I recommend listening to these examples:
The first one shows very clearly how the rhythms are developed within
the cycle.
Note the corresponding rhythm sections.
[1]https://soundcloud.com/tristan-von-neumann/floriano-canale-canzona-l
a-balzana-a-8-eri-jaane-na-doongi
Thanks Ted, I have wondered what the meme was (I only saw one with the
notes).
I'm on it! Chances are that there is a ricercar that comes up with The
Lick because of a facilitating soggetto.
Also French 17th century, but I can't play those on my lute.
On 14.07.19 04:52, Theodore Jordan wrote:
icit period documentation, these assertions read to
me as a form of "cum hoc ergo propter hoc" (perhaps specifically
ignoring a common cause) or fallacious faulty generalization.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu On Behalf
Of Tristan von
ropter
hoc" (perhaps specifically ignoring a common cause) or fallacious faulty
generalization.
Eugene
-Original Message-----
From: lute-...@cs.dartmouth.edu On Behalf Of
Tristan von Neumann
Sent: Saturday, July 13, 2019 8:12 AM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Re: Siena Ma
urces:
The Ricercar "no. 17" from the Siena Manuscript is a Raga
Dhanaseri/Dhanashri piece.
The same model is also used in "La Spiritata" by Giovanni Gabrieli.
Both mashups can be heard here:
https://soundcloud.com/tristan-von-neumann/siena-manuscript-ricercar-no-17-mode-1-
to have a short memory Tristan. On April 24 of this year you wrote:
'..yes, I'm back...
But I will not talk about India.'
Best,
Matthew
Le 13 juil. 2019 à 08:55, Tristan von Neumann a
écrit :
[News from India - please ignore if it does not interest you]
A new interest
The same model is also used in "La Spiritata" by Giovanni Gabrieli.
Both mashups can be heard here:
https://soundcloud.com/tristan-von-neumann/siena-manuscript-ricercar-no-17-mode-1-raga-dhanaseri-shaan-prof-surinder-singh
https://soundcloud.com/tristan-von-neumann/giovanni-gabrie
If you are able to read German, there is also "Lautenbau" by Ekkehard
Sachs, an engineer and avid luthier.
His book covers many lute construction aspects, also the one in
question. I did not regret buying it.
On 01.07.19 16:40, Ron Andrico wrote:
It seems excessively harsh to state that "
Let's not open that discussion, but... for charity, this is probably the
dumbest good cause ever, especially if you are rich.
If everyone who is hysterically flying around the planet, peddling the
"we are all doomed" climate panic just stopped breathing, CO2 would
decrease drastically.
(scnr)
Just observe the rule: reply *above* the previous text, not below.
Frankly I don't understand the fuss.
What is more annoying: replying to the lutelist and not removing the
personal email of the poster, which leads to duplicate mails, obviously.
On 28.06.19 18:06, David Smith wrote:
One reaso
Dear collective,
does anyone have a pdf score (not tabs) of Vincenzo Galilei's
Contrapunto Secondo "B.M."?
I am playing with someone who can't use tabs.
I'd make my own score, but I thought I'll ask first.
Thanks!
To get on or off this list see list information at
http://www.cs.dartmouth
Unfortunately (again I am using that word today...) one cannot be sure.
Take the concertos of Albicastro, who was actually German.
Do they sound German or Italian? Sometimes it is hard to decide...
Stylistic analysis, sadly, cannot prove anything.
(@everyone:)
In case you don't already know t
Unfortunately, I have none of those - but here's a hint:
Check the Siena Ms. (last quarter) for the Toccata-like "fantasies".
Also there are pieces by Amadeo Moretti in it (if this is your guy).
If you find anything interesting, please also notify Peter Steur so he
will include any new concorda
Please don't call him JB. This is reserved for the great guitarist Jack
Black :)
https://www.youtube.com/watch?v=AUEOtxd_evI
On 19.06.19 11:39, Edward C. Yong wrote:
I have to agree. JB used his stardom to get the lute out there, even if it was
a Frankenlute with nothing lute about it apart f
Konrad Ragossnig :)))
His recordings introduced me to lute music when I was young.
