Thought to share this online event with you Frameworkers. Anthony McCall
will be in conversation with Courtney J. Martin, director of the Yale
Center for British Art, on Fri 23 Oct at 5p Eastern. More here:
https://britishart.yale.edu/exhibitions-programs/home-artists-conversation-anthony-mccall
Interesting thread.
Scott (Stark), the Kapotski "Optical Sound generator" you launched the
thread with (http://www.kapotski.be/wp/?p=204) looks to be a simple circuit
that maps values of light-to-dark to frequency. A bit like a theremin but
for light instead of proximity.
(When I was a kid I
Francisco, Ceciia, others,
I decided to trace my steps back to what led to my interest in the late
Hannah Frank's "Frame by Frame: A Materialist Aesthetics of Animated
Cartoons". It was J. Hoberman's review in Artforum, Sept 2019, which I read
in print and to which I don't have access online
Hi Cecilia,
Your question prompted me to finally look at Light Industry's "bookshop",
which has a section on animation. Most of the titles are of the type you're
not seeking but a few might qualify.
https://bookshop.org/lists/animation
Paul Taberham comes at animation through cognition and
dFiles/Motion/Products/Product_Information/Kodak-Motion-Picture-Products-Price-Catalog-US-Prices.pdf
>
> Sandy McLennan
> Port Sydney, Ontario, Canada
>
>
> On Thu, Jul 2, 2020 at 5:53 PM Eric Theise wrote:
>
>> Hi everyone,
>>
>> Writing from San Francisco where, once
Hi everyone,
Writing from San Francisco where, once upon a time, one could walk into
Action Camera (RIP ~2013) or Adolph Gasser's (RIP 2017) and walk out with a
100 ft spool of camera stock. In recent years I've been digging old stocks
out of my fridge to shoot but I'm wondering what're the most
Tom Rhoads, wasn't it? First time I encountered his films that was the name
under which they were distributed.
On Tue, Jun 16, 2020 at 12:36 PM Dominic Angerame <
dominic.anger...@gmail.com> wrote:
> The prints that are at Canyon Cinema SODOM, GREEN and WARM BROTH may be
> the only copies. He
ric
On Fri, May 29, 2020 at 5:27 PM Eric Theise wrote:
> For Frameworkers not familiar with San Francisco, the gallery we're
> talking about has an important legacy. They represent many generations of
> Bay Area artists from Beat Generation through the Mission School to current
>
Hello Albert,
I've seen a film by or about the late Robert Frank containing a scene where
he drills a hole through a hefty stack of photographic prints. My memory is
that the audience was audibly shaken at the destruction while I thought it
was kind of a bullshit move. With all due respect,
I'm going to take a cue from Dominic's comment about postage and ask where,
apart from "wasn't in NYC", are you Chris Rodriguez? Frameworks is an
international list and while plenty of its conversations have little
connection to the poster's location, discussions involving weighty
equipment or
to paintings it included spectacular charcoal
(or maybe chalk?) drawings of Alameda on nearly black paper.
On Fri, May 29, 2020 at 5:04 PM Dominic Angerame
wrote:
> Ah! ok thanks Eric I stand corrected
>
> On Fri, May 29, 2020 at 4:46 PM Eric Theise wrote:
>
>> No. Paule
eve that the Anglim Gallery is Kaput!
>
> d
>
> On May 29, 2020, at 3:45 PM, Makayla Caldwell wrote:
>
> thank you!
>
> On Fri, May 29, 2020 at 3:36 PM Eric Theise wrote:
>
>> And you'll find occasional tweets at https://twitter.com/ndorsky about
>> new
And you'll find occasional tweets at https://twitter.com/ndorsky about new
work, in-person appearances, and writings.
On Fri, May 29, 2020 at 3:21 PM William Basquin
wrote:
>
> Makayla,
>
> Here is Nathaniel Dorsky's page on the Canyon Cinema website:
>
Jason Halprin, didn't you tell me a few years ago that Dieter (aka
http://www.bolexusa.com/) was selling reconditioned Rex 5s? Or was that
only for the academic market?
On Sun, Apr 12, 2020 at 7:22 PM Eric Theise wrote:
> Forgive me for not looking but have these equipment houses ever adjus
Forgive me for not looking but have these equipment houses ever adjusted
their prices or are they still acting as if film is the only game in town?
