We use meantone in our ensemble for the singers and instrumentalists,
for 17th century music, and I have a series of exercises to quickly
get everyone locked in.
Concerto Palatino plays exclusively in meantone with singers and
instrumentalists--they are the best I have heard at it.
Loekie
I only play a toy theorbo in public.
The Lorenz Fitzgerald contractions. Horrible.
dt
At 07:47 PM 2/16/2009, you wrote:
And then, since we are in a gravity well, you'll need to account for the
local curvature of space...
-Original Message-
From: Robert Clair [mailto:rcl...@elroberto.com]
If you tune some of the notes to 415 and some to 370 and some to 465
you can get baroque tuning.
dt
At 02:33 AM 2/14/2009, you wrote:
Clearly all this is subject to considerations of local pitch standards
and national preferences...
There you go. Proclaim A to be
Dowland transposed all the time--except he put the music into a MORE
difficult key.
dt
At 02:00 PM 2/14/2009, you wrote:
Hi all,
I think Dowland himself would not have objected to transposing a lute
song to suit the tessitura of a particular singer.
Most of his songs can quite comfortably be
I routinely play lute songs down a whole step and that is normally
the best transposition.
If reading it down a step is daunting, just download the Fronimo
file from Sarge's website and have the computer do a rough
transposition. You will have to clean up some of the voice leading.
I also keep
David's is the only one I have measured that works, but perhaps some
of the other ones work.
dt
At 11:58 AM 2/8/2009, you wrote:
Charles Browne wrote:
There is a fret placement spreadsheet on the LSA website that will
provide you with all the information without re-calculation. It
will give
If all the pictures show us that the RH was at
the bridge, then many of the pictures have gone missing.
dt
At 12:33 PM 2/8/2009, you wrote:
From: Mathias Rösel mathias.roe...@t-online.de
All instruction from the period tell us and the pictures
show us that the right hand was at the bridge.
I'm assuming the Vermeer doesn't count
dt
That quote by Barto was bearing on the baroque lute, distinctively. I'm
not aware of even one painting / engraving / whatever of baroque lute
players, showing a different position.
Mathias
At 12:33 PM 2/8/2009, you wrote:
From: Mathias Rösel
,
Eugene
-Original Message-
From: David Tayler [mailto:vidan...@sbcglobal.net]
Sent: Monday, February 09, 2009 3:18 PM
To: lute-cs.dartmouth.edu
Subject: [LUTE] Re: RH position, was: Dilettantism
Obviously, because there were no lefty lute players. Except for
Leonardo da Vinci
: David Tayler [mailto:vidan...@sbcglobal.net]
Sent: Monday, February 09, 2009 3:18 PM
To: lute-cs.dartmouth.edu
Subject: [LUTE] Re: RH position, was: Dilettantism
Obviously, because there were no lefty lute players. Except for
Leonardo da Vinci.
There are some nice lefty
You can do one in three, three in ten.
Depends on how much you want to practice.
dt
At 03:43 AM 2/6/2009, you wrote:
I've been bothered by the charge of dilettantism (someone who prefers
diversity to virtuosity) which was raised on this list recently. How
many different instruments
.
Alexander
- Original Message - From: David Tayler vidan...@sbcglobal.net
To: lute-cs.dartmouth.edu lute@cs.dartmouth.edu
Sent: Friday, February 06, 2009 10:55 AM
Subject: [LUTE] Re: was trench fill now exact replica
What I'm saying is that it is possible to build an exact replica
because
- Original Message - From: David Tayler vidan...@sbcglobal.net
To: lute-cs.dartmouth.edu lute@cs.dartmouth.edu
Sent: Tuesday, February 03, 2009 2:10 PM
Subject: [LUTE] Karamzov--was Trench Fill
I think Karamazov is at his best when he adopts techniques from
historical keyboard players.
His
I hear quite often no one can make an exact replica
But of course in the art world, this happens all the time.
