Dear All
I have at last revised and substantially enlarged my study of these enigmatic
instruments. You will find the revised pdf at
https://monicahall.co.uk
in the section
The Chittarra Atiorbata and Guittare Theorbée
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If anyone is interested in Corbetta - I have revised and rearranged the various
sections in my study of him on my webpage - https://monicahall.co.uk
https://monicahall.co.uk
There are now just four large sections placed at the beginning of the list all
clearly dated 2020.
I haven't deleted
cm.org/v9/no1/stein.html#ch4
>
>[2]http://www.sscm-jscm.org/v9/no1/stein.html
>
>Best,
>
>Matthew
>
>On Apr 13, 2020, at 13:08, Monica Hall
><[3]mjlh...@mail.cs.dartmouth.edu> wrote:
>
>Dear List
>I am trying to trace a quot
Dear List
I am trying to trace a quotation from Giustinianiâs Discorso sobre la musica
in which he writes about accompanying the voice with theorbo, guitar,
harpsichord or organ and refers to Kapsberger as writing arie to be sung all
spagnola or allâitaliana. I just cannot track it down on
le genre Chromatic a peut estre esté
> appellé de ce nom, parce que les Grecs l'escriuoient auec des caracteres
> rouges, ou dautre couleur, car chroma signifie couleur)
> http://www.chmtl.indiana.edu/tfm/17th/MERHU2_5_TEXT.html
>
> On Wed, Feb 5, 2020
https://books.google.com/books?id=fVsiWYQUGpcC
>
> -Original Message-
> From: lute-...@new-old-mail.cs.dartmouth.edu
> On Behalf Of Monica Hall
> Sent: Wednesday 5 February 2020 11:01
> To: VihuelaList
> Subject: [VIHUELA] Mersenne reference
>
>I
I just wondered whether any kind soul familiar with Mersenne's
monumental work could Identify which Book/Chapter/page number in
Harmonie universelle. the following quote appears.
"Il faut remarquer que le genre chromatique de musique a pris son nom
des couleurs , car chroma
Just as a matter of general interest. Rafael Andia has written a novel about
Corbetta - the title is Guitarre royalle - roman. it is in French and
published by Harmattan. Haven't read it yet.
Perhaps it will be made into a film - like Tous les matins du monde!
Monica
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To get on or off this
I wonder if any of our Italian speaking members is willing to translate
this sonnet. I get the general drift of it which seems to be rather
derogatory but some of it is difficult to turn into coherent English.
Muse ui prego di non fare il Muso/
E soffrir à ragion châentra in
ze.
>
> regards
>
> Martyn
>
> On Wednesday, 26 June 2019, 09:33:51 BST, Monica Hall
> wrote:
>
>
> Hi Martyn
>
> Thank you for this. I've read your article several times and I think I
> have understood it although when it comes an
ve nature of some of the previous analysis
> means that few unequivocal conclusions may be drawn"Nevertheless, I
> believed then, and still do, it gives a reasonable indication of the tensions
> employed.
>
> regards
>
> Martyn
>
> On Wednesd
I have been puzzling over the Stradivarius stringing instructions for
the chitarra ttiorbata again.
I have two queries.
Why should he compare the strings of the third, fourth and fifth
courses to violin strings rather than those on the (presumably)
standard 5-course guitar.
at 18:42 Azalais wrote:
Could there possibly be a structural, or a bridge (and bracing) and/or
peg box spacing reason perhaps? Maybe a string oscillation clearance
issue? (I haven't seen photos or images)
azalais
On Wed, Jun 12, 2019 at 11:12 AM Monica Hall <
[1]m
.
>
> Or perhaps I've misunderstood ..
>
> Marty
>
>
> On Wednesday, 12 June 2019, 14:15:27 BST, Monica Hall
> wrote:
>
>
> Well - the pieces in the Gallot Ms. - the only known source of music for
> the instrument - are all solo pieces an
oved out of the way from the main action.
> But I don't know...
>
> Rob
>
> On 12 June 2019, at 13:51, Monica Hall wrote:
>
> Sorry if it is not clear. It is a twelve course instrument. There are five
> courses on the fingerboard and seven unstopped basses.
