Hi,
An alternative that works for me is to grow a healthy thumb-nail. Then pinch
thumb and index together, like as if holding a plectrum and use the nail as
a plectrum. You can file down the nail to suit your preference of sound, as
well as strike the course (string) from different angles, and op
Piece nr. two in Mouton's "Pieces de Luth" is a tombeau for the parrot Gogo.
But this is for baroque lute, so perhaps you cannot use it?
G.
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Great Ariel!
Thanks
G.
http://www.bbc.co.uk/programmes/b04b22gv
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Si Antonio,
very convincing. So the extra peg was perhaps an apendage from an even
earlier time, 14th-15th c.?
Funny that Sor /Aguado should have reinvented the DCC for their
Guitars!
G.
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Mezza hora di canto e liuto con Jacob Lindberg e Anna Emilsson per
tutti lei qui parlano italiano.
[1]https://www.rsi.ch/rete-due/programmi/cultura/quilisma/
Quando-la-musica-viene-dal-freddo-8701525.html
Cordiali saluti
Giorgio
--
References
1.
https://www.rsi.ch/rete-d
Lieber Rainer,
lass doch nicht die besoffenen Kommentare eines vollkommen unbekanten
Narres, zu solche dramatische Konsequenz führen. Wir brauchen dich
noch alle!
Viele Grüsse
G.
On Sun, Jan 28, 2018 at 6:13 PM, Rainer <[1]rads.bera_g...@t-online.de>
wrote:
Ron wrote:
In the past, I have observed (as I do) that the lion's share of posts
cropping up on the lute list fall into one of three categories: 1)
Selfies (look at my new video, instrument, cat...), 2) Discussions
about strings (animal intestines good, plastic bad), and 3)
Yes, 25 pounds for a "free download" :D
G.
On Wed, Jan 31, 2018 at 11:12 AM, Rainer
<[1]rads.bera_g...@t-online.de> wrote:
Have you received a reply?
Rainer
On 20.01.2018 10:52, Matteo Turri wrote:
We are pleased to offer complete digital copies of the followi
Dear All,
I recently stumbled onto this @ the Swiss Radio.
[1]https://www.rsi.ch/rete-due/programmi/cultura/quilisma/
Amor-di-liuto-9518098.html
(If you run the page url through google translate, the translation is
quite acceptable.)
The half hour podcast is about an obscure lu
Dear Ralph,
A quick search of the "Digitale Bibliothek" doesn't seem to show any
"new" lute related material though. Have you found any?
Best
G.
On Wed, Jan 31, 2018 at 11:30 AM, Ralf Mattes <[1]r...@mh-freiburg.de>
wrote:
Am Mittwoch, 3
Thank you Tristan for the article. No, I haven't found an online
facsimile. The library in question, Biblioteca del Conservatorio S.
Pitro a Majella does not provide any on their site.
G.
On Wed, Jan 31, 2018 at 6:30 PM, Tristan von Neumann
<[1]tristanvonneum...@gmx.de> wrote:
When looking at the Gaultier pieces in Cherbury, I recall a recent
discussion on the possibility of these being by Ennemond in vieil ton.
All these pieces are very short and I must say rather pedestrian, and
not indicative of the great fame of Ennemond. Thurston Dart in his 1957
arti
Dear Jean Marie,
I beg to differ about the quality of these little sketches, but look
forward to an informed edition with the "motorized" versions. In the
meantime it would be helpful with a concordance list for these short
Gaultier pieces in the old tuning.
Best wishes
G.
O
Dear Ron,
I have the 1966 CNRS edition. Nowhere in it, is the L. Herbert
mentioned,
other than in the "Table des Sigles". No concordances. Do I have a too
old edition?
I find, that the quality of these short pieces in Cherbury are
unfortunately in no way convincing!
Kindly e
Thanks a lot Peter!
and for all your work. Fantastic!
