
 
  I am an Irish Citizen, from a part of Ireland referenced in this  
article, currently researching the origins of a large quantity of  
unidentified lace objects in University of Kansas' Spencer Museum of  
Art collection. I am, without being an expert, quite confident a  
sample of the lace comes from New Ross, County Wexford, Ireland.
 
  I would like to enquire about where the above PDF was scanned from,  
or what the origins of this document may be. It looks like it was  
published in a book, in which case I am curious to know if you could  
send me any information on the title, author, publisher etc? It could  
help me (as it contains photographs of Irish lace) identify or  
eliminate where this lace is from.
 
  I am also in the process of curating a small installation, where I  
hope to feature some of this lace - and ideally another copy of this  
book, or with permission, this PDF file to accompany the lace display.  
The exhibition focuses primarily on Irish literature and art, but the  
lace would be a great addition - especially if I can validate its  
origins, or even pose a possible origin.
 
  Any information you are willing to share, or if you have a standard  
protocol for sharing texts such as this one, I would like to hear more.
  Thank you in advance for any assistance - or forwarding contact  
information - you can provide.
 
  Sincerely,
  Sorcha Hyland
 
  (Youth  Family Outreach Coordinator, Spencer Museum of Art,  
University of Kansas, Lawrence, KS).

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[lace] Irish lace--addendum

2010-11-08 Thread tess parrish
Sorry, I forgot to include Sorcha's email address when I wrote  
suggesting that some people might like to write her about Irish lace.   
It is hyland.sor...@gmail.com and she is in Kansas, USA.


Tess (tess1...@aol.com)

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[lace] looking for thread

2010-10-31 Thread tess parrish
Can Goldschild thread be found in the US?  I have started a torchon  
mat and am afraid that the one spool of 50/3 1/2 white is not going to  
be quite enough.  I know it can be bought in Germany--that's probably  
where I got it--but couldn't seem to find any listed here.  I would  
appreciate any ideas, probably privately, as I'm sure this one request  
is not of interest to the whole list.

Thanks so much for any tips you might suggest.

Tess (tess1...@aol.com) in Maine, USA, where the last brightly colored  
leaves are still clinging to the trees despite our first nice frosty  
nights.


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[lace] Hackle pliers

2010-10-09 Thread Tess Parrish
The hackle pliers that I have seen in fishing supply stores don't fill the bill 
for me as neatly and inexpensively as the Mini Test Clip Adapters that can be 
bought at Radio Shack (in the U S and perhaps elsewhere at electronic supply 
houses).  They come two to a package for about $3.50.  The part number is 
270-334.  You can see them on line at radioshack.com and enter the name  or the 
part number in the search bar.  They are over two and a half inches long and 
about the same diameter as a bobbin.  I manage mine as is, but an extension is 
easily added be inserting a short dowel in the non- working end.

Tess (tess1...@aol.com)in Maine USA, where we are promised our first frost of 
the season tonight.

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[lace] size of gimp

2010-07-24 Thread tess parrish
I am about to begin a length of simple torchon, using 35/2 linen.  The  
design includes using gimp.  Do you have any suggestions as to what to  
use for the gimp?  #5 DMC perle? stranded DMC cotton? or, what size  
linen?  Any and all suggestions will be gratefully received.


Many thanks.

Tess (tess1...@aol.com) in Maine USA, where my daughter and two French  
grandchildren have just arrived to spend their annual summer visit  
with me.


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[lace] new posting on Archives

2010-07-12 Thread tess parrish
Two little books have just been posted on the professor's Archives.   
See http://www.cs.arizona.edu/patterns/weaving/this-month.html They  
are very small and may only be of interest to those who are  
researching lacemakers in the US.  One of them lists all the names  
that the author could find for lacemakers in about 1917, before the  
Needle and Bobbin Club was founded.  The other book, from the same  
period, is a pamphlet put out by the Boston Museum of Fine Arts in  
1910 which includes several pages of their lace holdings.

What is most interesting about these two little books is that they  
seem to have belonged to Gertrude Whiting, whom many will know for her  
books and lace-related fame.  For those who haven't heard her name  
before, I suggest a quick trip to Google.

Thanks to Clay who sent them to me, and to John for his swift and  
helpful posting.

Tess (tess1...@aol.com) in lovely summertime Maine USA

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[lace] little Dutch books newly posted

2010-06-05 Thread tess parrish
I was very happy to have a note from Jo correcting the Dutch that was  
in the listing for one of the little books newly posted on the  
Archives site.  If anyone else has any corrections to make, we would  
would very much appreciate hearing from you.  John says that at this  
point corrections are easy to make.  If we wait too long, it would be  
much harder for him.  Thanks for all those who spot these errors: we  
are only human, but we want to get things rightly done!