>
> Fr
e' c' g c B Unfretted: B C D E F a g
>
> Is that correct? If so, that is highly unusual, so please correct me if
> I'm wrong.
>
> Rob MacKillop
>
>
>
> On Wed, 12 Jun 2019 at 12:07, Monica Hall < mjlh...@cs.dartmouth.edu
> mailto:mjlh...@cs.dartmouth.ed
> Monica, this tuning seems very odd? Fifth course a semitone lower than fourth
> course? Same note B on two courses (fifth course on fingerboard and fifth
> unstopped course)?
>
>
>
> On 12 June 2019, at 12:08, Monica Hall wrote:
>
>The latest issue of Early Music
The latest issue of Early Music has a short article on the guitarre
theorbee suggesting an interesting tuning/stringing method different
from the one suggested by Donald Gill and myself - to witt -
on the fingerboard - e' c' g c B
1st - 5th unstopped courses - F E D C B,
I have added a section to my Corbetta page describing the manuscript
I-Rsc Ms.AS A 4912 which includes some pieces by him. This is Section
VI Part 6, right at the end.
As the ms. also contains music by Bartolotti I have added a section to
my Bartolotti page. It is after the main
For those of you who are interested...
My web site - [1]www.monicahall2.wordpress.com now has on it an
extended study
of Corbetta - the best of all in the words of Sanz and in my
estimation
too.
The highlights of this are
1. An extended biography - I have collected
Thanks - that solves that little mystery.
M
- Original Message -
From: Lex Eisenhardt eisenha...@planet.nl
To: 'Monica Hall' mjlh...@tiscali.co.uk; 'Vihuelalist'
vihuela@cs.dartmouth.edu
Sent: Saturday, July 04, 2015 12:57 PM
Subject: RE: [VIHUELA] My Web Site
Especially
The Lute Society in England was given a Mexican 5-course instrument which
was supposed to pass as a baroque guitar. I borrowed it for a while and
thought it was awful - very heavy in constuction. It was strung with nylgut
which I had never used before and hated but I am not sure whether gut
I will answer my own question in case any one is interested. It is in the
Bibliotheque nationale de France.
Monica
- Original Message -
From: Monica Hall mjlh...@tiscali.co.uk
To: Vihuelalist vihuela@cs.dartmouth.edu
Sent: Tuesday, February 24, 2015 2:01 PM
Subject: [VIHUELA
Does anyone know where there is a copy of the second edition of Nicolas
Derosiers' little book i.e. Nouveaux principes de la guitarre printed in
Paris in 1699?
It's mentioned in Tyler's book but he doesn't give a location.
Monica
To get on or off this list see list information at
Does anyone have an e-mail address for
Joao Duarte
a Portuguese guitarist who is an authority on Portuguese baroque guitar
manuscripts.
Cheers
Monica
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The Swedish lutenist Fredrik Bock has just released a very nice CD of
music from Bartolotti's Secondo Libro. It's on the Swedish label Lawo
LWC 1065.
Monicaq
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the figures indicate and the guitar
part - which to my ears makes better sense at lest in some ways
As ever
Monica
- Original Message -
From: Arto Wikla wi...@cs.dartmouth.edu
To: Monica Hall mjlh...@tiscali.co.uk; Vihuelalist
vihuela@cs.dartmouth.edu
Sent: Tuesday, September 16, 2014 4
some access through JSTOR but
Early Music has partial coverage.
Arthur
On 08/18/14, Monica Hall[5]mjlh...@tiscali.co.uk wrote:
I wonder if anyone who has access to the journal Early Music on line
would
be able to send me a copy of this article from no. 42, August 2014
issue
I wonder if anyone who has access to the journal Early Music on line would
be able to send me a copy of this article from no. 42, August 2014 issue
New recordings of early guitar
Gary Boye
Early Music 2014 42: 488-490.
Regards to all - hope you are enjoying summer holidays.
Monica
To
articles in Early Music 41/4
and
42/1 were all reviewed by outside readers.
