Mats Bengtsson [EMAIL PROTECTED] wrote:
It seems to be just a warning and the output looks OK.
Still, I send a copy to bug-lilypond, since the problem
remains in version 2.3.22. A minimal example file is
\version 2.3.22
{e4 f4. [f8 f8. f16]}
...
Jean-marc LEGRAND wrote:
...
g4 c4.
D Josiah Boothby [EMAIL PROTECTED] wrote:
...
do i need to install another package to get ps2png, or do i need to
download the source from somewhere? (the lazy debian user doesn't want do
do that :)
...
The lazy debian user would install tth:
$ grep ps2png /var/lib/dpkg/info/*.list
[EMAIL PROTECTED]:
Hi,
I have a question regarding musical notation/engraving. I am currently
typesetting a piece of music which has two voices in ones staff. At the end
of the piece the first voice goes from a g1 to an e1 ~ e1 and the second
voice from an f1 to a g1 ~ g1 (I think, I do
Walter Hofmeister [EMAIL PROTECTED] wrote:
Hello,
I'm enjoying version 2.4 on Mac OS X. I am making some variations of an
exercise and would like to spread it out over two pages. I am not quite
happy with how it comes out and would like to insert a page break. Nothing I
seem to do has
Cameron Horsburgh [EMAIL PROTECTED] wrote:
Dominik Baenninger wrote:
In earlier versions of lilypond (e.g. 2.2.6) I reduced the space between
the staffs with
\score {
\set Staff.minimumVerticalExtent = #'(-1 . 1 )
\set Staff.VerticalExtent = #'(-1 . 1 )
---
Karl HammarAspö Data [EMAIL PROTECTED]
Lilla Aspö 2340Networks
S-742 94 Östhammar +46 173 140 57 Computers
Sweden +46 70 511 97 84
---
Karl HammarAspö Data [EMAIL PROTECTED]
Lilla Aspö 2340Networks
S-742 94 Östhammar +46 173 140 57 Computers
Sweden +46 70 511 97 84 Consulting
Han-Wen Nienhuys writes:
Also, X is necessary for building, since we use fontforge.
Hmm indeed. But we do not use the GUI. I wonder why fontforge needs
to load the X libraries in batch mode.
Jan.
(This is x86 and debian)
$ apt-get source fontforge
$ cd fontforge-0.0.20041218/
the following:
...
Regards,
/Karl
---
Karl HammarAspö Data k...@aspodata.se
Lilla Aspö 148 Networks
S-742 94 Östhammar +46 173 140 57
,
is it possible to get quadratic noteheads?
Not fully quadratic, but theese might do:
\version 2.13.0
\relative c'' {
\override NoteHead #'style = #'vaticana.punctum
c4 b a g
}
Regards,
/Karl
---
Karl Hammar
---
Karl HammarAspö Data k...@aspodata.se
Lilla Aspö 148 Networks
S-742 94 Östhammar +46 173 140 57 Computers
Sweden +46 70 511 97 84 Consulting
---
Karl HammarAspö Data [EMAIL PROTECTED]
Lilla Aspö 2340Networks
S-742 94 Östhammar +46 173 140 57 Computers
Sweden
a horizontally mirrored 8th rest. ...
Regards,
/Karl
---
Karl HammarAspö Data [EMAIL PROTECTED]
Lilla Aspö 2340Networks
S-742 94 Östhammar +46 173 140
-
This is a multipart MIME message.
Dmytro O. Redchuk:
On Tue, Mar 13, 2007 at 01:54:32PM +0100, Mats Bengtsson wrote:
OK, how about
\score {
\new Staff = tenor
\new Voice = tenvoice {
\melody
}
\new Lyrics = tenlyr
e.g.
(setq LilyPond-master-file Smen.ly) and pressing c-j. Then when I am
in buffer Mman.ly lilypond runs on Smen.ly instead.
But why don't you use a Makefile instead?
Regards,
/Karl
---
Karl HammarAspö Data
then have a file with the needed unicode chars at hand.
Regards,
/Karl
---
Karl HammarAspö Data [EMAIL PROTECTED]
Lilla Aspö 2340Networks
S-742 94
Marek wrote:
I try to combine standard notation with gregorian notation like this:
section1 standard
section2 gregorian
section3 standard...
...
For mensural notation you can do this.
var.ly:
\layout {
raggedright = ##t
raggedbottom = ##t
indent = 0.0\mm
}
men = {
Vallentin wrote:
...
http://valentin.villenave.info/lilypond/music_expression.png
http://valentin.villenave.info/lilypond/polyphony_eng.png
...
