Hi,
the Contax hood is very good and very well made. On its own it is 63mm
deep, but you will also need a 67/86 step-up ring, which adds another
10mm or so to the depth. It's specifically designed for the CZ 300mm
lens, and this is precisely what I use it for. The Contax hoods all
have an 86mm
or...I should sayWAS spotted at the Henrys website last
week for $299CDN (how good was this price?).
The used sales rep. at the store said they picked up the lens from someone
selling all of his/her Pentax stuff because he/she was moving to
digital.
It seems that the K85/1.8 was
In a message dated 22/04/02 03:29:33 GMT Daylight Time, Alan writes:
To make the situation worse, Pentax have not produced any 85mm or 100mm
compact portrait lens since the A series. All they offered are FA*85/1.4 and
FA77/1.9, and both are expensive.
How about the 100mm F3.5 Macro? Not
In a message dated 22/04/02 03:29:33 GMT Daylight Time, Jonathan writes:
The A/K-15mm f3.5 tragically dosen't even have a gel
holder behind the rear element.
What kind of filter are you after? - the 15 features Y2, O56, UV,
Skylight all b/in as std. It's not impossible to bodge a wratten
17mm SL/RMC
I have had 2 of these. The first I bought at a close out of about 25.00. Not
expecting much, I shelved until the need arose. Once it did, there was no
stopping me from taking that lens everwhere. It was stolen on a flight from
Sydney to LA in Fiji while the plane was being serviced.
In a message dated 22/04/02 03:29:33 GMT Daylight Time, Paul writes:
I'm looking around for a screw-in metal hood for my Rikenon 300/4.5 lens
(67mm filter). My three leading candidates are the Contax No. 5 (67mm), the
Pentax RA-67, and a Nikon HN-23 (72mm, with a 67-to-72 step-up ring). A
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=1348002440
He's still trying to flog this thing...
Norm
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From: Norman Baugher [EMAIL PROTECTED]
He's still trying to flog this thing...
Norm
-
Does it come complete with a Certificate of Authenticity? Now that would
be rare indeed.
Bob
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There is a Tokina SL/RMC on Ebay right now for 140.00. Also, one in the
Nikon mount will go for 130.00 or so. Not bad for a used lens when new they
are 230.00.
Bob Rapp
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What's worse is that it's mis-advertised: the K-mount lenscap is not really
suitable for an A lens, because it doesn't have a lip to cover the
electrical contacts.
I must remember to thank Peter in Brighton... the 43/1.8 I bought from him
last year had one of these precious items on the back of
Thanks, Cotty! I feel so honored to have you mention my photo in your
list. I always look forward to your comments on the PUG photos and learn a
lot from them. When you mention one of my photos, it makes sloshing through
the mud and hiking up and down steep hills carrying a tripod and
Thanks Ken.I'll keep the MEII winder in mind.
Dave
Pentax User
Stouffville Ontario Canada
http://home.ca.inter.net/brooksdj
Sign up today for your Free E-mail at: http://www.canoe.ca/CanoeMail
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Hi all.I rarely use my AF Sigma 100-300 f 5.6/6.7
in maunual focus,as it was bought for one particular
subject matter,but have noticed lately the focus
ring seems 'sloppy'.Very free moving and just by taking
my hand off the ring can cause it to move.I took
3 pictures of some birds and all 3 were
Peter in sunny Brighton wrote:
Exactly my reasoning for specialising in Nikon Pentax 35mm - only.
Well noone says you'd have to sell the gear for its intended purpose.
Being in a coastal town I'm sure you'll have a good market for boat
anchors.
Cheers,
Dave in sunny Bognor, 7 weeks to go
-
Hi Dave,
There are probably some screws under the rubber on the
focus ring, I would take it to a repair shop.
Steve Larson
Redondo Beach, California
- Original Message -
From: David Brooks [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, April 22, 2002 4:55 AM
Subject: OT:Sigma
Hi,
anybody knows the difference between the AT-X and the SL Tokinas?
Both are 17/3.5, both look about the same, even the lens diagram is
the same ?
Difference in performance?
Thanks!
Frantisek
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On Sunday, April 21, 2002, at 05:02 PM, Jeff wrote:
Should I attempt to use my LX as a trade, or sell it separately?
Your NEW LX?
You'll get more for it as a private sale on the list.
-Aaron
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On Behalf Of tom
Sent: Sunday, April 21, 2002 10:55 AM
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Cesar
Matamoros II
P.S. TV - Minolta-girl was my assistant at the finish line...