I'm thinking of the prices I used to see for gear up on the second floor at
Adolph Gasser in San Francisco; already seemed absurdly out of touch in
Is it possible that news of Shapeshifters' new venue hasn't made it to
Frameworks? Shapeshifters Cinema has been presenting expanded cinema in the
San Francisco Bay Area since 2012. They used the Temescal Art Center in
North Oakland as a venue for many years but they've got their own space
now,
Hi Chris,
Some time ago Benjamin Taylor added three references tagged "microcinema"
to the Zotero library on experimental cinema.
https://www.zotero.org/groups/122679/experimental_cinema/items/q/microcinema
Weirdly there's one newer title tagged "microcinema" that shows up when
searching my
This?
https://www.worldofbooks.com/en-us/rare-books/maurice-maeterlinck/death/1557153922BJS
On Thu, Dec 12, 2019 at 10:20 AM fracto wrote:
> I found it
> https://babel.hathitrust.org/cgi/ls?field1=ocr;q1=our%20eternity;a=srchls
>
Regrettably I don't know the films of Johan van der Keuken – "an
independent, leftwing filmmaker who is too experimental and formalist for
many political people and too politically pointed for many followers of the
avant-garde" it says here at
Birdsongs of the Mesozoic's improvised score to Michael Burlingame's 1986
film "To a Random" was released on a vinyl LP called "Soundtracks" and
later on their "The Fossil Record 1980-1987" CD.
https://www.discogs.com/Birdsongs-Of-The-Mesozoic-Erik-Lindgren-2-Pink-Inc-Soundtracks/release/2830469
Since Diana also asked for examples I'll chime in with the most obvious:
Barbara Hammer's Sanctus which reworked James Sibley Watson's archival
x-ray footage.
http://www.scienceandfilm.org/articles/2710/barbara-hammer-and-the-x-rays-of-james-sibley-watson
On Wed, Nov 20, 2019 at 8:26 AM alena
Frameworkers, if you happen to be in San Francisco on 21 Nov this ought to
be of interest.
Eric
-- Forwarded message -
From: KADIST San Francisco
Date: Sat, Nov 2, 2019 at 11:00 AM
Subject: JMiguel Calderón, On George Kuchar and Tropical Vultures
KADIST Newsletter
This suggestion has at least one strike against it for your situation (west
coast) but I'll again mention the Bay Area Video Coalition's Preservation
Access Program.
https://bavc.org/preserve-media/preservation-access-program
The application process opens twice a year and is relatively painless
-sur-peter-hutton/.
Eric
On Tue, Jan 24, 2017 at 3:16 PM Eric Theise wrote:
> Another in my occasional updates about A Roll for Peter, the 16mm
> multi-maker Peter Hutton tribute project. A number of venues and dates have
> been added since my last email so here's the current list of
sadly mike passed a few years back, but he founded nifco and last I
> knew it was still going strong. They could certainly point you to a host
> of people both historical and contemporary.
>
>
>
> ~ sarah
>
>
>
> *From:* FrameWorks *On Behalf Of
> *Er
Curious if you Frameworkers know of any experimental film activity –
contemporary or historical – in St. John’s, Newfoundland.
Thanks, Eric
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
Hi Bryan,
Last fall I was using the Film Library & Study Center at PFA and shared a
table with a researcher visiting from Poland. Turned out one of the
subjects of her teaching and research was the "road movie in American
mainstream and avant-garde cinema".
I don't know the film you cite and am not presently in a place where I can
see if it, or excerpts of it, are online.
I wonder what you mean when you say "creative". The diary is written
creatively? The reading itself is creative?
I ask partly because I'm nearing completion of a piece where, I've
th of
> us it was an extremely rewarding experience that I remember with fondness
> to this day.
>
> Suzan will be missed by many of us in the AG Community
>
>
> Dominic
>
> On Jun 17, 2019, at 12:21 AM, Eric Theise wrote:
>
> I've only come across what Laura Kraning pos
I've only come across what Laura Kraning posted to Suzan's Facebook page,
which was:
"Dearest friends,
We are so sorry to report the very sad news that our dear Suzan Pitt passed
away this morning at her home in New Mexico. She was very private about her
illness but she would want you all to
On the one hand, there are two count 'em two listings for this show in the
This Week in Avant Garde Cinema calendar.
On the other, those mailings sometimes go out on Sundays and it's easy to
miss a same-day screening.