Valentin
(who can't sleep at night after reading the mailinglist
-- and sucks at Inkscape :)
I liked thoose wery much.
(I just can't wait 'til dr.No
had a small look around
...
I have same examples at http://aspodata.se/noter/.
Have a look at the Morley and Dido scores but be prepared it is
as is.
Regards,
/Karl
---
Karl HammarAspö Data
---
Karl HammarAspö Data [EMAIL PROTECTED]
Lilla Aspö 2340Networks
S-742 94 Östhammar +46 173 140 57 Computers
Sweden +46 70 511 97 84
[EMAIL PROTECTED]:
On Thursday, January 3, 2008, at 09:10 AM, Kieren MacMillan wrote:
What have you used to print your music for parts and scores?
Years ago, I purchased a laser printer which would handle full-bleed,
11x17, heavy stock...
This is a great suggestion. I cannot avail
What is the relationship between the digital size of the line-width
and staff height (in Lilypond specs, in the .ps file, and in the .pdf
file) and the printed output? Is it true and invariant?
Depends on your printer and it might call for minor adjustments.
But it should be 1:1. Print out a
Luis Jure:
i'm writing a string quartet with a section where the four instruments
play in free rhythm, independently from each other. the cello plays a
melody and the three other instruments play whole notes with fermatas,
all of them freely.
...
If you are really aiming for *independent*
-
This is a multipart MIME message.
Anyone know how to do the minor calor ligature (se circled part in
attachment).
A naive try is
g1 f e d2. c4 \[ b,1 a, \] g,
r\longa
g1 f e \[ d1 c2. \] b,4 a,1 g,
Another one would be
\[ d1 c*3/4 \]
but how could I make the c black?
Regards,
/Karl
Karl:
Anyone know how to do the minor calor ligature (se circled part in
attachment).
...
Ok, this is what I have hacked together
(tag: nor = modern notes, men = mensural score, part = mensural parts)
fakeLiga = {
\once\override Staff.HorizontalBracket #'bracket-flare = #'( 0 . 0 )
2008/3/31, Robert Memering [EMAIL PROTECTED]:
Am Samstag, 29. März 2008 17:02 schrieb Karl Hammar:
Ok, this is what I have hacked together
If nobody has a better idea, could you consider adding it to the LSR?
We really lack snippets of this kind...
It would be better if we solved
I tried another way of using lilypond-book, which seems to work
better with tex, bibtex, makeindex, ..., -- and makefiles.
If you are interested, read the README at
http://aspodata.se/noter/palestrina/dies_sanctificatus/
and send comments.
Regards,
/Karl
at the end).
Then I generated the pfa and run the attached files.
Greetings
Till
Karl Hammar wrote:
I tried another way of using lilypond-book, which seems to work
better with tex, bibtex, makeindex, ..., -- and makefiles.
If you are interested, read the README at
http
Villenave:
A new issue of the LilyPond Report is out:
http://valentin.villenave.info/spip.php?article62
...
Qouting from above link:
L This week, Karl Hammar shared with us a rather unusual set of macros
L that somehow replace lilypond-book with some gcc makefiles.
Hmm, I don't see them
Sorry for coming in late in the game.
Till:
8.5 Transcription of ancient music
Why not call it Editing or Making an edition, but transcription is
also fine.
5.1 using the same source for the original and the transcription [Here
among others the snippets about reducing note length]
Trevor:
Would Ancient and modern from one source cover it. I can't think of
anything shorter.
Anyone else any better suggestions?
Why not Best practices or the like.
Regards,
/Karl
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Trevor:
Is the lilypond-book distributed with 2.11.43.2 refusing to honor --psfonts?
Or am I doing something wrong? Under Mac OS 10.5.2. Example:
It seems still to be an option
$ grep -C3 psfonts out/bin/lilypond-book
help=_ (create PDF files for use with PDFTeX),
Trevor:
...
$ lilypond-book --psfonts --output=out test.tex
...
lily-2f978e1e5c.lytmpb1LEdT.aux
But no test.psfonts.
...
BTW, to generate the test.psfonts you could try
http://aspodata.se/noter/palestrina/dies_sanctificatus/lilypond-psfonts
(which is a lilypond-book cut down to
Villenave:
http://valentin.villenave.info/spip.php?article62
...