There's a metaphor in there somewhere...also a couple of bad
Subject: FS: Bogen Tripod, LowePro bag, and Pentax flash
Date: Sun, 21 Apr 2002 14:55:19 GMT
From: EktarEd [EMAIL PROTECTED]
Newsgroups: rec.photo.marketplace
1. Bogen Table top Tripod with ball head and center column variable
extender. Includes a Tamrac belt pouch to carry it in.
2.
You Only Live Twice with Sean Connery
Christian
On Sunday 21 April 2002 02:44, [EMAIL PROTECTED] wrote:
Apologies for anorakism - in the Bond film based in Japan, using the
videophone in the car, the lens therein is always Cosmicar Pentax (Live
Let Die?).
KR
Peter
-
This message is
Lasse Karlsson
Sent: Sunday, April 21, 2002 5:39 PM
Cesar wrote:
Well, no real reason for the message but to let me state what a joy
I had
using the cameras yesterday. I have enjoyed reading about other
people's
outings and thought I would share mine.
Thanks for sharing. I enjoyed reading
I enjoyed your commode photo, especially the angle from which it was taken.
The light was perfect, and I liked the contrast of the wood grain of the
chair with the wood grain of the floor. I hope someone watered that plant,
though. It looked pretty thirsty.
Thanks very much. The Mutual
On Mon, 22 Apr 2002, [EMAIL PROTECTED] wrote:
JamesRel wrote:
or...I should sayWAS spotted at the Henrys website last
week for $299CDN (how good was this price?).
Good enough to ruin my day--and, I think, that of Boz, who has been
prowling for one for ages. It's the best price I've
Hello Pentaxians,
Just a quick update via email. As usual full details at:
http://www.macads.co.uk/pdml/
UK Pentax Marketing Manager John Dickins has kindly offered the loan of
some Pentax cameras and lenses for those attending the PDML UK gathering
at Duxford on July 13 / 14th.
Send me your address. I think I have one or two of them around here.
Ken
On Saturday 20 April 2002 07:02 am, you wrote:
Looking for Spotmatic-era, thin leather camera straps. If you've got
any, please contact me off list. Thanks!
--
Kenneth Archer, San Antonio, Texas
[EMAIL PROTECTED]
-
Hi folks,
Just had to share this one
PBS had a 90-minute episode of the series The American Experience last
night. This one was on the life of Ansel Adams. I knew I was going to be
gone for the day and most of the evening, so I recorded it on the VCR.
Haven't had a chance to view it yet,
I started watching it but then went to bed as it was way past my bed time.
The first half hour was interesting and it looked like it should be a pretty
good documentary. I'll be watching the rest of it this afternoon as I
recorded it as well.
Christian
On Monday 22 April 2002 10:27, Bill
http://www.photozone.de/canonFAQ.htm#3Q4c
Fred
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The 120K is the big brother of the legendary 105/2.8K. Every bit
as good, according to those who have owned both.
Well, I owned a legendary K 105/2,8 for a short time (having
bought it and then sold it recently). My number one complaint was
the harsh bokeh. When I got back my first roll of
Bob Rapp wrote:
And I will play! I just won an auction on a 135 f3.5 preset Takumar - complete
with original caps and case. It is the 5 element chrome and black, and the
glass is clear.
Cost? about 20.00 US delivered! I can't wait!!!
Bob Rapp
Bob, what did you say your wife's email
I think it was your subject that caused the horendous bokeh in those first
two shots. The tall grass (saplings?) seem to have odd highlights that are
emphasized by their length and possible movement. The other subjects didn't
seem so bad to me. Maybe a bit harsh would describe it.
This just in. I didn't realize that lens caps were a collectable
item. I think he was insulted by my query.
William Robb
- Original Message -
From: Robert Gutermuth [EMAIL PROTECTED]
To: bill [EMAIL PROTECTED]
Sent: Monday, April 22, 2002 9:06 AM
Subject: Re: Item # 1348002440
Bill,
Oops - I sent some bad URL's:
http://phred.org/pentax/lensgal/k105_28/
There, William has a few photos.