Tess (tess1...@aol.com) in rainy Maine, USA

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[lace] four new books on the Arizona Archives

2010-06-03 Thread tess parrish
Good news!  The four little Dutch books that came from the collection  
of the mother of the lovely old man I met in New Brunswick the last  
time I was there have finally found their way onto the Arizona  
Archives site.  They are beginner books, and have nice prickings and  
diagrams.  It is not necessary to be able to read Dutch--I don't--as  
everything is very clear.  Two of them are from a series of books put  
out by a women's publication, and the other two are separate from them  
and from each other but equally good.


For those who haven't yet explored the Arizona Archives, the direct  
access to these books can be found at http://www.cs.arizona.edu/patterns/weaving/this-month.html 
.  You can check out the Sample Page to see what it's all about, and  
I suggest that you also look at Review, where I have tried to say a  
little about each book.


And also for those who haven't yet tried the Archives, be sure to stay  
on that page and check out some of the items listed on the left.  All  
of the material in this collection, along with a few very much  
appreciated modern donations from their authors, are out of copyright  
and available without charge to anyone who wants to download them.  We  
are grateful for all the contributions that people have made over the  
years.  If you know of anything that we might be able to add to the  
site, please let me know.  Also, if you find errors in our work,  
please let me know.  John Cropper is our editor and does a marvelous  
job of getting things up onto the web.  CDs of the collection are also  
available for purchase. I'll be glad to help: tess1...@aol.com


On another note, new lacemakers are popping up here and there.  I have  
a lovely new friend who live nearby, and we are exploring the  
intricacies of Torchon at the moment, and having a lovely time.


Tess (tess1...@aol.com) in Maine, USA, where a nice showery day is  
making all the flowers very happy and giving me an excuse to stay  
inside and fling bobbins around!


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[lace] lace in the news

2010-05-28 Thread tess parrish
For those who are interested in the revival of lace as fashion for  
today (Devon!) take a look at this:


http://news.yahoo.com/s/ap/20100528/ap_on_re_eu/eu_france_venus_fashion_statement 



Tess (tess1...@aol.com) in cool, sunny Maine USA

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[lace] mail warning

2010-03-30 Thread tess parrish
Leonard has just sent me an email telling me that my address book has  
been compromised, so if you get spam email under my name  it is  
because Arachne is one of the addresses on the list of names that  
Leonard sent me.  I will try to erase everything, change my password,  
and so on.  I hope this hasn't inconvenienced anyone.  If anyone has  
any good advice for me, I'll appreciate it.  I have a Mac, by the way,  
not a PC, so this came as a great surprise.


Tess (tess1...@aol.com) in Maine USA, where we are looking forward to  
a springlike weekend.


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[lace] mail warning

2010-03-30 Thread tess parrish
To all who wrote with good advice and comforting messages: many, many  
thanks!  I hope that the problem is now over for any of you who might  
have been struck by this odd message from me.  It wasn't, and you have  
helped me understand a lot more about how the world of computers,  
email, and the internet work.


And now, back to making lace!

Tess (tess1...@aol.com)

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[lace] Teneriffe book and Google

2010-02-11 Thread tess parrish
I have just received an email from Alex Stillwell about her concerns  
re Google's attempt to scan and perhaps restrict access to the books  
of the world, and specifically hers on Teneriffe, which she so  
generously gave to the Archives website. (see 
http://www.cs.arizona.edu/patterns/weaving/wtopic_lace.html 
 )

Here is what she wrote me:

Hi Tess

I have thought of a way of stopping Google gobbling up my Teneriffe  
book.  I am currently scanning and revising the layout of my torchon  
book so I can print and comb bind it myself. I doubt if I shall get  
many sales but if I get a new ISBN and am selling it then Google  
cannot get their sticky paws on it.

I am happy with, wish to continue with and have no plans to change the  
current current arrangements regarding my Teneriffe book, but I am  
concerned about Google. If I get a new ISBN I am prepared to print and  
comb bind it if anyone wishes to pay for it then Google cannot get  
their paws on it. I would like you to let the Arachnids know that this  
will in no way affect my arrangement with the Arizona free download  
library and it will continue to be freely available there. If you are  
happy with this arrangement please may I have permission to use the  
pages you scanned.

I think this should solve the Google problem and also help anyone who  
has no access to the free download.

Kindest regards

Alex
-
For those who are not familiar with the Archives site, this is a  
collection of books and many other materials relating to weaving and  
lace, along with embroidery and other things textile-related. The  
collection has depended on a great deal of scanning of books available  
in libraries and so on, but a great number have come from lacemakers  
who have lent us their precious books.  And in some very special  
cases, like Alexandra Stillwell's teneriffe book,they have been  
donated to the web site from the authors themselves.  We are all so  
grateful to everyone who has contributed!