LilyPond's support for native PostScript code, and discuss the use of
...
The classic tutorial to postscript seems to be available at:
http://www-cdf.fnal.gov/offline/PostScript/BLUEBOOK.PDF
Regards,
/Karl
Villenave:
http://valentin.villenave.info/spip.php?article62
...
discuss the use of old LilyPond versions.
...
From the above link:
L Recently, several mails on our mailing list made me realize that people
L are actually using these old versions of LilyPond [2]:
... names removed saving myself
Han-Wen:
The recommended way to do the fonts is to have them included in
separate .eps files. If file size is a concern, you can use
-dgs-load-fonts. The result will be that you have to go through a PS
- PDF step before sending to the printer, though.
I have forgot the exact problems, but I
Villenave:
About production vs unstability: thanks a lot for these explanations.
I will quote you (if you don't mind) on next week's issue, as a
follow-up to this week's article.
...
I don't mind.
Regards,
/Karl
___
lilypond-user mailing list
Karl Hammar wrote
Till:
8.5 Transcription of ancient music
Why not call it Editing or Making an edition, but transcription is
also fine.
I think we'll stick with Transcription - it seems closer to the action
being performed by those working with ancient music, who usually
want
Trevor:
...
OK, draft 8 will say:
.6 Editorial markings
.1 Annotational accidentals (was Musica ficta accidentals)
(2.8.4)
.2 Ligature brackets (was Ligatures)
(2.8.2.4)
I don't regard ligature brackets as an editorial thing, since it
is just the modern way
Till:
Trevor Daniels schrieb:
...
.3 Baroque rhythmic notation (new)
Karl:
We don't have lilypond examples of this. I have seen this in a Novello
score for Purcells Dido. So I suggest we drop this for the moment.
(Though an ossia section might show what the editor want.)
We
Trevor:
The latest draft for the revision of the headings to NR 2 is attached.
...
changes have been made and text has been reassigned. For now the discussion
on Ancient notation is Closed, with thanks again to Karl and Till.
Ok with me.
Regards,
/Karl
Kurt:
On 2008/04/09 3:45 PM, Karl Hammar [EMAIL PROTECTED] wrote:
Trevor Daniels schrieb:
...
.3 Baroque rhythmic notation (new)
Karl:
We don't have lilypond examples of this. I have seen this in a Novello
score for Purcells Dido. So I suggest we drop this for the moment
Attached program finds dependencies in lilypond files.
E.g.:
$ grep include Sliv.ly global.ly
Sliv.ly:\include global.ly
Sliv.ly:\include Mliv.ly
Sliv.ly:\include score.ly
global.ly:\include choirbook.ly
global.ly:\include ../common/global.ly
$ depend_ly ps Sliv.ly
Sliv.ps:Sliv.ly
Till:
...
@Karl:
I think, these editorial tricks are not only specific to ancient music --
No, they are not. They are just more common in editions from earlier
sources.
and there is also enough material in the staff section that should allow you
to create an additional staff (ossia) above
-
This is a multipart MIME message.
Karl:
Attached program finds dependencies in lilypond files.
E.g.:
$ grep include Sliv.ly global.ly
Sliv.ly:\include global.ly
Sliv.ly:\include Mliv.ly
Sliv.ly:\include score.ly
global.ly:\include choirbook.ly
global.ly:\include ../common/global.ly
Don:
Is there a way to direct LilyPond to use the .mid extension as opposed
to .midi? I see in the archives that the choice of extensions has been
discussed, but I can find no way to change it.
From version 2.8 (I think) and up, find the file:
midi.scm
Edit that file, go to the end of it:
CDon:
Karl Hammar wrote:
change the .midi to .mid, and you should get what you want (though I
have not tested it).
Thanks Karl, this looks promising but does not work. There is a TODO at the
top of the file stating:
;; this is broken: we should not ever export variables from
Tell me one application that allows midi and doesn't allow mid.
I consider it a bug that programs are picky about file extensions.
I think this decision of choosing .midi was the result of an unpractical
idealistic approach.
I consider this a bug.
Bert
Regards,
/Karl
have a -dmidi-extension=mid, and change the default for the
Windows binary.
Any takers for this?
Yes, but not before the 26th. I am busy next week.
Regards,
/Karl
---
Karl HammarAspö Data
Hans:
On 17 May 2008, at 16:48, Han-Wen Nienhuys wrote:
I think the proper solution is to softcode this, so
we can have a -dmidi-extension=mid, ...
