[NetBehaviour] A very big number

[James Morris]

The magnitude of this first term, g1, is so large that it is practically 
incomprehensible, even though the above display is relatively easy to 
comprehend. Even n, the mere number of towersin this formula for g1, is far 
greater than the number of Planck volumes (roughly 10185 of them) into which 
one can imagine subdividing the observable universe. And after this first term, 
still another 63 terms remain in the rapidly growing g sequence before Graham's 
number G= g64 is reached. To illustrate just how fast this sequence grows, 
while g1 is equal to with only four up arrows, the number of up arrows in g2 
is this incomprehensibly large number g1.

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Re: [NetBehaviour] Transhumanists repent

[James Morris]

Sorry wrong URL should have been this one:
http://generated.inspirobot.me/056/aXm8586xjU.jpg

On 30 June 2017 09:54:11 BST, James Morris <ja...@jwm-art.net> wrote:
>http://generated.inspirobot.me/045/aXm223xjU.jpg
>
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[NetBehaviour] Transhumanists repent

[James Morris]

http://generated.inspirobot.me/045/aXm223xjU.jpg

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Re: [NetBehaviour] linux laptops

[James Morris]

It's only really the command line tools (which is still a lot!).

I got quite excited about it at work where I'm using a few BASH scripts 
with Cygwin on a regular basis. Unfortunately the Windows 10 Anniversary 
update which contains the Linux tools consistently fails to install - 
and takes 3/4 hour to not install :-(






On 22/05/17 23:40, Alan Sondheim wrote:


Fwiw, one thing worth noting - for those who are using limited memory 
(like my netbook), Midori's an excellent browser -
Also wanted to mention that you can open up Ubuntu in Win10 - I have it 
working there as well. It comes with the OS,


- Alan

On Mon, 22 May 2017, helen varley jamieson wrote:



thanks alan :)

i have noticed how much less space the OS needs, & how quickly everything
runs!

h : )


On 22.05.2017 18:59, Alan Sondheim wrote:

  I use linux on my older laptops; it's easy to install; in fact
  I'm on a Dell netbook now with only 2 gig of ram and it runs
  fine. One good thing about the OS is that you can install a
  different one in maybe 15 minutes, so you can tailor the linux
  distro to your needs. Fwiw, I use linux mint for the most part,
  lots of terminal stuff.

  Good luck with this!

  - Alan

  On Mon, 22 May 2017, helen varley jamieson wrote:


hi everyone,

more than a year ago i wrote to this list asking for
advice about buying a
linux laptop. it took me a while, but i'm now
happily working with ubuntu
mate on a no-brand machine :)

i spent quite a lot of time looking at second-hand &
B-ware (ex-display)
machines, & also at new models (lenovo, dell, hp,
acer, asus, etc etc ... )
& got quite overwhelmed by the choice & variables.
nothing was exactly what
i wanted, & i couldn't decide on what to compromise.
i had a couple of
things that were definite - not bigger than 14",
must have ethernet port,
prefereably separate audio in & out; so that
narrowed things down quite a
bit, but still i wasn't finding anything that felt
right.

then i found a uk company that sells no-brand
laptops with linux
pre-installed (https://www.entroware.com). i could
choose the hard drive,
RAM, keyboard layout, etc & it arrived 5 days after
i ordered it. i took it
out of the box, turned it on, & started using it.
the trickiest thing i've
had to do so far was use the command line to get it
to talk nicely to my
printer - & i managed that without incident.

i'm still adjusting to the non-mac keyboard
shortcuts - it's easier to take
a screenshot but more difficult to do an umlaut (?),
& there are a couple of
things i still need to work out. & one loss is that
there are no linux
drivers for my wireless webcam, so i'm back to a
tethered webcam for now.
but it is s much faster than my old mac, & i've
found most of the
software that i need.

so if anyone else out there is also considering
making the switch to linux,
i say - just do it! :)

h : )
--
helen varley jamieson
he...@creative-catalyst.com
http://www.creative-catalyst.com
http://www.upstage.org.nz

We have a situation, Coventry!
24 November 2016




  New CD:- LIMIT:
  http://www.publiceyesore.com/catalog.php?pg=3=138
  email archive http://sondheim.rupamsunyata.org/
  web http://www.alansondheim.org / cell 718-813-3285
  current text http://www.alansondheim.org/up.txt


--
helen varley jamieson
he...@creative-catalyst.com
http://www.creative-catalyst.com
http://www.upstage.org.nz

We have a situation, Coventry!
24 November 2016





New CD:- LIMIT:
http://www.publiceyesore.com/catalog.php?pg=3=138
email archive http://sondheim.rupamsunyata.org/
web http://www.alansondheim.org / cell 718-813-3285
current text http://www.alansondheim.org/up.txt
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[NetBehaviour] Ghost in the shell

[James Morris]

#!/bin/bash
cat 

Re: [NetBehaviour] a little project

[James Morris]

Hi Michael,

Any reason you haven't used Strava for this? Combined with Instagram, it 
does everything you're talking about I think.


The Strava app uses your mobile's GPS to log your route, add a title and 
description/notes, etc. Instagram photos you take during the activity 
are automatically associated (once a/c linked). Various add-ons such as 
relive.cc


An example of one of my rides:

https://www.strava.com/activities/758410407
http://labs.strava.com/flyby/viewer/#758410407?c=u10u5crc=C=1O4qSJ
https://www.relive.cc/view/758410407

James.



On 13/04/17 14:13, Michael Szpakowski wrote:

https://www.flickr.com/photos/szpako/albums/72157676652502324



 Last summer, after a gap ofsome years, I started running daily again. I did 
this because I had stoppedtaking a small dose of an antidepressant and although 
I was careful to withdrawslowly it hit me hard - I experienced a renewed 
depression and anxiety whichwas much worse than that which I had originally 
taken the drugs to combat. Iwas unwilling, though, to return to the drugs if I 
could possibly avoid this.The running helped me copeand, as I get slowly 
better, continues to do so.In early 2017 I starteddocumenting some of my runs 
using the ‘measure distance’ function on Googlemaps,  taking a screenshot of 
theresulting image and posting it to the photo sharing service Flickr. I have 
beeninterested for a long time in things that somehow hover between image, 
diagramand text and this seemed like a fruitful example of that. Once I’d made 
andposted a few these it seemed only natural to append to the image 
somecommentary on my run, things and people seen and noted, my state of mind, 
theweather… a kind of highly compressed diary superimposed on the 
rundocumentation and something which fitted with my long standing interest in 
theway that the internet allowed very naturally for long form aggregations 
ofoften diverse and lapidary components. (For years, from 2003 to the 
presentday, I have been making small videos and posting them to the internet, 
apractice I have compared to the Japanese literary form Zuihitsu, 
literally‘following the brush’ - a kind of miscellany.)Each piece takes quite 
along time to make and I’m very conscious of working against the clock 
tocomplete and post each one. I’m also mindful that, although I work hard to 
makemy texts flow, sometimes, to meet my self-imposed requirement of posting on 
thesame day as I run, I have to accept a certain improvisatory quality 
(whichmight be a polite way of saying the texts are not always as polished as I 
wouldideally like.)I was deeply involved inalmost the first wave of ‘net-art’ - 
it brought me into image wrangling andgave me an opportunity to have people 
look at my work and even to get it shownin institutions too. I’m saddened by 
the now overwhelming corporatisation ofthis space which has, it seems to me, 
destroyed many of the possibilities forart which were so exciting in the late 
nineties of the last century and theearly noughts of this one. Much digital and 
networked art now seems to requirelarge amounts of tech and funding and to have 
moved closer and closer toeverything many of us felt was disagreeable and 
backward looking about the artworld. Little of it now lives on the net. The 
kind of enthusiast I was wouldnow get channelled into spaces specifically made 
for ’enthusiasts’, for‘amateurs’ - the kind of intermingling that was 
completely natural back thenhas almost completely disappeared.One of my 
responses ( theother is to work in more traditional practices, such as 
painting) is to try andmaintain a toehold in places like Flickr, which although 
certainly corporateand equally regarded by both art world commentators and 
those who own it as aspace for the masses rather than the charmed circles of 
the art world,nevertheless retain, if one looks carefully, echoes of that 
earlier promise.One finds artists, who, whether they would style themselves 
such or not, aremaking work of depth and lasting interest as well as in some 
sense pushing backboundaries.Finally I want to say I haveno idea whether this 
work is any ‘good’. I know I have a need to make it, Iknow that on my good days 
it seems worth making and it seems to me to offersomething that, if not 
original (what is? what is? - we had *that* brought hometo us forcefully by the 
network, and a good thing too), at least synthesises anumber of practices in a 
way which still seems native to the internet as wellas drawing on some 
interesting tendencies in contemporary art, particularly thekind of romantic 
conceptualism I associate with Richard Long and Sophie Calleas well as with 
groups like Collective Actions. If you have a moment pleasetake a look. It’s a 
big ask but if you have time I would welcome your thoughts,whether positive, 
puzzled or negative. best wishesmichael



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[NetBehaviour] Fractal analysis reveals early signs of cognitive decline in paintings

[James Morris]

https://www.fractal.institute/fractal-analysis-reveals-early-signs-cognitive-decline-paintings/
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Re: [NetBehaviour] (no subject)

[James Morris]

http://i.imgur.com/qfmpU8Y.jpg



On 29/12/16 19:23, Alan Sondheim wrote:



http://www.alansondheim.org/blackstar.jpg

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[NetBehaviour] How Angels Wings Are Attached to E.R.P. Burp

[James Morris]

Found on YT, like a lot:
https://www.youtube.com/watch?v=O7WV0ac_wu4
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[NetBehaviour] £260m super yacht as viewed Thanet coast

[James Morris]

£260m super yacht as viewed Thanet coast

https://www.instagram.com/p/BKQ06h8h5eh/
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Re: [NetBehaviour] Berry season

[James Morris]

I made BlackBerry and Apple crumble and ate it all up.

On 6 September 2016 03:18:14 BST, Pall Thayer  wrote:
>It's berry season. I made jam.
>
>https://soundcloud.com/pall-thayer/pure-jam
>-- 
>P Thayer, Artist
>http://pallthayer.dyndns.org
>
>
>
>
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Re: [NetBehaviour] Music vid may enjoy

[James Morris]

Thanks Edward. Not suprised by that, pity it wasn't mentioned in the 
video credits, looked a bit much for a lone producer... Was crowdfunded 
and shot in Columbia, looks like he's London based.


It has a website: http://hyper-reality.co/

Keiichi Matsuda has a talk on if you want to part with some GBP:
https://www.royalacademy.org.uk/event/architecture-on-the-edge

Cheers
James.



On 30/08/16 19:47, Edward Picot wrote:

James -

I thought this was brilliant, and I've managed to track down the
original here: https://youtu.be/YJg02ivYzSs . The guy at the far end of
your link evidently found this video, cut it down a bit and fitted it to
some techno music which he didn't own either - the end products works
really well, though. A very creepy and believable sci-fi vision of the
near future, or rather an extension of what we've already got now. Seems
to originate in South Amercia, possibly Brazil, although the
video-maker, Keiichi Matsuda, sounds to me like he either comes from or
has ancestry in Japan.

- Edward

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Re: [NetBehaviour] What the hell with Snapchat?? Help!

[James Morris]

I always think the warnings about required permissions are a bit 
alarmist, many of the permissions sound more sinister than they actually 
are, step back a bit from the whole privacy-invasion pov and look at it 
more from an application perspective.




On 29/08/16 06:50, Alan Sondheim wrote:



Help - am I missing something? This is what Snapchat can access
on my PC if I install it - it seems like a serious invasion of
privacy. Any comments greatly appreciated - Alan


Snapchat
Snapchat Inc
Free
Version 9.37.6.0 can access:
In-app purchases

Identity

find accounts on the device
read your own contact card

Contacts

find accounts on the device
read your contacts

Location

precise location (GPS and network-based)

SMS

receive text messages (SMS)

Phone

read phone status and identity

Photos/Media/Files

read the contents of your USB storage
modify or delete the contents of your USB storage

Storage

read the contents of your USB storage
modify or delete the contents of your USB storage

Camera

take pictures and videos

Microphone

record audio

Wi-Fi connection information

view Wi-Fi connections

Device ID & call information

read phone status and identity

Other

receive data from Internet
view network connections
control flashlight
full network access
change your audio settings
control vibration
prevent device from sleeping


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[NetBehaviour] linux-at-25-qa-with-linus-torvalds

[James Morris]

spectrum.ieee.org/computing/software/linux-at-25-qa-with-linus-torvalds
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[NetBehaviour] Music vid may enjoy

[James Morris]

Thought might be of entertainment


 Original Message 
From: James Morris <jwm.art@gmail.com>
Sent: 24 August 2016 13:59:44 BST
To: James Morris <ja...@jwm-art.net>
Subject: 

https://www.youtube.com/watch?v=pMuENC4oto0

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[NetBehaviour] Post "Conjouring 2"

[James Morris]

https://www.strava.com/activities/616413170
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[NetBehaviour] My name is ${NAME} and I am ${IDENTIFIER}

[James Morris]

see attached BASH script

- safe for work
- requires youtube-dl
- requires ffmpeg*

* the linux distro you use may not provide ffmpeg but some fork of it, 
script might need adaption to work with this but i wouldn't know about 
that. i'm SO sorry.


damn, i've said too much... but... i was going to get the script to 
download various accelerationist related images and make a slideshow to 
accompany the sounds but it was too much work for zero payoff. i'm SO sorry.
#!/bin/bash

declare -a STARTS
declare -a LENGTH
declare -a IMGS
declare -a IMGSDUR

YTID="3DuCIGvsbMA"
IN="$(youtube-dl -f 'bestvideo[ext=mp4]+bestaudio[ext=m4a]' 
https://www.youtube.com/watch?v=$YTID --get-filename)"

if [[ ! -e "$IN" ]]; then
youtube-dl -f 'bestvideo[ext=mp4]+bestaudio[ext=m4a]' 
https://www.youtube.com/watch?v=$YTID
fi

OUTN="nothing"
OUTE="${IN##*.}"

N=0

while [[ $N -lt 25 ]]
do
FILE+=("$IN"); START+=("00:01:11"); LENGTH+=("00:00:01");
N=$((N+1))
done

N=0

for F in "${FILE[@]}"
do
  OUT=$(printf "${OUTN}%02d.${OUTE}" $N)
  if [[ ${START[$N]} ]]
  then
echo  "Clip $N: '${FILE[$N]}' start ${START[$N]} length ${LENGTH[$N]} --> 
${OUT}"
if [[ ! -e "$OUT" ]]; then
ffmpeg -y -ss "${START[$N]}" -i "${FILE[$N]}" -t "${LENGTH[$N]}" 
-vcodec copy -acodec copy "$OUT"
fi
FILES+=("$OUT")
  fi
  N=$((N+1))
done

ffmpeg -y -safe 0 -f concat -i <(printf "file '$PWD/%s'\n" "${FILES[@]}") -c 
copy "${OUTN}.${OUTE}"
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[NetBehaviour] QWOP

[James Morris]

Be a real athlete:
https://www.foddy.net/Athletics.html
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[NetBehaviour] Tall Bike Tour

[James Morris]

Tall Bike Tour

I'm not quite sure what this is all about; it's got tall (push) bikes, 
anti-tv man, mobile art-studios, etc, thought it might be of interest 
here, I quite enjoyed it.


https://vimeo.com/162496594

And this one too, some great music, and portable skateboard ramps etc
https://vimeo.com/118643506

Char*s;

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[NetBehaviour] jumping the most paltry jump imaginable

[James Morris]

Found a little jump I can practice jumping on my moutain bike with, in a 
park near by.