If you're in the Bay Area this weekend do consider attending this
Shapeshifters
Hi Dominic,
If you have time and a number of tapes I'd encourage you to look into
BAVC's Preservation Access Program. They accept applications twice yearly
and the spring cycle is open until 21 April. I was accepted into the
program a year ago and they were able to recover a variety of work for
I'm so glad you posted the story about walking into that "video store",
Dominic, I remember hearing you tell it elsewhere (BAMPFA?) and am glad to
see it "in print".
On Mon, Apr 1, 2019 at 12:29 PM Dominic Angerame
wrote:
> I am so glad that I had the chance to meet and talk with Agnes Varda
>
Hi Erika,
This search turns up a number of non-US Amazons and AbeBooks vendors.
https://www.bookfinder.com/search/?isbn=9782330015695=xl=qr
Eric
On Fri, Mar 22, 2019 at 10:25 AM erika suderburg wrote:
> Hello Has anyone had luck purchasing the catalog for Chris Marker les vies
> d'un
:
> Can you send a link to light/fog
>
> Thanks
>
>
>
> On Jan 19, 2019, at 3:52 PM, Eric Theise wrote:
>
> Charles,
>
> If Facebook is an option for you I recommend you seek out and join the
> public group called “light//fog” that traffics in Bay Area equipm
Charles,
If Facebook is an option for you I recommend you seek out and join the
public group called “light//fog” that traffics in Bay Area equipment,
screenings, and miscellaneous. Definitely some people active there I’ve
never seen on Frameworks.
Eric
On Sat, Jan 19, 2019 at 14:46 Charles
es
Susie Phillips, (303) 777 2110
1115 S. Josephine, Denver, Co. 80210
Post back here if you ever find it, sounds useful.
On Fri, Dec 14, 2018 at 4:24 PM Eric Theise wrote:
> Hi Jason,
>
> I think this must be what you're looking for but it doesn't appear that
> the Wayback Mac
Hi Jason,
I think this must be what you're looking for but it doesn't appear that the
Wayback Machine actually archived it, just the frame-based site that
contained it.
https://web.archive.org/web/20040627095859fw_/http://www.thecinemalab.com:80/booklet.zip
Eric
On Fri, Dec 14, 2018 at 4:11
and would jibe with the
> military surplus origin. One of the samples I have (and some others I’ve
> seen) has a small hole/divot dead centre in the front element. Definitely
> factory-drilled, and I’m guessing to provide a reference or alignment mark
> on the footage.
>
>
> On
The retrospective of Tony Conrad's work that was on view in Buffalo earlier
this year, and that will travel to Philadelphia's ICA next February, opens
tonight at both MIT's List Center and Harvard's Carpenter Center. I timed
the beginning of an extended East Coast trip so that I could attend, and
I've been curious about Vicky Smith & Nicky Hamlyn's new "Experimental and
Expanded Animation: Current Perspectives & New Directions" published by
Palgrave Macmillan. Today's email brings news of a call for papers and a
conference on the subject to be held in Feb 2019. Their boilerplate makes
This topic reminds me that back at the beginning of 2015 I set up an
Experimental Cinema Group on Zotero.org. Zotero is an open source "personal
research assistant", meaning that it's a database for books, articles, and
other types of research material (a small sampling of item types include
"blog
Also, Margaret Rorison started a thread on this subject in March 2017 that
you could review at
https://mailman-mail5.webfaction.com/pipermail/frameworks/2017-March/thread.html
On Tue, Aug 28, 2018 at 2:47 PM Eric Theise wrote:
> Robert Beavers' *The Suppliant* (2010)
> https://expcine
Robert Beavers' *The Suppliant* (2010)
https://expcinema.org/site/en/wiki/work/suppliant
On Tue, Aug 28, 2018 at 2:41 PM Ekrem Serdar wrote:
> Three beautiful ones dedicated to, about Marion McMahon that I think would
> be appropriate:
> *Froglight* by Sarah Abbott
> *Behind this Soft Eclipse*
Canyon #4 (1976), #5 (1982), #6 (1988), #7 (1992), #8 (2000): Light
Describing a Cone is the only work available. I've also checked the
supplements from 1988, 1989, 1990, 1993, 1994, 1995.
McCall is not even in the Film-makers' Coop catalog #7 (1989).
