[MCN-L] Call for Feedback on the Framework for Visual Literacy draft

2021-06-07 Thread Stephanie Beene
al practice.

--

[i] <https://members.ivlaconference.org/ct.php?lid=110148315=50762336707>
IRB
#1310 was coordinated through the University of San Diego. Co-Principal
Investigators were Millicent Fullmer and Dana Statton Thompson.
Co-Investigators were Stephanie Beene, Sara Schumacher, Katie Greer, Maggie
Murphy, and Mary Wegmann.
--
Stephanie Beene (MA, MSIS), she/her
Assistant Professor, Fine Arts Librarian for Art, Architecture & Planning

*Schedule a research consultation with me @:*
https://libcal.unm.edu/appointments/sbeene

Contact me @:
The Fine Arts & Design Library,
George Pearl Hall Office 435
College of University Libraries & Learning Sciences
University of New Mexico MSC05 3020
Albuquerque, NM 87131
Email: sbe...@unm.edu
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[MCN-L] El Anatsui | FREE & Interactive Tour

2021-06-02 Thread Matthew Whitman
Hi everyone,


I hope that you are well. On behalf of the team, I would like to invite you
to join us this evening (7PM ET / 4PM PT) for Considering Topography,
featuring the work of El Anatsui.


Following our two week break (we missed you) - join us tonight, as together
we explore the work of El Anatsui, a sculptor from Ghana who currently
lives and works in Nigeria.

As both a sculptor and teacher, Anatsui’s career has spanned more than
forty years. Known for his repurposing of alcohol bottle caps into
large-scale hanging installations, Anatsui’s art weaves together the
discarded materials of production, trade, and consumption made prevalent in
Africa during the colonial expansion of Europe and the Americas.

His sculptures have been collected by major international museums. This
includes the British Museum (London), the Centre Pompidou (Paris), the de
Young Museum (San Francisco), the Metropolitan Museum of Art (New York),
Guggenheim (Abu Dhabi), Osaka Foundation of Culture (Osaka), the Tate
Modern (London), and the Museum of Modern Art (New York).

Register HERE for your FREE e-TICKET
(https://www.eventbrite.com/e/156697842465)

mark and I are looking forward to seeing you later.

All my best,

Matt

***

About your facilitator: mark (they/them)
<https://www.linkedin.com/in/markjohnsmith/> develops and produces access
platforms, programming and communities with a view toward activating art as
a tool for positive political, economic and social change. To date, their
work has informed cultural strategy at Arts Council UK, the British
Broadcasting Corporation (History, Learning and Radio), the Beaney Museum,
Canterbury City Council, GOV.UK, Kent County Council, the London 2012
Olympic and Paralympic Games. Tate Galleries (Modern and Britain), Artists
Space, Bureau of General Services Queer Division, The LGBT Community Center
NYC, MAPP International, The New School, The New York Public Library,
Village Alliance Inc, Volta Art Fair, International Olympic Committee and
the Tokyo 2020/21 Olympic and Paralympic Games. Mark is a proud member of
the LGBTQIA+ community and an advocate for the transformative power of art
and culture for all.

***END***

-- 


Considering.Art™
Your voice. Your idea.


The contents of this email 
message and any attachments are intended solely for the addressee(s) and 
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[MCN-L] BitCurator Users Forum 2021 Call for Proposals - EXTENDED

2021-06-01 Thread Margo Padilla
*The call for proposals
<https://bitcuratorconsortium.org/forum/#cfp> deadline for BitCurator Users
Forum 2021 <https://bitcuratorconsortium.org/forum/> has been EXTENDED!* We
will welcome submissions through *June 4, 2021*.



*The 2021 BitCurator Users Forum will be held virtually October 12-14, 2021*
.



An international, community-led organization with 35 member institutions,
the BCC promotes and supports the application of digital archives tools and
practices in libraries, archives, museums, and other cultural heritage
organizations. In previous years, the BitCurator Users Forum has focused on
sharing strategies, approaches, and best practices for using digital
archives tools and methods within processing workflows in archives,
libraries, and museums. While we still encourage proposals in these topic
areas, we also invite community members to explore themes that focus on
areas such as starting from scratch, iteration and scalability,
implementing “good enough” practices, issues pertaining to access and
discovery, and hearing from intersecting perspectives and new voices. The
Program Committee welcomes participation from organizations and individuals
working outside of academic and special collections libraries, members from
BIPOC communities, students, and new professionals.



*The BitCurator Users Forum is open to all. You do not need to be a BCC
member or user to submit a proposal and/or attend the event. Please note
that, like last year, this year’s registration rates will include a $0
option. We will also consider waiving registration fees for speakers.*



*About the BitCurator Users Forum*

The BitCurator Users Forum brings together representatives from libraries,
archives, museums, and related information professions engaged in or
considering digital archival work to acquire, better understand, and make
available born-digital materials. The two-day forum will balance discussion
of theory and practice of digital archiving and related digital analysis
workflows with hands-on activities for users at all levels of experience
with digital archival methods in general, including the BitCurator
environment, and other tools for use in digital analysis and curation.



*Program Committee*

The BitCurator Users Forum is organized by the BCC’s Program Committee:

Elvia Arroyo-Ramirez, UCI Libraries, Leadership Team

Brian Dietz, NC State University Libraries, Leadership Team

Lourdes Johnson, SJSU iSchool 2019 Graduate, Leadership Team

Shira Peltzman, UCLA Libraries, Leadership Team

David Cirella, Yale University Libraries

Elizabeth Dunham, Arizona State University

Jessica Farrell, Educopia Institute

Wendy Hagenmaier, Georgia Tech

Mary Jackson, NYU MIAP 2020 Graduate

Monique Lassere, Houghton Library, Harvard University

Thandokazi Maceba, UCT Libraries, University of Cape Town

Margo Padilla, New-York Historical Society

Caitlin Perry, Educopia Institute

Kelly Phillips, Northern Arizona University

Alice Prael, Yale University Libraries
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[MCN-L] THIS LISTSERV IS BEING RETIRED EOD TODAY

2021-05-31 Thread Eric Longo
THIS LISTSERV IS BEING RETIRED EOD TODAY

Sign up for the new and improved MCN Forum on groups.io:

https://groups.io/g/mcn/join

We will NOT transfer your email, you must opt in by signing up at the link
above or emailing mcn+subscr...@groups.io to get on the new list.

MCN Forum will continue to be a free and open service to the community,
don't lose touch with us, sign up today!

-
Eric Longo
Executive Director
MCN <http://www.mcn.edu/> (Museum Computer Network)

m: 917-822-7343
w: 888-211-1477 x801
e...@mcn.edu

Click HERE <https://calendly.com/ericlongo> to schedule a meeting with me.
Office hours (ET): M 11am-2pm/T+W 2-5pm/T 8:30am-12pm/F 12-4pm
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[MCN-L] #ARCSChat June 1 with John Simmons, Meet the Global Connections Committee and more! ARCS Update Vol 6 | Update 11

2021-05-31 Thread ARCS
nternships in an industry that remains inaccessible to many.
Starting in fall, 2021, ARCS will be offering a $1,000 stipend plus an
annual membership to two applicants pursuing internships in registration
and/or collections management. Candidates are asked to submit their
application materials by July 16 and awardees will be notified by August
16. Applicants should already have been accepted into an unpaid internship
program and will be asked to submit a letter of support from their
internship supervisor with their application materials. A call for
applications will be issued in the next ARCS update on June 15.

-Save the Date Speed Mentoring June 22-
ARCS is excited to announce its first Virtual Speed Mentoring Session.  The
goal is to provide attendees a fun and fast-paced opportunity to connect
with Mentors in the field on a variety of topics, including: Getting a foot
in the door, and, Advocating for the value of collections professionals –
no more behind the scenes!  Registration to open soon.

Virtual Speed Mentoring - June 22nd, 6PM-7:30PM EST

For more info:
https://www.arcsinfo.org/news-events/event/1347/1/arcs-cs-aam-virtual-speed-mentoring
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[MCN-L] REMINDER: MCN-L will retire on June 1

2021-05-28 Thread Eric Longo
*On June 1, 2021, the MCN-L listserv will be retired and replaced with MCN
Forum on Groups.io.*

What does this mean? After June 1, 2021:

   - You will no longer be able to post to MCN-L
   - MCN-L will be replaced with the *MCN Forum on Groups.io
(**https://groups.io/g/mcn/
   <https://groups.io/g/mcn/>)*
   - We will NOT migrate your MCN-L email to the new MCN Forum, you will
   have to opt-in to do so before June 1
   - *Sign up TODAY* to the *new MCN Forum: *https://groups.io/g/mcn/join


The *MCN Forum* will remain a free and open service to the community and a
much improved one!

If you're not already an MCN member, we encourage you to *join for only
$70/year*: https://membership.mcn.edu/ ($35 for students).

-
Eric Longo
Executive Director
MCN <http://www.mcn.edu/> (Museum Computer Network)

m: 917-822-7343
w: 888-211-1477 x801
e...@mcn.edu

Click HERE <https://calendly.com/ericlongo> to schedule a meeting with me.
Office hours (ET): M 11am-2pm/T+W 2-5pm/T 8:30am-12pm/F 12-4pm
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[MCN-L] Archivematica users: Call for proposals

2021-05-28 Thread Brost, Amy
Announcing the first Archivematica Con! Now virtual after postponing in
early 2020, Archivematica Con 2021 hopes to create a broad forum for active
Archivematica users across the user community continuum. The multi-day
meeting will take place online the week of November 15, 2021 and offer a
variety of sessions and networking opportunities for beginners as well as
well-versed practitioners from libraries and archives to museums.

The call for proposals is now open and goes until July 12, 2021.

For more details visit:
https://wiki.archivematica.org/Community/Camps/ArchivematicaCon2021

Direct link to the CFP form:
https://docs.google.com/forms/d/e/1FAIpQLSecClLzPhy58W0IUowY0fSBN492s-bFN_YKgxb8ZMdTE9wgjQ/viewform

Sincerely,

Archivematica Con Planning Committee

-- 

Amy Brost

Assistant Media Conservator

The David Booth Conservation Department


The Museum of Modern Art

11 West 53 Street

New York, NY 10019

T (212) 408 6315   C (917) 566 0978
moma.org

MoMA is now open with new hours and safety protocols. We look forward to
seeing you at the Museum. For more information, please visit our website at
moma.org.
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[MCN-L] Next Archivematica User Forum – June 3 2021 @ 9am PDT/12pm EDT

2021-05-27 Thread Seth Kaufman
Hello everyone,
 
The next bi-monthly Archivematica User Forum will be held this coming Thursday, 
June 3rd at 12pm Eastern / 9am Pacific. We'll be discussing file format 
identification tool choices and case studies on the storage ecosystem, among 
other things. 
 
For call-in info and next week’s agenda please see: 
https://docs.google.com/document/d/1-6-o7gzKOYTBlSqIyfo9CC7hERdsPXMoVN1JNykDf7A/edit?usp=sharing
 
<https://docs.google.com/document/d/1-6-o7gzKOYTBlSqIyfo9CC7hERdsPXMoVN1JNykDf7A/edit?usp=sharing>
 
As a reminder, the Archivematica Users Forum is an ongoing series of bi-monthly 
calls for active Archivematica users or stakeholders. These calls are entirely 
driven and run by the user community. The goal is to create a space for 
discussion that will enable practitioners to connect with one another and 
identify common denominators, issues, and roadblocks that affect users across 
different organizations.
 
For more information about the Archivematica User Forum, please 
see:https://docs.google.com/document/d/1xowR7G9u_5HmJFLcnQRp5rWiPfocmjQ7o-2T6QVkAu4
 
<https://docs.google.com/document/d/1xowR7G9u_5HmJFLcnQRp5rWiPfocmjQ7o-2T6QVkAu4>
 
Thanks, 
Seth Kaufman, June Convener


---
Seth Kaufman
Developer | Whirl-i-Gig

s...@whirl-i-gig.com <mailto:s...@whirl-i-gig.com>
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[MCN-L] BPOC's Dreaming of a New Collections Management System: Episode 5

2021-05-27 Thread Alex Kron
Dear Colleagues,

On Friday, June 18th from 8 AM PST/11 AM EST to 9 AM PST/12 PM EST, the
Balboa Park Online Collaborative (BPOC) invites you to join us for Episode
5 of our Dreaming of a New Collections Management System series. In this
episode, there will be a discussion on how cooperative models for
collections database and management work may serve your institution. Our
featured Solution Provider, Whirl-i-gig with their CMS CollectiveAccess,
and the Association of Nova Scotia Museums and Connecticut League of
Historical Organizations will discuss how their shared model has helped to
address staff digital literacy and training needs; the difficulty of
getting data in and out of a CMS; developing better workflows and
sustainable collections-related practices, and cleaning up data in
preparation for a migration to a new CMS.

Our panelists for this session include:


*Seth Kaufman*, Developer, Whirl-i-gig <http://www.whirl-i-gig.com/>


*Karin Kierstead*, Museum Evaluation Program Manager, Association of Nova
Scotia Museums <https://ansm.ns.ca/>


*Diane Lee*, Collections Manager, Connecticut League of Historical
Organizations <https://clho.org/>

As with all of our sessions in this series, it is free to attend, and the
session will be recorded for those unable to be present for the live
discussion. All recordings of our webinar series can be found on our Youtube
Channel <https://www.youtube.com/channel/UCNXjDskOT1gYZucgmUvXf_Q>. Live
transcription services will be available and the recording will be
captioned.

You may register for this webinar at the following link:
https://us02web.zoom.us/webinar/register/WN_HdP38aERQOef8gzY1ZYaaA

Upon registration, you will receive the meeting information and
automatically receive the recording link after the session has concluded.


We hope you have a great weekend and look forward to seeing you at our next
webinar!

Alex Kron | Digital Projects and Collections Specialist
BALBOA PARK ONLINE COLLABORATIVE <https://bpoc.org/>
Email: ak...@bpoc.org
1549 El Prado, Suite 8, San Diego, CA 92101
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[MCN-L] Archiving 2021 ONLINE Live in < 2 Weeks ~ Register Today!

2021-05-27 Thread Roberta Morehouse
Join us for Archiving 2021 Online 
Short Courses: 8-18 June 
Technical Program: 21-24 June
http://bit.ly/Arch2021

*Participate in LIVE keynote sessions, research paper presentations, and short 
courses with real-time text commenting and Q, or view programming on-demand 
until 30 September.

*Technical programming occurs between 10:00 - 14:00 EDT/16:00 - 20:00 CET ~ 
covering most time zones.

*NEW THIS YEAR - We're using Gather to help connect you with colleagues around 
the world. The Gather platform allows for real-time audio and video chats with 
colleagues in virtual rooms.

*Registration Passports Provide Discounts on Live and Recorded Content + Short 
Courses.
(student, furloughed professional, and short course only rates available)

KEYNOTES 
Digitization Generates Innovation: Creating Thoughtful Experiences through 
Challenging Times
Jane Alexander, Cleveland Museum of Art

The Restoration of Early Sound Recordings using Optical Metrology and Image 
Analysis
Carl Haber, Lawrence Berkeley National Laboratory

Operation Night Watch: Imaging the Rembrandts' Masterpiece inside the Gallery 
of Honor of the Rijksmuseum
Katrien Keune, Rijksmuseum

Learn more: http://bit.ly/Arch2021_Keynotes

VIRTUAL TOURS
Go behind-the-scenes to explore the inner workings of leading cultural heritage 
institutions, including the NTNU Colourlab, Fraunhofer IGD, GEM Photography 
Studio, the LOC Digitization Center, and the Munsell Color Science Lab. 
Additional tours are expected. 
Learn more: http://bit.ly/Arch2021_Tours

SHORT COURSES
Deep dive into 14 courses on advanced imaging, digitization, and preservation 
covering spectral imaging, surface appearance, 3D data, digitization techniques 
using Goobi, OpenDICE, FADGI best practices, and more. All courses are 
presented live, with recordings available until 30 September 2021.
Learn more: https://bit.ly/Arch2021_ShortCourses

Learn more about the topics presented during the Archiving conference through 
FREE webinars: http://bit.ly/Arch_Webinars

Connect with us on LinkedIn and Twitter @ImagingOrg for #Archiving2021 updates!

Roberta Morehouse, CMP
Communications and Marketing Manager
Society for Imaging Science and Technology (IS)
-imaging across applications-imaging.org
IS is a non-profit organization dedicated to advancing science and technology 
in the field of imaging.  Please consider donating today.
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[MCN-L] JOB: Full Stack Software Engineer, Gather Learning

2021-05-27 Thread Kelly Cannon
Dear all,

I'm happy to share the job opening below for a Full Stack Software Engineer
at an online community-focused company working with museums and cultural
organizations. Please feel free to reach out to me if you have any
questions!

Best wishes,
Kelly

*FULL-STACK SOFTWARE ENGINEER, GATHER LEARNING*

Gather <http://gatherlearning.com/partners>‘s mission is to enrich lives by
creating connection through learning. We partner with leading universities,
museums, scientific, and cultural institutions to help them bring their
experiences together in coherent and meaningful ways for their members and
for the public. With Gather, organizations can easily connect their people,
programs, and insights to increase engagement, value, and impact for all of
the communities they serve.

*What we’re looking for:*

Gather is looking for an entrepreneurial software engineer to help us build
the future of social enrichment learning. You will be in charge of
building, testing & shipping full-stack features for users as we iterate
towards product-market fit. You’ll work directly with the founding team to
deliver features for our users and have a direct hand in the company
building as we grow. This is an opportunity to make a meaningful impact on
the future of lifelong learning.

You will:

*Build Product*
Own features through the entire product development lifecycle. Model,
implement & test solutions for our users.
Work closely with our Head of Engineering, Scott, and Founding Engineer,
Ryan, to grow as an engineer in pursuit of craftsmanship.

*Shape our Culture*
You’ll be a key player in the culture that we cultivate.
You will apply & improve on the engineering principles that guide us sprint
by sprint.

*Ensure Quality*
Apply the latest engineering tools & patterns to deliver quickly without
compromising on quality.

*Requirements*
Professional experience as a software engineer (minimum 1 year).
Comfortable with modern web development tools (git, GitHub, VSCode) &
technologies (HTML, CSS, JavaScript).
Growth mindset—looking to level up.

*You might excel at this role if you:*
Are an entrepreneurial software engineer.
Are fluent in our stack (TypeScript, React, GraphQL, Node.js).
Have first-hand experience building web products from scratch.
Have a passion for education and lifelong learning.

*How to apply:*
Does this role sound like a good fit? Let’s chat!
Fill out this application
<https://airtable.com/shrru4ChYZEIAC4KO?prefill_Applying+for=Full-Stack+Software+Engineer+%28FSE%29>
Send along anything (links, resume, blurbs) that best showcase the relevant
things you’ve built.

*Salary range:*
$100-150k, 0-0.25% equity

-- 
Kelly Cannon
Senior Content and Community Strategist
Gather <https://www.gatherlearning.com/partners>
She/her/hers
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[MCN-L] Nominee Registration Open | New Events Added

2021-05-26 Thread Matthew Whitman
Hello everyone,

We hope that you are well. Matt here with your Wednesday Considering.Art
update.

Two things this week.

1. Our LIVE and interactive tours return next week! Registration is open
for the following.

*June 2nd*
*Considering Art : Considering Topography | El Anatsui *
https://www.eventbrite.com/e/156697842465

*June 9th*
*Considering Art : Considering Malleability | Toyin Ojih Odutola*
https://www.eventbrite.com/e/156964889209

2. Nominate your candidate(s).

In the coming weeks, the team will be launching a new commissioning, award,
and support program designed to help foster career development and exposure
of emerging and underrepresented talent in the fields of art-making,
writing, curation, education, engagement and criticism.

Before publicly launching this new initiative, as with last week, we wanted
to reach out here initially to see if perhaps either you or indeed your
colleagues know of or have any individuals within your networks who you
think may personally benefit from financial/mentoring support for their
work.

If you would like to refer someone, please drop us a line via this quick
3-minute Google form (https://forms.gle/i3Cnd4VMPm7dptCC7), and we will be
in touch. As always, we are excited to share Considering.Art next steps and
thank you for your continued support and interest in what we do.

mark <https://www.linkedin.com/in/markjohnsmith/> extends a huge thank you
to all who have already nominated someone. We are excited to make this
program as reflexive and accommodating as possible - your referrals help us
do just this!

All the best,
Matt & team.

-- 


Considering.Art™
Your voice. Your idea.


The contents of this email 
message and any attachments are intended solely for the addressee(s) and 
may contain confidential and/or privileged information and may be legally 
protected from disclosure. If you are not the intended recipient of this 
message or their agent, or if this message has been addressed to you in 
error, please immediately alert the sender by reply email and then delete 
this message and any attachments. If you are not the intended recipient, 
you are hereby notified that any use, dissemination, copying, or storage of 
this message or its attachments is strictly prohibited.


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[MCN-L] REMINDER: MCN-L will close on June 1!

2021-05-26 Thread Eric Longo
*On June 1, 2021, the MCN-L listserv will be retired and replaced with
Groups.io.*

What does this mean? After June 1, 2021:

   - You will no longer be able to post to MCN-L
   - MCN-L will be replaced with the *MCN Forum on Groups.io
(**https://groups.io/g/mcn/
   <https://groups.io/g/mcn/>)*
   - We will NOT migrate your MCN-L email to the new MCN Forum, you will
   have to opt-in to do so before June 1
   - *Sign up TODAY* to the *new MCN Forum: *https://groups.io/g/mcn/join


The *MCN Forum* will remain a free and open service to the community and a
much improved one!

If you're not already an MCN member, we encourage you to *join for only
$70/year*: https://membership.mcn.edu/ ($35 for students).

-
Eric Longo
Executive Director
MCN <http://www.mcn.edu/> (Museum Computer Network)

m: 917-822-7343
w: 888-211-1477 x801
e...@mcn.edu

Click HERE <https://calendly.com/ericlongo> to schedule a meeting with me.
Office hours (ET): M 11am-2pm/T+W 2-5pm/T 8:30am-12pm/F 12-4pm
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[MCN-L] VRAF Seeks Host Sites for Funded Internship

2021-05-22 Thread Murphy, Julia L.
Hello!



I’m writing in regards to the Visual Resources Association 
Foundation<https://vrafoundation.com/> (VRAF) Internships in visual resources 
and image management. The VRAF is seeking host sites for the internship; if you 
are interested in hosting an intern at no cost to your institution, please read 
the information below.



We are very grateful to the Samuel H. Kress Foundation for generously 
supporting our past Internship Award recipients and fully funding the eighth 
internship for this upcoming year, 2021-20. Click here to read about the 
2020-21 VRAF Internship Award Recipient, Miriam 
Sappington<https://vrafoundation.org/internship-award/>.



The award grants $3,000 to support an internship in archives, libraries, 
museums, visual resources collections, or other appropriate settings. It also 
provides a professional development account of $1,000 to be used for attending 
conferences or training events, including the VRA Annual 
Conference<http://vraweb.org/conferences_page/upcoming-conferences/> and/or 
Summer Educational Institute for Visual Resources and Image Management 
(SEI)<https://seiworkshop.org/>.



The student will provide 200 hours of service over the course of their 
internship. In order to be eligible for the internship, the student must have 
completed at least ten credits of graduate coursework in Library/Information 
Science, Art History, Architecture or Architectural History, Visual or Studio 
Art, Museum Studies, or other applicable fields of study.



This internship is available only to U.S. citizens. The work may take place at 
an institution outside of the USA, provided there isn’t any additional cost 
associated with being hosted at an outside site.



If you and your institution are interested in hosting a student during the 
Fall, Winter, or Spring of the 2021-22 academic year, please fill out the 2021 
VRAF Host Form<https://forms.gle/iLHQDxwJpiDCyesZ7>. Submission deadline is 
Wednesday June 2nd.


With this information, a list of potential internship sites will be compiled 
and added to the Visual Resources Emerging Professionals and Students (VREPS) 
website<https://vreps.wordpress.com/> to help student applicants find an 
internship in their geographical area. We also encourage virtual internships, 
for students who are unable to work onsite due to potential COVID concerns.



We hope that you will consider being a host site for this wonderful opportunity 
for students just starting out in the fields of visual resources and image 
management.



Please share this announcement! More information about the internship can be 
found here: https://vrafoundation.com/internship-award/



Please feel free to contact us with any additional questions.


Best,


Julia Murphy and Summer Shetenhelm

VREPS Co-Chairs

Visual Resources Emerging Professionals & Students (VREPS)
vr...@vraweb.org

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[MCN-L] New publication and call for feedback on The Collective Wisdom Handbook: Perspectives on Crowdsourcing in Cultural Heritage

2021-05-21 Thread Mia
Dear MCN,

You might have seen earlier calls for participation in our collaborative
writing project, or our surveys asking for perspectives from project
stakeholders or volunteers on crowdsourcing / citizen science / online
volunteering projects in museums, libraries and archives - here's the
result!

The first version of The Collective Wisdom Handbook: Perspectives on
Crowdsourcing in Cultural Heritage
<https://britishlibrary.pubpub.org/?utm_source=blog_medium=blog_campaign=community_review>
is
now available to read online. And not just to read – we're also asking for
comment from people with expertise and experience in the topics we cover,
from crowdsourcing to citizen science and history, to online volunteering
and digital engagement with museum, library and archive collections. Your
knowledge might be drawn from academic practice, from volunteering as a
crowdsourcing participant, or from helping run, develop, or analyse
outcomes of participatory projects.

We authors are excited to open up our work for review and comment from the
wider community from now to mid-August 2021. Community review is a vital
part of the overall process of documenting the 'state of the art' in this
field, particularly as our book was written in two intensive week-long
'sprints' <https://collectivewisdomproject.org.uk/activities/>. Our writing
team <https://collectivewisdomproject.org.uk/participants-and-credits/> already
represents perspectives from a range of disciplines. However, we believe
that the book would benefit from additional connections to related fields,
practitioners and scholarship. We particularly welcome comments that
complicate or add nuance to our text. We encourage you to suggest example
projects, case studies, blog posts and publications we might have missed.