Jumps have in the past tended to make me more nervous than drops due to 
the fact they launch the bike and rider into the air.


http://jwm-art.net/art/image/jumping1.jpg
http://jwm-art.net/art/image/jumping2.jpg
http://jwm-art.net/art/image/jumping3.jpg
http://jwm-art.net/art/image/jumping4.jpg

--
read more if you're bored and have nothing better to do:
http://jwm-art.net/o7.php?p=j20160408-1823
but i wouldn't bother, i don't like how the page looks, i prefer this 
format above.

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Re: [NetBehaviour] New Technologies to Face Up To Climate Change

[James Morris]

i ride my bicycle to work every day, 4 miles each way, all weather 
(winter is very mild on s.e. uk coast). can route through agricultural 
countryside that borders the urban landscape and get away from the traffic.


james.







On 05/04/16 22:01, marc garrett wrote:

Hi Maria,

Much thanks for daring -- as I said earlier today elsewhere, if we could
have a similar approach towards technology, that Permaculturalists have
with Nature, then we may have a decent future...

So, I look forward to reading the article you share with open eyes :-)

Wishing you well.

marc

On 5 April 2016 at 17:03, Maria Farràs  wrote:


Dear colleagues,



I dare to send you an article i think might be of your interest: *New
Technologies to Face Up To Climate Change
*
by Ferran Adell.



*It seems naive to think that technology, on its own, can change the
ethical foundations of the market and industry and steer them towards a
more environmentally friendly system of commercial values. Nonetheless, we
can still argue that with good management and legal and political
regulation, the internet and digital culture may significantly reduce the
depletion of the natural ecosystem. But are we prepared to go beyond
rhetoric and good intentions, and take action in our daily lives?*



This is the URL:
http://blogs.cccb.org/lab/en/article_les-noves-tecnologies-davant-el-canvi-climatic/



We hope you like it, we will keep on doing research on this subject
matter. So any information is welcome.



Very best regards from Barcelona as usual.



*Maria Farràs / *

CCCB Lab

933 064 100

@cccblab  / Blog del CCCB LAB




Montalegre, 5. 08001 Barcelona

T 933 064 100 / http://www.cccb.org



*[image: Descripción: icon_twitter]*   *[image:
icon_facebook]*   *[image:
icon_instagram]* 





*[image: http://newsletter.cccb.org/firma_correo/publicitat1.jpg]*


[image: http://newsletter.cccb.org/firma_correo/publicitat2.jpg]






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Re: [NetBehaviour] linux programs

[James Morris]

On 22/03/16 17:03, Rob Myers wrote:

On 2016-03-22 09:53, Alan Sondheim wrote:

Have a question myself. There was a program for the Zaurus, Calculon,
which is an n-dimensional graphing program; it can handle apparently
any number of dim. - at least through 5. So there are 3-d slices of
whatever objects one is examining. The program disappeared along with
Zaurus - does anyone know of something that might do this, other than
say Mathematica or Matlab (which cost). It obviously runs incredibly
lean. Has anyone ported Calculon to other distributions? Etc.


I don't know about Calculon but there's:

SciLab - http://www.scilab.org/

LabPlot - https://edu.kde.org/applications/science/labplot/

Gnuplot - http://www.gnuplot.info/

Octave - https://www.gnu.org/software/octave/

R - https://www.r-project.org/

- Rob.


I don't really know anything about much of this, so bring low 
expectations to the following, but which might be useful as pointers 
perhaps.


Here's the results of querying the Arch User Repository with the term 
'graphing':


aur/facette-bin 0.3.0-1
Time series data visualization and graphing software
aur/pynmonanalyzer 1.0.2-2
Python tool for reformatting and plotting/graphing NMON output
aur/pyxplot 0.9.2-3
Command-line graphing package with a simple interface that produces 
publication-quality output.

aur/tilp 1.17-3
TI graphing calculator link/transfer program
aur/veusz-git 1.23.1+r2614.b00c508-1
A scientific plotting and graphing package, designed to create 
publication-ready Postscript or PDF output.

aur/veusz 1.23.2-1
A scientific plotting and graphing package, designed to create 
publication-ready Postscript or PDF output

aur/xgraph 12.1-6
X-Windows application for interactive plotting and graphing

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Re: [NetBehaviour] fade to black (fwd)

[James Morris]

https://www.youtube.com/watch?v=1xIQmFk1ok0


On 04/03/16 15:28, AGF poemproducer wrote:

seriously what the heck ?

art represents society
super imperialism and monopolist desires


On 04 Mar 2016, at 17:02, { brad brace } > wrote:


Sculptor Anish Kapoor sparked debate in Britain Thursday by
buying the exclusive right to use a pigment said to be the
blackest ever, to the fury of others in the artistic
community. Kapoor, whose huge works of public art are
landmarks in cities from London to Chicago, has snapped up
the rights to Vantablack, which absorbs 99.96 percent of
light. The move has drawn some criticism in Britain's
artistic community.

/:b

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[NetBehaviour] Bicycle Turner

[James Morris]

My favourite part of the Turner Center
https://youtu.be/jUL2TXccRQ4
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Re: [NetBehaviour] PLEASE REMOVE ME FROM THIS LIST

[James Morris]

Dear Lord, hear my prayer, please remove this woman from this list. Amen.


On 06/01/16 06:09, Julia Carpenter wrote:

PLEASE


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[NetBehaviour] making the most of local trails

[James Morris]

making the most of local trails
http://jwm-art.net/o7.php?p=j20151124-2133
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[NetBehaviour] bitwalking

[James Morris]

Bitwalking - digital cryptocurrency pays for walking

http://www.bbc.co.uk/news/technology-34872563

here's hoping to a bit-cycling version.
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[NetBehaviour] action replay quick script ffmpeg

[James Morris]

# quick script to make action replays using ffmpeg
#
#!/bin/bash
#

declare -a STARTS
declare -a LENGTH

OUTN="drop"
OUTE="mov"

FILE+=("FILE0025.MOV");   START+=("00:00:00");  LENGTH+=("00:00:05");

FILE+=("FILE0023.MOV");   START+=("00:00:25");  LENGTH+=("00:00:04");
FILE+=("FILE0023.MOV");   START+=("00:00:26.5");
LENGTH+=("00:00:01.5");
FILE+=("FILE0023.MOV");   START+=("00:00:26.95"); LENGTH+=("00:00:00.9");
FILE+=("FILE0023.MOV");   START+=("00:00:26.95"); LENGTH+=("00:00:00.9");

FILE+=("FILE0024.MOV");   START+=("00:00:06");  LENGTH+=("00:00:04");
FILE+=("FILE0024.MOV");   START+=("00:00:08");  LENGTH+=("00:00:01.5");
FILE+=("FILE0024.MOV");   START+=("00:00:08.5");
LENGTH+=("00:00:00.8");
FILE+=("FILE0024.MOV");   START+=("00:00:08.5");
LENGTH+=("00:00:00.8");

FILE+=("FILE0026.MOV");   START+=("00:00:07");  LENGTH+=("00:00:02");
FILE+=("FILE0026.MOV");   START+=("00:00:08");  LENGTH+=("00:00:00.85");
FILE+=("FILE0026.MOV");   START+=("00:00:08");  LENGTH+=("00:00:00.85");
FILE+=("FILE0026.MOV");   START+=("00:00:08");  LENGTH+=("00:00:05");

N=0

for F in "${FILE[@]}"
do
  OUT=$(printf "${OUTN}%02d.${OUTE}" $N)
  if [[ ${START[$N]} ]]
  then
echo  "Clip $N: start ${START[$N]}  length ${LENGTH[$N]}... "
ffmpeg -y -ss "${START[$N]}" -i ${FILE[$N]} -t "${LENGTH[$N]}" \
-vcodec copy -acodec copy $OUT
FILES+=("$OUT")
  fi
  N=$((N+1))
done

ffmpeg -y -f concat -i <(printf "file '$PWD/%s'\n" "${FILES[@]}") \
-c copy drop.mov
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[NetBehaviour] 1441220508

[James Morris]

#!/bin/bash
# shoot - screenshot script.
# intended usage: bind to two keyboard shortcuts.
# for the second shortcut pass the option 'select'
# (without quotes) to allow user to draw area to shoot.
# requires: maim - screenshot application
#   notify-send - to provide user assurance

DIR="${HOME}/Pictures/Screenshots"
FN="$(date '+%Y%m%d-%H%M%S').png"

if [ "'$1'" == "'select'" ]; then
maim -s --nokeyboard "$DIR/$FN"
else
maim "$DIR/$FN"
fi

if [ "$?" -gt 0 ]; then
  notify-send -u critical -t 500 "Screenshot FAIL $FN"
else
  notify-send -t 350 "Wrote screenshot ${FN}"
fi
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Re: [NetBehaviour] 1441220508

[James Morris]

Potentially...

Does anyone know of a tool for precisely identifying exactly matching 
areas within a set of images so as to stitch them together to form one 
large image?







On 03/11/15 23:00, Pall Thayer wrote:

Wouldn't it be funny if someone modified this to take screenshots every
couple of seconds and upload them to a secret ftp server?


On Tue, Nov 3, 2015 at 5:56 PM James Morris <ja...@jwm-art.net
<mailto:ja...@jwm-art.net>> wrote:

#!/bin/bash
# shoot - screenshot script.
# intended usage: bind to two keyboard shortcuts.
# for the second shortcut pass the option 'select'
# (without quotes) to allow user to draw area to shoot.
# requires: maim - screenshot application
#   notify-send - to provide user assurance

DIR="${HOME}/Pictures/Screenshots"
FN="$(date '+%Y%m%d-%H%M%S').png"

if [ "'$1'" == "'select'" ]; then
  maim -s --nokeyboard "$DIR/$FN"
else
  maim "$DIR/$FN"
fi

if [ "$?" -gt 0 ]; then
notify-send -u critical -t 500 "Screenshot FAIL $FN"
else
notify-send -t 350 "Wrote screenshot ${FN}"
fi
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http://pallthayer.dyndns.org


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Re: [NetBehaviour] 1441220508

[James Morris]

I've found this: http://www.dojoe.net/tutorials/linear-pano/

But also like the author, can't help feeling Hugin (a panormic photo 
stitcher) is overkill here.


Cheers.



On 03/11/15 23:53, Pall Thayer wrote:

My first approach would be to use image magik to read the pixels of each
image into two dimensional arrays. search from the top for matches
within a single line and if found, search downward at the identified
points to see if the match follows.


On Tue, Nov 3, 2015, 18:47 Pall Thayer <pallt...@gmail.com
<mailto:pallt...@gmail.com>> wrote:

Human?


On Tue, Nov 3, 2015, 18:45 James Morris <ja...@jwm-art.net
<mailto:ja...@jwm-art.net>> wrote:

Potentially...

Does anyone know of a tool for precisely identifying exactly
matching
areas within a set of images so as to stitch them together to
form one
large image?






On 03/11/15 23:00, Pall Thayer wrote:
 > Wouldn't it be funny if someone modified this to take
screenshots every
 > couple of seconds and upload them to a secret ftp server?
 >
 >
     > On Tue, Nov 3, 2015 at 5:56 PM James Morris
<ja...@jwm-art.net <mailto:ja...@jwm-art.net>
 > <mailto:ja...@jwm-art.net <mailto:ja...@jwm-art.net>>> wrote:
 >
 > #!/bin/bash
 > # shoot - screenshot script.
 > # intended usage: bind to two keyboard shortcuts.
 > # for the second shortcut pass the option 'select'
 > # (without quotes) to allow user to draw area to shoot.
 > # requires: maim - screenshot application
 > #   notify-send - to provide user assurance
 >
 > DIR="${HOME}/Pictures/Screenshots"
 > FN="$(date '+%Y%m%d-%H%M%S').png"
 >
 > if [ "'$1'" == "'select'" ]; then
 >   maim -s --nokeyboard "$DIR/$FN"
 > else
 >   maim "$DIR/$FN"
 > fi
 >
 > if [ "$?" -gt 0 ]; then
 > notify-send -u critical -t 500 "Screenshot FAIL $FN"
 > else
 > notify-send -t 350 "Wrote screenshot ${FN}"
 > fi
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 > http://pallthayer.dyndns.org
 >
 >
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http://pallthayer.dyndns.org

--
P Thayer, Artist
http://pallthayer.dyndns.org


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[NetBehaviour] tsū

[James Morris]

Anyone using it?

"tsū is a free social network and payment platform that shares up to 90% 
of [advertising] revenues with its users."


http://www.tsu.co/faq

Here's an important notification at the head of their FAQ:
"tsu.co is a community for authentic engagement. Please treat it 
respectfully. Users who spam or post inappropriate content will be 
banned in order to preserve the community."



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[NetBehaviour] Take Your Time

[James Morris]

My orbit has just swung close by some of the moons orbiting the planet 
'art'.


The result is a video featuring activity falling somewhere near that 
commonly known as 'mountain biking', although the nearest mountain to 
the landscape shown in the video is over 300 miles away.


Accompanying the video is music that has been referred to as 'shoe 
gazing'. Taken from an album released in 1992 called 'lazer guided 
melodies' by the band Spiritulaized, the tune is 'take your time'.


The music is blocked in 22 countries due to copyright law. The countries 
are mainly situated in the Middle-East.



https://www.youtube.com/watch?v=1Y_ZTQ4hSYQ

Cheers.
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[NetBehaviour] 50 email subject lines you just can't ignore

[James Morris]

Southern Chicken (And It's Not Fried Chicken!)
Cowboy Tater Tot Casserole
15 Simple Crochet Patterns
Easy Pumpkin Cake, Dinner with the In-Laws & More Recipes
14 Magical Christmas Stockings
Skinny Skillet Whatever, Dump & Go Beef, and Pumpkin Ball Cookies
14 Christmas Crafts for the Kitchen
Miracle Donuts
Martha's Company Casserole
12 Christmas Patterns to Start Now!
21 Old-Fashioned Favorite Recipes
36 Incredibly Gorgeous Patterns
Weekend Edition: The week's best reads
10 Freezer-Friendly Cookies
18 Paper Crafts You'll Keep Forever
Social run dates, not just for singles...
Don't Miss the Recipe of the Day
13 Drop Dead Gorgeous Patterns
Crack Dip
Which jobs could a 100-year-old do?
17 Sweaters for Sunshine
15 Recipes You Can't Live Without + 8 "Selfish" Desserts
My husband died in the line of duty
4 Slow Cooker Recipes You Want
Amish Cabbage Noodle Casserole
14 Two Night Afghans You Won't Believe
17 One-Pot Wonders
The billion-dollar ex-council flat
14 Low-Cal Comfort Foods for Fall
19 Magical Christmas Crafts
19 Heavenly Handmade Cards
The Only Apple Dessert You Need This Fall
11 Frozen-Inspired Crochet Patterns
Better Than Pumpkin Pie Poke Cake
New Styles. New Tech. Unrivaled Performance.
Fishing and ultraviolence
13 Recipes Inspired by Famous Women
18 Magical Knit Cowls
6 Last-Minute Halloween Costumes
50 Famous Recipes by State
4 Easy Casserole Recipes
October 7th, 4pm, Odeon Leicester Square - Modern Suffragists Demand a 
Vote that Counts! – Update on "David Cameron: Reform our voting system 
to make it fair and representative #MakeSeatsMatchVotes"

Mason Jar Self-Buttering Biscuits
15 Mystery Patterns
30 Easy Apple Recipes
The many ways chilli peppers may be good for you
Save on books, books, and more books!
15 Easy Meals For Busy People
16 Lazy Minute Knits
34 Awesome Ornaments to Make
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Re: [NetBehaviour] David Cameron Solves the Refugee Crisis

[James Morris]

On 09/10/15 20:55, Edward Picot wrote:

James -

Thanks for responding. I don't like to spell out messages, but there's
nothing complicated about this one: Cameron's response to the refugee
crisis has been to tell it to go away, in the same way that Canute told
the tide to go back, and with the same effect.