Please try this instead:
http://phred.org/pentax/lensgal/
And another boo-boo:
I also checked out a couple of K 105/2.8 portraits at:
http://www.pentax-fan.jp/photo/lens.asp
Try
Hi Fred,
Mark Dalal mentioned that he didn't care for the bokeh of his 105/2.8
either, and, like you, said it was quite harsh. However, I've not
experienced this with any of my 105/2.8 lenses, but I realize that I
generally don't use them for close up work, as in your examples. The
one time
Title should say it all. The Speed Graphic started my love affair with
bigger negs, the Yashica 124G gave me a more affordable, almost-as-good
neg, and I'm going to finish it off by starting down the road to the
Brotherhood.
You know, on those days its not practical to lug the 4x5 every
--
gfen,
Starting down the road, we could use a first name - you know, Brother
. Brother gfen just doesn't have quite the ring to it.
Anyway, all are welcome to join the Brotherhood.
Brother Bruce
Monday, April 22, 2002, 8:35:59 AM, you wrote:
g Title should say it all. The Speed
[EMAIL PROTECTED]
The Tokina SL-17 is an old design. I've read that it's the same lens
that's sold as the Vivitar 19mm.
...and Sigma 18mm 3.5 (last version) ...and Spiratone Pluracoat 18mm
3.5. I have this lens and it is identical to the Tokina 17mm sold at
B H.
So, is it really a 17mm, a
On Monday, April 22, 2002, at 11:24 AM, William Robb wrote:
This just in. I didn't realize that lens caps were a collectable
item. I think he was insulted by my query.
Should ask him how his cap differs from this:
It is rare Bill, I have a small collection that I have built up over my
lifetime, if you're nice I might trade you one for a piece of P67 kit...
Norm
William Robb wrote:
This just in. I didn't realize that lens caps were a collectable
item. I think he was insulted by my query.
From: Robert
andre,
I did compare it to my FA 20/2.8 and it is wider than that one, so I'm
guessing it is wider than 18 or 19.
Bruce Dayton
Monday, April 22, 2002, 8:54:57 AM, you wrote:
[EMAIL PROTECTED]
The Tokina SL-17 is an old design. I've read that it's the same lens
that's sold as the Vivitar
I knew someone would ask.Looks like Saskatchewan
is off his vacation list.
Dave
Begin Original Message
From: William Robb [EMAIL PROTECTED]
Sent: Mon, 22 Apr 2002 09:24:14 -0600
To: [EMAIL PROTECTED]
Subject: Item # 1348002440
This just in. I didn't realize that lens caps were a
On Mon, 22 Apr 2002, gfen wrote:
You know, on those days its not practical to lug the 4x5 every
Makes me wish I'd have finished typing before I sent it...
Anyways, to lug that thing everywhere and have a modern convience or two.
--
http://www.infotainment.org
The destructive
In a message dated 22/04/02 17:09:20 GMT Daylight Time,
[EMAIL PROTECTED] writes:
UK Pentax Marketing Manager John Dickins has kindly offered the loan of
some Pentax cameras and lenses for those attending the PDML UK gathering
at Duxford on July 13 / 14th.
What, a 250-600 - who's going to
Well, I have a dilemma. My SF1 has been sent for repair as it would kill
batteries in a day or two even when turned off. The local Pentax repair shop
had to send it to Pentax Canada in Toronto as they feel it is a circuit
problem (sounds expensive to me). Otherwise, it would work fine. The local
Good morning to one and all.
I am giving list members first dibs on my Pentax gear. I've assembled this
gear together in the past few months by buying from other members of the
list. I am placing my gear for sale because the wife says it has to go
before I can buy a medium format gear. She
Peter,
Bring along a 2000mm lens and find out how good my grip is :-)
Malcolm
What, a 250-600 - who's going to Pentax to collect it then? Remind me to
bring a set of large pry bars to remove said lens from Mr Cotty's
grasp. I
distinctly recall an ocassion when Nikon offered a loan lens
If this is the case, Bruce, Vivitar's marketing strategy is
surprising: write 19mm on a lens that could be called 18mm or 17mm !
Today, 19mm would easily qualify for a typical limited focal lenght...
I did compare it to my FA 20/2.8 and it is wider than that one, so I'm
guessing it is wider
Hi John.Some of the technical differences can be
seen at:
http://www.bdimitrov.de/kmp/
I also have a SF-1 but have only handled the MZ-5n.
You will sacrifice the weight and grip(both i like)
but there is a grip for the 5n.The 5n also has
more viewer information,and is quieter,which is why
i'm
Thanks for the replys all...
The lens in on its way back to KEH today.
Hope I have better luck with the next one, or hope they can repair it.
Dave
--
David Spaulding
Photographer
http://d.spaulding.tripod.com
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andre,
Perhaps Pentax is at fault and their 20 is really 21 or 22?