There has been a concern, however, that the Archives site might  
disappear now that Ralph Griswold has died.  John Cropper is manning  
the fort, and there is no change in the status of the site: it is  
still going strong.  There are CDs of all the holdings available to  
anyone for a reasonable price, and there is even a web site Gallery  
where people are posting their work.  For any further information,  
please feel free to write me privately: tess1...@aol.com

So thanks again, Alex, for your generosity and concern, and I'm glad  
you figured out a way to slay the Google dragon before he swallows up  
your work.

Tess (tess1...@aol.com) in Maine, USA, where everyone here wants to  
know why all that lovely snow went south of us.  We're the ones who  
want it!

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[lace] bakery table

2010-01-03 Thread tess parrish
Some time ago, perhaps years, the Dutch group LOKK presented a bakery  
table, a table full of lacemade cakes and cupcakes and other  
goodies.  It may have been as far back as the OIDFA Congress in  
Ghent.  I think I may have seen pictures of it on line.


Does anyone remember this?  Do I have my facts right?  Can anyone set  
me straight and tell me where to find the booklet on the exhibit that  
was for sale at the time?


Many thanks.

Tess (tess1...@aol.com) in Maine USA, where our third straight day of  
snow is piling it up most satisfactorily for the happy skiers.


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[lace] the lace gallery

2009-10-14 Thread tess parrish
A little while ago people were asking about posting things on Kris  
Bruland's web site, namely in the lace gallery.  I wasn't too sure how  
to do this myself, so I wrote Kris  and this is his reply:

For the gallery I don't have a direct upload...I've been asking  
visitors to mail one or more photos and a short description of their  
work to gall...@handweaving.net, and then I post them.

In case newbies aren't sure who Kris Bruland is, he is the one who  
took over the sales of all the CDs.  You can go to his site 
http://www.handweaving.net/Store.aspx 
  and see everything that he has.  He explains how to order CDs and  
gives discounts for quantity.  The first part of the page lists the  
weaving CDs; scroll down for the lace CDs. Clicking on the name of the  
CD will give you the complete list of what is on it.

Once again, for those who may have missed it, I won't be making any  
more CDs.  This means that the complete collection contains a total of  
eight CDs.  I am still scanning if new material comes in, and John  
Cropper still posts it on the Archives web site 
http://www.cs.arizona.edu/patterns/weaving/ 
 , but there isn't as much out of copyright material available  
(pre-1923) any more, so we are limited.  It takes a long time to  
assemble enough books and such to fill one CD, and this is why we are  
not planning any more CDs.

So I hope that people will begin to post their laces on Kris' site.   
There isn't much there at present, and we need to begin to fill it up!

Tess (tess1...@aol.com) in Maine, USA, where our first killing frost  
is due tonight.

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[lace] finding books etc in the Archives

2009-10-05 Thread tess parrish
Sorry some people have had trouble finding things easily and quickly  
in the Archives.  I must admit that I too have to scratch my head  
occasionally when I am looking for something. However, by now I think  
that Avital and Alex, plus others, have covered the problem quite  
well, certainly where it concerns Alex's teneriffe book.

http://www.cs.arizona.edu/patterns/weaving/books.html#S is pretty  
direct, although it means searching by author.

If the book is recently posted, go to This Month, or earlier months.

If you are looking for lace, go to 
http://www.cs.arizona.edu/patterns/weaving/lace.html 
 

Or Languages, if you are looking for something in another language.

Or Topics, if you are specifically looking for some technique.  Be  
warned, though, that this list is not foolproof.

And yes, sometimes it takes a long time even with a high speed  
connection to complete a download.  Be patient--there's a lot of stuff  
in these books.  I have often thought there was a problem, only to  
find out that I hadn't given it enough time to do its thing.

A note about the CDs.  They are really are the best if you have a slow  
connection to the internet.  You can go to  
http://www.handweaving.net/Store.aspx 
   and buy them there. You can search the contents of each CD by  
clicking on the title of the CD: the contents are listed there.  A  
good point was raised about the CDs:  on this site they are always  
available. However, we are not publishing any more CDs after Number  
8.  It takes a long time to collect enough books to fill one CD, and  
the out of copyright sources have been drying up.  So from now on,  
what we scan will go directly to the Archives site and be saved there,  
but not on a CD.

Again, let me thank Alex for donating the Teneriffe book to the  
Archives.  It is impossible for us to use new books because of the  
copyright restrictions, and it is only through the generosity of  
authors like her who give us written pemission to use their books that  
we can read them on the site.  I know that we are all very grateful  
for this.

Tess (tess1...@aol.com) in Maine, USA, where the trees are putting on  
their party dresses.

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[lace] saving videos

2009-09-12 Thread tess parrish
It happened to me too, and I wondered why.  After some experimenting,  
I found that you can go to the right hand side of the Youtube page  
where the black/blank video is and click on the name of the person who  
made the video (in blue) and the video will come up.  I clicked on  
lacesinger for David's and on eldohill to get mine.  Then I went  
to File + Save on Safari and it was saved to my computer.  It opened  
perfectly from there so I could put it in my Tallies folder.