Yes I understood that thank you.





- Edward
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Re: [NetBehaviour] David Cameron Solves the Refugee Crisis

[James Morris]

Non too late for me.
Just one minor criticism, I wonder if perhaps you could not fit in a 'my 
message is this'* in there somewhere.


* a phrase that makes me want to vomit.

James.




On 08/10/15 20:08, Edward Picot wrote:

Too late to be relevant, and with little blue lines all across it.

YouTube - https://youtu.be/s_5OgBlHu5g
Vimeo - https://vimeo.com/141825303

- Edward Picot
http://edwardpicot.com - personal website
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Re: [NetBehaviour] Communication in Online Communities

[James Morris]

On 07/10/15 02:46, John Hopkins wrote:
...

there is always a
price to be paid when one does not participate in the dominant social
protocols...


Yep. Non-Facebooker here and don't I know it. Was told by friends to 
(re)join facebook - but I'd rather remain ignorant about what they do 
without me.


And in real life, one must engage in dominant social protocols... Or 
not. I've recentlt been feeling that as I grow older the more socially 
inept I become.


As for netbehaviour, I'm not deep enough into the art these days to 
usually know what you're all on about and I'm not entirely sure why I'm 
still hanging around other than for a bit of fun every once in a while ;-)




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[NetBehaviour] layers of fear

[James Morris]

ever wanted to be an insane painter but never quite found the commitment 
needed?


well now you can in 'layers of fear' a a psychedelic horror adventure 
game heavily inspired by the masterpiece paintings from the past 
centuries, and the architecture and décor from the XIX century.


trailer: https://www.youtube.com/watch?v=S6xY4fVvgHE

http://store.steampowered.com/app/391720
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[NetBehaviour] some photos

[James Morris]

Cliftonville: one of many coastal towns around the UK
 making a name for itself as a place as deprived as inner city areas. 
Luckily for me, it's just a short walk to the beach.


Photograph until light has begun to fade.

http://jwm-art.net/o7.php?p=cliftonville-coast

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Re: [NetBehaviour] Sign up to Quality Metrics now

[James Morris]

on thinking about this for all of two seconds:
http://cdn.meme.am/instances/500x/56031085.jpg





On 02/10/15 15:32, ruth catlow wrote:

Should Furtherfield sign up to this.
- Discuss please!
; )
R



Can't see the images? View this email online




Dear Ruth


Would you like to take part in an exciting nationwide project that aims
to help you understand what your peers and audiences really value about
your work?


Quality Metrics is a sector-led metrics framework that uses self, peer
and public assessment to help organisations gain a richer insight into
the quality of their work.



The metrics have already been through successful local and national
pilots in England. This next phase will explore how they might work when
delivered at scale.


You are invited to be one of the 150 National Portfolio Organisations
and Major Partner Museums that will test the framework across three
events, performances or exhibitions before the end of March 2016.


The information gained through Quality Metrics is complementary to that
already obtained through Audience Finder. All organisations
participating in the Quality Metrics are required to continue using
Audience Finder.

/“Quality Metrics has given Lakeland Arts a robust method to measure the
impact of our precious resources. The information gained from four pilot
evaluations will help us to plan our future programmes, to achieve our
strategic audience development challenges and help us gain evidence of
the value of the arts to the residents and visitors to Cumbria.” /


Jeanette Edgar, Director of Marketing & Communications, Lakeland Arts

*Learn more and sign up for Quality Metrics
*


Expressions of interest close on Friday 23 October 2015. I really hope
you will sign up to take part in this exciting project.


Yours,


Simon Mellor

Executive Director, Arts and Culture

[Facebook]

[LinkedIn]

[Twitter]




*artscouncil.org.uk*


This email was sent to ruth.cat...@furtherfield.org by Arts Council
England. If you no longer wish to receive our emails, you can
unsubscribe. *This means you won't receive** important future
announcements and notifications. *Unsubscribe anyway
.

*
*

*Arts Council England, 21 Bloomsbury Street, London WC1B 3HF.*Arts
Council England is the trading name of the Arts Council of England,
Registered Charity No. 1036733. Arts Council England is not responsible
for the contents, nor does it warrant the accuracy or reliability of any
linked website. Arts Council England, to the extent permissible by law,
excludes all liability which may arise from your use or reliance on the
information or contents contained in the linked site.







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Re: [NetBehaviour] Sign up to Quality Metrics now

[James Morris]

Problem?


On 02/10/15 21:39, Adrian Couzens wrote:

Fuck off

Sent from my iPad


On 2 Oct 2015, at 21:33, James Morris <ja...@jwm-art.net> wrote:


on thinking about this for all of two seconds:
http://cdn.meme.am/instances/500x/56031085.jpg






On 02/10/15 15:32, ruth catlow wrote:
Should Furtherfield sign up to this.
- Discuss please!
; )
R



Can't see the images? View this email online
<http://artscouncilupdates.org.uk/QNP-3PGU6-9744M0T236/cr.aspx>

<http://artscouncilupdates.org.uk/QNP-3PGU6-44M0T2-1SGLTN-1/c.aspx>

Dear Ruth


Would you like to take part in an exciting nationwide project that aims
to help you understand what your peers and audiences really value about
your work?


Quality Metrics is a sector-led metrics framework that uses self, peer
and public assessment to help organisations gain a richer insight into
the quality of their work.

<http://artscouncilupdates.org.uk/QNP-3PGU6-44M0T2-1SH0GL-1/c.aspx>

The metrics have already been through successful local and national
pilots in England. This next phase will explore how they might work when
delivered at scale.


You are invited to be one of the 150 National Portfolio Organisations
and Major Partner Museums that will test the framework across three
events, performances or exhibitions before the end of March 2016.


The information gained through Quality Metrics is complementary to that
already obtained through Audience Finder. All organisations
participating in the Quality Metrics are required to continue using
Audience Finder.

/“Quality Metrics has given Lakeland Arts a robust method to measure the
impact of our precious resources. The information gained from four pilot
evaluations will help us to plan our future programmes, to achieve our
strategic audience development challenges and help us gain evidence of
the value of the arts to the residents and visitors to Cumbria.” /


Jeanette Edgar, Director of Marketing & Communications, Lakeland Arts

*Learn more and sign up for Quality Metrics
<http://artscouncilupdates.org.uk/QNP-3PGU6-44M0T2-1SGLTN-1/c.aspx>*


Expressions of interest close on Friday 23 October 2015. I really hope
you will sign up to take part in this exciting project.


Yours,


Simon Mellor

Executive Director, Arts and Culture

[Facebook]
<http://artscouncilupdates.org.uk/QNP-3PGU6-44M0T2-1SG597-1/c.aspx>
[LinkedIn]
<http://artscouncilupdates.org.uk/QNP-3PGU6-44M0T2-1SG598-1/c.aspx>
[Twitter]
<http://artscouncilupdates.org.uk/QNP-3PGU6-44M0T2-1SG599-1/c.aspx>



*artscouncil.org.uk*
<http://artscouncilupdates.org.uk/QNP-3PGU6-44M0T2-1SG59A-1/c.aspx>

This email was sent to ruth.cat...@furtherfield.org by Arts Council
England. If you no longer wish to receive our emails, you can
unsubscribe. *This means you won't receive** important future
announcements and notifications. *Unsubscribe anyway
<http://artscouncilupdates.org.uk/QNP-3PGU6-9744M0T236/uns.aspx>.

*
*

*Arts Council England, 21 Bloomsbury Street, London WC1B 3HF.*Arts
Council England is the trading name of the Arts Council of England,
Registered Charity No. 1036733. Arts Council England is not responsible
for the contents, nor does it warrant the accuracy or reliability of any
linked website. Arts Council England, to the extent permissible by law,
excludes all liability which may arise from your use or reliance on the
information or contents contained in the linked site.







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Re: [NetBehaviour] "Objects of Art"

[James Morris]

Does every change == a new file?

Maybe some filtering/screening of changes...

A code-based captcha to test basic understanding of code?

Did have another suggestion but it would make correcting typos difficult 
(so guess what it was).


Could the changes not be saved as diffs from the original?

It depends on the quality of contributions by visitors on wether it 
would provide a considerable enhancement or not. Why not give it a 
chance? I don't imagine a real big flood of traffic filling disk quotas.






On 19/09/15 16:33, Pall Thayer wrote:

So I finally finished the site for this project. But I'm a little
conflicted about one thing. It would be nice to allow visitors to save
their altered codes on the site and make them available to all. However,
I'm worried that it will get over-used. I.e. someone comes along, makes
one small change, saves it, then makes another small change, saves it,
ad infinitum. I'm thinking that I could curate it. That is, only keep
the good ones but that's going to make a lot of work for me. I'm
interested in hearing what others think about this. Do you think that
allowing visitors to save and make all available would make for a
considerable enhancement to the project?

Best r.
Pall

On Sat, Sep 19, 2015 at 11:06 AM Pall Thayer > wrote:

http://pallthayer.dyndns.org/objectsofart
--
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http://pallthayer.dyndns.org

--
P Thayer, Artist
http://pallthayer.dyndns.org


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Re: [NetBehaviour] .. God is a sailor, and he never comes home

[James Morris]

The sail of the century.

On 11/09/15 10:16, Pall Thayer wrote:

At best, God is a sail... on a ship with no mast.

On Thu, Sep 10, 2015 at 10:09 PM Alan Sondheim > wrote:



.. God is a sailor, and he never comes home
.. God is a sailor, and he never comes home

.. God is a sailor, and he never comes home
.. God is a sailor, and he never comes home

.. God is a sailor, and he never comes home
.. God is a sailor, and he never comes home

.. God is a sailor, and he never comes home
.. God is a sailor, and he never comes home

.. God is a sailor, and he never comes home
.. God is a sailor, and he never comes home

.. God is a sailor, and he never comes home
.. God is a sailor, and he never comes home

.. God is a sailor, and he never comes home
.. God is a sailor, and he never comes home

.. God is a sailor, and he never comes home
.. God is a sailor, and he never comes home

.. God is a sailor, and he never comes home
.. God is a sailor, and he never comes home

.. God is a sailor, and he never comes home
.. God is a sailor, and he never comes home


http://www.alansondheim.org/sailor.jpg

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[NetBehaviour] Sun shade rust tin

[James Morris]

https://youtu.be/9kTQtxlIr44___
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Re: [NetBehaviour] Helping the bankers

[James Morris]

This is an updated version of a script to assist with entering (for 
example) the 4th, 7th, and 11th characters of your password.


Example usage:
./passchrs 4 7 11

The script will then prompt for your full password and display only the 
appropriate characters. This updated version does not show the password 
as it is typed.


Cheers.
#!/bin/bash

echo -n password:
read -s PW

for P in $@
do
C=$((P-1))
echo -n ${PW:C:1}
done

echo

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Re: [NetBehaviour] dismal news and from Mother Jones -

[James Morris]

We are not learning because we all have different perspectives and 
levels of understanding and we haven't evolved enough to deal with that. 
Look at where were we 2000 years ago. The recent evolution of our 
technology gives us the wrong impression. I wouldn't be at all surprised 
if we've got another two thousand years before we've made a dent in 
these problems. The way we're manipulated to see things from last year 
as out of date gives us the wrong impression. That's what I think.




On 06/09/15 20:26, Ana Valdés wrote:

Alan i full agree with you. My point was it seems every generation promises "never more" 
when a catastrophe occurs. After the Holocaust with victims ranging from Jews to Gypsies to 
homosexuals to mental ill to Jehovah witness and many other the nations said "no more".
The victorious Red Army raped German women in tens of thousands, Stalin moved 
Ucranians and Tchechen farmers to far parts of Russia and millions died of 
hunger.
Years later we had the holocaust of Vienam and Cambodia with their killing 
fields and the orange agent and the napalm bombing.
In the seventies we had our own Holocaust here, around 4 dissapeared killed 
by horrendous ways, buried alive in concrete, drowned in Rio de la Plata, their 
babies stolen and given as gifts to children less military couples.
We had one million killed in Rwanda with ppl in the rest of the world seeing as 
bystanders.
We said never more atomic bombs after Hiroshima and Nagasaki and now every 
country want their own arsenal.
We had the sieges of Sarajevo and the massacre of Sebrenica 5000 ppl killed in 
two days. We have Gaza now we have ISIS.
Why are we not learning  from history we only repeat the horror with more 
sophisticated weapons.
Ana

Skickat från min iPhone


6 sep 2015 kl. 14:29 skrev Alan Sondheim :



I agree with you of course! I also think that lessons learned aren't really 
applied - the US used Agent Orange, ISIS brings back mustard gas, Assad uses 
god knows what, and we discuss these things... I try to read ethology as much 
as possible, there are all sorts of lessons to be learned of course from 
animals, plants, but how can we apply them when 99 percent of the world 
believes that humans have some sort of God-given right to owning the planet?

- alan


On Sun, 6 Sep 2015, ruth catlow wrote:

Hi Alan,
I hear you.
I agree with all you say.
but I was not arguing against the usefulness, inspirational power or validity 
of science (I hope and think you know this)
just that science (so far as I know) has not yet provided us with knowledge 
(that we can apply with any consistency) about how to stop (ourselves or 
others) behaving (individually or collectively) like arseholes, nor how to 
coordinate collectively for the highest interest of all living beings.

So the chart is more a celebration of the many (human and non-human) ways there 
are of knowing, rather than a bash at science (with the help of which we know A 
LOT!).