-Oorspronkelijk bericht-
Van: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Namens
Martyn Hodgson
Verzonden: woensdag 25 juni 2014 10:59
Aan: Monica Hall; Braig, Eugene
CC: Vihuelalist
Onderwerp
: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of Monica Hall
Sent: Friday, June 27, 2014 3:42 AM
To: Lex Eisenhardt
Cc: Vihuelalist
Subject: [VIHUELA] Re: Guitar Summit
To be honest - even if these articles are read by outside readers there is
no guarantee
Dmth
Onderwerp: [VIHUELA] Re: Guitar Summit
On 24/06/2014 09:25, Martyn Hodgson wrote:
A A - Forwarded Message -
A A From: Martyn Hodgson [5][5]hodgsonmar...@yahoo.co.uk A A
To: Monica Hall [6][6]mjlh...@tiscali.co.uk A A Sent: Tuesday, 24
June 2014, 7:26 A A Subject: Re
I just wondered whether anyone else on this list is on the Guitar
Summit list and if so whether they ever get any messages. I haven't
had any for months and was wondering whether it is defunct or whether I
have been struck off!
Thanks to all
Monica
--
To get on or
but messages I have sent have not got
through and I haven't received any for ages.
Monica
- Original Message -
From: Martyn Hodgson hodgsonmar...@yahoo.co.uk
To: Monica Hall mjlh...@tiscali.co.uk; Vihuelalist
vihuela@cs.dartmouth.edu
Sent: Monday, June 23, 2014 6:37 PM
Subject
-
From: Braig, Eugene brai...@osu.edu
To: Monica Hall mjlh...@tiscali.co.uk
Sent: Monday, June 23, 2014 7:55 PM
Subject: RE: [VIHUELA] Re: Guitar Summit
So, I went to the list's web interface
(http://lists.topica.com/lists/guitar-summit) to look for any of Monica's
e-mail notes to have been
Many thanks for that! Well obviously he must have seen it. When you
start delving into these things it is amazing what you find.
Regards
Monica
- Original Message -
From: [1]Azalais
To: [2]Monica Hall
Sent: Tuesday, May 13, 2014 10:26 PM
Subject: Re
.
It seems that Segovia included this piece too in vol. 3 of his Obras de
guitarra series.
Amazing what you can find on the internet.
Monica
- Original Message -
From: Braig, Eugene brai...@osu.edu
To: Monica Hall mjlh...@tiscali.co.uk
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Sent
Yes it is - I remember watching it on the tele.
Monica
- Original Message -
From: Braig, Eugene brai...@osu.edu
To: Martyn Hodgson hodgsonmar...@yahoo.co.uk; Monica Hall
mjlh...@tiscali.co.uk
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Sent: Tuesday, May 13, 2014 12:59 PM
Subject
: [1]lute-...@cs.dartmouth.edu [mailto:[2]lute-...@cs.dartmouth.edu]
Namens
Martyn Hodgson
Verzonden: dinsdag 13 mei 2014 13:30
Aan: Monica Hall; Braig, Eugene
CC: Vihuelalist
Onderwerp: [VIHUELA] Re: Lorimer's bibliography? (ISBN 0-9618527-1-2
Yes it is interesting. But it's surely
with overwound strings for the bourdons and it
wouldn't surprise me if it did have fixed frets.
But it is difficult to tell from a Youtube clip.
Monica
- Original Message -
From: Chris Barker csbarker...@att.net
To: 'Monica Hall' mjlh...@tiscali.co.uk
Sent: Tuesday, May 13, 2014 1:18 PM
://www.kentguitarclassics.com/classical-guitars/jose-luis-romanillos/jose-luis-romanillos-of-semley-3
Enjoy.
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of Monica Hall
Sent: Tuesday, May 13, 2014 8:47 AM
To: Chris Barker
Cc: Vihuelalist
Subject
Returning to my original query I wonder whether anyone on the list actually
has a copy of this
Prélude pour guitare ; Allegro pour guitare ; edited by Emilio Pujol. Paris
: Max Eschig, 1955. [Autors Anciens no. 1026].
I just want to be sure that it is the same pieces that Bream and Segovia
in Madrid. I
wonder how Pujol got hold of it.
That's another mystery to solve. Did he come to England.