There are a few ways that readers can leave a trace on documents on the
pubpub <https://britishlibrary.pubpub.org/> platform – you can highlight
text, comment on specific lines, or comment on a document as a whole.
You'll need to create a free pubpub account to do this – full details on
how to set up an account and comment are available
<https://v3.pubpub.org/pub/howto>.

So how do we imagine comments or highlights might help our readers improve
the book?

   - You can let us know what resonates – you can highlight text, or
   comment on specific lines of text with any language appropriate to you,
   from '+1' to 'ya!'.
   - Did we get something wrong? You can offer a correction in a comment.
   - Would the book be better if we included additional references to other
   projects or publications? Please let us know!
   - We'd also love to hear about how you might use the text – you could
   comment on chapters that might be particularly useful for specific uses,
   and let us know how they could be even more useful for you.

Please bear in mind that your comments will be read by the authors as is,
and that some generalisations are necessary when covering such a broad
topic in just two weeks. To put it another way, please try to avoid being
the dreaded 'Reviewer 2
<https://amlbrown.com/2015/11/10/how-not-to-be-reviewer-2/>' and keep your
comments constructive.

How this process affects the book is as yet unknown. It might lead to minor
edits or more substantial updates – it depends on the response to this
community review process.

We will of course credit and thank any commenters who make a substantial
contribution. We're also thinking about peer review models for specific
chapters, perhaps something like a 'respondent' to a talk or panel
discussion. If you're interested in exploring that with us, please email
digitalresea...@bl.uk and include 'Collective Wisdom' in the subject line.

We are lucky to work in a field with a generous, thoughtful and passionate
community of practitioners, academics and volunteers in crowdsourcing and
digital participation around museum, library and archive collections. We
look forward to learning from your comments, questions and suggestions.

The *review period for this publication will close on August 9, 2021*.
After this, we’ll begin re-editing to incorporate feedback (and fix
oddities in referencing etc.) and produce our final version of the book. We
hope to find a 'traditional' publisher to help distribute and position the
book where it can best reach our readers.
Cheers,

Mia


http://openobjects.org.uk/
http://twitter.com/mia_out
Check out my book! http://bit.ly/CrowdsourcingOurCulturalHeritage
P.S. I mostly use this address for list mail and don't check it daily
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[MCN-L] Dreaming of A New Collections Management System: Episode 4 Recording

2021-05-20 Thread Alex Kron
Dear Colleagues,

On Tuesday, May 18th, we had another fabulous discussion in our Dreaming of
a New Collections Management System webinar series. This week’s
conversation brought honest and critical discussions on a range of topics:
getting institution-wide buy-in on adopting decolonizing or DEAI practices;
institutions connecting with their local BIPOC (Black, Indigenous, and
People of Color) communities; establishing institutional NAGPRA and DEAI
policies and procedures for collections management and documentation; and
developing customizations to collections management systems to meet NAGPRA
and DEAI needs. This week Kara Vetter, Nicole Allen White, and Mikka Gee
Conway shared where each of their institutions are in the process of
implementing DEAI and NAGPRA initiatives and embedding those into their
collections management practices. If you missed this inspiring
conversation, you may find a recording of the session on our Youtube Channel
<https://youtu.be/vUkIhlXq4OY>.

In the next segment of our series, we will be looking to raise the profile
of some of the lesser-known Collections Management System Solution
Providers to learn more about how their systems are being used and adapted
to meet the challenges raised in our series. The next webinar session is
scheduled for June. We will share more information on this webinar in the
coming weeks.


Until next time, we wish you well!
Alex Kron | Digital Projects and Collections Specialist
BALBOA PARK ONLINE COLLABORATIVE <https://bpoc.org/>
Email: ak...@bpoc.org
1549 El Prado, Suite 8, San Diego, CA 92101
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[MCN-L]  Open Call | Nominations Open

2021-05-19 Thread Matthew Whitman
Hello everyone,

We hope that you are well. Matt here with your Wednesday Considering.Art
update. mark <https://www.linkedin.com/in/markjohnsmith/> asked me to
update you all regarding some exciting opportunities.

Shortly, the team will be launching a new commissioning, award, and support
program designed to help foster career development and exposure of emerging
and underrepresented talent in the fields of art-making, writing, curation,
education, engagement and criticism.

Before publicly launching this new initiative, we wanted to reach out here
first to see if perhaps either you or indeed your colleagues know of or
have any individuals within your networks who you think may personally
benefit from financial and mentoring support for their work.

If you would like to refer someone, please drop us a line via this
quick, 3-minute
Google form <https://forms.gle/ChZ9pA5W3cdDmVQh7>, and we will be in touch.
As always, we are excited to share Considering.Art next steps and thank you
for your continued support and interest in what we do.

PS - in case you’re missing us, our next LIVE tour will be June 2nd, 7 PM
ET / 4 PM PT.

All the best,
Matt & team.

-- 


Considering.Art™
Your voice. Your idea.


The contents of this email 
message and any attachments are intended solely for the addressee(s) and 
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Re: [MCN-L] Posting to new groups.io list

2021-05-19 Thread Ari Davidow
I got a similar result - no message seems to have been broadcast, and the list 
claims that, so far, no messages. This may need some further tweaking and 
testing - glad to help, if so.

ari

> On May 19, 2021, at 8:37 AM, Richard Light  wrote:
> 
> Hi,
> 
> I tried posting to the new address from Thunderbird, but nothing
> appeared. There are apparently no messages at all, despite it having
> been 'up' for a month:
> 
> As a follow-up I tried submitting a message via their web interface, and
> got this message:
> 
> It will be interesting to see whether, and when, this approval happens. 
> At present, the new home for the MCN list has all the hallmarks of a
> non-operative setup.
> 
> Richard
> 
> -- 
> 
> 
> *Richard Light*
> richardlight...@gmail.com
> /@richardofsussex/
> _______
> You are currently subscribed to mcn-l, the listserv of the Museum Computer 
> Network (http://www.mcn.edu)
> 
> To post to this list, send messages to: mcn-l@mcn.edu
> 
> To unsubscribe or change mcn-l delivery options visit:
> http://lists.mcn.edu/mailman/listinfo/mcn-l
> 
> The MCN-L archives can be found at:
> http://www.mail-archive.com/mcn-l@mcn.edu/

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[MCN-L] Posting to new groups.io list

2021-05-19 Thread Richard Light
Hi,

I tried posting to the new address from Thunderbird, but nothing
appeared. There are apparently no messages at all, despite it having
been 'up' for a month:

As a follow-up I tried submitting a message via their web interface, and
got this message:

It will be interesting to see whether, and when, this approval happens. 
At present, the new home for the MCN list has all the hallmarks of a
non-operative setup.

Richard

-- 


*Richard Light*
richardlight...@gmail.com
/@richardofsussex/
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Re: [MCN-L] MCN-L will be retired on June 1!

2021-05-18 Thread Sina Bahram
Question: can some messages be sent over to the groups.io setup to verify
the end-to-end status of it for those of us that have already signed up?

Thanks

Take care,
Sina

President, Prime Access Consulting, Inc.
Phone: 919-345-3832
https://www.PAC.bz
Twitter: @SinaBahram
Personal Website: https://www.sinabahram.com

-Original Message-
From: mcn-l  On Behalf Of Eric Longo
Sent: Tuesday, May 18, 2021 8:47 AM
To: MCN-L 
Subject: [MCN-L] MCN-L will be retired on June 1!

Dear MCN-L subscribers


*On June 1, 2021, the MCN-L listserv will be retired and replaced with
Groups.io.*
What does this mean?

After June 1, 2021:

   - You will no longer be able to post to MCN-L
   - MCN-L will be replaced with the *MCN Forum on Groups.io*
   <https://groups.io/g/mcn>
   - We will NOT migrate your MCN-L email to the new MCN Forum, you will
   have to opt-in to do so before June 1
   - *Sign up TODAY <https://groups.io/g/mcn/join>* to the *new MCN Forum*
   <https://groups.io/g/mcn>
   - The MCN-L Mail Archive <https://www.mail-archive.com/mcn-l@mcn.edu/>
page
   will be accessible through Friday May 21, 2021
   - After May 21, the old Mail Archive will be uploaded to Groups.io so
   you'll be able to access it there


The *MCN Forum <https://groups.io/g/mcn>* will remain a free and open
service to the community and a much improved one! If you're not already an
MCN member, we encourage you to *join for only $70/year
<https://membership.mcn.edu/>* ($35 for students) or by making a donation
<https://mcn.edu/donate/> today. Membership helps us continue to offer
great opportunities to learn and network with cultural technologists around
the world.

Any questions, let us know,
eric

-
Eric Longo
Executive Director
MCN <http://www.mcn.edu/> (Museum Computer Network)

m: 917-822-7343
w: 888-211-1477 x801
e...@mcn.edu

Click HERE <https://calendly.com/ericlongo> to schedule a meeting with me.
Office hours (ET): M 11am-2pm/T 1-5pm/W 2-5pm/T 8:30-10am & 1-3pm/F 12-4pm
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[MCN-L] MCN-L will be retired on June 1!

2021-05-18 Thread Eric Longo
Dear MCN-L subscribers


*On June 1, 2021, the MCN-L listserv will be retired and replaced with
Groups.io.*
What does this mean?

After June 1, 2021:

   - You will no longer be able to post to MCN-L
   - MCN-L will be replaced with the *MCN Forum on Groups.io*
   <https://groups.io/g/mcn>
   - We will NOT migrate your MCN-L email to the new MCN Forum, you will
   have to opt-in to do so before June 1
   - *Sign up TODAY <https://groups.io/g/mcn/join>* to the *new MCN Forum*
   <https://groups.io/g/mcn>
   - The MCN-L Mail Archive <https://www.mail-archive.com/mcn-l@mcn.edu/> page
   will be accessible through Friday May 21, 2021
   - After May 21, the old Mail Archive will be uploaded to Groups.io so
   you'll be able to access it there


The *MCN Forum <https://groups.io/g/mcn>* will remain a free and open
service to the community and a much improved one! If you're not already an
MCN member, we encourage you to *join for only $70/year
<https://membership.mcn.edu/>* ($35 for students) or by making a donation
<https://mcn.edu/donate/> today. Membership helps us continue to offer
great opportunities to learn and network with cultural technologists around
the world.

Any questions, let us know,
eric

-
Eric Longo
Executive Director
MCN <http://www.mcn.edu/> (Museum Computer Network)

m: 917-822-7343
w: 888-211-1477 x801
e...@mcn.edu

Click HERE <https://calendly.com/ericlongo> to schedule a meeting with me.
Office hours (ET): M 11am-2pm/T 1-5pm/W 2-5pm/T 8:30-10am & 1-3pm/F 12-4pm
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[MCN-L] 2021-2023 Board of Directors, #ARCSchat June 1 with John Simmons & Pandemic Employment Impacts Meetup May 26 ARCS Update Vol 6 | Update 10

2021-05-17 Thread ARCS
***Board of Directors 2021-2023***
The ARCS Board of Directors is pleased to announce the newest members of
the Board elected by the ARCS membership:

Sydney Briggs
Associate Registrar
The Museum of Modern Art

Sebastián E. Encina
Collections Manager
Kelsey Museum of Archaeology, University of Michigan

Adriane Tafoya
Registrar and Senior Collections Manager
McClung Museum of Natural History and Culture, University of Tennessee,
Knoxville

Kara S. Vetter
Director of Cultural Resources
Museum of Us

***#ARCSchat June 1 with John Simmons***
The Collections Continuum: Where do we go from here?

We haven't arrived, but where have we been? More than a year after global
lockdowns have forced all of our collections and institutions to rethink
nearly every operating protocol, we look back at what the road traveled
says about the road that lies ahead.

To put our world in context for us on this last chat of the season,
collections encyclopedia (with a specialty in natural history collections)
John Simmons joins us on #ARCSchat to lay out some scenarios for the future
of collecting institutions based on what we can learn from trends of the
past. John has authored multiple books including Things Great and Small:
Collections Management Policies (2nd ed. 2017), Foundations of Museum
Studies: Evolving Systems of Knowledge (2014, with Kiersten Latham),
Herpetological Collecting and Collections Management (3rd edition, 2015),
Museums: A History (2016), and the chapter on "Collections Management:
History, Theory, and Practice" in The International Handbook of Museum
Studies (2015). Perhaps most notably, he has co-edited the 6th edition of
Museum Registration Methods (with Toni Kiser).

June 1st, 1:00 p.m. ET
Live on the ARCS YouTube Channel

https://www.youtube.com/c/AssociationofRegistrarsandCollectionsSpecialists

Don't forget to sign in to your Google/Gmail/YouTube account to participate
in the chat.

***Pandemic Employment Impacts Meetup May 26***
In response to feedback from the COVID-19 Employment Impact survey, ARCS
Meet-Ups is hosting a session for those who experienced changes in their
employment due to the pandemic. Come together to support each other through
listening, sharing your experience and challenges, as well as tips and
resources with those who may be dealing with a similar situation.

Hosted by
Elena Incardona, ARCS Membership Engagement Chair
Nora Djanev, ARCS Meet-Ups Task Force-Chair
May 26, 2021 at 8:00 p.m. ET

Space is limited so please register.
http://www.arcsinfo.org/news-events/event/1345/0/arcs-virtual-meetup-job-loss-and-pandemic-employment-impacts-support-group

***Upcoming Events and News***
ARCS Leadership Series: Leading Museum Teams in a VUCA World
May 27th & June 17th, 2021 1:00 p.m. ET

Leading teams in a VUCA (volatile, uncertain, complex, ambiguous) world is
an ongoing challenge for nonprofit and museum professionals. The pandemic
complicated these challenges, moving us to strengthen our skills in
resolving problems, leading teams and engaging opportunities to enhance our
organizations. This 3-part webinar series will feature interactive sessions
that introduce and apply perspectives on leading, communicating, and
facilitating teams in nonprofit organizations and museums to help meet
these complex challenges.

May 27 Session 2: Connecting Leading & Communicating
Expanding upon our work in Session 1, Session 2 features an interactive
workshop that explores the connections among leadership, communication, and
leadership styles. Drawing upon these connections, we will discuss the ways
in which those leadership styles and communication skills impact how we
lead others in the museum and nonprofit context.

June 17 Session 3: Leading & Teaming in a VUCA World
Given the challenges in the nonprofit and museum world today, keys to
success will be our abilities to leverage the strengths of a variety of
specialists to solve complex problems. Session 3 focuses on how to apply
your leadership strengths and communication skills discussed in Sessions 1
and 2 to team (as a verb; Edmondson, 2017), toward achieving nonprofit and
museum goals.

http://www.arcsinfo.org/news-events/event/1344/0/arcs-leadership-series-leading-museum-teams-in-a-vuca-world
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[MCN-L] iLRN 2021 Virtual Conf. on XR & immersive learning - Last chance for FREE registration before the conference opening!

2021-05-17 Thread Lee, Mark
The 7th International Conference of the Immersive Learning Research Network 
(iLRN 2021 at https://immersivelrn.org/ilrn2021 ) opens in just a few hours' 
time on the iLRN 3D Virtual Campus! Registration is free for all non-presenter 
attendees while ticket stocks last.

Technically co-sponsored by the IEEE Education Society, iLRN 2021 will be an 
innovative and interactive virtual gathering for a strengthening global network 
of researchers and practitioners collaborating to develop the scientific, 
technical, and applied potential of immersive learning. It is the premier 
scholarly event focusing on advances in the use of virtual reality (VR), 
augmented reality (AR), mixed reality (MR), and other extended reality (XR) 
technologies to support learners across the full span of learning--from K-12 
through higher education to work-based, informal, and lifelong learning 
contexts.

Following the success of iLRN 2020, our first fully online and in-VR 
conference, this year's conference will once again be based on the iLRN 3D 
Virtual Campus, powered by Virbela, but with a range of activities taking place 
on various other XR simulation, gaming, and other platforms. Scholars and 
professionals working from informal and formal education settings as well as 
those representing diverse industry sectors are invited to participate in the 
conference, where they may share their research findings, experiences, and 
insights; network and establish partnerships to envision and shape the future 
of XR and immersive technologies for learning; and contribute to the emerging 
scholarly knowledge base on how these technologies can be used to create 
experiences that educate, engage, and excite learners.

REGISTER NOW to avoid disappointment: https://bit.ly/3eSvINr

View the conference program here: 
https://immersivelrn.org/ilrn2021/program/schedule/

(Sent to mcn-l@mcn.edu)


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[MCN-L] Museum Studies Researcher Position

2021-05-16 Thread Haitham Eid
Good morning! Come join a group of international museum professionals, scholars 
and policymakers to research issues related to equity, diversity and inclusion 
in the museum's digital landscape. It is a part-time position and relocating is 
not required. The application deadline is May 19. Please feel free to share 
with others who might be interested.

Researcher- Arts in Museum Studies Program - 
HigherEdJobs<https://www.higheredjobs.com/details.cfm?JobCode=177476399>
[https://www.higheredjobs.com/images/facebook-logo.jpg]<https://www.higheredjobs.com/details.cfm?JobCode=177476399>
Researcher- Arts in Museum Studies Program - 
HigherEdJobs<https://www.higheredjobs.com/details.cfm?JobCode=177476399>
Jobs in higher education. Faculty and administrative positions at colleges and 
universities. Updated daily. Free to job seekers.
www.higheredjobs.com


Thank you!
Haitham


Haitham Eid, PhD

Associate Professor/Director
Southern University at New Orleans
Master of Arts in Museum Studies Program
Arts, Humanities & Social Sciences Building
2nd Floor, Office 215
6400 Press Drive, New Orleans, LA 70126
Email: h...@suno.edu<mailto:h...@suno.edu> | Tel: (504) 286-5010 | Fax: (504) 
284-5506

My new book (co-edited with Melissa 
Forstrom<https://www.purchase.edu/live/profiles/1590-melissa-forstrom>) Museum 
Innovation: Building More Equitable, Relevant and Impactful Museums is now 
available for pre-order through this 
link<https://www.routledge.com/Museum-Innovation-Building-More-Equitable-Relevant-and-Impactful-Museums/Eid-Forstrom/p/book/9780367481391>.




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[MCN-L] Bill Traylor | FREE & Interactive Tour

2021-05-12 Thread Matthew Whitman
Hi everyone,

I hope that you are well. On behalf of the team, I would like to invite you
to join us this evening (7PM ET / 4PM PT) for Considering Worlds, featuring
the work of Bill Traylor.

Bill Traylor is regarded today as one of the most influential American
artists of the twentieth century. A Black man born into slavery in Alabama,
he was an eyewitness to history: the Civil War, Emancipation,
Reconstruction, Jim Crow segregation, and the Great Migration.

Traylor would not live to see the civil rights movement, but he was among
those who laid its foundation. Starting around 1939 - by then in his late
eighties and living on the streets of Montgomery - Traylor made the radical
steps of taking up pencil and paintbrush and attesting to his existence and
point of view. The paintings and drawings he made are visually striking and
politically assertive; they include potent distillations of tales and
memories as well as spare, vibrantly colored abstractions. When Traylor
died in 1949, he left behind more than one thousand works of art.

Register HERE
<https://www.eventbrite.com/e/considering-art-considering-worlds-registration-152442500623>
for your FREE e-TICKET
(https://www.eventbrite.com/e/152442500623)

mark and I are looking forward to seeing you later.
All my best,
Matt

***

About your facilitator: mark (they/them)
<https://www.linkedin.com/in/markjohnsmith/> develops and produces access
platforms, programming and communities with a view toward activating art as
a tool for positive political, economic and social change. To date, their
work has informed cultural strategy at Arts Council UK, the British
Broadcasting Corporation (History, Learning and Radio), the Beaney Museum,
Canterbury City Council, GOV.UK, Kent County Council, the London 2012
Olympic and Paralympic Games. Tate Galleries (Modern and Britain), Artists
Space, Bureau of General Services Queer Division, The LGBT Community Center
NYC, MAPP International, The New School, The New York Public Library,
Village Alliance Inc, Volta Art Fair, International Olympic Committee and
the Tokyo 2020/21 Olympic and Paralympic Games. Mark is a proud member of
the LGBTQIA+ community and an advocate for the transformative power of art
and culture for all.

***END***

-- 


Considering.Art™
Your voice. Your idea.


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[MCN-L] Dreaming of a New Collections Management System Webinar Series

2021-05-11 Thread Alex Kron
Dear Colleagues,


If you missed our first announcement, next Tuesday, May 18th from 8 AM
PST/11 AM EST to 9:30 AM/PST/12:30 PM EST Dreaming of a New Collections
Management System is back!  As requested by a number of our attendees, we
are hosting a DEAI focused session.


We have three special guests who have graciously agreed to share the
challenges and opportunities they have encountered in their DEAI work
concerning their institution’s collections and collection data. Our
panelists this session include:


Mikka Gee Conway, Chief Diversity, Inclusion, and Belonging Officer and EEO
Director

The National Gallery of Art, Washington D.C.


Nicole Allen White, Interim Deputy Director of Diversity, Equity,
Inclusion, and Access and Director of Government and External Affairs

Philadelphia Museum of Art


Kara Vetter, Director of Cultural Resources

Museum of Us, San Diego, California


As with all of our sessions in this series, it is free to attend, and the
session will be recorded and shared on BPOC’s Youtube Channel
<https://www.youtube.com/channel/UCNXjDskOT1gYZucgmUvXf_Q>, Linkedin
<https://www.linkedin.com/company/balboa-park-online-collaborative/mycompany/?viewAsMember=true>,
and Twitter <https://twitter.com/BPOC_SD> page. Live transcription services
will be available and the recording will be captioned.


You may register for this webinar at the following link:
https://us02web.zoom.us/webinar/register/WN_zVNDhv2hR32A0dSugbBAYw


Upon registration, you will receive the meeting information and
automatically receive the recording link after the session has concluded.


We hope to see you there!


Alex Kron | Digital Projects and Collections Specialist
BALBOA PARK ONLINE COLLABORATIVE <https://bpoc.org/>
Email: ak...@bpoc.org
1549 El Prado, Suite 8, San Diego, CA 92101
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[MCN-L] FREE IS Webinar: Covering the Gamut of Spectral Imaging

2021-05-11 Thread Roberta Morehouse
Covering the Gamut of Spectral Imaging: Intro to In-depth 
Presented by Fenella France (Library of Congress) and Dave Wyble (Avian 
Rochester LLC). 

The term "spectral imaging" is used often and can include a range of imaging 
options. Understanding what spectral imaging is, how to capture it, and how it 
can expand insights into collections with greater access to non-visible 
information will help attendees consider the costs and benefits. A focus on the 
multimodal component and links to conservation and preservation imaging and 
color rendering implications for soft-copy display will further explain how to 
make decisions about what imaging techniques to use.
REGISTER at http://bit.ly/Arch2021Webinar_May18

If you missed Kira Sobers and Lynda Schmitz Fuhrig's webinar on Workflows for 
Digitized and Born-Digital Materials, VIEW it at 
http://bit.ly/Arch2021Webinar_May6

Join us for biweekly free webinars focusing on the various aspects of the IS 
Archiving Conference.

Archiving 2021 Online 
Short Courses: 8-18 June
Technical Program: 21-24 June
http://bit.ly/Arch2021

Connect with us on LinkedIn and Twitter @ImagingOrg #Archiving2021

Roberta Morehouse, CMP
Communications and Marketing Manager
Society for Imaging Science and Technology (IS)
-imaging across applications-imaging.org
IS is a non-profit organization dedicated to advancing science and technology 
in the field of imaging.  Please consider donating today.
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[MCN-L] DCMI Webinar - __May 19__ (correction) Modeling Intangible Entities in the Cultural Domains for Digital Archiving Inbox

2021-05-10 Thread DCMI Announce
This webinar is scheduled for Wednesday, May 19th, 2021, 21:00 UTC and
is free (but registration required).

There are a variety of new cultural domains for which we need to
design metadata schemas. It is widely recognized that data models are
crucial to design metadata schemas – we need to identify objects for
which we create metadata. This webinar aims to present a set of
generalized data models designed for metadata about resources in
cultural domains such as intangible cultural heritage and popular
culture. The presenter will first introduce the generalized data
models and then discuss data models designed in the Media Arts
Database project and related projects in which they are involved.

Learning objectives for the webinar

* Data Modeling for Digital Archiving of Cultural Entities:
Fundamental aspects to model tangible/intangible entities in the
cultural domains for organizing them as a digital collection.

* Data Modeling for Media Arts (manga (Japanese comics), animation,
video games, new media arts and performing arts): Data models as a
foundation for metadata schema development in new cultural domains as
a case study.

* From Item-centric organization to Content-oriented organization of
metadata for digital collections: Shift in the organization for
digital collections from traditional item-centric resource
organization to content-oriented resource organization in the Internet
and Linked Open Data environments.

About the speaker

Shigeo Sugimoto received his BE, ME and PhD degrees from the
Department of Information Science, Faculty of Engineering at Kyoto
University and specializes in software engineering and computer
languages. He joined University of Library and Information Science
(ULIS) in 1983. ULIS became the Faculty of Library, Information and
Media Science at the University of Tsukuba (iSchool@Tsukuba) after an
institutional merger in 2002. He has served as a faculty member for
over 35 years in Tsukuba until his retirement in 2019. He is now a
professor emeritus at the University of Tsukuba.

He first attended Dublin Core Workshop at Canberra in 1997. Since
then, he has been actively involved in the Dublin Core Metadata
Initiative (DCMI). He is a member of the Governing Board of DCMI.

His current research interests are technological and fundamental
aspects for metadata in the cultural and historical domains, which
include intangible cultural heritage, media arts, sports and natural
disasters.


Register (free) at
https://www.dublincore.org/news/2021/05_06_webinar_modeling_intangible_entities_in_the_cultural_domains_for_digital_archiving/
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[MCN-L] DCMI Webinar, May 20, Modeling Intangible Entities in the Cultural Domains for Digital Archiving

2021-05-10 Thread DCMI Announce
This webinar is scheduled for Wednesday, May 19th, 2021, 21:00 UTC and
is free (but registration required).