My comments are merely to point out that not only is it possible, but
that it has been dome already.
I honestly don't know what the big deal is.
David v.O. comments are certainly
I can vouch that David's system works perfectly and as I result I owe
him a beer for life.
dt
At 02:53 PM 2/7/2009, you wrote:
On Sat, Feb 7, 2009 at 11:33 PM, Stuart Walsh s.wa...@ntlworld.com wrote:
Did someone once put up a calculator which which worked out fret positions,
in meantone,
What I'm saying is that it is possible to build an exact replica
because it has already been done on a large scale for books,
painting, scores, sculpture and musical instruments.
Hey, the Capirola Lutebook could be a forgery. It is a good
candidate. Some of the forgers were true geniuses.
I'm
:
On 2009-02-04, at 21:30, David Tayler wrote:
BTW, the tremolo is more interesting than the vibrato in early
recordings. People stopped using it. And it sure sounds better
without it. I'd trade vibrato for tremolo any day. Nobody talks
about that, but it is the biggest single change
gets what one believes in.
Alexander
David Tayler wrote:
Let's assume that 30 percent of these old instruments are fakes,
which is a reasonable assumption. Maybe the number is higher, maybe
it is lower. But a good percentage of them are fakes, of course.
Then it is possible to make an exact
as strong as the rattle of dice in a box was the way it was described :)
dt
At 12:23 AM 2/5/2009, you wrote:
On 2009-02-04, at 21:30, David Tayler wrote:
BTW, the tremolo is more interesting than the vibrato in early
recordings. People stopped using it. And it sure sounds better
without
book
discusses, there is a lot more to dig your teeth in teeth in, I would still
like to know what you find so distasteful?
Have you actually read the book?
All the best
Mark
-Ursprüngliche Nachricht-
Von: David Tayler [mailto:vidan...@sbcglobal.net]
Gesendet: Mittwoch, 4. Februar 2009
Let's assume that 30 percent of these old instruments are fakes,
which is a reasonable assumption. Maybe the number is higher, maybe
it is lower. But a good percentage of them are fakes, of course.
Then it is possible to make an exact replica, because it has already been done.
dt
At 09:15 AM
of the main criticisms of HIP.
But HIP is just as Haynes says is a statement of intent and not a claim to
be modern or upholding the thousand year tradition of the prophets.
All the best
Mark
-Ursprüngliche Nachricht-
Von: David Tayler [mailto:vidan...@sbcglobal.net]
Gesendet: Dienstag, 3
Players getting better:
They are better at everything.
One can of course argue that they are getting worse, or, even worse,
staying exactly the same--those would seem to be the options--
but I have watched the lute scene now for forty years, and we have
come a long way, we play better, have
/3/2009, you wrote:
From: David Tayler vidan...@sbcglobal.net
I'm old fashioned, I guess; I think the old ways are better.
Some are. Some aren't.
I've no objection to musical freedom, I just advocate try then decide.
I also think one learns more form one note of a great player than a
whole book
Just do your own paper edits--
I find I do two clean takes, and the rest are all improv takes, fun
takes, and I get to choose some really nice things--much closer to a
concert performance.
Or hire me to produce ;)
dt
I have become better, through recording. Concentration improved,
accuracy
It's much simpler than that, we are playing the trill backwards.
I'm just suggesting to try it the other way round. That's it. People
can play it anyway they want (they will anyway)--that's a good thing.
You can take any aspect of the lute, I mean you could take the
strings off, glue the pegs
in the 50s--
The old ones are awfull. Bad sound, bad
technique, out of tune, bad ensemble. Square phrasing, dreadful continuo
Over time, they got better. We all got better.
I'm better. I sure hope everyone else is, too.
dt
At 03:00 PM 2/3/2009, you wrote:
David,
--- David Tayler vidan
reading for any early music performer.