Thank you both again.
Monica
- Original Message -
From: Peter Kooiman pkooi...@multimediabit.com
To: Monica Hall mjlh...@tiscali.co.uk
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Sent
I am trying to trace printed editions and recordings of S de Murcia's music
in any format which pre-date 1987 - the year in which the Saldivar Codex
came to light or at least was recognized as being a source of his music.
People like Pujol, Graciano Tarrago, Jose Azpiazu and Alexander Bellow
!
Monica
- Original Message -
From: [1]Rob MacKillop
To: [2]Monica Hall
Cc: [3]Vihuelalist
Sent: Monday, May 12, 2014 3:01 PM
Subject: Re: [VIHUELA] Santiago de Murcia
You mean before his music became flamencofied ;-)
Rob
On 12 May 2014 14:03, Monica
message didn't seem to appear on that list and I haven't had any
response. Perhaps it is now defunct.
Regards to all
Monica
- Original Message - From: Azalais
To: Monica Hall
Sent: Monday, May 12, 2014 7:32 PM
Subject: Lorimer's bibliography? (ISBN 0-9618527-1-2
Hello Monica,
Your
to all
Monica
- Original Message - From: Azalais
To: Monica Hall
Sent: Monday, May 12, 2014 7:32 PM
Subject: Lorimer's bibliography? (ISBN 0-9618527-1-2
Hello Monica,
Your mention of the pre-1987 cut off date for de Murcia references
leads me
to believe that you must
: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Namens
Monica Hall
Verzonden: maandag 12 mei 2014 15:03
Aan: Vihuelalist
Onderwerp: [VIHUELA] Santiago de Murcia
I am trying to trace printed editions and recordings of S de Murcia's
music
in any format which pre-date 1987 - the year
That is even more helpful!
Thank you.
Monica
- Original Message -
From: Peter Kooiman pkooi...@multimediabit.com
To: Monica Hall mjlh...@tiscali.co.uk
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Sent: Monday, May 12, 2014 8:40 PM
Subject: Re: [VIHUELA] Santiago de Murcia
Some googling
-course guitar (I can check the
exact phrasing in the liner notes when home from the office), but he
certainly favored a modern functionality when dabbling in early
instruments.
Best,
Eugene
-Original Message-
From: Monica Hall [mailto:mjlh...@tiscali.co.uk]
Sent: Monday, May 12, 2014 4
Many thanks for the information. Most helpful.
Monica
- Original Message -
From: Braig, Eugene brai...@osu.edu
To: Monica Hall mjlh...@tiscali.co.uk
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Sent: Tuesday, May 13, 2014 4:56 AM
Subject: RE: [VIHUELA] Re: Lorimer's bibliography? (ISBN
Never! it is included in the earliest surviving edition of 1626 and was
included (uncorrected) in all subsequent editions right through to the end
of the 18th century.
It is also included in the plagiarized edition edited by Andres Sotos
printed in 1764 in Madrid.
Monica
- Original
the information
you need without leaving home!
Monica
- Original Message -
From: [1]Rockford Mjos
To: [2]Monica Hall
Cc: [3]Vihuelalist
Sent: Saturday, January 11, 2014 5:39 AM
Subject: Re: [VIHUELA] Hertzberg Guitar Book
Hans Olav Gorset, Vegard Lund, and Kristian
Hertzbook Guitar Book
I have a few queries about this manuscript which was mentioned some time ago
when Are Hansen posted information about it on-line at
http://folk.uio.no/henninho/Gitar.html
It is now in the National Library of Norway - Mus. Ms.a 5038
and the catalogue
entry includes a
that a similar dissonance is intended when
there is no obvious practical reason for not doing the correct thing.
As ever
Monica
- Original Message -
From: Lex Eisenhardt eisenha...@planet.nl
To: 'Martyn Hodgson' hodgsonmar...@yahoo.co.uk; 'Monica Hall'
mjlh...@tiscali.co.uk; 'WALSH
On p.260 of his dissertation Alex Dean has reproduced two passages from
Matteis's False consonances.
In his transcription of the excerpt at the top of the page Dean
proposes that the open 1st and 5th courses should be included in
all the chords in the 2nd and 3rd bars.