There are a variety of new cultural domains for which we need to
design metadata schemas. It is widely recognized that data models are
crucial to design metadata schemas – we need to identify objects for
which we create metadata. This webinar aims to present a set of
generalized data models designed for metadata about resources in
cultural domains such as intangible cultural heritage and popular
culture. The presenter will first introduce the generalized data
models and then discuss data models designed in the Media Arts
Database project and related projects in which they are involved.

Learning objectives for the webinar

* Data Modeling for Digital Archiving of Cultural Entities:
Fundamental aspects to model tangible/intangible entities in the
cultural domains for organizing them as a digital collection.

* Data Modeling for Media Arts (manga (Japanese comics), animation,
video games, new media arts and performing arts): Data models as a
foundation for metadata schema development in new cultural domains as
a case study.

* From Item-centric organization to Content-oriented organization of
metadata for digital collections: Shift in the organization for
digital collections from traditional item-centric resource
organization to content-oriented resource organization in the Internet
and Linked Open Data environments.

About the speaker

Shigeo Sugimoto received his BE, ME and PhD degrees from the
Department of Information Science, Faculty of Engineering at Kyoto
University and specializes in software engineering and computer
languages. He joined University of Library and Information Science
(ULIS) in 1983. ULIS became the Faculty of Library, Information and
Media Science at the University of Tsukuba (iSchool@Tsukuba) after an
institutional merger in 2002. He has served as a faculty member for
over 35 years in Tsukuba until his retirement in 2019. He is now a
professor emeritus at the University of Tsukuba.

He first attended Dublin Core Workshop at Canberra in 1997. Since
then, he has been actively involved in the Dublin Core Metadata
Initiative (DCMI). He is a member of the Governing Board of DCMI.

His current research interests are technological and fundamental
aspects for metadata in the cultural and historical domains, which
include intangible cultural heritage, media arts, sports and natural
disasters.


Register (free) at
https://www.dublincore.org/news/2021/05_06_webinar_modeling_intangible_entities_in_the_cultural_domains_for_digital_archiving/
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[MCN-L] Position Announcement: Project Manager for Research & Strategy

2021-05-10 Thread Hannah Ballard
Dear Colleagues,

Educopia Institute is pleased to share a new job announcement!

We are now hiring a
<https://educopia.org/citapress-project-editorial-coordinator/>Project
Manager <https://educopia.org/project-manager-research/> for Research &
Strategy who will be responsible for supporting the extensive portfolio of
research and consulting projects within Educopia’s Research & Strategy
program.

The Project Manager will support an array of collaborative work with our
project teams and partners. The Project Manager position requires a
dedication to responsible management of schedules and scopes, stakeholder
expectations, data management, templatization of tools and other project
resources, and documentation of key findings. The ideal candidate is
passionate about community-based research, collective action, continuous
improvement, and making project findings relevant and legible to staff and
partners. We expect all candidates to demonstrate empathy and
intentionality in their interpersonal communication.

Salary range is $60-65k/year, commensurate with experience, with additional
funding for professional development and travel. Benefits include 24
vacation days per year (accruing monthly) and 10 paid holidays, as well as
insurance options and retirement match options. The person hired in this
role will also be provided with a computer stipend to set up their remote
workspace.

Educopia supports its staff members in developing their professional
skills. Professional development may include third-party training or
workshops, staff-to-staff training and peer learning, and encouragement to
read/research tools and resources that will contribute to their
professional success.

To apply: please submit a resume, cover letter, and three professional
references to Emma de Francisco .

We will begin reviewing applications on June 1, 2021 and we will continue
to welcome applications until the position is filled.

Educopia Institute is an Equal Employment Opportunity (EEO) employer and
welcomes all qualified applicants. We also believe that traditional hiring
and recruitment practices disproportionately impact the most marginalized
people in society in negative ways, including people of color, people from
working class backgrounds, women, and LGBTQIA people. Because we believe
that collective action is most powerful in creating change when it is
informed by many different lived experiences, we strongly encourage
applications from people with these identities or who are members of other
marginalized communities.

To receive future job postings and other news from Educopia Institute, sign
up for our quarterly newsletter <https://educopia.org/subscribe/>.

With best wishes,

Hannah

-- 
Hannah Ballard <https://educopia.org/staff/hannah-ballard>
Director of Communications
Educopia Institute <https://educopia.org/>
han...@educopia.org
Follow us on Twitter <https://twitter.com/Educopia>!

Working from Lawrence, KS
Pronouns: she/her/hers
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Re: [MCN-L] ANNOUNCEMENT! MCN-L to be retired & moved to Groups.io on 6/1

2021-05-07 Thread Matt Morgan
Let us all say a prayer or a poem for mailman (http://www.list.org/), great 
software that provided us service for many, many years and thousands of subject 
lines. And a huge thank-you to whoever is moving the archive over!

Eric, thank you for taking care of this list and this group.

Best,
Matt

-- 
  Matt Morgan
  m...@concretecomputing.com

On Fri, May 7, 2021, at 9:08 AM, Eric Longo wrote:
>  Dear MCN-L subscribers
> 
> 
> *On June 1, 2021, the MCN-L listserv will be retired and replaced with
> Groups.io.*
> What does this mean?
> 
> After June 1, 2021:
> 
>- You will no longer be able to post to MCN-L
>- MCN-L will be replaced with the *MCN Forum on Groups.io*
><https://groups.io/g/mcn>
>- We will NOT migrate your MCN-L email to the new MCN Forum, you will
>have to opt-in to do so before June 1
>- *Sign up TODAY <https://groups.io/g/mcn/join>* to the *new MCN Forum*
><https://groups.io/g/mcn>
>- The MCN-L Mail Archive <https://www.mail-archive.com/mcn-l@mcn.edu/> page
>will be accessible through May 15, 2021
>- After May 15, the old Mail Archive will be uploaded to Groups.io so
>you'll be able to access it there
> 
> 
> The *MCN Forum <https://groups.io/g/mcn>* will remain a free and open
> service to the community and a much improved one! If you're not already an
> MCN member, we encourage you to *join for only $70/year
> <https://membership.mcn.edu/>* ($35 for students) or by making a donation
> <https://mcn.edu/donate/> today. Membership helps us continue to offer
> great opportunities to learn and network with cultural technologists around
> the world.
> 
> Any questions, let us know,
> eric
> 
> -
> Eric Longo
> Executive Director
> MCN <http://www.mcn.edu/> (Museum Computer Network)
> 
> m: 917-822-7343
> w: 888-211-1477 x801
> e...@mcn.edu
> 
> Click HERE <https://calendly.com/ericlongo> to schedule a meeting with 
> me.
> Office hours (ET): M 11am-2pm/T 1-5pm/W 2-5pm/T 8:30-10am & 1-3pm/F 
> 12-4pm
> ___________
> You are currently subscribed to mcn-l, the listserv of the Museum 
> Computer Network (http://www.mcn.edu)
> 
> To post to this list, send messages to: mcn-l@mcn.edu
> 
> To unsubscribe or change mcn-l delivery options visit:
> http://lists.mcn.edu/mailman/listinfo/mcn-l
> 
> The MCN-L archives can be found at:
> http://www.mail-archive.com/mcn-l@mcn.edu/
> 
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[MCN-L] Sr. Software Engineer for Walt Disney Animation Research Library

2021-05-07 Thread Eric Longo
Walt Disney Animation Research Library is looking for a Senior Software
Engineer!


https://jobs.disneycareers.com/job/burbank/sr-software-engineer-animation-research-library-remote/391/19183932

-
Eric Longo
Executive Director
MCN <http://www.mcn.edu/> (Museum Computer Network)

m: 917-822-7343
w: 888-211-1477 x801
e...@mcn.edu

Click HERE <https://calendly.com/ericlongo> to schedule a meeting with me.
Office hours (ET): M 11am-2pm/T 1-5pm/W 2-5pm/T 8:30-10am & 1-3pm/F 12-4pm
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Re: [MCN-L] ANNOUNCEMENT! MCN-L to be retired & moved to Groups.io on 6/1

2021-05-07 Thread Judith Robins
Thank you, Eric!

Stay safe and well,

Judith A. Robins,
Archivist,
Wood Library-Museum of Anesthesiology
1061 American Lane | Schaumburg, IL 60173
j.rob...@asahq.org
847-268-9168

Donate to WLM today! 


-Original Message-
From: mcn-l  On Behalf Of Eric Longo
Sent: Friday, May 7, 2021 8:09 AM
To: MCN-L 
Subject: [MCN-L] ANNOUNCEMENT! MCN-L to be retired & moved to Groups.io on 6/1

 Dear MCN-L subscribers


*On June 1, 2021, the MCN-L listserv will be retired and replaced with
Groups.io.*
What does this mean?

After June 1, 2021:

   - You will no longer be able to post to MCN-L
   - MCN-L will be replaced with the *MCN Forum on Groups.io*
   
<https://nam12.safelinks.protection.outlook.com/?url=https%3A%2F%2Fgroups.io%2Fg%2Fmcndata=04%7C01%7Cj.robins%40asahq.org%7C28fb1a76f5f84fa3bf7b08d91159c0e3%7C6b21955d9eb547c18fd34595c9cae653%7C0%7C0%7C637559899467226195%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000sdata=2mlxi2o8Dd1crg%2BwL7md3tidYDIZoEnrGTiLSGmxKHU%3Dreserved=0>
   - We will NOT migrate your MCN-L email to the new MCN Forum, you will
   have to opt-in to do so before June 1
   - *Sign up TODAY 
<https://nam12.safelinks.protection.outlook.com/?url=https%3A%2F%2Fgroups.io%2Fg%2Fmcn%2Fjoindata=04%7C01%7Cj.robins%40asahq.org%7C28fb1a76f5f84fa3bf7b08d91159c0e3%7C6b21955d9eb547c18fd34595c9cae653%7C0%7C0%7C637559899467226195%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000sdata=bY6%2B788diKAomFPORCATj5fCzgZtQ07K3wiyco%2BmGFc%3Dreserved=0>*
 to the *new MCN Forum*
   
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   - The MCN-L Mail Archive 
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   will be accessible through May 15, 2021
   - After May 15, the old Mail Archive will be uploaded to Groups.io so
   you'll be able to access it there


The *MCN Forum 
<https://nam12.safelinks.protection.outlook.com/?url=https%3A%2F%2Fgroups.io%2Fg%2Fmcndata=04%7C01%7Cj.robins%40asahq.org%7C28fb1a76f5f84fa3bf7b08d91159c0e3%7C6b21955d9eb547c18fd34595c9cae653%7C0%7C0%7C637559899467236152%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000sdata=s%2Fpz6Jmb1CvBWubGl2GTKUJF21FXlp5lQNO3g5NOuCI%3Dreserved=0>*
 will remain a free and open service to the community and a much improved one! 
If you're not already an MCN member, we encourage you to *join for only $70/year
<https://nam12.safelinks.protection.outlook.com/?url=https%3A%2F%2Fmembership.mcn.edu%2Fdata=04%7C01%7Cj.robins%40asahq.org%7C28fb1a76f5f84fa3bf7b08d91159c0e3%7C6b21955d9eb547c18fd34595c9cae653%7C0%7C0%7C637559899467236152%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000sdata=zI%2B55hvofumDIQjkxlpODBdsNiTFLA7gsWs%2BJLOgM%2BI%3Dreserved=0>*
 ($35 for students) or by making a donation 
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 today. Membership helps us continue to offer great opportunities to learn and 
network with cultural technologists around the world.

Any questions, let us know,
eric

-
Eric Longo
Executive Director
MCN 
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 (Museum Computer Network)

m: 917-822-7343
w: 888-211-1477 x801
e...@mcn.edu

Click HERE 
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[MCN-L] ANNOUNCEMENT! MCN-L to be retired & moved to Groups.io on 6/1

2021-05-07 Thread Eric Longo
 Dear MCN-L subscribers


*On June 1, 2021, the MCN-L listserv will be retired and replaced with
Groups.io.*
What does this mean?

After June 1, 2021:

   - You will no longer be able to post to MCN-L
   - MCN-L will be replaced with the *MCN Forum on Groups.io*
   <https://groups.io/g/mcn>
   - We will NOT migrate your MCN-L email to the new MCN Forum, you will
   have to opt-in to do so before June 1
   - *Sign up TODAY <https://groups.io/g/mcn/join>* to the *new MCN Forum*
   <https://groups.io/g/mcn>
   - The MCN-L Mail Archive <https://www.mail-archive.com/mcn-l@mcn.edu/> page
   will be accessible through May 15, 2021
   - After May 15, the old Mail Archive will be uploaded to Groups.io so
   you'll be able to access it there


The *MCN Forum <https://groups.io/g/mcn>* will remain a free and open
service to the community and a much improved one! If you're not already an
MCN member, we encourage you to *join for only $70/year
<https://membership.mcn.edu/>* ($35 for students) or by making a donation
<https://mcn.edu/donate/> today. Membership helps us continue to offer
great opportunities to learn and network with cultural technologists around
the world.

Any questions, let us know,
eric

-
Eric Longo
Executive Director
MCN <http://www.mcn.edu/> (Museum Computer Network)

m: 917-822-7343
w: 888-211-1477 x801
e...@mcn.edu

Click HERE <https://calendly.com/ericlongo> to schedule a meeting with me.
Office hours (ET): M 11am-2pm/T 1-5pm/W 2-5pm/T 8:30-10am & 1-3pm/F 12-4pm
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[MCN-L] New Video Channel Launch from Hammer Museum

2021-05-06 Thread Susan Edwards
Hello -

I’m excited to share with the community the launch of Hammer Channel from
the Hammer Museum. https://channel.hammer.ucla.edu

This new video platform presents over 1,000 talks, performances,
conversations and more from the Hammer Museum, going back to 2005,
including programs ranging from art and film to politics and activism. The
site is built on a DAMS (AssetBank) that puts all of our video content in
one place. For audiences, the site is organized much like a streaming
service.

Made possible by a grant from The Andrew W. Mellon Foundation, Hammer
Channel allows users to search, clip and share our many programs.
Transcripts of every program are included on the site, making these
programs easier to search and a great resource for scholars and students.
The site was created by the amazing team at Cogapp, and they have made the
underlying code and the framework open source. We hope this model can be
replicated at other institutions, and that what we learned can be a
significant resource for other museums and nonprofits who have a lot of
video content to manage and publish.

Numerous talented individuals in nearly every department of the museum
contributed to the site. Phil Leers managed the creation of the website, in
collaboration with myself, and Cogapp made the build. We had a huge team of
staff who put in hours of time behind the scenes, preparing each and every
video, transcripts, and the metadata for upload to the new site.

Cogapp wrote up a great and comprehensive case study of the project:
https://www.cogapp.com/work#/hammer-channel/
Read about Hammer Channel in this Los Angeles Times: story.
https://www.latimes.com/entertainment-arts/story/2021-05-05/hammer-museum-channel-streaming-events

We'd love to hear any feedback you have, and are happy to answer
questions.
Feel free to contact me or Phil anytime.
Susan Edwards sedwa...@hammer.ucla.edu
Phil Leers ple...@hammer.ucla.edu
And I am sure the team at cogapp would be happy to discuss as well.

Enjoy!
Susan

Susan Edwards
Associate Director, Digital Content
Hammer Museum
10899 Wilshire Bl.
Los Angeles, CA 90056
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[MCN-L]  Njideka Akunyili Crosby | FREE & Interactive Tour

2021-05-05 Thread Matthew Whitman
Hi everyone,

I hope that you are well. On behalf of the team, I would like to invite you
to join us this evening (7PM ET / 4PM PT) for Considering Collage,
featuring the work of Njideka Akunyili Crosby.

Njideka Akunyili Crosby is a Nigerian-born visual artist working in Los
Angeles, California. Akunyili Crosby's art negotiates the cultural terrain
between her adopted home in America and her native Nigeria, creating
collage and photo transfer-based paintings that expose the challenges of
occupying these two worlds. Join us tonight as together we explore the
power of juxtaposition, and with this, the continued importance of the
interstices formed in between. Look closely - What do you see?

Register HERE for your FREE e-TICKET
<https://www.eventbrite.com/e/152438506677>
(https://www.eventbrite.com/e/152438506677)

mark and I are looking forward to seeing you later.
All my best,
Matt

***

About your facilitator: mark (they/them)
<https://www.linkedin.com/in/markjohnsmith/> develops and produces access
platforms, programming and communities with a view toward activating art as
a tool for positive political, economic and social change. To date, their
work has informed cultural strategy at Arts Council UK, the British
Broadcasting Corporation (History, Learning and Radio), the Beaney Museum,
Canterbury City Council, GOV.UK, Kent County Council, the London 2012
Olympic and Paralympic Games. Tate Galleries (Modern and Britain), Artists
Space, Bureau of General Services Queer Division, The LGBT Community Center
NYC, MAPP International, The New School, The New York Public Library,
Village Alliance Inc, Volta Art Fair, International Olympic Committee and
the Tokyo 2020/21 Olympic and Paralympic Games. Mark is a proud member of
the LGBTQIA+ community and an advocate for the transformative power of art
and culture for all.

***END***

-- 


Considering.Art™
Your voice. Your idea.


The contents of this email 
message and any attachments are intended solely for the addressee(s) and 
may contain confidential and/or privileged information and may be legally 
protected from disclosure. If you are not the intended recipient of this 
message or their agent, or if this message has been addressed to you in 
error, please immediately alert the sender by reply email and then delete 
this message and any attachments. If you are not the intended recipient, 
you are hereby notified that any use, dissemination, copying, or storage of 
this message or its attachments is strictly prohibited.


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[MCN-L] Multimedia Producer Job Opening

2021-05-05 Thread Pam Martin
The Albright-Knox Art Gallery (which will become the Buffalo AKG Art Museum in 
2022) is looking for a full-time Multimedia Producer to join its team in July 
2021.

Position Overview:

The Multimedia Producer is an excellent visual storyteller who creates, edits, 
and produces high-quality multimedia content to meet the museum’s internal and 
external communications and community engagement goals, most immediately as 
they relate to its reopening as the Buffalo AKG Art Museum in 2022. The 
Multimedia Producer will be expected to complete projects as assigned but also 
seek out great visual stories that engage our audiences and further the mission 
of the museum. The work of the Multimedia Producer is guided by the museum’s 
vision, mission, values, and Strategic Plan, and by the principles of 
inclusion, diversity, equity, and accessibility.

Learn more and apply at 
www.albrightknox.org/jobs<http://www.albrightknox.org/jobs>.

--
Pamela Martin
Senior Digital Content Manager
Albright-Knox Art Gallery—Becoming the Buffalo AKG Art 
Museum<https://www.albrightknox.org/campus-development-and-expansion> (opening 
2022)
1285 Elmwood Avenue
Buffalo, New York 14222
716.270.8260 TEL
pmar...@albrightknox.org<mailto:pmar...@albrightknox.org>
www.albrightknox.org<http://www.albrightknox.org/>
Pronouns: she/her/hers
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[MCN-L] IS Archiving 2021 Online - Registration NOW Open!

2021-05-04 Thread Roberta Morehouse
Registration is NOW OPEN for the IS Archiving 2021 Online, June 8-24.
Enjoy 2+ weeks of state-of-the-art research and discussion on imaging, 
digitization, preservation, and access to 2D, 3D, and AV materials.

PROGRAM
Featuring keynotes from Jane Alexander (Cleveland Museum of Art), Katrien Keune 
(Rijksmuseum), and Carl Haber (Lawrence Berkeley National Laboratory), 14 short 
courses, virtual behind-the-scenes tours of NTNU ColourLab, the Library of 
Congress, Fraunhofer IGD, George Eastman Museum and much more.

REGISTRATION DISCOUNTS
Take advantage of Registration Passports for the best value.
Passport options include the Short Course only Passport or the All-Access 
option, including all 14 Short Courses, the entire technical program including 
keynotes, sessions, oral posters, a virtual exhibit, and behind-the-scenes 
tours.
Students, furloughed professionals, and institutional group discounts available.

Register today! http://bit.ly/Arch2021_Program

Archiving 2021 Online
Short Courses: 8-18 June
Technical Program: 21-24 June
http://bit.ly/Arch2021

Connect with us on LinkedIn and Twitter @ImagingOrg for #Archiving2021 updates!

Roberta Morehouse, CMP
Communications and Marketing Manager
Society for Imaging Science and Technology (IS)
-imaging across applications-imaging.org<http://www.imaging.org/>
IS is a non-profit organization dedicated to advancing science and technology 
in the field of imaging.  Please consider 
donating<https://www.imaging.org/site/IST/About_Us/Donations/IST/About/Donations.aspx?hkey=15c1ceb0-3c54-4271-9fc1-67284a195057>
 today.

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[MCN-L] Request for Proposals: MASS MoCA Digital Strategy -- deadline May 24, 2021

2021-05-04 Thread Susan Cross
te
engagements and "extends" any visit

Archive: As a non-collecting museum, our most valuable resource is our
extensive audio,  video, and photographic library that documents the
institution's vibrant history and  programs. This collection is currently
in an unsecured state, in both analog and digital  formats. How can we
secure, organize, and leverage our archive and identify a documentation
system to bring our mission, history, current and future programming to our
audiences  (including scholars, museum colleagues, and students of the
arts) while creating new  connections and thus new content across the
archive?

MASS MoCA seeks the expertise of consultants who can work with us to build
a sustainable  digital strategy to better support our operations and our
goals to nurture and  provide platforms for boundary-breaking new art,
create an inclusive, educational culture that  provides equitable access to
our programs for diverse audiences, and to grow those audiences  locally
and globally, on-and off-site.


Please send proposals and inquiries to: r...@massmoca.org by May 24.

Responses must include:

Clearly articulate approach, specific to the needs of MASS MoCA

Itemized fee structure

Estimated schedule and list of deliverables

Examples of expertise in the 3 areas identified as priorities

For information about MASS MoCA’s campus and programs, visit massmoca.org.

MASS MoCA Strategic Plan Summary

MASS MoCA Master Plan Summary




Susan Cross
Senior Curator, MASS MoCA
scr...@massmoca.org
t: 413.664.4481 x8102 <(413)%20664-4481>
pronouns:she/her/hers
massmoca.org <http://www.massmoca.org/>   |  massmoca reel
<http://www.youtube.com/watch?v=g3NiwbTpPHU>

<http://www.youtube.com/watch?v=g3NiwbTpPHU=0>
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[MCN-L] Dreaming of a New Collections Management System: Episode 4

2021-04-29 Thread Alex Kron
Dear Colleagues,

After a short break, we are back again on May 18th at 8 AM PST/11 AM EST
with our fourth episode of Dreaming of a New Collections Management System.
In this episode, we welcome three inspiring change-makers from the museum
community who will share with us the challenges and opportunities they have
encountered in their critical DEAI work in relation to working with their
institution’s collections and collections data. I am pleased to introduce
our panelists:

Mikka Gee Conway, Chief Diversity, Inclusion, and Belonging Officer and EEO
Director

The National Gallery of Art, Washington D.C.

Nicole Allen White, Interim Deputy Director of Diversity, Equity,
Inclusion, and Access and Director of Government and External Affairs

Philadelphia Museum of Art

Kara Vetter, Director of Cultural Resources

Museum of Us, San Diego, California



As with all of our sessions in this series, it is free to attend, and the
session will be recorded for those unable to be present for the live
discussion. Live transcription services will be available and the recording
will be captioned.

You may register for this webinar at the following link:
https://us02web.zoom.us/webinar/register/WN_zVNDhv2hR32A0dSugbBAYw

Upon registration, you will receive the meeting information and
automatically receive the recording link after the session has concluded.

 We look forward to seeing you there!

Alex Kron | Digital Projects and Collections Specialist
BALBOA PARK ONLINE COLLABORATIVE <https://bpoc.org/>
Email: ak...@bpoc.org
1549 El Prado, Suite 8, San Diego, CA 92101
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[MCN-L] the universe of metadata

2021-04-29 Thread Matt Wheeler
Good afternoon—
We're beginning to assess our collections metadata; specifically, we want
to make some decisions about whether and how to restructure it and clean it
up. Since we don't have a metadata specialist on staff, we're looking
outside the organization for insight.
Our collections are mixed: archives, photographs, paintings, 3D objects
(including small watercraft). Can anyone advise me on the best schemata to
use for these varied holdings? How would any of you approach the
structuring of mission-specific metadata which doesn't fit intuitively into
existing formats? We're aiming for maximum interoperability to increase
ease of sharing digital collections with larger/other repositories. We're
grateful for any suggestions.
Best regards,
Matt Wheeler

-- 
Matt Wheeler
Digital Collections Curator,
Penobscot Marine Museum
Archives (207) 548-2529 ext. 211
5 Church Street, PO Box 498
Searsport, Maine 04974
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[MCN-L] Applications open for free digital preservation workshop for US-based individuals offered by DPOE-N

2021-04-29 Thread Erin Barsan
The Digital Preservation Outreach & Education Network (DPOE-N) is excited
to offer a free virtual workshop for US-based library, archives, and museum
professionals focused on digital preservation and audiovisual media...

*Introduction to Digital Preservation for Moving Image and Sound
<https://www.dpoe.network/workshops/>*
Virtual Workshop | Thursday May 27th and Friday May 28th, 2021 |
2:00-5:00pm EST

*Description:*
Moving image and sound materials were challenging to steward in the analog
era, and now with the turn to digital preservation, an entirely new set of
challenges are presented for collection managers. While there is clear
overlap between digital preservation of static material and time-based
media, many unique factors are involved in the latter, including
characteristics such as multiple codecs within a container, multi-track
audio recordings, obscure analog video formats, handling large files, and
so on. The workshop will provide an overview of factors like these,
alongside exercises to assist in working with moving image and sound
material in digital preservation activities.

This two-day workshop is designed to provide an introduction to digital
preservation with a focus on the moving image and sound asset lifecycle.
Alongside digital preservation fundamentals, attendees will learn about
current advances in the field, format identification, what audiovisual
materials to prioritize for transfer, readying materials for digitization,
quality assurance and metadata for the purpose of digital preservation. An
introduction to a selection of software tools, and some hands-on work will
be incorporated. Participants will come away with practical skills and
methods for crafting and implementing a digital preservation workflow for
audiovisual materials in their collections, and a basic knowledge of the
purpose and application of technical metadata. Time will be reserved for
participants to sign up for one-on-one office hours so that individualized
questions may be addressed by the instructor.