But maybe it is just too spicy
All the best
Mark
-Ursprüngliche Nachricht-
Von: David Tayler [mailto:vidan...@sbcglobal.net]
Gesendet: Dienstag, 3. Februar 2009 23:11
An: lute-cs.dartmouth.edu
Betreff: [LUTE] Re: Haynes Book, was French trill?
Well, I
I'm old fashioned, I guess; I think the old ways are better.
I've no objection to musical freedom, I just advocate try then decide.
I also think one learns more form one note of a great player than a
whole book of deconstructionist.
dt
At 04:40 AM 2/2/2009, you wrote:
As you might expect - I
Fret loose and Fancy Free,
dt
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
I see the XI as meaning a note above X
It would have been immediately obvious to the player what note was called for.
If that's the case, these aren't typos but shorthand; ealy notation
always has an element of shorthand.
Also, the tab does not refer to a half-step; the half step ideogram
is a
amazing to me, indeed, how a baroque piece that starts with
a 7th
in the opening chord, comes to your mind just like that.
As you asked David, I'll refrain from answering that particular
questio.
I didn't mean to ask David Tayler exclusively because I prefer open
discussions
Just google sarge and lute if in doubt
And everyone should nominate Sarge for an award of some kind--perhaps
the Knight of the Lute
dt
Linky:
http://www.gerbode.net/
At 03:32 PM 1/31/2009, you wrote:
I have lost the link to Sarge Gerbode's web site of Fronimo files. Can
someone please
Yes, but you would rarely double the F sharp anyway, It could mean
his counterpoint is a bit stricter.
Still, it could be influenced by the tuning.
dt
At 05:00 PM 1/31/2009, you wrote:
Mudarra, in his Tres Libros... of 1546 uses (only once, in #38
Fantasia (quinto tono), Lib. II, f. 14,
, Jan 29, 2009 at 1:40 PM, David Tayler vidan...@sbcglobal.net wrote:
Technically, you needed a sign at the entrance. Which I'm sure you
For this gig I had to show up with my passport some weeks in advance,
on the day of the concert arrive _very_ early, show a personal pass
with digital info that I
Absolutely--I'm not claiming to be an expert, I have just read all
the literature and all the sources.
Open dialogue is the way to go!
dt
I didn't mean to ask David Tayler exclusively because I prefer open
discussions rather than dialogues, and, second, David is not the only
I had a similar shock the first time I played Les Indes of Rameau
with Jordi, it was the original, and the bass line was BARITONE clef,
and there were figures above the line AND below the line.
Yikes! And the Rondeax, yes, it is a frog in a blender.
dt
At 03:04 PM 1/30/2009, you wrote:
On Fri,
may think it is
backwards, some may think it is forwards, I think it is being played backwards.
These are not my ornaments! I don't need to defend them, they have
survived 400 years just fine, please play them if you find it fun.
Any which way.
Best wishes,
David Tayler
`I don't understand
Technically, you needed a sign at the entrance. Which I'm sure you
had, I saw it!
dt
At 01:05 AM 1/29/2009, you wrote:
On Sun, Jan 25, 2009 at 6:10 PM, David van Ooijen
davidvanooi...@gmail.com wrote:
Sort of anyway.
This morning's live radio was on internet as well:
An opportunity to use thumb position in a rare moment of cello envy.
It is so fun :)
d
At 11:03 PM 1/27/2009, you wrote:
=== 28-01-2009 05:04:31 ===
The vast majority of the early lutes had no body frets, and the high
notes can be easily and with a nice but distinctively different
of Lambert At 02:16 AM 1/28/2009,
you wrote:
David Tayler vidan...@sbcglobal.net schrieb:
Without wishing to go too far down this path, modern performance
practice does not really reflect the historical sources for trills
and other ornamnents. The appogiatura was as long or longer
You can hear my harmonization of Joy to the Person here
http://tinyurl.com/JoytothePerson
I used chords that I found for similar pieces in English and Dutch
collections of tune arrangements
To my ear, the Musica Britannica harmonization does not reflect the
shape of the line--Rob is right, it
, winds players are now doing.