In this matter, I still register / The following numbers apply:
88-no concordances
101-no concordances
102-no concordances
107-2 concordances
109-no concordances
119-no concordance
120-2 concordances
127-2 concor
Great that you feel that way, Ron. I'm just saying, that comparing to
what there is of real quality music for the lute out there, and trying
to keep in mind, the "high reputation" of Ennemond Gaultier, I'm sadly,
not at all impressed by these alleged simple courantes and voltas in
Ch
PS.
And of course, I meant to say "you and Jean-Marie" SORRY! :D
On Thu, Feb 1, 2018 at 10:27 PM, G. C. <[1]kalei...@gmail.com> wrote:
Great that you feel that way, Ron. I'm just saying, that
comparing to
what there is of real quality music f
I was not aware of lord Herbert's Jacques Gaultier extradition letter
(found on Alain's site). The fact that some of the pieces have
concordances in both Besard (1603) and Varietie (1610), also exclude
Jacques.
By the way, Alain, you should look at the concordances by Peter Steur
And Jacob Reys (1545 - 1605) "never played so well as when he was
drunk" according to contemporary documents. No reports of any "stoned"
luteplayers though, although they have apparently found traces of both
coca and hemp in pipes in Shakespeares home (if this is not just
another ins
Alain,
Look at
GB-Cfm689
Best
G
On Fri, Feb 2, 2018 at 7:04 PM, Alain Veylit
<[1]al...@musickshandmade.com> wrote:
Pondering about the Gautier pieces in Cherbury/concordances: I
was not
able to determine
--
References
1. mailto:al...@musickshandmad
Track list from O'Dette's CD / Piece number Veylit's edition)
1. 112
2. 119
3. 127
4. 130
5. 121
6. 105
7. 199
8. 146
9. 143
10. 144
11. 196
12. 217
13. 209
14. 225
15. 227
16. 35
17. 39
18. 70 (differen
55 AM, Jean-Marie Poirier wrote:
>
> We do learn at all ages indeed ;-)!
> Au passage, thank you Alain for all your hard work so useful to
all of us !
> Jen-Marie
>
>
> Le 2 févr. 2018 à 11:10, G. C. [2]<[3]kalei...@gmail.com> a Ã
I forgot, there is a lengthy passage in Mathew Spring's book about this
matter. And also interesting is, that there is a connection with lord
Herbert and Ennemond with the Mont...(?) family.
G.
[1]https://www.antiquestradegazette.com/news/2016/jacobean-miniature-
acquired-by-natio
@ Google books, some more info on Jacques Gaultier from the 2013
Utrecht lute symposium. Article by Matthew Spring starts on page 120.
Unfortunately, the last few pages of the article are not displayed.
[1]https://books.google.no/books?id=Aev6DAAAQBAJ&pg=PA125&lpg=PA125&dq=
herbert+c
That is so crazy! Amazing nonetheless, a duet made in heaven, or hell.
:)
Om nama Shivaya
G.
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NB: Jacques Gaultier was not a relative of Ennemond or Denis.
For pieces in Cherbury also listen to Jacob Lindberg's "Jacobean Lute
Music" BIS-2055 (2013)
G.
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BTW. I never wrote that Jacques Gaultier was related to Enemond, so
don't know were is this supposition fromâ¦
That is from:
On Tue, Feb 6, 2018 at 5:50 AM, Ron Andrico <[1]praelu...@hotmail.com>
wrote:
Speaking of Thurston Dart, I always return to his article, "Miss Mary
Right, so all we other lutenetters interested in this should just keep
hanging. Tres bien. That's the way! Ce est le route?
G.
On Wed, Feb 7, 2018 at 11:20 PM, Jean-Marie Poirier
<[1]jmpoiri...@wanadoo.fr> wrote:
Jaroslaw
I do agree with you and the study of past mentalities an
I agree with you Arto. The first example is quite amazing in its
compatibility. Due to a common scale, the forced duet somehow sounds
compatible. I would say a musical quirk and a coincidence. How could
Indian music be compatible with Western renaissance. No chance!