On Sat, Aug 18, 2018 at 7:58 AM Ken
LightPress Grants, administered by Interbay Cinema Society?
http://interbaycinemasociety.org/lightpress-grants/
Eric
On Mon, Jun 11, 2018 at 12:14 PM Nicole Baker wrote:
> Hey List,
> back in the spring we were alerted to a grant for something like $900 in
> 4k film transferring. I cannot
0)
Jennifer Reeves, "We Are Going Home" (1998)
Mark Street, "Sweep" (1998)
Eric Theise, "To No End Gathered" (2012)
Everything on 16mm. My film, normally silent, will feature live
accompaniment by composer/saxophonist John Ingle of sfSound and other
projects. The
Fred,
Re:Voir has released Rameau's Nephew, etc., on DVD.
http://re-voir.com/shop/en/michael-snow/70-micheal-snow-rameau-s-nephew-by-diderot-thanx-to-dennis-young-by-wilma-schoen-3493551100393.html
Eric
On Tue, Feb 28, 2017 at 4:49 PM, Fred Camper wrote:
> Since I've
LOVE to get these things working!
>
> take care,
> Warren
>
> On Tue, Feb 28, 2017 at 1:13 PM, Eric Theise <ericthe...@gmail.com> wrote:
>
>> Hello frameworkers.
>>
>> I'm using the double projection movement of A Roll for Peter as an excuse
>> to liberate
Hello frameworkers.
I'm using the double projection movement of A Roll for Peter as an excuse
to liberate a pair of Pageant Arc projectors from my storage unit. These
worked so well when I had a studio that I never gave them a second thought
but that was long ago.
Running some tests in the
ot;so lovely… I wish I could see those films again! Such a
great opportunity to see such an ephemeral program", for the former,
simply, "f*cking killer".
Thanks!
Eric
On Tue, Jan 3, 2017 at 3:28 PM, Eric Theise <ericthe...@gmail.com> wrote:
> I'm pleased to let you all
I'm pleased to let you all know that the tour of A Roll for Peter, the
Peter Hutton tribute film organized by Jennifer Reeves & Mark Street, has
eight confirmed dates as we head into 2017, commencing with Friday the 13th
of January at the UNEXPOSED Microcinema in Durham, NC.
For those of you who
Several people have asked for clarification: there is no rental fee.
No one has yet asked but: there is no preview copy available.
On Mon, Nov 28, 2016 at 10:13 AM, Eric Theise <ericthe...@gmail.com> wrote:
> Hello Frameworkers,
>
> You may be aware that Jennifer Reeve
Hi Esperanza,
On Mon, Nov 28, 2016 at 12:48 PM, Esperanza Collado <
esperanzacolla...@gmail.com> wrote:
> I wonder, what was the audience reaction to "A Roll For Peter". Is this
> film the result of a selection or anyone who shot a roll got in?
>
I'll start with a disclaimer. Not only have I
Hello Frameworkers,
You may be aware that Jennifer Reeves & Mark Street, as a tribute to the
late Peter Hutton, put out a call for submissions of 100 foot rolls of 16mm
black and white shot with Peter in mind. The compilation, "A Roll for
Peter", screened at Bard College on 22 October and had a
Even if it's not Will Hindle's Watersmith, I'm glad to be reminded of it.
On Sun, Mar 13, 2016 at 3:29 AM, Pip Chodorov
wrote:
> You mean Water Pulu by Ladislav Galeta?
>
>
> At 18:26 -0800 12/03/16, vanessa renwick wrote:
>
>> I am trying to remember who made this
Richard Serra, Hand Catching Lead, 1968
http://artforum.com/video/mode=large=25373
On Thu, Feb 25, 2016 at 12:58 PM, Gene Youngblood
wrote:
> If sand qualifies as a mineral, see Nathaniel Dorsky’s Alaya.
>
> > On Feb 25, 2016, at 1:40 PM, Peggy McShine
Michael,
I noticed that on page 281 of
http://monoskop.org/images/9/9a/Foster_Stephen_C_Hans_Richter_Activism_Modernism_and_the_Avant-Garde.pdf
, as part of the section called Books, Pamphlets, there's a mention of
Film and Progress. Not published in full; published in part in
the Neue Zu¨rcher
James Benning’s 9/1/75?
P.S. Having made this mistake myself, the correct spelling is dérive, not
derivé, see: http://en.wikipedia.org/wiki/D%C3%A9rive
On Sun, Mar 1, 2015 at 4:08 PM, Carl E Bogner crlel...@uwm.edu wrote:
Matt McCormick’s _Subconscious Art of Graffitt Removal_, perhaps?