A big opportunity.
dt
David Tayler vidan...@sbcglobal.net schrieb:
Have you looked at the Principes de musique of Monteclair, because
that I think is one of the most important sources for ornamentation
practice,
There's certainly no argument
Presumably there were no frets.
dt
At 01:33 AM 1/27/2009, you wrote:
Dear Richard,
Presumably he didn't have an 11th fret, so his 11th fret is our 12th, if
you see what I mean. :-)
A similar thing happens, if I remember right, in the Holmes MSS in
Cambridge, where the letter m is used for the
The vast majority of the early lutes had no body frets, and the high
notes can be easily and with a nice but distinctively different sound
played all the way up the B flat (imaginary fret 15) on the soundboard..
Some lutes either show body frets or curious decorative squiggles,
but these are a
The best way is to save your video in AVCHD (or H264, it is the same)
in 720p, non interlaced, widescreen, square pixels, 11 mbps, 320kbs
audio (preferably 44.1).
That way, your video will be future proofed, in addition to looking
good in full screen.
In addition, you can then specify a custom
www.mignarda.com
Date: Tue, 27 Jan 2009 19:58:00 +
To: lute@cs.dartmouth.edu
From: mathias.roe...@t-online.de
Subject: [LUTE] French trill?
Dear Collected Wisdom,
in several threads, Stewart, David Tayler, Jorge, et al nicely sorted
out
Deciding whether to boil the horse and then pluck the vulture, or just fish.
dt
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Locally anhemitonic.
dt
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Milli Vanilli--it was taped.
dt
At 11:01 AM 1/21/2009, you wrote:
If you were wondering what that music was while Kathy Couric was
talking, it's all here
http://inaugural.senate.gov/documents/doc-2009-inauguralmediaguide.pdf
Try pages 20, 26, 28 and 46. Use Ctrl+Shift+N to go to a specific
The Expiration springs to mind, Ferrabosco.
dt
At 01:59 PM 6/16/2008, you wrote:
Dear Wisdom,
What lute and voice settings are there of poems by John Donne (a long-time
favourite poet of mine)? I'm also interested in settings for viols and voice
or voices.
Rob MacKillop
--
To get on or off
My new CD is up on Magnatune--as always, free to listen!
dt
http://magnatune.com/artists/albums/voicesofmusic-bachtelemann/
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Y'all are welcome to sit in.
dt
At 12:37 AM 1/24/2009, you wrote:
I am jealous. What a great band to be in!
Rob
2009/1/24 David Tayler [1]vidan...@sbcglobal.net
My new CD is up on Magnatune--as always, free to listen!
dt
[2]http://magnatune.com/artists/albums
I'm not sure about the background noise, probably the strongest
single component comes from the Organ Bellows--that's about 15dB of
white noise, plus, because it is entirely mechanical there is quite a
bit of wood on wood sound from the stickers.
Then there is the Bay Area airplane background
ppl could put an index in the keywords, like
LHRIN
Lute hot renaissance Italian noodles.
We just need a lutey decimal system.
dt
At 04:03 PM 1/24/2009, you wrote:
Well, perhaps some kind soul could make an index manually? To his/her own
pages? Anyone volunteering? ;-)
Arto
On 1/24/2009,
Considering the text, it is doubtful that he wrote it for his daughters.
dt
t 02:59 PM 1/15/2009, you wrote:
Greetings all and Happy New Year,
Does anyone know the origin of this song? I've heard it was written
for Pilkington's daughters but I can't find any corroborating
evidence. All help will
The black bird of night in Flow my tears refers most likely to Erebus and Nyx.
dt
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
G
dt
At 12:20 PM 1/5/2009, you wrote:
Although I'm primarily interested in Ren music, I haven't been able to
resist the temptation to dabble in continuo a bit (we have a continuo
group in Seattle, loosely modeled on Pat's Continuo collective). I'm
afraid that I might have
I this story because it is both fake and true.