I dug a little deeper and found that the problem wasn't us, it was  
YouTube who apparently have just changed something about how they  
manage the site.  I thought at first it was because I have a Mac, but  
for once that was not the reason.


Tess (tess1...@aol.com) grateful to all the tally postings, which I  
really needed


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[lace] need help with colors

2009-09-12 Thread tess parrish
Has anyone ever done the design by--I'm pretty sure--Jana Novak of the  
Tree and the Snake (presumably in Garden of Eden)?  I worked it a few  
years ago but all in one color, and now I am making it again and I  
hope this time to put in the colors.  I have the tree and the snake  
all finished, but I can't remember the colors for the apple at the  
bottom or for what may be blossoms in the tree.


Does anyone know what I'm talking about?  This is a very typical  
example of having a UFO which has been lurking in my closet for over a  
year now.  I have looked through all the books on my shelf, but can't  
find it anywhere.  However, I have complete faith in the wonders of  
Arachne and know that there must be someone out there who knows the  
design and can take a look at the color picture in the book.  And no,  
I can't remember the name of the book. Oh dear!


Tess (tess1...@aol.com) in Maine, USA, quite frustrated

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[lace] needed help with colors

2009-09-12 Thread tess parrish
Arachne comes through again!  I am happy to find out what and where  
the colors go in Jana Novak's Tree and Snake.  Thanks so much for your  
help.


Tess (tess1...@aol.com)

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[lace] box folders for the last time, yes really!

2009-09-11 Thread tess parrish
Success!  Thanks to the help from lace friends and neighbors, the  
elusive box folders have been found in the US.  If anyone is  
interested, I will be glad to send the information on where to find  
them and how much they cost.


Tess (tess1...@aol.com), very relieved

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[lace] saving a video to a Mac

2009-09-10 Thread tess parrish
Thanks to Margot for looking up the directions for saving a video to a  
Mac if you have Safari.  Open the video (in this case it was Jean's  
video, but it worked with the YouTube one as well), go to File and  
click on Save As, tell it where you want it to go, and there it is!


Now for David's...and anyone else?

Also, I really liked Susan's idea of putting it on a portable little  
flash drive.


Thanks to Arachne, one and all.

Tess (tess1...@aol.com) in cooling-off Maine USA.

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[lace] making a leaf tally

2009-09-07 Thread tess parrish
Last weekend a good lace friend came to visit, bringing her husband  
with her.  Not content to sit around and mope, he busied himself  
repairing all sorts of little glitches around the house, and then he  
brought out his fancy movie camera and took pictures of me making a  
leaf tally the way I learned to do it in Brioude.  After they left  
they posted the movie on YouTube, so it is now available to all who  
might like to take a look.


I'm not all that good at impromptu lecturing, and you will find  
errors, for which I crave your indulgence.  I notice that I have said  
twist when I meant cross and that a thread goes under when I should  
have said over.  But you are all very kind and patient and I am sure  
that you will forgive my mistakes.  I also notice that I made much of  
the difference in ease of working tallies this way with continental  
bobbins as opposed to midlands bobbins.  This was because my friend,  
something of a beginner at lacemaking, had been having trouble making  
tallies with her midlands bobbins, which are all she has.  It is not  
meant to be a slur on one kind of bobbin over the other (I started out  
with midlands myself), but to suggest that she might find it easier to  
try bobbins without spangles.


Anyway, what's done is done, and I hope that this will clear up some  
of the confusion which inevitably occurs when one is trying to explain  
a process without visual aids.  The link to YouTube is: http://www.youtube.com/watch?v=EPezWMox5-M 
  I hope you find it useful.


Tess (tess1...@aol.com) in Maine USA on a lovely day.

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[lace] box files

2009-09-05 Thread tess parrish
For all those who are sick of the subject, I promise that the thread  
is over!  Thanks to all who wrote.  I will answer each one privately,  
but I do want especially to thank our friends from England: Of course  
they knew exactly what I was talking about, and now I have the names  
of at least three good sources over there.


This has been a perfect way to see how Arachne helps us find things,  
and I promise that this is eminently lace related.  I have finally  
gotten very serious about cleaning out all the shelves, drawers,  
closets, and other hiding places to find out where all those books,  
photocopies, lace samples, prickings, and even old letters from other  
lacemakers have gone, and finding holders, binders, and files to sort  
them all out and store them so they can be found is what this is all  
about.  It is amazing how much can be collected--and lost--over twenty  
years!


Thanks to you all for your help and patience with my quest.

Tess (tess1...@aol.com) on a lovely day, when I should be out in the  
sunshine, not looking for elasticized box folders!