...
On UNIX system, one might have a startup file $HOME/.lilypond
defining such options. Then the startup arguments (and .ly files)
Hans:
On 17 May 2008, at 22:15, Karl Hammar wrote:
...
I would be nice to be able to do like
lilypond a.ly .. o.ly z.ly
i.e. treat a.ly .. o.ly as if they where included in z.ly, without
having to say so in z.ly.
This would walk down the path of C-like compilers.
Is that a bad
Hans:
On 17 May 2008, at 23:00, Bertalan Fodor wrote:
Also .lilypond is a good idea, it should work as init.ly but from
the user's home dir.
If one has more that one file, .lilypond could be made into a
directory instead. Various programs use this setup.
The problem with this is if
Valentin:
2008/5/17 Han-Wen Nienhuys [EMAIL PROTECTED]:
we can have a -dmidi-extension=mid, and change the default for the
Windows binary.
Another feature that would be greatly appreciated (once again, this is
an idea from the French list) would be the ability to define separate
output
Nicolas:
Le 18 mai 08 à 00:24, Karl Hammar a écrit :
Actually what I would like is some way to tell on the command line
that
this run should have /ancient fonts/c-clefs/modern clefs/... so I
could
easily switch style without having to write a new file.
You can already do
Reinhold:
In one of my scores, I'm writing two pages with the lyrics of a mass,
together
with the corresponding German/English translations. I'm using
\fill-line {
\column{Latin text...}
\column{German text...}
\column{English text...}
}
to generate the three columns. However,
Philip Chinery:
I am working on a small songbook script and I would like to embed the
lilypond pdfs (one pdf per line) into my pages. Is there a way to call
lilypond without having to create a surrounding tex file for that?
...
Yes, there is.
I am on the run so this message is incomplete, but
Valentin:
2008/6/30 Peter Kaplan [EMAIL PROTECTED]:
I am producing an edition in 4/2 time, but I would like to use the
traditional
symbol for cut time (¢) rather than the numerical signature (4/2). Is
there a
straightforward way to do this and still have lilypond create measures that
Ok, but which is the Grob Name to define the direction of the bracket?
In this version of the manual there is no mention to the analysis bracket.
Hugo
Graham Percival escreveu:
This is certainly possible, but you need to construct the tweak
yourself. Please read LM 4 in the 2.11 docs;
Jesse:
I'm trying to duplicate a renaissance Palestrina-type score from a
book called The Craft of Modal Counterpoint by Thomas Benjamin. I
want to remove the barlines from the height of the staff but keep the
barline spanners that span the space between each staff in a score.
How can I do
Hugo:
When I compile my lytex file with a piano music example, it seems that
LaTex shrinks the space between systems, so the output is not ok. The
systems looks too tight. When I compile only the music example, the
distance between the system are ok.
Note that I am talking about the
Graham:
On Thu, 17 Jul 2008 09:03:07 +0100
Mark Knoop [EMAIL PROTECTED] wrote:
Given the number of emails on this list about slur, tie, etc problems
arising from using the { ... } \\ { ... } polyphony method,
would it perhaps be a good idea to at least include an example of the
right
Daniel:
Karl Hammar wrote:
Graham:
On Thu, 17 Jul 2008 09:03:07 +0100
Mark Knoop [EMAIL PROTECTED] wrote:
Given the number of emails on this list about slur, tie, etc problems
arising from using the { ... } \\ { ... } polyphony method,
would it perhaps be a good idea to at least
Steven:
...
into the tenor voice. I've tried inserting the command \set
associatedVoice = #three one syllable before the point where the
voice association needs to change to tenor but what happens is simply
that the lyrics stop happening altogether (at that point). My thinking
...
Daniel:
On Thu, Jul 17, 2008 at 10:53:03PM +0200, Karl Hammar wrote:
Daniel:
Why not? I find myself wanting to go into two (or three) voices and back
again very frequently when typesetting percussion parts, and the 'right'
way is far too long-winded - often it would be longer than
Kurt:
On 2008/08/18 2:52 PM, Neil Puttock [EMAIL PROTECTED] wrote:
... unfortunately, it's not clear from the regression
tests for ancient music
since they are so small and the change in
spacing is barely visible unless you
have a fair sized example.
I happen to have a fair-sized
Thomas wrote:
On Sat, 2008-08-30 at 22:16 +0100, Rob Canning wrote:
the debian package lilypond-data has a pre-depend of texlive though
lilypond no longer has a runtime dependency on tex
...