*Details:*
This workshop is being hosted by the Digital Preservation Outreach &
Education Network (DPOE-N) <https://www.dpoe.network/> in partnership with
New York University Moving Image Archiving & Preservation (MIAP) program
and Pratt Institute School of Information. It is being offered
*tuition-free*, thanks to generous support from the Andrew W. Mellon
Foundation.


*The application for this program is now available online
at:https://bit.ly/dpoen-movingimage <https://bit.ly/dpoen-movingimage>*

*The deadline to apply is May 10, 2021.*

Applicants must be located in the United States or US territories. The
program will be limited to 25 participants, so we recommend that you do not
wait to apply. Successful applicants will be notified by May 15, 2021.

*Instructor:*
Lauren Sorensen is a consultant specializing in moving image preservation
and conservation, digital preservation and access. Over the past fifteen
years, Sorensen has been employed by institutions such as Bay Area Video
Coalition, Library of Congress, Canyon Cinema and as a consultant has
assisted institutions such as the City of Los Angeles' Department of
Cultural Affairs, Glenstone Museum, and the Whitney Museum of American Art,
among others with all manner of digital preservation and access activities.
She co-founded the now seven-years running AMIA/DLF Hack Day, and is a
contributing author in the forthcoming book Archival Accessioning by Audra
Eagle Yun. She has previously served on the Board of Directors for the
Association of Moving Image Archivists, and is currently on the editorial
board for The Moving Image journal. She holds a Master of Arts from New
York University in Moving Image Archiving & Preservation (2007), and a
Bachelor of Arts in Film & Digital Media from University of California,
Santa Cruz (2003).

-- 
*Erin Barsan | Digital Preservation Outreach & Education Network (DPOE-N)
Program Coordinator*
pronouns: she/her/hers (what's this?
<https://www.glsen.org/sites/default/files/GLSEN%20Pronouns%20Resource.pdf>)

*PRATT INSTITUTE*
School of Information
144 West 14th Street | 6th Floor | New York, NY 10011
(212) 647-7693 | ebar...@pratt.edu | dpoe.network
<https://www.dpoe.network/>
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[MCN-L] Lynette Yiadom-Boakye | FREE & Interactive Tour

2021-04-28 Thread Matthew Whitman
Hi everyone,

Join us tonight LIVE at 7PM ET / 4PM PT for Considering Complication |
Lynette Yiadom-Boakye, facilitated jointly by mark, and you.

Lynette Yiadom-Boakye is a British artist and writer acclaimed for her
enigmatic portraits of fictitious people. The figures in Yiadom-Boakye’s
paintings are not real people – she creates them from found images and her
own imagination. Both familiar and mysterious, they invite viewers to
project their own interpretations and raise important questions of identity
and representation. “I learned how to paint from looking at painting, and I
continue to learn from looking at painting. In that sense, history serves
as a resource. But the bigger draw for me is the power that painting can
wield across time.” Lynette Yiadom-Boakye.

In this tour, we embark on a process of unlearning. Together, we explore
the construction of narrative. Through close looking, we ask: what
constitutes site, place, and time? How might we be complicit in the
definition of self? How is identity constructed?

Register HERE for your FREE e-TICKET and join us LIVE every Wednesday at
7PM ET / 4PM PT <https://www.eventbrite.com/e/149933604447>
(https://www.eventbrite.com/e/149933604447)

Looking forward to seeing you later.
All my best,
Matt

***

About your facilitator: mark (they/them)
<https://www.linkedin.com/in/markjohnsmith/> develops and produces access
platforms, programming and communities with a view toward activating art as
a tool for positive political, economic and social change. To date, their
work has informed cultural strategy at Arts Council UK, the British
Broadcasting Corporation (History, Learning and Radio), the Beaney Museum,
Canterbury City Council, GOV.UK, Kent County Council, the London 2012
Olympic and Paralympic Games. Tate Galleries (Modern and Britain), Artists
Space, Bureau of General Services Queer Division, The LGBT Community Center
NYC, MAPP International, The New School, The New York Public Library,
Village Alliance Inc, Volta Art Fair, International Olympic Committee and
the Tokyo 2020/21 Olympic and Paralympic Games. Mark is a proud member of
the LGBTQIA+ community and an advocate for the transformative power of art
and culture for all.

***END***

-- 


Considering.Art™
Your voice. Your idea.


The contents of this email 
message and any attachments are intended solely for the addressee(s) and 
may contain confidential and/or privileged information and may be legally 
protected from disclosure. If you are not the intended recipient of this 
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error, please immediately alert the sender by reply email and then delete 
this message and any attachments. If you are not the intended recipient, 
you are hereby notified that any use, dissemination, copying, or storage of 
this message or its attachments is strictly prohibited.


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Re: [MCN-L] IS FREE Archiving Webinar: Workflows for Digitized and Born-Digital Materials

2021-04-28 Thread Judith Robins
Zounds!  This is exactly what I need. Thank you!

Judith A. Robins,
Archivist,
Wood Library-Museum of Anesthesiology
1061 American Lane | Schaumburg, IL 60173
j.rob...@asahq.org
847-268-9168


-Original Message-
From: mcn-l  On Behalf Of Roberta Morehouse
Sent: Wednesday, April 28, 2021 10:07 AM
To: mcn-l@mcn.edu
Subject: [MCN-L] IS FREE Archiving Webinar: Workflows for Digitized and 
Born-Digital Materials

One Size Does Not Fit All: Workflows for Digitized and Born-Digital Materials 

PRESENTERS
Lynda Schmitz Fuhrig and Kira Sobers, Smithsonian Institution Libraries and 
Archives

Both digitized and born-digital materials present many challenges for 
organizations, including management, access, and preservation. The presenters 
will discuss their workflows with diverse digital materials that document the 
rich history of the Smithsonian Institution. 

REGISTER at 
https://nam12.safelinks.protection.outlook.com/?url=http%3A%2F%2Fbit.ly%2FArch2021Webinar_May6data=04%7C01%7Cj.robins%40asahq.org%7C5d390784cc6846959d0308d90a57b3d7%7C6b21955d9eb547c18fd34595c9cae653%7C0%7C0%7C637552194078903304%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000sdata=xCgiC5hU3MSizTBvarY14C21NS8pLtVVS9IhI2PKZmU%3Dreserved=0

If you missed Peter Burns' webinar on Imaging Choices: Practice, Settings, and 
Formats view it at 
https://nam12.safelinks.protection.outlook.com/?url=https%3A%2F%2Fbit.ly%2FArch2021Webinar_Burns_April21data=04%7C01%7Cj.robins%40asahq.org%7C5d390784cc6846959d0308d90a57b3d7%7C6b21955d9eb547c18fd34595c9cae653%7C0%7C0%7C637552194078903304%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000sdata=6UVUFiG1HJr2%2BZFm56WusoZSLLWTt9iHcHlJ4ZXCmd8%3Dreserved=0

Join us for biweekly free webinars focusing on the various aspects of the IS 
Archiving Conference.

Archiving 2021 Online
Short Courses: 8-18 June
Technical Program: 21-24 June
https://nam12.safelinks.protection.outlook.com/?url=http%3A%2F%2Fbit.ly%2FArch2021data=04%7C01%7Cj.robins%40asahq.org%7C5d390784cc6846959d0308d90a57b3d7%7C6b21955d9eb547c18fd34595c9cae653%7C0%7C0%7C637552194078903304%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000sdata=hGKHQ25LF3M6HpTEbwHT%2Fraop3bNcCvvQ7QrZoBvkBM%3Dreserved=0

Connect with us on LinkedIn and Twitter @ImagingOrg #Archiving2021

Roberta Morehouse, CMP
Communications and Marketing Manager
Society for Imaging Science and Technology (IS) -imaging across 
applications-imaging.org IS is a non-profit organization dedicated to 
advancing science and technology in the field of imaging.  Please consider 
donating today.
https://nam12.safelinks.protection.outlook.com/?url=https%3A%2F%2Fbit.ly%2FIST_Donatedata=04%7C01%7Cj.robins%40asahq.org%7C5d390784cc6846959d0308d90a57b3d7%7C6b21955d9eb547c18fd34595c9cae653%7C0%7C0%7C637552194078903304%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000sdata=kfXdv5IVoaTb326j%2BIqoDDi5L7PsrY6yfNAP2VqJiGk%3Dreserved=0

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[MCN-L] IS FREE Archiving Webinar: Workflows for Digitized and Born-Digital Materials

2021-04-28 Thread Roberta Morehouse
One Size Does Not Fit All: Workflows for Digitized and Born-Digital Materials 

PRESENTERS
Lynda Schmitz Fuhrig and Kira Sobers, Smithsonian Institution Libraries and 
Archives

Both digitized and born-digital materials present many challenges for 
organizations, including management, access, and preservation. The presenters 
will discuss their workflows with diverse digital materials that document the 
rich history of the Smithsonian Institution. 

REGISTER at http://bit.ly/Arch2021Webinar_May6

If you missed Peter Burns' webinar on Imaging Choices: Practice, Settings, and 
Formats view it at https://bit.ly/Arch2021Webinar_Burns_April21

Join us for biweekly free webinars focusing on the various aspects of the IS 
Archiving Conference.

Archiving 2021 Online 
Short Courses: 8-18 June
Technical Program: 21-24 June
http://bit.ly/Arch2021

Connect with us on LinkedIn and Twitter @ImagingOrg #Archiving2021

Roberta Morehouse, CMP
Communications and Marketing Manager
Society for Imaging Science and Technology (IS)
-imaging across applications-imaging.org
IS is a non-profit organization dedicated to advancing science and technology 
in the field of imaging.  Please consider donating today.
https://bit.ly/IST_Donate

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[MCN-L] 2021 VRA Foundation Project Grant: Call for Applications

2021-04-27 Thread Bonnie Rosenberg
SUlJSUlJSUlJSUl!!I_DbfM1H!Wen7gILoQ5cSrjTTkQ9-1wTj2gzumgMm3vfYwusfdS02RdCPMtNe9D77GcFXRe4d3rv7KQGpZQ$>
https://www.instagram.com/vrafoundation/


-- 
Bonnie Rosenberg
Director of Imaging
The Art Institute of Chicago | artic.edu
Pronouns: she/her/hers

-- 
 <https://www.artic.edu>
*Monet and Chicago 
<https://www.google.com/url?q=https://www.artic.edu/exhibitions/9036/monet-and-chicago=D=calendar=1599660040227000=AOvVaw325_GD8CUM4fM-4HEnAVID>
Through June 14
Hours and visiting policies 
<https://www.google.com/url?q=http://artic.edu/visit=D=calendar=1599660040227000=AOvVaw1tahF8o8m6Pg_k2IRNvi3d>*
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[MCN-L] BitCurator Users Forum: Call for Proposals now available

2021-04-26 Thread Margo Padilla
The BCC Program Committee invites proposals for the 2021 BitCurator Users
Forum, to be held virtually October 12-14, 2021. An international,
community-led organization with 35 member institutions, the BCC promotes
and supports the application of digital archives tools and practices in
libraries, archives, museums, and other cultural heritage organizations.

The BitCurator Users Forum is open to all. You do not need to be a BCC
member or user to submit a proposal and/or attend the event.

In previous years, the BitCurator Users Forum has focused on sharing
strategies, approaches, and best practices for using digital archives tools
and methods within processing workflows in archives, libraries, and
museums. While we still encourage proposals in these topic areas, we also
invite community members to explore themes that focus on areas such as
starting from scratch, iteration and scalability, implementing “good
enough” practices, issues pertaining to access and discovery, and hearing
from intersecting perspectives and new voices. The Program Committee
welcomes participation from organizations and individuals working outside
of academic and special collections libraries, members from BIPOC
communities, students, and new professionals.

The deadline to submit your proposals is May 28, 2021. The full Call for
Proposals is available at: https://bitcuratorconsortium.org/forum/#cfp
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[MCN-L] Job: VP of IT and Systems, Space Center Houston

2021-04-26 Thread Nik Honeysett
Space Center Houston is looking for a Vice President of Information Technology 
and Systems, details here:

https://us59.dayforcehcm.com/CandidatePortal/en-US/myschdayforce/Posting/View/61
-nik



Nik Honeysett | Chief Executive Officer | BPOC | www.bpoc.org

M (805) 402-3326  P (619) 331-1974  E nhoneys...@bpoc.org 
<mailto:nhoneys...@bpoc.org>
PO Box 601024, San Diego, CA 92160

1549 El Prado, Suite 8, San Diego, CA 92101

A non-profit technology collaboration connecting audiences to art, culture & 
science.



 


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[MCN-L] You're invited | FREE & Interactive Tour

2021-04-21 Thread Matthew Whitman
Tonight LIVE at 7PM ET / 4PM PT
Considering Openings (Part 2)

How do we locate ourselves in a cinematic world when the image and the
sound seem at odds with each other?

About this Event

Join us tonight at 7PM ET, April 21st, for Considering Openings (Part 2)
with Matt.
In this second of a series in which we consider the opening moments of a
film, we will view and discuss the introductory scenes of two films by
Francis Ford Coppola - Apocalypse Now (1979) and The Conversation (1974).

The openings of these two works are unique in their use of sound to guide
the viewer into the world of the film and indeed, the characters in it. We
will consider the uses of both diegetic and non-diegetic music and
environmental sounds in both of these films. What sonic cues indicate a
particular mood? How do we locate ourselves in a cinematic world when the
image and the sound seem at odds with each other? In what ways does music
change our reading of a scene or an environment within a film?

Register HERE for your FREE e-TICKET and join us LIVE every Wednesday at
7PM ET / 4PM PT <https://www.eventbrite.com/e/149927891359> (
https://www.eventbrite.com/e/149927891359)

Looking forward to seeing you later.
All my best,
Matt



About your facilitator: Matt Whitman works with moving image, photography,
installation, writing and performance. His work has appeared at Microscope
Gallery, New York; The Kitchen, New York; CROSSROADS - SF Cinematheque, San
Francisco; The Front, New Orleans; The Lab, San Francisco; Unexposed
Microcinema, Durham, NC; Anthology Film Archives, New York; La MaMa, New
York; Ethan Cohen Gallery, New York; the Brooklyn Film Festival, New York;
8 fest, Toronto, ON; among others. He has taught at Parsons School of
Design since 2014.

-- 


Considering.Art™
Your voice. Your idea.


The contents of this email 
message and any attachments are intended solely for the addressee(s) and 
may contain confidential and/or privileged information and may be legally 
protected from disclosure. If you are not the intended recipient of this 
message or their agent, or if this message has been addressed to you in 
error, please immediately alert the sender by reply email and then delete 
this message and any attachments. If you are not the intended recipient, 
you are hereby notified that any use, dissemination, copying, or storage of 
this message or its attachments is strictly prohibited.


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[MCN-L] Museum Savvy ~ new job postings!

2021-04-21 Thread Jeannine Pedersen-Guzman
Today we have a new compiled list of over 200 museum, archives,
conservation, cultural heritage, and public history jobs in the US and
abroad!   And, a new blog post with links to certificates and courses in
Non-profit Development and Fundraising.  I've noticed a lot of development
positions being posted lately.  For those of you job hunting... it may be
worthwhile for you to pursue a course or certificate in this area so you
can cast a wider net!

https://museumsavvy.com/museum-savvy-blog.html

Also, don't forget to add your email to our list,
https://museumsavvy.com/index.html.
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[MCN-L] Seeking participants for mcn.edu usability evaluation—sign up today!

2021-04-20 Thread Anna Chiaretta Lavatelli
Greetings!

MCN is evaluating the usability of mcn.edu with students from the
Pratt Institute and we would like your feedback. This is a great
opportunity to help MCN gain insights into what we can do to improve our
website, while also supporting the project of a team of Pratt students.*Sign
up
<https://docs.google.com/forms/d/e/1FAIpQLSeIbrZEPluyOezArBdro0-CNDpW5YkvC2inxbqVghL2KTp95w/viewform>by
this Friday, April 23*—just an email is required, so don’t delay! You will
be contacted by the student team to schedule a 30-minute user testing
session next week (April 27-29). Participants will receive a $10 Amazon
gift card provided by the Pratt team.

Thank you!

Anna Chiaretta Lavatelli
Senior Digital Strategist
MCN <http://www.mcn.edu/> (Museum Computer Network)

Schedule time with me <https://calendly.com/anna-mcn/45min>
m: 619-379-9781
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[MCN-L] Call for Proposals: iLRN 2021 Guided Virtual Adventures

2021-04-19 Thread Lee, Mark
+

CALL FOR PROPOSALS: GUIDED VIRTUAL ADVENTURES

iLRN 2021: 7th International Conference of the Immersive Learning Research 
Network

May 17 to June 10, 2021, on iLRN Virtual Campus, powered by Virbela
... and across the Metaverse!

Technically co-sponsored by the IEEE Education Society,
with proceedings to be submitted for inclusion in IEEE Xplore(r)

Conference theme: "TRANSCEND: Accelerating Learner Engagement in XR across 
Time, Place, and Imagination"

https://immersivelrn.org/ilrn2021/author-present/guided-virtual-adventures/

+


Guided Virtual Adventures are small-group guided tours of 50 minutes in 
duration to various social and collaborative VR/AR/MR (XR) or other immersive 
environments and platforms. Tour destinations may be:

- a third-party XR/immersive platform with which the tour guide is familiar 
(e.g., Altspace, Mozilla Hubs, Facebook Horizons, Vive Sync, Somnium Space, 
OrbusVR, Second Life, Minecraft, World of Warcraft);

- a specific virtual environment that the tour guide, their 
institution/organization, or someone else has developed within a third-party 
platform;

- a platform that the tour guide or their institution/organization has 
developed, and/or specific environments within that platform.

The tour guide leads participants into the virtual spaces, co-discovering and 
video-documenting the learning potential and engagements found there for 
sharing with the wider iLRN community.


# Selection Criteria and Requirements #

- Preference will be given to proposals that involve environments/platforms 
that are freely and openly accessible. iLRN also reserves the right to place 
limits on the number of tours of platforms/environments of a certain type or 
that address a particular target audience/application vertical.

- Where possible, it is strongly recommended that multiple offerings of the 
tour are made available so as to cater for potential people in different time 
zones.

- Guided Virtual Adventures are expected to produce, in the course of 
conducting the adventure, a video recording of the immersive/XR experience 
through which educators and others in the iLRN community might gain a sense of 
what the XR space is and how it might be useful for learning, teaching, and/or 
assessment.

*** NOTE: Guided Virtual Adventures are intended to be social activities. As 
such, platforms and environments to be toured must support interaction among 
multiple users, and participants must be afforded such opportunities for 
interaction. Product demos or workshops/tutorials in which participants either 
passively "sit and watch" or undertake individual activities in isolation of 
one another are not suitable for the Guided Virtual Adventures program. ***


# Fees/Charges #

Nonprofit organizations and educational institutions may offer their Guided 
Virtual Adventures, if approved, at no cost to them. Companies wishing to offer 
Guided Virtual Adventure tours involving their commercial products and services 
may submit proposals for consideration, but may be asked to contribute a modest 
fee commensurate with the size of their companies that will help support iLRN's 
nonprofit mission.

Participants in Guided Virtual Adventure tours will not be charged any fees, 
but in order to participate must give their consent to having their video and 
audio activity during the tour recorded.


# Submitting a Proposal #

Please use this form to propose an iLRN Guided Virtual Adventure: 
https://forms.gle/6fjkStbbwZXespE48


# Timelines #

Proposals for Guided Virtual Adventures may be submitted at any time, and are 
reviewed, accepted, and scheduled on a rolling basis throughout the calendar 
year. However, prospective tour guides specifically looking to offer their 
Adventures during the iLRN 2021 conference should endeavor to submit their 
proposals as soon as possible (ideally no later than May 1st) as the number of 
slots available is limited. Proposals received after all of the available slots 
have been filled will be considered for offering on dates/times before or after 
the conference.

Prospective Guided Virtual Adventure tour guides can generally expect to be 
contacted within 2 weeks after submitting their proposals.


# Contact #

Inquiries regarding Guided Virtual Adventures may be directed to 
adventu...@immersivelrn.org .

More general inquiries about iLRN 2021 may be sent to 
confere...@immersivelrn.org .


(Sent to mcn-l@mcn.edu)




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WAGGA WAGGA   |

LEGAL NOTICE
This email (and any attachment) is confidential and is intended for the use of 
the addressee(s) only. If you are not the intended recipient of this email, you 
must not copy, 

[MCN-L] Leadership Series Registration Open Soon! & #ARCSchat April Recap/#MayDayPrep May 4th ARCS Update Vol 6 | Update 8

2021-04-19 Thread ARCS
***ARCS Leadership Series: Leading Museum Teams in a VUCA World May 6th,
May 27th & June 17th, 2021 1:00 p.m. ET***
Leading teams in a VUCA (volatile, uncertain, complex, ambiguous) world is
an ongoing challenge for nonprofit and museum professionals. The pandemic
complicated these challenges, moving us to strengthen our skills in
resolving problems and engage opportunities to enhance our organizations.
This 3-part webinar series will feature interactive sessions that introduce
and apply perspectives on leading, communicating, and facilitating teams in
nonprofit organizations and museums to help meet these complex challenges.

Session 1:  What Do We Mean by Leadership?
Session 2:  Connecting Leading & Communicating
Session 3:  Leading & Teaming in a VUCA World

Per Webinar
$25.00 USD for members
$35.00 USD for non-members

Or bundle all three webinars and get a discount of $10.00 USD:
$65.00 USD for members
$95.00 USD for non-members

Registration Opening Soon
http://www.arcsinfo.org/news-events/event/1344/0/arcs-leadership-series-leading-museum-teams-in-a-vuca-world

***#ARCSchat April 6th Recap and May 4th #MayDayPrep***
Missed the most recent #ARCSchat on April 6th?  Lost in the News: Paddy
Johnson, founder of VVrkshop and the Art F City blog, decodes the headlines
including deaccessioning, unionizing, social justice, NFTs, and more.

https://youtu.be/wtEtPDDl5PY

And mark you calendars for May 4th at 1:00 p.m. ET where #ARCSchat, the
ARCS Emergency Programming Sub-Committee, National Heritage Responders, and
the AIC Emergency Committee join forces to bring you a disaster virtual
tabletop exercise just in time for FAIC’s annual #maydayprep program.

Tuesday, April 4, 2021
1:00 p.m. ET
YouTube Live
https://www.youtube.com/c/AssociationofRegistrarsandCollectionsSpecialists

Don't forget to sign in to your Google/Gmail/YouTube account to participate
in the chat.

***Upcoming Events and News**
-ARCS Virtual #Meetup: Contract Collections Professionals
Are you an independent collections professional or contractor? Are you
thinking about taking the leap into contract work? Join us for an ARCS
Virtual Meetup! Let’s get to know each other, share tips, experiences, and
offer some moral support. Plus, get a sneak peek of upcoming resources ARCS
has planned to support contract professionals.

Hosted by
MJ Hagan, MJH Collections Management, LLC and
Schillica Howard, Independent Collections Manager & Registrar
April 28, 2021 at 7:00 p.m. ET

Space is limited so please register in advance.
http://www.arcsinfo.org/news-events/events/1343/register
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[MCN-L] Only 3 days left to submit Practitioner Proposals for the 2021 Immersive Learning Research Network (iLRN) Conference

2021-04-17 Thread Lee, Mark
+

FINAL CALL FOR PRACTITIONER PROPOSALS

iLRN 2021: 7th International Conference of the Immersive Learning Research 
Network

May 17 to June 10, 2021, on iLRN Virtual Campus, powered by Virbela
... and across the Metaverse!

Technically co-sponsored by the IEEE Education Society,
with proceedings to be submitted for inclusion in IEEE Xplore(r)

Conference theme: "TRANSCEND: Accelerating Learner Engagement in XR across 
Time, Place, and Imagination"

+

Conference website: http://immersivelrn.org/ilrn2021

Practitioner flyer at: https://rb.gy/tn7q6b

The 7th International Conference of the Immersive Learning Research Network 
(iLRN 2021) will be an innovative and interactive virtual gathering for a 
strengthening global network of researchers and practitioners collaborating to 
develop the scientific, technical, and applied potential of immersive learning. 
It is the premier scholarly event focusing on advances in the use of virtual 
reality (VR), augmented reality (AR), mixed reality (MR), and other extended 
reality (XR) technologies to support learners across the full span of 
learning--from K-12 through higher education to work-based, informal, and 
lifelong learning contexts.

Following the success of iLRN 2020, our first fully online and in-VR 
conference, this year's conference will once again be based on the iLRN Virtual 
Campus, powered by Virbela, but with a range of activities taking place on 
various other XR simulation, gaming, and other platforms. Scholars and 
professionals working from informal and formal education settings as well as 
those representing diverse industry sectors are invited to participate in the 
conference, where they may share their research findings, experiences, and 
insights; network and establish partnerships to envision and shape the future 
of XR and immersive technologies for learning; and contribute to the emerging 
scholarly knowledge base on how these technologies can be used to create 
experiences that educate, engage, and excite learners.

Note: Last year's iLRN conference drew several thousand registrants from across 
the globe, making the scheduling of sessions a challenge. This year's 
conference activities will be spread over a four-week period so as to give 
attendees more opportunities to participate at times that are conducive to 
their local time zones.


# PRACTITIONER STREAM SESSION FORMATS #

*** The Practitioner Stream of the conference is for those who wish to present 
at the conference _without_ publishing papers in the conference proceedings. 
Submissions are evaluated on the basis of a structured proposal. ***

- Oral Presentation: Pre-recorded video + live in-world discussion with others 
presenting on similar/related topics (groupings of presenters into sessions 
determined by Program Committee)
- Poster Presentation: Live poster session in 3D virtual exhibition hall; 
pre-recorded video optional
- Guided Virtual Adventures: 60-minute small-group guided tours of to various 
social and collaborative XR/immersive environments and platforms
- Immersive Learning Project Showcase: WebXR space to assemble a collection of 
virtual artifacts, accessible to attendees throughout the conference
- Workshop: 1- or 2-hour live hands-on session
- Special Session: 30- or 60-minute live interactive session held in world
- Panel Session: 60-minute live in-world discussion with a self-formed group of 
3-5 panelists (including a lead panelist who serves as a moderator)

Please see the conference website for guidelines and to access the submission 
form.