And the other exa
Yes, Song number 304, page 388, which is actually page 466 if you
download the pdf
On Thu, Feb 8, 2018 at 10:39 AM, [1]b...@symbol4.de <[2]b...@symbol4.de>
wrote:
Here
[3]https://books.google.de/books/about/Altdeutsches_Liederbuch.
html?id=rgY
JAQAAMAAJ&re
Crabaten could perhaps be "kids"
On Thu, Feb 8, 2018 at 11:17 AM, Robert Barto <[1]r.ba...@gmx.de>
wrote:
Thank you all.
After Rainer's mail I was amazed to find Böhme's book on Google
books
where I could even download a pdf of all 900 pages.
The
Doctor's Orders:
The patient is to calm down by listening to some real "east meets west"
music, in the form of Ravi Shankar meets Yehudi Menuhin, to relax fom
his overexited state of mind.
A cup of bhang lassi before bedtime is also adviced.
Best
G.
On Thu, Feb 8, 2018 at 1
Jacques' hands remind me of Segovia.
G.
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No need for u*n*s*u*b*s here. That's just being wimpy. Get it together
man, this is just a teeny weeny lute list, there should be room for all
of us, trolls and heroes alike :)
Best
G.
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avi + Yehudi was cool. Django and Stephane too
were cool. Or that Indian guy, George Harrison, playing the sitar on a
Beatles song. Even Gogol Bordello is a good mix. All physicists will
tell you: fusion is very difficult to do well. Miles Davis flunked it.
On 02/08/2018 11:33 AM, G. C.
ed
> and listened a lot. I would very much love to get
other
keyboard pieces
> in that style then, regardless :)
>
> However (also to you, G. C.) - it is not the
compatible mode,
it is also
>
One of my Shakti favourites must be "Peace of mind" from the "Natural
Elements" album.
[1]https://www.youtube.com/watch?v=U3t15wctpN0
G.
On Fri, Feb 9, 2018 at 5:05 AM, George <[2]georgefos...@att.net> wrote:
My favorite east meets west: John McLaughlin and Shakti. Check out
Ha
For the new(sidler)comers, let me remind you of this old thread
When you read this: (It couldn't have been better said!)
Hie volget der Juden Tantz/und wer in schlagen wil/der muss die Lautten
anders ziehen. Nun volget der zug/zie Erstlich den Mitlern Brummer und
die klein saitten/di
On Sat, Feb 17, 2018 at 3:36 PM, Ralf Mattes <[1]r...@mh-freiburg.de>
wrote:
Which old thread? Subject? Message ID?
Dear Ralf,
just write "juden tantz" in the search field in the mail archive. :)
G.
--
References
1. mailto:r...@mh-freiburg.de
To get on or off this l
-- Forwarded message --
From: G. C. <[1]kalei...@gmail.com>
Date: Wed, Feb 21, 2018 at 11:26 AM
Subject: Re: [LUTE] Re: Francesco or da Crema
To: Alain Veylit <[2]al...@musickshandmade.com>
When you read the foreword of old prints, there is often
Dear Ron,
look at the recently mentioned "Ein Newgeordent..." by Newsidler. It
says at the bottom of the introductory page:
Mit Roemischen Kaiser und Koeniglichen Majestaet, freyheit/ in funff
iaren nit nach zu drucken / begnadet.
What is this but a royally decreed copyright? And
I know, that's what I'm saying, thanks Antonio! Newsidler's book of
1536 on page 2 is also a letter from the "king" giving him personally
the privileges, with threats of fines to those who try to copy. Half to
the king, and half to Neusiedler.The printer is mentioned at the end of
th
My opinion in this matter is, that the libraries should primarily be
there for us, the public. They are generally funded with OUR tax money
in the first place. Major libraries have understood this, and digitize
their holdings big time. We live, after all, in 2018 and not in 1980!