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[lace] box folders

2009-09-03 Thread tess parrish
Does anyone know of a source in the US for box folders? They are so  
easily found in Europe, but I can't seem to find them anywhere over  
here.  For those who don't know quite what I am talking about, a box  
folder is a flat box (about 9.5 by 13 by 1.5 thick) the full top  
flap of which is held in place by elastic bands which hook around the  
two corners.  I have a few of them, a couple probably bought in Europe  
and a couple from good friends who sent me papers and such, and I find  
them invaluable for storing loose papers on a bookshelf. But I don't  
know who carries them in the US.  Any ideas?


Thanks.

Tess (tess1...@aol.com) in Maine USA, where we are at last getting  
beautiful weather, so long in coming this year.


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[lace] Swedish translation

2009-09-02 Thread tess parrish
A great big thanks to Ann-Marie Anderson for translating the Swedish  
pattern for me.  It amazes me how we can all communicate with each  
other all over the world thanks to Arachne.


The pattern is for a vest, done in thin wool, and is made of squares  
all joined together afterwards by stitching or crochet, with a  
crocheted border.  It is not at all what we as lacemakers are used  
to.  I suspect that it was some sort of beginner pattern perhaps taken  
from a crocheted design.  Now that I have the official translation, I  
can proceed to turn it into lace, with proper joinings and perhaps a  
lace-made border instead of clumsy crochet.


Thanks again to Ann-Marie and to Arachne who makes it all possible.

Tess (tess1...@aol.com)

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[lace] need help for Swedish translation

2009-08-31 Thread tess parrish
I hope that there is someone out there who might be willing to  
translate some Swedish directions for me.  It is for a vest, and the  
basic motif is easy enough to follow from the pricking.  But I can't  
understand the directions for the border.  Would anyone be willing?   
Thanks.


Tess (tess1...@aol.com) in Maine, USA

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[lace] Romanian Point lace

2009-07-02 Thread tess parrish
I have just recently had the good fortune to meet a lovely Romanian  
woman who lives in Portland, Maine, and in the course of our  
conversation I found that she had a small collection of Romanian point  
laces made by her mother and mother in law in the 1970s.  She was kind  
enough to photograph them for me, and to write a short article  
explaining them.  This is the first opportunity we have had to post  
anything in Romanian on the Archives web site, so if anyone out there  
would like to read the article in this language, we were thinking of  
you.  For the rest of us, she made a nice translation into English.

What I like about this collection is that it is the work of ordinary  
housewives, at home, using traditional patterns exchanged and varied  
as desired between neighbors and friends.  We all know Angela  
Thompson's extensive exploration into the subject, and I was able to  
show my copy of Romanian Point Lace to Marina, who was quite amazed to  
think that something that she considers so ordinary to be of such  
interest to lacemakers around the world.

See http://www.cs.arizona.edu/patterns/weaving/webdocs/sm_2009.pdf

Tess (tess1...@aol.com) in Falmouth, Maine, USA, where it has been  
raining for at least two weeks.  Today it is so dark that I have had  
to turn on the lights in the house at ten in the morning to see my way  
around!

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[lace] de dillmont

2009-06-28 Thread tess parrish
Thanks so much for your recent posting on Arachne.  My copy of
Encyclopédie des Ouvrages de Dames  shows 129 (Jan 1929) and parait
en langues francaise, anglaise, italienne, espagnole et allemand; il
en été tiré jusqu'à présent 1.190,000 exemplaires.
Very helpful information, indeed.

Tess Parrish
Falmouth, Maine, USA=

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[lace] Book search/Archives/a new book

2009-05-22 Thread tess parrish
It always makes me so happy when someone, Sister Claire in this case,  
introduces the Archives to someone who hasn't heard about them.   
Although we are no longer adding to number of CDs, eight in all, we  
are always ready to scan and post any books or other out of copyright  
(before 1923 or with the permission of the author if newer) and hope  
to keep on doing so as long as they can be found.

And so, the great news for today is that Alex Stillwell has given us  
permission to include her marvellous book The Technique of Teneriffe  
Lace.  It has been scanned and posted, and can be found at  
http://www.cs.arizona.edu/patterns/weaving/ 
Scroll over to This Month and you will find it there, ready to  
read or copy.

We don't have many copies of contemporary books, which is of course  
understandable, but we are extremely grateful to the authors for the  
few that we have been allowed to scan and post.  This is a completely  
volunteer site and we check everything for copyright.  Our only  
request is that anyone downloading books or other materials use them  
for their own purposes and not for any commercial gain.

  We also have requirements for the quality of the scans we are able  
to make, and look for originals that are in good shape.  For instance,  
photocopies don't scan well, and we can rarely use them, sadly.  I am  
always happy to be contacted by anyone who thinks that something she/ 
he has found would be a good addition.