# TOPIC AREAS #

XR and immersive learning in/for:

Serious Games • 3D Collaboration • eSports • AI & Machine Learning • Robotics • 
Digital Twins • Embodied Pedagogical Agents • Medical & Healthcare Education • 
Workforce & Industry • Cultural Heritage • Language Learning • K-12 STEM • 
Museums & Libraries • Informal Learning • Community & Civic Engagement • 
Special Education • Geosciences • Data Visualization and Analytics • Assessment 
& Evaluation


# IMPORTANT DATES #

- FINAL late-round submission deadline for Practitioner Stream: 2021-04-19
- Notification of outcome: Within 3 days from submission
- Practitioner presenter registration deadline: 2021-04-30
- Final practitioner abstracts for conference program due: 2021-04-30
- Deadline for uploading presentation materials (videos, posters, etc.): 
2021-05-10
- Conference opening: 2021-05-17
- Conference closing: 2021-06-10


# CONTACT #

Inquiries regarding the iLRN 2021 conference should be directed to the 
Conference Secretariat at confere...@immersivelrn.org .

General inquiries about iLRN may be sent to i...@immersivelrn.org .


(Sent to mcn-l@mcn.edu)



|   ALBURY-WODONGA   |   BATHURST   |   BRISBANE   |   CANBERRA   |   DUBBO   | 
  GOULBURN   |   MELBOURNE

[MCN-L] In 2 hours | Delmer Daves, Spike Lee & Alexander Sokurov

2021-04-14 Thread Matthew Whitman
Hello everyone - I hope you are well, Matt here with your weekly invite :)

Tonight (7PM ET / 4PM PT) we explore the work of Delmer Daves, Spike Lee,
and Alexander Sokurov in Considering Art : Considering Point of View.

About this Event

The subjectivity of the camera invites us not just into the events that
unfold within a film, but experiencing those events through the gaze of a
character or entity within the film - or even asking us, as viewers, to
become a ‘character’ within the world of the film.

Together we ask: Narratively, what does a POV shot provide that a more
standard ‘third-person’ shot does not? How does a POV change our
relationship to the events within a film? To our relationship with the
characters? In this tour we will view examples from recent and historical
films that have broadened the use and meaning of point-of-view shots within
the cinematic experience.

Registration is FREE and open to ALL. Please feel free to share within your
networks.

Eventbrite > https://www.eventbrite.com/e/149924637627

***

About your facilitator: Matt Whitman works with moving image, photography,
installation, writing and performance. His work has appeared at Microscope
Gallery, New York; The Kitchen, New York; CROSSROADS - SF Cinematheque, San
Francisco; The Front, New Orleans; The Lab, San Francisco; Unexposed
Microcinema, Durham, NC; Anthology Film Archives, New York; La MaMa, New
York; Ethan Cohen Gallery, New York; the Brooklyn Film Festival, New York;
8 fest, Toronto, ON; among others. He has taught at Parsons School of
Design since 2014.

***END***

-- 


Considering.Art™
Your voice. Your idea.


The contents of this email 
message and any attachments are intended solely for the addressee(s) and 
may contain confidential and/or privileged information and may be legally 
protected from disclosure. If you are not the intended recipient of this 
message or their agent, or if this message has been addressed to you in 
error, please immediately alert the sender by reply email and then delete 
this message and any attachments. If you are not the intended recipient, 
you are hereby notified that any use, dissemination, copying, or storage of 
this message or its attachments is strictly prohibited.


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[MCN-L] [FREE Webinar] Imaging Choices: Practice, Settings, & Formats - Register Today!

2021-04-14 Thread Roberta Morehouse
Join us for the first of four complimentary biweekly webinars focusing on the 
various aspects of the IS Archiving Conference. Peter Burns, a consultant 
working in imaging system evaluation, modeling, and image processing, will 
present "Imaging Choices: Practice, Settings, and Formats." Whether you are a 
professional managing a collection or an enthusiast scanning for family 
genealogy, how you capture images counts. Learn about equipment choices, 
software resources, image resolution, file formats, and general imaging 
practices. 

Imaging Choices: Practice, Settings, and Formats
Presenter: Peter Burns
Date: Wednesday, April 21, 2021
Time:10:00 US Eastern Daylight Time (EDT)
Cost: FREE
Registration: http://bit.ly/Arch2021Webinar_Burns_April21

Archiving 2021 Online 
Short Courses: 8-18 June
Technical Program: 21-24 June
http://bit.ly/Arch2021

Connect with us on LinkedIn and Twitter @ImagingOrg

Roberta Morehouse, CMP
Communications and Marketing Manager
Society for Imaging Science and Technology (IS)

-imaging across applications-imaging.org
IS is a non-profit organization dedicated to advancing science and technology 
in the field of imaging.  Please consider donating today.
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[MCN-L] JOB: Digital Product Manager at The Huntington

2021-04-09 Thread Heather Hart
Hi MCN friends,



We want you to join our team at The Huntington! We are hiring for a Digital 
Product Manager, Website and Digital Experience.



View and apply: 
https://huntingtonlibrary.wd1.myworkdayjobs.com/en-US/HuntingtonCareers/job/San-Marino/Digital-Product-Manager_R487



This is a brand-new role on my forming Digital team. The Digital Product 
Manager will oversee the technical evolution and development of The 
Huntington’s public-facing digital product portfolio, currently comprised of 
our main Drupal-based huntington.org website, as well as a constellation of 
supporting digital properties based on a range of technologies, including 
online collections websites emuseum.huntington.org and hdl.huntington.org, 
several educational curriculum websites, two e-commerce websites 
thehuntingtonstore.org and tickets.huntington.org, and mobile-app based audio 
tours. We envision a future with a streamlined suite of digital products that 
unify, disseminate, and celebrate the rich and diverse content housed with our 
library, art museum, botanical gardens.



Working closely with internal stakeholders and external agencies and web 
developers, the Digital Product Manager will help develop and then own The 
Huntington’s overall public-facing digital roadmap and manage the technical 
execution of those plans to ensure the development of world-class digital 
products that advance our mission. The Digital Product Manager will work 
alongside our existing website managers and content producers to manage the 
technical tools that help them do their job and deliver quality content about 
our collections.



The ideal candidate has a user-centric approach to product development, a 
strategic mindset, a collaborative and collegial demeanor, strong analytic and 
management skills and a track record of delivering successful content-rich 
websites in a cross-functional organizational structure, preferably for 
cultural organizations or digital media outlets. The successful applicant will 
not need to be a coder or a developer themselves, but should be a big picture 
thinker who is extremely comfortable with technology and web development 
concepts and enjoys rolling up their sleeves, is comfortable operating within 
complexity, is a proactive and creative problem-solver, and has a passion for 
connecting new and diverse audiences to the arts, humanities, and science 
through the power of technology.



Salary commensurate with experience - $90,000-$135,000. I realize this is a 
very wide band but this is a new role on a new team so we expect to tweak the 
job to match the right applicant.



Let me know if you have any questions.



Heather Hart

Vice President for Digital and Technology



The Huntington

Library, Art Museum, and Botanical Gardens

1151 Oxford Road, San Marino, CA 91108

huntington.org<https://www.huntington.org/>



T 626-405-3534

C 310-606-1215

E hh...@huntington.org<mailto:hh...@huntington.org>


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[MCN-L] Archiving 2021 Call for Papers Deadline Extended

2021-04-08 Thread Roberta Morehouse
We received requests for additional time to submit your work to Archiving 2021. 
The deadline is extended to 15 April to accommodate these requests. Rest 
assured, reviews of submissions received are in progress.
Check another item off your to-do list and submit your work today! 
http://bit.ly/Arch2021_CallforPapers
ABOUT
Archiving 2021 Online
Short Courses: 8-18 June
Technical Program: 21-24 June
http://bit.ly/Arch2021

BROAD TOPICS: Digitization / Imaging | Preservation | Access | Management and 
Partnerships

COMING SOON
Keynotes, Short Course Program, and Behind-the-scenes Tours

Connect with us on 
LinkedIn<https://www.linkedin.com/company/society-for-imaging-science-and-technology-is/?viewAsMember=true>
 and Twitter<https://twitter.com/ImagingOrg> @ImagingOrg #Archiving2021

Roberta Morehouse, CMP
Communications and Marketing Manager
Society for Imaging Science and Technology (IS)
-imaging across applications-imaging.org<http://www.imaging.org/>
IS is a non-profit organization dedicated to advancing science and technology 
in the field of imaging.  Please consider 
donating<https://www.imaging.org/site/IST/About_Us/Donations/IST/About/Donations.aspx?hkey=15c1ceb0-3c54-4271-9fc1-67284a195057>
 today.


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[MCN-L] Tonight | Agnès Varda & Fritz Lang

2021-04-07 Thread Matthew Whitman
Hello everyone - Matt here with your weekly invite + 3 new events just
added.

Tonight (7PM ET / 4PM PT) we explore the work of Agnès Varda & Fritz Lang.

About this Event

In this first of a series, we will view, consider, and unravel the opening
scenes of two films from the 20th century.

A film’s opening scene is an entryway into a world being built before the
viewer’s eyes, through the decisions of a filmmaker. It is the moment that
we, as viewers, begin to temporarily suspend awareness of our surroundings
and our disbelief that the events about to unfold on the screen are
illusory.

What do the earliest moments of a film tell us about what is to follow? How
does an opening scene become a short film within a film? Why are these
first glimpses into the world of a film, along with the very last moments
in the film’s ending, so crucial to our understanding of the film as a
whole?

Registration is FREE and open to ALL. Please feel free to share within your
networks.

Eventbrite > https://www.eventbrite.com/e/148690716937
MeetUp > https://www.meetup.com/Considering-Art/events/277248465/

***

About your facilitator: Matt Whitman works with moving image, photography,
installation, writing and performance. His work has appeared at Microscope
Gallery, New York; The Kitchen, New York; CROSSROADS - SF Cinematheque, San
Francisco; The Front, New Orleans; The Lab, San Francisco; Unexposed
Microcinema, Durham, NC; Anthology Film Archives, New York; La MaMa, New
York; Ethan Cohen Gallery, New York; the Brooklyn Film Festival, New York;
8 fest, Toronto, ON; among others. He has taught at Parsons School of
Design since 2014.

***END***

-- 


Considering.Art™
Your voice. Your idea.


The contents of this email 
message and any attachments are intended solely for the addressee(s) and 
may contain confidential and/or privileged information and may be legally 
protected from disclosure. If you are not the intended recipient of this 
message or their agent, or if this message has been addressed to you in 
error, please immediately alert the sender by reply email and then delete 
this message and any attachments. If you are not the intended recipient, 
you are hereby notified that any use, dissemination, copying, or storage of 
this message or its attachments is strictly prohibited.


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[MCN-L] Sharing our interactive, mobile-friendly digital map (free & open source)

2021-04-07 Thread Roger Tuan
Hi, folks! We wanted to share our latest mapping work, hoping it might help
our peer institutions.

When COVID first hit, we were tasked with creating a digital alternative to
paper maps that would help visitors wayfind on their personal cell phones.
Several months later, the project is in a usable state and we've
open-sourced the code so other institutions can benefit.

You can see the online example of our map <https://map.fieldmuseum.org/> or
point your developers to the project on Github
<https://github.com/arcataroger/openlayers_indoor_map>. You're free to use
and modify this as you see fit. Please note that we will not be able to
provide much support, due to limited resources.

Visitor features include:

   - Usable on both desktop and mobile devices
   - Clickable points of interest with a popup description & picture
   - Variable levels of detail based on zoom & importance
   - Permalinks for floors & points of interest
   - COVID one-way flows (also useful for one-way exhibitions)
   - Relatively lightweight and fast, with additional assets lazy-loaded in
   the background

Staff/editor/developer features:

   - Doesn't require any proprietary/paid software or service, just staff
   time. Can be created and launched with $0.
   - Integration with a headless CMS so editors can make changes (text,
   images, colors, etc.) without any coding
   - Created with geospatial standards in mind for broad compatibility with
   other web mapping platforms (geoJSON)
   - Thorough readme and detailed comments in the (messy, sorry) code

This project was built over several months after an exhaustive look at the
commercial marketplace. Although many commercial indoor mapping solutions
exist (Here.com <https://venues.here.com/products/maps-sdk>, MazeMap
<https://www.mazemap.com/>, IndoorAtlas <https://www.indooratlas.com/>,
MapsIndoors <https://www.mapspeople.com/mapsindoors/>, WRLD
<https://www.wrld3d.com/3d-maps/indoor-mapping>, among others), we had a
budget of $0 and could not afford to outsource this. We consulted with
several GIS & mapping professionals (thank you, AMNH!) and determined this
could be done using free geospatial software (QGIS
<https://qgis.org/en/site/> + OpenLayers <https://openlayers.org/>) with a
series of labor-intensive workarounds. Most free online mapping tools are
meant for outdoor use, so the bulk of our work (aside from manually
digitizing floorplans) was in tweaking OpenLayers to display the floors of
an indoor museum. This is the culmination of those months of tweaks, and we
hope you find it helpful on your own mapping journey.

For general questions, please contact our developer, Roger, at
rt...@fieldmuseum.org. For technical issues, it's best to file an issue in
Github <https://github.com/arcataroger/openlayers_indoor_map/issues> so it
can be properly tracked (but email is ok too). Thanks!

Sincerely,
The Digital Team at the Field Museum, with thanks to our friends in
Exhibitions, IT, and the Keller Science Action Center
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[MCN-L] DCMI/ASIS webinar about Data Documentation Initiative (DDI) on April 21

2021-04-07 Thread DCMI Announce
Date: Wednesday, April 21st, 2021
Tim: 14:00 UTC (convert to your local timezone [1])

Presenters:
- Jane Fry, Data Services Librarian, Carleton University
- Arofan Gregory, Independent Consultant
- Jared Lyle, Executive Director, DDI Alliance and Archivist, ICPSR,
University of Michigan
- Barry Radler, Distinguished Researcher, University of Wisconsin-Madison

The webinar will discuss the Data Documentation Initiative (DDI)
standard for describing the data produced by surveys and other
observational methods in the social, behavioral, economic, and health
sciences, with an emphasis on DDI-Codebook and DDI-Lifecycle.
DDI-Codebook is a light-weight version of the standard, intended
primarily to document simple survey data. DDI-Lifecycle is designed to
document and manage data across the entire life cycle, from
conceptualization to data publication, analysis and beyond. It
encompasses all of the DDI-Codebook specification and extends it to
more complex, linked, and longitudinal data. Based on XML Schemas,
DDI-Lifecycle is modular and extensible.

The presentation will also briefly discuss the DDI Alliance
organizational structure, as well as products currently under
development.

The learning objectives for the webinar are:

- To understand DDI-Codebook, including when and how to use it.
- To understand DDI-Lifecycle and an applied example.
- To understand how the DDI Alliance organization maintains the DDI
metadata standard.

The webinar is free for DCMI members. For further information,
including instructions on how to join as a DCMI member, see [2].

[1] 
https://www.timeanddate.com/worldclock/fixedtime.html?msg=DCMI+Webinar%3A+Introduction+to+DDI=20210421T14

[2] https://www.dublincore.org/news/2021/02-18-webinar-introduction-to-ddi/
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[MCN-L] Museum Savvy ~ Over 300 new job postings!

2021-04-06 Thread Jeannine Pedersen-Guzman
Hello Everyone!  This week we have a new compiled list of over 300 museum,
archives, conservation, cultural heritage, and public history jobs in the
US and abroad!  Yes, you read that right ~ 300!

https://museumsavvy.com/museum-savvy-blog/museum-jobs-over-300-in-the-us-and-abroad

And, a new blog post on Finding a Museum Job During a Pandemic.  I hope you
all have a great week!

https://museumsavvy.com/museum-savvy-blog/finding-a-museum-job-during-a-pandemic
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[MCN-L] Meet the Member Advocacy Committee, ARCS/IMP-AAM Working with Independent Museum Professionals Guide & #ARCSchat April 6 ARCS Update Vol 6 | Update 7

2021-04-05 Thread ARCS
 Learning
Center.
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[MCN-L] JOB: Manager of Multimedia Engineering and Integration, Monterey Bay Aquarium

2021-04-05 Thread Dana Allen-Greil
View and apply:

https://montereybayaquarium.snaphire.com/jobdetails;jsessionid=0ACC6631B918213AC01A7BB461219793?ajid=rr0h8

At the Monterey Bay Aquarium, we are passionate about creating an inclusive
workplace that celebrates and values diversity. We firmly believe that
having a team of diverse backgrounds and voices, working together,
increases our capacity to serve our visitors and fulfill our mission.  We
welcome people from all walks of life into our team and strongly encourage
people of color, LGBTQ+ individuals, veterans, and people with disabilities
to apply.

The Monterey Bay Aquarium is seeking a Manager of Multimedia Engineering
and Integration, an experienced people and technical manager with a passion
for building engaging and educational digital media experiences.

The Exhibitions team is a dedicated, talented, and diverse group of people
creating exemplary visitor experiences that are a benchmark of excellence
in the Aquarium field.  The Multimedia Engineering and Integration (MEI)
department is part of the larger Interpretive Media work group within
Exhibitions.  Working closely with colleagues within Exhibitions and across
the Aquarium, MEI is responsible for the design, engineering, programming,
installation, and maintenance of all the Aquarium's visitor-facing digital
experiences. These experiences include digital interactives and videos
within our exhibitions, digital signage used throughout the Aquarium,
technical AV systems used to run public programs on site, the Aquarium's
webcams, and the producing of virtual events.

The Manager of Multimedia Engineering and Integration plays a key role in
ensuring all of Interpretive Media's work is delivered on time, on budget,
and meets the high-quality standards of the Monterey Bay Aquarium.  The
ideal candidate will be experienced leading highly technical and creative
teams, will be committed to effective communication, forward-thinking,
collaborative, and bring a positive spirit to the management of her/his
team and to interactions with colleagues throughout Aquarium. If this
sounds like you, we would love for you to apply! We look forward to
connecting with qualified candidates about this opportunity to become part
of the Monterey Bay Aquarium community and help inspire millions of
visitors to conserve our ocean.

*Absolutely Required Skills / Knowledge / Ability / Experience or Education*

   - Bachelor's degree in computer science, multimedia development, or
   equivalent training or experience
   - 5 years' professional experience creating interactive multimedia
   experiences (rich internet applications, kids' software, museum kiosks,
   etc.)
   - Skilled leader able to effectively communicate with different
   personality types
   - High emotional intelligence (EQ) and able to work well within diverse
   teams
   - Excellent oral and written communication skills
   - Strong problem-solving, research, and collaboration skills necessary
   - Maintains current knowledge of multimedia software development
   standards and innovations
   - Self-motivated and takes initiative
   - Ability to create and maintain department/project schedules and budgets
   - Ability to work in a fast-paced dynamic department

*Desired Skills / Knowledge / Ability / Experience or Education*

   - Professional experience with Unity 3D and C#, or other game engine
   software
   - Professional experience with web development software (Ruby, .NET,
   JavaScript, HTML, CSS, etc.)
   - Experience working for an Aquarium, museum or like-non-profit
   institution
   - Understanding of BrightSign/BrightAuthor video playback devices
   - Understanding of common video capture, editing, and encoding techniques
   - Understanding of AMX programming

*Ancillary Responsibilities*

   - Familiarity with common project management tools and techniques
   - Experience with Agile process and leading sprints
   - Familiarity with common online communication tools
   - Familiarity to common issue tracking / bug reporting software solutions
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[MCN-L] Digitization Partners

2021-04-02 Thread Sina Bahram
Hi all,

Hope everyone is doing well.

I'm working with some folks on a digitization grant, and I was wondering if
anyone on here and good recommendations for partners we can collaborate with
to help on the mechanics of the process e.g. different formfactors from
posters to newsprint to photographs to sculptures and other 2-D art need to
be scanned/photographed. Also, on the post-processing (not cataloging or
presentation layers just yet, but more cleanup, normalization, etc.).

Huge plus if the firm or group of folks is in Oakland, but as long as their
process travels, that can be budgeted for.

Please feel free to reach out either by email (s...@pac.bz) or on here so
others can benefit from the answers as well.

Thank you so much, and I hope everyone has a lovely weekend.

Take care,
Sina

President, Prime Access Consulting, Inc.
Phone: 919-345-3832
https://www.PAC.bz
Twitter: @SinaBahram
Personal Website: https://www.sinabahram.com


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[MCN-L] Final call for Technical Instructors

2021-04-01 Thread Peale Leadership
Dear colleagues,,

Come work with me on this exciting new initiative to build digital capacity in 
small museums!

The organizers of the Digital Empowerment Project and Museum Learning 
Hub<https://museum-hub.org/> are excited to announce an open call for 
instructor applications for upcoming digital media and technology 
capacity-building online training programs to be held from June 2021 to January 
2022. We are looking for skilled technologists with excellent online teaching 
skills to lead one-hour webinars on the following topics:

  *   June 2021: Managing Digitization Projects
  *   July 2021: Managing Website Projects
  *   August 2021: Virtual Exhibitions
  *   September 2021: Podcasts
  *   October 2021: Video Production Tools
  *   November 2021: Audiences & Analytics
  *   December 2021: Social Media
  *   January 2022: Digitizing 3D Collections

Instructor positions are work for hire and the owners of the Museum Learning 
Hub will own the finished product (workshops recordings), but instructors are 
welcome to include and/or link to them in their portfolios. Instructors are 
encouraged to share links to finished products with their networks.

Application Deadline: A​pril 9, 2021

Compensation: $​ 1500 honorarium per 60-minute workshop will be provided*

Instructor Selection Criteria

  *   Demonstrated success with the exact types of digital media projects or 
technologies featured
  *   Experience delivering skill-building training in an online educational 
setting
  *   Excellent online teaching skills, responsive, and learner-centric
  *   In the interest of cultivating diversity in the field, instructors with 
backgrounds that are underrepresented in the field will be given higher 
priority.
  *   Museum experience preferred, but not required

HOW TO APPLY

To apply, complete our ​online application 
form<https://associationofmidwestmuseums.wufoo.com/forms/dep-technology-instructors-application-form>.​
 Applications should include:

  *   Contact information
  *   Resume or CV
  *   Cover letter expressing your interest
  *   Which modules you are interested in teaching (select from options shown)
  *   Link to your portfolio/website, if applicable
  *   Description of your approach to teaching the topics selected, beginner to 
advanced levels

About the Museum Learning Hub

The Museum Learning Hub<https://museum-hub.org/> is a nationwide initiative 
organized by the six U.S. regional museum associations and dedicated to 
providing free, self-paced training resources for small museums. Part of the 
Digital Empowerment Project, the inaugural series of free live webinars and 
technical workshops on the Museum Learning Hub will focus on digital media and 
technology capacity-building programs and resources. This inaugural series was 
funded by a National Leadership Grant for Museums award from the Institute of 
Museum and Library Services.
The Digital Empowerment Project will produce ten (10) live training modules, 
each featuring up to four (4) webinars/workshops and digital resource toolkits. 
The live training modules will take place over the course of a 10-month rollout 
period (April 2021-January 2022), with each webinar/workshop within a module 
taking place the same day of the week and time of day over the course of the 
month (typically Tuesdays or Thursdays at 11am PST/2pm EST).
All session and workshop recordings and resources will be made available online 
through the Museum Learning Hub (museum-hub.org).

Nancy Proctor, PhD
Chief Strategy Officer and founding Executive Director
The Peale: Home for Baltimore Stories
301-642-6257 @NancyProctor Skype: nancyeproctor
Schedule to meet with me<https://calendly.com/thepeale/meet-with-nancy/> here: 
https://calendly.com/thepeale/meet-with-nancy/



Help people see Baltimore in a new light!
Make your tax-deductible donation at https://www.paypal.me/thepeale or send 
checks to: The Peale, PO Box 1742, Baltimore, MD 
21203.

Nancy Proctor, PhD
Chief Strategy Officer and Founding Director
The Peale, a center for Baltimore stories and studies helping people see 
Baltimore in a new light
301-642-6257 @NancyProctor Skype: nancyeproctor
Schedule to meet with me<https://calendly.com/thepeale/meet-with-nancy/> here: 
https://calendly.com/thepeale/meet-with-nancy/

Our mailing address is: PO Box 1742, Baltimore, MD 
21203

See our upcoming programs and events<https://www.thepealecenter.org/whats-on/> 
– now online!
Visit the Virtual Peale in Second 
Life<https://maps.secondlife.com/secondlife/The%20Peale%20Museum/127/98/22>!
Subscribe to Peale News<https://www.thepealecenter.org/subscribe/> updates and 
follow The Peale <http://www.thepealecenter.org/> on 
Facebook<https://www.facebook.com/ThePeale/>, 
Twitter<https://twitter.com/thepeale>, and 
Instagram<https://www.instagram.com/rembrandtpeale>
Ask me about rentals or propose future shows!
_______

[MCN-L] Tonight | Mika Rottenberg

2021-03-31 Thread Matthew Whitman
Hello everyone - Matt here with your weekly invite.

Tonight (7PM ET / 4PM PT) we explore the work of Mika Rottenberg.

Join our community this evening for a sensory delve into the world of
artist Mika Rottenberg. This interactive and exploratory tour led by mark
aims to immerse participants into the highly textured, sensually active,
and brightly colored world of plastic, capitalism, politics, and desire.

Navigating a diverse portfolio of work and mediums, we aim to explore the
consequences of our continual thirst for the 'new,' the 'cheap,' and the
'luxurious. We ask: How is luxury established? Who ultimately pays the
price for our access to global 'free' markets and systems? When/where/can
this ever end?

Registration is FREE and open to ALL. Please feel free to share within your
networks.