Its
If you could somehow direct the Swedish government to send your taxes
to the Polish JagielloÃ
ska Biblioteka Cyfrowa, all would be well. And
I'm sure they would appreciate the support.
RA
I'm sure JagielloÃ
ska is recieving their fair share of EU funds! But
they are the good g
Sorry for the wrong pronounciation, I of course meant NIGGARDLY!
On Thu, Feb 22, 2018 at 10:19 PM, G. C. <[1]kalei...@gmail.com> wrote:
If you could somehow direct the Swedish government to send your taxes
to the Polish JagielloÃ
ska Biblioteka Cyfrowa, all would be well.
Could the quote perhaps be found in "El arte de taner fantasia" by
Tomas Santamaria?
G.
On Sat, Mar 3, 2018 at 7:39 PM, Matthew Daillie
<[1]dail...@club-internet.fr> wrote:
Hi Martin,
Several vihuelists seemed to say something along those lines but I
suspect that the
your query.
B.R.
G.
On Sat, Mar 3, 2018 at 10:24 PM, G. C. <[1]kalei...@gmail.com> wrote:
Could the quote perhaps be found in "El arte de taner fantasia"
by
Tomas Santamaria?
G.
On Sat, Mar 3, 2018 at 7:39 PM, Matthew Daillie
<[
Sweet,
but what is that cool looking guitar he's playing on?
G.
On Wed, Mar 14, 2018 at 4:55 PM, Wayne <[1]wst...@cs.dartmouth.edu>
wrote:
[2]https://www.youtube.com/watch?v=9X2Y4VCa3qE&list=
PLD098564FDA884E25
Sting sings James Taylor. (;-)
To get on or off thi
Hi All,
after attending a concert including a portuguise guitar, I was
positively surprised to realise, that this rare metal strung instrument
is also traditionally played using the thumb-in technique!
And after aquiring a Yamaha G1 guitalele, I was equally surprised, that
I could
nt the strings a thin and have quite
some tension? What's Your technique?
Am 05.07.2018 um 23:04 schrieb G. C.:
Hi All,
after attending a concert including a portuguise guitar, I was
positively surprised to realise, that this rare metal strung
instru
The portuguese guitar I listened to, was played virtuoso, both melodic
and chordal. And yes, I bet the performer had some thick callouses. I
was surprised to se that he used thumb in technique.
G
On Fri, Jul 6, 2018 at 8:51 PM, G. C. <[1]kalei...@gmail.com> wrote:
Hi T
The guitarists spring to mind with their alfabetto and chord diagrams:
Foscarini, Sanz, Pablo Minguet y Yrol etc.
G.
On Wed, Jul 25, 2018 at 2:54 PM, Leonard Williams
<[1]arc...@verizon.net> wrote:
As chordal music (as opposed to polyphonic) became more
prevalent,
Juan Carlos Amat's little book Guitarra Espanola y Vandola (?) was
published already in 1596 but the earliest surviving edition is from
1627.
[1]https://imslp.org/wiki/Guitarra_espa%C3%B1ola%2C_y_vandola_(Amat%2C_
Juan_Carlos)
--
References
1. https://imslp.org/wiki/Guitarra
Interestingly, the compendium is for spanish guitar of 5 courses, 2
pages about the 4 couse guitar and then the same again in catalan, but
with improved diagrams. (The text says that the first version was made
in 1586 already!)
[1]https://www.lutesociety.org/uploads/baroque-guitar/am
They are playing on guitars, 3 or 4 of them. And what is that
subliminal track in the back, with birds and electronic sounds?
G.
[1]https://www.youtube.com/watch?v=j1Sb-8kiAJA&t=1441s
On Fri, Aug 3, 2018 at 6:49 AM, Alain Veylit
<[2]al...@musickshandmade.com> wrote:
It's al
emed to suggest the whole thing
was synthetized sound (not human). Lack of awareness of what a real
Renaissance lute looks like might support that supposition.