Recently I discovered Walter Gerwig, an even earlier pioneer. Does
anyone know something about his technique and instrument used?
https://www.youtube.com/watch?v=MysjKhdug8g
On 19.06.19 06:40, Jurgen Frenz wro
Hi,
my Tascam DR-07x is now working. The SD Card I had was not recognized
and I had to buy a new one.
Also, the exfat format on the card will not work in my specific Linux
setup (this is not a general Linux thing, other distros can make it work).
Fortunately, I have an old Macbook that can be
o guessing. All motifs are
clearly introduced in the Raga and developed in Gabrieli's piece.
Also, the rhythm changes in La Spiritata correspond to those in the Sikh
Hymn.
If you don't like it, please refrain from opening a tiresome discussion.
All others are invited to enjoy.
https://s
ordered the Tascam DR07x which he strongly recommeded to me.
I'll upload some recordings when it has arrived.
Thanks for all your advice!
On 20.05.19 15:14, Tristan von Neumann wrote:
Thank you!
The new H4n Pro seems to have the preamps of the H6 - so the noise might
be lower.
Damn, th
While we're talking about the First Book of Songs:
There are a couple of other interesting song books in table format.
I like to print and bind them myself. I already made Pilkington, Jones
and Corkine.
Other scans online are in bad shape, but maybe I missed some of them.
I am especially inte
On 25.05.19 20:00, Alain Veylit wrote:
Dude, you lived in a completely patriarchal society and you still
manage to blame her for torturing you! )
I knew it!!! Queen Elizabeth was a man!!!
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/inde
Geez Rainer,
can you be more arrogant?
At least enlighten me with the conclusions of Gombosii and Heartz and on
what those are based.
I am sick of getting referred to paywalled articles. I was reporting
this intercultural incident, not claiming this is really true.
But as Howard said, I was th
A weird thing happened when I was playing in the cellar of my home pub.
(I do this sometimes, it's a small room next to another room with a
foosball table. Good acoustics, and it sparks conversations).
A bunch of West African guys came to sit around me. I was playing from
the Siena Manuscript.
I
½, 20 Ã¼Ã°Ñ 2019 ó., 15:36 Tristan von Neumann
<[1]tristanvonneum...@gmx.de>:
Yes I read about that - but it can be used as an USB sound
processing
device then, or does it only recharge or read files?
On 20.05.19 12:26, Ralf Mattes wrote:
>
&g
Yes I read about that - but it can be used as an USB sound processing
device then, or does it only recharge or read files?
On 20.05.19 12:26, Ralf Mattes wrote:
Am Sonntag, 19. Mai 2019 19:06 CEST, Tristan von Neumann
schrieb:
It seems the Zoom can be powered by USB when recording at the
Well then - my decision will now be between the Tascam DR-07x and the
Zoom H4n Pro.
It seems the Zoom can be powered by USB when recording at the computer?
If not, I would tend to buy the Tascam with longer battery life.
Both seem to be decent USB sound devices.
What I recognized was that the T
On 5/18/2019 8:06 AM, Tristan von Neumann wrote:
> Roman, just NO. :)
>
>
> Why would I want an iPhone. Or even a phone with a computer
in it.
>
> My old Motorola Razr V9 looks good and doesn't need to recharge
every
>
o stations but I suspect the cheaper models cut corners on
solidity.
Best,
Matthew
Le 17 mai 2019 Ã 17:29, Tristan von Neumann
<[4]tristanvonneum...@gmx.de> a écrit :
> Dear collective experience,
>
>
> while we're at it:
&
Dear collective experience,
while we're at it:
I finally have some small budget to buy a recording device.
What I want:
* use it at home to record lute music and other instruments
(* use it as a usb mic)
* take it with me and record in the park or pub or wherever a session
might come along
;C-Bu' (yup, just cecked ...).
Cheers, RalfD
Am Mittwoch, 15. Mai 2019 17:26 CEST, Tristan von Neumann
schrieb:
Playing through Wurstisen Vol. 5 is a lot of fun.
Check out these curiosities. Funky Chords and Groovy Rhythms:
http://gerbode.net/sources/C-Bu_university_library_basel/
Playing through Wurstisen Vol. 5 is a lot of fun.