In the case of this book, I have to thank Alex first of all, because  
without her generosity we would none of us be able to read and use  
it.  But I must also thank Jeri Ames, who pulled it down from the  
shelves of her enormous embroidery and lace  library here in Maine and  
who was kind enough to drive an hour to bring it to me.  And not least  
of all, we must all be grateful to John Cropper in Arizona who takes  
my scans, reviews them for errors, turns them into PDFs, and posts  
them on the site for all of us to enjoy.  These make up the team which  
has brought The Technique of Teneriffe Lace to us all.

We are grateful to them all. Now, go take a look!

Tess (tess1...@aol.com) in Maine USA, where yesterday all records were  
broken with a temperature of 93F' (33.9C')!

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[lace] broomstick lace

2009-05-17 Thread tess parrish
Try looking up hairpin lace.  I imagine the word broomstick was  
invented in the seventies when knitting, crochet, macrame, and other  
such handwork became so terribly coarse.  The references I have in the  
older books--and the way it was referred to in my youth--were to  
hairpin.  I have a tool from the old days, not much bigger than a  
lady's large hairpin, and I imagine that with fine thread and the  
small pin the work could look quite lovely.


Tess (tess1...@aol.com) in Maine USA where spring is in full, glorious  
bloom!


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Re: [lace] broomstick lace

2009-05-17 Thread tess parrish
I stand corrected. Thanks so much for clearing that up for me.  I  
guess I never did real broomstick lace, jumping impulsively (as usual)  
to something I remembered.  Going back to my old books, I don't find  
broomstick mentioned anywhere.  It will be interesting to see what  
others may find.


Tess

On May 17, 2009, at 2:15 PM, Clive  Betty Rice wrote:

Nope, hairpin lace and broomstick crochet are different techniques.  
Hairpin lace alludes to the u-shape of the old fashioned hairpins  
which were used before the invention of the modern hairpin forms.


Broomstick lace alludes to the broomstick before the invention of  
the large sized knitting needle and one needle is all that is  
needed. Stitches are cast on a needle (or broomstick) just as one  
would do to knit, then the stitches are crocheted off the needle. I  
have a size 60 American needle.


I haven't done any broomstick or hairpin lace for ages. I learned  
when I was ill for a year as a teenager. There was no TV and my  
Mother was a needlewoman so I was kept quite busy, I can tell you!


Leaving now to search out my Hairpin ladder and Broomstick  
needle


Betty Ann in Roanoke, Virginia USA

May 17, 2009 11:05:41 AM, tess1...@aol.com wrote:

Try looking up hairpin lace. I imagine the word broomstick was
invented in the seventies when knitting, crochet, macrame, and other
such handwork became so terribly coarse. The references I have in the
older books--and the way it was referred to in my youth--were to
hairpin. I have a tool from the old days, not much bigger than a
lady's large hairpin, and I imagine that with fine thread and the
small pin the work could look quite lovely.

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[lace] on cleaning lace

2009-01-20 Thread tess parrish
This is for Jeri, after her long and very interesting post on the  
subject:


Do you have an opinion on the soap called Orvus?  It is used for  
washing wool and for that it can't be beat.  I'm not sure whether this  
can be found outside the US, but it is carried here by feed stores  
because it is used to wash sheep and other animals.  It is supposed to  
be the purest soap that exists and contains no phosphates or other  
nasty things.


I would value an opinion on this where it concerns cleaning lace.   
Thanks, Jeri.


Tess (tess1...@aol.com) also in Maine, reveling in our newest 12  
accumulation of fluffy snow.  The skiiers are going mad!


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[lace] needle lace pillow dimensions

2009-01-14 Thread tess parrish

Delores asked me for the dimensions of the pillow I made:

The pillow I made was as close to the ones I saw in Venice as I could  
get after coming home and scrounging what I could find.


The diameter of the pillow needs to raise the work to convenient hand  
level when it is placed on the lap.  Thus, mine has a diameter of 6  
and is 12 long.  The dowel that I had at had happens to be 2 in  
diameter, although I suspect that the Italian ones might have been  
closer to closet pole size (1).  Not less than that, though, because  
it is what you use to free both hands for working and you need space  
to be comfortable. Its diameter is  added to the height of the pillow  
on your lap.  I made my dowel a little longer than the pillow itself,  
perhaps because that was the length of the piece of wood that I had,  
or maybe to make it easier to slip out when necessary.


The main thing is to make it personal.  It needs to fit you, not some  
set of rules.  The ones the Italian lacemakers were using were all  
different, probably most of them home made.


Tess (tess1...@aol.com) in Maine USA, where the predicted cold snap is  
just beginning to arrive: +2 degrees fahrenheit at 10 pm and will get  
lower overnight.


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[lace] needle lace pillow

2009-01-12 Thread tess parrish
I can't resist: go to 
http://www.cs.arizona.edu/patterns/weaving/illustrations/pt_nlp.pdf 
  and you will see the needle lace pillow I made after visiting the  
lacemaking group in Venice a few years ago.  This should give you an  
idea of what it looks like and from that how to put it all together.   
It sits on your lap while you work.