As long as lilypond-book is included there is a dependancy on latex.
Regards,
/Karl
Reinhold wrote:
Am Sonntag, 31. August 2008 schrieb Karl Hammar:
Thomas wrote:
On Sat, 2008-08-30 at 22:16 +0100, Rob Canning wrote:
the debian package lilypond-data has a pre-depend of texlive though
lilypond no longer has a runtime dependency on tex
...
As long as lilypond
Valentin wrote:
2008/8/31 Mats Bengtsson [EMAIL PROTECTED]:
Well, it is only recommended if you want to use lilypond-book
in conjunction with latex to produce a document. In that
case, it's pretty obvious to anybody that you need a tex
distribution anyway. However, for the 99% of the
Ole wrote:
...
Maybe there is someone in the list who can take a look at the scripts
and make them working. For someone who is familiar whith that stuff it
must be easy... (see the link below)
I don't know TexShop, here is my guess.
Edit the file, this is the end of it. And remove the
and then combine the ps/pdf's to one file?
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö 148
S-742 94 Östhammar
Sweden
+46 173 140 57
___
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Anders:
I thinking about translating Lilypond to Swedish.
If you need help, please feel free to ask me.
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö 148
S-742 94 Östhammar
Sweden
+46 173 140 57
://humanities.uchicago.edu/orgs/ciao/Introductory/Essays%20from%20CIAO/Petite%20Messe%20versions.htm
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö 148
S-742 94 Östhammar
Sweden
+46 173 140 57
this, but would suggest creating your text markings as shown
in
http://lilypond.org/doc/v2.17/Documentation/notation/expressive-marks-attached-to-notes#new-dynamic-marks
s4_\markup{ \dynamic f}\ does not work well, otherwise it works well.
Regards,
/Karl Hammar
Xavier Scheuer:
On 31 December 2012 15:22, Karl Hammar k...@aspodata.se wrote:
How do I merge Ds and Ms below so it will behave as if I wrote the
dynamics together with the notes?
(snip)
If I use \Ms \\ \Ds the dynamics will come out to the left
(compared to the in the notes
of
collision with lyrics. Have you considered this?
No, but that is a possibility. I kindof prefer to have it below.
Lilypond default seems to have it below.
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö 148
S-742 94 Östhammar
Karl Hammar:
Xavier Scheuer:
On 31 December 2012 15:22, Karl Hammar k...@aspodata.se wrote:
How do I merge Ds and Ms below so it will behave as if I wrote the
dynamics together with the notes?
...
\Ms \Ds % without the \\
will behave as if you wrote the dynamics together
James Bailey:
On Dec 31, 2012, at 3:22 PM, Karl Hammar k...@aspodata.se wrote:
How do I merge Ds and Ms below so it will behave as if I wrote the
dynamics together with the notes?
... [ ly code for Ms and Ds ] ...
If I use \Ms \\ \Ds the dynamics will come out to the left
(compared
to make the choir respect the rhytmics and
dynamics.
Gould, page 434: Dynamics, expression marks and verbal instructions go
above the stave in order to leave space below the stave clear for the sung
text.
Thanks for the citation.
Regards,
/Karl Hammar
David Kastrup:
k...@aspodata.se (Karl Hammar) writes:
...
This looks like a bug.
\version 2.17.10
Ms = \relative a' { c4 c c c | }
Ds = \relative a' { s\p s s\f s | }
Ma = \relative a' { c4\p c c\f c }
\score {
\new Staff \relative a' { c4\p c c\f c | \Ms \Ds
David Kastrup:
Phil Holmes m...@philholmes.net writes:
From: Karl Hammar k...@aspodata.se
Yes, you can place the dynamics above the staff, but I don't really
see the point of that. Now your forte collides with the tempo
mark. And in choir notes it would only solve any potential
I am looking for a presentation about lilypond,
are there any available?
Regards,
/Karl
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I had trouble finding anything in the list archives that helped and I
have read (I think) every piece of documentation on inserting lyrics
that is on the website.
I know the feeling, and still, it is there somewhere.
My song compiles fine without errors (now). But I get no lyrics in the
On 27-Mar-05, at 5:37 AM, Luke Palmer wrote:
I'm transcribing a 15 part orchestral piece, and we've come to the
point
of putting in tempo markings. After doing it the obvious way for a few
parts (r1^\allegroMaNonTroppo), I decided it might be better to create
a
mock staff
http://lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond/Hiding-
staves.html#Hiding-staves
Above link tells me how to hide staves with only multi
mesure rests on a line.