Check out these curiosities. Funky Chords and Groovy Rhythms:
http://gerbode.net/sources/C-Bu_university_library_basel/ms_F.IX.70_Wurstisen_lute_book/v5_passamezzos/pdf/011_passamezzo+saltarello_af.pdf
http://gerbode.net/sources/C-Bu_universit
Alas, there is no Chitarrone in my house...
On 12.05.19 14:11, Ralf Mattes wrote:
Am Sonntag, 12. Mai 2019 14:00 CEST, "Ralf Mattes"
schrieb:
There are to Gesualdo pieces in Kapsberger's third book for chitarrone.
"Two" - off course.
Cheers, RalfD
To get on or off this list se
20th
century. https://imslp.org/wiki/Category:Gesualdo%2C_Carlo. If you want to go
straight to the source, there are a number of facsimiles under the Collections
tab.
Guy
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Tristan von Neumann
I just stumbled across this little gem of a Passamezzo found in Vol. 5
of the Wurstisen Lute Book and instantly had to record it.
https://tristanvonneumann.bandcamp.com/track/46-passamezzo-f-d-d-wurstisen-lute-book-vol-5
The interesting thing about it is the use of power chords. I am sure
this
Well then - are there any recordings?
On 10.05.19 17:23, Ralf Mattes wrote:
Am Freitag, 10. Mai 2019 16:38 CEST, Tristan von Neumann
schrieb:
.. and no one ever plays Francesco with plectrum-thimbles!!!
That's not true. I experimented with finger picks during the 90th, using
&#
I don't understand this discussion. There are clearly arguments for both
playing styles.
.. and no one ever plays Francesco with plectrum-thimbles!!!
On 10.05.19 16:27, Martyn Hodgson wrote:
Dear Lex,
I really don't want to keep going over this same ground all the time -
I do have
That sounds very exciting.
How is it that we seldom experience such delight on an album?
I frequently encounter descriptions of music that is never recreated in
the same way.
I remember a CD with lute orchestra from BIS records, and Rolf Lislevand
has done some stuff that goes into the directio
-Original Message-
From: lute-...@cs.dartmouth.edu On Behalf
Of Dan Winheld
Sent: 03 May 2019 03:24
To: Tristan von Neumann ;
lute@cs.dartmouth.edu
Subject: [LUTE] Re: French tab prints - why 5 lines?
Inertia.
On 5/2/2019 7:00 PM, Tristan von Neumann wrote:
Here's a question:
Why do
ed. That saves paper and
fits more music onto each page. So I would say that it was the most
cost effective and efficient way to print the kind of repertoire he
was dealing with.
Best wishes,
Denys
-Original Message-
From: lute-...@cs.dartmouth.edu On Behalf
Of Dan Winheld
Here's a question:
Why do French prints have 5 lines for the 6 course instrument?
Early manuscripts like Pesaro (but not all of them, like BSB Mus. Ms.
2987) already employ six lines.
While 5 lines in Ms. can be explained by the use of the same 5-point pen
used for the lines of staff notation,
nh...@lmi.net>
Date: 5/1/19 7:27 PM (GMT-07:00)
To: magnus andersson <[3]maan7...@yahoo.com>, Tristan von Neumann
<[4]tristanvonneum...@gmx.de>, [5]lute@cs.dartmouth.edu
Subject: [LUTE] Re: Reymann
Congratulations Tristan and Magnus- you have gotten me interested in
fol. 10v: see FdaM edition, Appendix 24 (Francesco da Parigi) = CWrippe
I, fols. 6v-8.
-Original Message-
From: Tristan von Neumann
To: lute@cs.dartmouth.edu
Sent: Sun, Apr 28, 2019 9:45 am
Subject: [LUTE] Albert de Rippe in manuscripts
"Dear Collective
"Dear Collective Wisdom" (I like that!)
Besides the Marsh lute book, are there any manuscripts containing
fantasies by Albert de Rippe?
:)
T*
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
The ensemble Doucle Mémoire is currently touring with a Leonardo
programme (duh...:))
Maybe something can be learned. Also there is an album.
https://www.youtube.com/watch?v=sdqfSk2J0Zs
http://www.doulcememoire.com/en/programmes/leonard-de-vinci-la-musique-secrete/
On 28.04.19 09:42, Andr
Just got my hands on Noctes Musicae 1598 by Matthaeus Reymann.