No one ever mentions that in the NY subway musicians often draw a
gigantic crowd of people who stop and listen for long periods, paying
careful attention.
One has to consider the possibility that it wasn't very good. The
music world is eternally
Arto makes a good point about E Major Vivaldi.
But in, for example, in the Four Seasons, you have E Major
and then the other three are F minor, G minor, F major, all of which
are far better in G.
And so it goes!
Looking down the road, you want to be in a position where you are
playing good
But the Korg is not accurate as far as dB,
dt
At 04:17 PM 1/6/2009, you wrote:
I think the calibration data are important. We are just seeing a
picture of a sound with no reference data to compare it to.
I would want to pop a couple of waves through to test the equipment,
square in, square
Mersenne gives 20 seconds as the ring length, which is longer than
the Pyramid strings ring on my lutes.
Obviously, they had some strings we don't have, one candidate would
be the brass core overspun with gut or silk which you see on some
Asian instruments.
I'm sure they had other types as
I think the calibration data are important. We are just seeing a
picture of a sound with no reference data to compare it to.
I would want to pop a couple of waves through to test the equipment,
square in, square out, etc.
dt
At 09:39 AM 1/2/2009, you wrote:
Also, you would expect a brief
For your entertainment, the rarely performed Buonamente Ballo del Gran
Duca
[1]http://tinyurl.com/Granduca
This piece is one of a number of works from the 17th century that
presents a thorny performance practice issue: in Divisions, do you play
the really really fast notes up to
The fundamental should be present in your data set. Are you using a
measurement microphone?
dt
At 02:01 PM 1/1/2009, you wrote:
Using computerized Fourier analysis, I measured spectra
of lute sound, using all strings in courses 1-6, plucked
with good tone.
Several unexpected features cropped
hey ray
you have to have keyboard, but if you really don't, try to find an
organ realization so you can quickly figure out the chords. Look for
harmony changes in the middle of the recits when the bass is not
moving--they are often dominant chords but can be other things as well.
It is not an
Ther DPA 4090 is an excellent little microphone,
though perhaps a tad noisy for lute with a noise
figure of 23dBA (reference 20µPa).
Compared to the 10dBA or 11dba from the full
line of Sennheiser and Schoeps omnis.
A very nice mic nonetheless.
dt
At 01:00 PM 12/18/2008, you wrote:
Dear
-
Von: David Tayler [mailto:vidan...@sbcglobal.net]
Gesendet: Freitag, 19. Dezember 2008 10:18
An: lute-cs.dartmouth.edu
Betreff: [LUTE] Re: Recording, Lute Flute making
Ther DPA 4090 is an excellent little microphone,
though perhaps a tad noisy for lute with a noise
figure of 23dBA (reference 20µPa
Yup--
The double first course is sorta the sleeper in historical lute performance.
Along with the double course theorbos.
The top course doubled sound terrific at a
slightly lower pitch, seamless transition among the top three courses.
dt
At 04:47 AM 12/19/2008, you wrote:
On Fri, Dec 19, 2008
I think relativeley rare is about right, maybe
medium rare. There are enough examples that we
know that there was a presence, and not truly
rare, but not enough examples to think in terms
of either or. Some very interseting iconography
for earlier instruments as well.
It is a terrific sound,
Just rewrite them and play and play them till they sound the same as
you think they might have sounded if you knew them from childhood back then.
dt
At 01:16 PM 12/15/2008, you wrote:
Dear lutenists,
after having played and arranged quite a few pieces to lute, one perhaps
interesting idea
Much needed and important work!
dt
At 01:10 AM 12/16/2008, you wrote:
Dear lute friends
Finally the work of François-Pierre Goy on the accords nouveaux is
easily accessible! We made a homepage with some very important files:
the thesis of F.-P.Goy as PDF with hyperlinks
Datenbank PAN =
It will happen! Soon!
Also, one can put up lute songs and so on.
dt
At 11:06 AM 12/14/2008, you wrote:
Now who is going to put some not too challenging duets into the same
format for us???