Eventbrite > https://www.eventbrite.com/e/145369053753
MeetUp > https://www.meetup.com/Considering-Art/events/276842100/

***
Argentina-born, New York-based artist Mika Rottenberg is devoted to a
rigorous practice that combines film, architectural installation, and
sculpture to explore ideas of labor and the production of value in our
contemporary hyper-capitalist world. Using traditions of both cinema and
sculpture, she seeks out locations around the world where specific systems
of production and commerce are in place, such as a pearl factory in China,
and a Calexico border town. Through the editing process, and with footage
from sets built in her studio, Rottenberg connects seemingly disparate
places and things to create elaborate and subversive visual narratives. By
weaving fact and fiction together, she highlights the inherent beauty and
absurdity of our contemporary existence.

***
About your facilitator: mark (he/him/they/them) develops and produces
access platforms, programming and communities with a view toward activating
art as a tool for positive political, economic and social change. To date,
his work has informed cultural strategy at Arts Council UK, the British
Broadcasting Corporation (History, Learning and Radio), the Beaney Museum,
Canterbury City Council, GOV.UK, Kent County Council, the London 2012
Olympic and Paralympic Games. Tate Galleries (Modern and Britain), Artists
Space, Bureau of General Services Queer Division, The LGBT Community Center
NYC, MAPP International, The New School, The New York Public Library,
Village Alliance Inc, Volta Art Fair, International Olympic Committee and
the Tokyo 2020/21 Olympic and Paralympic Games. Mark is a proud member of
the LGBTQIA+ community and an advocate for the transformative power of art
and culture for all.

***END***

-- 


Considering.Art™
Your voice. Your idea.


The contents of this email 
message and any attachments are intended solely for the addressee(s) and 
may contain confidential and/or privileged information and may be legally 
protected from disclosure. If you are not the intended recipient of this 
message or their agent, or if this message has been addressed to you in 
error, please immediately alert the sender by reply email and then delete 
this message and any attachments. If you are not the intended recipient, 
you are hereby notified that any use, dissemination, copying, or storage of 
this message or its attachments is strictly prohibited.


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Re: [MCN-L] Apply by April 5: AMIA+DLF Cross-Pollinator Registration Award

2021-03-31 Thread Gayle Schechter
Hello everyone,

I’m here with a reminder that we are accepting applications for the AMIA+DLF 
Cross-Pollinator Registration Award, which provides free registration to this 
spring’s AMIA virtual conference from April 14-16, through this Monday, April 
5. This award is open to professionals and students who are affiliated with a 
DLF member institution<https://www.diglib.org/about/members/>. The application 
process is quick and easy, all we need from applicants are your resume/C.V. and 
a brief statement (500 words or less).

Questions about the Cross-Pollinator award? Contact us at 
awa...@diglib.org<mailto:awa...@diglib.org>.

Best,
Gayle

--
Gayle Schechter, MSLIS | she/her/hers
Program Associate
 Based in Atlanta, GA (Mvskoke land<https://www.whose.land/en/>)
The Digital Library Federation (DLF)<https://www.diglib.org/>
Council on Library and Information Resources (CLIR<http://clir.org/>)
Alexandria, VA
@CLIRDLF<https://twitter.com/CLIRDLF> | 
@akaGladys<https://twitter.com/akaGladys>



From: Gayle Schechter 
Date: Wednesday, March 17, 2021 at 10:08 AM
To: "mcn-l@mcn.edu" 
Subject: Apply by April 5: AMIA+DLF Cross-Pollinator Registration Award

Hello everyone,

The Association of Moving Image Archivists (AMIA) and the Digital Library 
Federation (DLF) are pleased to partner once again in sponsoring an AMIA+DLF 
Hack Day<http://www.amiaconference.net/amia-dlf-hack-day-2/>. This year’s 
AMIA+DLF Hack Day takes place remotely with activities from April 1-15. 
Registration is free, and you do not need to be registered for AMIA's spring 
conference<http://www.amiaconference.net/register-for-amia-spring-2021/> in 
order to attend. Find out more about this year’s Hack Day activities and how to 
sign up here<http://www.amiaconference.net/amia-dlf-hack-day-2/>. In support of 
the event, DLF is offering one registration award to the virtual AMIA Spring 
2021 Conference, April 14-16.

The goal of the AMIA+DLF Registration Award is to bring developers and software 
engineers who can provide unique perspectives to preserving and providing 
access to digital audiovisual media to the conference. These 
“cross-pollinators” can enrich both the Hack Day event and the AMIA conference, 
sharing a vision of the library world from their perspective.

Eligibility
This award will extend the opportunity to attend the Association of Moving 
Image Archivists Conference to one software development professional from the 
DLF community. The ideal applicant:




  *   Seeks more exposure to trends in stewarding digital audiovisual 
collections.
  *   Would not typically attend the conference, but can envision and 
articulate a connection with their work.
  *   Sees great value in building a dynamic and diverse peer network.
  *   Plans to remotely participate in the AMIA+DLF Hack Day activities that 
run from Thursday, April 1, 2021 through Thursday, April 15, 2021.
  *   Is enthusiastic about collaborating with preservation professionals who 
have varying levels of technical expertise.
  *   Is affiliated with a DLF member 
institution<https://www.diglib.org/about/members/>.

The Award
One award of a complimentary full registration to the AMIA conference ($275). 
After the conference and Hack Day, the recipient will be required to write a 
short blog post about their experience within one week of the conference, to be 
published by DLF.

The Experience
The AMIA+DLF Hack Day will be a unique opportunity for practitioners and 
managers of digital audiovisual collections to join with developers and 
engineers for an intense day of collaboration to develop solutions for digital 
audiovisual preservation and access. Go to the AMIA Annual Conference 
website<http://www.amiaconference.net/> for more information.

Application
Applicants must supply contact information and a resume, as well as a statement 
(500 words or less) about how attending the Association of Moving Image 
Archivists Conference will expand your professional horizons, and what skills 
or ideas you could bring to the Hack Day. The winning applicant must be able to 
attend AMIA Spring 2021, April 14-16.

Apply here.<https://forms.gle/26ueBPjFA93FDYPS8>

Deadline
Applications are due by 5:00 p.m. PT, April 5. A winner will be announced in 
early April.


Don’t hesitate to contact me if you have any questions!

Best,
Gayle


--
Gayle Schechter, MSLIS | she/her/hers
Program Associate
 Based in Atlanta, GA (Mvskoke land<https://www.whose.land/en/>)
The Digital Library Federation (DLF)<https://www.diglib.org/>
Council on Library and Information Resources (CLIR<http://clir.org/>)
Alexandria, VA
@CLIRDLF<https://twitter.com/CLIRDLF> | 
@akaGladys<https://twitter.com/akaGladys>


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[MCN-L] Media Producer - Available Position at The Historic New Orleans Collection

2021-03-31 Thread Carol Bartels
Media Producer: 

 

We are seeking a creative media producer with exceptional technical skills to 
produce our digital storytelling for our website, social media feeds, and 
exhibitions projects to help us engage audiences and fulfill our educational 
mission.  Based in Digital Services, a division of thriving digital 
initiatives, this position is responsible for the digital pre-production, 
production, and post-production to create a cohesive and creative final 
product.  In collaboration with other stakeholders, this position will tell our 
digital story by using archival digital files and/or filming/recording new 
footage as well as editing footage, enhancing recordings, and inserting 
graphics, sound, close captioning, etc.   

 

The ideal candidate must have a Bachelor of Fine Arts degree in communications, 
media, visual art, film, or multimedia with a minimum 3 years of experience or, 
in lieu of a degree, a minimum of 7 years of progressive experience in media, 
art, communication photography, videography and/or technology.  The successful 
candidate must demonstrate a comprehensive ability and skill in working with 
raw footage, video production and editing software, such as Adobe Premiere.  
Additionally, the successful candidate must have exceptional creative skills, a 
proven ability to visualize complex concepts and ideas, and project management 
skills.  This position also requires a proficiency in Microsoft Office and an 
ability to learn and use museum specific software/databases, knowledge of 
current professional standards of video/audio codecs and file wrappers and a 
thorough understanding of accessibility standards, media content, video 
production and video sharing as it relates to platforms like YouTube, Facebook, 
etc.  The media producer must demonstrate effective communication skills, an 
ability to collaborate with others, flexibility in an evolving work 
environment, and exceptional organizational skills and attention to detail.  
Prefer proficiency in professional video and audio editing software programs, 
knowledge of and willingness to learn new and cutting-edge technology, and 
experience working behind a camera and using GoPro. 

 

This is a full-time position working Mondays-Fridays. 

 

The Historic New Orleans Collection centers diversity, equity, accessibility, 
and inclusion at the core of everything we do.  We are committed to becoming a 
more diverse and inclusive workplace, an organization that epitomizes the best 
practices in our field, and a community institution that truly reflects and 
supports our visitors, our neighbors, and our home. To that end, we actively 
encourage and welcome applications from members of underrepresented and 
marginalized groups.  We are committed to employment opportunities regardless 
of race, color, ancestry, religion, sex, national origin, sexual orientation, 
age, marital status, disability, gender identity or expression, Veteran status 
or any other characteristic protected by law. 



For consideration, please submit a cover letter and your resume to 
rebecca.no...@hnoc.org<mailto:rebecca.no...@hnoc.org> by April 19,2021.


Regards,

Rebecca Noack
Human Resources Manager
The Historic New Orleans Collection

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[MCN-L] Call for Proposals - "Data" issue of the Art Institute Review

2021-03-30 Thread Erin Canning
CALL FOR PROPOSALS
Issue 2: Data, March 2022

Deadline: Monday, April 19, 2021

Find full details and submit proposals on the journal website: 
https://www.artic.edu/journal

For this issue, we invite proposals that critique the current state of data 
production and analysis in the context of cultural institutions as well as 
proposals from those producing innovative systems and content informed by those 
critiques. What new art historical questions does self-aware engagement with 
data and its production enable us to pose? How can we work with (and past) gaps 
and uncertainties in data? How might museums use data to promote social justice 
and equity? We welcome case studies, interventions, and meta-examinations of 
the history of the questions around data, its uses, and its representation. 
Contributions might engage critical race theory, feminist theory, and queer 
theory, among other frameworks, and could take the form of artistic 
contributions, data visualizations, essays, or interactive databases.

A successful submission will:

  *   present original research and/or ideas that imaginatively engage new 
topics and perspectives
  *   enrich and complicate the issue’s theme
  *   relate to current concerns in the world at large
  *   engage with objects in a meaningful way, whether at the micro or macro 
level
  *   be appealing and accessible to intellectually curious but nonspecialist 
readers
  *   articulate its relevance to thinkers and makers outside its discipline 
and specialty
  *   adopt a definite point of view on its material, even if that view 
embraces ambiguity and complexity

Honoraria:
For the Fall 2021 and Spring 2022 issues, there will be a $1,000 honorarium for 
contributions from non-Art Institute of Chicago staff.

A note on translation:
The Art Institute Review welcomes proposals from scholars working in other 
languages. The proposal must be in English, but if it is accepted, the author 
may write in their preferred language, and the journal will oversee the 
translation.

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[MCN-L] Disk Imaging Decision Factors and Glossary available for your kind and honest review

2021-03-30 Thread Erin Barsan
The Digital Archival traNsfer, iNgest, and packagiNg Group (DANNNG
<https://dannng.github.io/>) is pleased to present two complementary
documents for your comments

   - Disk Imaging Decision Factors
   
<https://docs.google.com/document/d/1g45L8fH2d_tYO0ME1gm-m1obM-Q5fIlPJVMyK6Kr5e0/edit?usp=sharing>,
   exploring the role of disk imaging in digital archives by addressing
   assumptions and identifying potential factors that impact decision-making
   - Digital Archives Technical Glossary
   
<https://docs.google.com/document/d/19FQLpuWrFQEpuJ0rjALGB0acbsxGwCJk2BD2-pMhA5I/edit?usp=sharing>,
   a glossary of terms related to digital archives with emphasis on digital
   forensics terms. This document seeks to contextualize technical vocabulary
   in the context of cultural heritage

We warmly invite members of the library, archives, museums, and cultural
heritage fields to review the current versions of these documents by April
30 and submit any feedback, questions or concerns. We will review all
comments and suggestions and strive to publish a revised version of each
document by July 1st. We hope that these will be relevant community
resources, and we want to make sure folks see themselves in these documents
and find the material relevant to their work.

We have provided the documents as Google Docs, to better facilitate
commenting. We look forward to hearing from you.

On behalf of the DANNNG team:

   - Erin Barsan, Pratt Institute School of Information
   - Alex Chassanoff, North Carolina Central University
   - Dianne Dietrich, Cornell University Library
   - Brian Dietz, NC State University Libraries
   - Brenna Edwards, Harry Ransom Center, The University of Texas at Austin
   - farrell, Duke University Libraries
   - Lara Friedman-Shedlov, University of Minnesota
   - Alex Nelson, National Institute of Standards and Technology
   - Margaret Peachy, Digital Collections & Archives, Tufts University
   - Shira Peltzman, UCLA Library
   - Tracy Popp, University Library, University of Illinois Urbana-Champaign
   - Elise Tanner, UA Little Rock Center for Arkansas History and Culture
   - Valerie Waldron, University of Michigan Library
   - Paige Walker, Tisch Library, Tufts University
   - Lauren Work, University of Virginia Library

Interested in joining DANNNG? We welcome new members and encourage anyone
who is interested in this work to get involved by filling out the following
survey <https://cornell.ca1.qualtrics.com/jfe/form/SV_eXvXalQIWRhRKNE>.

-- 
*Erin Barsan | Digital Preservation Outreach & Education Network (DPOE-N)
Program Coordinator*
pronouns: she/her/hers (what's this?
<https://www.glsen.org/sites/default/files/GLSEN%20Pronouns%20Resource.pdf>)

*PRATT INSTITUTE*
School of Information
144 West 14th Street | 6th Floor | New York, NY 10011
(212) 647-7693 | ebar...@pratt.edu | dpoe.network
<https://www.dpoe.network/>
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[MCN-L] Collections and Deaccessioning in a Post-Pandemic World

2021-03-30 Thread Graeme Farnell
"Timely, thought-provoking, urgent… about who museums serve and how, the
needs of museum audiences, and what it means to care for culture."
Cara Starke | Executive Director | Pulitzer Arts Foundation

List members may be interested in this collection of three new books from
MuseumsEtc, currently available with Early-Bird 30% savings. Full details
are available at: http://bit.ly/MusEtc_DXS

This a major 950-page resource which draws on the experience and thinking
of many of the world's most experienced and respected museum professionals.
It examines how - in a new reality after Covid-19 - deaccessioning is
likely to be a key element of a future in which issues of social justice,
inequality, race, pay and decolonisation will impact collections as never
before.

The three volumes are: *Conversations with Museum Directors*, *Towards a
New Reality*, and *Case Studies*. They are available together, separately,
and as an eBook edition. Edited by Stefanie S Jandl and Mark S Gold, with a
Foreword by Melody Kanschat and Antoniette M Guglielmo of the Museum
Leadership Institute.

"At last a book that interrogates the role of collections and deaccessions
in museums at this crucial time of questioning all orthodoxies and paving a
smarter, brighter path forward."
Anne Pasternak | Director | Brooklyn Museum

"With this work, museum leaders can make confident decisions building on
the experience and perspectives of their seasoned museum
colleagues."Sebastián Encina | Chair | Collections Stewardship Professional
Network | American Alliance of Museums

Graeme Farnell
Publisher, MuseumsEtc

___
MuseumsEtc
UK: Hudson House | 8 Albany Street | Edinburgh EH1 3QB
USA: 675 Massachusetts Ave., Ste 11 | Cambridge | MA 02139
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[MCN-L] 1 WEEK LEFT TO SHARE YOUR WORK @ ARCHIVING 2021 Online

2021-03-29 Thread Roberta Morehouse
Archiving 2021 Online 
Short Courses: 9-18 June
Technical Program: 21-24 June
http://bit.ly/Arch2021

1 WEEK LEFT TO SHARE YOUR WORK @ ARCHIVING 2021-In addition to original work 
and completed projects, your proposal may include updates/additions to previous 
work, work-in-progress and lessons learned. 

.   Work-in-Progress: updates to existing projects, projects in progress, 
or completed projects
.   Lessons Learned: approaches that can serve as learning experiences

Authors may request a 20-minute oral presentation (includes Q) or 40-minute 
interactive poster session presentation format.

SUBMIT TODAY-The Call for Papers closes on 5 April 2021 
http://bit.ly/Arch2021_CallforPapers

LEARN MORE ABOUT THE ARCHIVING CONFERENCE
Complimentary webinars that introduce the conference's main topics are 
available to view before you submit your abstract. 
http://bit.ly/Arch2020_Webinars

Roberta Morehouse, CMP
Communications and Marketing Manager

Society for Imaging Science and Technology (IS)
-imaging across applications-imaging.org
IS is a non-profit organization dedicated to advancing science and technology 
in the field of imaging.  Please consider donating today.
Connect with us on LinkedIn and Twitter @ImagingOrg

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[MCN-L] JOB OPPORTUNITY: Manager, Collection Information Systems

2021-03-26 Thread Shyam Oberoi
The Royal Ontario Museum (ROM) seeks an experienced Manager, Collections 
Information Systems (Manager, CIS) to implement and monitor policies and 
procedures for data and media handling, and information flow for all collection 
information systems in the Museum

Apply via LinkedIn or via care...@rom.on.ca<mailto:care...@rom.on.ca>

https://www.linkedin.com/jobs/view/2477005360/?refId=sHZPMBvZRxyc97SK4iF07g%3D%3D



Shyam Oberoi

Chief Digital Officer

Royal Ontario Museum

E: sobe...@rom.on.ca<mailto:sobe...@rom.on.ca>


Following guidance of the Ontario Chief Medical Officer of Health, the ROM is 
temporarily closed to the public. Visit www.rom.on.ca<https://www.rom.on.ca> 
for further updates.



Suivant les conseils du m?decin hygi?niste en chef de l'Ontario, le ROM est 
temporairement ferm? au public. Des mises ? jour seront publi?es ? 
www.rom.on.ca/fr<https://www.rom.on.ca/fr>
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[MCN-L] CIDOC 2021 conference CFP 1 April

2021-03-25 Thread Trilce Navarrete
 paper* – 10 minutes plus question time.
   - *Digital poster* or 3 minute video presentation.
   This format will be broadcasted digitally. We strongly encourage
   presenters to be creative in presenting their work, whether it is a video,
   poster or the two combined. All posters and videos will be uploaded on the
   conference website before the conference for all the participants to
   download or go through it.

More precise guidelines will follow after the approval of abstracts.

*How to submit a paper*

Abstracts should be submitted regardless of the format of the presentation.

Abstracts must be in an electronic format (preferably PDF), no longer than
250 words and formatted simply (preferably Times New Roman, 12pt, double
spaced).

Language: Abstracts should be in English.

Documents should be sent to: EasyChair submission page
<https://easychair.org/account/signin?l=BcAF2x8i4uLij6rYNTLbbT#>. NB!
EasyChair account is required to access the submission form.

*For any question or request, please send us an email to:*
cidoc2...@muinsuskaitseamet.ee

On request we will provide certificates of attendance to the conference
participants.

*Important dates*

   - Deadline for abstract submission: 1 April 2021
   - Notification of acceptance: 16 May 2021
   - Submission of presentations, posters and videos: 20 August 2021
   -

:..::...::..::...::..:
Trilce Navarrete

m: +31 (0)6 244 84998 | s: trilcen | t: @trilcenavarrete
w: trilcenavarrete.com

*Video series: Museums in Context
<https://www.youtube.com/playlist?list=PLbwAZPm1xXxB1nB2wRq3k6UsTyzGojdrJ>*
*Latest book: Handbook of Cultural Economics, Third Edition
<https://www.e-elgar.com/shop/usd/handbook-of-cultural-economics-third-edition-9781788975797.html>*
*Blog: Economists Talk Art <https://economiststalkart.org/>*
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[MCN-L] Yinka Shonibare CBE (RA)

2021-03-24 Thread Matthew Whitman
Hello everyone - it’s that time again.

Tonight we explore the work of Yinka Shonibare CBE (RA).

Join mark as together we explore the urgent work of artist Yinka Shonibare
CBE (RA). In this tour, we look to challenge our understanding of history,
tradition and the mechanisms supporting their constructions. Embarking on a
path towards unlearning - we aim to problematize, evoke and bear witness to
what makes us ‘us’.

Tickets are FREE and open to ALL. Please feel free to share.

Eventbrite > https://www.eventbrite.com/e/145341621703
MeetUp > https://www.meetup.com/Considering-Art/events/276837897/

***

Yinka Shonibare CBE is a British-Nigerian artist living in the United
Kingdom. Over the past decade, he has become well known for his exploration
of colonialism and post-colonialism within the contemporary context of
globalization. Working in painting, sculpture, photography, film, and
installation, Shonibare’s work examines race, class, and the construction
of cultural identity through incisive political commentary on the tangled
interrelationship between Africa and Europe and their respective economic
and political histories. Shonibare uses wry citations of Western art
history and literature to question the validity of contemporary cultural
and national identities.

***

About your facilitator: mark (he/him/they/them) develops and produces
access platforms, programming and communities with a view toward activating
art as a tool for positive political, economic and social change. To date,
his work has informed cultural strategy at Arts Council UK, the British
Broadcasting Corporation (History, Learning and Radio), the Beaney Museum,
Canterbury City Council, GOV.UK, Kent County Council, the London 2012
Olympic and Paralympic Games. Tate Galleries (Modern and Britain), Artists
Space, Bureau of General Services Queer Division, The LGBT Community Center
NYC, MAPP International, The New School, The New York Public Library, the
New Museum, Village Alliance Inc, Volta Art Fair, International Olympic
Committee and the Tokyo 2020/21 Olympic and Paralympic Games. Mark is a
proud member of the LGBTQIA+ community and an advocate for the
transformative power of increased access to and participation in art and
culture for all.

***END***

-- 


Considering.Art™
Your voice. Your idea.


The contents of this email 
message and any attachments are intended solely for the addressee(s) and 
may contain confidential and/or privileged information and may be legally 
protected from disclosure. If you are not the intended recipient of this 
message or their agent, or if this message has been addressed to you in 
error, please immediately alert the sender by reply email and then delete 
this message and any attachments. If you are not the intended recipient, 
you are hereby notified that any use, dissemination, copying, or storage of 
this message or its attachments is strictly prohibited.


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[MCN-L] Museum Savvy ~ New Museum Jobs and Artifact Conservation Resources

2021-03-23 Thread Jeannine Pedersen-Guzman
Hello Everyone!  This week Museum Savvy has a new compiled list of over 200
museum, archives, conservation, cultural heritage, and public history jobs
in the US and abroad!

https://museumsavvy.com/museum-savvy-blog/museum-jobs2810392

And, a new blog post on Resources for Artifact Conservation.  Please do
share any additional resources you might know about!  My goal is to make
Museum Savvy the go-to resource for museum professionals!

https://museumsavvy.com/museum.../artifact-conservation
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[MCN-L] Fwd: FW: New class added: Online Copyright classes, LYRASIS and Columbia University Libraries Virtual Copyright Education Center Pilot Project

2021-03-23 Thread Mikka Gee Conway
Hello, I wanted to share updated information on the Virtual Copyright
Education Center Pilot project that Columbia and Lyrasis are doing, and for
which I serve as an advisory board member.  A new class has been added and
a link to the free Copyright 101 session held in February is included.  The
next class, on Copyright Limitations and Exceptions, is tomorrow.  Many
thanks.





*New class added: Understanding the Public Domain *

Register for each class individually using the links below, or
subscribe to *LYRASIS
Learning* <https://www.lyrasis.org/Leadership/Pages/LYRASIS-Learning.aspx> for
access to all of our live, online classes and our full Learning Library.



*New! *

*When Copyright Ends (or Never Was): Understanding the Public Domain
<https://www.lyrasis.org/Content/Pages/Event-Details.aspx?Eid=3B18879B-3072-EB11-80EF-00155D0A2721>*

4/14/2021 2:00 – 3:30 Eastern

Brandon Butler, Director of Information Policy, University of Virginia
Library

Greg Cram, Director of Copyright, Permissions, and Information Policy at
The New York Public Library



*More Upcoming Classes*

*Copyright Limitations and Exceptions*
<https://www.lyrasis.org/Content/Pages/Event-Details.aspx?Eid=A7366D2B-2254-EB11-80EF-00155D0A2721>

3/24/2021 1:00 – 2:30 Eastern

Lisa Macklin, Associate Dean, Research, Engagement, and Scholarly
Communications for Emory University Libraries

Anne M. Young, Director of Legal Affairs and Intellectual Property at
Newfields



*Copyright in Action*
<https://www.lyrasis.org/Content/Pages/Event-Details.aspx?Eid=D82BE501-4B50-EB11-80EF-00155D0A2721>

4/27/2021 1:00 – 2:30 Eastern

Cherie Chen, Senior Registrar for Rights and Reproductions, J. Paul Getty
Museum and Rina Elster Pantalony, Director of Copyright Advisory Services,
Columbia University



Find all of our coming classes on our *class schedule*
<https://www.lyrasis.org/services/Pages/Classes.aspx>.



*Copyright 101*



*Copyright 101
<https://www.lyrasis.org/Content/Pages/Event-Details.aspx?Eid=93588736-AE4E-EB11-80EF-00155D0A2721>:
watch the recording <https://lyrasis.ensemblevideo.com/Watch/i5P8Mxw7> to
prepare for advanced sessions. *

This introductory session will provide an overview of the origin and
purpose of U.S. copyright law and how it promotes creativity, teaching,
learning, and research in ways that have become an integral part of
everyday life. This session will introduce copyright concepts most relevant
to those working in libraries, archives, museums, and community cultural
heritage organizations.



*About the Virtual Copyright Education Center*



LYRASIS & Columbia University Libraries are collaborating to offer online
classes on copyright through a Virtual Copyright Education Center (VCEC)
pilot project. This pilot is introducing new classes to enable cultural
heritage professionals to move beyond a basic understanding of copyright.
The pilot includes business planning with the goal of developing a
sustainable service model to continue providing training. To learn more
about the project, read our *press release*
<https://lyrasisnow.org/press-release-lyrasis-and-columbia-university-libraries-announce-virtual-copyright-education-centers-pilot-project/>
 and *view the VCEC Advisory Group members*
<https://lyrasisnow.org/copyright-advisory-board-members/>.