Bruce
Monday, April 22, 2002, 9:43:19 AM, you wrote:
a If this is the case, Bruce, Vivitar's marketing strategy is
a surprising: write 19mm on a lens that could be called 18mm or 17mm !
a Today, 19mm would easily qualify
- Original Message -
From: [EMAIL PROTECTED]
I am considering to buy a super wide angle lens (17-20 mm) but many of
these
lenses use
rear filters. As I will use this lens mostly for landscapes and, in that
case, polarizer is
essential, how do we use polarizer in such lenses? Is it
I have a Tamron 14/2.8 and while it does have the rear filter provision,
(complete with cutting template) it is an extremely efficient flare catcher.
Mighty peculiar lens-cap as well, I get a lot of funny looks when I take this
off.
RK
[EMAIL PROTECTED] wrote:
What kind of filter are you
Aaron said: Should ask him how his cap differs from this:
Well, it *is* a different cap. It's a much older incarnation of the cap
currently available, and of a slightly different design. Yes it performs the
same function and yes it is made by the same company, but it has different
wording (Asahi
There's been a fair amount of discussion and commentary about the
quality and amount of information available through various Pentax
viewfinders. Apart from exposure information, what information do you
look for and find important. Speaking for myself, all I care to see is
a simple display
So, the ones I have ARE rare!! Bill, make me an offer...
Norm
Mick Maguire wrote:
Aaron said: Should ask him how his cap differs from this:
Well, it *is* a different cap. It's a much older incarnation of the cap
currently available, and of a slightly different design. Yes it performs the
I'm sort of a minimalist. I own a LX and MX and their viewfinders, while
different, provide the only information I need: Shutterspeed, Aperture and
the little flashy light thingies that tell me I'm getting a correct
exposure. (obviosly the LX's flashy light thingies indicate some other things
Bob Rapp wrote: [My wife is away] And I will play! I just won an auction on a 135 f3.5
preset Takumar - complete with original caps and case. It is the 5 element chrome and
black, and the glass is clear. Cost? about 20.00 US delivered! I can't wait!!!
Bob,
If that's all she needs to worry
Shel,maybe its because i'm use to seeing the
info in the D1 viefinder ,but i like to see
my Shutter and my F stop at least,and mode i'm
in when using this type of camera.Withj the SF-1
i can see my shutter but no f stop.To do this i have
to keep the camera pointed to the subject and view
the top
A lot of shots (portraits) in the Pentax Fan website are taken with a LX
2000.
This is for those who say it's just for collectors!
;-)
Albano
(with plain-LX wink)
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Hi Fred,
I wasn't shocked. Mine has done the same thing to me. I'm certainly no
bokeh expert, but it seems to me that with mine (and in the web examples
that you've shown) that it does very poorly with out of focus specular
highlights. I have a couple of informal portraits with some
I've always said that if I had an LX 2000, Titanium, or Gold I'd use it. Why
not? As Cesar told me when I made fun of his beat-to-hell LX: It's a TOOL!
Having a rare camera and not using it is like the rich a-holes that have a
vintage Ferrari and don't exercise it on the track.
Christian
I like the MZ-3 display ( except in bright light ), it
gives shutter, aperture, over under and use flash
warning when back lit or shutter drops below 1/focal
length. I don't find the display annoying since when
I'm in manual I don't even notice it's there. I find
displays with the af points that
Bruce Dayton wrote:
...just doesn't have quite the ring to it.
You mean that in addition to big, klunky cameras, secret passwords and
funny hats you will have secret rings, too? Wow.
Bob
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Well, the Contax No. 5 67mm hood that I ordered from Cole's Camera had been sold. Just
as well; 86mm width is awfully imposing and inconvenient.
I misspoke when I said I was considering the Nikon HN-23. I meant to write HN-13. That
does fit a 72mm filter ring, right? And it's plenty long? One
It could be an important cap for a diehard collector, one that must have as
close to the original cap as possible for the year of manufacture of the
lens he intends to put it on. In that case, it could be seen to be
reasonable. I know i don't need one but someone may need one.
Len
---
Hi,
I like it to say That's a great photo, Bob. Press the
shutter...NOW!.
Apart from that I'm becoming more of a minimalist (or should that be
'less of a minimalist'? Is that a paradox? Perhaps 'less of a
maximalist' is best).