Also, I have just been scanning the Italian version of the DMC needle  
lace book.  It will appear on the site under This Month, but wait a  
bit: it is still being processed by John Cropper, our loyal computer  
expert.  You can find other copies of the same book in French and  
English as well. Go to:   
www.cs.arizona.edu/patterns/weaving/books/dmc_lace_1.pdf 
   (English)   
  http://www.cs.arizona.edu/patterns/weaving/books/dmc_ldal-1.pdf 
  (French)

For those newbies who may not know about the Archives site, go to 
http://www.cs.arizona.edu/patterns/weaving/ 
  and be prepared for a feast!  You can search for something  
specific, check out the newest additions, and find a wealth of old  
books (pre-1923) that have been scanned and posted on the site.   
Topics will give you an idea of the subjects covered, and there are  
probably more perhaps not listed that way.  This collection is in  
large part due to the many people who have lent their own precious  
books and documents and allowed them to be scanned and thus saved for  
posterity.  If you have any that should be in the collection and which  
you want to lend for the site, we would be happy to hear from you.

Enjoy!

Tess (tess1...@aol.com) in snowy Maine USA

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[lace] Macrame book

2008-11-16 Thread tess parrish
I am trying to find a DMC book called Le Macrame.  It is not the  
encyclopedia that often pops up when one is looking for something DMC,  
but comes in two forms: a green cover which I think might be the  
original, or a whiteish cover with macrame on it which I think is a  
reprint.


If anyone has this book and would be willing to lend it to me to scan,  
I would very much appreciate it.  Or perhaps someone has already  
scanned it?  I think I have found it for sale on line, but as you know  
I try to borrow it first if possible.
I am also trying interlibrary loan, but that takes a while and I'm not  
sure I'll be lucky.


Thanks so much.

Tess ([EMAIL PROTECTED])who never stops working on the Archives site!

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[lace] Retournac

2008-11-14 Thread Tess Parrish
I am not sure what the rules are about mentioning a commercial  
venture on Arachne, but i have just received an email from the museum  
at Retournac asking me to post their latest information to those on  
Arachne who might be interested to know that they are now publishing  
in english.


The URL for the newsletter in English is: http://www.ville- 
retournac.fr/musee/anglais/actualites/2008/news5/newsletter.html


I visited the museum some years ago when they were just getting  
started, and even then it was a remarkable place, well worth the  
effort of getting there and staying for a bit to see all they have to  
offer.  I know others have been there as well and enjoyed it as much  
as I did, so I hope it is all right to post this message. Obviously,  
I have no interest in this other than that of any lacemaker:  it is  
nice to see a museum able to succeed as well as they seem to be doing.


Tess ([EMAIL PROTECTED]) in Maine USA, where autumn is upon us with  
cooler temperatures and leaves all fallen.  I was surprised to  
receive photos of my French grandchildren playing in the recent  
snowfall that they had there.  I certainly thought we would get snow  
before they did!


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[lace] Alan Brown

2008-09-24 Thread Tess Parrish
For those many people who know Sheila Brown, she has just emailed me  
with the sad news that her husband Alan has just died after quite a  
siege with cancer.  Some of you may already know this, but I thought  
others might not.


Tess ([EMAIL PROTECTED])

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[lace] Bruges

2008-07-18 Thread Tess Parrish

Dear Alice,

Your description of the Kantcentrum reminds me of the happy week I  
spent there some years ago.  I was taking a three-day class with  
Martine Bruggeman, but since that didn't take all my time while in  
Bruges I signed up for the Open Classes.  This put me into the large  
workroom, where you saw all the non-English-speaking women making  
lace.  I was told by my son not to speak French, apparently thinking  
that the Flemish locals would not want to hear that language, so I  
kept pretty quiet.  (Those who know me well will laugh at that!)  I  
learned that the Open Classes were a sort of local club, sponsored on  
by the Kantcentrum for a very low fee, at which people could come  
simply to make lace.  The only instruction--and I think this is a  
super way to handle large classes--was from the teacher sitting in the  
middle of three chairs along one wall.  If you had a question you sat  
to one side of her and waited until she had finished with the person  
on her other side, then she answered your question carefully and fully  
while the next person waited in line. I didn't know it then, but the  
two teachers that covered the week I was there were the very ones that  
American (and other) lacemakers travel for miles to meet.  And there  
were there for us, virtually free!  It was a great way for the  
Kantcentrum to have a body of working lacemakers for the traveling  
public to see at work.


As it turned out, I was the only one in the room who spoke English, so  
although my lacemaking was pretty basic, I had a constant stream of  
visitors at my pillow!  And once I got to know the other lacemakers in  
the room they didn't worry about my only speaking French not Flemish,  
and I had one of the best times in my life.  I got to know the local  
women a bit and got the sense of who lives in Bruges.  Plus, I  
polished a few lacemaking skills.