On 08/03/2018 12:17 PM, G. C. wrote:
They are playing on guitars, 3 or 4 of them. And what is that
subliminal tr
01. What If I Never Speed? - 00:00:00
02. Weep You No More Sad Fountains - 00:02:07
03. Can She Excuse My Wrongs - 00:03:20
04. Come Heavy Sleep - 00:04:40
05. Pavan XI - 00:07:29
06. Fine Knacks For Ladies - 00:10:29
07. Go Crystal Tears - 00:11:21
08. If my complaints - 00
Slightly Corrected.
John Dowland (1563-1626)
01. What If I Never Speed? - 00:00:00 (Book 3)
02. Weep You No More Sad Fountains - 00:02:07 (Book 3)
03. Can She Excuse My Wrongs (Essex) - 00:03:20 (Book 1)
04. Come Heavy Sleep - 00:04:40 (Book 1)
05. Pavan XI - 00:07:29
06. Fi
Bulman
Van Wilder
Kemp
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Irrespective of the ragas=renaissance pieces, (which I think is
bollocks, and I've been playing the sitar since the early 70s) it is
extremely bad nettiquette to publish mails to the list that have
clearly been sent as private correspondance!
Another question is: "What is S*P*A*M*? I
"I am sure Tristan isn't a troll."
No, of course, pls. don't misunderstand!
I was kind of volunteering as a troll!
G.
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Dear Alain,
it's just Magnifique!
Thanks!
G.
On Sat, Aug 11, 2018 at 8:37 PM, Alain Veylit
<[1]al...@musickshandmade.com> wrote:
This may be of interest to the aficionados of Wayne's tab program.
Wayne's tab program produces very legible and elegant output and it
Try this one :)
[1]http://gile.cs.dartmouth.edu/~wbc/tab-serv/tablature.cgi?mus_266_fre
nch/sienna_129.tab
On Sat, Aug 11, 2018 at 8:50 PM, G. C. <[2]kalei...@gmail.com> wrote:
Dear Alain,
it's just Magnifique!
Thanks!
G.
On Sat, Aug 11, 2018 at 8:37 PM, A
I just found out, that SP was the Harvey Weinstein of the 1660s! They
obviously had no #metoo campaigns in those days. And completely
different men-women relationships. It's quite strange to read his coded
sexual passages in a spanish/french/latin mishmash. And the complete
diary inc
For some refreshing Bach, (@ BBC early music late) go to:
[1]https://www.bbc.co.uk/radio/play/m8x2
The introduction starts at 1:16:55
G.
--
References
1. https://www.bbc.co.uk/radio/play/m8x2
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BWV 995 / 1011
On Sat, Sep 8, 2018 at 12:24 PM G. C. <[1]kalei...@gmail.com> wrote:
For some refreshing Bach, (@ BBC early music late) go to:
[1][2]https://www.bbc.co.uk/radio/play/m8x2
The introduction starts at 1:16:55
G.
--
Refe
Also well worth a listen, where the well balanced soundscape actually
makes the plucker(s) audible:
[1]https://www.bbc.co.uk/radio/play/m7lz
--
References
1. https://www.bbc.co.uk/radio/play/m7lz
To get on or off this list see list information at
http://www.cs.dartmouth.
Who recognizes the theme starting on 36:21 :)))
On Sat, Sep 8, 2018 at 1:05 PM G. C. <[1]kalei...@gmail.com> wrote:
Also well worth a listen, where the well balanced soundscape actually
makes the plucker(s) audible:
[2]https://www.bbc.co.uk/radio/play/m7lz
--
Refe
Exactement! And well played IMO. :)
On Sun, Sep 9, 2018 at 8:29 AM Lex van Sante <[1]lvansa...@gmail.com>
wrote:
Ma belle si ton âme/ Une jeune fillette/La Monica
Lex van Sante
Op 8 sep. 2018, om 22:41 heeft G. C. <[2]kalei...@gmail.com> het
volgend
BBC's Early Music Show continues carrying the torch: Rosseter, Campion,
Dowland, Johnson, Morley, Baxter, Barnaby
[1]https://www.bbc.co.uk/sounds/play/mtsz
G.