Whatever. I've always appreciated the efficient simplicity of the
I'm sure there are wealthy people who regularly shoot pictures with all of
the commemorative edition Leicas, Rolleis, and Hasselblads they own, too.
I've seen wealthy businessmen wearing solid gold Rolex wristwatches with the
time on them twenty or more minutes wrong, too.
Len
---
-Original
Your post is really puzzling to me, for I see the f-stop very clearly. I'm
curious if anybody else has this problem.
Lukasz
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]On
Behalf Of Alexander Krohe
Sent: Monday, April 22, 2002 10:16 PM
To: [EMAIL PROTECTED]
And what facts are those, Friday?
Bill D. Casselberry wrote:
SuperProgram - ... just the facts, ma'am!
--
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
http://home.earthlink.net/~belinkoff/darkroom-rentals/index.html
-
This message is from the
I am also interested to see those photo's!
Frits
BTW, this email is about photography, so it should not be marked as OT. Many
OT messages are not marked as such, and many on topic messages are marked as
OT. I had to switch off my mail filter, because it was useless this way.
-Original
Well, take a look here:
http://primco.org/photo/galleries/vivitar_285_manual/
You ought to be able to figure it out with this.
Len
---
- Original Message -
From: Steve Pearson [EMAIL PROTECTED]
To: Pentax Mail List [EMAIL PROTECTED]
Sent: Monday, April 22, 2002 4:08 PM
Subject: OT:
Yuck! With bokeh like that, who needs enemies? I'll stick with
my FA*85 for beautiful bokeh.
Actually I managed to take a few harsh bokeh photos with this lens too. :(
regards,
Alan Chan
_
Join the worlds largest e-mail
http://www.photozone.de/canonFAQ.htm#3Q4c
And that makes me wondering, is good coating so difficult or expensive to
develop that even big player like Canon could not do it?
regards,
Alan Chan
_
Join the worlds largest e-mail
Hi, Lukasz,
Funny, with regard to match-needle versus LED (at least in the MX), I'm the
opposite of you: In bright sunlight, I find it much easier to see the
match-needle in my Spots; sometimes the led's of the MX can be washed out in
bright sunlight (you may remember we had such a discussion
As I understand it, the concept of multicoating was originally developed by
NASA. Their process for generating an even coat of the desired angstroms
thickness was unbelievably difficult and costly, but it did demonstrate the
effectiveness of multiple coatings to match the impedance of free space
Hi, Lukasz,
I'm with you on this one: I've had no trouble reading the f-stop in the MX
viewfinder. With the possible exception of when the ring is between stops,
and the numerals aren't in the lttle viewer's area. No problem moving the
ring 1/2 stop one way or the other, to see where I am,
Thanks Len for the reference! Do you know what the
difference is between the 285 the 285HV?
Also, I assume the 285 is the newer version of the
283? Are they rated the same in terms of power
output?
Thanks again for your help!
--- Len Paris [EMAIL PROTECTED] wrote:
Well, take a look
playing devil's advocate, according to
http://people.smu.edu/rmonagha/mf/coatings.html
there's no significant improvement in flare resistance between single- and
multicoated optics, in lab tests at least. granted, it talks mostly about
primes, but still, is it that big of a deal, really?
-
sometimes i like having a grid. sometimes i think that a split image is
annoying. do interchangeable screens can count as a part of a viewfinder?
i guess, the ideal solution is what MF cameras (usually) have: by swapping
screens/prisms one can get as much or as little info as is appropriate at
SB So, what do you look for and prefer, and why?
1) aperture, either tru window or electronically (as I have now only
manual pentaxes and other cameras - it's tru a window)
2) shutter speed. I love the match needle metering as on LX or K2DMD
(two different incarnations of it though), but would
andre wrote:
If this is the case, Bruce, Vivitar's marketing strategy is
surprising: write 19mm on a lens that could be called 18mm or 17mm !
Andre,
This could have been part of the marketing agreement with Tokina.
In the same way, perhaps, Kino Optical had to call its Kiron 105mm
macro an
Thanks Dave. I almost got the lens (18mm 3.5) from their site, but a
Japanese buyer had ordered the lens a bit before me. Good luck to
him.
A few months ago, I was also supposed to get this lens from the
personnal stock of a mainstreet seller, but he decided to sell all
his Pentax gear at
Mishka wrote:would you like it to beep you: bob, there's a great photo you are
about to miss, grab the camera and run to the intersection of A and
B... NOW!