To get on or off this list see list information at
This is a very interesting piece of work, and obviously a great deal of effort.
I'll have to read it very carefully, but on first reading it appears
to completely flatten the text, like rendering layers in photoshop.
This is particularly evident in if my complaints where the poet
uses the word
The new HD feature of youtube opens the door to all sorts of
possibilities for sharing music, or even sing-alongs--or play alongs.
You can view the score to the Prelude in D minor here, and play along,
or turn the sound off, etc.
[1]http://tinyurl.com/bachscore
The score here
Here is the vimeo version as well.
http://www.vimeo.com/2517881
I've tweaked the youtube settings so it will still look good in full
screen mode if viewed in HD
I'll be posting some TAB later on, if people are interested.
dt
At 05:07 PM 12/13/2008, you wrote:
The new HD feature of
Message -
From: David Tayler vidan...@sbcglobal.net
To: lute-cs.dartmouth.edu lute@cs.dartmouth.edu
Sent: Saturday, December 13, 2008 8:07 PM
Subject: [LUTE] sing along with Bach
| The new HD feature of youtube opens the door to all sorts of
| possibilities for sharing music, or even sing
I depends on how you play, but it is not the same technique. You
should try it anyway :)
dt
At 02:13 PM 12/11/2008, you wrote:
Assuming a poor lost sheep (excuse the pun) had learned to play on carbon, and
then, suddenly, began trying to play gut strings. Would he have to modify his
technique
day jobs--nothing wrong with that, I worked some pretty bad jobs in school.
And why should there be so few professional concert artists on the
lute? We can change this.
dt
At 11:52 PM 12/9/2008, you wrote:
Am 9 Dec 2008 um 14:47 hat David Tayler geschrieben:
7. All editions should
I think everyone has their faves, just like the original copyists.
Here's a few themes:
1. Landscape vs portrait--
Both existed historically, some formats work better for some music.
But see below
2. Diplomatic facsimile--hints at, or strongly resembles the
original. A very good choice for many
Many Libraries have microfilm scanning stations.
There's one at the UCB music library, for
example. Bring a USB drive and scan away.
dt
At 01:56 PM 12/6/2008, you wrote:
I'm no rocket surgeon but I've taken fine, sharp pictures just holding
a loupe in one hand between a 3.2meg digital camera
Beautiful playing; the glowing eyes in 2434865
gives it a king of Lutestar Galactica look.
dt
At 12:11 AM 12/5/2008, you wrote:
Hi folks,
I have tubed another Ballard set to YouTube and Vimeo:
Pieces in g-minor (Volte in major)
* Entrée de luth sixiesme
* Courante the music
* Volte
youtube has gone HD. Check it out--just click the HD link
http://www.youtube.com/watch?v=JvNQLJ1_HQ0
http://www.youtube.com/watch?v=JvNQLJ1_HQ0
http://www.youtube.com/watch?v=aNYNJ85GgGc
dt
To get on or off this list see list information at
You may have to change your preferences to see the HD button.
It works on all the computers I have tried--the quality is absolutely great!
dt
At 11:58 PM 12/3/2008, you wrote:
youtube has gone HD. Check it out--just click the HD link
http://www.youtube.com/watch?v=JvNQLJ1_HQ0
: David Tayler [mailto:[EMAIL PROTECTED]
Sent: 04 December 2008 16:46
To: lute-cs.dartmouth.edu
Subject: [LUTE] Re: HD
cello
The 5 string cello enjoyed a wave of popularity in the baroque
period, in some countries it was more popular than the four string
version. That's an original instrument
If it is real meantone, you will see it immediately, if it isn't, you won't.
MT has major and minor semitones, so you will see BIG FRET l'il fret.
dt
At 12:46 PM 12/4/2008, you wrote:
I seriously doubt that the cittern (or at least the neck and pegbox ) is
from 1579.