--
References
1. https://www.bbc.co.uk/sounds/play/mtsz
To get on or off this list see list information at
ht
Sat, Oct 27, 2018 at 10:28 AM G. C. <[1]kalei...@gmail.com> wrote:
BBC's Early Music Show continues carrying the torch: Rosseter,
Campion,
Dowland, Johnson, Morley, Baxter, Barnaby
[1][2]https://www.bbc.co.uk/sounds/play/mtsz
G.
--
can add to my list?
G.
On Sat, Oct 27, 2018 at 2:12 PM Rainer <[1]rads.bera_g...@t-online.de>
wrote:
On 27.10.2018 12:18, G. C. wrote:
> ... I'd very
> much like to know the arguments for ascribing the said
chromatic
> f
.de>
wrote:
On 27.10.2018 14:20, G. C. wrote:
> Right Rainer! Could generosi also mean "generous"? A generous
> rosicrucian? (Of an outstanding Dowland Fantasia?)
> I have two related questions:
> In New Grove's e
Dear All,
I'm looking for the two books in Neapolitan tab from 1536
Intavolatura de viola o vero lauto cio e Recercate, Canzone Francese,
Motette, composto per lo Eccelente & Unico musico Francesco Milanese,
non mai piu stampata Libro primo (secondo) della Fortuna, Naples 1536
The
I see now, that book 2 on Gerbode's site is effectively in
neapolitan tab. What about book 1?
G.
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Found book 1 and It corresponds to Gerbode's facsimile.
So, is volume 2 of Sulzbach the only print we have of neapolitan tab?
G.
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Matthew
Le 11 déc. 2018 à 11:05, "G. C." <[2]kalei...@gmail.com> a écrit
:
> Found book 1 and It corresponds to Gerbode's facsimile.
>
>So, is volume 2 of Sulzbach the only print we have of
neapolitan tab?
Hi Christopher,
you wrote: modern guitar tab basically
derives from the system devised for Hawaiian slide guitar music
around
1915.
So they just reinvented it almost 400 years later? Yes, that sounds
reasonable.
G.
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Back to the Sultzbach prints. I can't help to notice, that vol. 1
(italian tab) has only the playing instructions in italian, also
printed in vol 2, while vol. 2 (neapolitan tab) has two additional
dedications in latin. Both volumes have a latin end page, quoting the
spanish king C
Personally I first learned modern guitar tablature, switched to
French
tab on the lute, then learned Italian tablature, and finally wrote a
piece of software to convert Neapolitan tab to Spanish, Italian
and/or
French.
And how great that you did Alain! I'm sure, we
Thanks Ron, for reminding me of Coelho's site. There is SO much erudite
and relevant material there!
G.
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By all means, don't miss tomorrow's BBC Radio 3 show on Herbert of
Cherbury
[1]https://www.bbc.co.uk/programmes/m00051cb
--
References
Visible links:
1. https://www.bbc.co.uk/programmes/m00051cb
Hidden links:
3.
file://localhost/net/ifs-users/lute-arc/L27070-144TMP.html
[2]985-205-9632 (985-20-LYNDA)
Skype: lyndakraar
On May 11, 2019, at 2:14 PM, G. C. <[3]kalei...@gmail.com> wrote:
By all means, don't miss tomorrow's BBC Radio 3 show on Herbert of
Cherbury
[1][4]https://www.bbc.co.uk/programmes/m00051cb
--
References
Oh, and I forgot Alain Veylit's fine edition
[1]http://fandango.musickshandmade.com/cherbury
G.
On Mon, May 13, 2019 at 3:26 PM G. C. <[2]kalei...@gmail.com> wrote:
You're most welcome Lynda.