On 06/09/15 18:13, Alan Sondheim wrote:
it's also science that deals with the horror, albeit differently - the studies 
done of desertification for example in the mid-east.
science knows more than scientifically in the same way that art knows more than 
artistically, etc. - for me, the reason I'm interested in cosmology and 
particle physics, it gives me an idea where we've come from, what's out there, 
what we're made of, etc. and it extends my knowledge beyond what's given to us 
as human perception.
certainly it knows (not science, which knows nothing, but scientists) are 
motivated by the vastness of the world...
and science as much as any other field deals with what horrifies and 
debilitates, think of ebola for example...
Alan (who secretly likes situationism, but not its reification)

On Sun, 6 Sep 2015, ruth catlow wrote:
I won't pick an argument with you about Situationism: )
but i must defend the symbolic precision of the pie chart!
not because science isn't a good way of knowing things
but because science only knows how to know things scientifically.
and it cannot (because of its nature) know the vastness and multi-faceted 
worlds of reality to which it cannot even begin to apply its knowledge 
acquisition tools.
For this reason I also think it is a particularly good joke!
I paired it with the Situationism quote because it encourages an attitude of 
curiosity towards things that otherwise horrify and terrify... (and therefore 
debilitate)

On 06/09/15 15:36, Alan Sondheim wrote:
Yes, but I'd reverse the chart labels!
- Alan (always suspicious of situationism) (not looking for another argument) 
(just got up)

On Sun, 6 Sep 2015, ruth catlow wrote:
Above: (left) /Scientific Diagramme/ (right) /Drawing of a quote from The Joy 
of Revolution by Ken Knabb//
/
Please accept my contribution to the conversation (above).
Very appreciative of the efforts by all here to make sense and meaning. Thank 
you.
Ruth

On 06/09/15 07:29, Antye Greie-Ripatti wrote:
thanks for 

[NetBehaviour] The new media artist's new halo

[James Morris]

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Re: [NetBehaviour] The new media artist's new halo

[James Morris]

On 03/09/15 20:12, Rob Myers wrote:

On 2015-09-03 07:07, James Morris wrote:

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Is that a web bug? :-)

- Rob.



Trapped in a glass jar ;-)


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Re: [NetBehaviour] Not quite so dismal

[James Morris]

I've not taken a great deal of interest in the news for a while, but 
have recently started watching it daily. Ch4 News has improved a bit in 
my eyes with its reporting on this issue over the past week or so. An 
interview with Gauri van Gulik from Amnesty international opened my mind 
a bit to the idea of Europe, with her calling for Europe to do more for 
the safe passage of refuggees as the least that could be done to prevent 
so much death from unsafe crossings. I haven't taken a great deal of 
interest in the world at all for a while actually, and looking at it, 
Europe isn't a particularly large area on the planet which makes in my 
mind the Anti-EU bunch and the UK goverment look rather backward in 
their attitude. Actually Cameron did a excellent job of looking like a 
heartless bastard talking about the refugees. This evening a Ch4 news 
report from Germany showed Syrians living with volunteers in their homes 
and using Google translate to allow themselves to communicate with each 
other over dinner. A former Belgian prime minster, Guy Verhofstadt was 
interviewed, and again, very pro Europe, talking about how a greater 
unity in Europe would improve the handling of these situations, so that 
refugees could be helped and organized before they even leave their own 
countries.


I agree with Alan, getting rid of the politicians and bankers isn't 
going to happen.



On 02/09/15 19:50, dave miller wrote:

Thanks Edward. That's really encouraging to see. Glad finally people are
speaking out. When government and news media control the discussion we
get a really unrepresentative picture.

Ana I totally agree we have to get to rid of these people - and
particularly the bankers.

On 2 Sep 2015 18:53, "Edward" > wrote:


I've just spent a few minutes looking at the Avaaz
petition/volunteer page on the subject of the refugee crisis:
https://secure.avaaz.org/en/uk_refugees_volunteer_thank_you_3/
There are new comments arriving every few seconds. People are
calling on the UK Government to change its stance and volunteering
to help, in many cases volunteering to give house-space to
refugees. I think the government have misjudged the public mood on
this one.

- Edward
--

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Re: [NetBehaviour] (a question from algorithms) Re: Aljazeera and Koons?

[James Morris]

Factories and algorithms and Jeff Koons probably evoke all sorts of images

I worked in factories for a number of years scraping a living. Some of 
them were bug ridden in the sense they never ran smoothly, the machines 
frequently broke down. Rain coming through the ceiling halted production 
where it landed on machines. And sometimes pigeons, rats, insects 
(bugs!) lived in the factory.


And I've coded alogrithms (non professionally) and worked to eliminate 
bugs in those alogorithms.


I would say a factory is more operating system than algorithm or maybe 
that is too far. Or more like a monolithic application that can do a 
number of tasks (unlike a modular application that can one task well), 
so it has a number of algorithms working together (supposedly!)


James.


On 23/08/15 12:58, none wrote:

A quick question?

In this interview, JK talks about a factory of people working to produce
His stuff. They seem to work by Knowing the Kind of stuff he'd do - and by
the very fact they implement that knowledge under JK's supervision and
finance, the objects are His.

A question:
Is it reasonable to claim that JK's factory operates according to a JK
algorithm which procedurally generates objects that conform to that
particular Algorithm's rules?

Kind of going towards making an analogical link between a factory and an
algorithm - in a generalised sense - hence a bit uneasy whether or not
this analogy can hold water beyond a few reflective drops

Cheers and many thanks for any hints, rebukes, etc.. :)

aharonon
xx


On Sat, August 22, 2015 8:02 pm, none wrote:

Hiyas,


Might interest, a somehow curious interview with JK:
http://www.aljazeera.com/programmes/talktojazeera/2015/08/jeff-koons-high-
art-plain-extravagance-150820152940671.html

Reminded me a recent chat I have had, with a certain Berlin based
curator, who assured in no uncertain terms: I Know these people [rulers of
Gulf states] are despots. They are not
very nice people. They have slaves and they are brutal towards any
opposition. They run lawless states where rules are arbitrary and many
people get hurt. They treat women worst than objects and are a bunch of
some of the worst people I can think of. HOWEVER, they give money to art!
  They think of art only in terms of money. With them, if I want to do a
project, we are talking hundreds of thousands of Euros, sometimes millions
  - not crumbs like 5k euros here and there. So.. Should I not work for
them??

Mind, the person I spoke before that, told me about Mafia funded
galleries.. In some ways, it was a sort of preparation..

Should really stay clear from curiously looking openings in places am
clueless about.. ;)

Cheers and Have fun!!


ahar0n xx









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[NetBehaviour] banksy dismaland

[James Morris]

any thoughts?
good? a good thing? bad? bad in a good way? or just indifferent.

saw on ch4 news one of the artists had never been an artist before, this 
alongside such giants as everyone's favourite: damien hirst.


if damien's there, maybe tracy should be too, but i would like to offer 
another solutionm, tracy could come back to her home town and collect 
rubbish off the streets - discarded matresses, crt monitors, sofas - 
that people can't be bothered to take to the tip - and perhaps 
rejuvinate these items into works of art?


oh sorry. back to dismaland, i would be tempted to visit if it was less 
inconvenient, ie, it was just down the road so i didn't have to venture 
out of thanet. it's only open for 5 weeks.


there you are then, that's the sum total of my dismal thoughts toward 
dismaland.

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Re: [NetBehaviour] banksy dismaland

[James Morris]

Hi Paolo,

Thanks for sharing..

Re the migrant boat... it occurrs to me, given the general theme, banksy 
could have probably kicked up a greater storm in the press with a remote 
control smiler rollercoaster ride, where one has to guide an empty 
carriage to safety to prevent a carriage full of people crashing into it 
and suffering serious injuries.


https://en.wikipedia.org/wiki/The_Smiler_%28roller_coaster%29#Incidents


Re the anarchism of it, I'd guess, entry-level, probably is what it is: 
anarchism as little more than oppositional observations.


James


On 22/08/15 13:49, Paolo Ruffino wrote:

There are a few aspects that I find to be quite curious

1) the park is described from the home page as hosting a festival of
'... entry-level anarchism'
http://dismaland.co.uk/
What does it have to do with anarchism, exactly, and how is anarchism
intended here?

2)  I see from the map that the park also has an art gallery, listed
as the number one attraction, and hosting 'the finest collection of
contemporary art'. That is where Hirst and co. can be seen, I suppose.
http://dismaland.co.uk/map/
How is that part of the anarchism? is it supposed to be part of that?

3) The migrant boat attraction has been seen in many of the reports
about Dismaland
http://i.dailymail.co.uk/i/pix/2015/08/20/17/2B8604CD0578-3204653-image-a-105_1440087221163.jpg
After a long stay in Italy this summer, and having seen the images of
real migrants dying on the boats that cross the Mediterranean on
television news almost every day, I found this attraction to be indeed
quite disturbing, but also maybe uselessly so.

I don't want to be necessarily sceptic and I would seriously like to
visit the show before judging, I will give it the benefit of doubt.
However, I find the whole project to be more interested in shocking
the audience (and the press) than providing a critique, and a
strategic one for that matter. That is maybe what I find most annoying
with the use of the term 'anarchism', which I believe should be used
with caution - unless the whole point is, indeed, to just attract the
press and visitors. But if the term is used, and it is on this
occasion, then the show must also be evaluated from a political
standpoint, and that's when it becomes disappointing. How is the
migrant boat, for instance, telling us something other than what we
already know, and a part from having fun of our unwillingness to stop
this tragedy?

Seen from distance, it looks like a tired attempt, one that will
certainly generate rumours but that will be gone in 5 weeks from now.
I suspect the show will in fact be what it already claims to be, that
is, 'the UK's most disappointing new visitor's attraction'.

The problem that will remain for the rest of us, and after the show is
gone, is how to understand the distinction between parody and satire
in artistic practice, and if it is really necessary to evaluate
similar interventions from a political standpoint.


Best,

On 22 August 2015 at 12:45, James Morris ja...@jwm-art.net wrote:

any thoughts?
good? a good thing? bad? bad in a good way? or just indifferent.

saw on ch4 news one of the artists had never been an artist before, this
alongside such giants as everyone's favourite: damien hirst.

if damien's there, maybe tracy should be too, but i would like to offer
another solutionm, tracy could come back to her home town and collect
rubbish off the streets - discarded matresses, crt monitors, sofas - that
people can't be bothered to take to the tip - and perhaps rejuvinate these
items into works of art?

oh sorry. back to dismaland, i would be tempted to visit if it was less
inconvenient, ie, it was just down the road so i didn't have to venture out
of thanet. it's only open for 5 weeks.

there you are then, that's the sum total of my dismal thoughts toward
dismaland.
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[NetBehaviour] Helping the bankers

[James Morris]

#!/bin/bash

echo -n password:
read PW

for P in $@
do
C=$((P-1))
echo -n ${PW:C:1}
done

echo
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[NetBehaviour] POT : Peking Lettuce

[James Morris]

POT : plain old thoughts : sponsored by jwm-art.net - trying to make it online 
since 2003
-

Peking Lettuce is derived from the frac2bunt of I'm taking the piss! Like 
all good English it can have a variety of meanings dependant on context and/or 
intent.

Peking Lettuce can be thought of as a salad whose primary ingredients are 
lettuce and urine.

Can we stop so I can make some Peking Lettuce please?
Means the person has a requirement to urinate. This may be in the context of a 
long journey through the countryside where there are not any public toilets.

The term can be used to indicate the making of a joke of a situation or person. 
Please excuse me, I spoke with a mouthful of Peking Lettuce.

As it is also potentially a food stuff it can, but less frequently, be used to 
indicate hunger.

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Re: [NetBehaviour] free culture

[James Morris]

On 28/07/15 14:15, { brad brace } wrote:


Some years ago, the elements (ideas, conceptions, practices, people)
that compose the current (so-called) Free Culture movement were
appropriated by the bureaucrat and the capitalist. The ones that made
use of the technologies and available media to the creation of actions
that provided the debate on new perspectives of possible social
arrangements (obtained by tools such as free licenses, networks of
communication, open source software), are today digested by the old
apparatuses and social mechanisms that once they have used and
questioned. They participated, many times unconsciously, in a
socio-professional training� in order to occupy the same functions
established for the maintainers of a system that is distant from what we
imagine as a possible human grouping, even more distanced from freedom.
submidialogy.

/:b



Woah there, some of that tar splashed on me.

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[NetBehaviour] a non art object

[James Morris]

#!/bin/bash

# cppc.sh
#
# script to measure the in-progress progression of data as it
# is copied from one partition to another
#
# script determines this by being passing two paths as arguments:
# the first path is on the source partition
# the second path is on the destination partition
#
# assumptions:
# * the copying is in progress
# * the source partition is being copied in its entirity
# * the destination partition was empty when copying began
# * usedness of the source partition is unchanging
#
# notes:
# * values fluctuate wildy before settling
# * values are estimates only
# * see end of file for output example
# * this script is non-reliable

function usage
{
echo usage:
echo $0 [path-on-src-part] [path-on-dest-part]
exit -1
}

if [[ -z $1 ]]; then
usage
fi

if [[ -z $2 ]]; then
usage
fi

TS0=$(date +%s)
SRC0=$(df --output=used $1 | tail -n1)
DEST0=$(df --output=used $2 | tail -n1)
TOTSECS=0

while true
do
sleep 1
DEST1=$(df --output=used $2 | tail -n1)
PC=$(echo ($DEST1 / $SRC0) * 100 | bc -l)
TS1=$(date +%s)
TICK=$(echo $TS1 - $TS0 | bc -l)
DELTA=$(echo $DEST1 - $DEST0 | bc -l)
AVG=$(echo $DELTA / $TICK | bc -l)
REM=$(echo $SRC0 - $DEST1 | bc -l)
SECS=$(echo $REM / $AVG | bc)
TOTSECS=$(($TOTSECS + $SECS))
AVGSECS=$(echo $TOTSECS / $TICK | bc -l)
TIMEREM=$(date -u -d @$AVGSECS +%T)
echo ${PC%%.*}% done, time remaining: $TIMEREM
done

exit

usage example:

$ ./cppc.sh /home /mnt/parts/sdb1

53% done, time remaining: 01:16:04
53% done, time remaining: 01:16:04
53% done, time remaining: 01:16:03
53% done, time remaining: 01:16:03
53% done, time remaining: 01:16:02
53% done, time remaining: 01:16:02
53% done, time remaining: 01:16:02
53% done, time remaining: 01:16:02
53% done, time remaining: 01:16:01
53% done, time remaining: 01:16:01
53% done, time remaining: 01:16:01
53% done, time remaining: 01:16:01
53% done, time remaining: 01:16:01
53% done, time remaining: 01:16:00
53% done, time remaining: 01:16:00
53% done, time remaining: 01:16:00
53% done, time remaining: 01:16:00
53% done, time remaining: 01:16:00
53% done, time remaining: 01:16:00
53% done, time remaining: 01:16:01
53% done, time remaining: 01:16:01
53% done, time remaining: 01:16:01
53% done, time remaining: 01:16:01
53% done, time remaining: 01:16:01
53% done, time remaining: 01:16:01
53% done, time remaining: 01:16:02
53% done, time remaining: 01:16:02
53% done, time remaining: 01:16:02
53% done, time remaining: 01:16:03
53% done, time remaining: 01:16:03
53% done, time remaining: 01:16:03
53% done, time remaining: 01:16:04
53% done, time remaining: 01:16:04
53% done, time remaining: 01:16:05
53% done, time remaining: 01:16:05
53% done, time remaining: 01:16:06
53% done, time remaining: 01:16:06
53% done, time remaining: 01:16:07
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Re: [NetBehaviour] I DON'T COUNT

[James Morris]

pundit
plume
pleat
parlour
private
pitch
pensive
pirate
pinnacle
plenitude

..

anonymous
booted
credence
deplores
evening
friction
given
haikus
insinewed
jennet


On 14/07/15 14:37, { brad brace } wrote:


[contributions to I DON'T COUNT thus far:]


undo twat cats sank sepsis we'd nerve these

Laura Wetherington laura.wethering...@gmail.com


want to free voracious vines; slick leaven aches mine tent.

shk roach...@gmail.com


Want yew tree fort, hive icks even Nate.  Nightin'.