Paul Sharits would have been 72 today. There's a review by Marc Siegel in
February's Artforum of “Paul Sharits: A Retrospective”, on view through 22
Feb at the Fridericianum, Kassel, Germany.
https://artforum.com/inprint/issue=201502id=49790
On Fri, Jan 30, 2015 at 9:36 AM, Adam Hyman a...@lafilmforum.org wrote:
Off to meandering nit-picking:
What is the correct bibliography format for a reader? Shouldn’t it still
really be under Kuchar’s name (or Markopolous’s)? Been too long since
college MLA Standards...
Looking it up...
I want to thank Michael for kicking off this discussion, and for posting
his list before asking for others to contribute; good form!
I've suggested this before, but I'm putting my suggestion into action with
this thread. I've created a shared bibliography using Zotero:
Hi Adam,
On Wed, Jan 21, 2015 at 7:43 PM, Adam Hyman a...@lafilmforum.org wrote:
Coming out soon:
*http://www.amazon.com/Alternative-Projections-Experimental-Angeles-1945-1980/dp/0861967151
http://www.amazon.com/Alternative-Projections-Experimental-Angeles-1945-1980/dp/0861967151*
I was reviewing some of the frameworks threads I highlighted this year and
wondered what became of the Tate Etc. Magazine article mentioned in this
one. It appeared as
http://www.tate.org.uk/context-comment/articles/light
and provoked
http://www.timcawkwell.co.uk/brakhage-and-turner
Application of anti-spam measures that don't comply with Internet protocols
are causing problems for mailman, the software that runs this list.
Pip, maybe you can contact tech support at webfaction and ask them if they
can set the from_is_list option discussed in this thread
I've been keeping an eye on this thread, and every time a new message comes
across, it makes me think of these two examples, possibly too tangential to
the original poster's intent.
Two Films I Never Made (1973), by Herbert Jean de Grasse. It's just 4
minutes of black leader where the filmmaker
Hi Vail,
Not sure if you're just looking at the chemistry aspects of this, but
there's a long tradition of rayographs in experimental film, Man Ray's own
Return to Reason (1923) being an early example,
https://archive.org/details/returnToReasonleRetourLaRaison1923 . Len Lye
used it in Color Cry
Hello frameworkers,
tl;dr: I want to generate html5-friendly videos from DVD clips that
stay below 50Mb.
I give talks, and use reveal.js (http://lab.hakim.se/reveal-js/) as my
presentation framework. I occasionally want to include excerpts of
films ripped from DVDs. As reveal.js is an html5
Sort of interesting to read that Robert Breer's Floats (1970) are
being resurrected and were on display at the London Frieze Art Fair
over the weekend.
http://www.artspace.com/magazine/news_events/best-art-of-frieze-2014
Artspace tips their cards with While his films grew in acclaim, Breer
On Thu, Oct 16, 2014 at 6:25 PM, Jesse Pires jessepire...@gmail.com wrote:
Hi, I'm looking for recommendations of short films that address
environmentalism and ecological themes. I'm especially interested in work
from the 1960s and 70s as the environmental movement was taking shape. Peter
Hi Valerie,
GreenCitizen accepts Tape based media (VHS/cassettes, floppy disks)
at their 2nd and Howard location in San Francisco
(http://www.greencitizen.com/electronics-recycling-san-francisco/).
I've taken a number of old computers and peripherals there in recent
years with the hope that
Some of you may have already seen this, as it came across The Temenos'
mailing list a few days ago, but I thought I'd forward it along for those
who weren't aware.
The Visible Press is pleased to announce its first
publication.View
this email in your browser
Just received an email from LUX, which prompts me to send a public
note of congratulations to frameworker Nicky Hamlyn re:
http://www.lux.org.uk/whats-on/events/dvd-launch-guy-sherwin-nicky-hamlyn-cafe-oto-2nd-july-7pm
Is any US distribution of these discs planned?
Eric
LUX DVD Launch: Guy
Time. 4/3/1964, Vol. 83 Issue 14, p98. 3p.
No one has heard much about movies like Breath-Death, Cosmic Ray, and
Stone Sonata, but now the Ford Foundation has begun pouring tuns of
gold on the happy heads of the people who made them. The foundation
has decided to encourage the art of film as
Hi Jesse,
As one example, Paul Glabicki animates Muybridge images throughout Object
Conversation.
Apart from that example, I'll say that I've not found the use or animation
of Muybridge stills to be an indicator of top notch work.