His diary is downloadable in Google Books, a 14 page Jstor
Valentin Bakfark's world w/ Jacob Heringman on BBC radio 3 this coming
Sunday!
[1]https://www.bbc.co.uk/programmes/m0005sl4
G.
--
References
1. https://www.bbc.co.uk/programmes/m0005sl4
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+++ Ponce (Mexico) got yelled at for faking early music compositions
People usually hate to be duped (as shown many years ago among our own
ranks). How those works could be attributed to Weiss can only be
ascribed to a lack of knowledge about Weiss' style at the time. I can't
unde
red de Visée's music and
happily signed his own name on a Stradivarius guitar.
Edward
> On 19 Jun 2019, at 4:32 PM, G. C. <[2]kalei...@gmail.com> wrote:
>
>+++ Ponce (Mexico) got yelled at for faking earlymusic
compositions
>
So not only do lutenists spend 60 years tuning, they also spend 40 +
years not getting the sound right! Oh my what a harsh mistress!!!
G.
On Sun, Jun 23, 2019 at 1:36 PM Leonard Williams
<[1]arc...@cs.dartmouth.edu> wrote:
Doctors and lawyers practice because they know wha
Because people are superlazy, and don't crop their mails, but just
add their message and happy posting! Aaaarggghh
G.
On Fri, Jun 28, 2019 at 12:36 AM Ed Durbrow
<[1]edurb...@sea.plala.or.jp> wrote:
Why are these messages so long? I have to scroll forever just to get
Ha-ha-ha LOL That was indeed funny Dan!
But seriously, sending mails to the list, that just accumulate obsolete
text is just as irritating as sending multiple mails or html format,
and IMO just plain laziness. It uses up space, makes it, as Leonard
says, hard to see the message, a
Kindly correct the following if wrong:
"The bandora is / was tuned a-e-c-G-D-C, resulting in easy conversion
to guitar tuning (e-h-g-d-A-G-(EE) and playing of tablature written for
bandora on the guitar."
G.
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Dear Rainer,
when listening to Tarletone, which came in 4 versions, I have to say,
that to my ears, they all sounded virtually the same, at least the 3 MT
versions.
For some reason, my ears prefered the equal temperament one, although I
can't exactly say why. It felt more "crisp"
ird
to the point of dissonance in the quarter-comma version, and very
different from the others. Indeed, if I heard it another context
I'd assume it was just out of tune.
> On Jul 22, 2019, at 4:10 PM, G. C. <[2]kalei...@gmail.com> wrote:
>
>
âWer nicht liebt Wein, Weib, Gesang, der bleibt ein Narr sein Leben
lang"
M. Luther
(the old antisemite!)
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I've seen photos of this practice on modern lutes, and asked the list
about it a year or two ago, but got no response. It must have some
justification, as the practise is used even today. There must surely be
someone here able to give a report, (or is it a "player's secret of
some so
Many guitarists have adopted some kind of thumb in playing style. Mark
Knopfler and Jeff Beck come to mind.
G.
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I thought thumb in on baroque lute was considered anathema?
G.
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People on this list f. ex.?
G.
tor. 1. aug. 2019 kl. 18.20 skrev howard posner
<[1]howardpos...@ca.rr.com>:
> On Aug 1, 2019, at 8:17 AM, G. C. <[2]kalei...@gmail.com> wrote:
>
>I thought thumb in on baroque lute was considered anathema?
I don't play the baroque lute myself, and don't have any interest in
maintaining or propagating any "written in stone" statements about
playing styles, string materials, hip or not hip, nails, temperaments
or whatever. On the contrary, I'm for a "free for all" in this respect.
On the
yed the same way, chalk it up to sloppy
writing
(or thinking), delete it, and forget about it.
> On Aug 1, 2019, at 9:23 AM, G. C. <[6]kalei...@gmail.com>
wrote:
>
> People on this list f. ex.?
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