Bill Fisher wwfis...@charter.net


son knew me four wives 'twixt heaven's gate 'n' swine pen
none drew free 'fore wives sicks given great frying pan

Allan Revich all...@digitalsalon.com


Pun chew plea core live rich women fate fine men

cmehrlbenn...@hotmail.com


pun pooh wee door knives licks devon plate lime pen

Kay Bridge ti...@yours.com


fun to flee explore survive mix leaven fate align amen

Rebecca Cunninghams hmogmv+c...@egroups.com


Run to tree flower survive sticks leaven straight spine men
stun crew spree snore jive chicks heaven bait shrine zen

Cecil Touchon


i could carve a better man out of a banana...

Michael Kemp michaelkemp...@yahoo.co.uk



bun who bee fur i've sits kevin late line den

verity combe v...@hotmail.co.uk



Bun thru see more live sex livin ate fine men

mattagg...@yahoo.com mattaggart



bone thought trees fort fire sox semen weight nike teen

Ignacio Perez Perez unapala...@gmail.com



nun too sees raw hide bricks Devon saint pine hen

really, it happened.

alice k idiot...@yahoo.co.uk


pun poo pee poor deprive picks prison plate pine pen

jeanette leuers basil de roche bdero...@gmail.com



Hun who flees for live mix leaven weight sine pen

James Morris ja...@jwm-art.net



Under sea for live kicks, Evan ate briny hen

(If a mix of languages is allowed? Suppose could be 'One to flee for . .)


Adrienne Pye


cold as
snow maidens
in
hello,
all you fluxers out
their.

Don E Boyd doneb...@gmail.com


on the dry fury fob soaks sabina eyeshade neon townee
aum tea thoreau fair fib skag spin exit noun theme
own diet toyer frow fab shows soybean eased no tuna
omaha tahoe tarawa faure faff savanna echoed nemea tomowa
 another forfeit succeed vain at night end

noemata noem...@gmail.com

stun glue she tore live dicks heaven's gate time rends
stun glue pee door live decks heaving plate grime den

JOHN BENNETT bennett...@osu.edu


won woo wee wore wives wicks weaving weight wine when

andrew topel andrewto...@hotmail.com


fun glue three store wine sacks living freight lying hand

Keith Buchholz keith9...@sbcglobal.net



I DON'T COUNT

1 2 3 4 5 6 7 8 9 10 (transliterate the sounds of numbers
one through ten)

example:

won you free your jive sex heaven hates mine then

enter to win; center two sin: all entries published (lulu,
scribd, -- be sure to include your name/info with all posts
to any lists/plus bcc: bbr...@eskimo.com... best gets a
limited Global Islands Project coin edition: printed card
with 6 (lowest common denomination) coins from the last six
islands visited! [bbrace.net/id.html]


/:b


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[NetBehaviour] Not GTA V

[James Morris]

saw this thought some might be interested, reminds of jason nelsons work.

Not GTA V

http://www.notgames.co.uk/notgames/notgtav/

“Repeatedly smash David Cameron into a wall… the most satisfying game 
mechanic ever created” – PCGamerN

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[NetBehaviour] the life of kerberos

[James Morris]

[living@the-dream ~]$ ls /mnt/terrafirma/
ls: cannot open directory /mnt/terrafirma/: Permission denied
[living@the-dream ~]$ grep terrafirma /etc/fstab
# read/write NFS terrafirma mount:
terrafirma:/ /mnt/terrafirma/ nfs4 
sec=krb5,rw,users,noauto,x-systemd.automount,x-systemd.device-timeout=1imeo=14,noatime 
0 0

[living@the-dream ~]$ kinit
Password for liv...@calligraphy.pen:
[living@the-dream ~]$ ls /mnt/terrafirma/
cost memories footsteps
[living@the-dream ~]$ touch /mnt/terrafirma/
touch: setting times of '/mnt/terrafirma/': Read-only file system
[living@the-dream ~]$ touch /mnt/terrafirma/cost/
touch: setting times of '/mnt/terrafirma/cost/': Permission denied
[living@the-dream ~]$ touch /mnt/terrafirma/memories/
touch: setting times of '/mnt/terrafirma/memories/': Read-only file system
[living@the-dream ~]$ touch /mnt/terrafirma/footsteps/
[living@the-dream ~]$ kdestroy
[living@the-dream ~]$ ls /mnt/terrafirma/
cost memories footsteps
[living@the-dream ~]$ umount /mnt/terrafirma
[living@the-dream ~]$ ls /mnt/terrafirma/
ls: cannot open directory /mnt/terrafirma/: Permission denied
[living@the-dream ~]$ umount /mnt/terrafirma
[living@the-dream ~]$ umount /mnt/terrafirma
umount: /mnt/terrafirma: umount failed: Operation not permitted
[living@the-dream ~]$ sudo systemctl stop mnt-terrafirma.automount
[sudo] password for living:
[living@the-dream ~]$ ls /mnt/terrafirma/
[living@the-dream ~]$ kinit
Password for liv...@calligraphy.pen:
[living@the-dream ~]$ ls /mnt/terrafirma/
[living@the-dream ~]$ mount /mnt/terrafirma/
[living@the-dream ~]$ ls /mnt/terrafirma/
cost memories footsteps
[living@the-dream ~]$ kdestroy
[living@the-dream ~]$ kinit
Password for liv...@calligraphy.pen:
[living@the-dream ~]$ kinit
Password for liv...@calligraphy.pen:
kinit: Password read interrupted while getting initial credentials
[living@the-dream ~]$ klist
Ticket cache: FILE:/tmp/krb5cc_2015
Default principal: liv...@calligraphy.pen

Valid starting Expires Service principal
20/06/15 22:04:18 21/06/15 08:04:18 krbtgt/calligraphy@calligraphy.pen
renew until 21/06/15 22:04:14
[living@the-dream ~]$ hostname
the-dream
[living@the-dream ~]$ hostname -f
the-dream.calligraphy.pen
[living@the-dream ~]$ id
uid=2015(living) gid=2015(flagrant) 
groups=2015(flagrant),10(wheel),92(audio),95(storage),1101(printadmin),1108(lp),1109(scanner)

[living@the-dream ~]$


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[NetBehaviour] Heppy Babs (ffmpeg video processing)

[James Morris]

Hi,

I've been playing with a bit more ffmpeg video processing and produced this:

https://www.youtube.com/watch?v=Pqtxx-6zCdY

If you're interested, I've written a bit about the ffmpeg commands I 
used to produce it, which hopefully might be helpful if you ever want

to... produce mirror video effects from the command line...

There's also a bit about uploading videos to youtube from the command 
line and using screen so that accidentally closing the terminal doesn't 
lose several hours worth of processing...


http://jwm-art.net/light.php?p=j20150531-2027

Cheers
James
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[NetBehaviour] backward greedy ann margret boolean giraffes

[James Morris]

found this on my hdd, can't seem to find any online reference to it, 
can't be mine, too clever for me.



88---8---


/* boolean_giraffes.c

to compile in linux (etc)

gcc boolean_giraffes.c -lpthread -lm -o boolean_giraffes

and ./boolean_giraffes

TODO:   use backward greedy algorithm to compute sparse solution
to A x = b (hint: violently slide charm across floor).

*/

#include pthread.h
#include stdbool.h
#include stdlib.h
#include stdio.h
#include math.h

typedef bool Giraffe;


typedef struct Ann_Margret
{
Giraffe True;

pthread_t*  wayward_thread;
pthread_attr_t  wayward_attr;

double* CYN;

double x;
double b;

} Ann_Margret;


void* wayward_thread_entry_point(void* ptr)
{
Ann_Margret* black_tights = (Ann_Margret*)ptr;

while(black_tights-b  100)
{
black_tights-CYN = black_tights-b;
black_tights-x /= 2;
}

black_tights-True = false;
}


Ann_Margret* ann_margret_create(void)
{
Ann_Margret* am = malloc(sizeof(*am));
am-True = true;
am-x = 123.45;
am-b = -23.00442;
am-CYN = am-x;

am-wayward_thread = malloc(sizeof(pthread_t));

pthread_attr_init(am-wayward_attr);

pthread_attr_setdetachstate(am-wayward_attr,
PTHREAD_CREATE_JOINABLE);

pthread_create( am-wayward_thread,
am-wayward_attr,
wayward_thread_entry_point,
(void*)am );

return am;
}


int main(int argc, char** argv)
{
Ann_Margret* black_tights = ann_margret_create();

while(black_tights-True)
{
black_tights-CYN = black_tights-x;
*black_tights-CYN = floor(black_tights-x);
black_tights-b += 0.001;
printf(%lf\n,black_tights-b);

}

return 0;
}
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[NetBehaviour] hands.gif

[James Morris]

from whence i workt in factree

http://jwm-art.net/art/image/hands.gif
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[NetBehaviour] legal turbulence hindering uk drones

[James Morris]

Sooner or later there will inevitably be a case when the privacy of a 
celebrity is invaded, a drone crashes and kills someone, or a 
householder takes the law into their own hands and shoots a drone down



http://www.wired.co.uk/news/archive/2014-02/20/shoot-down-drones
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Re: [NetBehaviour] Their warmed worn-out squaggly puzzle gust squatting red compass!

[James Morris]

On 15/05/15 12:00, netbehaviour-requ...@netbehaviour.org wrote:

When replying, please edit your Subject line so it is more specific
than Re: Contents of NetBehaviour digest...

5. Their warmed worn-out squaggly puzzle gust squatting red
   compass! (James Morris)
6. Re: Their warmed worn-out squaggly puzzle gust squatting red
   compass! (isabel brison)
7. Re: Their warmed worn-out squaggly puzzle gust squatting red
   compass! (EduAustin Alliance)


Message: 7 Date: Thu, 14 May 2015 22:13:55 -0500 From: EduAustin 
Alliance edu...@gmail.com To: NetBehaviour for networked distributed 
creativity netbehaviour@netbehaviour.org Subject: Re: [NetBehaviour] 
Their warmed worn-out squaggly puzzle gust squatting red compass! 
Message-ID: 
caks8qvakehhngbni7r4hqmmdtsyofb307ytyq1hhzsit6dw...@mail.gmail.com 
Content-Type: text/plain; charset=utf-8 I completely agree isabel, I 
am guessing that it is the product of collaborative writing. Bz On Thu, 
May 14, 2015 at 6:00 PM, isabel brison ijayes...@gmail.com wrote:

 Wow. How did you come up with the text? It looks machine generated but
 really fine-tuned


It is not machine generated nor collaborative :-)
I used Bluefish HTML editor and the GIMP.

Cheers
James

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[NetBehaviour] Their warmed worn-out squaggly puzzle gust squatting red compass!

[James Morris]

Handsome detriments amongst other things clump together in the night 
like clocks arguing amongst the tents of claggy braided dragon slayers. 
Me and my posse clamber with constant correctness dictating to one 
person chosen at random for a period of thirty seven and a half years 
the importance of relaxation during the act of ghost hunting.


header http://www.jwm-art.net/art/image/headerfs-20150514.jpg

*/Their warmed worn-out squaggly puzzle gust squatting red compass! /*

*What help is coming when capsules of fingernail trickling down the neck 
of a screwdriver prevent fickle minded temptresses from hiding behind 
curtains of rock and moss? *


Resillience is never helpful if the yelps of tesselation coincide with 
the alignment of teaspoon and teabag while the forthcoming rapture ends 
needlessly before it begun. Yet, when reaching the cliff edge, if you 
can tie up your shoelaces without fear, you might stand a chance in this 
life.



entry1 http://www.jwm-art.net/art/image/entry1fs-20150514.jpg   

*Infernal percentages of quality controlled pissant stampedes *

Greatness resides in toiletry bags emptied of their humdrum commodities 
by a calculating entity composed of the thoughts of a populace within 
any given council district.


It is given by ten boulders ordered to collapse into many fragments by 
the stone-throw of a donkey scared of by its own imaginings of a 
helpless pigeon with its wings and feet wrapped in clingfilm on a 
dockyard in the sun.



entry2 http://www.jwm-art.net/art/image/entry2fs-20150514.jpg   

*Whitehall develops tetris gulf wrap wrongly and stifles dufflebags *

Quickly non stick freedom grates against the personalization of the 
first thoughts of the day. It happens most days when hopping on one foot 
can lead to hemlines scooping chain gangs along the perimeter of an 
elliptical flower bed.


Whatever candles can say about static electricity is recorded for 
posterity by one ant and one ant alone.



entry3 http://www.jwm-art.net/art/image/entry3fs-20150514.jpg   

*Multiplication by ten derelict tower blocks leaves osmosis under seige. *

Rebuilding a blagging boat's corrupt offal rich fondant stimies voters 
at election time drowning in the upcoming sorrowful extinction of honey 
bees. The residue of covert surveillance forms underneath the heel of 
elderly athletes.


Continuing the form, collating images of chickens pecking mint bushes, 
victims of pencil theft voice their concerns about patriarchical atom 
smashers.



entry4 http://www.jwm-art.net/art/image/entry4fs-20150514.jpg   

*Quicken the pulse of resolute wine makers quaffing heated treacle. *

In terms of stopping what can temporarily hinder cucumber sandwich 
making from overtaking political discourse as a popular pass time, what 
they're talking about is in timid terms, yapping like a dog with its leg 
caught in a cat flap.


In other words, you can always find the same old letters scattering your 
thoughts here and there as if by a gust of psychic wind bristling the 
leaves of the mental equivalent of cauliflower plants after harvest near 
the end of the season.




*Don't worry too much that the leaves are falling off the trees when 
Autumn comes, keep your mind on other worries, delicately balanced; your 
thoughts far from the tipping point, so that you may tiptoe among the 
daisies and clouds and green grass and never be chased by the giant of 
your drug-enhanced memories of childhood dreams. *


Exercise your eyelashes. Wash your dashboard. Fold your place matts (if 
they may be folded). Keep in touch with negative space. Hold on tightly 
to words squeezed through fine meshed gauzes held aloft by the 
corpuscles of timely endeavours.


You can't keep kippers in relenting custodial virtuality, not when they 
snap at your empty potato peelings carrier bag. So you shake the quiet 
timing molecule until it rattles faintly between the first and second 
hairs of your left eyebrow, looking upward and feeling as if you should 
be praying to an unknown and probably non-existant god.


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[NetBehaviour] SWYM

[James Morris]

The instruction SWYM on the MMIX processor (designed by Knuth) is an 
instruction which does nothing (a NOP instruction ie Non OPeration).


Sympathise With Your Machinery.
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[NetBehaviour] The General Election

[James Morris]

Edward said: If Labour had said 'We're going to look after the most 
vulnerable members of society properly, and if that means putting taxes 
up, we'll put taxes up' then probably they still wouldn't have won - 
given the overwhelmingly right-wing slant of most press coverage, not to 
mention Milliband's extreme lack of charisma as a leader - but at least 
we would have had a genuine alternative to vote for. I voted Green.


an overwhelmingly right-wing slant of the media, and an overwhelmingly 
unsympathetic population. some of the shit i hear coming out of peoples 
mouths is utterly depressing - the self righteous [anti-racists amongst 
others] swap one set of prejudices for another.


i voted green even though i expected if i told anyone i'd be informed it 
was a wasted vote, or laughed at/sneered at/looked-down-a-nose-at, by 
people in my life. some people say who you vote for isn't meant to be 
talked about. sometimes think i should grow the balls to say i voted 
green, but have played it safe so far.


a wasted vote is a tactical vote for one party you don't want to vote 
for to prevent another party you don't want to vote for, imo.