Has anyone played it?
I am amazed that there is absolutely no recording of this amazing very
original music.
The collection has huge choral and other fantasies with lots of great
ideas, and especially pavans that rival the fantastic
ed strings - similar to the lyre technique seen
below. And very musical performance to boot.
Best Wishes
- Luke
On 25-Apr-2019 06:13, Tristan von Neumann wrote:
This video by Prof. Stefan Hagel, specialized in Ancient Greek Music, is
very interesting as it leads to a question that is linge
]www.davidvanooijen.nl
***
On Thu, 25 Apr 2019 at 15:58, Tristan von Neumann
<[4]tristanvonneum...@gmx.de> wrote:
Also, I have enough to work on the fingering itself - and I still
haven't found out how to play the sometimes occurring
<[3]lute-...@cs.dartmouth.edu>
on behalf
� �of Tristan von Neumann <[4]tristanvonneum...@gmx.de>
� �Sent: Thursday, April 25, 2019 5:13 AM
� �To: [5]lute@cs.dartmouth.edu
� �Subject: [LUTE] Question on strumming madrigals.
� �This video by Pr
This video by Prof. Stefan Hagel, specialized in Ancient Greek Music, is
very interesting as it leads to a question that is lingering for a while
now that has been addressed here as I recall - and it pops up whenever I
see chords that require more than 4 fingers in the right hand.
First enjoy som
_
From: lute-...@cs.dartmouth.edu on behalf
of Tristan von Neumann
Sent: Wednesday, April 24, 2019 6:29 AM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Re: Silk Strings
And I'm kind of answering to myself after having browsed further
material.
It seems aforementioned LP K
quite nice.
RA
__
From: lute-...@cs.dartmouth.edu on behalf
of Tristan von Neumann
Sent: Wednesday, April 24, 2019 6:29 AM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Re: Silk Strings
And I'm ki
al - I read that Guqin strings last for years and even get better with
time, I guess this should be the same with lute strings made from silk.
On 24.04.19 06:20, Tristan von Neumann wrote:
..yes, I'm back...
But I will not talk about India.
Here's something I was wondering, becaus
..yes, I'm back...
But I will not talk about India.
Here's something I was wondering, because of the ever-present stringing
question. (I'm using nylon fishing line right now, also for the (double)
frets, it's ok.)
But silk has been an interesting alternative since my experiments with
dental f
I admit I did not check if the mail was sent privately.
But considering the content, I am not really sorry.
This could have been on the list anyway.
and to round that off with something that brings joy to many an elect
lute list member:
I'll even UNSUBSCRIBE.
Am 10.08.2018 um 20:20 schrieb
ou will be a man of your word and keep this promise.
Stephen
-Original Message- From: Tristan von Neumann
Sent: Friday, August 10, 2018 12:20 PM
To: lutelist Net
Subject: [LUTE] Pièce de Résistance
Since it seems that exactly no one is interested and the ones who listen
to the tracks are too
Since it seems that exactly no one is interested and the ones who listen
to the tracks are too afraid to speak up, here's my final offer.
In the future I will refrain from posting this topic.
https://soundcloud.com/tristan-von-neumann/bartolomeo-tromboncino-frottola-ostinato-voi-seguire
You're right Jim,
and many paintings by renowned artists show bawdy stuff to back up your
claim. Why would a musician not tackle the same stuff?
Also, in such dire times some fun would surely have been welcome.
I am surprised about the lack of common sense applied to history. These
were not a
aped objects). But, I have done 12-bar
blues/Passamezzo Antico mashups on my own. Generally much later in the
evening, with imbibable assists from single malt Scottish mash-ups. -And
NONE of the lute-lists damn business!
Dan W.
On 8/10/2018 7:02 AM, Tristan von Neumann wrote:
Why are the onl
to hear what tou heard
without providing any vigorous explanation. Maybe it's telling that
no
body else seems to hear what you hear.
P. S.
Are my messages coming out indented correctly?