Thanks for the memories.

Tess

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[lace] questionnaire from Retournac/web site info

2008-06-12 Thread Tess Parrish
I have just received a questionnaire from Marion Chastaing at the  
museum at Retournac.  They are apparently trying to reach previous  
visitors to the museum (I was there in 2001) to compile information  
that would be useful for area tourism.  I wonder if anyone else has  
heard from them?


Also, this is a reminder that the scanning still goes on.  See http://www.cs.arizona.edu/patterns/weaving/ 
 and scroll to the bottom of the page to find recent months'  
postings.  For those who are collecting them, there are now eight CDs,  
all available at http://www.handweaving.net/Store.aspx  There will  
be no more CDs, I'm afraid, because it takes so long to fill them up,  
but I have just finished another set of little scans thanks to Karen  
Thompson, and I'm waiting for some stuff from Sheila and possibly  
Sister Claire.  So the work continues, if a bit more slowly than in  
the frantic days when the Professor was alive.


I hope that the above isn't considered a sales pitch.  I just hear  
from so many people who want to know about the web site that I try to  
post the information now and then for the newbies.


Tess ([EMAIL PROTECTED]) in Maine, full of flowers and lovely weather.

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[lace] leaves and tallies

2008-06-02 Thread Tess Parrish
A refinement on the leaves as described by Tamara:  The most important  
thing about getting them regular and smooth is tension.  And this  
means constant tension on the two outside threads.  When Tamara says  
that she had difficulty with this (needed the services of a  
chiropractor...), I know exactly what she means!  I learned how to  
make the leaves as taught at Brioude, and those women have rubber  
hands!  But there is a way to cheat a little bit which makes it  
possible for the rest of us.

Line up the bobbins as Tamara says, with the worker bobbin in position  
number three.  Then, if you hold bobbins one and four firmly in  
between the last two fingers in each hand, you can keep the all- 
important tension steady.  The trick is to hold bobbins one and four  
way out on each side while you flip the crossover in the middle. (Yes,  
that's possible.)

Now for the hard part--which the lacemakers in Brioude can do without  
a hitch: When you are ready to make the double twist on the right, you  
turn your right hand over, still holding those outer bobbins firmly  
between those outer fingers, pick up the right hand bobbin between  
your second and third fingers and flip the double twist.  What they do  
in Brioude is to pick up that right bobbin with thumb and forefinger.   
This is impossible, if you ask me, but they can do it. The left side,  
for some reason, is much easier to do.  It's that right hand that just  
doesn't bend that far.

Clear as mud?  Ulrich Lohr (Kloppeln--Handbuch mit 350 Tricks und  
Kniffen, pp 51-53) is the only pictorial resource I have found for  
this.  However, I notice that she is not holding the outside bobbins  
between the two outer fingers on each hand, and for me that is the  
trick to good tension.  And yes, it takes practice, a lot of practice,  
but once you have the basic motions down pat, your leaves will really  
be easy and quite automatic to make.

I guess you have to see it done.  If I knew of someone who could make  
a movie of it, I'd be glad to be the model. Though I can't guarantee  
that my tallies really stand up to the perfection of the French  
lacemakers in Brioude.  Maybe they should make the movie...

Tess ([EMAIL PROTECTED]) in Maine USA where we are full in the middle  
of a glorious flowering spring!

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[lace] Quebec trip in June

2008-03-31 Thread Tess Parrish
I will be in Quebec City for a family gathering over the weekend of  
June 21st.  Can anyone tell me if there is anything lace/costume/ 
textile/etc going on then?  I will have my own car and a willing  
driver, my sister, who is interested in everything I like, so we are  
game for whatever we can see or visit.  We are also interested in  
(old) churches and their contents (textiles, woodcarvings, history) if  
any are available.  We plan to drive directly from Portland, Maine to  
Quebec, but if there are places we should see on the way we could  
certainly build in the time.  Or, if there are places out in the  
country in Quebec east of the big city that might be nice, too. We  
will have plenty of time.


Thanks.

Tess ([EMAIL PROTECTED]) where I just looked out the window and saw  
SNOW falling--again! Oof!


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[lace] currency conversion

2008-03-25 Thread Tess Parrish
Having just returned from checking out the family lace collection in  
France, I was trying to figure out what a couple of the pieces that  
had been marked with their purchase prices in 1895 might be worth in  
the euros of today.  Here are two currency conversion URLs which might  
be of interest to those trying to make similar comparisons:

http://www.histoire-genealogie.com/article.php3?id_article=398
http://erwan.gil.free.fr/index.php?mod=freepagespageid=109

These sites are in French, but should not be too hard to understand  
for those whose French is somewhat limited.

Tess ([EMAIL PROTECTED]) back home in Maine, where the snow still  
stubbornly remains unmelted.

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