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[NetBehaviour] margate seafront

[James Morris]

https://www.youtube.com/watch?v=75Plcz1vLdQ

https://www.justgiving.com/James-WWW-Morris/

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[NetBehaviour] Test

[James Morris]

Credit on Teflon turpentine wishing well gelatine suffix clamp
Young tip loss federal hutch feet west reign
Reap gearing dish cold mustard hump teller pilot white jump
T EB times dread sense grinding fleas kaleidoscope
Tambourine flow charts stilt rinse out beaver clown hindrance
Gummy trail drill clump dig vintage flap crop ragged lick
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Re: [NetBehaviour] improvisation with self over time

[James Morris]

On 27/03/15 18:08, Gutenko, Gregory wrote:

One of those improvisations with self over time videos.

https://vimeo.com/24363787

Gregory Gutenko


Well, it made me smile.





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[NetBehaviour] ruined

[James Morris]

[sirrom@Scrapyard ~/Projects/asclay]$ valgrind ./asclay ~/dave.txt
==669== Memcheck, a memory error detector
==669== Copyright (C) 2002-2013, and GNU GPL'd, by Julian Seward et al.
==669== Using Valgrind-3.10.1 and LibVEX; rerun with -h for copyright info
==669== Command: ./asclay /home/sirrom/dave.txt
==669==
file path: '/home/sirrom/dave.txt'
file size: '588'
#
##+---+##
##|I  agree with these things,  and I like the way|##
##|last time we ruined each |##
##|other' s  work.   I  found  it  quite  shocking|##
##|actually, when I spent ages|##
##|carefully   making   a  drawing   then  someone|##
##|deliberately hacked it up. It took |##
##|the preciousness out my work, which at the time|##
##|was upsetting, but soon|##
##|after  I realised  the new  collaborative piece|##
##|was often far more interesting |##
##|and  took on a new life.  Richer in that others|##
##|were part of it, and a |##
##|privilege that  they'd taken  and used it.  The|##
##|shared energy and excitement   |##
##|creates much more  than me  sitting alone  in a|##
##|corner on a private creation.  |##
##|   |##
##|dave   |##
==669== Invalid read of size 1
==669==at 0x400C71: get_line(char const*, char*, int, char const**, 
bool, int*) (strings.cc:73)

==669==by 0x401997: frame::fill(char const*, char const**) (frame.cc:99)
==669==by 0x400B65: main (main.cc:32)
==669==  Address 0x0 is not stack'd, malloc'd or (recently) free'd
==669==
==669==
==669== Process terminating with default action of signal 11 (SIGSEGV)
==669==  Access not within mapped region at address 0x0
==669==at 0x400C71: get_line(char const*, char*, int, char const**, 
bool, int*) (strings.cc:73)

==669==by 0x401997: frame::fill(char const*, char const**) (frame.cc:99)
==669==by 0x400B65: main (main.cc:32)
==669==  If you believe this happened as a result of a stack
==669==  overflow in your program's main thread (unlikely but
==669==  possible), you can try to increase the size of the
==669==  main thread stack using the --main-stacksize= flag.
==669==  The main thread stack size used in this run was 8388608.
==669==
==669== HEAP SUMMARY:
==669== in use at exit: 3,997 bytes in 54 blocks
==669==   total heap usage: 54 allocs, 0 frees, 3,997 bytes allocated
==669==
==669== LEAK SUMMARY:
==669==definitely lost: 0 bytes in 0 blocks
==669==indirectly lost: 0 bytes in 0 blocks
==669==  possibly lost: 0 bytes in 0 blocks
==669==still reachable: 3,997 bytes in 54 blocks
==669== suppressed: 0 bytes in 0 blocks
==669== Rerun with --leak-check=full to see details of leaked memory
==669==
==669== For counts of detected and suppressed errors, rerun with: -v
==669== ERROR SUMMARY: 1 errors from 1 contexts (suppressed: 0 from 0)
Segmentation fault (core dumped)
[sirrom@Scrapyard ~/Projects/asclay]$
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[NetBehaviour] hustling

[James Morris]

[sirrom@Scrapyard ~/Projects/asclay]$ gdb ./asclay
GNU gdb (GDB) 7.9
Copyright (C) 2015 Free Software Foundation, Inc.
License GPLv3+: GNU GPL version 3 or later 
http://gnu.org/licenses/gpl.html

This is free software: you are free to change and redistribute it.
There is NO WARRANTY, to the extent permitted by law.  Type show copying
and show warranty for details.
This GDB was configured as x86_64-unknown-linux-gnu.
Type show configuration for configuration details.
For bug reporting instructions, please see:
http://www.gnu.org/software/gdb/bugs/.
Find the GDB manual and other documentation resources online at:
http://www.gnu.org/software/gdb/documentation/.
For help, type help.
Type apropos word to search for commands related to word...
Reading symbols from ./asclay...done.
(gdb) set args ~/ib.txt
(gdb) run
Starting program: /home/sirrom/Projects/asclay/asclay ~/ib.txt
file path: '/home/sirrom/ib.txt'
file size: '1332'
#
##+---+##
##|I'd say hustling for paid work may be the issue|##
##|here more than information |##
##|overload, as  that   overload  was  already|##
##|happening at the time of the last  |##
##|DIWO on this list  and  that  didn' t  seem  to|##
##|affect participation (though I |##
##|must  admit   to  having  passively   spectated|##
##|through that one but I was fairly  |##
##|new on the list and still  trying to get a feel|##
##|for the conversation). |##
##|   |##
##|That said, I'd still argue for no rules.  Rules|##
##|may be necessary in large  |##
##|funded projects, as funding drives the need for|##
##|results in our |##
##|productivity-obssessed age,  but rules  tend to|##
##|bring hierarchical structure   |##
##|with them. That  goes against the best  aspects|##
##|of participatory work: |##
##|inclusiveness,  the freedom to play when and if|##
##|you want to, and the   |##
##|openness   and  unpredictability   of  it  all.|##
##|Necessarily that means projects|##
##|may fail  to  deliver  results,   spin  out  of|##
##|control or take unexpected turns,  |##
##|but surely that's part of the fun of it?   |##
##|   |##
##|Also I think more  than ever it's  important to|##
##|have spaces where we feel  |##
##|free  to remix, appropriate and play with other|##
##|people's work. When artists|##
##|are being prosecuted left, right and center for|##
##|things like doing a|##
##|painting based  on someone  else's  photograph,|##
##|just keeping that space open   |##
##|is a political statement. And  Netbehaviour has|##
##|been doing a great job of  |##
##|that :-)   |##
##|   |##
##|-- |##
##|http://isabelbrison.com|##
##|   |##
##|http://tellthemachines.com |##

Program received signal SIGSEGV, Segmentation fault.
0x00400c71 in get_line (src=0x0, dest=0x604420 ' ' repeats 47 
times,
length=47, src_remaining=0x7fffe710, skip_leading=true, 
did_break=0x7fffe70c)

at strings.cc:73
73  while (*in == ' ' || *in == '\t')
(gdb) bt
#0  0x00400c71 in get_line (src=0x0, dest=0x604420 ' ' repeats 
47 times,
length=47, src_remaining=0x7fffe710, skip_leading=true, 
did_break=0x7fffe70c)

at strings.cc:73
#1  0x00401998 in frame::fill (this=0x603780,
content=0x603240 I'd say hustling for paid work may be the issue 
here more than information\noverload, as that overload was already 
happening at the time of the last\nDIWO on this list and that didn't 
seem to affect par..., content_remaining=0x7fffe778)

at frame.cc:99
#2  0x00400b66 in main (argc=2, argv=0x7fffe888) at main.cc:32
(gdb)
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[NetBehaviour] perfect

[James Morris]

Program received signal SIGSEGV, Segmentation fault.
0x00400c71 in get_line (src=0x0, dest=0x6041a0 ' ' repeats 38 
times,
length=38, src_remaining=0x7fffe710, skip_leading=true, 
did_break=0x7fffe70c)

at strings.cc:73
73  while (*in == ' ' || *in == '\t')
(gdb) inspect in
$1 = 0x0
(gdb) list
68  
69  ch = 0;
70  int brk = 0;
71  
72  if (skip_leading) {
73  while (*in == ' ' || *in == '\t')
74  ++in;
75  }
76  
77  int ip = 0;
(gdb) bt
#0  0x00400c71 in get_line (src=0x0, dest=0x6041a0 ' ' repeats 
38 times,
length=38, src_remaining=0x7fffe710, skip_leading=true, 
did_break=0x7fffe70c)

at strings.cc:73
#1  0x00401998 in frame::fill (this=0x6037b0,
content=0x603240 Michael, you perfectly expressed the dilemma of 
increasing complexity and\noverabundance in current day digital 
communications. As a result, there must\nalways be, in my opinion, a 
strategy that meets t..., content_remaining=0x7fffe778)

at frame.cc:99
#2  0x00400b66 in main (argc=2, argv=0x7fffe888) at main.cc:32
(gdb) make
echo Compiling frame.cc
Compiling frame.cc
g++ -ggdb -fno-inline -DDEBUG -Wall -Wextra -c frame.cc -o frame.o
frame.cc: In member function ‘int frame::fill(const char*, const char**)’:
frame.cc:81:17: warning: unused variable ‘ptr’ [-Wunused-variable]
 const char* ptr = content;
 ^
frame.cc:89:9: warning: unused variable ‘rh’ [-Wunused-variable]
 int rh = y1 - y0;
 ^
echo Linking asclay
Linking asclay
g++ -ggdb -fno-inline -DDEBUG -Wall -Wextra main.o strings.o frame.o 
-ldl -o asclay

echo asclay was compiled with:
asclay was compiled with:
echo g++ -ggdb -fno-inline -DDEBUG -Wall -Wextra
g++ -ggdb -fno-inline -DDEBUG -Wall -Wextra
(gdb) run
The program being debugged has been started already.
Start it from the beginning? (y or n) y
`/home/sirrom/Projects/asclay/asclay' has changed; re-reading symbols.
Starting program: /home/sirrom/Projects/asclay/asclay ~/randall.txt
file path: '/home/sirrom/randall.txt'
file size: '1374'

__/==\__
__]Michael,  you perfectly  expressed the[__
__]dilemma of increasing complexity and  [__
__]overabundance  in current  day digital[__
__]communications. As  a  result,   there[__
__]must  [__
__]always be, in  my opinion, a  strategy[__
__]that meets the needs of the times. The[__
__]1990s was a  special  time  for  lists[__
__]because they were new, and we weren�t [__
__]inundated with email,   social  media,[__
__]text messaging, etc., as we are today.[__
__]Nowadays, it is a heroic feat to  keep[__
__]up with one�s communications and I am [__
__]always surprised how the mailing lists[__
__]continue to survive because who has   [__
__]time for all this anymore? In terms of[__
__]our ongoing critique of net   [__
__]behaviors,  certainly we  have to take[__
__]into account the sheer information[__
__]overload we experience each and  every[__
__]day as we attempt to feed each other  [__
__]every  single  minute  detail  of  our[__
__]everyday lives, and in the case of the[__
__]lists, our  artwork  and  research  as[__
__]well. That  is why a list- driven DIWO[__
__]call  [__
__]is a heavy  proposition  when  we  are[__
__]literally drowning in information.  We[__
__]are   [__
__]hanging on for dear life to keep up so[__
__]is it no wonder that responses may go [__
__]from sparse  to non- existent.  I also[__
__]find that people don�t even read their[__
__]email anymore, they  scan it and  toss[__
__]it and reply as tersely as possible.  [__
__]  [__
__]So  my conclusion here is that perhaps[__
__]we need to propose new and evolving   [__
__]DIWO strategies if  we really want  to[__
__]�do it with others� via email lists in[__
__]the age of overload.  [__
__]  [__
__]Randall   [__
__\==/__

[Inferior 1 (process 747) exited normally]
(gdb)
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Re: [NetBehaviour] Bitcoin painting a picture of a kitten

[James Morris]

Wonder why ad block edge  blocks the kitty?



On 15/03/15 19:49, Pall Thayer wrote:

http://pallthayer.dyndns.org/kitty/



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[NetBehaviour] easy target

[James Morris]

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[NetBehaviour] netbeatizens

[James Morris]

Hi Dave,


If you check your server's log files, you'll see the script spewing 
warnings into them about undefined variables so I've defined them (they 
probably could be removed but I didn't look at that).


Also lots of warnings about using the system timezone, so I've set that 
to london/europe.


I've added some newline '\n' to the echo statements to make the 
generated html a little more human readable.


and put the html for the images into a loop so it's less work to add 
more images.


See attached file.

James.







On 15/03/15 19:50, dave miller wrote:

Here is my code - feel free to shove it onto a server and change and
improve on it (it couldn't be much worse to be honest!)...


?php

//Getting an RSS 2 feed into SimpleXML
$articles = array();

// step 1: get the feed
$blog_url = 'http://furtherfield.org/netbehaviour/feed';

$rawFeed = file_get_contents($blog_url);
$xml = new SimpleXmlElement($rawFeed);

// step 2: extract the channel metadata

$channel = array();
$channel['title']   = $xml-channel-title;
$channel['link']= $xml-channel-link;
$channel['description'] = $xml-channel-description;
$channel['pubDate'] = $xml-pubDate;
$channel['timestamp']   = strtotime($xml-pubDate);
$channel['generator']   = $xml-generator;
$channel['language']= $xml-language;

// step 3: extract the articles

foreach ($xml-channel-item as $item)
{
 $article = array();
 $article['channel'] = $blog;
 $article['title'] = $item-title;
 $article['link'] = $item-link;
 $article['comments'] = $item-comments;
 $article['pubDate'] = $item-pubDate;
 $article['timestamp'] = strtotime($item-pubDate);
 $article['description'] = (string) trim($item-description);
 $article['isPermaLink'] = $item-guid['isPermaLink'];

 // get data held in namespaces
 $content = $item-children($ns['content']);
 $dc  = $item-children($ns['dc']);
 $wfw = $item-children($ns['wfw']);

 $article['creator'] = (string) $dc-creator;
 foreach ($dc-subject as $subject)
 $article['subject'][] = (string)$subject;

 $article['content'] = (string)trim($content-encoded);
 $article['commentRss'] = $wfw-commentRss;

 // add this article to the list
 $articles[$article['timestamp']] = $article;

 //make an array of all the titles
 $title_array[] = $article['title'];

 //how many words in the array?
$wordcount = count($title_array);
  //join all descriptions together into a long string
$title_string = join(' ',$title_array);
  //operations on the RSS
//do a character replace- replace the commas, full stops, colons by a space
$badChars='@[a-z]*=@is';
$replacement_character= ;// replace with blank space
$desc_string = preg_replace('/,/', $replacement_character, $desc_string);
//echo $desc_string;

//explode into an array
$title_array = explode( , $title_string);
//how many words in the array?
$wordcount = count($desc_array);
//echo $wordcount;
  $fontsize = rand(0,5).em;
$color1 = rand (0, 255);
$color2 = rand (0, 255);
$color3 = rand (0, 255);
$angle = rand (0,-90).deg;
$width= rand (20, 400);
$margin - rand (100, 400);
$top = rand (-100, -1000);

echop style='-moz-transform: rotate($angle);
z-index:0;font-size:$fontsize; line-height: 30%; color: $color1;
background-color: rgb($color1,$color2,$color3);';
  echo $title_string;
echo /p;
echo img style = 'z-index:5; margin-left: $margin; margin-top: $top;' src
= 'images/burroughs.png' width = $width';
echo img style = 'z-index:10; margin-left: $margin; margin-top: $top;'
src = 'images/cage.png' width = $width';
echo img style = 'z-index:15; margin-right: $margin; margin-top: $top;'
src = 'images/yokoono.png' width = $width';
echo img style = 'z-index:15; margin-right: $margin; margin-top: $top;'
src = 'images/surrealists.png' width = $width';
}


?