Eric
On Thu, May 15, 2014 at 1:13 PM, Jesse Pires
Not sure if this is within the bounds of what the original poster had
in mind, but this discussion is making me think of the injection of
live radio broadcasts into one section of Ken Jacobs' Blonde Cobra.
On Thu, May 8, 2014 at 6:52 PM, Mike Kartje mkar...@siu.edu wrote:
Guy Maddin's Brand on
Dream of the Wild Horses / Le songe des chevaux sauvages (1960), Denys
Colomb Daunant
Rat Life and Diet in North America (1968), Joyce Wieland
On Wed, Apr 23, 2014 at 8:11 AM, Sonya Mladenova
sonya.mladen...@gmail.com wrote:
Hey Sarah,
Quick thoughts:
Grizzly man!
Turin horse...
Cave of
bounced means that the frameworks mail server couldn't deliver list
messages to you.
Both of you are using older Microsoft domain names, are they
force-migrating you to something newer?
On Wed, Apr 23, 2014 at 12:08 PM, Jon Behrens bolex...@msn.com wrote:
I got one too
Sent from my iPhone
Did anyone on this list attend Anthology's recent (Mar 9) screening of
Otto Muehl's Materialaktionsfilme (1970)?
http://anthologyfilmarchives.org/film_screenings/calendar?view=listmonth=03year=2013#showing-40493
I'm curious about the contemporary reaction to that film.
I don't know if it
Hello frameworkers,
Two questions re: Ernie Gehr's Serene Velocity.
anyone out there--researchers/preservationists--undertaken the
mundane task of doing frame counts?
are there any titles or credits on the film?
Thanks in advance. I haven't had the pleasure of seeing the film in
the past
Michael, oops, it's public now.
On Tue, Feb 18, 2014 at 7:22 AM, Michael Betancourt
hinterland.mov...@gmail.com wrote:
I saw you email to Frameworks; perhaps you can help me with something. I
have a movie that is currently in need of a soundtrack. Do you have
something already done that you
Peter Rose's Secondary Currents.
On Thu, Nov 14, 2013 at 10:09 AM, mike rice bacnhe...@gmail.com wrote:
Hollis Frampton has some great works revolving around the use of text. Some
that come immediately to mind: Gloria, Zorns Lemma, and Poetic Justice. As
far as works made by women, the first
I was just checking the hours of my local branch when I noticed this
exhibit at the San Francisco Main Public Library, Hymns To Hermes:
The Poetics of James Broughton:
http://sfpl.org/index.php?pg=1014710001
I see there was an event last night celebrating the centenary of his
birth
Hi Stefan,
I spent a few days at the Warhol Museum in Pittsburgh about a year ago. My
recollection is of Greg Pierce telling me that Nameth had pulled all
exhibition prints of EPI, and that he was planning a fundamentally new,
drastically recut project. This was in the context of offering to show
Jeff's mention of the animation stand coming available in San Diego
made me go looking for this thread from back in February. Did this
stand get saved, did it actually make the trip from Halifax to the SF
Bay Area?
--Eric
On Fri, Feb 1, 2013 at 8:26 PM, sibling projects r...@siblingprojects.com
has been at UCSD since 1971.
Sherman
On Jun 13, 2013, at 1:04 PM, Eric Theise wrote:
Jeff's mention of the animation stand coming available in San Diego
made me go looking for this thread from back in February. Did this
stand get saved, did it actually make the trip from Halifax to the SF
Sad news. Still, 88 is a ripe old age, especially for a Superstar.
http://gothamist.com/2013/05/09/taylor_mead.php#photo-6
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks
On Tue, May 8, 2012 at 4:18 AM, Esperanza Collado
esperanzacolla...@gmail.com wrote:
I wonder if you could help me find the best material to create red undefined
and sharp (angular) stains on celluloid, like fleeting strokes (hope that
makes some sense to you). Have you tried with red ink? I
On Mon, Feb 13, 2012 at 10:21 AM, Myron Ort z...@sonic.net wrote:
How and why do stories like that get started anyway?
That particular story got started because Jonas Mekas told it. It
continues to be told because it's a good story, and it's lodged in the
collective memory due to the
Hi Fred,
In Edie (Stein w/Plimpton, pp 234-235), George Plimpton recounts
riding in a freight elevator with Warhol and mentioning the Carnegie
Hall concert organized by Cage.
I mentioned it to Andy only because I thought he might be vaguely
interested--he was doing these eight-hour films of
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