I recall when the Japanese camera companies agreed upon a set of icons to signify the
basic 20 or so messages, such as film empty and
In response to this thread- I prefer to have shutter speed, aperture and
exposure
info in the viewfinder, LCD/LED is fine- never had a problem with that,
even in direct
bright sunlight, but I'm not a prodigious photographer, so I haven't
been in situations
like that very often.
Taka
-
This
Bob Blakely wrote:
As I understand it, the concept of multicoating was originally developed by
NASA.
Yes, it was developed by OCLI (Optical Coating Laboratory, Inc. at
http://www.ocli.com/ in California.
...it was Asahi Optical that developed and patented the current process that makes
such
Peter,
I`ve been looking for one of those VS1 90-180 hoods that say
Vivitar Series 1 on it. I picked up a 72mm Vivitar hood on ebay
that`s about 1 and 3/8' total length, that works well, but I still
want one (actually three) that say Vivitar Series 1 on it.
How deep is the one that says Vivitar
I recently saw a spectral response diagram of the standard SMC and the
gostless coatings. The response was very even over the visible spectrum
with the exception that the gostless has a sharper UV cut-off than the SMC.
Bob
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I demand, DEMAND, I say, a reliable way to frame and focus, and would prefer
that anything else they stick in there not get in the way of those.
Ciao,
Graywolf
http://pages.prodigy.net/graywolfphoto
-
This message is from the
Also, I assume the 285 is the newer version of the
283? Are they rated the same in terms of power
output?
The 285HV and the 283 are both current production models. The GN of
the 285HV 50mm zoom is the same as the GN of the 283.
The 285HV has a built in manual optical zoom on the flash
We got talking about getting together with other PDML member for a day
out.
What would you BC, WA and OR PDML members feel about getting together
like
the Toronto group did last weekend?
Saturday the 27th is the 22nd annual Camera Photographic Swap Meet in
Puyallop, Washington. (Western
At 12:08 22-4-2002 -0400, you wrote:
The Tokina SL-17 is an old design. I've read that it's the same lens
that's sold as the Vivitar 19mm.
The Tamron SP 17/3.5 gets the highest marks for geometric accuracy--as one
might expect, with its 82mm filter size. (Right? I'm going from memory.)
I got mine for $35 off ebay about a month ago with great glass but a minor
clicking noise when focusing, the list assured me this was not a problem.
The first images from it confirm that it's not a problem.
-matt
on 4/22/02 11:44 AM, Jeff Post at [EMAIL PROTECTED] wrote:
I bought my about a
I also have no trouble with the f-stop reading in the MX viewfinder, and
I'll agree that the LEDs are a bit hard to see in bright light. Would a
rubber eye-cup help this problem?
As for info, I see shutter and f-stop being a bare minimum, especially
useful, if like me, you are just starting.
Found, the link for spectral response. From the gang at AOHC.
http://digilander.iol.it/aohc/images/ghost01.gif
Bob
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Hello all...
I noticed this lens selling on eBay recently; did anyone on the list get it?
Does anyone have experience with that manufacturer? It sold for $147 which
is amazing compared to some other lenses in that length and speed.
Wow - my first PUG and I get such a thoughtful and useful review on the
famous Cotty List. The praise made my day and the suggestions have
motivated me even more than I already was. I missed this month's PUG, but
I'm looking forward to coming up with something for June.
Thanks so much.
-matt
At 14:40 22-4-2002 -0400, you wrote:
From: Shel Belinkoff [EMAIL PROTECTED]
There's been a fair amount of discussion and commentary about the
quality and amount of information available through various Pentax
viewfinders. Apart from exposure information, what information do you
look for and
Christian,
I knew a McDonald's executive who was sinfully rich. He was in his early
60's and raced an old Lotus Elan. One Saturday on the way to McDonald's my
boys spotted a red Ferrari. It was in front of us and we were surprised to
see it turned into the McDonald's in front of us. My
Here! Here! (or is it Hear! Hear!??
T Rittenhouse wrote:
I demand, DEMAND, I say, a reliable way to frame and focus, and would prefer
that anything else they stick in there not get in the way of those.
--
Shel Belinkoff
mailto:[EMAIL PROTECTED]
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This message is from the Pentax-Discuss
Bill,
It was an interesting show, but 2 hours I think...8-10PM last night.
You may need that 2nd showing yourself.
I guess St. Ansel was something of a character.
I tried to attend the exhibit at the Art Institute of Chicago Saturday,
but it was too crowded with viewers to be much fun.
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