On 15 March 2015 at 18:50, dave miller dave.miller...@gmail.com wrote:


hi edward
It's just the furtherfield netbehaviour rss feed - I used php to pull out
the titles and then placed/ coloured/ sized it at random using css.
Have now added some pics of william burroughs, yoko ono, surrealists, and
resized and positioned, again at random.
Glad you like it!
dave

On 15 March 2015 at 18:30, Edward Picot edw...@edwardpicot.com wrote:


Michael - now that's what I like - a good sweary response.

Dave - I really like that page you've done - I've looked at it several
times and it comes up different every time - is it scripted in JavaScript
or something, or is it just CSS, or even just HTML? Looking at the page
source, it looks like a long and complex single line containing several
paragraphs, with references to z-index and degree of rotation in each
paragraph style.


- Edward
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[NetBehaviour] incapacity

[James Morris]

[sirrom@Scrapyard ~/Projects/asclay]$ ./asclay ~/ms.txt
file path: '/home/sirrom/ms.txt'
file size: '1964'
#
##+---+##
##|Hi  Randall,  everyoneI think  in collabs  it's|##
##|horses for  courses.  In a  large scale  funded|##
##|piece   or  anything  with  large   numbers  of|##
##|participants or  where  a  particular  kind  of|##
##|output or range of outputs is aimed for then of|##
##|course planning and  structure  are  important.|##
##|Having said that  I' ve  done  those  kinds  of|##
##|collabs  where  the  structure  has  been  that|##
##|everyone has a part  to  play  to  make  and  *|##
##|anything*they  do   for  that  section   is|##
##|sacrosanct - no-one  has the  duty or  right to|##
##|criticise or call them to  account. A model for|##
##|that mgiht be the Japanese practice of Renga or|##
##|  linked   versewhere  each   participant|##
##|completely  controls  their  input  within  the|##
##|parameters of the verse form.  |##
##|But as for something on a list like this then I|##
##|'d want to say - no  rules,   no  structure  as|##
##|playful  as you  like as  serious as  you like,|##
##|remix,  don't remix. Work  together, spar, work|##
##|together *and* spar. . whatever.. . And that' s|##
##|how  I recall  the previous  DIWOs in  terms of|##
##|work being made...It also characterises much of|##
##|my experience of lists from about 2000 onwards,|##
##|things like  early Rhizome  webartery Lots|##
##|of performative  making and remixing And to|##
##|my dismay it doesn't  seem to be happening here|##
##|to anything like the  extent  I' d  thought  it|##
##|might.  And I wonder why.  Someone long of this|##
##|list wrote me offlist the other day to say they|##
##|were so busy hustling  for  paid  work  it  was|##
##|difficult to  focus on anything  else (  and by|##
##|extension  I  wonder  whether  the  established|##
##|artists on this list are just  very preoccupied|##
##|with  their own particular projects or just too|##
##|plain busy - the crash has really hit since the|##
##|last  of these  kind of  projects and  I wonder|##
##|whether it has  taken a toll on  our psyches as|##
##|well as our pockets  and living standards ).  I|##
##|also wonder,whether it  might be  connected|##
##|with the growing hegemony of  web 2.0 , maybe a|##
##|kind of cop  in the head effect  even for those|##
##|who  might be intellectually critical of it.  I|##
##|don' t  know.   I' m  baffled  and   intrigued.|##
##|cheersmichael  |##
Segmentation fault (core dumped)
[sirrom@Scrapyard ~/Projects/asclay]$
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[NetBehaviour] some one said something

[James Morris]

someone said something and someone else responded and another took note. 
a few others noticed the note and said something in addition. the whole 
incident was given the name

05637595419dace7bc6217963dcc98f02a4896eb71a0e01f422ab584a9f7bff9  -
meaning to say something which someone else responds to and another 
takes note of which a few others notice and additionally respond to, to 
which the meaning of all is given the name

5eff37016f6892291e9807ef25b9ecdfdbb99b78f0a52d86211d17e7e6c0cf66  -
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Re: [NetBehaviour] Lines of Communication

[James Morris]

On 04/03/15 15:28, Randall Packer wrote:

What are we, as NetArtizens doing/writing/ about it (when the land
is scorched from war and climate change)? I think this is critical,
fundamental.


@Alan, what we are doing about it, here, is opening up lines of
communication. In a world where negotiation and conflict resolution are


the lines are already open, we're just sending information back and 
forth along them. they're not our lines, as we all know.




upended by unreasonable geo-political differences and the refusal to speak
openly, honestly, and directly: we as #netartizens can be a **model** (and
yes, that¹s essentially the role of the artist to model) by engaging one
another under the radar, speaking out, openly with our work  our
(net)work  our voices, to help paint + perform + mediate new ideas, words
and portraits of **our** vision of humanity.


easy to forget that, or easy for it to become less meaningful than it 
was in our once (and maybe still) naive minds.





We have to speak in order to be heard.




true true.

true.


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Re: [NetBehaviour] the ever-present-present

[James Morris]

On 04/03/15 02:50, Kath O'Donnell wrote:

yes, that's likely true. we hope the future might be interested but who
knows what they'll be thinking of by then.


Not that we know what they're thinking right now, even. Take some youths 
who break a puppies legs and set it on fire, do you think they are 
interested in what we do here? Of course not. I doubt you need to even 
stray as far as 1/10 of the distance along the line between our thoughts 
and theirs to find the thoughts of those in which all this is utterly 
inconsequential. Or maybe I'm just projecting.







On 4 March 2015 at 13:29, Pall Thayer pallt...@gmail.com wrote:


It's interesting to consider what we, in our current ever-present-present,
might think future generations will be interested in. We're probably wrong.

On Tue, Mar 3, 2015 at 12:26 PM, Randall Packer rpac...@zakros.com
wrote:


Kath, you're last remarks are particularly relevant in regards to the
emerging digital natives and millennials. My teaching is centered around
the study of the digital native as a kind of anthropological research. It
seems there is a clear trend towards giving up on privacy, and a growing
lack of concern for preservation, as you suggest. Of course when you are 20
you might not think it is important to save anything, but in fact, we have
a social media industry focused on information as more and more transient.
The social media of today is about the NOW, what is at the top of our feed,
which comes to our screen in the Moment, and then fades in descending
chronological order into a past we are no longer interested in. As Douglas
Rushkoff has written in Present Shock, we live in an ever-present-present
tense, our abbreviated attention span revolving around the here and now.


I suppose it's really up to how much people care about these things,

and whether they work towards saving some of it or preparing for the
future.


What in fact are we leaving behind for future generations on our hard

drives and cloud
repositories? And how will the technological culture of today be viewed
when these values are no longer decipherable. Are we in fact erasing our
historical past as we create it for the digital future?

I think this is a real issue. though we try to save some things using
archives, the changing formats and technology (and speed of change) is
causing data to be lost or at the very least, harder/longer to
recover/republish (especially if they need converting later on). it's
covering both net art and personal items such as home photos which are
generally no longer printed, and home videos. I also wonder what future
archeologists will think of our surviving buried rubbish. so whilst I love
the net, I think it's important to go back to hand made physical art and
craft too. if there is some pulse in the future which wipes all the
technology we'll be left with a gap from our digital/online years. let's
hope the libraries survive. I've heard of projects such as printed copies
of Wikipedia, but I wonder how many they print and how distributed these
are. (plus how often as WP changes so quickly). in smaller communities such
as music communities (for one example), there's less event flyers printed
out - they are all online or (worse) only on Facebook as event listings,
which means they are lost over very short times. I suppose it's really up
to how much people care about these things, and whether they work towards
saving some of it or preparing for the future.

looking forward to this month. checking out the artworks now - they're
looking great
thanks


On 3 March 2015 at 06:17, Randall Packer rpac...@zakros.com wrote:


[snip]

Here are some questions to consider:

Are we in fact producing a cultural history that emanates from the
language of computers? Are the cultural references of today increasingly
coded in numerical values that will need to be compiled and encoded in
the
far future by curious historians of the 21st century? What in fact are we
leaving behind for future generations on our hard drives and cloud
repositories? And how will the technological culture of today be viewed
when these values are no longer decipherable. Are we in fact erasing our
historical past as we create it for the digital future?

Randall

[snip]


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--
*
Pall Thayer
artist
http://pallthayer.dyndns.org
*

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Re: [NetBehaviour] Music is fire (part 2)

[James Morris]

i thought it was a weasel on the back of the woodpecker.

Shout outs to the sparrows and the pine martens.
Keep it country like line dancing.

http://youtu.be/h7HakvAt4nc?list=PLeDfonQD39PtGOph5NZY_t_gzZV_v5w_j


'On 04/03/15 08:29, Simon Mclennan wrote: '
'.. sent the parcels back to their '
'starving families '
' '
'When I got ancient enough I wrote songs of'
'regret, brittle ditties that used words   '
'like - leaves - yesterday - dreams etc'
' '
'When I got real ancient I wrapped my shoul'
'ders and neck and head in a blanket and   '
'stood with Jewish grandmothers in kitchens'
'in the bitter cold while cleaning the '
'coffee pot,   '
'knocking the grounds into the sink with my'
'finger while the tap flowed   '
'cold water, flicking the gas on - pfuum,  '
'balance the pot, lift sugar jar, flick'
'spoon under tap rubbing the old coffee fro'
'm the steel. I'll gaze at the willow  '
'tapping on the window,'
'move through corridors,   '
'whistle ironically and loudly,'
'clearly tunes from the 70s like Donna by 1'
'0CC, singing the falsetto in a high   '
'falsetto and clapping '
' When I get ancient I'   '
'll take whippets for walks round streets a'
'nd parks and  '
'country walks with paths and stiles in sma'
'll fields with isolated trees, sometimes  '
'ash,  '
'clapping loudly and whistling at stoats - '
'not stoats on woodpeckers - no - only '
'stoats like inch worms on the grass   '
' I'  '
'll sing more songs about the tiny spiders '
'that cover the world with silk, only  '
'on autumn Sunday mornings,'
'the thistle down tinfoil beautiful morning'
's of yor, of  '
'now, of then, '
'of delicate and tender loneliness '
' '
'When gangs of bearded teddy boys in anothe'
'r life became gangs of bearded'
'anarchists in mother Russia in 1889,  '
'when they crawled out of Dalston in 1890, '
'and   '
'in 1970 they shot b  '
'w film films in Dalston too,  '
'art films that made a point before'
'there was no point left anymore with these'
'multiplicities and the like in'
'Australian,   '
'American and English bulletin boards with '
'marginal artists and sometimes'
'less marginal players,'
'big players with mandolins, armchairs,'
'houses in seaside '
'towns within reach of London, '
'others in the sticks, near borders,   '
'in universities,  '
'teaching and lecturing, with horses.  '
'Old prams too. But it's all good. I'  '
'll see'
'horses there, '
'silver mares and skew bald geldings in gyp'
'sy fields with dead thorn '
'trees, old walls and mattress of flies.   '
'Broken plough,'
'hoe and cock pheasant turner  '
'of McCormick make,'
'red metal in yards of farms.  '
'And more than this... Simon   '
' '
' Sent from my iPhone '
' '
'__'
' NetBehaviour mailing list   '
' NetBehaviour@netbehaviour.org   '
' http://www.netbehaviour.org/mailman/'
'listinfo/netbehaviour '
' '
'  '
'  '
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Re: [NetBehaviour] cultural heritage

[James Morris]

http://i.imgur.com/eVB8LCr.png?what%20next%20then?



On 02/03/15 15:14, Alan Sondheim wrote:



cultural heritage

http://www.alansondheim.org/ch.png

67141066147020145071157060440063556066145063040*
020071157072040062550062563061040064545063556020163*
040067543062555072040071150072557064147060440074556*
060070040060554062556067440020162067563064554005144*
100064164072141071447070040067562062552072143062145*
120020054062562062555061155071145072040062550062040*
140062562066541071440071143062545026156072040060550*
160020164066151072554064563067157067440005146064164*
200067545074562060440062156072040062550071157072145*
220061551066141064440066154071565067551026156067440*
240020162064164020145067567066162020144063157072040*
260062550061040067557020153067141005144072157062550*
300020162067543063156063551071165072141067551071556*
320020054072151071447061440066557066160061551072141*
340062145005012*344*0 = 0 ;
000:0a63756c747572616c20686572697461culturalherita
010:67650a0a303030303030303036373134ge6714
020:313036363134373032303134353037311066147020145071
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040:36363134353036333034302a0a30303066145063040*000
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070:343030363435343530363335353630324006454506355602
080:303136332a0a303030303034303036370163*040067
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1a0:302a0a303030303136303032303136340*160020164
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1c0:363330363731353730363734343030306306715706744000
1d0:353134363036343136342a0a303030305146064164*
1e0:323030303637353435303734353632302000675450745620
1f0:363034343030363231353630373230346044006215607204
200:303036323535303037313135373037320062550071157072
210:3134352a0a3030303032323030363135145*2200615
220:353130363631343130363434343030365106614106444006
230:363135343037313536353036373535316154071565067551
240:3032363135363036373434302a0a3030026156067440*00
250:303032343030323031363230363431360024002016206416
260:343032303134353036373536373036364020145067567066
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2a0:303230313533303637313431303035310201530671410051
2b0:34343037323135373036323535302a0a44072157062550*
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2d0:353433303633313536303633353531305430631560635510
2e0:373131363530373231343130363735357116507214106755
2f0:313037313535362a0a303030303332301071556*320
300:303230303534303732313531303731340200540721510714
310:343730363134343030363635353730364706144006655706
320:363136303036313535313037323134316160061551072141
330:2a0a3030303033343030363231343530*3400621450
340:30353031322a303030303334342a302005012*344*0
350:3d2030203b0a0a3f0a3030303030=0;?0
360:3030202020202020202020202020202000
370:20333436373833383932313533303934346783892153094
380:383336322020202020202020202020208362
390:20202020202020202020202020202020
3a0:20202020200a303030303031300a0a010

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[NetBehaviour] hi there, rescue my goat

[James Morris]

http://jwm-art.net/o7.php?p=cold_mountainous#C1425321026
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[NetBehaviour] necromancy

[James Morris]

# Vandom # generator:
http://jwm-art.net/o7.php?p=frgng14-p1180363#C1424727360

# Too late:
http://jwm-art.net/o7.php?p=skbook_2006_0023#C1424809787

# Renegade materiality:
http://jwm-art.net/o7.php?p=frostypix#C1424810226
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Re: [NetBehaviour] ten drawings

[James Morris]

thanks.