I am sure the museum would
Depends on the variety, but gut or silk for the
six course. Silk sounds amazing.
dt
At 11:42 PM 12/2/2008, you wrote:
Interesting to start this topic now, because this morning I just have a
question on YT by a mandolin player, playing since five years, mostly early
music, and wanting to take
Before I forget, you can hear Nigel North play the baroque mandolin
in an episode of Inspector Morse. I was watching the TV, heard the
music, assumed it was him--but had doubts, as it was coming through the TV.
What a great gig.
dt
To get on or off this list see list information at
The Galliard to Lachrimae is nice, the solos in LoST, the La Mia
Barbera--needs reconstruction, that one, the beautiful solo in Tresor D'Orphee.
I think are are one or two more. I like the in Nomine on at least 8
courses. Sempre Dolens, is nice to have the low F, and of course the
passionate
If you keep the fretgut in the humidor with cigar you will be richly rewarded.
dt
At 07:03 PM 12/1/2008, you wrote:
Absolutely the best procedure; what I now use. I set frets by
calculation only once, about 30 years ago. Came out so bad, I ran
crying back to EQUAL (yecchh!) until about a month or
Dan, it is definitely time for another play, any themes, music you'd
like to try?
Or anyone else, you are all invited!
d
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
I would like to express my support for Rob's project, which is a great idea.
I think it is important to get as many pieces in the Canon
recorded--whether by Dowland or not, let's get it recorded, then we
and everyone else can have a listen.
Also, I think it would be very nice to do it on a
I recently attended the AES show, and I was surprised, because I
thought there were be a new crop of these things, smaller, faster, lighter.
Except for one pocket sized offering from Yamaha, there wasn't
anything I would use for music, and the Yamaha was limited.
There were some very nice, VERY
Time for a nice cheap dual core. You can pick one up on Black Friday
for between $400 and $600.
Check bfads
dt
At 01:36 PM 11/25/2008, you wrote:
All,
When I click on the links to You Tube and Vimeo lute videos provided in
the posts (and all other posts on those sites, as well), they
They played at the barber shop, or outside the shop if the weather was fine.
dt
At 04:11 PM 11/25/2008, you wrote:
[EMAIL PROTECTED] 11/25/2008 7:04 PM
On Tue, Nov 25, 2008, Christopher Stetson [EMAIL PROTECTED] said:
I'm sure there will be better documented replies
wassermusik
I
PROTECTED] 11/25/2008 5:21 PM
Out of curiosity, all ye to read from this edition or Arthur himself,
how do the grand staff versions handle octave basses?
Thanks,
Eugene
At 03:29 AM 11/25/2008, David Tayler wrote:
I play from the grand staff in Ness's edition, I first mark any
differences
Just plop for fronimo; or you can use Score software with macros, but
the Big Packages are really crap for tab.
Inexcusable, but they are bad.
And they are bad for formal editions as well.
dt
At 01:06 AM 11/26/2008, you wrote:
On Tue, Nov 25, 2008 at 2:48 PM, Omer katzir [EMAIL PROTECTED]
, but I've been with it for over a decade and
wouldn't trade it for anything else - and I continue checking out
other software. The time I've put in learning it has been well worth
while.
On Nov 26, 2008, at 10:27 AM, David Tayler wrote:
Just plop for fronimo; or you can use Score software
. I routinely run 2GB in my Windows boxes; memory is relatively
cheap these days.
Guy
-Original Message-
From: David Tayler [mailto:[EMAIL PROTECTED]
Sent: Wednesday, November 26, 2008 1:14 AM
To: lute-cs.dartmouth.edu
Subject: [LUTE] Re: You Tube/Vimeo Question
Time for a nice cheap dual
I still have some strings from Wills in Chicago. It was very tough.
When driving to a concert,
my windshield wiper blew off in a driving rainstorm. Visibility was
zero, I tied the wiper on with a gut treble.
I think a silk blend would be a good idea for sound as well as durability.
dt
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