(in the first full bar) with dots, but the
second time (bar 5) there are no dots!
Monica
- Original Message -
From: [1]Martyn Hodgson
To: [2]Monica Hall
Sent: Thursday, November 14, 2013 4:08 PM
Subject: Re: [VIHUELA] Matteis
Page no in 1682 original plse
the notation?
As ever
Monica
- Original Message -
From: Natasha Miles natasha.mi...@hotmail.co.uk
To: Monica Hall mjlh...@tiscali.co.uk
Cc: Vihuela List vihuela@cs.dartmouth.edu
Sent: Thursday, November 14, 2013 6:13 PM
Subject: [VIHUELA] Re: Matteis
Hi Monica,
I've been tackling similar
Actually I just noticed that Dean's transcription of Fig.4.12A is
wrong. In the 2nd measure the B major chord is repeated, not the the C
major one.
Monica
- Original Message -
From: [1]Natasha Miles
To: [2]Monica Hall
Sent: Thursday, November 14, 2013 8:57
Reply below.
- Original Message -
From: WALSH STUART s.wa...@ntlworld.com
To: Monica Hall mjlh...@tiscali.co.uk
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Sent: Thursday, November 14, 2013 9:59 PM
Subject: [VIHUELA] Re: Matteis
On 14/11/2013 21:48, Monica Hall wrote:
Yes
For those of you interested in these matters there is an excellent
article about Chord L written by Natasha Miles - everything you wanted
to know - in the latest Lute Vol. 50, 2010. An impressive piece of
work. Well done Natasha.
Monica
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Dear Collective Wisdom,,
When did fixed, rather than tied on frets become the norm on the
guitar?
Monica
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Reply at the bottom..
- Original Message -
From: WALSH STUART s.wa...@ntlworld.com
To: Monica Hall mjlh...@tiscali.co.uk; Vihuelalist
vihuela@cs.dartmouth.edu
Sent: Thursday, October 31, 2013 10:19 PM
Subject: Re: [VIHUELA] Web Pages
On 30/10/2013 15:05, Monica Hall wrote
I have now put on my web page a revised and much expanded version of my
study of BartolottiI have completely redone the musical examples
because I now have a better programme for doing staff notation. There
are also a few more illustrations of one sort or another including a
I just read in a review of Toyohiko Satoh's latest recording of De
Visee that De Visee was born in a little village called Viseu in
Portugal near Coimbra where he learnt the guitar. After studying at
university he moved to Paris where he studied the guitar with Corbetta
and the
I was gob-smacked when I read it. Does Satoh really say that De Visee
was born in Portugal without there being any evidence to that effect?
That really is reprehensible.
As ever
Monica
- Original Message -
From: [1]Martyn Hodgson
To: [2]Monica Hall
I don't know if anyone is interested but there is an article about the
Cancionero de Matheo Bezon in Resonance - this is the link
[1]http://www.resonancejournal.org/current-issue/spr-2013/spanish-song-
chitarra-alla-spagnola-and-the-a-bi-ci-matheo-bezon-and-his-1599-alfabe
This may be a silly question but what type of wood is usually used for
the soundboards of original 17th century baroque guitars?
I am just looking through the RCM catalogue and it just says front
fine-grained of fine to medium grained.
Are soundboards ever made of cypress wood?
As I am sure you all know there is this tale that Scarlatti heard the
baroque guitar played in the streets of Madrid and tried to reproduce
some of its unique effects in his keyboard sonatas.
But does anyone know what the actual source for this mugget of
information is. Is it
- Original Message -
From: [1]Eduard Agullo
To: [2]Monica Hall
Sent: Thursday, May 23, 2013 10:07 PM
Subject: Scarlatti in Spain
Hello Monica,
I am a Spanish guitarist, and I follow your vihuela list
frequently, even If I don't post very much.
I am
Dear Collective Wisdom
I think there are four manuscripts of songs which have guitar
accompaniments in tablature which belonged to Samuel Pepys.
Has anyone ever made modern editions of any or all of these either
published or otherwise.
Monica
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To get on or off
Thanks to both of you for the information.