If I have a piece (with lots of voices) starting with a
\partial 4, how do I make the first line dissapear in the
Hi all lilyponders,
I can't solve note collision in the following example ; I send a picture
of the collision.
I tried to use the following instruction to push a note :
\once \override NoteColumn #'force-hshift = #10
with no result.
Is it a bug or am I bugged myself ?
MX
You
Hi :)
In case you didn't read my original post:
I am creating a score for a piece of H. Schütz with Lilypond 2.2.5
(with Fink on Mac). When setting this old kind of music it is often
better to not use a standard Choirstaff, but to use the bar lines only
between the bars. As far as I
How do I remove the unwanted explicit flats in the next to last
measure in:
\version 2.4.2
\relative c'' {
\override Score.BarNumber #'break-visibility = #end-of-line-invisible
\mark #03
\clef treble
\key c \minor
a2 b |
d1 |
\mark #04
\set Score.currentBarNumber = #1
d2 es8.
In example below:
\version 2.4.2
#(define a satb)
#(define (br x) (if (equal? x a) (write \\break)))
%#(define (br x) (if (equal? x a) (make-music 'BreakEvent)))
%#(define (br x) (if (equal? x a) #{ \break #} ))
asd = \relative g' {
g1 |
#(br satb)
%\tag #'(satb) { \break }
g1 |
}
On 1-Apr-05, at 12:38 PM, Karl Hammar wrote:
If I use \partial 4 R1*1/4, it will work in the full score,
but it gives me a lot of:
Music.23.ly:10:18: warning: barcheck failed at: -1/4:
\partial 4 R1*1/4
|
True; cc'd to bugs. BTW, you can use R4 instead
---
Karl HammarAspö Data [EMAIL PROTECTED]
Lilla Aspö 2340Networks
S-742 94 Östhammar +46 173 140 57 Computers
Sweden
Can you point me to an image of this symbol?
In my experience, this rest looks like a backward eighth-rest;
I've seen it in some music theory books printed exactly as a 8th rest
mirrored over a vertical axis.
Go to:
. -name \*.ly |
xargs grep $from |
cut -f1 -d: |
while read a
do
qs $a
done
--
Regards,
/Karl
---
Karl HammarAspö Data [EMAIL PROTECTED]
Lilla
,
/Karl Hammar
[1] p.134 in Gustav Reese, Music in the Middle Ages, Dent 1940
[2] http://en.wikipedia.org/wiki/Helmholtz_pitch_notation
[3] http://en.wikipedia.org/wiki/Scientific_pitch_notation
---
Aspö Data
Lilla Aspö 148
S-742
that have been involved
in typesetting for pay.
And I don't know if I can get any interest from the Univ. (they used
Sibelius a few years ago) or the Church.
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö 148
S-742 94 Östhammar
{ }
{ } { }
{ } \\ { }
create new voices, so you have to tell lilypond every voice it's name
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö 148
S-742 94 Östhammar
Sweden
+46 173 140 57
\version 2.16.1
mA = \context Voice
the default behaviour set in
default-time-signature-settings?
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö 148
S-742 94 Östhammar
Sweden
+46 173 140 57
___
lilypond-user mailing list
David Kastrup:
k...@aspodata.se (Karl Hammar) writes:
For the questions I ask, see last in mail.
I'm trying to set the automatic beams in \time 4/4 like
a8[ a] a[ a] ..., so I'm looking at the example in
Documentation/out-www/notation.pdf (it says for version 2.15.15 on
page 1
for a
programmer. Probably some combo of lilypond with make.
...
I write in latex and include eps generated from lilypond.
as in http://turkos.aspodata.se/git/musik/songs/sommar.tex
and I'm using make.
Regards,
/Karl Hammar
---
Aspö Data
Hello all,
are there any lilypond presentations available I could use this week
when presenting lilypond for a few musicians here at Uppsala Cathedral.
Regards,
/Karl Hammar
---
Aspö Data
Lilla Aspö 148
S-742 94 Östhammar
Janek:
2013/6/24 Karl Hammar k...@aspodata.se:
Hello all,
are there any lilypond presentations available I could use this week
when presenting lilypond for a few musicians here at Uppsala Cathedral.
What kind of presentation are you looking for? I mean, in-depth stuff
showing how
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