On Fri, Aug 10, 2018, 05:40 Tristan von Neumann
<[1][3]tristanvo
seems to hear what you hear.
P. S.
Are my messages coming out indented correctly?
On Fri, Aug 10, 2018, 05:40 Tristan von Neumann
<[1]tristanvonneum...@gmx.de> wrote:
Dear Jurgen,
do you consider this an illusion too?
[2]https://soundcloud.com/tristan-von-ne
Or this?
https://soundcloud.com/tristan-von-neumann/bertali-sonata-in-g-a-8-nicolai-sonata-in-c-a-2-raga-kamod-eri-jaane-na-doongi-nirali-kartik
Am 10.08.2018 um 04:39 schrieb Tristan von Neumann:
Dear Jurgen,
do you consider this an illusion too?
https://soundcloud.com/tristan-von-neumann
ok, you win *sigh*
Am 10.08.2018 um 09:35 schrieb howard posner:
On Aug 10, 2018, at 12:07 AM, Tristan von Neumann
wrote:
We already established that Lasso was a serious composer, and that serious does
not mean stick up his ass.
We established that you don’t know the meaning of the
n Aug 9, 2018, at 8:58 PM, Tristan von Neumann
wrote:
Sorry, I'm German.
What would you choose?
"Dedicated" seems more like it?
No, someone with a stick up his ass is not “dedicated.”
Try stuffy, priggish, prim, rigid, pompous, prissy, stiff, starched,
sanctimonious, prudish,
Sorry, I'm German.
What would you choose?
"Dedicated" seems more like it?
Am 10.08.2018 um 05:48 schrieb howard posner:
On Aug 9, 2018, at 8:37 PM, Tristan von Neumann
wrote:
I meant serious in the sense that he had a stick up his a**.
That’s not what “serious” means.
I meant serious in the sense that he had a stick up his a**.
He certainly seems like a funny guy to hang around with.
The output of Sacred music does not detract from that. :)
Am 10.08.2018 um 05:13 schrieb howard posner:
On Aug 9, 2018, at 7:34 PM, Tristan von Neumann
wrote:
Lasso was
Dear Jurgen,
do you consider this an illusion too?
https://soundcloud.com/tristan-von-neumann/siena-nos-59-63-62-raga-kamod-eri-jaane-na-doongi-nirali-kartik
How do you explain this? Listen to the *tonal* percussion and where the
lute goes into cadence.
How do you explain that the harmonium
Lasso was *not* a serious composer.
He composed the announcement music for the "Gümpelsbrunn Nose Dance" (an
early teaser trailer for an event...), but the festival is probably
legendary because no town named Gümpelsbrunn is known. :)
Also, he wrote a letter to his Patron, the Duke of Bavaria
a voice that doesn’t use words. Listen.”
Jalāl ad-Dīn Muhammad Rumi
‐‐‐ Original Message ‐‐‐
On 9 August 2018 9:26 PM, Tristan von Neumann wrote:
Dear Jürgen,
posting an article about the Illusory Truth Effect does not in anyway
touch my findings, as the mere existence of such effect
e that doesn’t use words. Listen.”
Jalāl ad-Dīn Muhammad Rumi
‐‐‐ Original Message ‐‐‐
On 9 August 2018 2:07 AM, Tristan von Neumann wrote:
This version is even better.
Imagine this is the late 16th century singing by the Donne di Ferrara or
similar groups...
https://soundcloud.com
e (I think this has happened even).
Nevertheless, the clear structure made it suitable for this mix.
https://soundcloud.com/tristan-von-neumann/vincenzo-galilei-contrapunto-secondo-bm-eri-jaane-na-doongi-nirali-kartik-long
Am 08.08.2018 um 22:53 schrieb Tristan von Neumann:
Again, when you thi
Again, when you think it can't get any better...
This Raga performance is so close to the infamous BM Counterpoint - note
the percussion.
https://soundcloud.com/tristan-von-neumann/vincenzo-galilei-contrapunto-secondo-bm-raga-kamod-nirali-kirtak
To get on or off this list see
This version is even better.