Monica
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I am sure we have discussed this before but are there any other sources
of purely instrumental music besides Marini with alfabeto?
Monica
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Hi Ed
Thanks for posting this. I enjoyed listening to it and watching you play.
I always find it fascinating to watch other people playing close up. I did
think that you tend to play too close to the bridge too much of the time
which seems to create an almost metalic sound. But perhaps
of the note to which the appoggiatura is attached. A long note might call
for something more elaborate.
I'm afraid that is the best I can do. Maybe someone else would interpret
the notation differently.
Monica
Thanks Monica,
I put my comments in line.
On Jan 22, 2013, at 1:20 AM, Monica Hall
Thanks for that.
Monica
- Original Message -
From: Lex Eisenhardt eisenha...@planet.nl
To: Vihuelalist vihuela@cs.dartmouth.edu
Sent: Tuesday, January 22, 2013 9:58 PM
Subject: [VIHUELA] Re: Adam Ebert
Whilst we are on the subject of Corbetta's biography I wonder if anyone
has
managed to break
into their library yet. I would like to know exactly what it says.
Regards
Monica
- Original Message -
From: Monica Hall mjlh...@tiscali.co.uk
To: Lex Eisenhardt eisenha...@planet.nl
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Sent: Friday, January 04, 2013 5:21 PM
By chance I have a recording of Antonio Ligios playing this piece and as far
as I can tell he is doing exactly what the ornaments seem to imply...
Has anyone any thoughts about the starting note of the x ornament signs in
Corbetta's La Guitar Royal of 1671, particularly the Folia starting on
it
includes some material from them.
Monica
- Original Message -
From: Lex Eisenhardt eisenha...@planet.nl
To: 'Monica Hall' mjlh...@tiscali.co.uk
Cc: 'Vihuelalist' vihuela@cs.dartmouth.edu
Sent: Friday, January 04, 2013 11:24 AM
Subject: [VIHUELA] Re: Adam Ebert
Thanks, this is very
on hand - like whether to wait until the insurance company repairs
the washing machine or go out and buy a new one.
Happy New Year to anyone I have not greeted to date.
MOnica
- Original Message - From: Rob MacKillop
robmackil...@gmail.com
To: Monica Hall mjlh...@tiscali.co.uk
Cc
Well - I spent a lot of time looking at this some time age - the British
Library have a
copy. In spite of not knowing much German or being able to read Gothic
script I did manage to make some headway with the section about England
which described the London of Charles II very accurately. I
.
Monica
- Original Message -
From: Lex Eisenhardt eisenha...@planet.nl
To: 'Monica Hall' mjlh...@tiscali.co.uk
Cc: 'Vihuelalist' vihuela@cs.dartmouth.edu
Sent: Thursday, January 03, 2013 9:52 PM
Subject: [VIHUELA] Re: Adam Ebert
Somehow I seem to miss the point. Where can we read
- Original Message -
From: Monica Hall mjlh...@tiscali.co.uk
To: Lex Eisenhardt eisenha...@planet.nl
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Sent: Thursday, January 03, 2013 10:13 PM
Subject: [VIHUELA] Re: Adam Ebert
Sorry if I haven't made myself clear. The passage about Corbetta
computer.
If you can translate it into English I would be grateful for a copy as John
Roberts has only summarised it.
Monica
- Original Message -
From: Lex Eisenhardt eisenha...@planet.nl
To: 'Monica Hall' mjlh...@tiscali.co.uk
Cc: 'Vihuelalist' vihuela@cs.dartmouth.edu
Sent
Does anyone have any dates for Fuenllana. I have just come across a
source which gives them as c.1500-1579. It seems unlikely to me that
he would have lived to be 79... Groves gives fl. 1553-1578.
Monica
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.
Monica
- Original Message -
From: [1]Martyn Hodgson
To: [2]Vihuelalist ; [3]Monica Hall
Sent: Wednesday, January 02, 2013 5:21 PM
Subject: Re: [VIHUELA] Fuenllana
Well, Orphenica Lyra is 1554 and I'd not think he'd be much younger
than around 30
in 1568.