*LYRASIS* <https://www.lyrasis.org/Pages/Main.aspx> is a technology and
services membership 501(c)(3) non-profit supporting enduring access to our
shared academic, scientific and cultural heritage through leadership in
open technologies, content services, digital solutions and collaboration
with archives, libraries, museums and knowledge communities worldwide. With
1,700+ institutions supporting LYRASIS's 10 Community Supported Programs
and another 300+ institutions that use its hosting and migration services,
members enjoy the economies of scale and the shared benefit coming from the
effect of networks.



LYRASIS | 1438 West Peachtree Street, NW, Suite 150, Atlanta, GA 30309
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[MCN-L] Online workshop, 6 April: From museum documentation to digital data curation. Challenges and opportunities for open access

2021-03-23 Thread Mar Gaitan
Dear colleague, 

SILKNOW is a EU-funded research project that tries to improve the knowledge of 
silk heritage through digital technologies. Part of our goals are the 
dissemination of open access culture among textile and fashion heritage 
organizations. For more information, check http://silknow.eu/ 
<http://silknow.eu/>

We are preparing a compendium of best practices for the cataloging of textiles, 
and related digital data management. To this end, we have organized a workshop 
where heritage professionals are invited to share the challenges they face when 
inventorying and cataloging their textile holdings, and when sharing openly 
that information.

It will take place on Tuesday, 6th of April, from 3pm to 6pm CET. (A first call 
was disseminated in February but the event had to be postponed.)

PROGRAMME
3.00 to 4.30 pm CET: From museum documentation to digital data curation. 
Focusing on the transition from analogue information to digital data 
management, i.e., how textile collections are being inventoried and cataloged.
4.30 to 6.00 pm CET: Challenges and opportunities for open access. 
Interoperability, semantic web tools, licenses and institutional requirements.

We ask you to confirm your attendance at i...@silknow.eu 
<mailto:i...@silknow.eu>. 

If possible, we also ask you to complete this short questionnaire, which will 
help us prepare the workshop sessions: https://forms.gle/CAEYBZKFBYuRw1rg8 
<https://forms.gle/CAEYBZKFBYuRw1rg8>
It is not necessary to answer to it before attending the workshop, but we would 
appreciate it a lot.

SILKNOW has already made public several outcomes: 
(https://silknow.eu/index.php/our-results/ 
<https://silknow.eu/index.php/our-results/>)
A virtual loom that serves as a digital memory of historical weaving 
techniques. Thanks to its 3D visualization it shows the warp and weft in depth.
A specialized multilingual thesaurus in silk with more than 800 terms on 
techniques, materials, machinery, motifs, among others, available in 4 
languages (English, French, Spanish and Italian). An exploratory search engine 
and a space-time map with about 40,000 records from different museums.

Kind regards,
MA. Mar Gaitán
PhD Candidate Universitat de València

Mar Gaitán 
Research Assistant
Art History Department. Universitat de València
+ 34 9639 83413
m.gai...@uv.es
http://silknow.eu/




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[MCN-L] CS-AAM/ARCS Code of Ethics, Vibratory Impacts Questionnaire & Digital Condition Webinar ARCS Update Vol 6 | Update 6

2021-03-22 Thread ARCS
***Code of Ethics and Professional Practices for Collections
Professionals***
Collections Stewardship of the American Alliance of Museums (CS-AAM) and
the Association of Registrars and Collections Specialists (ARCS) are proud
to announce and distribute the new Code of Ethics and Professional
Practices for Collections Professionals. The document was revised and
updated over the course of the last year by a joint task force of CS-AAM
and ARCS. Both organizations and AAM endorsed the changes and approved this
new document at the end of February 2021.

To view this document:
http://www.arcsinfo.org/content/documents/code_ethics_collections_professionals_2021_02_24.pdf

***Vibratory Impacts of Music and Transport on Collections: Current
Practices and Experiences Questionnaire***
 The Vibratory Impacts of Music and Transport on Collections Questionnaire
addresses current topics involving vibrations and collections.

In recent years, museums and cultural heritage organizations around the
world are taking note of the potential impact that vibrations from music
can have on their collections. In addition, new questions are being raised
about the potential impact of vibrations that objects experience during
transport.

Scientists involved in the protection of collections are conducting
research into these topics. To inform and focus this research, the purpose
of this questionnaire is to collect objective information on the current
real-life experiences and practices of museums and cultural heritage
organizations on vibrations caused by 1) music and 2) transport.

All those impacted by these issues are encouraged to complete this
questionnaire by April 30.

QUESTIONNAIRE SUPPORTED BY
Association of Registrars and Collections Specialists (ARCS)
American Institute for Conservation (AIC)
International Institute for Conservation (IIC)
International Council of Museums Conservation Committee (ICOM-CC) Working
Groups

To take the questionnaire: https://survey.vovici.com/se/7052282A06D8EA8E

***#ARCSchat Lost in the News: Paddy Johnson Decodes the Headlines***
 Deaccessioning, unionizing, social justice, NFTs, and more. For the April
episode of #ARCSchat, we dish on the great cultural and collections
controversies in the news with Paddy Johnson, founder of VVrkshop and the
Art F City blog, as well as the co-host of the Explain Me podcast. She has
contributed to The New York Times, New York Magazine, The Economist, CNN,
VICE, Gizmodo, Observer, Frieze Magazine, The Christian Science Monitor,
The Art Newspaper, and Hyperallergic. She was a columnist for Artnet, The L
Magazine, and Art in America. Show up to this indulgent chat with a giant
bottle of your hottest takes and let Paddy uncork it with her cunning
insight.

Paddy Johnson: @artfcity @vvrkshop.art
Tuesday, April 6, 2021
1:00 p.m. ET
YouTube Live-
https://www.youtube.com/c/AssociationofRegistrarsandCollectionsSpecialists

Don't forget to sign in to your Google/Gmail/YouTube account to participate
in the chat

***Upcoming Events and News***
-All Member Meeting_
Miss our All Member Meeting held on March 16, 2021? You can view the
recording located here:
http://www.arcsinfo.org/membership/members-meetings

-Webinar: Digital Condition Reporting, March 25 at 2:00 p.m. ET-
ARCS is proud to present a digital condition reporting webinar which will
introduce participants to mobile platforms used for condition reporting, as
well as provide an overview of the benefits and challenges with digital
condition reporting as a whole. The speakers will cover digital condition
reporting in general, but will also go into detail about two possible
viable platforms: PDF Expert and Notability. They will offer a demo of both
applications to address functions such as uploading object information in
advance, adjusting and marking up photos, drawing, typing, and drop-down
boxes. In addition, there will be discussion on ease of use, ease of
customization, image compression, and more!

The webinar will conclude with a 15 minute Q session.

Speakers:
Barbara Campisi of Campisi Art Collection Management
Benjamin Peery of the Charles M. Schulz Museum and Research Center

Fees:
Members: $25.00 USD
Non-Members: $35.00 USD

http://www.arcsinfo.org/news-events/event/1341/0/digital-condition-reporting

-Membership Giveaway-
ARCS is giving away one free individual, student, or retiree level 2021
membership! To enter the giveaway, click the link below. The winner will be
notified after March 31, 2021
http://www.arcsinfo.org/membership
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[MCN-L] Thursday @ 1pm ET - Webinar: Discussing & Debating the Potentials of NFTs in the Museum Sector

2021-03-22 Thread Maddie Taylor
Hi MCN community,

This *Thursday, March 25th @ 1pm ET,* join us for a webinar


*Museum Think Tank: Discussing & Debating the Potentials of NFTs in the
Museum Sector. Register here.
<https://us02web.zoom.us/webinar/register/5216164447216/WN_uuJHGLhzQmi0IhTAkLpgGQ>*

In the past few weeks, we’ve seen an unprecedented wave of media buzz
around “NFTs,” a.k.a non-fungible-tokens. In light of these headlines and
hype, today there are more questions, concerns, and unknowns than there are
answers about the ways in which NFTs may impact museums. While recent news
has begun to illuminate the potential applications of NFTs in arts and
culture, this technology also comes with a number of environmental
repercussions and other obstacles that must be explored.

Join Brendan Ciecko (CEO @ Cuseum), Mark Sabb (Senior Director of
Innovation, Marketing & Engagement @ Museum of the African Diaspora), Holly
Shen (Former Deputy Director @ San Jose Museum of Art) & Clara Blume
(Deputy Director & Head of Art, Science, and Technology @ Open Austria) for
a webinar conversation about NFTs and their potential impact on museums.
This discussion will bring together various perspectives from the museum,
art, and technology sectors to unpack the topic of NFTs, discuss concerns,
and share ideas about the potential implications and opportunities for
cultural organizations. We’re still only beginning to understand how NFTs
may impact museums - join us for an educational conversation with the main
goal of helping prepare us all as this topic evolves.

Hope to see you there!

-- 
Best,
Maddie Taylor
_ _ _ _ _ _ _ _ _ _ _

Marketing & Content Lead | Cuseum <http://cuseum.com>
mad...@cuseum.com
617-356-8200 x714
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[MCN-L] FW: Monthly newsletter & meeting 3/24!

2021-03-22 Thread Gayle Schechter
Hello everyone,

The next DLF Museums Cohort monthly call takes place this Wednesday, March 24 
at 2pm ET/11am PT. This month the Museums Cohort is holding our bi-monthly open 
topic call, in which we encourage attendees to add any topic they wish to 
discuss ahead of time to the meeting agenda linked below. More information 
(including the link to our monthly newsletter with call-in info) can be found 
below.

DLF Museums Cohort meetings are open to anyone with museum interests or who 
engages in public or academic museum-based projects, regardless of whether or 
not you’re affiliated with a DLF member 
institution<https://www.diglib.org/about/members/>.

Hope to see you on Wednesday!

Best,
Gayle

--
Gayle Schechter, MSLIS | she/her/hers
Program Associate
 Based in Atlanta, GA (Mvskoke land<https://www.whose.land/en/>)
The Digital Library Federation (DLF)<https://www.diglib.org/>
Council on Library and Information Resources (CLIR<http://clir.org/>)
Alexandria, VA
@CLIRDLF<https://twitter.com/CLIRDLF> | 
@akaGladys<https://twitter.com/akaGladys>



From: Gayle Schechter 
Date: Wednesday, March 17, 2021 at 9:01 AM
To: DLF Museums Cohort 
Subject: Monthly newsletter & meeting 3/24!

Hello everyone,

In case you missed it, make sure to check out this month’s Museums Cohort 
newsletter: 
https://clir.informz.net/informzdataservice/onlineversion/ind/bWFpbGluZ2luc3RhbmNlaWQ9MzI1Njc4MyZzdWJzY3JpYmVyaWQ9Mzk4MDY2Mjgx

Our monthly cohort call takes place next Wednesday, March 24 at 2pm ET/11am PT. 
This month’s meeting is reserved for our open topic community call, which means 
the discussion is up to you! If you have a topic you want to make sure we 
discuss this month, make sure to add it to the meeting agenda ahead of time 
(though it’s not required to attend!): 
https://docs.google.com/document/d/1pNlE3hpbsqHKDOs9lyQhseJkCRHElXSMGKMpfaZ7U1s/edit#bookmark=id.itwfmfwsulbg

Our bimonthly open topic community calls are NOT recorded in order to encourage 
as open a dialogue as possible.

Interested in presenting at our April meeting (or any future call)? Make sure 
to contact us at 
i...@diglib.org<mailto:i...@diglib.org?subject=Presenting%20at%20a%20DLF%20Museums%20Cohort%20meeting>
 to let us know, or just to suggest potential meeting topics or desired 
speakers.

Looking forward to seeing you all next week!

All the best,
Gayle
--
Gayle Schechter, MSLIS | she/her/hers
Program Associate
 Based in Atlanta, GA (Mvskoke land<https://www.whose.land/en/>)
The Digital Library Federation (DLF)<https://www.diglib.org/>
Council on Library and Information Resources (CLIR<http://clir.org/>)
Alexandria, VA
@CLIRDLF<https://twitter.com/CLIRDLF> | 
@akaGladys<https://twitter.com/akaGladys>


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[MCN-L] UNSUBSCRIBE

2021-03-21 Thread Philip Lichti
-- 
Philip Lichti
'' ''' ''' '' ' '  '  '' '
   phil.lic...@gmail.com
   +1 514 949 6921
   philmore.ca
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[MCN-L] Student Technology Fellowships available!

2021-03-19 Thread Nancy Proctor
– the Peale in Baltimore!
Send checks to: The Peale, PO Box 1742, Baltimore, MD 21203 or make your 
tax-deductible donation at https://www.paypal.me/thepeale

Nancy Proctor, PhD
Chief Strategy Officer and founding Executive Director
The Peale, a home for Baltimore stories
301-642-6257 @NancyProctor Skype: nancyeproctor
Schedule to meet with me<https://calendly.com/thepeale/meet-with-nancy/> by 
phone or in person here: https://calendly.com/thepeale/meet-with-nancy/

Our mailing address is: PO Box 1742, Baltimore, MD 21203

See our upcoming programs and events<https://www.thepealecenter.org/whats-on/> 
– now online!
Visit the Virtual Peale in Second 
Life<https://maps.secondlife.com/secondlife/The%20Peale%20Museum/127/98/22>!
Subscribe to Peale News<https://www.thepealecenter.org/subscribe/> updates and 
follow The Peale <http://www.thepealecenter.org/> on 
Facebook<https://www.facebook.com/ThePeale/>, 
Twitter<https://twitter.com/thepeale>, and 
Instagram<https://www.instagram.com/thepealebaltimore/>
Ask me about rentals or propose future shows!

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[MCN-L] Call for Museum Technology Instructors

2021-03-19 Thread Nancy Proctor
Dear Colleagues,
I am serving as the technology advisor for the Museum Learning Hub, an 
IMLS-funded initiative to build digital capacity in small museums. I am charged 
with recruiting instructors for online training modules that will run from 
April this year through January 2022.

If you are an experienced museum technologist with excellent online teaching 
skills, we’d like to hear from you!

We are hiring instructors to lead 3, 1-hour webinars in each of the following 
topic areas:

· June 2021: Managing Digitization Projects
· July 2021: Managing Website Projects
· August 2021: Virtual Exhibitions
· September 2021: Podcasts
· October 2021: Video Program Tools
· November 2021: Audiences & Analytics
· December 2021: Social Media
· January 2022: Digitizing 3D Collections

Instructors receive a $1500 honorarium per workshop.

Instructor Selection Criteria
· Demonstrated success with the exact types of digital media projects 
or technologies featured
· Experience delivering skill-building training in an online 
educational setting
· Excellent online teaching skills, responsive, and learner-centric
· In the interest of cultivating diversity in the field, instructors 
with backgrounds that are underrepresented in the field will be given higher 
priority.
· Museum experience preferred, but not required

Application Deadline: Friday, March 26, 2021
Apply here: 
https://associationofmidwestmuseums.wufoo.com/forms/dep-technology-instructors-application-form

Sign up to attend the free online courses on the project website! 
https://museum-hub.org/instructors/

All the best,
Nancy

Help people see Baltimore in a new light! Buy a personalized 
brick<https://www.thepealecenter.org/buyabrick> and make your message part of 
the first purpose-built museum in the US – the Peale in Baltimore!
Send checks to: The Peale, PO Box 1742, Baltimore, MD 21203 or make your 
tax-deductible donation at https://www.paypal.me/thepeale

Nancy Proctor, PhD
Chief Strategy Officer and founding Executive Director
The Peale, a home for Baltimore stories
301-642-6257 @NancyProctor Skype: nancyeproctor
Schedule to meet with me<https://calendly.com/thepeale/meet-with-nancy/> by 
phone or in person here: https://calendly.com/thepeale/meet-with-nancy/

Our mailing address is: PO Box 1742, Baltimore, MD 21203

See our upcoming programs and events<https://www.thepealecenter.org/whats-on/> 
– now online!
Visit the Virtual Peale in Second 
Life<https://maps.secondlife.com/secondlife/The%20Peale%20Museum/127/98/22>!
Subscribe to Peale News<https://www.thepealecenter.org/subscribe/> updates and 
follow The Peale <http://www.thepealecenter.org/> on 
Facebook<https://www.facebook.com/ThePeale/>, 
Twitter<https://twitter.com/thepeale>, and 
Instagram<https://www.instagram.com/thepealebaltimore/>
Ask me about rentals or propose future shows!

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Re: [MCN-L] Last Day to Register with $200 Rate

2021-03-18 Thread Barry Joseph
Hiroko, Did I submit Birds of a Feather or Crit Room for my book yet? Anything 
I still need to do around that?
Barry


> On Mar 18, 2021, at 5:33 PM, Hiroko Kusano  wrote:
> 
> *#MW21 online will kick off on April 5, 2021--*
> *Register here: https://mw21.museweb.net/registration-membership/
> <https://mw21.museweb.net/registration-membership/> *
> 
> We have a variety of topics and events for everyone! The coffee break room
> will be open for the participants to share ideas and network each day!
> 
> *April 5 – Introduction Day *
> Planet Word Museum Tour, National Museum of Language Tour, workshops, and
> Orientation& MW Trivia Night
> 
> *April 6 – Conversational Day *
> Birds of a Feather, GLAMi Finalist Conversation, Inclusive Design for
> Museum, Demonstrations, National Museum of US Army Tour, and Escape Room
> Night
> 
> *April 7 – Opening and Leadership*
> *Opening Keynote Panel: Lonnie Bunch, Secretary of the Smithsonian
> Institution & Arianna Davis, Director of O, The Oprah Magazine*
> Lightning Talk and Sessions
> 
> *April 16 – Audience Engagement Day*
> *Plenary: Engaging Audience through Security Staff;*
> *#HashtagTheCowboy: How a Global Pandemic Became an Opportunity to Do
> “Different” & MoMA’s Security Officers Speak for Themselves*
> GLAMi Award, Sessions, App Crit, Lightning Talk, and MW Resident Mixologist
> Charismatic Creations!
> 
> *April 23 – Pandemic and Digital Transformation Day *
> *Plenary: Pandemic and Community Collecting - panel with Tyree Oyd-Pates,
> Omar Eaton-Martínez, Elena Gonzalas*
> Sessions, Web Crit room, Lightning Talk, Inspirational Graffiti Wall hosted
> by Lyrics & Lattes Podcast Event
> 
> *April 30 – Innovation/AR/VR Day*
> *Closing Plenary: Streaming Digital Content - panel by Max Anderson, museum
> executive, leader*,* and historian, and Jim O'Neill, BrightCove analyst*
> Sessions, Debate on Immersive Experience - Van Gogh Alive, Australian
> Museum of Moving Image Tour, Video Crit, Lightning Talk, MW Karaoke Night
> 
> *Want to suggest a topic or project for Birds of a Feather or Crit Rooms?*
> Submit topic or project here: https://mw21.museweb.net/submit-proposal/
> *GLAMi Award *- deadline is extended to March 26th, 2021.  Submit a project
> here: https://mw21.museweb.net/glami-submission/
> *Student?*  Student registration $150 available.
> 
> We look forward to seeing you!
> 
> Questions -
> hir...@museweb.net
> Conference Organizer
> _______
> You are currently subscribed to mcn-l, the listserv of the Museum Computer 
> Network (http://www.mcn.edu)
> 
> To post to this list, send messages to: mcn-l@mcn.edu
> 
> To unsubscribe or change mcn-l delivery options visit:
> http://lists.mcn.edu/mailman/listinfo/mcn-l
> 
> The MCN-L archives can be found at:
> http://www.mail-archive.com/mcn-l@mcn.edu/


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[MCN-L] Last Day to Register with $200 Rate

2021-03-18 Thread Hiroko Kusano
*#MW21 online will kick off on April 5, 2021--*
*Register here: https://mw21.museweb.net/registration-membership/
<https://mw21.museweb.net/registration-membership/> *

We have a variety of topics and events for everyone! The coffee break room
will be open for the participants to share ideas and network each day!

*April 5 – Introduction Day *
Planet Word Museum Tour, National Museum of Language Tour, workshops, and
Orientation& MW Trivia Night

*April 6 – Conversational Day *
Birds of a Feather, GLAMi Finalist Conversation, Inclusive Design for
Museum, Demonstrations, National Museum of US Army Tour, and Escape Room
Night

*April 7 – Opening and Leadership*
*Opening Keynote Panel: Lonnie Bunch, Secretary of the Smithsonian
Institution & Arianna Davis, Director of O, The Oprah Magazine*
Lightning Talk and Sessions

*April 16 – Audience Engagement Day*
*Plenary: Engaging Audience through Security Staff;*
*#HashtagTheCowboy: How a Global Pandemic Became an Opportunity to Do
“Different” & MoMA’s Security Officers Speak for Themselves*
GLAMi Award, Sessions, App Crit, Lightning Talk, and MW Resident Mixologist
Charismatic Creations!

*April 23 – Pandemic and Digital Transformation Day *
*Plenary: Pandemic and Community Collecting - panel with Tyree Oyd-Pates,
Omar Eaton-Martínez, Elena Gonzalas*
Sessions, Web Crit room, Lightning Talk, Inspirational Graffiti Wall hosted
by Lyrics & Lattes Podcast Event

*April 30 – Innovation/AR/VR Day*
*Closing Plenary: Streaming Digital Content - panel by Max Anderson, museum
executive, leader*,* and historian, and Jim O'Neill, BrightCove analyst*
Sessions, Debate on Immersive Experience - Van Gogh Alive, Australian
Museum of Moving Image Tour, Video Crit, Lightning Talk, MW Karaoke Night

*Want to suggest a topic or project for Birds of a Feather or Crit Rooms?*
Submit topic or project here: https://mw21.museweb.net/submit-proposal/
*GLAMi Award *- deadline is extended to March 26th, 2021.  Submit a project
here: https://mw21.museweb.net/glami-submission/
*Student?*  Student registration $150 available.

We look forward to seeing you!

Questions -
hir...@museweb.net
Conference Organizer
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[MCN-L] 笠Mike Kelley

2021-03-17 Thread Matthew Whitman
Hello everyone!
Tonight we explore the work of Mike Kelley in Considering Culture.
Join us as we explore abjection, youth, class, and the divide between high
and low culture.

Tickets are FREE and open to ALL. Please feel free to share.
https://www.eventbrite.com/e/considering-art-considering-culture-registration-145317142485

Together, we aim to explore the hidden meanings and mysterious
constellations established within this prolific artist's work as
psychology, philosophy, art theory, kitschy craft mediums, and awkward
adolescent scenarios push against art's hierarchical history.

In this tour, we ask: who/what defines culture? Where does it dwell? What
becomes of background noise? And, most importantly, just what did that bear
say to the monkey sitting opposite?

Looking forward to interacting with you at 7PM EST.
All the very best,
Matt

Check out our other programming here: https://linktr.ee/considering.art

***


Oh, Hi.  We are Considering.Art™ - a new LIVE arts and cultural
engagement platform that's as unique as you are. Join us! Unlike a typical
museum / gallery tour, here at CA - it's not really about us, we are more
interested in you.

Your ideas.
Your way of seeing.
Your thinking.

Never repeated and uniquely yours, our interactive and explorative video
tours last typically 90 mins in duration, and are facilitated LIVE by your
very own 'museum' guide. Cool right?

With a keen focus on contemporary art, together we aim to explore some of
the most pressing issues of today - bringing thoughts, feelings, and
observations into a lively and sometimes challenging exchange.

Developed in collaboration with a team of NYC art world professionals, in
response to COVID 19 closures, we are super excited to welcome you into our
global community as we join each other on this exciting journey.
Let’s do this... why not book a free tour today?

Once registered, your unique and direct link to our Zoom viewing / meeting
room will be provided - keep an eye out for an email from us.
Closed Captioning will be provided.

This will be fun!

We look forward to seeing you soon.
Until then, stay creative and keep asking questions.
Team Considering.Art™
❤️

***
About your facilitator: Mark develops and produces access platforms,
programming and communities with a view toward activating art as a tool for
positive political, economic and social change.

To date, his work has informed cultural strategy at Arts Council UK, the
British Broadcasting Corporation (History, Learning and Radio), the Beaney
Museum, Canterbury City Council, GOV.UK, Kent County Council, the London
2012 Olympic and Paralympic Games. Tate Galleries (Modern and Britain),
Artists Space, Bureau of General Services Queer Division, The LGBT
Community Center NYC, MAPP International, The New School, The New York
Public Library, the New Museum, Village Alliance Inc, Volta Art Fair,
International Olympic Committee and the Tokyo 2020/21 Olympic and
Paralympic Games.

Mark is a proud member of the LGBTQIA+ community and an advocate for the
transformative power of increased access to and participation in art and
culture for all.

***END***

-- 


Considering.Art™
Your voice. Your idea.


The contents of this email 
message and any attachments are intended solely for the addressee(s) and 
may contain confidential and/or privileged information and may be legally 
protected from disclosure. If you are not the intended recipient of this 
message or their agent, or if this message has been addressed to you in 
error, please immediately alert the sender by reply email and then delete 
this message and any attachments. If you are not the intended recipient, 
you are hereby notified that any use, dissemination, copying, or storage of 
this message or its attachments is strictly prohibited.


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[MCN-L] Disappearing images on Matterport tours

2021-03-17 Thread Meredith L. Steinfels
Greetings! Has any Matterport users ever experienced images disappearing on 
their Matterport tours? And by "disappearing"- I mean that when you are viewing 
the final tour and you hover over the mattertag, the UI only displays a narrow 
black rectangle.

Some further information:

  *   We have consulted with their customer service, and they decided that this 
wasn't a priority to debug
  *   The images are in a publicly accessible hosting site. We have not touched 
or altered the links in any way
  *   The links still work in other applications, just not in Matterport
  *   The image files are JPEGs
  *   We are using Flickr as the workaround but I don't love the solution 
because you can't view a larger image in the little pop up.
  *   It feels like it broke overnight.
  *   It's not all images, it's just some images.