Imagine this is the late 16th century singing by the Donne di Ferrara or
similar groups...
https://soundcloud.com/tristan-von-neumann/francesco-siena-no-62-eri-jaane-na-doongi-raga-kamod-nirali-kartik-version-iii
Am 08.08.2018 um 19:22 schrieb Tristan von
Dear Lutists,
Francesco and Ganassi fans will rejoice over this sweet unification as
Ronu Majumdar plays quite some improv "over" the Francesco background.
https://soundcloud.com/tristan-von-neumann/siena-62-francesco-raga-kamod-ronu-majumdar
Sorry for the not so beautiful pla
While we're at it - a while ago I wondered about a galliard in Vincenzo
Galilei's Tabulatura that seems like a template for Can Shee Excuse.
It's probably in the mailing list archive.
I had not received any thoughts about it but would be interested if
someone had an explanation.
Am 08.08.2018
Hi Lutists,
which are your favourite composers who left a very small yet amazing oeuvre?
I'll start with Giovanni Albuzio... it's such a pity that nothing but
two amazing fantasies survived.
What's Your favorite one or two hit wonder? :)
To get on or off this list see list information at
h
It is - and I recommend playing the Ricercars for their excessive use of
it - you don't get better exercise in holding notes. :)
Am 04.08.2018 um 14:48 schrieb Leonard Williams:
What is the significance of the double-"x" after some notes? Is this a
hold sign?
Leonard
-Ori
ions are nice, too.
Pardon the weird formatting above.
Sean
On Aug 3, 2018 5:37 PM, "Tristan von Neumann"
<[1]tristanvonneum...@gmx.de> wrote:
I guess the most logical way is to play the run with index and
middle
finger (not dedillo), it's
I guess the most logical way is to play the run with index and middle
finger (not dedillo), it's also most convenient. Sounds great if played
with panache.
Albert de Rippe has some similar dotting in his style and it makes
sense. For my taste, this gives more control over the brightness and
cla
This happens when a German who can't understand French hears the title
and writes it down.
If pronounced German style, it would sound like "Dou vèn tselà" :)
Am 04.08.2018 um 00:10 schrieb Alain Veylit:
Among the various spellings of the famous "Dont vient cela" tune I found
: "Du Wentzela Ein
https://soundcloud.com/tristan-von-neumann/siena-manuscript-no-38-fantasy-in-mode-3-miyan-tansen-raga-bhairavi
Of Interest:
The upcoming dissertation by Lisa Herrmann-Fertig at Würzburg University
about musical transfer in India involving German Jesuit missions around
1700.
She has personally to
e Cherbury Lute book?
Jurgen
--
“There is a voice that doesn’t use words. Listen.”
Jalāl ad-Dīn Muhammad Rumi
‐‐‐ Original Message ‐‐‐
On 1 August 2018 8:56 AM, Tristan von Neumann wrote:
Today, the CD arrived in the mail.
Thank you Martin Eastwell for th
approach to some dances, and some
fantasies are played with a sweet brooding mood.
I would recommend this album for anyone who wants a closer look at the
sounds of Herbert's album.
Am 14.07.2018 um 22:42 schrieb Tristan von Neumann:
I just bought one - the price was very reaso
Sounds great! I'd be happy to play this one, as I only have 7 courses
available :)
Am 27.07.2018 um 05:09 schrieb Ed Durbrow:
I have made a version of the Gianoncelli for 7 course lute, if you are
interested.
On Jul 25, 2018, at 6:51 PM, spiffys84121 wrote:
The Gianoncelli Bergamesca fr
onnerstag, 26. Juli 2018 20:44 CEST, Tristan von Neumann schrieb:
Musicians and Music Theorists are rarely one and the same person :)
Sorry, but that's the biggest bulls**t I've ever heard!
Tinctoris (choir master, composer and most likely a singer)?
Gafurius (composer, maestro di
Musicians and Music Theorists are rarely one and the same person :)
It is not necessary to name or classify anything while making music -
Music Theory is mostly after the fact.
Theory is taught, but novelties appear regardless - see Monteverdi and
Artusi.
Am 26.07.2018 um 19:11 schrieb Leonard
Not quite Italian but extremely rewarding is the setting in Bésard.
http://gerbode.net/sources/Besard/thesaurus_harmonicus_1603/book_05/pdf/187_bergamasco.pdf
Am 25.07.2018 um 11:31 schrieb Martin Shepherd:
Hi All,
Can anyone recommend a Bergamasca (or whatever you want to call it with
a I-I
Rainer, go ahead and try anyway!