1578 seems a probable death date but I don't think he can have been born in
1500. 1510 or later seems more likely doesn't it.
MOnica
- Original Message -
From: Eloy Cruz eloyc...@gmail.com
To: Monica Hall mjlh...@tiscali.co.uk
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Sent
I knew in Madrid) added the fifth course
which we call the first. which is also a bit odd. An eye witness
nevertheless.
Another of life's mysteries.
MOnica
- Original Message -
From: Rob MacKillop robmackil...@gmail.com
To: Monica Hall mjlh...@tiscali.co.uk
Cc: Eloy Cruz eloyc
There are two articles in the upcoming issue of Early Music with
baroque guitar interest -
K. Macdowell - Il Mattaccino
A. Dean - Strumming in a void
I wonder whether there is anyone who has advanced access to the pdfs
which are available on the EM webpage who might
, Eugene brai...@osu.edu wrote:
From: Braig, Eugene brai...@osu.edu
Subject: [VIHUELA] Re: de Visee Chaconne in a minor to the guitar?
To: Monica Hall mjlh...@tiscali.co.uk
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Date: Wednesday, 21 November, 2012, 21:18
Indeed. I'm in the day
to make it more accessible. The biggest problem is transcribing
music in the re-entrant tuning because you end up with so many unisons...
Still I think we have to try.
As ever
Monica
- Original Message -
From: Braig, Eugene brai...@osu.edu
To: Monica Hall mjlh...@tiscali.co.uk
to know whether notes in the relevant range belong along the a, g, or b
string.
Best,
Eugene
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of Monica Hall
Sent: Sunday, November 11, 2012 2:33 PM
To: ar...@student.matnat.uio.no
Cc: Vihuelalist
guitar - but I didn't care for it very much that way! De gustibus non
disputandum.
MOnica
- Original Message -
From: Braig, Eugene brai...@osu.edu
To: Monica Hall mjlh...@tiscali.co.uk
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Sent: Wednesday, November 21, 2012 9:18 PM
Subject: RE
Dear Art
Not sure if I have understood your question aright but there are
arrangements for baroque guitar of several movements from Corelli's violin
sonatas in Murcia's Passacalles y obras and quite a lot of arrangements
of pieces by Lully in various French ms.
Monica
- Original
Dear Arto
There is a guitar version of this chaconne - in D minor - in the huge
manuscript F.Pn Res. F. 844. It is on p.237.
Someone - Stuart I think - pointed out that you can download an image of the
whole of this ms. from the Bib. Nat. site.
Regards
Monica
- Original Message
-
From: [1]WALSH STUART
To: [2]Monica Hall
Cc: [3]ar...@student.matnat.uio.no ; [4]Vihuelalist
Sent: Sunday, November 11, 2012 8:24 PM
Subject: Re: [VIHUELA] Re: de Visee Chaconne in a minor to the guitar?
I couldn't resist a quick try at it:
[5]http
are. They didn't know we would be
interested 300 years later.
Monica
- Original Message -
From: [1]Martyn Hodgson
To: [2]Monica Hall
Sent: Thursday, November 08, 2012 4:18 PM
Subject: Re: [VIHUELA] Losy Rondeau
On f. 75v of the same Ms (Brno D189) this rondeau
Musica Antiqua Bohemica.
It includes both the Tombeau and the Sarabande. They seem to me to be very
idiomatically conceived for the guitar. The chord shapes are typical
alfabeto.
Monica
- Original Message -
From: Martyn Hodgson hodgsonmar...@yahoo.co.uk
To: Monica Hall mjlh
That's very helpful and interesting. I just borrowed it from the library
for various reaons but haven't had a lot of time to look at it.
The problem with so many of these early ediitions or even later ones is that
you can't be sure they are reliable. Only the original is reliable - sort
of!
practical on the guitar than the mandora.
Just a thought.
Monica
- Original Message -
From: WALSH STUART s.wa...@ntlworld.com
To: Chris Despopoulos despopoulos_chr...@yahoo.com
Cc: Martyn Hodgson hodgsonmar...@yahoo.co.uk; Monica Hall
mjlh...@tiscali.co.uk; Vihuelalist vihuela
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