On 16/02/15 23:15, Kath O'Donnell wrote:

very nice. I like your use of colour and text in the drawings

On 17 February 2015 at 10:09, James Morris ja...@jwm-art.net wrote:


sketches actually, in an old sketchbook...

http://jwm-art.net/o7.php?p=journalj=j20150216-2251#j20150216-2251
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[NetBehaviour] Open Source House

[James Morris]

Carl Turner Architects design open source house that can float in areas 
subject to flooding..


http://www.dezeen.com/2015/01/23/carl-turner-prefabricated-open-source-floating-house-floodwater/

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[NetBehaviour] pingle

[James Morris]

$ echo alias pingle='ping google.co.uk'  ~/.bashrc
$ . ~/.bashrc
$ pingle

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[NetBehaviour] finally, xxxx wil do yyy

[James Morris]

   | finally,  will do yy  '  nching in my experience, |
   | y.'   as is cracked up to be  |
   |   '  experience, in my neck o |
   | but you, with your exper  '  f the neighbourhoods, as |
   | ience, expect not,'   all is expected to be c |
   |   '  racked up to be teased f |
   | take a twist of sugar, a  '  rom the sugar bowl, like |
   | nd a punch of salinity,   '   cracks in the frieze, a |
   |   '  s be expected, it's crac |
   | in your experience, expe  '  ked like black pepper, i |
   | ct not, is all as lead t  '  n the trees, following f |
   | o believe '  alling flowing flowers.  |
   |   '   |
   | you're lead to believe s  '  as to be three expectati |
   | o you read, but as expec  '  ons of excellent belief  |
   | ted, it is not'  belies bellowing followe |
   |   '  d by falling flowers, li |
   | so you're read to believ  '  keness, flow of sugar bo |
   | e it is not as expected,  '  wel fractures, as to be  |
   |   '  expedition, as to be ins |
   |   '  pected, as to be my neck |
   | on the contrary, it is n  '   of the woods, as to be  |
   | ot all it's cracked up t  '  inspected, as to be frac |
   | o be, '  tured in my neck of the  |
   |   '  woods, in my neck of the |
   | as you lead others to be  '   trees, fractured, as to |
   | lieve, expectation is no  '   be experienced in my ne |
   | t all it's cracked up to  '  ck of the belief, fracta |
   |  be, as you're leaden to  '  linity, taken with a pin |
   |  be leaves, as you're al  '  ch like a stolen bolt, i |
   | l cracked up to be'  n my neck of the coulds, |
   | thieves, you're lead to   '   or could knots. maybe.  |
   | believe, as expected, yo  '   |
   | u're a thief. '  fractal like my neck of  |
   |   '  the coulds, as to be ins |
   | finally, you read, as ex  '  pected, like three trees |
   | pected, as lead to belie  '   in the seas of flowing  |
   | ve, in your experience,   '  flowers falling, followi |
   | it's all cracked up to b  '  ng experienced beliefs,  |
   | e as expected, as you're  '  expected.|
   |  lead to believe, as you  '   |
   |  read, finally.   '  in my wreck of the could |
   |   '  s. ex tech tid bit. in m |
   | expect not.   '  y wreck of the woulds. a |
   |   '  s ex tech bit. in nigh w |
   | as all is lead to the le  '  reck of the woulds. as t |
   | aves, be three as expect  '  wo bee ex tech bit blit, |
   | ed, as all is lead to th  '   in light recreation gro |
   | e leaves, be three as ex  '  und of the luddites. fra |
   | perienced, as all is cra  '  ctal leaf beckons overly |
   | cked up to be lead to th  '   tight trousers. in cry  |
   | e leaves, as three being  '  tech of who bood.doob.bo |
   | s lead to be thieves, as  '  od.doob.bood.doob.   |
   |  all is cracked up to be  '   |
   |  like trees in the negat  '   |
   | ive, as all is believed,  '  bood.doob.bood.doob.bood |
   |  in experience, as expec  '  .doob.bood.doob.bood.doo |
   | ted to be tree-like bran  '  b.bood.doob.bood.doob.bo |
   | ching this way and that,  '  od.doob.bood.doob.   |
   |  in all my experience as  '  in thy necklace of the l |
   |  is expected and cracked  '  ords, could, could not,  |
   |  up to be, tree like bra  '  maybe.   |
   | nching in my experience,  '   |
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[NetBehaviour] SUCCESS

[James Morris]

From The Devil's Dictionary (1881-1906) [devil]:

  SUCCESS, n.  The one unpardonable sin against one's fellows.  In
  literature, and particularly in poetry, the elements of success are
  exceedingly simple, and are admirably set forth in the following lines
  by the reverend Father Gassalasca Jape, entitled, for some mysterious
  reason, John A. Joyce.

  The bard who would prosper must carry a book,
  Do his thinking in prose and wear
  A crimson cravat, a far-away look
  And a head of hexameter hair.
  Be thin in your thought and your body'll be fat;
  If you wear your hair long you needn't your hat.
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Re: [NetBehaviour] hi

[James Morris]

Hi Pall,

Thanks.

I felt a little jealous of that recognition at one point!

James.


On 04/01/15 00:38, Pall Thayer wrote:

Mr. James Morris,

Although I can't recall exactly what it was, there was something you did
or said on this list that strongly influenced the work that I am
currently recognized for. By recognized, I mean that there are a
couple of people in our known universe that are familiar with my recent
work. Your posts encouraged me to breach a barrier between software as
process and software as conceptual instruction and I thank you for that.

Best r.
Pall Thayer

On Sat, Jan 3, 2015 at 7:07 PM, Mark Hancock mark.r.hanc...@gmail.com
mailto:mark.r.hanc...@gmail.com wrote:

Yay!

On 3 Jan 2015, at 23:23, James Morris ja...@jwm-art.net
mailto:ja...@jwm-art.net wrote:

  hi my name is james morris. i used to want to change the world.
now i'm just slightly drunk on beer, but now halfway through a cup
of coffee. i used to think i was creative, but now i'm just drunk on
computer games. my current favourite is kairo. i recommend it. go
play it. i also like tri - of friendship and madness. i live in in
cliftonville, kent. i've lived in kent all my life, apart from when
i went to university of sunderland to study art - the opposite end
of the country (of england).
  merry mew year. i'm slightly drunk on coffee and beer, i'm a
lightweight. i like the linux operating system - and when i say
like, i mean, yes, i really do like it. good day to you my friend.
good day! yes i like linux and beer. yes. yes. i like. good day! i
installed debian linux on my NAS i got for christmas. i updated
debian wheezy (stable) to debian jessie (testing) and now my NAS
won't boot. i need a TTL to 232 level shifter for serial console.
seriouttys0. boo. muh. go. go .go. yes. i like you too. crumbs!
crikey oh riley! yay! good day my friend. go! go! go! yay! hurrah!
go! be off with you fiend. good day! snigger. good day! eek.
$($(echo echo echo echo)). i say. c++1011. i say. go! boom! yay! my
name. eek! hi! my! go! hello alan! yay! go! boom! yay! who rah? you
rah? me rah? rarghh. g. i'll huffkin do you. you huffkin gum.
gra. yee. grarrrgghss is greener on t' dark side of the spoon.
mehyi do that for you? grub. good buy.
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--
*
Pall Thayer
artist
http://pallthayer.dyndns.org
*


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[NetBehaviour] hi

[James Morris]

hi my name is james morris. i used to want to change the world. now i'm 
just slightly drunk on beer, but now halfway through a cup of coffee. i 
used to think i was creative, but now i'm just drunk on computer games. 
my current favourite is kairo. i recommend it. go play it. i also like 
tri - of friendship and madness. i live in in cliftonville, kent. i've 
lived in kent all my life, apart from when i went to university of 
sunderland to study art - the opposite end of the country (of england).
merry mew year. i'm slightly drunk on coffee and beer, i'm a 
lightweight. i like the linux operating system - and when i say like, i 
mean, yes, i really do like it. good day to you my friend. good day! yes 
i like linux and beer. yes. yes. i like. good day! i installed debian 
linux on my NAS i got for christmas. i updated debian wheezy (stable) to 
debian jessie (testing) and now my NAS won't boot. i need a TTL to 232 
level shifter for serial console. seriouttys0. boo. muh. go. go .go. 
yes. i like you too. crumbs! crikey oh riley! yay! good day my friend. 
go! go! go! yay! hurrah! go! be off with you fiend. good day! snigger. 
good day! eek. $($(echo echo echo echo)). i say. c++1011. i say. go! 
boom! yay! my name. eek! hi! my! go! hello alan! yay! go! boom! yay! who 
rah? you rah? me rah? rarghh. g. i'll huffkin do you. you huffkin 
gum. gra. yee. grarrrgghss is greener on t' dark side of the spoon. 
mehyi do that for you? grub. good buy.

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[NetBehaviour] super hexagon

[James Morris]

https://www.youtube.com/watch?v=X_HH5YkeMOs
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Re: [NetBehaviour] interesting article on a subject close to my heart

[James Morris]

On 19/12/14 15:49, dave miller wrote:

http://hyperallergic.com/170001/any-art-you-make-can-and-will-be-used-against-you/?utm_medium=emailutm_campaign=Any+Art+You+Make+Can+and+Will+Be+Used+Against+Youutm_content=Any+Art+You+Make+Can+and+Will+Be+Used+Against+You+CID_df927f6f9b1b6b9dba877bc9d7484a60utm_source=HyperallergicNewsletterutm_term=Any%20Art%20You%20Make%20Can%20and%20Will%20Be%20Used%20Against%20You



He's not got enough hair to be a poet IMHO; poets need hair, as we all 
know, because hair are receptacles for poetic rays...


It's a scare story to make artists stop making art because, oh yes, 
xwxex'xrxex artists are the main targets in the war against terror. Art 
is more powerful even than the pen. Which is a shame, because no artist 
seems to be making enough of a stand against these infuriating headlines 
which are designed to insidiously grind down our spirits.




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Re: [NetBehaviour] interesting article on a subject close to my heart

[James Morris]

Well yes it is pretty incongruous without knowing I was referring to a 
post on Spectre from Heath Bunting new british terror laws in which he 
ended with these new laws are directed against truth tellers, 
especially artists which struck me at the time as rather preposterous ( 
http://status.irational.org/map_of_terrorism/ )


Though I must say that my feeling for what art is (and a feeling is what 
it has reduced to now) is much narrower than that of say, someone who is 
an arts university lecturer or arts practitioner making a living, 
successful at it, where perhaps theory/concept plays a bigger role than 
say, that which the commoner or layperson can readily appreciate.


Don't forget the pen is mightier than the sword. I'd say terrorism has 
more might than the sword, ergo, art has more might than the pen.


Back to the poet whose art has been used against him, after reading of 
his arrest for inciting violence (through the poetry, like NWA?) and 
throwing a bin at a police man, I wanted to know what he looked like, to 
judge him by his cover, and he doesn't seem to exactly be shying away 
from looking a little thuggish (if you look past his wiry features). His 
hair looked recently shaved, who knows how long he had kept it that way? 
Perhaps he should get a PR agent to get some pictures of him into the 
media looking more softly or genteel, at least enough in number so as to 
counter the pictures taken by crouching photographers which appear to 
shroud him with an air of arrogance that may or may not exist.





On 19/12/14 19:35, Joel Weishaus wrote:

Hi James;

It seems incongruous to me to say that Art (I assume you mean visual
art) is more powerful even than the pen, while using the pen (I assume
you mean writing)  to say this.
 From at least the Upper Paleolithic, visual art has been a form of
writing. And from the Neolithic on, writing has been a form of visual art.

-Joel


On 12/19/2014 8:57 AM, James Morris wrote:


On 19/12/14 15:49, dave miller wrote:

http://hyperallergic.com/170001/any-art-you-make-can-and-will-be-used-against-you/?utm_medium=emailutm_campaign=Any+Art+You+Make+Can+and+Will+Be+Used+Against+Youutm_content=Any+Art+You+Make+Can+and+Will+Be+Used+Against+You+CID_df927f6f9b1b6b9dba877bc9d7484a60utm_source=HyperallergicNewsletterutm_term=Any%20Art%20You%20Make%20Can%20and%20Will%20Be%20Used%20Against%20You




He's not got enough hair to be a poet IMHO; poets need hair, as we all
know, because hair are receptacles for poetic rays...

It's a scare story to make artists stop making art because, oh yes,
xwxex'xrxex artists are the main targets in the war against terror.
Art is more powerful even than the pen. Which is a shame, because no
artist seems to be making enough of a stand against these infuriating
headlines which are designed to insidiously grind down our spirits.



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[NetBehaviour] are toast bread

[James Morris]

game about a slice of bread aiming to get toasted
http://www.gamingonlinux.com/articles/i-am-bread-you-will-finally-be-able-to-fulfil-your-most-desired-dream.4659
(it's not a linux specific game, but devs say a linux version will is in 
the works).


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Re: [NetBehaviour] feminist - or feminised perception - games?

[James Morris]

On 07/12/14 11:38, ahanon wrote:

Hiyas,

Just bumped into:
http://readwrite.com/2014/12/04/killscreen-save-historic-feminist-game

Might interest some here.. Ironic(ish) it's taken by Rhizome's
pcapitalism-1st, patriarchal  mode of working to do the archives, but hey,
life's full of these little twists, no?

Cheers and a fab sunday!!

aharonon(??)
xx

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here's some stuff i just bumped into, but me being me, it's pretty old 
already


http://www.rockpapershotgun.com/2013/10/13/live-free-play-hard-a-new-site-for-girl-games-that-are-all-about-cursing-your-enemies/
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Re: [NetBehaviour] eagle mode

[James Morris]

There's only one way I can respond to that:
https://www.youtube.com/watch?v=Roni4GG56Ew


On 05/12/14 09:50, marc garrett wrote:

Hi James,

worthy porn replacement ;-)

marc


https://www.youtube.com/watch?v=G6yPQKt3mBA


zoomable user interface

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[NetBehaviour] eagle mode

[James Morris]

https://www.youtube.com/watch?v=G6yPQKt3mBA


zoomable user interface

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[NetBehaviour] people who like art history

[James Morris]

https://yougov.co.uk/profiler#/Art_History/demographics

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[NetBehaviour] Privacy/Tracking Browsing Plugins

[James Morris]

Just thought I'd share some interesting plugins I've encountered since 
Ghostery has become utterly useless on my particular system due to some 
obscure bug affecting some users but not others.


TrackMeNot: This Firefox/Chrome plugin uses noise to obfsucate by 
sending random queries to search engines thus your real searches get 
lost. Some users expressed concern the plugin was sending queries for 
pipebombs and porn. Others expressed accusations of fearmongering. It 
now has a blacklist where you can add search terms to avoid.


ZenMate: Multi-Browser plugin encrypts your browsing and hides your IP 
address (via VPN with choice of five countries). Article on ZDNET with 
more info: 
http://www.zdnet.com/the-german-startups-hoping-to-ease-the-privacy-worries-of-the-healthy-paranoid-735444/


NoScript: Cripples websites by blocking their scripts. Suckers.












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