I once had to read Dutch articles in Wikipedia because they were the
only one.
It's slow at first, but you will get it after a while, especially if you
also know English.
Platt is sometimes more difficult than Dutch :)
Am 15.07.2018 um 18:14 schrieb Rainer:
O
d by
Pierino himself.
Arthur Ness
arthurjn...@verizon.net
-Original Message-
From: Tristan von Neumann
To: lutelist Net
Sent: Sat, Jul 14, 2018 1:37 pm
Subject: [LUTE] Perino Fiorentino
Dear Lutists,
whenever I (at least try to) play Perino, it's such a magical
experience. I reall
I just bought one - the price was very reasonable.
Couldn't prelisten, but I trust You must be a good lute player because
these pieces are extremely tricky.
I would love to play these, but I guess it will take more time, so I at
least want to listen to them.
One piece I would have liked to he
Dear Lutists,
whenever I (at least try to) play Perino, it's such a magical
experience. I really like this guy.
Is there any source I may have overlooked, apart from the Francesco
collection and the Siena Lute Book?
Thanks:)
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Thank You Ron for this very poignant post!
What can be read between the lines, and what also came up in many
discussions I had about music:
Many people forget that music in the 16th century was not made to please
a great mass of uneducated people, but highly educated patrons you would
even t
The Doni Lutebook has many rewarding yet easy pieces:
http://gerbode.net/sources/doni_MS_1640/pdf/
Am 11.07.2018 um 00:11 schrieb George Arndt:
Dear Collected Wisdom:
I have rented a small theorbo from the American Lute Society for one
year to learn how to play it. What easy piece
How do you play on double metal strings?
I recently tried to play lute pieces on a 12 string guitar, but I almost
got blisters...
I imagine on a small instrument the strings a thin and have quite some
tension? What's Your technique?
Am 05.07.2018 um 23:04 schrieb G. C.:
Hi All,
afte
Though I never broke a finger, I was told by various people that it is
imperative that You use an injured limb as early as you can, even if it
hurts, to ensure that it heals in a way that it returns to its normal
function.
Splints or plasters kept too long are said to result in stiffness or
imp
No worries, no harm done :)
One word about copyright and "pirating" music:
Various studies of purchasing behaviour have shown that regardless of
music being pirated or not, if an album is worth buying, it will be
bought. People who collect pirated music would not have bought all the
music any
I was indeed - like Roman said - thinking that this is actually
advertisement of Your album by the CD company.
And I thought I'd recommend it to Your peers since it is a great album.
If you do not wish Your album to be recommended, I will refrain from it
in the future...
Am 29.06.2018 um 17
me and there is no other
sensible explanation for the dedication of the sonata than being written
for an Indian musician at the Persian court.
https://soundcloud.com/tristan-von-neumann/sets/reconstruction-of-a-concert-in
Additionally, the source "Partiturbuch Ludwig" contains on
Another Kamod type Ciacona - Buxtehude really got it.
How is this even possible?
This is the closest to Indian Music I found (yet).
https://soundcloud.com/tristan-von-neumann/dietrich-buxtehude-sonata-iv-op-1-ciacona-raga-kamod-ronu-majumdar
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visation skills.
Enjoy:
https://soundcloud.com/tristan-von-neumann/giovanni-valentini-sonata-enharmonica-raga-jaijaivanti-hariprasad-chaurasia-s
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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
As always: First check Sarge Gerbode's massive archive! :)
Sarge has typeset a great many editions by various people and also done
a lot of stuff himself, like the Cavalcanti Lute Book (great Neapolitan
resource with texts!).
There is a complete French tab edition of Siena:
http://gerbode.net/
gance).
https://soundcloud.com/tristan-von-neumann/improvised-prelude-siena-manuscript-no-83-tanpura-drone
(The strings are Kastking all Nylon. The Diapasons are F 1.4mm, G is
1.2mm, C is 1mm. It's very low bass tension but I really like the sound
because the octaves make it less dull. I t
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