Would appreciate any wisdom or other workarounds.  Thanks!
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[MCN-L] Apply by April 5: AMIA+DLF Cross-Pollinator Registration Award

2021-03-17 Thread Gayle Schechter
Hello everyone,

The Association of Moving Image Archivists (AMIA) and the Digital Library 
Federation (DLF) are pleased to partner once again in sponsoring an AMIA+DLF 
Hack Day<http://www.amiaconference.net/amia-dlf-hack-day-2/>. This year’s 
AMIA+DLF Hack Day takes place remotely with activities from April 1-15. 
Registration is free, and you do not need to be registered for AMIA's spring 
conference<http://www.amiaconference.net/register-for-amia-spring-2021/> in 
order to attend. Find out more about this year’s Hack Day activities and how to 
sign up here<http://www.amiaconference.net/amia-dlf-hack-day-2/>. In support of 
the event, DLF is offering one registration award to the virtual AMIA Spring 
2021 Conference, April 14-16.

The goal of the AMIA+DLF Registration Award is to bring developers and software 
engineers who can provide unique perspectives to preserving and providing 
access to digital audiovisual media to the conference. These 
“cross-pollinators” can enrich both the Hack Day event and the AMIA conference, 
sharing a vision of the library world from their perspective.

Eligibility
This award will extend the opportunity to attend the Association of Moving 
Image Archivists Conference to one software development professional from the 
DLF community. The ideal applicant:



  *   Seeks more exposure to trends in stewarding digital audiovisual 
collections.
  *   Would not typically attend the conference, but can envision and 
articulate a connection with their work.
  *   Sees great value in building a dynamic and diverse peer network.
  *   Plans to remotely participate in the AMIA+DLF Hack Day activities that 
run from Thursday, April 1, 2021 through Thursday, April 15, 2021.
  *   Is enthusiastic about collaborating with preservation professionals who 
have varying levels of technical expertise.
  *   Is affiliated with a DLF member 
institution<https://www.diglib.org/about/members/>.

The Award
One award of a complimentary full registration to the AMIA conference ($275). 
After the conference and Hack Day, the recipient will be required to write a 
short blog post about their experience within one week of the conference, to be 
published by DLF.

The Experience
The AMIA+DLF Hack Day will be a unique opportunity for practitioners and 
managers of digital audiovisual collections to join with developers and 
engineers for an intense day of collaboration to develop solutions for digital 
audiovisual preservation and access. Go to the AMIA Annual Conference 
website<http://www.amiaconference.net/> for more information.

Application
Applicants must supply contact information and a resume, as well as a statement 
(500 words or less) about how attending the Association of Moving Image 
Archivists Conference will expand your professional horizons, and what skills 
or ideas you could bring to the Hack Day. The winning applicant must be able to 
attend AMIA Spring 2021, April 14-16.

Apply here.<https://forms.gle/26ueBPjFA93FDYPS8>

Deadline
Applications are due by 5:00 p.m. PT, April 5. A winner will be announced in 
early April.


Don’t hesitate to contact me if you have any questions!

Best,
Gayle


--
Gayle Schechter, MSLIS | she/her/hers
Program Associate
 Based in Atlanta, GA (Mvskoke land<https://www.whose.land/en/>)
The Digital Library Federation (DLF)<https://www.diglib.org/>
Council on Library and Information Resources (CLIR<http://clir.org/>)
Alexandria, VA
@CLIRDLF<https://twitter.com/CLIRDLF> | 
@akaGladys<https://twitter.com/akaGladys>


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[MCN-L] Job posting: Andrew W. Mellon Assistant Curator of Academic Programming

2021-03-16 Thread Meredith L. Steinfels
>From the job description:

Andrew W. Mellon Assistant Curator of Academic Programming serves as a primary 
liaison for the Hood Museum of Art to the Dartmouth faculty, runs day-to-day 
operations of the Center for Object Study, and facilitates the integration of 
the museum's collections within the College's curriculum. Additionally, 
develops collections-based teaching strategies with faculty and through 
teaching with the collection. Teaches frequently with the collection and 
support Hood curatorial staff teaching with the collection.

Link to posting, incl. full description, requirements, and salary: 
https://searchjobs.dartmouth.edu/postings/56764
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[MCN-L] job opportunity: TMS Admin position at the MFAH

2021-03-16 Thread Thompson, Dave
Hi Everyone,

The Museum of Fine Arts, Houston is now seeking a TMS Administrator.
The job posting should be available on mfah.org this week, but please feel free 
to contact Zac Haines (Chief Technology Officer) at zhai...@mfah.org, or Ryan 
Hanna (IT Application Manager) at rha...@mfah.org directly if you or someone 
you know might be interested.

MFAH Job Description


Title   TMS Database Administrator
Date of Job Description March 2021

Responsibilities:
* Manage the museum's collection management, digital assets, 
conservation, and online collection systems (The Museum System (TMS), Media 
Studio, Conservation Studio, and eMuseum, respectively, by Gallery Systems).
* Plan and perform installations, implementations, configurations, 
and updates to the above systems in coordination with the TMS user base, the 
Information Technology department, and Gallery Systems.
* Perform User Acceptance Testing for all new implementations and 
system upgrades.
* Guide and assist the museum to design and implement new and 
improved business processes, data management strategies, and data entry and 
format standards.
* Perform bulk data and image entry/update tasks for a variety of 
projects.
* Develop custom list views, data views, and data entry forms using 
system tools.
* Create, organize, and maintain reports using Microsoft SQL Server 
Reporting Services and Crystal Reports.
* Provide support for gathering data for and reporting on a variety 
of collections statistics for management, development and marketing uses.
* Provide support for ~300 users of the Gallery Systems product 
suite including general use, data entry, and troubleshooting.
* Assist the IT Trainer with maintaining and updating basic TMS 
application training and the TMS User Manual.
* Draft written and illustrated procedures, reference guides, 
end-user instructions and presentations for newly implemented system procedures 
and functionality.
* Maintain all database authorities, user accounts and system 
security.

Skills, Knowledge and Abilities:
* Advanced Microsoft SQL programming skills including writing and 
troubleshooting custom views, functions and stored procedures
* Demonstrated expertise in Microsoft SQL Server Reporting Services 
and Crystal Reports
* Excellent written and oral communication skills
* Ability to assess priorities and work well under pressure; 
excellent time management, problem solving and analytical skills
* Ability to work with curators, donors, vendors, other museum 
professionals, the public and co-workers professionally and tactfully
* Strong organization skills to effectively manage multiple 
projects from start to finish

Education and Experience:
* Bachelor's degree in Information Systems, Database Management or 
similar
* Familiarity with art, art history or museum studies or at least 
two years of experience in museum related employment a plus


Dave Thompson
TMS Administrator
The Museum of Fine Arts, Houston
dthomp...@mfah.org

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[MCN-L] Museum Savvy ~ Over 200 new job postings!

2021-03-09 Thread Jeannine Pedersen-Guzman
Hello Everyone!  This week we have a new compiled list of over 200 museum,
archives, conservation, cultural heritage, and public history jobs in the
US and abroad!

https://museumsavvy.com/museum-savvy-blog/museum-jobs4309410
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[MCN-L] Dreaming of a New CMS Webinar Series Survey

2021-03-09 Thread Alex Kron
Good Morning All,

As many of you are already aware, the Balboa Park Online Collaborative
(BPOC) has been hosting a webinar series called Dreaming of a New
Collections Management System (CMS) where we have been inviting Galleries,
Libraries, Archives, and Museums (GLAM) professionals to speak about their
experiences with collections management systems and some of the challenges
they have faced. In future sessions, we will be providing opportunities for
CMS Solution Providers to speak on how their CMS addresses the many
challenges GLAM professionals face. To help facilitate these sessions, we
would like to share a survey with everyone to get feedback on what
challenges they would like to see CMS Solution Providers address. This is
to ensure that we don’t miss anything of interest to the community. To
record responses we have created a Google Form for the community to share
their thoughts and opinions. You may find a link to the Google Form
<https://forms.gle/u5SX7cu4o4KdE4gn8>here. If you have any questions or
concerns about this survey, please feel free to reach out to me at any time.

Best Regards,
Alex Kron | Digital Projects and Collections Specialist
BALBOA PARK ONLINE COLLABORATIVE <https://bpoc.org/>
Email: ak...@bpoc.org
1549 El Prado, Suite 8, San Diego, CA 92101
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[MCN-L] Meet the Programming SubCommittee, EOC Video, Membership Giveaway, & Digital Condition Webinar ARCS Update Vol 6 | Update 5

2021-03-08 Thread ARCS
***Meet the Programming SubCommittee***
The programming subcommittee is the volunteer-run committee of ARCS
responsible for bringing the ARCS membership educational programming via
webinars and hands-on workshops. Due to COVID, the programming subcommittee
has shifted to online programming, but hopes to soon transition back to
some in-person programming!

This month the programming subcommittee has a webinar scheduled for March
25 on Digital Condition Reporting (
http://www.arcsinfo.org/news-events/event/1341/0/digital-condition-reporting),
as well as a three-part webinar series on Leadership scheduled to start in
the spring. The programming subcommittee is hard at work planning a packed
schedule of programming for the next fiscal year. Some of the topics we
will explore include resources for contract registrars, professional-skills
development, and emergency preparedness topics. We want to cover topics
that are important to the members of ARCS, so if you have ideas for future
programming, please reach out to us at i...@arcsinfo.org.  We would love to
hear from you!

***Membership Giveaway***
ARCS is giving away one free individual, student, or retiree level 2021
membership! To enter the giveaway, click the link below. The winner will be
notified after March 31, 2021

Enter to win! http://www.arcsinfo.org/membership

***EOC Video - Dispel the Myth: Emergency Operation Centers***
The Smithsonian Cultural Rescue Initiative (https://culturalrescue.si.edu/)
and The Manitoba Emergency Measures Organization (https://www.gov.mb.ca/emo/)
join the ARCS Emergency Programming Subcommittee to dispel the myths of
working with emergency managers and emergency operations centers. They
provide helpful tips and motivation on engaging with emergency management
professionals to better prepare your organization for an emergency.

https://youtu.be/YA1oToMPIGM

***#ARCSchat "Dragon Psychology 102"***
Recorded in December and released as a podcast, we now present the video of
#ARCSchat's critique of a podcast about the deaccessioning trends that have
become too familiar lately. In our version of the conversation, however, we
deconstruct the Revisionist History podcast "Dragon Psychology 101" by
Malcolm Gladwell.

Our panel includes Robin Cooper, the Manager of Curatorial Affairs at the
Indianapolis Museum of Art at Newfields, and Nicholas O’Donnell, Partner at
the law firm Sullivan & Worcester in Boston, who argued on behalf of the
museum membership in the now landmark Berkshire Museum deaccession case and
recently presented in front of the US Supreme Court.

https://youtu.be/aGH3Luh_8nk

***Upcoming Events and News***
-All Member Meeting March 16 at 1:00 p.m. ET-
All Active Members of ARCS are invited to attend an All Members Meeting
scheduled for March 16 at 1:00 p.m. ET. To register for the meeting, please
click on the link below:

http://www.arcsinfo.org/news-events/event/1340/0/arcs-members-meeting

-Webinar: Digital Condition Reporting, March 25 at 2:00 p.m. ET-
ARCS is proud to present a digital condition reporting webinar which will
introduce participants to mobile platforms used for condition reporting, as
well as provide an overview of the benefits and challenges with digital
condition reporting as a whole. The speakers will cover digital condition
reporting in general, but will also go into detail about two possible
viable platforms: PDF Expert and Notability. They will offer a demo of both
applications, address functions such as uploading object information in
advance, adjusting and marking up photos, drawing, typing, and drop-down
boxes. In addition, there will be discussion on ease of use, ease of
customization, image compression, and more!

The webinar will conclude with a 15 minute Q session.

Speakers:
Barbara Campisi of Campisi Art Collection Management
Benjamin Peery of the Charles M. Schulz Museum and Research Center

Fees:
Members: $25.00 USD
Non-Members: $35.00 USD

Register here-
http://www.arcsinfo.org/news-events/event/1341/0/digital-condition-reporting
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Re: [MCN-L] Crowdsourcing / citizen science / history / online volunteering practitioner and volunteer input needed

2021-03-05 Thread Mia
We had a great response to our mini-surveys from people who volunteer for
or work 'behind the scenes' in crowdsourcing, citizen science, citizen
history, digital / online volunteer projects, programmes, tools or
platforms with cultural heritage collections. I've posted answers to the
four key questions (two in each) on our project website:

   - The crowdsourcing stakeholder view on 'What do you wish you'd known at
   the start?'
   <https://collectivewisdomproject.org.uk/wish-youd-known-at-the-start/>
   - The crowdsourcing stakeholder view on 'Would you do anything
   differently with more time or resources?'
   <https://collectivewisdomproject.org.uk/would-you-do-anything-differently/>
   - The volunteer perspective on 'What are your hopes for the future of
   crowdsourcing / online volunteering?'
   
<https://collectivewisdomproject.org.uk/hopes-for-the-future-of-crowdsourcing/>
   - The volunteer perspective on 'What makes a crowdsourcing / citizen
   research / online volunteering project great?'
   
<https://collectivewisdomproject.org.uk/what-makes-a-crowdsourcing-project-great/>


Cheers,

Mia



http://openobjects.org.uk/
http://twitter.com/mia_out
Check out my book! http://bit.ly/CrowdsourcingOurCulturalHeritage
P.S. I mostly use this address for list mail and don't check it daily


On Thu, 11 Feb 2021 at 14:26, Mia  wrote:

> Dear MCN,
>
> The Collective Wisdom project (that's me for the British Library, Meghan
> Ferriter for the Library of Congress and Sam Blickhan for Zooniverse) is
> currently running two short surveys with people who volunteer for or work
> ‘behind the scenes’ in crowdsourcing, citizen science, citizen history,
> digital / online volunteer projects, programmes, tools or platforms with
> cultural heritage collections.
>
> Why? In March, a group of us will be gathering online to collaboratively
> write a book over two weeks. We’re very conscious of the fact that for a
> variety of reasons the book sprint necessarily excludes lots of people with
> useful experiences and perspectives, so we’d thought about different ways
> to incorporate more views into the process and final outcomes. Running the
> surveys in advance of our book sprint is part of our efforts to represent a
> wider range of projects and knowledge in our publications. We hope that
> we’ll get a great range of examples and perspectives to think with as we
> write.
>
> To participate, follow the links below. Our ‘Case Study’ survey is
> designed for practitioners, while our ‘Volunteer Voice’ survey is designed
> for people who have taken part in crowdsourcing, citizen science, citizen
> history, digital / online volunteer projects. Please feel free to fill out
> one or both, depending on your personal experience, and share with someone
> else who might wish to contribute. Thank you in advance for sharing your
> experiences.
>
> Collective Wisdom ‘Volunteer Voice’ survey:
> https://forms.gle/vMyUbuf2CrkTfXfF9
>
> Collective Wisdom ‘Case Study’ survey: https://forms.gle/gZjkUtYKhLo8wGN1A
>
> There's further information at
> https://collectivewisdomproject.org.uk/we-want-to-hear-from-you/
>
> We're also developing an FAQ at
> https://hcommons.org/groups/crowdsourcing/forum/topic/getting-started-with-crowdsourcing-in-glams-and-academia-your-questions-sought/
> and would love to hear from people who're thinking about working with
> crowdsourcing and have run into questions that need answers.
>
> Cheers,
>
> Mia
>
>
> 
> http://openobjects.org.uk/
> http://twitter.com/mia_out
> Check out my book! http://bit.ly/CrowdsourcingOurCulturalHeritage
> P.S. I mostly use this address for list mail and don't check it daily
>
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[MCN-L]  Jenny Holzer and Barbara Kruger

2021-03-03 Thread Matthew Whitman
Hello everyone!

Join us tonight for an interactive discussion.

Tonight - LIVE at 7PM EST
Considering Text.

*About this Event.*

Where and what are the borders between language, experience and space?

Together we venture into the work of two important contemporary artists’
whose practices feature the use of text : Jenny Holzer and Barbara Kruger.

In vastly different approaches, both artists measure our expectations of
written text, often questioning the boundaries of private and public
thought as relating to our experiencing of language.

In this tour, we will examine the roles of voice, context, scale,
appropriation, and how language is ultimately transformed in each artist’s
practice.

*>>>Tickets are FREE and open to ALL. Please feel free to share. *
https://www.eventbrite.com/e/140930253181

Looking forward to some facetime with you at 7PM EST.
All the very best,
Matt

www.considering.art

***

*About Us.*

Oh, Hi.  We are Considering.Art™ - a new LIVE arts and cultural
engagement platform that's as unique as you are. Join us! Unlike a typical
museum / gallery tour, here at CA - it's not really about us, we are more
interested in you.

Your ideas.
Your way of seeing.
Your thinking.

Never repeated and uniquely yours, our interactive and explorative video
tours last typically 60-90 mins in duration, and are facilitated LIVE by
your very own 'museum' guide. Cool right?

With a keen focus on contemporary art, together we aim to explore some of
the most pressing issues of today - bringing thoughts, feelings, and
observations into a lively and sometimes challenging exchange.

Developed in collaboration with a team of NYC art world professionals, in
response to COVID 19 closures, we are super excited to welcome you into our
global community as we join each other on this exciting journey.
Let’s do this... why not book a free tour today?

Once registered, your unique and direct link to our Zoom viewing / meeting
room will be provided - keep an eye out for an email from us.
Closed Captioning will be provided.

This will be fun!

We look forward to seeing you soon.
Until then, stay creative and keep asking questions.
Team Considering.Art™
❤️

***
About your facilitator: Matt Whitman works with moving image, photography,
installation, writing and performance. His work has appeared at Microscope
Gallery, New York; The Kitchen, New York; CROSSROADS - SF Cinematheque, San
Francisco; The Front, New Orleans; The Lab, San Francisco; Unexposed
Microcinema, Durham, NC; Anthology Film Archives, New York; La MaMa, New
York; Ethan Cohen Gallery, New York; the Brooklyn Film Festival, New York;
8 fest, Toronto, ON; among others. He has taught at Parsons School of
Design since 2014.

***END***

-- 


Considering.Art™
Your voice. Your idea.


The contents of this email 
message and any attachments are intended solely for the addressee(s) and 
may contain confidential and/or privileged information and may be legally 
protected from disclosure. If you are not the intended recipient of this 
message or their agent, or if this message has been addressed to you in 
error, please immediately alert the sender by reply email and then delete 
this message and any attachments. If you are not the intended recipient, 
you are hereby notified that any use, dissemination, copying, or storage of 
this message or its attachments is strictly prohibited.


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[MCN-L] The Visual Resources Association Foundation (VRAF) announces the 2021 Spring Professional Development Grant Recipients

2021-03-01 Thread Kniesch, Jennifer
MARCH 1, 2021


The Board of Directors of the Visual Resources Association Foundation (VRAF) is 
pleased to announce the Spring 2021 VRAF Professional Development Grant in the 
amount of $500 to Brian Watson, a Doctoral Student at the University of British 
Columbia’s School of Information, and $500 to Steffi Terasaki, the Curatorial 
Assistant/Assistant Registrar at the Museum of Pop Culture in Seattle.


Brian Watson plans to use the funds towards a 
Certificate<https://libraryjuiceacademy.com/certificate/xml-and-rdf-based-systems/>
 in XML and RDF from the Library Juice Academy. These languages are necessary 
to build compatibility between Homosaurus<https://homosaurus.org/>—an 
international, community-maintained LGBTQ linked data vocabulary system 
intended to function as a companion to broad subject term vocabularies, such as 
the Getty or LCSH—and other major thesauri used in GLAMS cataloguing. After 
completing the certificate, Brian plans to finish a complete mapping of 
Homosaurus to LCSH and Getty, as well as expand the number of terms in 
Homosaurus specifically connected to visual resource description. This work 
would allow the vocabularies used in the GLAMS sector to more ethically and 
inclusively represent intersectionality in their holdings, which would have the 
additional benefit of making intersectional identities more visible within 
cultural heritage institutions.


Steffi Terasaki wishes to gain a foundational knowledge in digital visual 
resource management, including born digital material; become an active 
participant in the museum and archives community around digital asset 
management in order to learn from/collaborate with her colleagues; and gain 
hands-on experience with managing a project through workshops. To accomplish 
these goals, Steffi will use the grant funds to attend: the Society of American 
Archivists Basics of Managing Digital Collections Online 
course<https://www2.archivists.org/prof-education/course-catalog/basics-of-managing-digital-records>,
 the 2021 Visual Resource Association 
conference<http://vraweb.org/2021-chicago/>, and the Summer Educational 
Institute for Digital Stewardship of Visual 
Information<https://seiworkshop.org/>.


The VRAF Professional Development Grant Program reflects the broad mission of 
the VRAF to support professional development in the field of visual resources 
and visual information management. The grant can be used to participate in a 
professional development opportunity of the grantee’s choosing (such as a 
conference, symposium, workshop, online education), or to enroll in relevant 
research activities (such as hands-on field work or a site visit for scholarly 
purposes). For more information about the VRAF, the VRAF Professional 
Development Grant, and other VRAF programs, please visit 
vrafoundation.org<https://vrafoundation.org/>.


On behalf of the VRA Foundation Board of Directors


vrafoundation.org<http://vrafoundation.com/>
vrafoundat...@gmail.com <mailto:vrafoundat...@gmail.com>
https://twitter.com/vrafoundation
https://www.facebook.com/visrafoundation/
https://www.instagram.com/vrafoundation/

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[MCN-L] Dreaming of a New Collections Management System: Episode 3 Recording

2021-02-26 Thread Alex Kron
Many thanks to those who were able to attend the third episode of our
webinar series Dreaming of a New Collections Management System (CMS), and
an even greater thank you to our wonderful panelists (Dan Brennan, Dr.
Steen Dupont, Richard Light, and Jack Ludden) for sharing their time and
experiences with us this week.

We had another fascinating conversation covering technical challenges in
current CMS. Some of the challenges we discussed included how a CMS fits in
a museum’s technical ecosystem, discoverability in a CMS, mapping data in
and out of a CMS, and data validation.

For those who were unable to attend the live discussion, but would like to
view the recording, we have now posted the video on our Youtube Channel
<https://www.youtube.com/channel/UCNXjDskOT1gYZucgmUvXf_Q>. You may access
the video directly at the following link: https://youtu.be/mXruV_PqzD4.

We would also like to announce that we are looking for participants in our
next webinar which will focus on DEAI challenges in managing collections
data and collections management systems. If you are interested in
participating in this panel, please reach out to us at ak...@bpoc.org.

All the best,

Alex Kron | Digital Projects and Collections Specialist
BALBOA PARK ONLINE COLLABORATIVE <https://bpoc.org/>
Email: ak...@bpoc.org
1549 El Prado, Suite 8, San Diego, CA 92101
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[MCN-L] Submit Your Project For The 2021 GLAMi Awards

2021-02-24 Thread Hiroko Kusano
***Submit Your Application For The 2021 GLAMi Awards***

The GLAMi Awards (formerly Best of the Web) recognize and celebrate the
most innovative digital projects in the cultural heritage sector each year.
https://mw21.museweb.net/glami-awards/

Applications are now open for the 2021 awards. Submit your projects for
consideration by March 19. We have made a key change to the eligibility
rules for this year: any project, regardless of its initial launch date, is
eligible for consideration if it was in active use between March 2020 and
March 2021. We’ve made this change to recognize the fact that some of the
most interesting work undertaken by museums this year involved repackaging
or promoting previously moribund content from the institutional archives.
Submission Link: https://mw21.museweb.net/glami-submission/

We have also made a number of changes to the Awards categories and format
this year. Some of these changes are responses to suggestions made by
jurors and participants in years past; others arise from an acknowledgment
of the unique challenges of 2020. All of the changes have been made with
the idea that the GLAMi program is at its best when it recognizes projects
that address the most pressing issues faced by our staff and our audiences
and that offer solution that are instructive and transferable to
organizations of all sizes and types. If you are planning to enter a
project or projects this year, please read the guidelines for submission
carefully, and feel free to contact the Awards co-chairs, Heather Hart and
Susan Chun, with any questions.

This year’s categories are:
--Interactive and Immersive. These projects connect with audiences that
want to DO something. The category includes in-gallery and online
interactives, multimedia installations (including soundscapes and videos),
VR/AR, mobile applications, audio tours, and broadcasts (including those on
social media platforms).

--Resources for General Audiences and Families. The category features
digital content for adults and children, including teachers, families,
classes, and independent visitors. Examples include exhibition microsites,
teacher resources, lesson plans, plan-ahead and post-visit content.

--Resources for Scholars and Researchers. The category features digital
content intended for study and research, including collections online,
digital publications, and a primary source and archival content. Materials
prepared for aggregation in networked resources may be considered in this
category.

--Marketing and Promotion. Materials and projects developed primarily to
familiarize audiences, press, and donors with an organization’s programs
and activities should be submitted in this category. Examples include
social media campaigns, digital advertising campaigns, online press
resources, annual reports, and fundraising campaigns.

--Tools and Professional Practices. This category returns after a brief
hiatus. Projects in this category serve staff and the community at large
using hardware, software, and other digital tools to enable more effective,
efficient, or far-reaching practices. Examples include business and content
systems, infrastructure, databases, and communications systems.

--Design. A special category for exemplary design intended for new or
redesigned websites, apps, and multimedia resources. Judges will consider a
project’s graphic design, UX design, and accessibility.

Organizations may submit their projects for consideration in one or more of
these six categories. Winners will be announced in a plenary session at 4pm
central time on April 16, 2021.

In addition to the six main categories, a Special Jury will consider
projects—including any submitted in the six main categories—for special
awards that recognize innovative and effective solutions to real-time
concerns facing museums and their audiences. This year’s awards will focus
on social justice issues and on outreach by organizations to audiences
affected by the Covid-19 pandemic. Special Jury prizes may recognize an
entire project or site, or one small aspect of an organization’s digital
presence; these prizes are focused on impact and innovation.

WE LOOK FORWARD TO SEEING YOUR ENTRIES AND HEARING YOUR STORIES!

MuseWeb. #MW21
i...@museweb.net
Conference Site: https://mw21.museweb.net/

Hiroko Kusano
Conference Organizer
hir...@museweb.net
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